{ A D E S I G N E R I S A N E X P L O R E R } EVERY STEP IS AN ADVANCE INTO NEW TERRITORY. THE WORLD HOLDS ABUNDANT POSSIBILITIES AND THE ROUTES ARE NUMEROUS. THERE IS OFTEN A WORLD OF DIFFERENCE BETWEEN WHAT WE HOPE TO FIND, OR THINK WE MIGHT FIND AND WHAT WE DISCOVER. WE STAND AT ONE UNIQUE SPOT, AT ONE MOMENT IN TIME, HOLDING A BLANK SHEET OF PAPER.
{ P O I N T S O F E X P L O R AT I O N } S U P R I YA K A L I D A S / / M FA P O R T F O L I O
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OF O R AT I O N } T H IS BOOK IS DE DICAT E D TO A PPA . YOU H EL PE D M E STA RT M Y JOU R N E Y A N D SHOW E D M E T H E WAY. I W ISH YOU W E R E H E R E TODAY.
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SU PR I YA K A L I DA S // M FA P ORT FOL IO
{ PO I N TS OF E XPLOR AT ION } © 2008 SUPRIYA KALIDAS ACADEMY OF ART UNIVERSITY // MFA SCHOOL OF GRAPHIC DESIGN
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PORTFOLIO SEMINAR, FALL 2008
{ I NS T RU C TOR }
MARY SCOTT
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9 x 12 IN
{ D E SI GN & WR IT IN G }
SUPRIYA KALIDAS
{ PH OTO GR APHY }
SUPRIYA KALIDAS
{ T YPEFACE S }
UNIVERS, LAPIDARY
{ S O F T WAR E }
ADOBE CREATIVE SUITE 2
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NIKON D80
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EPSON PERFECTION 2400 PHOTO
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EPSON STYLUS PHOTO R1800
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MOAB ENTRADA RAG BRIGHT 190 LBS
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RED RIVER 32 LB PREMIUM DOUBLE SIDED MATTE
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S.H. FRANK VENICE COWHIDE DEEP MOCHA
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THE KEY PRINTING AND BINDING, OAKLAND CA
THIS DESIGN PORTFOLIO WAS PRODUCED TO SHOWCASE THE DESIGN WORK AND TALENTS OF SUPRIYA KALIDAS DURING HER TIME AT THE ACADEMY OF ART UNIVERSITY FROM 2005 TO 2008. REPRODUCTION OF ANY PART OF THIS DOCUMENT IS PROHIBITED WITHOUT CONSENT OF THE AUTHOR AND DESIGNER.
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INTRODUCTION
{ A D E S I G N E R I S A N E X P L O R E R } M U C H L I K E E X P LO R E R S , D E S I G N E R S S TA R T T H E I R J O U R N E Y W I T H A B L A N K , A W O R L D O F P O S S I B I L I T Y. W E C O N T E M P L AT E A W O R L D , A N D C R E AT E I T A S W E D I S C O V E R I T. T H O U G H W E M AY S O M E T I M E S U S E F A M I L I A R S E T T I N G S , W E M A K E T H O S E P L A C E S U N M I S TA K A B LY O U R O W N . D E S I G N E R S A N D E X P L O R E R S T H R I V E O N T H E A B S E N C E O F T H E FA M I L I A R . T H E V E R Y O T H E R N E S S O F T H E P L AC E M A K ES T H E J O U R N E Y VA LUA B L E A N D E XC I T ES U S TO M OV E O N F U R T H ER , TO DISCOV ER M O R E . W E F I N D R E D E M P T I O N , N O T I N T H E E N D P O I N T, B U T I N T H E M O V I N G O N , W E A R E W A N D E R E R S O N T H E R O A D O F T H E P R E S E N T.
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째 05 { I A M W H AT I E AT } PAGES FORT Y SI X T HROUGH FIF T Y T HREE
01 { PHOBI A } PAGES T EN T HROUGH NINE TEEN
02 { MENAGER IE } PAGES T W EN T Y T HROUGH T W EN T Y SE V EN
0 6 { I H AV E A DR E A M } PAGES FIF T Y FOUR T HROUGH SIX T Y T HREE
03 { DESEO } PAGES T W EN T Y EIGH T T HROUGH T HIRT Y NINE
0 4 { M U N DA N E S AV E S T H E WOR L D } PAGES FORT Y T HROUGH FORT Y FI V E
TA BLE OF CON TEN TS
{ ACK NOW LEDGEM EN TS } PAGE ONE HUNDRED A ND FIF T Y FOUR
12 { SHIF T ING HOM EL A N DS } M FA T H ESIS PAGES ONE HUNDRED A ND EIGH T T HROUGH ONE HUNDRED AND FIFT Y THREE
11 { M A K I N G F A C E S } PAGES ONE HUNDRED A ND T WO T HROUGH ONE HUNDRED AND SEVEN
09 { WOR DLESS R ECIPE } PAGES EIGH T Y SIX T HROUGH NINE T Y T HREE
10 { M A S T E R S OF WA R } PAGES NINE T Y FOUR T HROUGH ONE HUNDRED A ND ONE
08 { RUSSIAN TEA ROOM } PAGES SE V EN T Y FOUR T HROUGH EIGH T Y FI V E
07 { UNI V ER SA L DECL A R ATION OF HUM A N R IGHTS } PAGES SIX T Y FOUR T HROUGH SE V EN T Y T HREE
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L O S T A N D M E A N D E R I N G I N T H E D A R K , D E S O L AT E W I L D E R N E S S , T H E M I N D D O E S N O T F I N D A P L A C E T O R E S T. T H O U G H T S R A C E AT T H E F E A R O F T H E U N K N O W N . T H E U N E A S Y PA C I N G , T H E D A R T I N G O F F E A R F I L L E D E Y E S , P U L S I N G A D R E N A L I N , T H E N E E D T O E S C A P E . A H E A R T T H AT L E A P S W I T H F E A R AT E V E R Y S O U N D , H A N D S T H AT T R E M B L E W I T H U N T O L D T E R R O R . E A C H P U L S E O F T H U N D E R R A D I AT E S A N D M AT C H E S A Q U I C K E N I N G H E A R T R AT E . T H E L O O M I N G D A R K N E S S F I L L S E V E R Y S PA C E , D E S T R O Y I N G A L L R E S I S TA N C E T O I T S G R O W I N G P O W E R O V E R T H E M I N D .
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{ P H O B I A : W H E N F E A R B E C O M E S A D I S O R D E R } FE AR IS ONE OF THE MOST UNIVERSAL AND P R I M A L O F E M O T I O N S I N A L L L I V I N G T H I N G S , A N D I S N ’ T N E C E S S A R I LY A B A D T H I N G . I T I S A B U I LT - I N D E F E N S E M E C H A N I S M T H AT S H I E L D S U S F R O M D A N G E R O U S S I T U AT I O N S . T H I S B O O K I S A T Y P O G R A P H I C A N D V I S U A L E X P L O R AT I O N I N T O T H E S C I E N C E A N D M E C H A N I S M O F D I F F E R E N T T Y P E S O F P H O B I A , W I T H A N A I M T O E D U C AT E A N D C R E AT E A W A R E N E S S A B O U T T H I S P R E V A L E N T D I S O R D E R . S C I E N T I F I C C H A R T S , P H O T O G R A P H S A N D T Y P O G R A P H I C E X P L O R AT I O N S M A K E U P T H E V I S U A L PA R T O F T H I S B O O K .
OR AT ON }
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PHOBIA WHEN FEAR BECOMES A DISORDER
PHOBIA WHEN FEAR BECOMES A DISORDER
places or situations where they might become publicly embarrassed or unable to escape, due to the onset of
the crisis.
we cannot prevent or control, such as lightning strikes during a storm, or the attack of a dangerous animal.
In this sense, patients who have clinically- established panic disorder, develop a phobia to their own crisis,
because the feel totally helpless in controlling it. In consequence, they start avoiding going to or staying in
One possible explanation is that those fears where originally important for the sur vival of the human species
thousands of years ago and that they lie dormant inside our brains, just waiting to be awakened at any time.
Another reason for the development of phobias is that we often associate danger to things and situations that
In a classical experiment, the American psychologist Martin Seligman associated an aversive stimulation – a
small electric shock – to certain pictures. Two to four shocks were enough to establish a phobia to pictures of
spiders or snakes, while a much larger series of shocks was needed to cause phobia to pictures of flowers.
T I M E {s}
T I M E {s}
D E S M E T H Y L D I A Z E PA M
O X A Z E PA M
H3C
N N
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H3C TRIAZOLE RING
L O R A Z E PA M
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TRIAZOLAM
C L A U S T R O P H O B I A I S A N A N X I E T Y D I S O R D E R T H AT I N V O LV E S T H E F E A R O F E N C L O S E D O R C O N F I N E D S PA C E S . C L A U S T R O P H O B E S M AY S U F F E R F R O M PA N I C AT TA C K S , O R F E A R O F H A V I N G A P A N I C AT TA C K , I N S I T U AT I O N S S U C H A S B E I N G I N E L E VAT O R S , T R A I N S , B O X E S O R A I R C R A F T. C O N V E R S E LY, P E O P L E W H O A R E P R O N E T O H AV I N G PA N I C AT TA C K S W I L L O F T E N D E V E L O P C L A U S T R O P H O B I A . I F A PA N I C AT TA C K O C C U R S W H I L E T H E Y A R E I N A C O N F I N E D S PA C E , T H E N T H E C L A U S T R O P H O B E F E A R S N O T B E I N G A B L E T O E S C A P E T H E S I T U AT I O N . T H O S E S U F F E R I N G F R O M C L A U S T R O P H O B I A M I G H T F I N D I T D I F F I C U LT T O B R E AT H E I N C L O S E D A U D I T O R I U M S , T H E AT R E S , A N D E L E VAT O R S . L I K E M A N Y O T H E R D I S O R D E R S , C L A U S T R O P H O B I A C A N S O M E T I M E S D E V E L O P D U E T O A T R A U M AT I C I N C I D E N T I N C H I L D H O O D . C L A U S T R O P H O B I A C A N B E T R E AT E D I N S I M I L A R W AY S T O O T H E R A N X I E T Y D I S O R D E R S , W I T H A R A N G E O F T R E AT M E N T S I N C L U D I N G C O G N I T I V E B E H A V I O R T H E R A P Y A N D T H E U S E O F A N T I - A N X I E T Y M E D I C A T I O N . H Y P N O S I S I S A N A L T E R N A T I V E T R E A T M E N T F O R C L A U S T R O P H O B I A . T H E N A M E C L A U S T R O P H O B I A C O M E S F R O M T H E L A T I N W O R D C L A U S T R U M W H I C H M E A N S “A B O L T , A P L A C E S H U T I N ” A N D T H E G R E E K W O R D P H O B O S M E A N I N G “ F E A R ”. I T W A S F O U N D T H A T 5 - 1 0 . 6 % O F P E O P L E S C R E E N E D B E F O R E A N M R I S C A N H A D C L A U S T R O P H O B I A . F U R T H E R M O R E , I T W A S F O U N D T H A T 7 % O F P A T I E N T S H A D U N I D E N T I F I E D C L A U S T R O P H O B I A , A N D H A D T O T E R M I N A T E T H E S C A N N I N G P R O C E D U R E P R E M A T U R E L Y. 3 0 % R E P O R T E D M I L D E R D I S T R E S S D U E T O T H E N E C E S S I T Y T O L I E I N A C O N F I N E D S P A C E F O R A L O N G T I M E . F O R S P E C I F I C P H O B I A S I N G E N E R A L , T H E R E I S A L I F E T I M E P R E V A L E N C E R A T E O F 7. 2 % - 11 . 