Supermarket 2014 Catalogue

© Yuriy Kruchak & Iuliia Kosterieva, photo: Yuriy Kruchak

350%2-!2+%4 ISSUE#4

SEK90/£8.50

ISSN 2000-8155

issue#4

artist-run art magazine

350%2-!2+%4

Exhibition Catalogue

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SUPERMARKET TALKS & PERFORMANCE

14–16 February Opening hours: Friday 11– 22 Saturday 11– 20 Sunday 11–20 www.supermarketartfair.com

SUPERMARKET 2014 is organised by the economic association Supermarket Art Fair.

PROJECT MANAGERS AND CREATIVE DIRECTORS Pontus Raud, pontus@supermarketartfair.com Andreas Ribbung, andreas@supermarketartfair.com Meggi Sandell, meggi@supermarketartfair.com PROJECT COORDINATOR Izabella Borzecka INFORMATION ASSISTANT Katarina Lindqvist VOLUNTEER COORDINATOR Elisabeth Geijer PRESS OFFICER Mathilda Hogg, press@supermarketartfair.com SOCIAL MEDIA Christina Wenger, supersocial@supermarketartfair.com SUPERMARKET TALKS AND RED SPOT PERFORMANCE PROGRAMME Izabella Borzecka, Meggi Sandell, Pontus Raud SUPERMARKET MEETINGS PROGRAMME Sanna-Lisa Gesang-Gottowt, Írena Steindórsdóttir PARTNERSHIPS AND MARKETING Andreas Ribbung, Meggi Sandell

ACKNOWLEDGEMENTS:

Many thanks to last year’s, hard-working volunteers and helpers who generously committed their time and energy!

Catalogue: GRAPHIC DESIGN AND LAYOUT Johanna Larson

Alathea Evans, Ali Afraz, Anna Wallin, Annina Koskiola, Aurora Bergh, Aurora Hjalmarsson, Beatrice Johansson, Björn Lindahl, David Oliveira, Desiree Klingestam, Elisabeth Geijer, Emma Frid, Emma Nathorst-Böös, Ewert Ekros, Hanna Abrahamsson, Helena Calmfors, Helena CambellWestlind, Helena Wessberg, Henrik Sjöberg, Ingrid Wittbom, Isabella Kalén, Jakob Anckarsvärd, Joakim Erixon Flodman, Julia Lennartsson, Katarina Birath, Katarina Lindqvist, Katri Bergdahl, Klara Mattsson, Lena Flodman, Lina Dzibricka, Lina Johdet, Linnea Roukolainen, Liva Isaksson, Mattias Larson, Mikaela Kjellin, My Valkama, Oriana Kolokotronis Johansson, Pella Myrstener, Pär Söderlund, Richard Mosesson, Sandrina Cerda, Samuel Ågren, Silvia Lohfink, Sofia von Schwerin, Simon Berg, So Mei Chan, Sonali Singh, Sonja Nettelbladt, Sunna Hansdottir, Symelia Metridou, Tahiya Niskala, Varpu Sipilä, Vera Székely, Veronica Johansson and Viveca Tessier. If we have forgotten to mention anyone, we apologise!

IMAGE PROCESSING Johanna Larson, Andreas Ribbung

Thanks to everybody helping make this project possible this year – you will be mentioned by name in next year’s edition.

LANGUAGE EDITING Stuart Mayes, James Foote for www.inte-lagom.se

Last but not least we want to thank our families who put up with us working far too much every year.

ECONOMY AND ADMINISTRATION Meggi Sandell, Molly Carnestedt GRAPHIC DESIGN Andreas Ribbung WEBMASTER John W Fail

PROOF READING Elisabeth Geijer, Ida Arsine Bellarian, Mathilda Hogg, Izabella Borzecka

All rights to the photographs belong to the artists or galleries if nothing else is specified. © Supermarket Art Fair ekonomisk förening 2014.

SUPERMARKET 2014 was made possible with the support of: Kulturhuset Stadsteatern www.kulturhusetstadsteatern.se Kulturförvaltningen, Stockholms stad (The Culture Administration, City of Stockholm) www.kultur.stockholm.se Kulturrådet (Swedish Arts Council) www.kulturradet.se The Swedish Institute www.si.se Nordic Culture Point’s Mobility Programme www.kulturkontaktnord.org Iaspis, The Swedish Arts Grants Committee’s International Programme for Visual Artists www.iaspis.com

Cooperation partners:

Collectrium www.collectrium.com NKF, The Nordic Art Association, Swedish Section www.nkf.se KRO, Swedish Artists’ National Organisation www.kro.se Riksutställningar, Swedish Exhibition Agency www.riksutstallningar.se Fylkingen www.fylkingen.se

Media partners:

Artlyst, London Art Network www.artlyst.com Bpigs, Berlin Independents Guide www.bpigs.com Konsten.net www.konsten.net Konstkalendern, Artguide Sweden www.konstkalendern.se Omkonst www.omkonst.com

Supporting our exhibitors:

Mondriaan Fund www.mondriaanfonds.nl Frame Visual Art Finland www.frame-finland.fi Limerick City of Culture www.limerick.ie City of Wroclaw www.wroclaw2016.pl Government of Western Australia – Department of Culture and the Arts www.dca.wa.gov.au European Commission, Agriculture and Rural Development www.ec.europa.eu/agriculture Polish Cultural Institute in Stockholm www.polskainstitutet.se Ontario Arts Council www.arts.on.ca Embassy of Spain Stockholm www.exteriores.gob.es/Embajadas/Estocolmo Kulturfonden för Sverige och Finland www.kulturfonden.net Icelandic Art Center www.icelandicartcenter.is Arts Council England www.artscouncil.org.uk Stroom Den Haag www.stroom.nl Ministry of Culture, Republic of Bulgaria www.mc.government.bg Finlandsinstitutet www.finlandsinstitutet.se Canada Council for the Arts www.canadacouncil.ca Municipality of Città Sant’Angelo www.comune.cittasantangelo.pe.it Municipality of Halmstad www.halmstad.se Region Halland www.regionhalland.se Pro Helvetia, Swiss Arts Council www.prohelvetia.ch Romanian Cultural Institute www.icr.ro/stockholm-1 Italian Culture Institute in Stockholm www.iicstockholm.esteri.it/IIC_Stoccolma Ertech Pty Ltd www.ertech.com.au Optimistit www.optimistit.fi Austrian Embassy Stockholm www.bmeia.gv.at/botschaft/stockholm.html

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Exhibition booths 00130Gallery Helsinki, Helsinki, Finland 5thB 1646, The Hague, Netherlands 3rdA 3:e våningen / 3rd floor, Gothenburg, Sweden 3rdE AADK Centro Negra, Blanca, Spain 5thA AllArtNow, Damascus, Syria 3rdA Alpineum Produzentengalerie, Lucerne, Switzerland 5thD A.M.180 Collective, Prague, Czech Republic 5thB Art On Armitage, Chicago, United States 3rdD Artellewa Art Space, Cairo, Egypt 3rdA Artists’ Association of Oulu, Oulu, Finland 3rdD Ateljén Hea, Sunne, Sweden 3rdF Atlantic House, Cape town, South Africa 3rdG Bhotsun Art, Lhasa, Tibet, China 3rdE Galleri Box, Gothenburg, Sweden 5thA Candyland, Stockholm, Sweden 5thD CCA Tbilisi, Tbilisi, Georgia 3rdA CirkulationsCentralen, Malmö, Sweden 3rdG Daily Temporary, Stockholm, Sweden 5thD Detroit Stockholm, Stockholm, Sweden 5thA Duplex100m2, Sarajevo, Bosnia and Herzegovina 5thD Ed Video Media Arts Centre, Guelph, Canada 5thA Galeria Entropia, Wrocław, Poland 5thB Extra Muros / Pol’N, Nantes, France 5thD Fiber Art Sweden, Stockholm, Sweden 3rdF Filmverkstaden, Vaasa, Finland 5thA fragment S, London, United Kingdom 3rdE Gocart Gallery, Visby, Sweden 3rdG Grafik i Väst, Gothenburg, Sweden 3rdG Grafiska Sällskapet, Stockholm, Sweden 3rdG Grüntaler9, Berlin, Germany 3rdC Gudran, Alexandria, Egypt 3rdB Harp Art Lab, Harplinge, Sweden 5thA Hjärnstorm, Stockholm, Sweden 3rdD Galleria Huuto, Helsinki, Finland 5thB ID:I Galleri, Stockholm, Sweden 3rdA Kallio Kunsthalle, Helsinki, Finland 3rdE Kunstenaarsinitiatief |elders, The Hague, Netherlands 3rdE Kunstschlager, Reykjavík, Iceland 5thB Lateral ArtSpace, Cluj-Napoca, Romania 5thD Galleri LOKOMOTIV, Örnsköldsvik, Sweden 3rdF Galleri Maskinen, Umeå, Sweden 3rdF Mnky Bizz Group, Las Vegas, United States 3rdD Museolaboratorio, Città Sant’Angelo, Italy 5thB

The Museum of Forgetting, Norrköping, Sweden 5thA MUU galleria, Helsinki, Finland 3rdB Nationalgalleriet, Stockholm, Sweden 3rdD Gallery Nectar/GeoAIR, Tbilisi, Georgia 3rdA Nest, Den Haag, Netherlands 5thB Occupy Space, Limerick, Ireland 5thA OK Corral Exhibition Space, Copenhagen, Denmark 3rdF Oonagh Young Gallery, Dublin, Ireland 5thD Ormston House, Limerick, Ireland 5thB PAPER, Manchester, United Kingdom 3rdF Peek-a-Boo Gallery (Gotham Studios Inc), Perth, Australia 3rdE Plan B, Amsterdam, Netherlands 3rdF Platform, Vaasa, Finland 5thA QWERTY, Odense, Denmark 3rdD Rajatila Gallery, Tampere, Finland 3rdF Galleria Sculptor, Helsinki, Finland 5thD Galleri Se Konst, Falun, Sweden 3rdE Slakthusateljéerna, Stockholm, Sweden 3rdE Studio 44, Stockholm, Sweden 3rdB S. Y. L . A. N T E N H E I M, Bonn, Germany 3rdB TAL, Rio de Janeiro, Brazil 3rdA Tegen2, Stockholm, Sweden 5thA The Room Below, Kanazawa, Japan 3rdF Tupajumi foundation, Rotterdam, Netherlands 3rdE Galleri Verkligheten, Umeå, Sweden 3rdA Galleria VISU, Kokkola, Finland 5thD Water tower art fest, Sofia, Bulgaria 3rdF Zeta Gallery, Tirana, Albania 3rdA Ў gallery, Minsk, Belarus 3rdA

Presentation stands Konstkonsulenterna i Sverige, Sweden 3rdC Konstnärernas Kollektivverkstad (KKV), Nacka, Sweden 5thC Konstnärscentrum Öst, Stockholm, Sweden 5thC Konstperspektiv, Stockholm, Sweden 3rdC KRO/KIF, Stockholm, Sweden 3rdE Kulturtidskriften Cora, Stockholm, Sweden 3rdC Nordic Art Association Finland (NKF), Finland 3rdF Nordic Art Association Sweden (NKF), Sweden 3rdF OEI, Stockholm, Sweden 3rdC Sveriges Allmänna Konstförening (SAK), Stockholm, Sweden 3rdC

5th B

00130 Gallery Helsinki Helsinki, Finland

Teemu Lehmusruusu, ‘Love is a Dog from Hell’, video.

00130Gallery Korkeavuorenkatu 27 130 Helsinki Finland +358 440404027 00130gallery@gmail.com www.00130gallery.net

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00130 Gallery Helsinki contemporary art association was established in 2005.

From the beginning, it has been an artist-run, nonprofit space. The main idea behind the gallery’s ideology is to support young contemporary artists and non-commercial projects working in different media.

