ࡹޟཌ ྃӴ˕ങסݘএ The delicacy of collage Polar Region—Chen Sung-chih solo exhibition Part I 2010/7/17-8/15 Part II 2010/8/20-9/19
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șȶྃӴ.ങסݘএȷഺհՌक़!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! М0ങסݘ
!!!!!ـതȂȶྃӴȷᇄרঈޟຽᚔԤӻሉȉ !!!!!רᇄσӻኵޟΡΙኺڗؠႆྃӴȂᄇܻྃӴޟᇯޣӻјپՌܻ ႫຜኇࣥܖਪൢޟаࢲϭಝȄרᇄσӻኵޟΡΙኺȂζϚឈு ኺΙএልሉޟცӴـതོᇄޟרҡࣀҡդ้ޟϓ߽ȄณՄȂϚޣ դਢۖȂषϓྃޟӴӟຫբᓍঐᡐ᎐ដᚠีޟሕȂΙ༵ംᅚ ᡐȃੑѶޟӴᇼၿԙ࣏רঈࡦՃҡԆȃᡐҡࣀޟᆒȄـതȶྃ Ӵȷ࣏դȉߨٮרऋᏰড়ȂܚᇯڏޟޣᄂԤ३ȂծԃݎȶྃӴȷೝ ܹӵኺΙএᚠЕȂѺܚॊҡюޟپᆠડࡦՃȂܖ೨ІࢎюΟΡঈϞ ܻԤ३அᙃΰଡ຺ູؑҏ፴ޟଜࡦȄȶྃӴȷӵԪȂୈ࣏ΙᆍІᒞȂ ܐ൷Ιᆍӱᘪҏ፴ޟ൳ཎȄ !!!!!ٲԑپȂ៉ࡻרএΡҡࣀࡗޟཌӎශȂў௨ٲ฿ᖃ։ ഁޟഋӋܚளרঈޟѪΙቹቋȂרᄛоඣᒵσ໔ಗᕹȃҡվޟ શആႆഺհଢ଼Ȃٲዣொޟಗཇސ፴Ͻ࣏ᡗَޟΡഅຜๅȂ࿋ ٲ)Ԇ*ޟഋӋԙ࣏רঈᏗຜޟᢎශȂЕϭޟΙൟඳଶȶཎဎ ȷޢᢎȶҏ፴ȷȃܒސपϽ࣏ޣឈޟႆแȄٮٲങȶ࡚ᄺȷᇄȶ ྒᚽȷޟᘞᙏጡȂතҰרঈலРϛᅓѶޟҁγ౪ᄂȂ࢜၇ юޟғΙࢲࢲȶלڎȷᇄȶདȷϞҺϣᅤആᜲޟ၌ಬᚠȄ !!!!ȶྃӴ.ങסݘএȷᙤЕȶྃӴȷୈ࣏Ρঈདຽᚔޟޟຫ ȂആႆΡώސਟ)ߜ឴ȃ݂ᜢȃાҏȃᆹॄΚȌ*ޟፒӫ१ಢȂᘗ юٮרސԆޟጙࣨጣȂٲཌήޟᔆᕻਢުȂӵϚӣ໌ޟแᇄຜ ُήȂІࢎюճ३ސ፴धࡣେେᗴྃޟ३џȄ !!!!ܖ೨רঈޟЖϛӨᙠԤΙ༵ȶྃӴȷȂרၐ౪ᄂҡࣀϛޟ ᡙᘄΙᑐϽ࣏ȶྃӴȷȂၐоҏޟЖၰ༵ඹѶྃޟӴގყࡹ ଔپȄྃӴȂџоྃछϞӴȃྃᖅϞӴȃζџྃϞӴȃྃ ᙏϞӴȄ !!!!ྃӴȂζ೨ѫ՝Ӵ౨٥ልሉȃӕళڍޟᆒȄ
The delicacy of collage Statement of the “Polar Region— Chen Sung-chih solo exhibition” By Chen Sung-chih How far is the “polar region”, after all? I, like most of the people, have never been to polar region, and get the impression of the region from TV series, books or news articles. Like others, I do not think the remote land is anyhow connected to my life after all. Unknowingly, with the increasingly heated discussion on the weather issues, this progressively changing and disappearing land has led us to reflect on our existence of and change of life styles. What is “polar region”? I am not a scientist, and have limited scientific knowledge; as an artist, I believe that the topic of “polar region” and the spiritual thinking that it derives can reflect the myth that people’s pursuit is beyond nature based upon limited foundation. “Polar region”, here, is used as a satire, or a moral that returns to the basic nature. Over the recent years, I have constantly explored these transient parts and the values that they bring through deep and remote circumstances of my personal life. I am used to choose many familiar rough raw materials and transform them into noticeable manmade windows through artistic creation. When these residuals become the scenery we stare at, a process is been introduced to abandon the “meaningful” intuitive “nature” and content perception. These incomplete fragments of “construction” and “destruction” discover the missing pieces in ordinary real-life and develop an inextricable complexity entangled between “form” and “imagination”. “Polar Region—Chen Sung-chih solo exhibition” uses “polar region” to symbolize the distances that people imagine through complex combinations of various artificial materials (such as metals, mirror, papers, polystyrene, etc) to expand the vague boundary that human and matters coexist; theses compressed space-time miniatures reflect the ultimate possibility somehow strong or concealed behind low-limit materials during different process and from various angles. Maybe deep inside our heart hides a piece of “polar region”; I try to put together every charming pieces in reality and also the lost territory of polar region with my intuitive heartbeat. Polar region can be an extremely beautiful and complicated place, may be also a terribly barren and simple field ground. Polar region may be just the remote cold ends on the earth.