3 % . C L A U S T R O P H O B I A I S U S U A L L Y D E S C R I B E D A S A F E A R O F E N C L O S E D P L A C E S . A M O R E A C C U R A T E D E S C R I P T I O N M I G H T B E ‘ A F E A R O F N O T H A V I N G A N E A S Y E S C A P E R O U T E ’ B E C A U S E F O R A N Y O N E W H O E X P E R I E N C E S T H I S P H O B I A T H I S I S T H E P R E D O M I N A T I N G F E A T U R E – Y O U F E E L A N E E D T O B E A B L E T O G E T O U T O R G E T H O M E , Q U I C K L Y. L E T ’ S G E T S O M E T H I N G Q U I T E C L E A R A T T H E O U T S E T - T H I S I S N O T A N I L L N E S S A N D I T C A N B E E R A D I C A T E D . I T I S A L E A R N E D R E S P O N S E T O B E I N G I N C E R T A I N S I T U A T I O N S . A R E S P O N S E T H A T I S P O W E R F U L , U N C O M F O R T A B L E , E M B A R R A S S I N G , I N C O N V E N I E N T, D E B I L I T A T I N G A T T I M E S , P E R H A P S E V E N S E R I O U S L Y D E B I L I T A T I N G - B U T S T I L L A L E A R N E D R E S P O N S E . A N D J U S T A S Y O U C A N L E A R N T O H A V E A P A R T I C U L A R R E S P O N S E Y O U C A N U N - L E A R N I T . W H A T ’ S M O R E , I T ’ S L I K E L Y T H A T Y O U C A N D O T H I S F O R Y O U R S E L F W I T H O U T P R O F E S S I O N A L H E L P. G O O D P R O F E S S I O N A L H E L P I S L I K E L Y T O M A K E T H I N G S E A S I E R A N D A L O T Q U I C K E R B U T , F O R M O S T P E O P L E , I T I S N O T E S S E N T I A L . Y E S , T H I S I S A S W E E P I N G S T A T E M E N T - T H A T Y O U , Y O U R S E L F, C A N R E S O L V E Y O U R F E A R . B U T , A S Y O U ’ L L R E A D B E L O W , T H E ‘ M E C H A N I C S ’ O F T H E C O N D I T I O N A R E R E L AT I V E LY S T R A I G H T F O R W A R D A N D O N C E Y O U H A V E R E C O G N I S E D T H E S E I N Y O U R S E L F Y O U C A N B E G I N C H A N G I N G T H E M A N D D I S S O LV I N G T H E F E A R . T H E R E A R E M A N Y D I F F E R E N T W AY S I N W H I C H W E C A N L E A R N T O H A V E T H I S C O N C E R N - T H E F O L L O W I N G A R E A F E W E X A M P L E S : M A N Y P E O P L E D E V E L O P T H E C O N D I T I O N A S A R E S U LT O F B E I N G ‘ T R A P P E D ’ I N A N U N C O M F O R TA B L E S I T U AT I O N S U C H A S A S TA L L E D L I F T ( E L E V AT O R ) , A N U N C O M F O R TA B L E O R F R I G H T E N I N G A I R P L A N E J O U R N E Y, A N O V E R C R O W D E D R O O M , E T C . S O M E , A D D I T I O N A L LY, W E R E E X P E R I E N C I N G P A N I C AT TA C K S AT T H E T I M E W H E N T H E Y W E R E T R A P P E D – W H I C H A D D E D T O T H E I R F E A R . S O M E P E O P L E W H O G O T H R O U G H A P E R I O D O F H A V I N G P A N I C AT TA C K S B E G I N T O B E C O M E V E R Y F O C U S S E D O N T H E N E E D T O B E A B L E T O G E T H O M E Q U I C K LY S O T H E Y B E G I N AV O I D I N G A N Y S I T U AT I O N W H E R E T H E R O U T E H O M E W I L L N O T B E Q U I C K A N D E A S Y. I T ’ S A C O N S T A N T S E A R C H F O R E S C A P E R O U T E S . . . O N E N T E R I N G A R O O M , H A L L W A Y , L I F T ( E L E V A T O R ) , E T C . , Y O U F I R S T S C A N F O R T H E E S C A P E R O U T E S A N D W I L L U S U A L L Y P O S I T I O N Y O U R S E L F A S N E A R T O T H I S A S P O S S I B L E . A I R T R A V E L B E C O M E S D I F F I C U L T O R I M P O S S I B L E – Y O U D R E A D T H A T M O M E N T W H E N T H E D O O R S ‘ C L U N K ’ S H U T A N D Y O U ’ R E ‘ T R A P P E D ’ F O R T H E D U R A T I O N O F T H E J O U R N E Y. C A R J O U R N E Y S C A N B E D I F F I C U L T , P A R T I C U L A R L Y I F T H E Y R E Q U I R E Y O U T O T R A V E L O N A M O T O R W A Y O R E V E N D U A L C A R R I A G E W A Y S I N C E I T I S N O T A S E A S Y T O ‘ E S C A P E ’ F R O M T H E S E . S I M I L A R L Y Y O U M A Y S T A R T T O A V O I D T H E T R A V E L L I N G AT B U S Y T I M E S S O T H AT Y O U D O N O T G E T T R A P P E D I N A T R A F F I C J A M . H O S P I TA L C H E C K S I N V O LV I N G S C A N S W H E R E Y O U A R E S L O W LY M O V E D T H R O U G H T H E S C A N N I N G M A C H I N E M AY O N LY P O S S I B L E W I T H S E D AT I V E M E D I C AT I O N . I F Y O U L I V E O R W O R K O N A N U P P E R F L O O R Y O U G E T P L E N T Y O F E X E R C I S E B E C A U S E Y O U A R E U N A B L E T O TA K E T H E L I F T ( E L E V AT O R ) . A N D E V E N I F Y O U A R E A B L E T O T R A V E L I N L I F T S I T I S D O N E W I T H D I F F I C U LT Y A N D Y O U ’ L L L I K E LY W A I T I F T H E L I F T A P P E A R S C R O W D E D . A N D I T ’ S N O T J U S T S M A L L R O O M S - E V E N A L A R G E R O O M , I F F I L L E D W I T H P E O P L E , W I L L P O S E A T H R E AT U N L E S S Y O U C A N P O S I T I O N Y O U R S E L F N E A R A D O O R W A Y. S O M E E T I N G S A N D P A R T I E S A R E A V O I D E D . I N E X T R E M E S Y O U C A N N O T B E I N A R O O M U N L E S S T H E D O O R I S L E F T A J A R . I T I S O F T E N L I N K E D W I T H C O N D I T I O N S W H I C H H A V E A S T R O N G P H Y S I C A L E L E M E N T , S U C H A S I R R I T A B L E B O W E L S Y N D R O M E ( I B S ) , W H E R E T H E R E I S A R E A L I S T I C N E E D T O B E A B L E T O E S C A P E Q U I C K LY T O G E T T O A T O I L E T. I N S U C H C A S E S , E V E N I F T H E C O N D I T I O N S U B S I D E S , T H E F E A R O F N O T H AV I N G A N E S C A P E R O U T E M AY C O N T I N U E B E C A U S E Y O U N O W H A V E ‘ L E A R N E D ’ T H E C L A U S T R O P H O B I C R E S P O N S E . I F Y O U E X P E R I E N C E P A N I C AT TA C K S O R S O C I A L P H O B I A T H E S E W I L L U S U A L L Y H A V E A S T R O N G C L A U S T R O P H O B I A E L E M E N T S I N C E Y O U F E A R T H A T I S Y O U H A V E A ‘ F U N N Y T U R N ’ E V E R Y B O D Y W I L L N O T I C E Y O U A N D T H I S C O U L D L E A D T O Y O U L O S I N G C O N T R O L O F Y O U R S E L F. D E F I N E D A S “A P E R S I S T E N T , A B N O R M A L , A N D U N W A R R A N T E D F E A R O F C O N F I N E D O R S M A L L S P A C E S ”, E A C H Y E A R T H I S S U R P R I S I N G L Y C O M M O N P H O B I A C A U S E S C O U N T L E S S P E O P L E N E E D L E S S D I S T R E S S . T O A D D I N S U L T T O A N A L R E A D Y D I S T R E S S I N G C O N D I T I O N , M O S T C L A U S T R O P H O B I A T H E R A P I E S T A K E M O N T H S O R Y E A R S A N D S O M E T I M E S E V E N R E Q U I R E T H E P A T I E N T T O B E E X P O S E D R E P E A T E D LY T O T H E I R F E A R . W E B E L I E V E T H AT N O T O N LY I S T H I S T O TA L LY U N N E C E S S A R Y, I T W I L L O F T E N M A K E T H E C O N D I T I O N W O R S E . A N D I T I S P A R T I C U L A R LY C R U E L A S C L A U S T R O P H O B I A C A N B E E L I M I N AT E D W I T H T H E R I G H T M E T H O D S A N D J U S T 2 4 H O U R S O F C O M M I T M E N T B Y T H E P H O B I C I N D I V I D U A L . K N O W N B Y A N U M B E R O F N A M E S – C L A U S T R O P H O B I A A N D F E A R O F C O N F I N E D O R S M A L L S P A C E S B E I N G T H E M O S T C O M M O N - T H E P R O B L E M O F T E N S I G N I F I C A N T LY I M P A C T S T H E Q U A L I T Y O F L I F E . I T C A N C A U S E P A N I C AT TA C K S A N D K E E P P E O P L E A P A R T F R O M L O V E D O N E S A N D B U S I N E S S A S S O C I AT E S . S Y M P T O M S T Y P I C A L LY I N C L U D E S H O R T N E S S O F B R E A T H , R A P I D B R E A T H I N G , I R R E G U L A R H E A R T B E A T, S W E A T I N G , N A U S E A , A N D O V E R A L L F E E L I N G S O F D R E A D , A L T H O U G H E V E R Y O N E E X P E R I E N C E S C L A U S T R O P H O B I A I N T H E I R O W N W A Y A N D M A Y H A V E D I F F E R E N T S Y M P T O M S . O U R T R E A T M E N T I N V O L V E S N O D R U G S . T H O U G H A V A R I E T Y O F P O T E N T D R U G S A R E O F T E N P R E S C R I B E D F O R C L A U S T R O P H O B I A , S I D E E F F E C T S A N D / O R W I T H D R A W A L S Y M P T O M S C A N B E S E V E R E . M O R E O V E R , D R U G S D O N O T “ C U R E” C L A U S T R O P H O B I A O R A N Y O T H E R P H O B I A . AT B E S T T H E Y T E M P O R A R I LY S U P P R E S S T H E S Y M P T O M S T H R O U G H C H E M I C A L I N T E R A C T I O N . T H E G O O D N E W S I S T H AT T H E M O D E R N , F A S T, D R U G - F R E E P R O C E S S E S O F T H E C T R N P H O B I A C L I N I C W I L L T R A I N Y O U R M I N D T O F E E L C O M P L E T E LY D I F F E R E N T A B O U T C O N F I N E D O R S M A L L S P A C E S , E L I M I N AT I N G T H E F E A R S O I T N E V E R H A U N T S Y O U A G A I N . L I K E A L L F E A R S A N D P H O B I A S , C L A U S T R O P H O B I A I S C R E AT E D B Y T H E U N C O N S C I O U S M I N D A S A P R O T E C T I V E M E C H A N I S M . A T S O M E P O I N T I N Y O U R P A S T , T H E R E W A S L I K E L Y A N E V E N T L I N K I N G C O N F I N E D O R S M A L L S P A C E S A N D E M O T I O N A L T R A U M A . W H I L S T T H E O R I G I N A L C A T A L Y S T M A Y H A V E B E E N A R E A L- L I F E S C A R E O F S O M E K I N D , T H E C O N D I T I O N C A N A L S O B E T R I G G E R E D B Y M Y R I A D , B E N I G N E V E N T S L I K E M O V I E S , T V , O R P E R H A P S S E E I N G S O M E O N E E L S E E X P E R I E N C E T R A U M A . B U T S O L O N G A S T H E N E G A T I V E A S S O C I A T I O N I S P O W E R F U L E N O U G H , T H E U N C O N S C I O U S M I N D T H I N K S : “A H H , T H I S W H O L E T H I N G I S V E R Y D A N G E R O U S . H O W D O I K E E P M Y S E L F F R O M G E T T I N G I N T H I S K I N D O F S I T U A T I O N A G A I N ? I K N O W , I ’ L L AT TA C H T E R R I B L E F E E L I N G S T O C O N F I N E D O R S M A L L S P A C E S , T H AT W AY I ’ L L S T E E R C L E A R I N F U T U R E A N D S O B E S A F E .” J