3rd A

1646 The Hague, Netherlands

Bonno van Doorn, ‘Obviously’, installation in 1646, 2013, photo: Bonno van Doorn

1646 Boekhorststraat 125 The Hague 2512 CN Netherlands +31 6 41256950 info@1646.nl www.1646.nl

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1646 is a project-space for contemporary art. A dedicated space for experimental art practices and ideas, 1646 is a platform for new productions and presentations with special emphasis on encouraging artists to realise new projects on location. Next to a year-long programme of exhibitions, 1646 hosts artists talks, video screenings and lectures and runs a short-term residency for foreign artists and curators.

1646 presents an installation by Bonno van Doorn (NL).

The work of Bonno van Doorn can take various forms, from painting to sculpture, installation, drawings, all combined in a rather impulsive and spontaneous form. Some materials in his installations seem to have ended up there by accident, or appear to have casually come into existence as some sort of byproduct. Others look like attempts at an object with a proper identity but that were never quite realised.

3rd E

3:e våningen / 3rd floor Gothenburg, Sweden 1

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4 1 Tseng Kwong Chi and Muna Tseng, ‘SlutForArt’, photo exhibition and dance performance, 2011, photo: David King.

2 Andreas R Andersson, ‘Between the Gates’, installation, 2013, photo: Olof Persson.

3 Gun Lund, ‘Wintergarden’, dance performance, 2010, photo: Lars Persson.

4 Angie Hiesl and Roland Kaiser, ‘PICK’n’PLACE’, performance-installation, 2011, photo: Roland Kaiser.

3:e Våningen / 3rd Floor Sockerbruket 9 414 51 Göteborg Sweden +46 706602338 info@3vaningen.se www.3vaningen.se

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3rd Floor Dance venue & art space in the former Carnegie refinery in Gothenburg, Sweden.

600 square metres dedicated to contemporary art and movement, focusing on the choreographic and spatial aspects of art through exhibitions, installations, performances, electroacoustic landscapes and more. The venue holds a Black Box and a White Space side by side: relative counterpoints offering new possibilities for interaction. There is also a dance studio, a library and a concept store. In this trans-disciplinary environment new works are created by a wide range of artists. A broad network enables a carefully selected palette of international guest appearances.

3:e Våningen / 3rd Floor is an independent, artist-run organisation with national, regional and local funding. The artistic directors are Gun Lund (choreographer), Olof Persson (choreographer and visual artist) and Lars Persson (organiser and medical scientist).

5th A

AADK Centro Negra Blanca, Spain

Abraham Hurtado, ‘Ignition Performance’, video installation. ‘From local to Global’, Centro Negra 2013, photo: Abraham Hurtado.

AADK Centro Negra Blanca Calle del Castillo, 30 Blanca Murcia 30540 Murcia Spain Anklamer str, 7 Berlin Germany

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info@aadk.org www.aadk.es

AADK / Centro Negra Space for Contemporary Creation and Investigation. From 2006 onwards a group of artists based in Berlin began to create various projects from diverse artistic disciplines, giving way to a platform for Aktuelle Architektur Der Kultur (AADK). As its core has expanded, it has now become an international platform for artist-curated projects. The artistic network AADK, based in Berlin, has merged with Centro Negra which is based in Blanca, Spain, and stands as a focal space for contemporary creation and investigation, with regional, national and international visibility in the field of contemporary art. The artistic network AADK regularly presents its works – exhibitions, performances, live installations, sound installations, concerts, video-art and literature – in over 25 cities across Europe and non-EU countries. At Supermarket 2014 AADK /Centro Negra will present ‘From Local to Global’ a book recompiling the works presented at Centro Negra during 2012/13, and the project FAKELess, a video installation by the artist Abraham Hurtado.

3rd A

AllArtNow Damascus, Syria

Nisrine Boukhari, ‘Secure Land’, 2010, mixed media installation (olive tree, suitcase, soil, Arabic writing, photography, wood, plastic bags) 8 x 3.80 m.

Muhammad Ali, ‘Myth’, 2012, ink pen on cotton paper, 30 x 21 cm.

AllArtNow Bab Musala St P.O.Box 14136 Damascus Syrian Arab Republic +963 933692145 boukhari.abir@gmail.com www.allartnow.com 8

AllArtNow is considered to be the only independent collective space in Syria for contemporary art.

Founded in 2005, the initiative aims to create greater opportunities for emerging Syrian artists and the development of the contemporary arts practice in Syria and to create windows between Syria and the rest of the world. A neglected house in the old city of Damascus serves as AllArtNow’s laboratory for art: it is a hub for emerging artistic practice and serves as a meeting point for local and international artists to exchange creative ideas and form collaborations.

AllArtNow has succeeded in creating opportunities for Syrian artists to learn, produce, diffuse and exchange with international artists via residencies and workshops.

AllArtNow has been selected to participate in many international events, organised ‘Living Spaces’, an international contemporary art festival since 2009; ‘Studio1’, an informal school for contemporary art; and ‘Boukhari House’, a new space for an exchange/residency, which unfortunately did not start because of the unrest in Syria.

5th D

Alpineum Produzentengalerie Lucerne, Switzerland

Reto Leuthold, ‘Puma’, manual offset print on paper, 125 x 91 cm, 2013.

Alpineum Produzentengalerie Hirschmattstrasse 30a Lucerne 6003 LU Switzerland +41 414100025 info@alpineum.com www.alpineum.com

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The Alpineum Produzentengalerie was founded in November 2007. The gallery contributes actively with 9 annual shows in conjunction with discourse and debate concerning contemporary art and its practices in relation to Lucerne’s cultural life. In its exhibitions it represents the artistic positioning of the founding members as well as those of invited guest artists from Switzerland and abroad. Extra activities such as lectures, artists’ talks, video screenings and performances, often in collaboration with other artist-run initiatives, accompany the exhibitions. In addition, a limited edition of a magazine highlighting the art on view is published with each exhibition. Monthly to bimonthly meetings provide a platform for members to discuss the gallery’s programme, its organisation, its economy, and to reassess the gallery’s direction.

For Supermarket 2014 we are proudly presenting a novel combination of recent works by two of our new artist members: Karin Lustenberger and Reto Leuthold.

5th B

A.M.180 Collective Prague, Czech Republic

Jakub Hošek, ‘Talking Shit About A Pretty Sunset’, 2013, cut painting, acrylic on canvas, 154 x 134 x 20 cm.

A.M.180 collective Bělehradská 45 12000 Prague Czech Republic +42 731177641 kubahosek@gmail.com www.am180.org

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A.M.180 collective is an independent, creative and promotional collective based on DIY principles and punk ethics. Since September 2003, A.M.180 has been running a self-titled multifunctional space in Prague, Czech Republic. The main mission: to be a platform for contact between the independent music scene and contemporary art scene. A.M.180 arranges exhibitions, live shows and performances. Since 2007, they are running the record label Creepy Teepee Audio (ex. AMDISCS), and since 2009 the CREEPY TEEPEE contemporary independent music festival in Kutna Hora.

This year’s SUPERMARKET exhibition by A.M.180 gallery is in one part a solo presentation of A.M.180’s founder and artist Jakub Hošek, and in the other part, our new ongoing project Cut Club #.

3rd D

Art On Armitage Chicago, United States

Peyton Rack, ‘The Lawn’, acrylic and collage on canvas, 152 x 152 cm, 2012.

Art On Armitage 4125 W Armitage Chicago 60639 United States +1 7732358583 crodo55@yahoo.com www.artonarmitage.com

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AOA has been exhibiting art of all disciplines in a window gallery on a busy Chicago street since 2004. The goal is to make contemporary art available and accessible to all. Exhibits change monthly, and the gallery has featured local, national and international artists. The space is especially suited to installation and performance. Exchanges and residencies are encouraged.

3rd A

Artellewa Art Space Cairo, Egypt

Artellewa Art Space 19 Mohamed Ali El-Eseary St. Cairo, Egypt +20 1225963611 artellewa@gmail.com www.artellewa.com

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artellewa is a space for visual art founded by Egyptian artist Hamdy Reda in 2007 and managed by artists. It is located in Ard El Lewa, a densely populated informal area located between the two great squatter settlements of great Cairo. artellewa is a space for the creation and activation of dialogue between artists and society.

It aims to connect Ard El Lewa and its inhabitants with the broader culture of the city and the world through art. It creates a unique opportunity for Egyptian and foreign artists to interact and experience the local community and environment. Artellewa facilitates artists’ projects, offers workshops for community members and emerging artists, exhibits art in its gallery space and has hosted artists-in-residence from over fifteen countries.

3rd D

Artists’ Association of Oulu Oulu, Finland 1

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1 Kari Södö, ‘Sweet Harmony’, mixed media on wood, 125 x 74 x 33 cm, 2013.

2 Jussi Valtakari, ‘Totuus on keskiarvo eritavoin muistettu’, alder + casein tempera, 2013.

3 Jaakko Pernu, ‘A Bell’, willow, 300 x 300 x 275 cm, 2013.

4 Jyrki Poussu, ‘Taste of Granberry’, wood + aquarelle, 85 x 30 x 5 cm, 2011.

Artists’ Association of Oulu Hallituskatu 5 90015 Oulun kaupunki Oulu Finland +358 295330866 ouluntaiteilijaseura@gmail.com www.ots.artoulu.fi 13

The Artists’ Association of Oulu shows recent artworks by four artists: Jaakko Pernu, Jyrki Poussu, Kari Södö and Jussi Valtakari. It’s a professional association, which works in cultural and artistic spheres. It promotes the visual arts in Oulu, and Northern Ostrobothnia and Kainuu regions. The association actively works to increase public interest in the visual arts and culture, participates in art and cultural events, and collaborates with other organisations and offers professional services to members. It also organises exhibitions, conferences, courses and educational activities locally and internationally. Gallery 5 is the gallery for The Artists’ Association of Oulu’s and PROTO – The Designers’ Association of Northern Finland – which presents visual arts and crafts exhibitions as well.

ARTo is an artotheque and art shop run by The Artists’ Association of Oulu. The association has 167 members and it was founded in 1963.

3rd F

Ateljén Hea Sunne, Sweden 1

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1 Thomas Magnusson, ‘Horizons’.

2 Sten Sandell, performance.

3 Paula von Seth, ‘LOVE TAXI’.

Ateljén Hea Höglundagatan 60 68634 Sunne Sweden +46 703122984 th.magnusson@comhem.se www.web.comhem.se/ thomas.magnusson.ateljen 14

Ateljén Hea has been an exhibition project for five years.

The exhibition idea is a consequence of the informal meetings that take place between artists: discussions where interpretation, and the different functions and possibilities of the artistic language, are constantly at work. Though their techniques are different, what the artists have in common is that they are trying to convey impressions and experiences of unusual subjects and fields, in order to be open for new thoughts and reflections.

The exhibitions have been held in connection with the Sunne Cultural Festival each summer. The number of exhibitors has varied from year to year, and different concepts have been tested for four years.

3rd G

Atlantic House Cape town, South Africa

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1 Barend de Wet’s studio, photo: Kyle Morland.

2 Kyle Morland’s ‘Inverted Saddle Cut’ in process, photo by Morland.

3 Christian Nerf , ‘Drawing with Obstacles’, (back wall), photo: Kyle Morland.

Atlantic House 1 Perth Rd, Maitland Cape Town 7404 South Africa +27 823359960 atlantichuis@gmail.com www.atlantichouse.co

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Atlantic House is an artist-run studio and ad-hoc gallery funded entirely by the artists resident in it.

Eight artists have private studios and share a large communal workshop, kitchen and exhibition hall.

The space functions principally as a studio, but routinely hosts workshops, discussion programmes, screenings and exhibitions. Atlantic aims to provide infrastructure for the individual artist and the community to which s/he contributes. To this end, Atlantic experiments with its architecture – both physical and institutional – so that it is dynamic and adaptable to needs of the individual and the group.

For Supermarket, Kyle Morland, Jared Ginsburg and Josh Ginsburg present a new project called The Collectors. The Collectors is an investigation of the informal industry of waste collection on the streets of Cape Town, South Africa. Though interviews, participation and images, the trio negotiate the material discharge of the city, the men and woman who collect the scrap as a livelihood and wonder after the pathology of collecting more generally – be it objects, knowledge, experience or artworks.

3rd E

Bhotsun Art Lhasa, Tibet, China

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2 1 Nornor, ‘Life Culture 1’, 80 x 100 cm, acrylic on canvas.