ങסݘȮฒᚠ20100705-1)શජ*ȯ19.7x30cm，2010 Chen Sung-Chih “Untitled 20100705-1 (sketch)”, 19.7x30cm, 2010
ྃӴ.ങסݘএю౪ൟ Installation View, in Polar Region—Chen Sung-chih solo exhibition
ྃӴ.ങסݘএю౪ൟ Installation View, in Polar Region—Chen Sung-chih solo exhibition
ྃӴ.ങסݘ ྃӴ. ങסݘএ ങסݘ ݘএю౪ ю౪ൟ Instal nstallat lation ion View, ew, in Pola olarr Regi Region— o Chen Sung-chih solo exhibition
ྃӴ.ങסݘএ ྃӴ এю এ ю ൟ ю౪ Installation View, ew w, in in Polar P Region—Chen Sung-chih solo exhibition
ങסݘ סݘȮฒᚠ ฒᚠ201 2 00705-4 4)શජ*ȯ39.5x5 x 4cm，2010 Che hen Sung g-Chih “Untitled 20100705-4 (sketch)”, 39.5x54cm, 2010
ങסݘȮฒᚠ20100705-2,3,4)શජ*ȯ39.5x54cm(piece)，2010 Chen Sung-Chih “Untitled 20100705-2,3,4 (sketch)”, 39.5x54cm(piece), 2010
ങסݘȮฒᚠ2010-A~CȯϚរᓁȃᆹॄΚȂ45x25x20cm，2010 Chen Sung-Chih “Untitled 2010-A~C”, 45x25x20cm, 2010
ങ ݘȮฒᚠ ങݘ ങסݘ Ȯฒᚠ201 Ȯฒ 20 0-A~C CȯϚរ រᓁȃᆹ ᓁ ॄΚ ॄΚ ॄ ΚȂ45x 45xx25x 25x20c 5x20cm，2010 Che en Sung un ng-Ch -C Chih ih ““Unt nti titled 201 20 0-A~C”, A C”,, 45 4 x25 x25x20cm, m, 20 2010 1 10
ങסݘȮฒᚠ2010-AȯϚរᓁȃᆹॄΚȂ47x35x21cm，2010 Chen Sung-Chih “Untitled 2010-A”, Stainless steel ,Styrofoam, 47x35x21cm, 2010
ങסݘȮฒᚠ2010-BȯϚរᓁȃᆹॄΚȂ51x29x27cm，2010 Chen Sung-Chih “Untitled 2010-B”, Stainless steel ,Styrofoam, 51x29x27cm, 2010
ങסݘȮฒᚠ2010-CȯϚរᓁȃᆹॄΚȂ48x30x37cm，2010 Chen Sung-Chih “Untitled 2010-C”, Stainless steel ,Styrofoam, 48x30x37cm, 2010
ങסݘȮฒᚠ2010-A)ഋ*ȯ!ϚរᓁȃᆹॄΚȂ47x35x21cm，2010 Chen Sung-Chih “Untitled 2010-A”(partial), Stainless steel ,Styrofoam, 47x35x21cm, 2010
ങסݘȮฒᚠ201009~201011ȯાҏȃ݂ᜢȂ85x115cm(piece)，2010 Chen Sung-Chih “Untitled 201009~201011”, Paper, Mirror, 85x115 5cm(piece), 2010
ങסݘȮฒᚠ201001~20 20100 1004 4ȯાҏ ા ȃ݂ᜢȂ70x55cm(piece)，2010 Chen Sung-Chih “Untitled 201001 0 ~20 ~201004”, Paper, Mirror, 70x55cm(piece), 2010
ങסݘȮฒᚠ201005~201007ȯાҏ ાҏ ҏȃ݂ᜢ ݂ Ȃ70x 7 55cm(piecce) e)，201 201 010 0 Chen Sung-Chih h “Untitled 201005~201007”, Paper, Mi M rro rror, 70x rr 70x55c 55 m(piec ece), e), 20 2010 10 0
ങסݘȮฒᚠ20090105-1~9ȯ݂ᜢȂ55x70cm(piece)，2010 Chen Sung-Chih “Untitled 20090105-1~9”, Mirror, 55x70cm(piece), 2010