U S T L I K E T H AT C L A U S T R O P H O B I A I S B O R N . AT TA C H I N G E M O T I O N S T O S I T U AT I O N S I S O N E O F T H E P R I M A R Y W AY S T H AT H U M A N S L E A R N . S O M E T I M E S W E J U S T G E T T H E W I R I N G W R O N G . T H E A C T U A L P H O B I A M A N I F E S T S I T S E L F I N D I F F E R E N T W AY S . S O M E S U F F E R E R S E X P E R I E N C E I T A L M O S T A L L T H E T I M E , O T H E R S J U S T I N R E S P O N S E T O D I R E C T S T I M U L I . E V E R Y O N E H A S T H E I R O W N U N I Q U E F O R M U L A F O R W H E N A N D H O W T O F E E L B A D . T H E S E S Y M P T O M S A R E : B R E AT H L E S S N E S S , E X C E S S I V E S W E AT I N G , N A U S E A , D R Y M O U T H , H E A R T P A L P I T A T I O N S , I N A B I L I T Y T O S P E A K O R T H I N K C L E A R LY. O T H E R S Y M P T O M S A R E A F E A R O F D Y I N G , B E C O M I N G M A D O R L O S I N G C O N T R O L , A S E N S A T I O N O F D E T A C H M E N T F R O M R E A L I T Y O R A F U L L B L O W N A N X I E T Y A T T A C K . C L A U S T R O P H O B I A I S A N A N X I E T Y D I S O R D E R T H A T I N V O L V E S T H E F E A R O F E N C L O S E D O R C O N F I N E D S PA C E S . C L A U S T R O P H O B E S M AY S U F F E R F R O M PA N I C AT TA C K S I N S I T U AT I O N S S U C H A S B E I N G I N E L E VAT O R S , T R A I N S O R A I R C R A F T. P E O P L E W H O A R E P R O N E T O H AV I N G PA N I C AT TA C K S W I L L O F T E N D E V E L O P C L A U S T R O P H O B I A . I F A PA N I C AT TA C K O C C U R S W H I L E T H E Y A R E I N A C O N F I N E D S P A C E T H E N T H E Y W I L L B E U N A B L E T O E S C A P E T H E S I T U A T I O N . P O P U L A R L Y , C L A U S T R O P H O B I A I S C O N S I D E R E D T O B E T H E O P P O S I T E O F A G O R A P H O B I A , O R A “ F E A R O F O P E N S P A C E S ”. T H I S I S A N O V E R S I M P L I F I C A T I O N , H O W E V E R : A G O R A P H O B I A C A N A L S O B E C H A R A C T E R I Z E D A S A “ F E A R O F P U B L I C S P A C E S ”, A N D S O A C R O W D E D C I T Y S Q U A R E M I G H T T R I G G E R C L A U S T R O P H O B I C S A N D A G O R A P H O B I C S A L I K E . W H I L E A D U L T S W I T H P H O B I A R E A L I Z E T H A T T H E S E F E A R S A R E I R R A T I O N A L , T H E Y O F T E N F I N D T H A T F A C I N G , O R E V E N T H I N K I N G A B O U T F A C I N G , T H E F E A R E D S I T U A T I O N B R I N G S O N A P A N I C A T T A C K O R S E V E R E A N X I E T Y. L I K E A L L P H O B I A S , T H E C A U S E O F C L A U S T R O P H O B I A I S N O T W E L L K N O W N , T H O U G H I T C A N R U N I N F A M I L I E S . T H E S I G N S O F C L A U S T R O P H O B I A U S U A L LY D E V E L O P E A R LY I N L I F E D U R I N G C H I L D H O O D O R T H E T E E N A G E Y E A R S . C L A U S T R O P H O B I A C A N D I S A P P E A R I N A D U LT H O O D . I F I T D O E S N O T, T R E AT M E N T I S U S U A L LY N E C E S S A R Y T O O V E R C O M E T H E F E A R , P A R T I C U L A R LY I F S Y M P T O M S H A V E S E V E R E LY L I M I T E D W O R K O R S O C I A L A C T I V I T I E S O R TA S K S O F D A I LY L I V I N G . A I R T R A V E L B E C O M E S D I F F I C U LT O R I M P O S S I B L E - Y O U D R E A D T H AT M O M E N T W H E N T H E D O O R S ‘ C L U N K ’ S H U T A N D Y O U ’ R E ‘ T R A P P E D ’ F O R T H E D U R AT I O N O F T H E J O U R N E Y. C A R J O U R N E Y S C A N B E D I F F I C U L T , P A R T I C U L A R L Y I F T H E Y R E Q U I R E Y O U T O T R A V E L O N A M O T O R W A Y O R E V E N D U A L C A R R I A G E W A Y S I N C E I T I S N O T A S E A S Y T O ‘ E S C A P E ’ F R O M T H E S E . S I M I L A R L Y Y O U M A Y S T A R T T O A V O I D T H E T R A V E L L I N G A T B U S Y T I M E S S O T H A T Y O U D O N O T G E T T R A P P E D I N A T R A F F I C J A M . H O S P I TA L C H E C K S I N V O LV I N G S C A N S W H E R E Y O U A R E S L O W LY M O V E D T H R O U G H T H E S C A N N I N G M A C H I N E M AY O N LY P O S S I B L E W I T H S E D AT I V E M E D I C AT I O N . I F Y O U L I V E O R W O R K O N A N U P P E R F L O O R Y O U G E T P L E N T Y O F E X E R C I S E B E C A U S E Y O U A R E U N A B L E T O TA K E T H E L I F T ( E L E V AT O R ) . A N D E V E N I F Y O U A R E A B L E T O T R A V E L I N L I F T S I T I S D O N E W I T H D I F F I C U L T Y A N D Y O U ’ L L L I K E L Y W A I T I F T H E L I F T A P P E A R S C R O W D E D . A N D I T ’ S N O T J U S T S M A L L R O O M S - E V E N A L A R G E R O O M , I F F I L L E D W I T H P E O P L E , W I L L P O S E A T H R E A T U N L E S S Y O U C A N P O S I T I O N Y O U R S E L F N E A R A D O O R W A Y. S O M E E T I N G S A N D P A R T I E S A R E A V O I D E D . I N E X T R E M E S Y O U C A N N O T B E I N A R O O M U N L E S S T H E D O O R I S L E F T A J A R . I T I S O F T E N L I N K E D W I T H C O N D I T I O N S W H I C H H A V E A S T R O N G P H Y S I C A L E L E M E N T, S U C H A S I R R I TA B L E B O W E L S Y N D R O M E ( I B S ) , W H E R E T H E R E I S A R E A L I S T I C N E E D T O B E A B L E T O E S C A P E Q U I C K LY T O G E T T O A T O I L E T. I N S U C H C A S E S , E V E N I F T H E C O N D I T I O N S U B S I D E S , T H E F E A R O F N O T H A V I N G A N E S C A P E R O U T E M AY C O N T I N U E B E C A U S E Y O U N O W H A V E ‘ L E A R N E D ’ T H E C L A U S T R O P H O B I C R E S P O N S E . I F Y O U E X P E R I E N C E P A N I C AT TA C K S O R S O C I A L P H O B I A T H E S E W I L L U S U A L LY H A V E A S T R O N G C L A U S T R O P H O B I A E L E M E N T S I N C E Y O U F E A R T H A T I S Y O U H A V E A ‘ F U N N Y T U R N ’ E V E R Y B O D Y W I L L N O T I C E Y O U A N D T H I S C O U L D L E A D T O Y O U L O S I N G C O N T R O L O F Y O U R S E L F. D E F I N E D A S “A P E R S I S T E N T , A B N O R M A L , A N D U N W A R R A N T E D F E A R O F C O N F I N E D O R S M A L L S P A C E S ”, E A C H Y E A R T H I S S U R P R I S I N G L Y C O M M O N P H O B I A C A U S E S C O U N T L E S S P E O P L E N E E D L E S S D I S T R E S S . T O A D D I N S U LT T O A N A L R E A D Y D I S T R E S S I N G C O N D I T I O N , M O S T C L A U S T R O P H O B I A T H E R A P I E S TA K E M O N T H S O R Y E A R S A N D S O M E T I M E S E V E N R E Q U I R E T H E P AT I E N T T O B E E X P O S E D R E P E AT E D LY T O T H E I R F E A R . C L A U S T R O P H O B I A I S U S U A L LY D E S C R I B E D A S A F E A R O F E N C L O S E D P L A C E S . A M O R E A C C U R A T E D E S C R I P T I O N M I G H T B E ‘ A F E A R O F N O T H A V I N G A N E A S Y E S C A P E R O U T E ’ B E C A U S E F O R A N Y O N E W H O E X P E R I E N C E S T H I S P H O B I A T H I S I S T H E P R E D O M I N A T I N G F E A T U R E - Y O U F E E L A N E E D T O B E A B L E T O G E T O U T O R G E T H O M E , Q U I C K L Y. L E T ’ S G E T S O M E T H I N G Q U I T E C L E A R A T T H E O U T S E T — T H I S I S N O T A N I L L N E S S A N D I T C A N B E E R A D I C AT E D . I T I S A L E A R N E D R E S P O N S E T O B E I N G I N C E R TA I N S I T U AT I O N S . A R E S P O N S E T H AT I S P O W E R F U L , U N C O M F O R TA B L E , E M B A R R A S S I N G , I N C O N V E N I E N T, D E B I L I TAT I N G AT T I M E S , P E R H A P S E V E N S E R I O U S LY D E B I L I TAT I N G — B U T S T I L L A L E A R N E D R E S P O N S E . A N D J U S T A S Y O U C A N L E A R N T O H A V E A P A R T I C U L A R R E S P O N S E Y O U C A N U N - L E A R N I T . W H A T ’ S M O R E , I T ’ S L I K E L Y T H A T Y O U C A N D O T H I S F O R Y O U R S E L F W I T H O U T P R O F E S S I O N A L H E L P. T H O U G H A V A R I E T Y O F V E R Y P O T E N T D R U G S A R E O F T E N P R E S C R I B E D F O R C L A U S T R O P H O B I A , S I D E E F F E C T S A N D / O R W I T H D R A W A L S Y M P T O M S C A N B E S E V E R E . A M O R E A C C U R A T E D E S C R I P T I O N M I G H T B E ‘ A F E A R O F N O T H A V I N G A N E A S Y E S C A P E R O U T E ’ B E C A U S E F O R A N Y O N E W H O E X P E R I E N C E S T H I S P H O B I A T H I S I S T H E P R E D O M I N A T I N G F E A T U R E - Y O U F E E L A N E E D T O B E A B L E T O G E T O U T O R G E T H O M E , Q U I C K L Y. C L A U S T R O P H O B I A I S A N A N X I E T Y D I S O R D E R T H AT I N V O LV E S T H E F E A R O F E N C L O S E D O R C O N F I N E D S P A C E S . C L A U S T R O P H O B E S M AY S U F F E R F R O M P A N I C AT TA C K S , O R F E A R O F H AV I N G A PA N I C AT TA C K , I N S I T U AT I O N S S U C H A S B E I N G I N E L E V AT O R S , T R A I N S , B O X E S O R A I R C R A F T. C O N V E R S E LY, P E O P L E W H O A R E P R O N E T O H A V I N G P A N I C AT TA C K S W I L L O F T E N D E V E L O P C L A U S T R O P H O B I A . I F A P A N I C AT TA C K O C C U R S W H I L E T H E Y A R E I N A C O N F I N E D S P A C E , T H E N T H E C L A U S T R O P H O B E F E A R S N O T B E I N G A B L E T O E S C A P E T H E S I T U AT I O N . T H O S E S U F F E R I N G F R O M C L A U S T R O P H O B I A M I G H T F I N D I T D I F F I C U LT T O B R E AT H E I N C L O S E D A U D I T O R I U M S , T H E AT R E S , A N D E L E V AT O R S . L I K E M A N Y O T H E R D I S O R D E R S , C L A U S T R O P H O B I A C A N S O M E T I M E S D E V E L O P D U E T O A T R A U M AT I C I N C I D E N T I N C H I L D H O O D . C L A U S T R O P H O B I A C A N B E T R E AT E D I N S I M I L A R W AY S T O O T H E R A N X I E T Y D I S O R D E R S , W I T H A R A N G E O F T R E AT M E N T S I N C L U D I N G C O G N I T I V E B E H AV I O R T H E R A P Y A N D T H E U S E O F A N T I A N X I E T Y M E D I C A T I O N . H Y P N O S I S I S A N A L T E R N A T I V E T R E A T M E N T F O R C L A U S T R O P H O B I A . T H E N A M E C L A U S T R O P H O B I A C O M E S F R O M T H E L A T I N W O R D C L A U S T R U M W H I C H M E A N S “A B O L T , A P L A C E S H U T I N ” A N D T H E G R E E K W O R D P H O B O S M E A N I N G “ F E A R ”. I T W A S F O U N D T H A T 5 - 1 0 . 