2 Phurbu, ‘Lock Series: 3’, 78 x 97 cm, acrylic on canvas 3 Phurbu, ‘Lock Series: 1’, 79 x 98 cm, acrylic on canvas

Bhotsun Art Lhalu Primary School 85 0000 Lhasa Tibet China +46 735835170 lotsearkhang@gmail.com

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With the ultimate goal of practicing art in life and self-realisation through art, Bhotsun Art Gallery was founded in 2010 by some sincere art enthusiasts. Art is the very means of carrying and revealing content broader and more meaningful than anything at a single point in time. The value of existence requires witnessing true feeling. Bhotsun Art Gallery is a platform for self-perception of our surroundings, spirit, and pursuits, as well as culture. Simple or straight, delightful or sorrowful, through art, we express the meaning of self-awareness, shaping our ever-forward looking art road in a series of emotions and perceptions.

5th A

Galleri Box Gothenburg, Sweden

Peter Eccher, ‘Slutrapport 2012:1’, Galleri Box 2012, ‘Clair Obscur’, animation with music by The Knife.

Galleri Box Kastellgatan 10 411 22 Göteborg Sweden +46 738721754 info@galleribox.se www.galleribox.se

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BOX is an artist-run gallery with a focus on contemporary art. Since its inception in 1998, BOX has presented more than 90 exhibitions. With a programme that includes exhibitions, artists’ talks, lectures and seminars, BOX is today an established and important place for conversation about the artistic field. BOX is located at Kastellgatan 10 in Gothenburg.

BOX has an open-minded profile and is shaped over time by the exhibitions and the projects that the gallery presents. Just as often as artists are invited to create exhibitions, the programme is created from applications and ideas from outside. The exhibition programme is compiled in dialogue with the gallery’s board and a reference group. If you want to suggest events or collaborations, please contact the gallery.

At Supermarket 2014, BOX presents Gothenburg-based artist Peter Eccher. Through subjective investigations of authentic events, Eccher´s work focuses on general contemporary history and in particular that which does not fit in.

5th D

Candyland Stockholm, Sweden

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Candyland Gotlandsgatan 76 116 38 Stockholm Sweden +46 703365862 galleri@candyland.se www.candyland.se

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SafeLife Chakra Supporting West With channelization measuredivice.

Also for dogs. (marine pattern).

Candyland is a non-profit art space in Stockholm. So far, Candyland has arranged 111 exhibitions in the gallery space accompanied by gigs, performances, workshops, screenings, and so on.... This has resulted in a wide variety of projects, often experimental and informal in their presentation, and a warm and welcoming atmosphere.

No common decisions on what to show are taken. 10 persons with individual wills, interests and approaches to art take turns in inviting artists to exhibit. A lot of risks are taken, and the result is a sprawling programme. However, it has shown that many of the best exhibitions would not have been realised if there was a need for consensus.

Candyland was founded in February 2004 and the 10 year anniversary was celebrated recently with a show where the visitors could paint self portraits all over the gallery walls.

3rd A

CCA Tbilisi Tbilisi, Georgia

CCA Tbilisi 51 Uznadze st.

102 Tbilisi Georgia +995 557468446 wato@cca.ge www.cca.ge

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Centre of Contemporary Art-Tbilisi (CCAT) is an independent, non-profit organisation. The main goal of CCA-Tbilisi is to support the development of contemporary art in Georgia and the Caucasus region.

For a country with deeply rooted cultural traditions, it is of crucial importance to have an independent and open institution, which will work on the contextualisation of contemporary visual culture and help Georgian and international artists to effectively present creative production to local and international audiences.

The centre is acting as a hub in Georgia, linking and working with similar organisations around the world. We also aim to stimulate research in contemporary visual culture in Georgia and abroad. Our main research project is focused on art that was repressed in Soviet times and due to censorship is largely forgotten. It is time for Georgia to start dealing with its troubled past and move on from there.

CCA-Tbilisi intends to play an important role in these processes.

3rd G

CirkulationsCentralen Malmö, Sweden

Gosia Bojkowska, ‘Arkitektonik’, installation view, 2013, photo: Elias Björn.

CirkulationsCentralen Nobelvägen 125 212 15 Malmö Sweden +46 732428401 info@cirkulationscentralen.com www.cirkulationscentralen.com

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Founded in 2003, CirkulationsCentralen is an organisation for the production and presentation of contemporary art and culture, located in Malmö, Sweden. The heart of CC is an artists’ cooperative consisting of 24 studios. The space also houses a gallery and a workshop.

Since opening, we have presented over 100 exhibitions. We have shown the work of member artists as well as of invited artists and collectives from Sweden and abroad. We have also hosted seminars, screenings, concerts, and performances.

CirkulationsCentralen is a non-commercial artist-run space and maintains relationships with other artist-run and non-profit initiatives.

5th D

Daily Temporary Stockholm, Sweden 1 Mattias Larson, ‘Radio Temporary’, life performance at Nomadic Village, 2013, photo: Peter Westman.

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2 Peter Westman, ‘Daily Temporary Sky Bar’, interactive installation at Nomadic Village, 2013.

3 Penka Mincheva, ‘Trouble Master/Unnecessary Library & Love Poetry #2’, sketch, 2013.

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Daily Temporary Råsundavägen 117A 169 50 Solna Stockholm Sweden + 46 708700230 news@dailytemporary.net www.dailytemporary.net 21

Daily temporary is an artist-run mobile newspaper that follows creative processes in smaller art communities. It was established in 2012 by Peter Westman (Sweden) and Penka Mincheva (Bulgaria).

In general the newspaper serves as tool between artists where ideas, experiences and opinions are shared along with a lot of friendly interventions. Artists are always welcome to contribute content for the newspaper on their own choice of subject and in their own manner. This way we create an independent platform for a range of social activities.

At Supermarket 2014, we are presenting the project space ‘Trouble Master / Unnecessary Library’.

It will show our most recent activities and the initiative ‘Love Poetry # 2’, where Richard Glynn from Wideyed (UK) is invited to have a reading performance of love poetry collectively created at Supermarket (at our booth, 6.00pm daily). In parallell ‘Radio Temporary’ will interact by searching the news as a live performance by Mattias Larson (Sweden). Lucy Carolan, also from Wideyed (UK), will create objects/ installations, and every day we will ask different ‘love’ questions.

5th A

Detroit Stockholm Stockholm, Sweden

1

2

1 Petter Nilsson, ‘Sea of Ice’, acrylic on canvas.

250 × 190 cm, 2013.

3

2 Hiroko Tsuchimoto, ‘HOPP’, performance at (IN THE) COMPANY OF STRANGERS No°1, 2013, photo: Martin Söderblom.

3 Sheena Malone, ‘Drawing on Stockholm’, dimensions variable, 2013, photo: Veronica Forsgren

Detroit Stockholm Roslagsgatan 21 133 50 Stockholm Sweden +46 706465409 mail@detroitstockholm.com www.detroitstockholm.com

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Detroit Stockholm is an artist-run collective that provides a free platform for artists from various disciplines.

At Supermarket 2014, Detroit proudly presents the collaboration of two studio members, Erik Daghäll and Petter Nilsson, called ‘The Sea of Ice’. In this work, Daghäll uses new media to create images that will be randomly generated during the exhibition. These are combined with Nilsson’s painted paraphrase with clear references to the original work. A combination of projection, sound and light shifts the piece from pleasant, recognisable, western cultural expression to an intrusive chaos beyond the control of its creators.

(IN THE) COMPANY OF STRANGERS, initiated by Marie Gavois and Cecilia Germain in 2013, is Detroit’s increasingly popular platform for performance art, stage art and lately New Music (KLUBB INTIM!) which takes place regularly at its space on Roslagsgatan.

5th D

Duplex100m2 Sarajevo, Bosnia and Herzegovina

Julien Boily, “Video games vanity”, oil painting on canvas, 71 x 58 cm, 2009

Duplex100m2 Obala Kulina Bana 22 71000 Sarajevo Bosna i Hercegovina +387 63952197 duplex100m2@gmail.com www.duplex100m2.com

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Since 2004, Duplex100m2 has supported the art scene of Sarajevo, Bosnia and Herzegovina, and the Balkans. It hosts numerous artists and enables the production, exhibition and presentation of their works. It organises exhibitions on local, regional and international levels; it enhances the visibility of art in Bosnia and Herzegovina outside of its boarders, especially at international contemporary art fairs; it makes connections between numerous contemporary art actors – artists, curators, institutional representatives and private partners; it does everything with the aim to foster new projects and establish an unusual platform for artistic encounters.

Duplex100m2 is expanding its activities in the space which at the same time serves as exhibition space, manufacturing shop, agency for project design and development, show room for art lovers and art collectors, as well as a space of social encounters and actions.

Duplex100m2 is supported by agnès b. Endowment Fund and the Agency of Paris.

5th A

Ed Video Media Arts Centre Guelph, Canada

1 3

2

4

1-2 Gillian Wilson, ‘Falls’, painting, 2013, ‘Dive’, painting, 2013.

3-4 Amy Lockhart, ‘Pipe (Sexy)’ series, drawing, 2012.

5

Ed Video Media Arts Centre 40 Baker Street N1H 6R7 Guelph Ontario Canada +1 5198369811 scott@edvideo.org www.edvideo.org 24

6

5-6 Philippe Blanchard, ‘Stupid Tricks 1’, video still, 2003, ‘Stupid Tricks 3’, video still, 2010.

Ed Video was created in 1976 to promote the creation, exhibition and appreciation of independent media arts. It is the only artist-run centre in Guelph, Ontario, Canada, and offers exhibitions, screenings, workshops, and equipment rentals. The Ed Video Gallery hosts over 40 events each year with a focus on video-based art, but also presents other forms of contemporary art, music, dance, student shows, and other creative community events. Ed Video returns to Supermarket for the third time to showcase a selection of Canadian contemporary art: work from Philippe Blanchard, Amy Lockhart, Gabriel Parniak, and Gillian Wilson. Together, this work playfully and humourously deceives the audience and challenges the veracity of first impressions.

Ed Video representatives are Julie René de Cotret (Board of Directors) and Scott McGovern (Program Director).

5th B

Galeria Entropia Wrocław, Poland

Mira Boczniowicz, ‘Art Official Breast Desk Bureaucracy, Society Must Be Defended’.

Galeria Entropia Rzeźnicza 4 Wrocław 50-129 Poland +48 508107758 entropia@entropia.art.pl www.entropia.art.pl

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Entropia is a good name for something that reflects the drift towards unclassified phenomena and opposes common formatting. Here art is an open domain, the boundaries of which – theoretical, cultural and environmental – are being constantly challenged and redefined in unpredictable ways.

It is not only a space of artifacts’ ‘consumption’ but also a meeting point of different artistic practices.

Here ideas and strategies can become completed works, new projects or activities formed at or beyond the conceptual boundary of art.

Entropia conducts intense exhibition and education activities. So far more than 500 events including screenings, lectures, concerts, workshops and meetings with artists have been organised. It has been documenting artistic events and presenting new-media projects since the 1980s.

The gallery runs a unique animation workshop for children (Children’s Film Factory). CFF enables children to change from being passive and consumption-oriented to active participants in their surrounding, culture and media, and provides them a chance to be creators.

5th D

Extra Muros / Pol’N Nantes, France 1

1 Romain Rambaud, ‘Dentelure’, wood, paint, 38 X 20 X 15 cm, Astéride edition of 7.

2 Clara Glauert, ‘Portraits de canettes’, scans of cans found in the street, ink jet print on fringed aquarelle paper, 350g. Series of 30 prints, 3 editions. 2013.

2

Extra Muros / Pol’N 11 Rue des Olivettes 44000 Nantes France +33 676844107 collectif.extra.muros@gmail.com www.collectif-extra-muros.fr

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Extra Muros is an artist collective that was created in 2006 and shares a communal space within ‘Pol’n’ based in Nantes, France. The space is a cultural centre which can hold exhibitions, theatre pieces and performances. Extra Muros is a collective of 15 artists from a mixture of different backgrounds; the media, fine arts, architecture, theatre and stage design.