ങסݘȮฒᚠ ฒ 200 ฒᚠ 2 901 01 105-1~9((局部 部)ȯ݂ᜢȂ55x 55x 5xx70c 7 m(piece)，2010 Chen Sung-Chih “Un ntitled nti it ed 2000901 90 05-1~9 1~9 ~ ((partiall)”, Mir M ror,, 55x 5x70cm(piece), 2010
ങסݘȮฒᚠ.Рலޟᓏ༭)МӇ.2*.ഋȯશජȂ29.7x21cm，2010 Chen Sung-Chih “Untitled-Daily Sculptures (documents-1)-partial”, documents-drawing, 29.7x21cm, 2010
ങסݘȮฒᚠ.Рலޟᓏ༭)МӇ.2*ȯશජȂ29.7x21cm，2010 Chen Sung-Chih “Untitled-Daily Sculptures (documents-1)”, documents-drawing, 29.7x21cm, 2010
ങסݘȮฒᚠ.Рலޟᓏ༭)ഋ*ȯાҏȃ݂ᜢȃώแҢँ0၆ညȂЏψٷ౪ൟՄۡȂ2010 Chen Sung-Chih “Untitled-Daily Sculptures(partial ( l) ”, Paper, Mirro,Sand/installation, d dimension variable, 2010
ങסݘ סȮฒᚠ.Рலޟᓏ༭ȯાҏȃ݂ᜢȃώแҢँ0၆ညȂЏψٷ౪ൟՄۡȂ2010 Chen Ch n Sung-Chih “Untitled-Daily Sculptures) ”, Paper, Mirro,Sand/installation, d dimension variable, 2010
Ᏸᐣ 2005 ҳѮࠒσᏰഅלं!ܚـᆈρ(MFA) 2002 ऋσᏰ.ຜឈ༈ႀ೩ॎ!فᏰρ(BFA)
ငᐣ 2009!ऋσᏰᎹਮড়)Ѯᢊ.Ѯϛ* 2008!ѮѕᑪࢇۺᅷᒵΠ۩ݖᐝ435ሬ؆Ꮉ؆ড়)Ѯᢊ.Ѯѕ* 2007!ࢇМོ࡚96ԑ࡙ᅷᒵюCité International des ArtsᎹ؆ড়)ݲ.БᏍ* 2005!Ѯѕሬ؆2005ԑюThe Townhouse GalleryᎹ؆ড়)Ѕ.ᛳ* 2004!ࢇМོ࡚93ԑ࡙ᅷᒵМϽഺཎཾΡϗюVisiting Arts, London!)़.গභ* 2004!ࢇМོ࡚១ၾᆩၯѮϛમ.ΠΪဴঘ৲Ѳ۩Ꮉમড় ᕕዩ 2008!Ѯѕछዩ!ᓺᒵ 2005!έ۩Ѯཱིዩ2004ԑ࡙Μσຜឈ 2003!Ѯѕछዩ!ᓺᒵ 2001!ღݲΡжԊМఀஅߜོ!жԊഺհዩ 1999!1999ሬાഺհ!ᓺᒵ
ങסݘ Chen Sung-Chih 1978!ҡܻѮᢊࠒ 1978 born in Nantou, Taiwan, lives and works in Taichung, Taipei, Taiwan
এ 2110!ྃӴȂ൷ӵުȂѮѕ 2010!ᒑདྷޟ࿅ॱⲽȂРЀТᘄหංȂѮѕ 2009!ҐڼӪȂԤቶหංȂѮϛ 2008!ձӵȂѮѕ࿋фᓢȂѮѕ 2008!ങסݘӣӪএȂཱིዅ༪ުȂѮѕ 2007!ࠉȆࠉȂCité Internationale des Arts GalleryȂБᏍ 2006!ЈޟԞȂThe Townhouse GalleryȂᛳ 2006!ড়৳ቑᇄРலၑȂ20ဴঘ৲ȂѮϛ 2005!ΜڢȂཱིዅ༪ުȂѮѕ 2004!ܻȂձَࣼኺרޟȂཱིᔻጆᓞުȂଽ 2004!ΤЈȂ!Nell’s HomeМުȂѮϛ 2003!ѶྣέΪΜ࡙јȂϛंҡყछᏰުȂѮѕ 2003!ᕤඥഅհȂཱིዅ༪ުȂѮѕ 2001!ࠞȆࠤࠤȂுܼϴܚȂѮϛ 2001!ཪ൶ȂShowplaceȂѮϛ १ौᖒ)ഋϷ* 2010!ҩᎾႆሪόଢ଼Ы.ቓཱིڗݘ൬ᡝȂѮѕѿҳछᓢȂѮѕ 2009!ΙРΪԑȂ20ဴঘ৲ȂѮϛ 2008!2008ѮѕछዩȂѮѕѿҳछᓢȂѮѕ 2008!ω౯Ж.Ӏϴ༪ΠΪ໊ԑኊȂӀϴ༪ȂѮѕ 2008 ӎً.έԉΙҡ0Ѯᢊԑሆড়ȂISSEY MIYAKE!ᄯ۹ȂѮϛ 2008 ᇃᢊᇧഅ.ӵӴܒȅᢎᘈȂԼ൜ώհࡉȂѮѕ 2008!M.O.TؓᓸȂ݂РछᓢȂѮѕ 2007 ཐࣺޣᡐȂ౪фหංȂѮϛ 2006!CO6ѮᢊࠉፏМӇȂѮϛѿМϽଢ଼ΨުȂѮϛ 2006!ѮѕΠέȂѮѕѿҳछᓢȂѮѕ 2006 ฒܚϚӵȂѮѕሬ؆ȂѮѕ 2006 ࠲ѿݰȂ!Chrissie Cotter GalleryȂഡ 2005 ശȅ᎖.έ۩ѮཱིዩΣ൜੫ȂཱིӎέູA9ȂѮѕ 2005 Ӵҁጣ.ంᎧॳཱིޟශȂၖࠢਪ۹ȂѮϛ 2005!ӔࣼרΙಁȂӀϴ༪ȂѮѕ
ԝᙠ! 2001-2009ԧሜछᓢȃҳѮᢊछᓢആຜ࿋фኵ՝ڐᙠȃؽΡԝᙠ
ዩօ 2007!ѮѕѿМϽ97-2។၄օ 2006!ღݲΡড়МϽஅߜོ95-2ഺհ၄օ 2005!ღݲΡড়МϽஅߜོ94-1छ។၄օ ϴӓ 2007!հࠢȶڷҁϞᅈȷᕕѮϛѿՙАΠϷᄲҗᑹࣂюܚϴӓཱི࡚ώแ 2005!հࠢȶΤЈଔॴȷᕕѮϛѿѕАୢѲҕፏҡܚϴӓཱི࡚ώแ