6 % O F P E O P L E S C R E E N E D B E F O R E A N M R I S C A N H A D C L A U S T R O P H O B I A . F U R T H E R M O R E , I T W A S F O U N D T H A T 7 % O F P A T I E N T S H A D U N I D E N T I F I E D C L A U S T R O P H O B I A , A N D H A D T O T E R M I N A T E T H E S C A N N I N G P R O C E D U R E P R E M A T U R E L Y. 3 0 % R E P O R T E D M I L D E R D I S T R E S S D U E T O T H E N E C E S S I T Y T O L I E I N A C O N F I N E D S P A C E F O R A L O N G T I M E . F O R S P E C I F I C P H O B I A S I N G E N E R A L , T H E R E I S A L I F E T I M E P R E V A L E N C E R A T E O F 7. 2 % - 11 . 3 % . C L A U S T R O P H O B I A I S U S U A L L Y D E S C R I B E D A S A F E A R O F E N C L O S E D P L A C E S . L E T ’ S G E T S O M E T H I N G Q U I T E C L E A R A T T H E O U T S E T – T H I S I S N O T A N I L L N E S S A N D I T C A N B E E R A D I C A T E D . I T I S A L E A R N E D R E S P O N S E T O B E I N G I N C E R TA I N S I T U AT I O N S . A R E S P O N S E T H AT I S P O W E R F U L , U N C O M F O R TA B L E , E M B A R R A S S I N G , I N C O N V E N I E N T, D E B I L I TAT I N G AT T I M E S , P E R H A P S E V E N S E R I O U S LY D E B I L I TAT I N G - B U T S T I L L A L E A R N E D R E S P O N S E . A N D J U S T A S Y O U C A N L E A R N T O H A V E A P A R T I C U L A R R E S P O N S E Y O U C A N U N - L E A R N I T. W H AT ’ S M O R E , I T ’ S L I K E L Y T H A T Y O U C A N D O T H I S F O R Y O U R S E L F W I T H O U T P R O F E S S I O N A L H E L P. G O O D P R O F E S S I O N A L H E L P I S L I K E L Y T O M A K E T H I N G S E A S I E R A N D A L O T Q U I C K E R B U T , F O R M O S T P E O P L E , I T I S N O T E S S E N T I A L . Y E S , T H I S I S A S W E E P I N G S T A T E M E N T – T H A T Y O U , Y O U R S E L F, C A N R E S O L V E Y O U R F E A R . B U T , A S Y O U ’ L L R E A D B E L O W , T H E ‘ M E C H A N I C S ’ O F T H E C O N D I T I O N A R E R E L AT I V E LY S T R A I G H T F O R W A R D A N D O N C E Y O U H A V E R E C O G N I S E D T H E S E I N Y O U R S E L F Y O U C A N B E G I N C H A N G I N G T H E M A N D D I S S O LV I N G T H E F E A R . T H E R E A R E M A N Y D I F F E R E N T W AY S I N W H I C H W E C A N L E A R N T O H A V E T H I S C O N C E R N - T H E F O L L O W I N G A R E A F E W E X A M P L E S : M A N Y P E O P L E D E V E L O P T H E C O N D I T I O N A S A R E S U LT O F B E I N G ‘ T R A P P E D ’ I N A N U N C O M F O R TA B L E S I T U AT I O N S U C H A S A S TA L L E D L I F T ( E L E V AT O R ) , A N U N C O M F O R TA B L E O R F R I G H T E N I N G A I R P L A N E J O U R N E Y, A N O V E R C R O W D E D R O O M , E T C . S O M E , A D D I T I O N A L LY, W E R E E X P E R I E N C I N G PA N I C AT TA C K S AT T H E T I M E W H E N T H E Y W E R E T R A P P E D – W H I C H A D D E D T O T H E I R F E A R . S O M E P E O P L E W H O G O T H R O U G H A P E R I O D O F H A V I N G P A N I C AT TA C K S B E G I N T O B E C O M E V E R Y F O C U S S E D O N T H E N E E D T O B E A B L E T O G E T H O M E Q U I C K LY S O T H E Y B E G I N A V O I D I N G A N Y S I T U AT I O N W H E R E T H E R O U T E H O M E W I L L N O T B E Q U I C K A N D E A S Y. I T ’ S A C O N S T A N T S E A R C H F O R E S C A P E R O U T E S . . . O N E N T E R I N G A R O O M , H A L L W A Y , L I F T ( E L E V A T O R ) , E T C . Y O U F I R S T S C A N F O R T H E E S C A P E R O U T E S A N D W I L L U S U A L L Y P O S I T I O N Y O U R S E L F A S N E A R T O T H I S A S P O S S I B L E . A I R T R A V E L B E C O M E S D I F F I C U L T O R I M P O S S I B L E – Y O U D R E A D T H A T M O M E N T W H E N T H E D O O R S ‘ C L U N K ’ S H U T A N D Y O U ’ R E ‘ T R A P P E D ’ F O R T H E D U R A T I O N O F T H E J O U R N E Y. C A R J O U R N E Y S C A N B E D I F F I C U L T, P A R T I C U L A R L Y I F T H E Y R E Q U I R E Y O U T O T R A V E L O N A M O T O R W A Y O R E V E N D U A L C A R R I A G E W A Y S I N C E I T I S N O T A S E A S Y T O ‘ E S C A P E ’ F R O M T H E S E . S I M I L A R L Y Y O U M A Y S T A R T T O A V O I D T H E T R A V E L L I N G AT B U S Y T I M E S S O T H AT Y O U D O N O T G E T T R A P P E D I N A T R A F F I C J A M . H O S P I TA L C H E C K S I N V O LV I N G S C A N S W H E R E Y O U A R E S L O W LY M O V E D T H R O U G H T H E S C A N N I N G M A C H I N E M AY O N LY B E P O S S I B L E W I T H S E D AT I V E M E D I C AT I O N . I F Y O U L I V E O R W O R K O N A N U P P E R F L O O R Y O U G E T P L E N T Y O F E X E R C I S E B E C A U S E Y O U A R E U N A B L E T O TA K E T H E L I F T ( E L E V AT O R ) . A N D E V E N I F Y O U A R E A B L E T O T R A V E L I N L I F T S I T I S D O N E W I T H D I F F I C U LT Y A N D Y O U ’ L L L I K E LY W A I T I F T H E L I F T A P P E A R S C R O W D E D . A N D I T ’ S N O T J U S T S M A L L R O O M S - E V E N A L A R G E R O O M , I F F I L L E D W I T H P E O P L E , W I L L P O S E A T H R E A T U N L E S S Y O U C A N P O S I T I O N Y O U R S E L F N E A R A D O O R W A Y. S O M E E T I N G S A N D P A R T I E S A R E A V O I D E D . I N E X T R E M E S Y O U C A N N O T B E I N A R O O M U N L E S S T H E D O O R I S L E F T A J A R . I T I S O F T E N L I N K E D W I T H C O N D I T I O N S W H I C H H A V E A S T R O N G P H Y S I C A L E L E M E N T , S U C H A S I R R I T A B L E B O W E L S Y N D R O M E ( I B S ) , W H E R E T H E R E I S A R E A L I S T I C N E E D T O B E A B L E T O E S C A P E Q U I C K LY T O G E T T O A T O I L E T. I N S U C H C A S E S , E V E N I F T H E C O N D I T I O N S U B S I D E S , T H E F E A R O F N O T H A V I N G A N E S C A P E R O U T E M AY C O N T I N U E B E C A U S E Y O U N O W H A V E ‘ L E A R N E D ’ T H E C L A U S T R O P H O B I C R E S P O N S E . I F Y O U E X P E R I E N C E P A N I C AT TA C K S O R S O C I A L P H O B I A T H E S E W I L L U S U A L L Y H A V E A S T R O N G C L A U S T R O P H O B I A E L E M E N T S I N C E Y O U F E A R T H A T I S Y O U H A V E A ‘ F U N N Y T U R N ’ E V E R Y B O D Y W I L L N O T I C E Y O U A N D T H I S C O U L D L E A D T O Y O U L O S I N G C O N T R O L O F Y O U R S E L F. D E F I N E D A S “A P E R S I S T E N T , A B N O R M A L , A N D U N W A R R A N T E D F E A R O F C O N F I N E D O R S M A L L S P A C E S ”, E A C H Y E A R T H I S S U R P R I S I N G L Y C O M M O N P H O B I A C A U S E S C O U N T L E S S P E O P L E N E E D L E S S D I S T R E S S . T O A D D I N S U L T T O A N A L R E A D Y D I S T R E S S I N G C O N D I T I O N , M O S T C L A U S T R O P H O B I A T H E R A P I E S T A K E M O N T H S O R Y E A R S A N D S O M E T I M E S E V E N R E Q U I R E T H E P A T I E N T T O B E E X P O S E D R E P E A T E D L Y T O T H E I R F E A R . W E B E L I E V E T H AT N O T O N LY I S T H I S T O TA L LY U N N E C E S S A R Y, I T W I L L O F T E N M A K E T H E C O N D I T I O N W O R S E . A N D I T I S P A R T I C U L A R LY C R U E L A S C L A U S T R O P H O B I A C A N B E E L I M I N AT E D W I T H T H E R I G H T M E T H O D S A N D J U S T 2 4 H O U R S O F C O M M I T M E N T B Y T H E P H O B I C I N D I V I D U A L . K N O W N B Y A N U M B E R O F N A M E S - C L A U S T R O P H O B I A A N D F E A R O F C O N F I N E D O R S M A L L S P A C E S B E I N G T H E M O S T C O M M O N - T H E P R O B L E M O F T E N S I G N I F I C A N T LY I M P A C T S T H E Q U A L I T Y O F L I F E . I T C A N C A U S E P A N I C AT TA C K S A N D K E E P P E O P L E A P A R T F R O M L O V E D O N E S A N D B U S I N E S S A S S O C I AT E S . S Y M P T O M S T Y P I C A L LY I N C L U D E S H O R T N E S S O F B R E AT H , R A P I D B R E AT H I N G , I R R E G U L A R H E A R T B E AT, S W E AT I N G , N A U S E A , A N D O V E R A L L F E E L I N G S O F D R E A D , A LT H O U G H E V E R Y O N E E X P E R I E N C E S C L A U S T R O P H O B I A I N T H E I R O W N W AY A N D M AY H AV E D I F F E R E N T S Y M P T O M S . O U R T R E AT M E N T I N V O LV E S N O D R U G S . T H O U G H A VA R I E T Y O F P O T E N T D R U G S A R E O F T E N P R E S C R I B E D F O R C L A U S T R O P H O B I A , S I D E E F F E C T S A N D / O R W I T H D R A W A L S Y M P T O M S C A N B E S E V E R E . M O R E O V E R , D R U G S D O N O T “ C U R E ” C L A U S T R O P H O B I A O R A N Y O T H E R P H O B I A . A T B E S T T H E Y T E M P O R A R I LY S U P P R E S S T H E S Y M P T O M S T H R O U G H C H E M I C A L I N T E R A C T I O N . T H E G O O D N E W S I S T H AT T H E M O D E R N , F A S T, D R U G - F R E E P R O C E S S E S O F T H E C T R N P H O B I A C L I N I C W I L L T R A I N Y O U R M I N D T O F E E L C O M P L E T E LY D I F F E R E N T A B O U T C O N F I N E D O R S M A L L S P A C E S , E L I M I N AT I N G T H E F E A R S O I T N E V E R H A U N T S Y O U A G A I N . L I K E A L L F E A R S A N D P H O B I A S , C L A U S T R O P H O B I A I S C R E AT E D B Y T H E U N C O N S C I O U S M I N D A S A P R O T E C T I V E M E C H A N I S M . A T S O M E P O I N T I N Y O U R P A S T , T H E R E W A S L I K E L Y A N E V E N T L I N K I N G C O N F I N E D O R S M A L L S P A C E S A N D E M O T I O N A L T R A U M A . W H I L S T T H E O R I G I N A L C A T A L Y S T M A Y H A V E B E E N A R E A L- L I F E S C A R E O F S O M E K I N D , T H E C O N D I T I O N C A N A L S O B E T R I G G E R E D B Y M Y R I