The collective’s work mainly questions urbanism, politics and memory.

For three years now the three fine artists in the collective have been developing a project – ‘Episode 21’ – of travelling exhibitions between France and Germany presented in various galleries and arts spaces across these countries.

3rd F

Fiber Art Sweden Stockholm, Sweden

1 2

3

4

1 Jeanette Schäring, ‘Essens of water biophilia’, place-related BiArt work around water and natural colour, 2013.

2-3 Jeanette Schäring, ‘Visualising the future of natural colour’, workshop at Steneby, 2012.

4 Lotte Nilsson Välimaa, ‘Processbild, Pink Thursday’, installation with footbath and dyebath, 2013.

FAS (Fiber Art Sweden) c/o Victoria Brännström Sandfjärdsgatan 42 120 56 Årsta +46 706150254 info@fiberartsweden.nu www.fiberartsweden.nu

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The association FAS (Fiber Art Sweden) founded in Stockholm in 1998, is a network of artists appropriating and re-configuring concepts and textile as practice. Continuously and consistently FAS’s nomadic strategy seeks out for new places and contexts. Exhibitions, seminars and events emerge in collaboration with other artist-run initiatives and institutions by the founding members as well as invited artists from Sweden or abroad.

Ongoing work 2014 ‘Dying to know – FAS ColourLab’ include ‘How do we deal with colour?’ Learn new sustainable possibilities! What about our bodies? Coffee grounds, tea bags and onion skins we find at the café next door. You bring old sheeting or jumpers. We have pots and hot plates. FAS ColourLab deals with alchemy, craft, and sustainability in dialogue.

ColourLab workshop concept: Jeanette Schäring. Team: Frida Berntsson, Lotte Nilsson-Välimaa, Gunnel Pettersson, Katarina Wiklund and others.

5th A

Filmverkstaden Vaasa, Finland

Arvid van der Rijt, ‘Finland in 4 movements’, 16 mm filmloops, (part of filmperformance), 2013.

Filmverkstaden Levonsgatan 2 65200 Vasa Finland +358 465724889 mail@filmverkstaden.fi www.filmverkstaden.fi

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Filmverkstaden is an association which aims to improve opportunities for artists to work with independent experimental audio-visual arts while raising interest for audio-visual art in general. A national and international platform where artists and creative professionals involved with audio-visual arts can meet, create, develop, show and share their art. A place for development and experiment, through exchange of knowledge and inspiration.

Filmverkstaden provides working facilities such as a darkroom, master classes and workshops, film screenings, programmed events and projects.

At Supermarket 2014, Filmverkstaden showcases new experimental cinematical works in a custom built micro-cinema.

3rd E

fragment S London, United Kingdom

1

3

1 Björn Larsson, ‘Lägenheten no 2’, dimension variable, 2005 2

2 Carl Johan Erikson, ‘Tank nr 35’, 60 x 49 cm, 1998-2003.

3 Cecilia Paredes, ‘Both Worlds’, 100 x 100 cm, performance of the artist with body paint, 2011.

fragment S Unit 710, 128 Erlang House Blackfriars Road Southwark London SE1 8EQ UK +44 7983941818 syhuhfoto@gmail.com 29

Mystic Calling – fragment S is an independent curatorial project by Sookyoung Huh. For Supermarket 2014 fragment S is proud to present work by a group international photographic artists that explores facets of the domestic landscape. These artists include: Cecilia Paredes from Peru – whose camouflaged images are inspired by her own experiences of adjusting to new locations. Sian Bonnel from the UK – who deploys her British sense of humour to explore the domestic routines of women.

Björn Larsson from Sweden – who has recently completed a 10 year photographic project called Brandplats 3 with a special publication. On this occasion, however, he will be showing photographs of interior scenes from the life of his aunt and uncle who collected art. Carl Johan Erikson is also from Sweden. His Tank series is an experiment in personal archaeology. It revisits places from his childhood that were to influence his subsequent beliefs. Corinne Vionnet is from Swaziland – she uses images from the internet to generate a new landscape that is highly mediated by technology. She has found a whole world at her desk.

3rd G

Gocart Gallery Visby, Sweden

Mona Malmström, ‘Orbits’, burnt object, 35 x 28 cm, 2013, photo: Mona Malmström.

Gocart Gallery Klosterbrunnsgatan 1A 621 56 Visby Sweden +46 703106086 info@gocartgallery.se www.gocartgallery.se

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Gocart Gallery in Visby is run by ‘The Gallery Association in Gotland’ that consists of 63 artists. Our aim is to show contemporary visual art that interests us. The space also serves as a vital cultural focal point for both members and guests, and we initiate and encourage cooperation and exchanges.

At Supermarket 2014 Gocart Gallery presents four artists work, dealing with the concept Dead End Drive: “To drive into an impasse that was guaranteed beforehand may seem like a hopeless concept, and to drive around, without the will or even the capacity to steer out of it, we feel forced to drive around and around.

Even though it can be seen as meaningless, the repetitive procedures that we create can in fact be a way to survive, a way to hold on to something substantial that we recognise and feel confident with in an ever changing world.”

Contributing artists include Ami Bjurwill, Jennie Olofsson, Mona Malmström and Berit Å Svedjemo.

3rd G

Grafik i Väst Gothenburg, Sweden

1

1 Ea Ten Kate, ‘Everybody loves the sound of a train in the distance’, artist´s book, screenprint on fabric, 60 x 35 cm, 2012.

2 Lars Fernell, ‘Varanasi’ and ‘Down to point zero’, book objects, 2012.

3 Jarko, ‘Zine collection’, 2012.

Grafik i Väst Storgatan 20 411 38 Göteborg Sweden +46 706561489 giv@ramverk.se www.ramverk.se/giv

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2

3

Grafik i Väst is an artist-run, non-profit printmaking association and gallery with 262 nationally and internationally based members. Grafik i Väst is part of an extensive network of national and international print workshops and galleries with the aim of exchanging and developing artistic and technical knowledge within the field as well as participating in discussions concerning art and cultural policies in contemporary society.

For Supermarket 2014 we present a collaborative project with The Swedish Printmakers’ Association: ‘Artists’ Books, Zines and Artistic Knowledge Production’. It consists of an exhibition of Artists’ Books and Zines curated by Carina Fihn, Lina Nordenström and Eric Saline and two talks: Nina Bondeson, ‘Suggestions from a trans-intellectual experience’, and Roland Ljungberg, ‘The Artists’ book as a knowledge container in artistic research’.

3rd G

Grafiska Sällskapet Stockholm, Sweden

Richard Årlin, ‘Donatus pro puerulis’ and ‘Sweynheym’, Artist’s books, 2013.

Grafiska Sällskapet / The Swedish Printmakers’ Association Hornsgatan 6 118 20 Stockholm Sweden +46 706561489 galleri@grafiskasallskapet.se www.grafiskasallskapet.se 32

The Swedish Printmakers’ Association was founded in 1910 by a handful of artists with the intention, then as now, of furthering the interests of printmakers, arranging print exhibitions and distributing information about printmaking as an art form.

The Association has worked internationally from the very beginning, exhibiting in many countries, and arranging print exhibitions from abroad.

The Swedish Printmakers’ Association runs a gallery from which there is a vast network of contacts to other printmakers’ collective workshops and printmakers’ associations in Sweden and abroad.

For Supermarket 2014 we present a collaborative project with Grafik i Väst: ‘Artists’ Books, Zines and Artistic Knowledge Production’. It consists of an exhibition of Artists’ Books and Zines curated by Carina Fihn, Lina Nordenström and Eric Saline and two talks: Nina Bondeson, ‘Suggestions from a trans-intellectual experience’, and Roland Ljungberg, ‘The Artist’s book as a knowledge container in artistic research’.

3rd C

Grüntaler9 Berlin, Germany

Dolanbay, ‘Untitled Singular Act, Berlin 2013’, various materials, 3 day live performative installation at Grüntaler9, May 2013

Grüntaler9 Grüntaler Str. 9 13357 Berlin Germany +49 1639044719 info@gruentaler9.com www.gruentaler9.com

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Since May 2011 grüntaler9 is a space in constant transformation, a space dedicated to live performances and time-based art, a space towards the performative. It is not a Gallery, a White Cube or a Black Box. Every performance leaves visible and invisible traces that remain for the next performance to come and take over and let go again. International artists and curators investigate diverse theories and practices towards the performative in the form of live performances, performative installations, questions of performance documentation and archiving, talks, workshops and screenings. In 2013, grüntaler9 was invited to the Brooklyn International Performance Art Festival and participated at the Month of Performance Art Berlin. It’s the only space solely dedicated to performance art in Berlin.

At Supermarket 2014, grüntaler9 will present works by John Court, Ram Samocha, Dolanbay (who will also do a live performance) and others.

3rd B

Gudran Alexandria, Egypt

Scene from: ‘Adwo El Maraa – The Women Enemy’, director: Abd El Fatah Hasan, director of photography: François Farkash, photographer: unknown, production year: 1946, photography on paper

by Gudran.

Gudran Association for Art and Development 1, Mamar El Central St. El Manshia 21519 Alexandria Egypt +20 34844226 info@gudran.com www.gudran.com 34

Gudran is an artists’ coalition that is motivated by what we call ‘the artist’s social responsibility’ – to bring art to every part of society, to achieve social transformation through art, to support local culture and to provide platforms and places for artists to flourish and learn from each other. Gudran started as a group of artists with the aim of bringing art to people in a direct manner, and not through exhibition spaces. Having the point of view that art is a human need, Gudran desired to bring art to a community in a desperate need of it. In 2000, the group started to work with a small fishing village called El-Max in the west of Alexandria, Egypt. Later on, by recognising the need for art and especially the need for people to think in new and different ways during their crises of imagination, Gudran desired to bring the spirit of change to the heart of Alexandria. The aim was now to offer the society a way to rethink how they wish to develop and to think of solutions for their own problems.

5th A

Harp Art Lab Harplinge, Sweden

Mikael Ericsson, ‘Millophonia’, video projection, 2013.

Harp Art Lab Harplinge väderkvarn Kvarnliden 8 305 60 Harplinge Sweden +46 707304631 info@harpartlab.se www.harpartlab.se 35

Harp Art Lab is situated in Harplinge Windmill on the Swedish west coast. The Lab is a unique platform for developing innovative and interdisciplinary ideas and we work with artists and communities of interest to create performances and installations. In 2012, the lab initiated the winddriven, site-specific sound installation MILLOPHONIA. We will continue our work on sustainability and climate change in BZZZ SOUND ART FESTIVAL 2014, a project about the life of honey bees and the current threat of Colony Collapse Disorder. Our main methodology is a socially engaged and discursive sound art practice. The motivations behind our work are predominantly environmental, political, and social in as much as we are attempting to re-mediate contested territories in a scientific and creative way for the public.

3rd D

Hjärnstorm Stockholm, Sweden

2

1

1 Oh-Seok Kwon, ‘MOMENTS’, 1996-2009.

2 Cover to Ted Nelson’s internet manifesto ‘Dream Machines’, 1974.

3 Illustration by Nanna de Wilde to the text: ‘Drottningen bortom allt – om kvinnan och hennes ontologi’ (the Queen beyond everything – about the woman and her ontology),

by Einar Askestad.

Hjärnstorm Box 4172 115 27 Stockholm Sweden +46 707153293 hjarnstorm@gmail.com www.hjarnstorm.com

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3

Hjärnstorm is an independent journal of art, literature, philosophy, and contemporary debate. We publish essays and articles on current trends in the present, art submissions by international and Swedish artists, and contemporary literature from the country’s best writers, along with new translations.

Four issues of the magazine are produced each year. Each release is a unique experience: the participating authors read their texts, an art project is discussed, and sometimes we have a panel discussion on the theme of the issue.

Hjärnstorm’s exhibitions are planned and curated by the editorial curator’s group under the name of Galleri Hjärnstorm. From 2003 to 2006 Galleri Hjärnstorm was a physical gallery space on Valhallavägen 138.

Hjärnstorm is a collaborative endeavour of established artists and scientists mixed with those of debutant poets and young academics.