Education Background 2005 M.F.A, Institute of Plastic Art, Tainan National University of The Arts, Taiwan 2002 B.F.A, Department of Visual Communication Design, Chaoyung University of Technology, Taiwan Honors 2009 Artists-in-residence Program, Chaoyang University of Technology, Taichung, Taiwan 2008 Artists-in-residence Program, 435 International Artist Village, Banciao, Taipei 2007 Artists-in-residence Program, Cite International des Arts, Paris, France 2005 Artists-in-residence Program, The Townhouse Gallery, Cairo, Egypt 2004 Selected by The Council for Cultural Affairs(Taiwan) creative industries pursue to further education program, London, UK 2004 Artists-in-residence Program, the Stock 20 , Taichung, Taiwan
Collections 2000-2010 Juming Museum, National Taiwan Museum of Fine Art , Private collection Grants 2008 Taipei City Government Department of Culture Affairs 2008-2 Fellowship 2006 National Cultural and Arts Foundation 2006-2 Fellowship 2005 National Cultural and Arts Foundation 2005-1 Fellowship Public Art Projects 2007 Second Police District Taichung City Police Bureau, Taichung, Taiwan 2005 The Su-Min Public Health Center, Taichung, Taiwan
Awards 2008 2008 Taipei Arts Award Best-selected 2005 2004 Taishin Arts Award - Top 7 of Visual Arts 2003 2003 Taipei Arts Award Best-selected 2002 S.A.N art creativity Sponsored Reward of S.A.N Foundation 1999 Best-selected in International Paper art Solo Exhibitions 2010 Polar Region, Project Fulfill Art Space, Taipei 2010 My Dear Wrinkle, Ever Harvest Art Gallery, Taipei 2009 Untitled, The Quan Gallery, Taichung 2008 You to Be , Museum of Contemporary Art, Taipei 2008 Chen Sung-Chih 2008, Shin Leh Yuan Art Space, Taipei 2007 Once Upon a Time, Cité Internationale des Arts Gallery, Paris 2006 The Sunday Morning, The Townhouse Gallery, Cairo 2006 Domestic Play and Quotidian Poetry, The Stock 20, Taichung 2005 Vol.7, Shin Leh Yuan Art Space, Taipei 2004 Then …You See Me Like That, Sin Pin Art Space, Kaohsiung 2004 The Eighth