A D , B E N I G N E V E N T S L I K E M O V I E S , T V , O R P E R H A P S S E E I N G S O M E O N E E L S E E X P E R I E N C E T R A U M A . B U T S O L O N G A S T H E N E G A T I V E A S S O C I A T I O N I S P O W E R F U L E N O U G H , T H E U N C O N S C I O U S M I N D T H I N K S : “A H H , T H I S W H O L E T H I N G I S V E R Y D A N G E R O U S . H O W D O I K E E P M Y S E L F F R O M G E T T I N G I N T H I S K I N D O F S I T U A T I O N A G A I N ? I K N O W , I ’ L L AT TA C H T E R R I B L E F E E L I N G S T O C O N F I N E D O R S M A L L S P A C E S , T H AT W AY I ’ L L S T E E R C L E A R I N F U T U R E A N D S O B E S A F E .” J U S T L I K E T H AT C L A U S T R O P H O B I A I S B O R N . AT TA C H I N G E M O T I O N S T O S I T U AT I O N S I S O N E O F T H E P R I M A R Y W AY S T H AT H U M A N S L E A R N . S O M E T I M E S W E J U S T G E T T H E W I R I N G W R O N G . T H E A C T U A L P H O B I A M A N I F E S T S I T S E L F I N D I F F E R E N T W AY S . S O M E S U F F E R E R S E X P E R I E N C E I T A L M O S T A L L T H E T I M E , O T H E R S J U S T I N R E S P O N S E T O D I R E C T S T I M U L I . E V E R Y O N E H A S T H E I R O W N U N I Q U E F O R M U L A F O R W H E N A N D H O W T O F E E L B A D . T H E S E S Y M P T O M S A R E : B R E AT H L E S S N E S S , E X C E S S I V E S W E AT I N G , N A U S E A , D R Y M O U T H , H E A R T P A L P I T A T I O N S , I N A B I L I T Y T O S P E A K O R T H I N K C L E A R L Y. O T H E R S Y M P T O M S A R E A F E A R O F D Y I N G , B E C O M I N G M A D O R L O S I N G C O N T R O L , A S E N S A T I O N O F D E T A C H M E N T F R O M R E A L I T Y O R A F U L L B L O W N A N X I E T Y A T T A C K . C L A U S T R O P H O B I A I S A N A N X I E T Y D I S O R D E R T H A T I N V O L V E S T H E F E A R O F E N C L O S E D O R C O N F I N E D S PA C E S . C L A U S T R O P H O B E S M AY S U F F E R F R O M PA N I C AT TA C K S I N S I T U AT I O N S S U C H A S B E I N G I N E L E VAT O R S , T R A I N S O R A I R C R A F T. P E O P L E W H O A R E P R O N E T O H AV I N G PA N I C AT TA C K S W I L L O F T E N D E V E L O P C L A U S T R O P H O B I A . I F A PA N I C AT TA C K O C C U R S W H I L E T H E Y A R E I N A C O N F I N E D S P A C E T H E N T H E Y W I L L B E U N A B L E T O E S C A P E T H E S I T U A T I O N . P O P U L A R L Y , C L A U S T R O P H O B I A I S C O N S I D E R E D T O B E T H E O P P O S I T E O F A G O R A P H O B I A , O R A “ F E A R O F O P E N S P A C E S ”. T H I S I S A N O V E R S I M P L I F I C A T I O N , H O W E V E R : A G O R A P H O B I A C A N A L S O B E C H A R A C T E R I Z E D A S A “ F E A R O F P U B L I C S P A C E S ”, A N D S O A C R O W D E D C I T Y S Q U A R E M I G H T T R I G G E R C L A U S T R O P H O B I C S A N D A G O R A P H O B I C S A L I K E . W H I L E A D U L T S W I T H P H O B I A R E A L I Z E T H A T T H E S E F E A R S A R E I R R A T I O N A L , T H E Y O F T E N F I N D T H A T F A C I N G , O R E V E N T H I N K I N G A B O U T F A C I N G , T H E F E A R E D S I T U A T I O N B R I N G S O N A P A N I C A T T A C K O R S E V E R E A N X I E T Y. L I K E A L L P H O B I A S , T H E C A U S E O F C L A U S T R O P H O B I A I S N O T W E L L K N O W N , T H O U G H I T C A N R U N I N F A M I L I E S . T H E S I G N S O F C L A U S T R O P H O B I A U S U A L L Y D E V E L O P E A R L Y I N L I F E D U R I N G C H I L D H O O D O R T H E T E E N A G E Y E A R S . C L A U S T R O P H O B I A C A N D I S A P P E A R I N A D U L T H O O D . I F I T D O E S N O T , T R E A T M E N T I S U S U A L LY N E C E S S A R Y T O O V E R C O M E T H E F E A R , P A R T I C U L A R LY I F S Y M P T O M S H A V E S E V E R E LY L I M I T E D W O R K O R S O C I A L A C T I V I T I E S O R TA S K S O F D A I LY L I V I N G . A I R T R A V E L B E C O M E S D I F F I C U LT O R I M P O S S I B L E - Y O U D R E A D T H AT M O M E N T W H E N T H E D O O R S ‘ C L U N K ’ S H U T A N D Y O U ’ R E ‘ T R A P P E D ’ F O R T H E D U R AT I O N O F T H E J O U R N E Y. C A R J O U R N E Y S C A N B E D I F F I C U L T , P A R T I C U L A R L Y I F T H E Y R E Q U I R E Y O U T O T R A V E L O N A M O T O R W A Y O R E V E N D U A L C A R R I A G E W A Y S I N C E I T I S N O T A S E A S Y T O ‘ E S C A P E ’ F R O M T H E S E . S I M I L A R L Y Y O U M A Y S T A R T T O A V O I D T H E T R A V E L L I N G A T B U S Y T I M E S S O T H A T Y O U D O N O T G E T T R A P P E D I N A T R A F F I C J A M . H O S P I TA L C H E C K S I N V O LV I N G S C A N S W H E R E Y O U A R E S L O W LY M O V E D T H R O U G H T H E S C A N N I N G M A C H I N E M AY O N LY P O S S I B L E W I T H S E D AT I V E M E D I C AT I O N . I F Y O U L I V E O R W O R K O N A N U P P E R F L O O R Y O U G E T P L E N T Y O F E X E R C I S E B E C A U S E Y O U A R E U N A B L E T O TA K E T H E L I F T ( E L E V AT O R ) . A N D E V E N I F Y O U A R E A B L E T O T R A V E L I N L I F T S I T I S D O N E W I T H D I F F I C U L T Y A N D Y O U ’ L L L I K E L Y W A I T I F T H E L I F T A P P E A R S C R O W D E D . A N D I T ’ S N O T J U S T S M A L L R O O M S - E V E N A L A R G E R O O M , I F F I L L E D W I T H P E O P L E , W I L L P O S E A T H R E A T U N L E S S Y O U C A N P O S I T I O N Y O U R S E L F N E A R A D O O R W A Y. S O M E E T I N G S A N D P A R T I E S A R E A V O I D E D . I N E X T R E M E S Y O U C A N N O T B E I N A R O O M U N L E S S T H E D O O R I S L E F T A J A R . I T I S O F T E N L I N K E D W I T H C O N D I T I O N S W H I C H H A V E A S T R O N G P H Y S I C A L E L E M E N T, S U C H A S I R R I TA B L E B O W E L S Y N D R O M E ( I B S ) , W H E R E T H E R E I S A R E A L I S T I C N E E D T O B E A B L E T O E S C A P E Q U I C K LY T O G E T T O A T O I L E T. I N S U C H C A S E S , E V E N I F T H E C O N D I T I O N S U B S I D E S , T H E F E A R O F N O T H A V I N G A N E S C A P E R O U T E M AY C O N T I N U E B E C A U S E Y O U N O W H A V E ‘ L E A R N E D ’ T H E C L A U S T R O P H O B I C R E S P O N S E . I F Y O U E X P E R I E N C E P A N I C AT TA C K S O R S O C I A L P H O B I A T H E S E W I L L U S U A L LY H A V E A S T R O N G C L A U S T R O P H O B I A E L E M E N T S I N C E Y O U F E A R T H A T I S Y O U H A V E A ‘ F U N N Y T U R N ’ E V E R Y B O D Y W I L L N O T I C E Y O U A N D T H I S C O U L D L E A D T O Y O U L O S I N G C O N T R O L O F Y O U R S E L F. D E F I N E D A S “A P E R S I S T E N T , A B N O R M A L , A N D U N W A R R A N T E D F E A R O F C O N F I N E D O R S M A L L S P A C E S ”, E A C H Y E A R T H I S S U R P R I S I N G L Y C O M M O N P H O B I A C A U S E S C O U N T L E S S P E O P L E N E E D L E S S D I S T R E S S . T O A D D I N S U LT T O A N A L R E A D Y D I S T R E S S I N G C O N D I T I O N , M O S T C L A U S T R O P H O B I A T H E R A P I E S TA K E M O N T H S O R Y E A R S A N D S O M E T I M E S E V E N R E Q U I R E T H E P AT I E N T T O B E E X P O S E D R E P E AT E D LY T O T H E I R F E A R . C L A U S T R O P H O B I A I S U S U A L LY D E S C R I B E D A S A F E A R O F E N C L O S E D P L A C E S . A M O R E A C C U R A T E D E S C R I P T I O N M I G H T B E ‘ A F E A R O F N O T H A V I N G A N E A S Y E S C A P E R O U T E ’ B E C A U S E F O R A N Y O N E W H O E X P E R I E N C E S T H I S P H O B I A T H I S I S T H E P R E D O M I N A T I N G F E A T U R E - Y O U F E E L A N E E D T O B E A B L E T O G E T O U T O R G E T H O M E , Q U I C K L Y. L E T ’ S G E T S O M E T H I N G Q U I T E C L E A R A T T H E O U T S E T T H I S I S N O T A N I L L N E S S A N D I T C A N B E E R A D I C A T E D . I T I S A L E A R N E D R E S P O N S E T O B E I N G I N C E R T A I N S I T U A T I O N S . A R E S P O N S E T H A T I S P O W E R F U L , U N C O M F O R T A B L E , E M B A R R A S S I N G , I N C O N V E N I E N T, D E B I L I T A T I N G A T T I M E S , P E R H A P S E V E N S E R I O U S L Y D E B I L I T A T I N G - B U T S T I L L A L E A R N E D R E S P O N S E . A N D J U S T A S Y O U C A N L E A R N T O H A V E A P A R T I C U L A R R E S P O N S E Y O U C A N U N - L E A R N I T . W H A T ’ S M O R E , I T ’ S L I K E L Y T H A T Y O U C A N D O T H I S F O R Y O U R S E L F W I T H O U T P R O F E S S I O N A L H E L P. T H O U G H A V A R I E T Y O F V E R Y P O T E N T D R U G S A R E O F T E N P R E S C R I B E D F O R C L A U S T R O P H O B I A , S I D E E F F E C T S A N D / O R W I T H D R A W A L S Y M P T O M S C A N B E S E V E R E . C L A U S T R O P H O B I A I S A N A N X I E T Y D I S O R D E R T H AT I N V O LV E S T H E F E A R O F E N C L O S E D O R C O N F I N E D S P A C E S . C L A U S T R O P H O B E S M AY S U F F E R F R O M P A N I C AT TA C K S , O R F E A R O F H A V I N G A P A N I C AT TA C K , I N S I T U AT I O N S S U C H A S B E I N G I N E L E V AT O R S , T R A I N S , B O X E S O R A I R C R A F T. C O N V E R S E LY, P E O P L E W H O A R E P R O N E T O H AV I N G PA N I C AT TA C K S W I L L O F T E N D E V E L O P C L A U S T R O P H O B I A . I F A PA N I C AT TA C K O C C U R S W H I L E T H E Y A R E I N A C O N F I N E D S PA C E , T H E N T H E C L A U S T R O P H O B E F E A R S N O T B E I N G A B L E T O E S C A P E T H E S I T U AT I O N . T H O S E S U F F E R I N G F R O M C L A U S T R O P H O B I A M I G H T F I N D I T D I F F I C U LT T O B R E AT H E I
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benzodiazepine receptor producing anxiolytic and sedating properties. However, with regular or chronic use
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or dosage reduction. Benzodiazepines also have abuse potential.