5th B

Galleria Huuto Helsinki, Finland

1

1 Maria Duncker: ‘Multi-national Costumes’, plastic bags, 2010.

2 Kaarina Ormio: ‘Spring Hat’, textile, 2013.

3 Kaarina Haka: ‘Cuddle Toy Fur Coat’, textile, 2013, photo: Kaarina Ormio.

Galleria Huuto Uudenmaankatu 35 & Tyynenmerenkatu 6 151 Helsinki Finland +358 456384592 info@galleriahuuto.net www.galleriahuuto.net 37

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3

Galleria Huuto is a non-profit artist collective with 103 members and two gallery spaces in the centre of Helsinki. There are artist studios and an open lounge for public and artists to hang out in. Besides numerous solo and group exhibitions other things are happening in Huuto: performances, multidisciplinary and cross-over projects, music events and public discussions. Participants see Huuto as an alternative art infrastructure: a place, a time and an opportunity to act.

With Art Couture Clothing Store we focus on the more worldly side of art, how it is bought and sold despite its spiritual nature, and we also want to remove it from the frames where it is sometimes forgotten. The store will feature wearable sculptures, striking evening dresses, and costumes for everyday performances. The store will sell clothes and accessories created by 24 visual artists; sculptors, performing artists, painters and graphic designers.

3rd A

ID:I Galleri Stockholm, Sweden

Participating artists from ID:I: Cecilia Darle, Beatrice Hansson, Karin Lundgren-Tallinger, Noak Lönn, Christian Sandell, Tobias Sjödin, Örjan Wallert, Annelie Wallin.

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ID:I Galleri Tjärhovsgatan19 116 28 Stockholm Sweden

Asymmetriska samtal; tala i mun på varandra.

Slink in, haka på, glid över, berätta för mig var det börjar Vi talar, tungan på bilden Var är centrum?

+46 707754243 galleri.idi@gmail.com www.idigalleri.org

Talking without symmetry; speaking on each other.

Slip in, hook on, slide over, tell me where it begins?

We speak, tongue on the picture where is the centre?

ID:I was established by artists as an independent gallery in Stockholm 2002 and is today run by 24 artists.

3rd E

Kallio Kunsthalle Helsinki, Finland

1

3

1 Anna Jensen & Anni Venäläinen, ‘Stubborn species’, 2012.

2 Simon Kentgens, ‘Art is an open space’, 2012.

2

Kallio Kunsthalle Taidehalli Toinen linja 31 00530 Helsinki Finland +358 503841539 info@kalliokunsthalle.fi www.kalliokunsthalle.fi

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3 Petri Saarikko, H.O.M.E brewed ‘Petri dish moldtype’, 2012.

Kallio Kunsthalle is a pocket of art in the heart of Kallio.

Its principles are based on The European Year of Volunteering 2011. It is a product of artists, scholars and local associations. Kallio Kunsthalle’s main partner is Helsingin Optimistit, and its site is at the former meeting room of the Association for Healthy Lifestyles, at Toinen Linja 31 Helsinki. Kallio Contemporary Art Museum is a 160x120 cm table with a glass ceiling. During the exhibition year a best- (or worst-) of exhibition will be collected in the table, which will, in the end, go touring.

3rd E

Kunstenaarsinitiatief |elders

The Hague, Netherlands

From left to right, from top to bottom: Image 1,5,9,10 Els Snijder, ’Archiefstuk’ (Archive file), part of installation.

Image 2,6,7 11 Liesbeth van Woerden, ‘Vooruitgang’ (Progress), stills from video installation.

Image 3,4,8,12 Liesbeth Bos, ‘Plaats’ (Square), part of installation.

Kunstenaarsinitiatief |elders Looijerstraat 3 Den Haag 2512 CK Netherlands +31 623523162 dekokelders@gmail.com www.dekokelders.nl

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‘Elders’ is the Dutch word for ‘elsewhere’. Artist-run project space |elders is based in the Hague (the Netherlands) but breaks up and moves ‘elders/elsewhere’ at unexpected moments offering exhibitions, interventions and artist talks in temporarily unused buildings. |elders presents contemporary artists on a regular basis in a programme called ‘witte vertraging’: a slowing down of the time around the artwork in order to: meet the work and discuss it; observe and investigate, without claiming a truth; encircle the artwork and let ourselves become enchanted.

Intimacy and small-scale are keywords in |elders’ practice as a project space.

5th B

Kunstschlager Reykjavík, Iceland

Sindri Leifsson, ‘Sawyer’, detail, 2013.

Kunstschlager Rauðarárstígur 1 Reykjavík 105 Iceland +354 8577497 kunstschlager@gmail.com www.kunstschlager.com

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Kunstschlager in Reykjavík is a threefold space. An exhibition space with big windows that hosts new shows every three weeks, an art bazaar where people can buy art made by many different local artists and a studio space where the people that run Kunstschlager work.

Founded in 2012 Kunstschlager has since hosted around 20 shows. It has been open to all kinds of art, artists from Iceland and abroad, famous and newly graduated, young and old, tall and.... so on. We always keep the light on in Kunstschlager so you can see the art from outside, even in the wintertime.

5th D

Lateral ArtSpace Cluj-Napoca, Romania

1

2

1 Dragoș Bădiță, ‘Blue’, oil on panel, 50 x 70 cm, 2012.

2 Daniel Kiss, ‘Truly Unsure’, exhibition view, carpet and textile cloth, 2013, photo: Dragoș Bădiță

Lateral ArtSpace Henri Barbusse 59-61 Fabrica de Pensule Str.Universitatii, nr.1, ap.29 Cluj-Napoca 400616 Cluj Romania

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+40 27806321 lateralartspace@gmail.com www.facebook.com/Lateral.ArtSpace

Lateral ArtSpace is a non-profit artist-led exhibition and project space located at the Paintbrush Factory in Cluj-Napoca, Romania. It is dedicated to local, national and international emerging artists. Lateral was founded in April 2012 and is coordinated by three Romanian artists: Dragoș Bădiță, Cristina Curcan and Lucian Indrei. The project started as a response to the lack of exhibition possibilities for emerging artists. We are open to various projects and collaborations, workshops and interdisciplinary research.

3rd F

Galleri LOKOMOTIV Örnsköldsvik, Sweden

The Collective Artists’ Workshop in Örnsköldsvik.

Galleri LOKOMOTIV Järnvägsgatan 10 891 31 Örnsköldsvik Sweden +46 702822288 okkv@telia.com www.okkv.se

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Galleri LOKOMOTIV is run by ÖKKV – Örnsköldsvik Collective Artists’ Workshop, a non-profit association. Since 2010 ÖKKV has an agreement with the municipality of Örnsköldsvik to stage six shows per year. The goal is to show interesting local, national and international art of high quality.

3rd F

Galleri Maskinen Umeå, Sweden

Marte Edvarda Tidslevold.

Galleri Maskinen c/o J.Westlund Seglgatan 16 904 20 Umeå Sweden +46 703836669 galleri.maskinen@gmail.com www.gallerimaskinen.se 44

Galleri Maskinen is an artist-run, non-profit gallery without any fixed exhibition space, based in Umeå, Sweden. Our ambition is to offer an non-traditional platform that would not necessarily work inside the white cube. By creating an active meeting place for interdisciplinary artists through cooperation with international and local artists we aim to provide an alternative to the more established institutions. The end goal is to give a place to lesser exposed trends in the contemporary art scene.

Established, as well as unestablished artists are represented at Galleri Maskinen.

At Supermarket 2014 Galleri Maskinen presents Marte Edvarda Tidslevold.

“The work of Marte Edvarda Tidslevold deals with topics concerning how we relate to other people, our physical relations and the discomfort that can occur when the limits of our personal space are crossed. Her works also often require participation from the audience.”

3rd D

Mnky Bizz Group Las Vegas, United States

Mnky Bizz Group, ‘The Show Must Go On’, silkscreen on paper, 70 X 70 cm, 2013, photo: Mnky Bizz Group.

Mnky Bizz Group 2880 S. Las Vegas Blvd.

89109 Las Vegas Nevada United States +1 491636409908 info@mnkybizz.com www.mnkybizz.com 45

We’re a far-flung team of anonymous artists and cultural activists, known collectively as Mnky Bizz Group, who are committed to shaking up the status quo in today’s brave new art world. After holding a contemporary artist captive in our booth and introducing art-market innovations like the robotic sales rep and the price-ruler system at previous Supermarket exhibitions, we return to Stockholm in 2014 to unveil our latest project ‘The Show Must Go On’.

Recasting the art fair as a fun fair, our new installation comments on how showmanship and branding are now the key to making it big in the high-rolling world of art. Alongside a variety of carnival games and amusements, the work’s main attraction is a coin-operated merry-go-round featuring a star-studded menagerie – silicone-and-foam lookalikes of art icons Joseph Beuys, Andy Warhol, Marina Abramovic, Jeff Koons and Damien Hirst, which fairgoers can send whirling around by depositing a special token.

5th B

Museolaboratorio Città Sant’Angelo, Italy

1

3

1 Francesco D’Incecco, ‘Generatio Aequivoca’, recycled materials and garbage, 2013, photo: Francesco D’Incecco.

2 Lucilla Candeloro, ‘Untitled’, mixed media on paper, 40 x 40 cm, 2013, photo: Lucilla Candeloro.

2

Museolaboratorio Vico Lupinato 1 65013 Città Sant’Angelo Pescara Italy +39 3271015880 info@museolaboratorio.org www.museolaboratorio.org 46

3 htcos, ‘Conversation’, video, 2013.

The Museolaboratorio was established in 1998 by the Città Sant’Angelo City Council.

Since 2001, under the new direction of Enzo De Leonibus, the museum aims to keep its space always available for experimental research, becoming a suitable space for any contemporary or visual art expression. The Museolaboratorio is primarily a meeting and working hub and does not serve the sole purpose of displaying exhibitions.

The museum has developed continuous activities with the aim of achieving what had been envisaged since the beginning: build a different and additional path and define new horizons as well as a new artistic and cultural heritage in the world of contemporary art.

At Supermarket 2014 the Museolaboratorio will present the work of Lucilla Candeloro, Francesco D’Incecco and htcos.

5th A

The Museum of Forgetting Norrköping, Sweden 1

2

Daniela Ortiz and Xose Quiroga, ‘Grave’, video, 2012.

The Museum of Forgetting Östra Promenaden 31 602 43 Norrköping Sweden +46 736569288 erik@museetforglomska.se www.museetforglomska.se

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The Museum of Forgetting is a nomadic project for exhibitions and critical reflection. Since 2007 we have addressed themes such as the Iraq war, American popular culture, cartoons from the Arab world and the relationship between fact and fiction in art and politics.

At Supermarket 2014 we are launching ‘Is This the Time for Art?’ a project which addresses the issue of migration through art. The name reflects the dilemma of how to represent the often politically unrepresented and disenfranchised migrant, without engaging in an aesthetisation of an ongoing disaster. Displays of art works dealing with our current migratory regimes and their consequences are shown together with questions as to the form in which this issue can be addressed in an art context, if at all?

3rd B

MUU galleria Helsinki, Finland 1 Maippi Ketola, ‘Holy Dolls’, video, 2013.

2 Exhibition view – works by Yasushi Koyama and Aleksi Tolonen, 2013, MUU Cable.

Photos: Miika Sillanpää.

1

2

MUU Gallery Lönnrotinkatu 33 180 Helsinki Finland +358 9625972 director@muu.fi www.muu.fi

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The Artists’ Association MUU promotes professional artists working across a wide range of disciplines. MUU GALLERY and new space (opened 2013), MUU CABLE, arrange exhibitions, screenings, concerts and performances by artists and curators from Finland and abroad.

MUU MEDIA BASE is a digital working space to support the creation of art works achieved through the use of new technologies.

AMORPH! International Performance Art Festival has been arranged since the mid ’90s.

PERFORMANCE ART BANK (www.performanssi.com) presents Finnish performance art.

MUU FOR EARS are a series of sound art CD publications, presenting Nordic and International sound art. SOUND ART BANK is a new database of Finnish sound art.