Day, Nell’s Home, Taichung 2003 Dropping Body Temperature to 37.5 ,Life Science Library, Taipei 2003 Artificiality, Shin Leh Yuan Art Space, Taipei 2001 Wa-Ha Ha, Want space, Taichung 2001 Search…, Showplace, Taichung Group Exhibitions(selected) 2010 Time Unfrozen, Taipei Fine Arts Museum, Taipei 2009 One Day One Decade, , The Stock 20 , Taichung 2008 2008 Taipei Arts Award, Taipei Fine Arts Museum, Taipei Sweeties-Celebrating 20 Years of IT Park, IT Park Gallery, Taipei The Light Enters You- ISSEY MIYAKE x Young Taiwan’s Artists, ISSEY MIYAKE, Taichung Local Viewpoint- Made In TAIWAN, Bamboo Curtain Studio, Taipei M.O.T. Salon, Museum of Tomorrow, Taipei 2007 Transformation in Perception, Modern Gallery, Taichung 2006 CO6 Taiwan Avant-Garde Documenta , Taichung City Cultural Hall, Taichung 2006 Ubiquitous, Taipei Artist Village, Taipei Taipei Taipei, Taipei Fine Arts Museum, Taipei City Mambo, Chrissie Cotter Gallery, Sydney 2005 Skylight-open the new page..., Eslite bookstore, Taichung Best of 2004 Taishin Arts Award Exhibition, ങסݘȮฒᚠ.Рலޟᓏ༭ȯાҏȃ݂ᜢȃώแҢँ0၆ညȂЏψٷ౪ൟՄۡȂ2010 Shin Kong Mitsukoshi A9, Taipei Chen Sung-Chih “Untitled-Daily Sculptures) ”, Paper, Mirro,Sand/installation, d dimension variable, 2010 2004 One more glance, IT Park Gallery, Taipei
ࡹޟཌ ྃӴ˕ങסݘএ The delicacy of collage Polar Region—Chen Sung-chih solo exhibition Part I 2010/7/17-8/15 Part II 2010/8/20-9/19 ਣ᠓ԳᙇVenue/ බԴങߩ༡!Project Fulfill Art Space 10658ҭҔҾЂՉࠫ၍Ⴎ3ࣱ14745ؘ2ၳ1ጁ 1F., No.2, Alley 45, Lane 147, Sec. 3,Sinyi Rd.,Taipei 10658, Taiwan (T) 886-2-2707-6942 (F) 886-2-2755-7679 www.pfarts.com
֯߰0൘ؠޗ Ӏবᅹ0൘ؠޗ ៷0൘ؠޗ Ԟ۔0؈ዴ֜ཇያߵԊգনгҦ јᑟ0+886-928-923531 E-mail/ song-jei@yahoo.com.tw ҍߍџง02010Ր12ѡ ߍᡋݙգ!ᚙԞӅٿ Author/ Sung-Chih CHEN Graphic Designer/ Sung-Chih CHEN Photographer/ Sung-Chih CHEN, Yu-Che HSIAO, Tsai-Ming HU, Ming Tsung CHEN Printer/ Sunshine Printing Co., Ltd Cell phone/ +886-928-923531 E-mail/ song-jei@yahoo.com.tw Publishing Date/ December 2010 Printed in Taiwan Copyright
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Sung-Chih CHEN 2010 . All rights reserved.