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most prolific inhibitor y receptor within the brain. Clinically- used benzodiazepines are full agonists at the
PHOBIA WHEN FEAR BECOMES A DISORDER
AIBOHPOMYC CYMOPHOBIA , t n e t sis r e p a “ as d e n i f e D S I I S D e f i n e d as “a p e r sis t e n t, r a e f d e t n a r r a w n u d n a , l ma r o n ab ab n o r ma l , a n d u n w a r r a n t e d f e a r wMfEoS AoDfI Sw P H O B I A W H E N FrEoA Rs eBv Ea CO Oa Rv De Es R or y l g n isi r p r u s his t r a e y ach e , ” n io t mo e k i l - e v a w w a v e - l i k e mo t io n ”, e ach y e a r t his s u r p r isi n g ly . ss e r t dis ss e l d e e n e l op e p ss e l t n u co s e s u ca phobia n commo commo n phobia ca u s e s co u n t l e ss p e op l e n e e d l e ss dis t r e ss . ady e r l a n a o t t l u s n i add To To add i n s u l t t o a n a l r e ady , n io t di n co g n ssi e r t dis dis t r e ssi n g co n di t io n , d n a s r a e y r o hs t n mo e k a t s e api r e h t cymophobia t mos mos t cymophobia t h e r api e s t a k e mo n t hs o r y e a r s a n d e h t e r i u q e r n e v e s e im t e som som e t im e s e v e n r e q u i r e t h e e b o t t n e i t pa pa t i e n t t o b e t ha t e v e i l e b e W . r a e f r i e h t o t y l d e t a e p e r d e pos x e e x pos e d r e p e a t e d ly t o t h e i r f e a r . W e b e l i e v e t ha t , y r ssa e c e n n u y l l a t o t his t is y l n o t o n n o t o n ly is t his t o t a l ly u n n e c e ssa r y, e h t e k ma n e t f o l l i w t i i t w i l l o f t e n ma k e t h e n io t di n co co n di t io n is t i d n A . e s r o w w o r s e . A n d i t is as l e u r c y l r a l u ic t r pa pa r t ic u l a r ly c r u e l as d e t a n imi l e e b n ca cymophobia cymophobia ca n b e e l imi n a t e d s r u ho 4 2 t s u j d n a hods t e m t h g i r e h t h t i w w i t h t h e r i g h t m e t hods a n d j u s t 2 4 ho u r s phobic e h t by t n e m t commi f o o f commi t m e n t by t h e phobic . l a u id v di n i i n di v id u a l . , Kymphobia , ymophobia C - s e am n f o r e mb u n a by n w o n K K n o w n by a n u mb e r o f n am e s - C ymophobia , Kymphobia , t mos e h t g n i e b n io t o M e k i l - e v Wa f o r a e F d n a , s e v Wa f o r a e F F e a r o f Wa v e s , a n d F e a r o f Wa v e - l i k e M o t io n b e i n g t h e mos t n e t f o m e l ob r p e h t . n commo commo n . t h e p r ob l e m o f t e n . e f i l f o y t i l a u q e h t s t impac y l t n ica f i n g si si g n i f ica n t ly impac t s t h e q u a l i t y o f l i f e . om r f t r apa e l op e p p e e k d n a s k ac t t a ic n pa e s u ca n ca t I I t ca n ca u s e pa n ic a t t ac k s a n d k e e p p e op l e apa r t f r om ss e n si u b d n a s e n o d e v o l l o v e d o n e s a n d b u si n e ss . s e t associa associa t e s . y l l ypica t oms t ymp S S ymp t oms t ypica l ly , g n hi t a e r b apid r , h t a e r b f o ss e n t r sho e d u l c n i i n c l u d e sho r t n e ss o f b r e a t h , r apid b r e a t hi n g , l l a r e v o d n a , a e s u a n , g n i t a e w s , t a e b t r a e h r a l u g e r r i i r r e g u l a r h e a r t b e a t, s w e a t i n g , n a u s e a , a n d o v e r a l l e n yo r e v e h g u ho t l a , ad e r d f o s g n i l e e f f e e l i n g s o f d r e ad , a l t ho u g h e v e r yo n e e v ha may d n a ay w n w o r i e h t n i cymophobia s e c n e i r e p x e e x p e r i e n c e s cymophobia i n t h e i r o w n w ay a n d may ha v e r u O . oms t symp t n e r e f f di di f f e r e n t symp t oms . O u r . s g u r d o n s e vl o v n i t n e m ta e r t t r e at m e n t i n v o lv e s n o d r u g s . s g u r d t n e t po f o y t e i r a v a h g u Tho Tho u g h a v a r i e t y o f po t e n t d r u g s netfo era are often s t c e f f e e sid , cymophobia r o f d e ib r sc e r p p r e sc r ib e d f o r cymophobia , sid e e f f e c t s oms t symp l a w a r hd t i w r o / d n a a n d / o r w i t hd r a w a l symp t oms , r e v o e r o M . e r e v e s e b n ca ca n b e s e v e r e . M o r e o v e r , . phobia r e h t o y n a r o cymophobia ” e r u c “ t o n do s g u r d d r u g s do n o t “ c u r e ” cymophobia o r a n y o t h e r phobia . h g u o r h t oms t symp e h t ss e r pp u s y l i r a r mpo e t y e h t t s e b t A A t b e s t t h e y t e mpo r a r i ly s u pp r e ss t h e symp t oms t h r o u g h l mica e ch ch e mica l - g u r d , t as f , n r e mod e h t t ha t is s w e n ood g e Th . n io t ac r e t n i i n t e r ac t io n . Th e g ood n e w s is t ha t t h e mod e r n , f as t, d r u g n ai r t l l i w s e ss e oc r p e e r f f r e e p r oc e ss e s w i l l t r ai n d n mi r u yo yo u r mi n d e k i l - e v a w r o s e v a w t u abo t n e r e f f di y l e t e l comp l e e f o t t o f e e l comp l e t e ly di f f e r e n t abo u t w a v e s o r w a v e - l i k e r a e f e h t g n i t a n imi l e , n io t mo mo t io n , e l imi n a t i n g t h e f e a r r e v e n t i so so i t n e v e r . n ai g a u yo s t n u ha ha u n t s yo u a g ai n . , cymophobia h t i w g n i v i l e r a u yo f I I f yo u a r e l i v i n g w i t h cymophobia , , h t l a e h r u yo o t t cos l a e r e h t is t ha w w ha t is t h e r e a l cos t t o yo u r h e a l t h , r o r e e r ca r u yo yo u r ca r e e r o r d n a , l schoo schoo l , a n d e h t g n oidi v A ? e f i l y l ami f r u yo o t t o yo u r f ami ly l i f e ? A v oidi n g t h e g n i n g si e r n a e m d l u o w y l e t i n i f e d n i e u iss iss u e i n d e f i n i t e ly w o u l d m e a n r e si g n i n g , r a e f n i g n i v i l o t f l e s r u yo yo u r s e l f t o l i v i n g i n f e a r , , l l sma d n a g bi s e c n e i r e p x e e f i l ss e l e ic r p n o t u o g n missi missi n g o u t o n p r ic e l e ss l i f e e x p e r i e n c e s bi g a n d sma l l , t ha t e f i l a g n i v i l l i v i n g a l i f e t ha t w shado a t s u j is is j u s t a shado w . e n o g is m e l ob r p e h t n e h w e b l l i w t i t ha w f o o f w ha t i t w i l l b e w h e n t h e p r ob l e m is g o n e . a g n i n r a e e n yo n a r Fo Fo r a n yo n e e a r n i n g a f o l l o t l cia n a n i f e h t , g n i v i l l i v i n g , t h e f i n a n cia l t o l l o f . e l ab l u c l ca n i is phobia his t t his phobia is i n ca l c u l ab l e . r e v e n n ca u yo s n a e m r a e f h t i w g n i v Li Li v i n g w i t h f e a r m e a n s yo u ca n n e v e r s e i t i n u t r oppo t Los . t s e b r u yo e v i g d n a y l l u f e t a r t n e c n co co n c e n t r a t e f u l ly a n d g i v e yo u r b e s t . Los t oppo r t u n i t i e s s n io t omo r P . s e ad r g r o e c n ma r o f r e p r oo P P oo r p e r f o r ma n c e o r g r ad e s . P r omo t io n s . by u yo pass t ha t t ha t pass yo u by. u yo t cos y l e k i l l l i w cymophobia cymophobia w i l l l i k e ly cos t yo u ds n sa u ho t f o ds e r d n u h n e v e , s n e t t e n s , e v e n h u n d r e ds o f t ho u sa n ds s r a l l do f o o f do l l a r s , e im t e f i l r u yo f o e s r u co e h t r e v o o v e r t h e co u r s e o f yo u r l i f e t im e , eht enola tel let alone the t cos cos t d n a h t l a e h r u yo o t t o yo u r h e a l t h a n d n ca ymophobia C w No . e f i l f o y t i l a u q q u a l i t y o f l i f e . No w C ymophobia ca n ss e l r o f e n o g e b b e g o n e f o r l e ss e ic r p e h t n ha t t ha n t h e p r ic e . t e k ic t e n i l r ai ip r t - d n u o r a f o o f a r o u n d - t r ip ai r l i n e t ic k e t . , phobias d n a s r a e f l l a e k Li Li k e a l l f e a r s a n d phobias , cymophobia cymophobia s u scio n co n u e h t by d e t a e r c is is c r e a t e d by t h e u n co n scio u s a as d n mi mi n d as a evitcetorp protective . ism n cha e m m e cha n ism . , t pas r u yo n i t n poi e som t A A t som e poi n t i n yo u r pas t, s e v a w g n i k n i l t n e v e n a y l e k i l as w e r e h t t h e r e w as l i k e ly a n e k i l - e vaw r o o r wav e - l i k e l a n io t mo e d n a n io t mo mo t io n a n d e mo t io n a l . ma u a r t t r a u ma . l a n i g i r o e h t t s l Whi Whi l s t t h e o r i g i n a l a n e e b e v ha may t ys l a t ca ca t a lys t may ha v e b e e n a e som f o e r sca e f i l - l a e r r e a l - l i f e sca r e o f som e e b so l a n ca n io t di n co e h t , d n i k k i n d , t h e co n di t io n ca n a l so b e by d e r e g g i r t t r i g g e r e d by , TV , s e i v mo e k i l s t n e v e n g i n e b , iad r my my r iad , b e n i g n e v e n t s l i k e mo v i e s , TV , ss e n si u b d n a s e n o d e v o o v e d o n e s a n d b u si n e ss . s e t associa associa t e s . y l l ypica t oms t ymp S S ymp t oms t ypica l ly , g n hi t a e r b apid r , h t a e r b f o ss e n t r sho e d u l c n i i n c l u d e sho r t n e ss o f b r e a t h , r apid b r e a t hi n g , r u O . oms t symp t n e r e f f di di f f e r e n t symp t oms . O u r . s g u r d o n s e vl o v n i t n e m ta e r t t r e at m e n t i n v o lv e s n o d r u g s . s g u r d t n e t po f o y t e i r a v a h g u Tho Tho u g h a v a r i e t y o f po t e n t d r u g s netfo era are often s t c e f f e e sid , cymophobia r o f d e ib r sc e r p p r e sc r ib e d f o r cymophobia , sid e e f f e c t s oms t symp l a w a r hd t i w r o / d n a a n d / o r w i t hd r a w a l symp t oms , r e v o e r o M . e r e v e s e b n ca ca n b e s e v e r e . M o r e o v e r , . phobia r e h t o y n a r o cymophobia ” e r u c “ t o n do s g u r d d r u g s do n o t “ c u r e ” cymophobia o r a n y o t h e r phobia . l mica e ch ch e mica l n ai r t l l i w s e ss e oc r p e e r f f r e e p r oc e ss e s w i l l t r ai n d n mi r u yo yo u r mi n d e k i l - e v a w r o s e v a w t u abo t n e r e f f di y l e t e l comp l e e f o t t o f e e l comp l e t e ly di f f e r e n t abo u t w a v e s o r w a v e - l i k e r a e f e h t g n i t a n imi l e , n io t mo mo t io n , e l imi n a t i n g t h e f e a r haps r e p r o o r p e r haps e s l e e n o e som g n i e e s s e e i n g som e o n e e l s e . ma u a r t e c n e i r e p x e e x p e r i e n c e t r a u ma . n io t associa e v i t a g e n e h t as g n o l so t u B B u t so l o n g as t h e n e g a t i v e associa t io n d n mi s u scio n co n u e h t , h g u o n e l u f r e w po is is po w e r f u l e n o u g h , t h e u n co n scio u s mi n d , hh A “ : s k n hi t t hi n k s : “A hh , g n hi t e l ho w his t t his w ho l e t hi n g p e e k I do w o H . s u o r e g n da y r e v is is v e r y da n g e r o u s . H o w do I k e e p n io t a u t si f o d n i k his t n i g n i t t e g om r f f l e mys mys e l f f r om g e t t i n g i n t his k i n d o f si t u a t io n - e v a w r o s e v a w o t s g n i l e e f e l ib r r e t ach t t a l l ’ I , w o n k I ? n ai g a a g ai n ? I k n o w , I ’ l l a t t ach t e r r ib l e f e e l i n g s t o w a v e s o r w a v e r e e t s l l ’ I ay w t ha t , n io t mo e k i l l i k e mo t io n , t ha t w ay I ’ l l s t e e r erutuf ni raelc clear in future t ha t e k i l t s u J ” . e f sa e b so d n a a n d so b e sa f e . ” J u s t l i k e t ha t cymophobia cymophobia is s n io t a u t si o t s n io t mo e g n achi t t A . n r bo is is bo r n . A t t achi n g e mo t io n s t o si t u a t io n s is y r ima r p e h t f o e n o o n e o f t h e p r ima r y e h t t e g t s u j e w s e im t e om S . n r a e l s n ma u h t ha t ays w w ays t ha t h u ma n s l e a r n . S om e t im e s w e j u s t g e t t h e .gnorw gniriw wiring wrong. . ays w t n e r e f f di n i f l e s t i s t s e f i n ma phobia l a u t ac e Th Th e ac t u a l phobia ma n i f e s t s i t s e l f i n di f f e r e n t w ays . s r e r e f f u s e om S S om e s u f f e r e r s s r e h t o , e im t e h t l l a t mos l a t i e c n e i r e p x e e x p e r i e n c e i t a l mos t a l l t h e t im e , o t h e r s o t e s n spo e r n i t s u j j u s t i n r e spo n s e t o has e n yo r e v E . i l u im t s t c e r di di r e c t s t im u l i . E v e r yo n e has S E S N O P S RE n w o r i e h t t h e i r o w n RE S P O N S E S CIBOHP OT TO PHOBIC .ILIUMITS STIMUILI.
Speific Phobia Agoraphobia Social Phobia Generalized A nxiet y Disorder
as many women as men suffer from panic disorder, post traumatic stress disorder, generalised
anxiety disorder and specific phobia though about equal numbers of women and men have
obsessive - compulsive disorder and social phobia.
Females are more prone to irrational fears than males. Phobia statistics suggest that roughly twice
P o s t -Tr a u m a t i c S t r e s s D i s o r d e r Obsessive Compulsive Disorder P a n i c D i s o rd e r
disorder, generalized anxiety disorder, and phobias ( social phobia, agoraphobia, and specific
phobia ). Approximately 4 0 million American adults ages 18 and older, or about 18.1% of people in
this age group, have an anxiety disorder.