3rd D

Nationalgalleriet Stockholm, Sweden

Ulf Rahmberg ‘Storfoting’.

Nationalgalleriet Skomakargatan 3 111 29 Stockholm Sweden +46 768585862 info@nationalgalleriet.org www.nationalgalleriet.just.nu

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Nationalgalleriet, founded in 1984, is run by a group of artists and based on non-profit and noncommercial principles. The group unanimously decides what artist/show will be exhibited. The gallery does not have any specific artistic or ideological programme, but tends to like artists with a bite, with an attitude, and it is best known for its satiric group shows where absurdity is mixed with political and social comment. When it comes to solo shows the art is varied, from highbrow to subversive underground. Exciting fist fights, horror, politics, satire, sex (including nude scenes), magic, psychology, art, violence, slapstick and special effects: Nationalgalleriet has got it all! This year we launch a party, or rather an antiparty: Antipa[r]tiet. We are against!

3rd A

Gallery Nectar/GeoAIR Tbilisi, Georgia

Shota Bostanashvili, video documentation, 2013, ‘Exhibition Nara /tivi’. Photo: Davit Bostanashvili.

Gallery Nectar / GeoAIR Brother Zubalashvili 56A Tbilisi 108 Georgia +995 599337702 nectarigallery@gmail.com infogeoair@gmail.com www.gallerynectar.ge www.geoair.blogspot.com 50

Gallery Nectar represents an artistic space for contemporary non-mainstream, regional and outsider art in Tbilisi. The gallery is on Agmashenebeli Avenue in the midst of small beauty and wedding shops in one of the oldest quarters of the city and near to the open art market.

GeoAIR is backed with rich experience of implementing cultural projects locally and internationally.

Through its activities: collaborative cultural projects, residency programme and Archidrome – contemporary art archive and discussions, GeoAIR stimulates and raises awareness on contemporary art and culture in Georgia.

5th B

Nest Den Haag, Netherlands

Feiko Beckers, ‘As long as you are not reminded too often’ 2012, HD Video/Installation 4:34min V&B ‘Escaping Criticism’, 2009, 300 x 200 cm, mixed paint on canvas, photo: Jhoeko.

Nest De Constant Rebecqueplein 20b 2518 RA The Hague Netherlands +31 624550871 info@nestruimte.nl www.nestruimte.nl

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Since 2007 Nest presents an exhibition programme in its monumental space, aimed to maintain and stimulate the relationships between the artist, the artwork and society. The programme mostly consists of theme-based group shows derived from dialogue between Nest and external parties.

Exhibitions present local, national and international artists often combined within an extensive, wellproduced presentation. ‘One Nest Stands’ offer the chance to new curators, collectives and artists to experiment with low budget presentations of one evening.

The exhibition programme is accompanied by an extensive educational programme which aims to stimulate both participation and appreciation. NestTV offers an introduction to the projects of Nest and aims to evoke curiosity for the subjects dealt with. The online Nest shop provides fresch collectors and art lovers with the possibility to buy art by talented artists at a reasonable price.

5th A

Occupy Space Limerick, Ireland

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1 Carla Burns, Installation of ‘Dream of Healing’, looped animation, 10 minutes 45 seconds, 2011.

2 Carla Burns, ‘Healing the Child Within’, looped animation, 1 minute 45 seconds, 2013.

3 Carla Burns, ‘Double Vision’, looped animation, 2 minutes 30 seconds, 2011.

Occupy Space No.9 Lower Cecil St. Limerick Ireland +353 877405626 occupy.space@gmail.com www.occupyspace.com

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Founded in 2009 by the members of Wickham Street Studios and based in Limerick City, Ireland, Occupy Space is a not-for-profit organisation that has established a dynamic programme of exhibitions and events to engage the local audience and to open up a critical dialogue with the wider visual art community. The fundamental objective of the organisation is to provide exhibition opportunities for graduate and emerging artists outside of the context of a commercial gallery space.

Occupy Space is operated by a voluntary staff, providing experience in event management, facilitating exhibitions and developing potential for independent curatorial projects.

At Supermarket 2014, Occupy Space will present a video installation by Limerick artist Carla Burns, whose work looks at self-help, self-improvement, and spirituality.

3rd F

OK Corral Exhibition Space Copenhagen, Denmark

1 Marie Edinger Plum, “New Moon”, Perfonmance 10 min, 2014, screenshot: MEP

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2 Claus Larsen, “Section Light”, MDF Wood, Fluorescent lights, 2005

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OK Corral Exhibition Space Malttorvet 2 København V 1799 Denmark +45 61704564 okcorralexhibit@gmail.com www.ok-c.org

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OK CORRAL is an artist-run space located in a former warehouse and workshop in Carlsberg Byen in Copenhagen, Denmark. In these nostalgic surroundings dating back to the industrial glorification of the 1800s we seek to mirror a young and diverse range of contemporary artists.

Our aim is to give young curators and artists the opportunity and space to present solo- and groupexhibitions of high artistic quality that would not have been possible in more conventional commercial and public funded art spaces. Accompanying each exhibition are artist talks, film screenings and discussion forums that we encourage curators and artists to use.

At this year’s SUPERMARKET, OK CORRAL presents a solo exhibition with the Berlin-based artists Claus Larsen (DK) who makes poetic machines, investigating relationships between humans and systems.

At the Red Spot Stage, OK CORRAL will feature the live performance New Moon by artist Marie Edinger Plum; a piece from Plum’s future solo show Unknown Promises, at OK CORRAL, August 2014.

5th D

Oonagh Young Gallery

Amy Stephens, ‘The First Dive’, 2013, steel, paint, heat transfer foil, 42 x 10 x 130cm, 2012.

Dublin, Ireland

Alan Phelan & Douglas Rodrigo Rada ,Glove Fingers Exchange, 5 coloured rubber gloves, 2013

Oonagh Young Gallery 1 James Joyce Street Dublin 1 Ireland +353 18558600 info@oonaghyoung.com www.oonaghyoung.com

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Oonagh Young gallery is contemporary art gallery based in Dublin City Centre since 2008. The gallery exhibits Irish and international artists and is led by Oonagh, a graphic artist specialising in the design and production of artist’s books. Exhibitions have also included many cross-disciplinary practices such as architecture, theatre, poetry readings and performance art.

On Kissing,Tickling and Being Bored (after Adam Phillips) with David Beattie, Alan Phelan, Amy Stephens & Una Gildea.

‘To be petrified by a ‘pigeon’ (for example) is a way of making it new,’ Phillips says. ‘The phobia is an eroticisation not so much of danger as of significance.’ We are assiduous seekers of significance, vacillating between habit, where meaning is dormant, and the desire for and arousing of meaning.

Phillips focused on a variety of subjects rarely investigated by psychoanalysis questioning the drive towards omniscience in life.

5th B

Ormston House Limerick, Ireland

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1 Paraic Leahy, ‘Jimmy’ from ‘The Honorable Gentlemen’ series, watercolour on paper, 36 x 27cm, 2013.

2 Paraic Leahy, ‘Jack’ from ‘The Honorable Gentlemen’ series, watercolour on paper, 36 x 27cm, 2013.

Ormston House Gallery 9-10 Patrick Street Limerick City Ireland +353 864070295 mary@ormstonhouse.com www.ormstonhouse.com

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In August 2011, Ormston House launched its visual art programme in a 2100 square foot dedicated exhibition space at 9-10 Patrick Street in the heart of Limerick city. Built in the early nineteenth century, Ormston House was inspired by the Venetian pallazo and since renovations in the 1990s retains original architectural features such as Corinthian pilasters, a seven-bay arcade and limestone façade, giving this site a unique character in the streetscape. Operating under the Creative Limerick initiative, the gallery delivers an experimental programme of multidisciplinary exhibitions and events and is currently developing a series of research-based and archival projects. A key focus is to support artistic, curatorial and design practices, as well as a writer-in-residence scheme, through access to a workspace, a reference library, professional development workshops, peer discussion groups and networking events. On Culture Night 2011, Ormston House announced its annual membership scheme to encourage open participation in the gallery’s activities, including members’ exhibitions curated by invited Irish and international artists or curators twice a year.

3rd F

PAPER Manchester, United Kingdom 1 Pär Strömberg, ‘Transylvania II’, akvatint etching (handcoloured), 20 x 20 cm, 2012.

2 James Moore, ‘I am alive and you are dead’, oil on paper, 21 x 29 cm, 2013.

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PAPER Unit 12, Mirabel Studios 14-20 Mirabel Street Manchester M3 1PJ Lancashire United Kingdom +44 7799813062 papergallery@mail.com www.paper-gallery.co.uk 56

Based in Manchester, UK, in the city’s Green Quarter, PAPER is an artist-run commercial gallery lead by Andrea Cotton, David Hancock, and Simon Woolham, selling affordable and accessible paper based works. PAPER represents a range of emerging and mid-career artists whose practice is based around the medium of paper. This ranges from drawing, artist’s books, video, and performance. For Supermarket PAPER will present a new series of prints from Stockholm-based artist Pär Strömberg created during a residency at the Lithography Museum Printshop. PAPER will also present work from gallery artists Hayley Lock, Barbara Walker, Richard Meaghan, Wen Wu, Jenny Core, Bethan Hamilton, Susannah Douglas, James Moore, Dawn Woolley, Alice Bradshaw, David Miles, Jenny Steele, and Naomi Lethbridge.

PAPER opened in August 2012 and has taken part in The Manchester Contemporary, Sluice, London and Trajector in Brussels. PAPER has a regular programme of exhibitions, presenting the work of gallery artists as well as providing a platform for outside curatorial projects.

3rd E

Peek-a-Boo Gallery (Gotham Studios Inc) Perth, Australia

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1 1 Tegan Jenkins and Kate Leslie, ‘Looking Through the Shit to See the Stuff’, mixed media installation, 3 x 3 m, 2012, photo: Tegan Jenkins.

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2 Kyle Hughes-Odgers and Sean Morris, ‘Untitled’, multi-media performance/installation for ‘Gotham Gone Wild’, Fringe World, Peek-a-Boo Gallery, 2013, photo: Sean Morris.

4 Kate Koivisto Wheeler, ‘DomestiCITY 2’ (detail), oil on plastic toys, dimensions variable, 2012, photo: Caspar Fairhall.

3 Richard Munsie, ‘Eventide 1’, pigment ink on cotton rag, 2013, 28 x 28 cm.

Peek-a-Boo Gallery (Gotham Studios Inc) 57 James Street Northbridge 6003 Perth Western Australia Australia +61 420753028 chez.kkw@optusnet.com.au gothamstudios.com.au 57

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Gotham Studios is Western Australia’s longest-running artist-run initiative and Australia’s thirdoldest, celebrating its 25th anniversary in 2013.

An icon of independent art practice in Perth’s inner city, Gotham continues to evolve and flourish against the odds in the tide of economic rationalism. The collective also manages Peek-a-Boo, a 3m2 exhibition space, once dubbed ‘the smallest gallery in the southern hemisphere’.

For Supermarket, the 12 current studio artists* present Gotham City, a group exhibition revisiting the salon format that earned them the gold medal for Visual Art at Perth’s 2013 FringeWorld Festival, for their Le Salon Scintillant silver anniversary exhibition. *Mel Dare, Michael Doherty, Caspar Fairhall, Kyle Hughes-Odgers, C. Walker Jackson, Kate Koivisto Wheeler, Kate Leslie, Clare McFarlane, Richard Munsie, Andrew Nicholls, Emily ten Raa, Vyonne Walker.

3rd F

Plan B Amsterdam, Netherlands

Karl Georg Staffan Björk, ‘Uitzicht’ wood & turf, installation, 9.5 × 5.4 × 4.5 m, 2013.

Plan B Benedenlangs 183 1015PR Amsterdam Netherlands +31 648780467 contact@planbprojects.nl www.planbprojects.nl

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Plan B is an initiative by Amsterdam-based artists Tarja Szaraniec and Tomas Adolfs. Since 2006 they have been working with a large number of young artists, transforming their own studio into a presentation platform called Plan B. Projects range from medium size solo/group exhibitions, festivals, and video screenings, to lectures, one-night events, experimental performances, residencies and more. Plan B initiates opportunities for young professional artists and develops art-related concepts.