Anxiety disorders include panic disorder, obsessive - compulsive disorder, post-traumatic stress
All Anxiet y Disorders
72
98 10 PERSONALITY AND TEMPERAMENT
0 9 T R E AT M E N T A N D P R O G N I S I S
100
P R E VA L E N C E ( % )
58
42
64 08 DIAGNOSIS OF PHOBIC DISORDERS
07 SYMPTOMS OF PHOBIA
06 CAUSES OF PHOBIA
05
30
10
18
06
01 INTRODUCTION
0 3 R E L AT E D D I S O R D E R S
05 TYPES OF PHOBIA
0 2 T H E I R R AT I O N A L F E A R
0 4 A N AT O M Y O F A P H O B I A
11 CONCLUSION
R A T E O F H O S P I TA L I Z A T I O N ( % ) P R E VA L E N C E I N W O M E N ( + ) V E R S U S M E N ( – ) AVERAGE AGE OF ONSET ( yrs)
> 26% 11 – 2 5 % 6 –10 % 1– 5%
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effects from depressing to stimulating the central ner vous system via modulating the GABA A receptor, the
MAXIMUM RESPONSE 1% 1% 1% 1% 1% 1% 1 % 1% Costa Rica New Zealand Ecuador Chile Sudan Mali Zimbabwe Peru 2% 1% 1% 1% 1% 1% 1% 1% Romania Rwanda Colombia Paraguay Slovenia Finland Hungary Lithuania 3% 2% 2% 2% 2% 2% 2% 2% Denmark Nicaragua Ethiopia Croatia Cuba Slovakia El Salvador Latvia 8% 8% 5% 6% 4% 4% 4% 3%
PHOBIA WHEN FEAR BECOMES A DISORDER
Australia Kenya Netherlands Argentina Ve n e z u e l a Uruguay Sierra Leone Sweden Nigeria 7% Dom. Republic 7% Spain 7% South Africa 6% Egypt 6% Germany 6% Norway 6% Canada 6% 52% 52% 38% 17% 16% 14% 12% 11% Brazil South Korea United States Japan Israel Mexico India Congo
I L LU S T R ATO R C S 2 , P H OTO S H O P C S 2 / CA M ERA N I KO N D 8 0 , 10 . 0 M P / P R I NTER E P S O N
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F i g .U _ C H E M I C A L S T R U C T U R E S O F B E N Z O D I A Z E P I N E S
ACROPHOBIA (FROM GREEK ἌΚΡΟΣ, MEAN I N G S U M M I I S A N E X T R E M E O R I R R AT I O N A L F E A R O F H E I G H T S . I T B E L O N G S T O A C
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F i g . C & D _ P R E VA L E N C E O F A N X I E T Y D I S O R D E R S
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T H AT S H A R E B O T H S I M I L A R E T I O L O G Y A N D O P T I O N S F O R T R EA TM E N T. 07 SYMTPOMS OF PHOBIA A C R O P H O B I A C A N B E D A N G E R O U S , A S S U F F E R E R S C A N E X P E R I E N C E A PA N I C AT TA C K I N A H IG H P LA CE AND B E C OM E T O A G I T A T E D T O G E T T H E M S E LV E S D O W N S A F E L Y. S O M E A C R O P H O B I C S AL S O SU FF E R FRO M UR GE S TO T H R O W
EC TR
T H E M S E LV E S O F F H I G H P L A C E S , D E S P I T E N O T B E I N G S U I C I D A L . VERTIGO IS OFTEN USED, INCO R R E CT L Y, TO DESCRIBE THE FEAR OF HEIGHTS, BU T I T I S
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WHEN REFERRING TO DIZZINESS TRIGGER E T R A D I T I O N A L L Y, A C R O P H O B I A
H A S B E E N AT T R I B U T E D , L I K E O T H E R I R R A T I O N A L F E A R S , T O C O N D I T I O N I N G O R A T R A U M AT I C E X P E R I E N C E I N V O
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I A C H
S H O W I N G T O D D L E R B A B I E S A N D C AT S O F VA R I O U S A G E S B E I N G T E R R I F I E D OF VENTURING ONTO A GLASS FLOOR WITH A VIEW OF A FEW METERS O F [2]AN EXTREME FEAR HOWEVER CAN INTER F E R E WI TH TH E
I A.”
C H A L L E N G E S O F E V E R Y D AY L I F E , S U C H A S C L I M B I N G U P A F L I G H T O F S T A I R S O R A O R S TA N D I N G O N A C H A I R , TA B L E , ( E T C )
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PEOPLE RESPOND BY SHIFTING TO MORE R EL THE PROPRIOCEPTIVE AND VESTIBULAR BR AN
OF THE EQUILI B RI UM S YST E M. AN ACROPH OBIC, ON THE OTHER HAND, CONTINUES TO OVERR
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R E S E A R C H I S U N D E R WAY AT S E V E R A L C L I N I C S. THE MEDICAL DEFINITION FOR THE FEAR OF HEIGH TS
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TA B LE O F C O NTENTS
IT IS AN ABNORMAL AND PERSISTENT FEAR OF HEIGHTS. THE W OR D AC RO PH O IS DERIVED FROM THE GREEK WORDS “ACRON” (HEIGHT): AND “PHOBOS” (FEAR). A C
A
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D E F E N S E A G A I N S T D O I N G T H I N G S L I K E WA L K I N G O F F A C L I F F. W H E N T H E N AT U R A L H E A LT H Y I N S T I N C T B E C O M E S A M OR B
6 0 / 61
( U N S O U N D O R E V E N PA R A N O I A ) F E A R . T H I S T Y P E O F U N HE AL THY FE A I S U S U A L LY O V E R W H E L M I N G A N D D E B I L I T AT I N G ( I T W I L L F R E E Z E Y O U I N Y O
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MANY PEOPLE W I T H A C R O P H O B I A E X P E R I E N C E B R E AT H L E S S N E S S , D I Z Z I N E S S , E X C E
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F E E L I N G S I C K , S H A K I N G , H E A R T P A L P I T A T I O N S , A N D T H E I N A B I L I T Y T O S P E A K O R T H I N K C L E A R L Y. O T H ALSO INCLUDE A FEAR OF DYING, BECOMING MAD OR LOS IN G C O NT R O L, A S E N S AT I O N O F D E TA C H M E N T F R O M R E A L I T Y O R E V E N A F U L L
E T R
B L O W N A N X I E T Y AT TA C K . M A N Y P S Y C H O L O G I S T S T H I N K S O M E P O I N T I N Y O U R PA S T, T H E R E W A S P O S S I B LY AN
RI EN C S.
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LEVELS AND EMOTIO N A L TR A U M A. T H E Y T H I N K T H AT T H E O R I G I N A L E V E N T M AY H AV E B E E N A R E A L - L I F E S C A R E O F S
C O N S C I O U S LY R E M E M B E R E D. THEY THINK THE CONDITION CA N AL S O B T R I G G E R E D B Y M U LT I P L E E V E N T S L I K E S E E I N G
I N M O V I E S , T V, O R PERHAPS EVEN S E E I N G
SOMEONE ELSE EXP E I N V O LV I N G H E I G H T
DRUGS DO NOT C URE AC R OPH O B I A. T H E Y S I M P LY T E M P O R A R I LY S U P PR E SS T H E S YM U S I N G C H E M I C A L S . T H E S I D E E F F E C T S O F T H E D R U G S M AY
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A F E A R O F H E I G H T S . N E V E R TA K E D R U G S W I T H O U T A D O C T O R ’ S P E RS C RIP TION Y O U K N O W E X A C T LY W H AT T H E D R U G WILL D O TO YO UR B O D Y.
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HYPNOSIS ALSO DOES NOT CURE ACROPHOBIA. IT ALSO SUPPRESSES THE SYMPT OMS BUT I N S T E A D OF U SI N C H E M I C A L S Y O U ’ R E A L L O W I N G S O M E O N E T O T E M P O R A R I LY C O N T R O L Y O U R M I N D . Y O U H AV E T O G O T O A N A R
AT Y OU ’R E DE N Y OR P
YOU EXPERIENCE THE FEAR OF HEIGHTS (THIS CAN BE SOMET HIN G D I V E B O A R D AT A P O O L ) . S TA R T I N G Q U I T E FA R B C K F R O
T H E E D G E ( W H E R E Y O U F E E L N O F E A R ) S L O W LY S T A R T W A L K I N G T O W AR D T HE S T O P WA L K I N G A S S O O N A S Y O U F E E L A N Y F E A R . P AY A T T E N T I O N T O W HA T YO U A AND MAKE YOURSELF A W AR E O F TH OS E F EE L IN G S.
DON’T RUN A W A Y F R O M WH F E E L I N G AT T H I S P O I N T A N D D O N ’ T
NG TH
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T H AT T H O S E F E E L I N G S A R E N O T T H E R E . D O N ’ T G O A N Y FA RT H E R T O W A R D S T H E E D GE, J U ST S T AY W H E RE Y OU A R E. DON’T GIVE UP ON YOUR DESIRE TO GET OVER YOUR FEA R OF H E I G H TS . A CC EPT T HE F A C T T H A T YO U H AV E T O D O I T R I G H T N O W. Y O U C A N C H O O S E N O T T O G O A N Y C L O S E R T O T H E E D G E AT T H I S P O I N T I N T I M E . T H E N E X T T I M E Y O U R E P E AT T H I S P R O C E S S S TA R T F R O M TH E SA ME PL A C E Y O U S TA RT E D T H E F I R S T T I M E . ON C E A G A I N , S T O P WA L K I N G A S S O O N A S Y O U F E E L A N Y F E A R . PAY AT T E N T I O N A G A I N T O W H AT Y O U A RE F EE LI N G A ND M AWA R E O F T H O S E F E E L I N G S . A S W I T H T H E F I R S T T I M E , D O N ’ T R U N A WAY F R O M W H AT Y O U ’ R E F E E L I N G AT T H I S P O I N A N D D O N ’ T D E N Y O R P R E T E N D T H AT T H O S E F E E L I N G S A R E N ’ T T H E R E . Y O U M U S T C O N S C I O U S L Y M A K E A C H O I C E A C H O I C E T H AT Y O U A R E I N C O M P L E T E C O N T R O L . Y O U C A N C H O O S E T O C O N T I N U E WA L K I N G T O WA R D T H E E D G E , L E AV E , O R S TAY R I G H T W H E R E Y O U A R E . I T I S Y O U R C H O I C E A N D Y O U A R E I N C O N T R O L . S TA RT T H E P R O C E S S A G A I N F R O M TH E S A M E P L A C E Y O U S TA RT E D T H E F I R S T T I M E . T H E M O M E N T W I L L C O M E W H E N YOU WILL BE ABLE TO S I M P LY A C C E P T W H AT Y O U A R E F E E L I N G , E V E N A H E A LT H Y G O D G I V E N
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R E M
D E F E N S E A G A I N S T D O I N G T H I N G S L I K E WA L K I N G O F F A C L I F F. TH E P RO B L E M I S W H E N T H E N AT U R A L H E A LT H Y I N S T I N C T B E C O M E S A M OR B I D ( U N S O U N D O R E V E N PA R A N O I A ) F E A R . T H I S T Y P E O F U N HE AL THY FE A R, AC RO P H O B I A, I S U S U A L LY O V E R W H E L M I N G A N D D E B I L I T AT I N G ( I T W I L L F R E E Z E Y O U I N Y O U R T RA C K S). MANY PEOPLE W I T H A C R O P H O B I A E X P E R I E N C E B R E AT H L E S S N E S S , D I Z Z I N E S S , E X C E S S I V E S W E AT I N G , NA US EA, D RY M O U F E E L I N G S I C K , S H A K I N G , H E A R T P A L P I T A T I O N S , A N D T H E I N A B I L I T Y T O S P E A K O R T H I N K C L E A R L Y. O T H E R S Y M P T O M S ALSO INCLUDE A FEAR OF DYING, BECOMING MAD OR LOS IN G C O NT R O L, A S E N S AT I O N O F D E TA C H M E N T F R O M R E A L I T Y O R E V E N A F U L L B L O W N A N X I E T Y AT TA C K . M A N Y P S Y C H O L O G I S T S T H I N K T HA T A T S O M E P O I N T I N Y O U R PA S T, T H E R E W A S P O S S I B LY AN EV E NT L IN K IN G HEI GH TS OR HI G H LEVELS AND EMOTIO N A L TR A U M A. T H E Y T H I N K T H AT T H E O R I G I N A L E V E N T M AY H AV E B E E N A R E A L - L I F E S C A R E O F S O M E K I N D T H AT I S N O L O N G E C O N S C I O U S LY R E M E M B E R E D. THEY THINK THE CONDITION CA N AL S O B E I N M O V I E S , T V, O R
R B R AI N S S. O FT E N, BY F A
++
T H O U G H Y O U M AY H A V E N O D E S I R E T O C O N TINU E O N T O WA R D S T H E E D G E . W H E N Y O U A C C E P T W H A T YOU AR E F E ELI N G, W H E R E Y O U A R E S TA N D I N G , Y O U ’ L L F I N D T H AT T H E F E A R F AD ES. EV E RY TI M E YOU RE PE A T THIS PROCESS, STOP WHENEVER YOU FE EL TH E SY M PT OM S C O M I N G O N, I D E N T I F Y T H E F E E L I N G S , L O C AT E W H E R E Y O U A R E , A N D A L L O W YOU RS ELF FE EL T HE AS Y O U D O, A N D N E V E R L O S E Y O U R R E S O LV E T O G E T C L O S E R T O T H E E D G E . L I T T L E B Y L I T T L E , US IN G TH IS PR OCE SS, ARRIVE CLOSE TO THE EDGE AND YOU WON’T BE O V ER W H E L M E D BY THE FEAR OF HEIGHTS. ACROPHOBIA CAN BE T R E A T ED M EDI CA L LY W IT H A V A R I E T Y O F D R U G S . O T H E R S H A V E T R I E D H Y P N O T H E R A P Y. O F Y O U S U F F E R S EV E RE A C R O PH O BI A A H AV E B E E N U N A B L E T O M A K E P R O G R E S S AT H O M E, IT IS ADVISAB L E T O SEEK A DO CT OR ’S H E L P. P L E A S E S E E T O I T T H AT T H E D O C T O R C O M B I N E S TH E M E D I C I N E WITH A THERAPY DESIGNED TO FREE YOU OF THIS PHOBIA A N D T H E M E D IC INE EV EN T U A L L Y.