Plan B makes exhibitions and presentations informed by each specific artist’s perspective. In this way it translates autonomous artistic practices into a hands-on way of working and (re-) presenting.

Plan B strongly believes that there is more in between the ironic and the iconic.

Currently Plan B is reconsidering its recent nomadic way of working and going back to basics – back to the studio. For Supermarket 2014 we present four artists that, close to Plan B and its founding vision, are sharing a studio.

5th A

Platform Vaasa, Finland

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1 Klas Eriksson, ‘Ground’, performance outside Platform, 24.11.2012, Vaasa, Finland.

2 Scheibe&Güntzel, ‘Mustikka’, performance during Why The World Won’t End Performance Week, 7.8.2013, Vaasa, Finland.

Platform Kasern 14, Västra Kaserntorget 8-10 651 00 Vasa Finland +358 405275613 info@platform.fi www.platform.fi

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Platform is an artist-run initiative founded in 2000 in Vasa, Finland. The purpose was to create a platform for contemporary art in a ‘peripheral’ small city with no other institutions working in the same field. Platform currently runs two residency programmes (one for Nordic and Baltic artists, and one for international artists), and organises different kinds of events in performance and live art.

Platform’s activities have been based on different themes, such as Local-Global, questioning the role of contemporary art at the periphery; Place and Identity, investigating connections between site and personality; Creative Community, focused on urban development and creativity; and The End of World – Or Why the World Won’t End, dealing with all the factors that make the future seem more uncertain than ever.

Platform is organised by a community of volunteers. The members also work together on artistic projects under the name CFL (Cheap Finnish Labour).

3rd D

QWERTY Odense, Denmark

QWERTY, ‘QWERTY Real Estate Agency’, performance and installation, 2014.

QWERTY Prenzlauer Allee 188 Galerie Kuchling 10405 Berlin Germany +45 29297441 info@tifinger.dk www.tifinger.dk 60

QWERTY is a group consisting of 8 artists who have worked together for the last seven years with different kinds of exhibitions. One of the main goals is to meet people with art, instead of the more passive approach of just hanging stuff on the wall.

At Supermarket 2014 QWERTY is a Real Estate Agency. We will investigate the various aspects of real estate and want to question what it means to own land, property and space.

QWERTY Real Estate Agency also wants to study the idea of purchasing something, and the psychological impact of the exchange.

The objects on display are sale prospects, deeds, houses and photos of land, space and real estate.

We will invite visitors to negotiate the value and terms for a trade.

You can find QWERTY Real Estate Agency advertising all over Stockholm.

Every Supermarket should have a Real Estate Agency! At Supermarket 2014 QWERTY cooperates with Gallerie Kuchling, Berlin: Rolf and Robert Kuchling.

3rd F

Rajatila Gallery Tampere, Finland

Eira Enkvist, Timo Bredenberg, Kaisa Luukkonen, Karoliina Paappa, ‘Knotspot’.

Rajatila Gallery Hämeenpuisto 1 335 00 Tampere Finland +358 41523 2992 galleria@rajataide.fi www.rajataide.fi

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Galleria Rajatila displays contemporary visual art, focusing on young artists. The exhibition programme is selected through an open application process. The gallery is run by the Rajataide Art Association, a non-profit organisation of artists under the age of 36. The association was founded in 1996 by a group of 10 young artists and the gallery opened in 1997. The association has since grown to be a network of over 80 members. Besides the gallery, the assocation produces a range of different kinds of projects, one of them being ½ lehti- art magazine. For Supermarket 2014 the Fair group of Galleria Rajatila becomes an networking enabler for Supermarket’s participants. This will be done through interviews and questionnaires. The results can then be seen at http://rajataide.fi/blog

5th D

Galleria Sculptor Helsinki, Finland

Johanna Havimäki, ‘Jalamangala’, leather, mixed media, 2013.

Galleria Sculptor Eteläranta 12 130 Helsinki Finland +358 458464647 galleria.sculptor@artists.fi www.sculptors.fi

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Galleria Sculptor, run by The Association of Finnish Sculptors, focuses mainly on contemporary Finnish sculpture, but it also makes room for artists from other countries and from different fields of art.

At Supermarket 2014, Galleria Sculptor presents some of the most innovative Finnish artists such as; Marjukka Korhonen, Kalle Mustonen, Riikka Puronen and Johanna Havimäki. These artists will bring to the fair an engaging variety of current Finnish sculpture using different, alternative and experimental materials and means of expression.

3rd E

Galleri Se Konst Falun, Sweden

Kent Andersson, ‘Galleri Se Konst hyr en konstnär’, 2013, photo: John Rasimus

Galleri Se Konst Slaggatan 20 791 70 Falun Sweden +46 704738493 gallerisekonst@gmail.com www.gallerise.se

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Galleri Se Konst is an artist-run gallery in Falun that was founded in 2009. We are the only artist-run gallery in the Dalarna region. Our aim is to show interesting contemporary art – both national and international, and to broaden the local art scene. We mainly work with the artists that we invite to hold an exhibition. We gladly cooperate with other galleries, institutions, and museums to widen our network and contacts. We are also curious about other forms of cultural expression, and have offered our space for live music and literary readings.

Falun has a long history of artists working with printmaking and to keep this tradition alive we award a ‘Printmaking Grant’. The prize goes to an artist who does not normally work with prints, and includes a week working in the printshop. We love to put artists to work!

3rd E

Slakthusateljéerna Stockholm, Sweden

Slakthusateljéerna Bolidenvägen 22 121 63 Johanneshov Stockholm Sweden

+46 737279900 slakthusateljeerna@gmail.com www.slakthusateljeerna.se 64

Slakthusateljéerna is a studio space just south of Stockholm’s inner city. The space contains the members’ studios and a project space for public activities.

Slakthusateljéerna was established in 2010 and is a non-profit members’ organisation.

3rd B

Studio 44 Stockholm, Sweden

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1 Rikard Fåhraeus, ‘Slum flight’, photo, 2013.

2 ‘Election car’, photo, 2013.

3 ‘Handing out’, photo, 2013.

4 ‘Parliament’, photo, 2013.

Studio 44 Tjärhovsgatan 44 116 28 Stockholm Sweden +46 704540801 styrelse@studio44.se www.studio44.se

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Studio 44 opened in 2003 and is an independent, non-commercial space for contemporary art. The initiative is run by 30 visual artists who manage the space together and show their own work on a regular basis, as well as inviting other artists to participate in themed exhibitions. This process is organic and democratic which allows different approaches to exist side by side.

At Supermarket 2014 Studio 44 is showing the project ‘The Year of Elections 2014’ (VALÅRET 2014).

The theme opens up sharp questions concerning choices in a broader sense, engaging issues of the imbalance of power and what is left out of ‘politics’ in the restricted sense that we encounter in the electoral process. In September we will exhibit the project at the Studio 44 gallery. www.valaret2014.se

3rd B

S. Y. L. A. N T E N H E I M Bonn, Germany

S. Y. L. A. N T E N H E I M Maxstraße 55 53111 Bonn +49 22818033378 syla@kunst-bedarf-kunst.de www.kunst-bedarf-kunst.de

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The S. Y. L. A. N T E N H E I M is the ART SUPPLY VENUE in Bonn, Germany. You can get S.Y.L.A. (Support Your Local Art) without any conditions. Everyone can occupy the space for the meaning of art.

The concept was initiated by DEMECO & PASQUALE in April 2012.

APPLICATION REQUIREMENTS 1) Every person, every animal, everything and every community has a right to S.Y.L.A in the sense of art, i.e. the right to use the gallery space temporarily.

2) After submitting an ‘Sylapplication’ a temporary residence permit is granted in principle.

3) Residence requirement does not exist.

4) No. 1 to 3 are in compliance with the artistic freedom of the German Constitution Article 5, paragraph 3.

3rd A

TAL Rio de Janeiro, Brazil

Elisa Pessoa, ‘Dialogue’, video installation, 14 min, 2013.

TAL Fábrica da Bhering Rua Orestes 28 Santo Cristo Rio de Janeiro Brazil contato@tal.art.br www.techartlab.com 67

TAL – TechArtLab is a collaborative multimedia label that opens new possibilities of communication, production and dissemination of contemporary art in Brazil and internationally. TAL supports, promotes and conducts art events, exhibitions, publications, and other artistic online and offline productions with a network of collaborators.

The label appears where there is cultural relevance and at the representation of new and established artists. The goal is to strengthen the multimedia art scene at the intersections between the practices, concepts, producers and audience, strengthening Brazil’s projection into, and interaction with, the world through connections with galleries, institutions and artists.

5th A

Tegen2 Stockholm, Sweden

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2 1 Tina Enghoff, ‘And Our Beds are Cedar Green’, c-print installation. Blankets and ground pads for the homeless. 12 day documentation in a shelter in Kopenhagen where undocumented migrants can spend the night, 2012. On the floor clothing drive for undocumented migrants, ‘Migrant Documents’, 2013.

2 Peter Johansson, ‘Full fräs’, flag installation, 2012, and Chun Lee Wang Gurt, ‘Livet är en dröm’, wall installation, mixed media, ‘Ja jag vill leva jag vill dö’, 2013.

3 Tina Enghoff, ‘The Idea of Travelling’, c-print, (the tourist attraction The Little Mermaid is being viewed, Copenhagen, 2012) ‘Migrant documents’, 2013.

Tegen2 Bjurholmsgatan 9B 116 38 Stockholm Sweden +46 702855777 info@tegen2.se www.tegen2.se

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TEGEN2 – a space for energetic blending, reflection and confrontation.

Since starting in 2006, Tegen2 has shown a broad spectrum of artists’ exhibitions (including: David Reeb, Meira Asher, Itay Ziv, Israel; Damir Niksic, Bosnia; Basel Abbas & Ruanne Abou-Rahme, Palestine; Tina Enghoff, Kent Klich, Denmark; Hakan Akcura, Nils Cleasson, Kerstin Hansson, Chun Lee Vang Gurt, Peter Johansson, Dorinel Marc, SIMKA, Paula Urbano, Sweden). These are added to with performances, readings, actions and talks that further challenge the hierarchies and boundaries between art and activism, and art and aesthetics (for example Ship to Gaza events and exhibitions, documentation and interactions with undocumented migrants in Denmark and Association Papperslösa Stockholm, and with artists and activists in Cafranbel, Syria.

3rd F

The Room Below Kanazawa, Japan

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3 1 Yonezawa Minoru, “Jumping”, acrylic and paper on board, 15 x 10 cm, 2012 and “Dancing”, acrylic on paper, 38 x 27 cm, 2013.

2 “Guanyin”, acrylic on paper, 28,5 x 20 cm, 2013.

3 “A Woman”, pencil and acrylic on paper, 15 x 10 cm, 2013.

4 “Runner”, acrylic on paper, 21 x 5 cm, 2012.

The Room Below Kanazawa 13-5 Ougi-machi Kanazawa-shi Ishikawa 920-0927 JAPAN +81 9028327723 theroombelow.artgallery@gmail.com www.facebook.com/theroombelow. artgallery 69

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THE ROOM BELOW is an art gallery located at the centre of Kanazawa, prefectural capital of Ishikawa.

We are an artist-run organisation that has been curating art projects and workshops since 2006. In 2013 we opened THE ROOM BELOW, an art gallery which is supporting emerging talents. We work with both established artists as well as outsider artists. The gallery’s aim is to foster dialogue and create networks that transgress cultures and geographical borders.

At Supermarket 2014 we feature Yonezawa Minoru and introduce his drawings. He was working as a woodworker who had produced Ranma (decorative architectural features) and Buddhist altars, but suffered from brain damage due to a stroke. He figured out the new vision for his world in confronting his circumstances.

3rd E

Tupajumi Foundation Rotterdam, Netherlands

Tupajumi Foundation Nieuwenhoornstraat 44c 3082RT Rotterdam Netherlands +31 614158565 info@tupajumi.com www.tupajumi.com

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The Tupajumi foundation is proud to present the TFHMF Award 2014, a brand new crowd funded award* created by us and HeavyMerryFinland. The main objective by both organisations is to promote (inter)national artists worldwide at key locations within local art scenes.

This year we present 5 artists selected by an international jury of critics, art professionals and fellow artists. One will win the TFHMF Award, including prize money partially raised by you the visitor.

You are asked to cast a vote on your favourite artwork (min. â‚Ź1 per vote). All the visitors will decide who the lucky winner will be! And we will do our utmost to get as many votes as possible! *a crowd funded award 1. Artists themselves partially crowd funded the award by contributing a small participation fee.

2. Visitors pay a small fee to cast a vote for their favourite artwork.

3. The TFHMF organisation started a crowd funding campaign in order to further raise the prize money.

3rd A

Galleri Verkligheten Umeå, Sweden

Imri Sandström, ‘WORDS WON’T CUT IT’, brick sculpture, 2012, photo: Imri Sandström.

Verkligheten Pilgatan 16 903 31 Umeå Sweden +46 90109900 info@verkligheten.net www.verkligheten.net

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Verkligheten is an artist-run exhibition space located in central Umeå. We mix local art with international, organise seminars and collaborate with various artist groups and institutions both in Umeå and abroad. In 2013 Verkligheten recieved the Dynamo Award from the Swedish Arts Grants Council.

This year at Supermarket Verkligheten is proud to present Imri Sandström whose practice includes text, sound, still and moving image, often interwoven in the shape of musical intermedia performances. She uses multifaceted composition to explore historical and literary linkages, acts of reading and writing, and intersecting aspects of voice and spatiality. Invested in historical thinking, musical organisation and religious language her work revisits and reworks historical phenomena and narrative positionings.

5th D

Galleria VISU Kokkola, Finland

Katja Skinnari, ‘Speed Blindness’, pigment ink print, 40 x 50 cm, 2011.

Galleria VISU Borgmästaregatan 2 67100 Karleby / Kokkola Finland +358 445146641 visu@visu.fi www.visu.fi

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VISU ry/rf is an artist-run initiative in Kokkola, Finland and we have a gallery space where we show contemporary art exhibitions from outside of Kokkola, by both Finnish and international artists. The possibilities for hands on contact with contemporary art are rather small up here, and we want to emphasise the right to art for everyone, not just the ones who live in the centre. It is also an important part of education for school children to see real art, live, and we arrange projects and workshops to make this happen. We cooperate with the Nordic Art School and the Drake Art residency.

Participating artists: Katja Skinnari, Jyrki Portin, and Anna Ulff.

3rd F

Water Tower Art Fest Sofia, Bulgaria

Royal Train station at Kazichene, photo: Galya Yotova 2013.

Water Tower Art Fest 9 Bogatica street, ap. 12 1421 Sofia Bulgaria +359 898312030 watertowerartfest@gmail.com www.watertowerartfest.com

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The Water Tower Art Fest is the largest contemporary arts event in Bulgaria with a seven-year history of developing socially engaged artworks in alternative spaces from both national and international participants. Initially a small-scale event, like many artist-run initiatives, and relying on the enthusiasm of a single artist, the festival has attracted and inspired many others.

The festival challenges visitors to question the development of their own cities, whilst bringing together artists from across Europe and the world. Many of Bulgaria’s abandoned buildings have deep historical significance and the festival encourages its visitors to take pride in their heritage and its restoration.

The Festival has had a wide influence beyond its origins: it has both connected individuals and made this connection visible. The openness which comes naturally to artists opens a whole new way of looking at art. And that makes a difference.

3rd A

Zeta Gallery Tirana, Albania

Endri Dani, ‘Souvenir of my homeLAND’, Palimpsest 02, video installation, 2011.

Zeta Galeri Rr.Abdyl Frasheri, P.31 A/4 Hekla Center Tirana Albania +355 42266680 zetagaleri@gmail.com www.zetagaleri.com 74

Zeta Centre started its activity in 2007, it is a non-profit centre focused on visual arts that promotes collaborative, professional practices between the artists and curators, critics, researchers and other creative professionals in order to contribute to the establishing of an active contemporary art scene in Albania.

Zeta’s goal is to cultivate the public and promote contemporary art - something that we consider an inherent characteristic of emancipated societies - through exhibitions, presentations, collaborative projects at local, regional and international levels as well as other cultural activities.

Zeta Centre / Gallery has a well-equipped space of 150 m2 located in the heart of ‘Blloku’ the most attractive area of Tirana.

Zeta’s aim is to offer the Albanian public the artistic values of Albanian and international artists. We support and promote artists and projects that help us achieve our aim.

3rd A

Ў gallery Minsk, Belarus

Ў Gallery Nezalezhnasci ave., 37A Minsk 220005 Belarus +375 293290610 info@ygallery.by www.ygallery.by

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Aliaxey Talstou, ‘Oil’, oil on canvas, 200 x 150 cm, 2013, photo: Victoria Scherbakova.

Gallery of contemporary art Ў was formed in 2009 in Minsk, and now it holds a position as one of the most significant art spaces in Belarus. The gallery organises individual and group exhibitions of contemporary Belarusian artists as well as foreign European artists. Each exhibition is accompanied with artist talks, lectures, and discussions. In recent years Gallery of contemporary art Ў has built a reputation as a place highly engaged in the city’s public activities by running numerous seminars, debates and other events not only in field of art, but in social and civic arenas as well. Since 2010 the gallery has supervised the project START. The aim of this project is to promote emerging young Belarusian artists by organising solo exhibitions and public discussions. Aliaxey Talstou, Belarusian artist and writer, resident artist of gallery Ў at Supermarket 2014, presents documentation of his most recent self-initiated project – exhibited in Minsk in October-November 2013 – along with several sketches and notes of his new work.

Presentation stands

Konstkonsulenterna i Sverige, Sweden 3rdC Region Västerbotten, Norrlandsgatan 13, 903 27 Umeå +46 703077275, www.konstkonsulenterna.se

Konstnärernas Kollektivverkstad (KKV), Nacka, Sweden 5thC Planiavägen 28 - 30, 131 54 Nacka +46 707662958, kansliet@kkv.nu, www.kkv.nu

Konstnärscentrum Öst, Stockholm, Sweden 5thC

Hornsgatan 103, plan 9, 117 28 Stockholm +46 8324480, +46 702668084, kc-ost@konstnarscentrum.org www.konstnarscentrum.org/kcost

Konstperspektiv, Stockholm, Sweden 3rdC Gammelgårdsvägen 19, 112 64 Stockholm +46 733755985, info@konstperspektiv.nu, www.konstperspektiv.nu

KRO/KIF, Stockholm, Sweden 3rdE Hornsgatan 103, plan 9, 117 28 Stockholm +46 725237564, kro@kro.se, www.kro.se

Kulturtidskriften Cora, Stockholm, Sweden 3rdC Bengt Ekehjelmsgatan 2B, 118 54 Stockholm +46 708635361, info@cora.se, www.cora.se

Nordic Art Association Finland (NKF), Finland 3rdF Trebergavägen 19, 6200 Borgå +358 505924061, liisa.wilska@netlife.fi, www.suomenpohjoismainentaideliitto.fi

Nordic Art Association Sweden (NKF), Sweden 3rdF Nordiska gästateljén Malongen, Nytorget 15, 116 40 Stockholm +46 708475743, info@nkf.se, www.nkf.se

OEI, Stockholm, Sweden 3rdC Lövholmsgränd 12, 117 43 Stockholm +46 707157814, kontoret@oei.nu, www.oei.nu

Sveriges Allmänna Konstförening (SAK), Stockholm, Sweden 3rdC Box 5343, Slupskjulsvägen 34, Skeppsholmen, 102 47 +46 0709-849460, info@konstforeningen.se, www.konstforeningen.se

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Notes 00130Gallery Helsinki, Helsinki, Finland 5thB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

1646, The Hague, Netherlands 3rdA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

3:e våningen / 3rd floor, Gothenburg, Sweden 3rdE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

AADK Centro Negra, Blanca, Spain 5thA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

AllArtNow, Damascus, Syria 3rdA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Alpineum Produzentengalerie, Lucerne, Switzerland 5thD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

A.M.180 Collective, Prague, Czech Republic 5thB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Art On Armitage, Chicago, United States 3rdD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Artellewa Art Space, Cairo, Egypt 3rdA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Artists’ Association of Oulu, Oulu, Finland 3rdD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Ateljén Hea, Sunne, Sweden 3rdF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Atlantic House, Cape town, South Africa 3rdG. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Bhotsun Art, Lhasa, Tibet, China 3rdE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleri Box, Gothenburg, Sweden 5thA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Candyland, Stockholm, Sweden 5thD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

CCA Tbilisi, Tbilisi, Georgia 3rdA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

CirkulationsCentralen, Malmö, Sweden 3rdG. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Daily Temporary, Stockholm, Sweden 5thD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Detroit Stockholm, Stockholm, Sweden 5thA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Duplex100m2, Sarajevo, Bosnia and Herzegovina 5thD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Ed Video Media Arts Centre, Guelph, Canada 5thA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galeria Entropia, Wrocław, Poland 5thB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Extra Muros / Pol’N, Nantes, France 5thD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Fiber Art Sweden, Stockholm, Sweden 3rdF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Filmverkstaden, Vaasa, Finland 5thA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . fragment S, London, United Kingdom 3rdE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Gocart Gallery, Visby, Sweden 3rdG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Grafik i Väst, Gothenburg, Sweden 3rdG. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Grafiska Sällskapet, Stockholm, Sweden 3rdG. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Grüntaler9, Berlin, Germany 3rdC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Gudran, Alexandria, Egypt 3rdB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Harp Art Lab, Harplinge, Sweden 5thA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Hjärnstorm, Stockholm, Sweden 3rdD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleria Huuto, Helsinki, Finland 5thB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ID:I Galleri, Stockholm, Sweden 3rdA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Kallio Kunsthalle, Helsinki, Finland 3rdE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Kunstenaarsinitiatief |elders, The Hague, Netherlands 3rdE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Kunstschlager, Reykjavík, Iceland 5thB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lateral ArtSpace, Cluj-Napoca, Romania 5thD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleri LOKOMOTIV, Örnsköldsvik, Sweden 3rdF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleri Maskinen, Umeå, Sweden 3rdF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Mnky Bizz Group, Las Vegas, United States 3rdD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Museolaboratorio, Città Sant’Angelo, Italy 5thB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Museum of Forgetting, Norrköping, Sweden 5thA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MUU galleria, Helsinki, Finland 3rdB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Nationalgalleriet, Stockholm, Sweden 3rdD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Gallery Nectar/GeoAIR, Tbilisi, Georgia 3rdA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Nest, Den Haag, Netherlands 5thB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Occupy Space, Limerick, Ireland 5thA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

OK Corral Exhibition Space, Copenhagen, Denmark 3rdF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Oonagh Young Gallery, Dublin, Ireland 5thD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Ormston House, Limerick, Ireland 5thB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

PAPER, Manchester, United Kingdom 3rdF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Peek-a-Boo Gallery (Gotham Studios Inc), Perth, Australia 3rdE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Plan B, Amsterdam, Netherlands 3rdF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Platform, Vaasa, Finland 5thA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

QWERTY, Odense, Denmark 3rdD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Rajatila Gallery, Tampere, Finland 3rdF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleria Sculptor, Helsinki, Finland 5thD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleri Se Konst, Falun, Sweden 3rdE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Slakthusateljéerna, Stockholm, Sweden 3rdE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Studio 44, Stockholm, Sweden 3rdB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

S. Y. L . A. N T E N H E I M, Bonn, Germany 3rdB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

TAL, Rio de Janeiro, Brazil 3rdA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tegen2, Stockholm, Sweden 5thA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Room Below, Kanazawa, Japan 3rdF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tupajumi foundation, Rotterdam, Netherlands 3rdE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleri Verkligheten, Umeå, Sweden 3rdA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Galleria VISU, Kokkola, Finland 5thD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Water tower art fest, Sofia, Bulgaria 3rdF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Zeta Gallery, Tirana, Albania 3rdA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ў gallery, Minsk, Belarus 3rdA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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