+
H AV E T O
-5
S.
0 V O LTA G E { v }
T
+5
H
-5
G
0 V O LTA G E { v }
0 9 T R E AT M EN T A N D P RO G N OS IS
+5
02 T H E IR R AT IO N A L FE A R
+ + + +
E R OF H E I
++
M E A
+
FEAR OF HEIGHTS SELF HELP: AS WITH A L L P HO BI AS, O U “ O V E R R E A C T ” T O A F E A R - G E N E R AT I N G E V E N T. . . I N T H I S C A S E , H E I G H T
PICTURE OF AN INSECT
F E A R S A L I T T L E AT A T I M E , WE CAN RETRAIN OUR BRAINS TO REACT NO R M A L L Y. T H I S C AN B E D ONE WI T H A C R O P H O B I A B Y G R A D U A L LY W O R K I N G O U R W AY U P A L A D D E R , U P E X T E R I O R F L I G H T S O F S T A I R S, US IN G S E E - T H R O U G H E L E VA PA R A - S A I L I N G , B A L L O O N I N G , A I R P L A N E S . Y O U S TA T W I T H A S M A L L, C O M F O R T A B L E H E I G H T A N D W O R K Y O U R W A Y U P, S L O W L Y. I S T I L L H A V E T O R E M IN D MY S E L F I ’ M N O T I N D A N G E R E V E R Y T I M E I S P E A K P U B L I C L Y. I F Y O U D O I T G RA D UA LL Y A N D R E P E AT E D L Y, Y O U SHOULD BE ABLE TO OV ER C O M E T H IS PH O B I A.
Fi g.B _ P H O B I C R E S P O N S E TO ST I MU LU S
T H E M O S T W I D E LY A C C E P T E D E X P L A N AT I O N I S T H A T A C R O P H O B I A S T E M S FR OM T HE NA TU RA FA L L I N G A N D B E I N G I N J U R E D O R K I L L E D . A P H O B I A O C CU RS W H E N F E A R I S T A K E T O A N E X T R E M E , D U E P O S S I B LY T O U N I N T E NT IO N A L LEA R N I N G G E N E R A L I Z AT I O N O F T H E F E A R R ES P O N S E, O R T H E R E S U LT O F A T R A U M AT I C EXP ER IEN CE. L I KE OT H E R FE ARS A N D PH O BIA S, A C R O P H O B I A I S C R E AT E D B Y T H E U N C O N S C I O U S M I N D A S A P R O T E CTIV E M ECH AN I S M. AT S O M LINKING HEIGHTS OR HIGH LEVELS AND EMOTI ON AL T R AU M A. YO UR MI N D T H E N
PICT U R E O F A F LOW ER
S E E K S T O P R O T E C T T H E B O D Y F R C O M F O R T A B L E H E I G H T A N D W O R K Y O U R W A Y U P, S L O W L Y. I S T I L L O M F U RT H E R TR A U M A I N
78 / 79
Fi g. A _ P H O B I C R E S P O N S E TO ST I MU LU S
PHOBIA WHEN FEAR BECOMES A DISORDER
O
THE FUTURE AND ELI CI TS A N E X T RE F E A R O F T H E S I T U AT I O N , I N T H I S C A S E T H E F
08/09
ORT O
diazepine ring systems. Many of these drugs contain the 5 - phenyl -1,3 - dihydro -1,4 - benzodiazepin -2-
EX
one substructure. Most benzodiazepines are administered orally; however, administration can also occur
O
intravenously, intramuscularly, sublingually or as a suppositor y. Benzodiazepines produce a range of
O NT
The core chemical structure of “classical” benzodiazepine drugs is a fusion between the benzene and
{
19
17
15
P R O J E C T N °1 / / P H O B I A : W H E N F E A R B E C O M E S A D I S O R D E R
BASILAR MEMBRANE DISPLACEMENT
KINESOPHOBIA
PHOTOAUGLIAPHOBIA
SIDERODROMOPHOBIA
STENOPHOBIA
3 4
+
20
21
22
23
24
25
26
27
28
29
+
30
25 Hz
400 Hz
50 Hz
800 Hz
100 Hz
1600 Hz 0
10
20
30
D I S TA N C E F R O M S TA P E S { m m } inner ear. Figure B shows a cross-section of the cochlea.
++
PHOBIA WHEN FEAR BECOMES A DISORDER
++
Fig. L
Fig.J
PHOBIA WHEN FEAR BECOMES A DISORDER
D I S TA N C E F R O M S TA P E S { m m }
+ + + +
+ + + +
200 Hz
54/ 55
5 0 / 51
48/49
just in the response to
countless
direct stimuli . E veryone
phobia
common
surprisingly
this
year
each
, ” mirrors
ofof
mirrors ”,
each
year
this
surprisingly
common
phobia
causes
countless
EHT
DNOCES
experience
YREVE
almost
response in just others
and
years
or
months
take
therapies
catoptrophobia
mostmost
catoptrophobia
therapies
take
months
or
years
and
sometimes
their
own
nd A . worse condition the make often will it , unnecessary totally this is onlyonly is this totally unnecessary , it will often make the condition worse . A nd right the with eliminated be can catoptrophobia as cruel particularly is itit is particularly cruel as catoptrophobia can be eliminated with the right a by nown K . individual phobic the by commitment of hours 4 2 just and methodsmethods and just 2 4 hours of commitment by the phobic individual . K nown by a common most the being irrors M of ear F and atoptrophobia C - names of numbernumber of names - C atoptrophobia and F ear of M irrors being the most common
. stimuli direct Y R E V to
cause
their has N O S R E P very E
. associates business and ones loved from apart people keep and attacks panicpanic attacks and keep people apart from loved ones and business associates .
for
own
irregular , breathing rapid , breath of shortness include typically ymptoms SS ymptoms typically include shortness of breath , rapid breathing , irregular
L E E F to how and when
everyone although , dread of feelings overall and , nausea , sweating , heartbeatheartbeat , sweating , nausea , and overall feelings of dread , although everyone
as a
S YA W
unique
known is
TI
which
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tI
. life
of
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the
impacts
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often
problem
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--
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often
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impacts
the
quality
of
life .
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can
cause
experience almost
THE
looking fearing people fear hey T . mirrors into straight
looking
t A . phobia other any or catoptrophobia ” cure “ not do drugs , oreover M . severesevere . M oreover , drugs do not “ cure ” catoptrophobia or any other phobia . A t he T . interaction chemical through symptoms the suppress temporarily they bestbest they temporarily suppress the symptoms through chemical interaction . T he
own
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W AY S
also of
known
fear
IT
in
I N T O V E R Y large mirrors
what , catoptrophobia with living are you f I . again you haunts never it so fearfear so it never haunts you again . I f you are living with catoptrophobia , what
E specially B ody length
? life family your to and , school or career your , health your to cost real the isis the real cost to your health , your career or school , and to your family life ?
mirrors . T H O S E suffering
from
looking
, fear in living to yourself resigning mean would indefinitely issue the voiding AA voiding the issue indefinitely would mean resigning yourself to living in fear ,
from T H I S phobia avoid
front
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EVEN
, living a earning anyone or F . gone is problem the when be will it what of shadowshadow of what it will be when the problem is gone . F or anyone earning a living ,
of
NEVE
. mirrors
of
can you means fear with iving L . incalculable is phobia this of toll financial thethe financial toll of this phobia is incalculable . L iving with fear means you can
avoid seeing themselves
in
performance oor P . opportunities ost L . best your give and fully concentrate never never concentrate fully and give your best . L ost opportunities . P oor performance
in
still
you cost likely will catoptrophobia . by you pass that romotions P . grades oror grades . P romotions that pass you by. catoptrophobia will likely cost you
these
under
these
still
mirrors .
under
It
is
research
fear the whether that
, lifetime your of course the over dollars of thousands of hundreds even , tens tens , even hundreds of thousands of dollars over the course of your lifetime , can atoptrophobia C ow N . life of quality and health your to cost the alone let let alone the cost to your health and quality of life . N ow C atoptrophobia can
is from the mirror or
fears all ike L . ticket airline trip - round a of price the than less for gone be be gone for less than the price of a round - trip airline ticket . L ike all fears
from the R E F L E C T I O N O F
ufferers S
.NOSREP
mirrors of
fear
EHT may
variety
a
that whether the fear
protective a as mind unconscious the by created is catoptrophobia , phobias andand phobias , catoptrophobia is created by the unconscious mind as a protective
THE
PERSON.
mirrors linking event an likely was there , past your in point some t A . mechanismmechanism . A t some point in your past , there was likely an event linking mirrors
may
fear
life - real a been have may catalyst original the hilst W . trauma emotional andand emotional trauma . W hilst the original catalyst may have been a real- life
a
S ufferers
mirrors
variety
of
for
reasons ,
of because N E T F O T S O M
events benign , myriad by triggered be also can condition the , kind some of scarescare of some kind , the condition can also be triggered by myriad , benign events
trauma emotional some
as long so ut B . trauma experience else someone seeing perhaps or , V T , movies likelike movies , T V , or perhaps seeing someone else experience trauma . B ut so long as
some emotional trauma
but
, hh A “ : thinks mind unconscious the , enough powerful is association negative thethe negative association is powerful enough , the unconscious mind thinks : “A hh ,
involving
, mirrors
involving
. superstitious E R A E M O S mirrors into
TA H T
gateway
SFEILEB EHT
ERA
a or supernatural the another
into
this in getting from myself keep I do ow H . dangerous very is thing whole thisthis whole thing is very dangerous . H ow do I keep myself from getting in this
M O S T O F T E N because of mirrors ,
but
S O M E A R E superstitious .
way that , mirrors to feelings terrible attach ll ’ I , know I ? again situation of kindkind of situation again ? I know , I ’ ll attach terrible feelings to mirrors , that way
BELIEFS
. born is catoptrophobia that like ust J ” . safe be so and future in clear steer ll ’ II ’ ll steer clear in future and so be safe . ” J ust like that catoptrophobia is born .
ARE
. learn humans that ways primary the of one is situations to emotions ttaching AA ttaching emotions to situations is one of the primary ways that humans learn .
7 _Neurotransmitter Receptor 6 _Neurotransmitter 5 _Synaptic Vescicle
Females are more prone to irrational fears than males. Phobia statistics suggest that roughly twice as
many women as men suffer from panic disorder, post traumatic stress disorder, generalised anxiety
4 _External Phobic Stimulus 3 _Post- Synaptic Membrane
disorder and social phobia. group in a given year, have an anxiety disorder.
Anxiety disorders include panic disorder, obsessive - compulsive disorder, post-traumatic stress
2 _Pre - Synaptic Membrane
also
THE
T H AT
mirrors
gateway
into
the supernatural or a
window
manifests phobia actual he T . wrong wiring S ’ M E T S Y S the get just we ometimes SS ometimes we just get the S Y S T E M ’ S wiring wrong . T he actual phobia manifests
window
. common Y R E V are world
others , time the all almost it experience sufferers ome S . ways different in itselfitself in different ways . S ome sufferers experience it almost all the time , others
world are V E R Y common .
into
another
0 9 T R E AT M EN T A N D P RO G N OS IS
. mirrors
front
0 9 T R E AT M EN T A N D P RO G N OS IS
tI
in T hey
0 9 T R E AT M EN T A N D P RO G N OS IS
themselves seeing avoid is
research
passing
mirrors .
or mirror the from is F O N O I T C E L F E R the from for
, reasons
K . Venlafaxine J . Reboxetine I . Fluvoxamine H . Paroxetine
associated with a reduction in the risk of AD.
G . Fluoxetine
intermediate structure that is converted to a -tocopher ylquinone. A recent population based
F. Mirtazapine E . Sertraline D . Desipramine TCAs NARI
C . Nortriptyline B . Imipramine
SNRI SSRIs
study of antioxidants concluded that a diet rich in foods containing vitamin E might help protect
10000 1000 100
K i VA L U E S ( n M )
10 1 10000 1000 K i VA L U E S ( n M )
100 10 1 I J
E F
K
G H
C D
A B
P OT EN CY O F A N T I D EPR ES S A N T S TO BLOC K
TOCO PH ERY LQU I N O N E
some people against Alzheimer’s disease ( AD ). Vitamin E in the form of supplements was not
1
10
100
K i VA L U E S ( n M )
1000
P OT EN CY O F A N T I D EPR ES S A N T S TO BLOC K
H 1 H I S TA M I N E R E C E P T O R S
P OT EN CY O F A N T I D EPR ES S A N T S TO BLOC K
O CH3
CH3
R H O O
O O
O
R
CH3
R O
MUSCARINIC CHOLINERGIC RECEPTOR S
V I TA M I N E + SEMIHYDROASCORBATE RADICAL
R
O
OOH
INTERMEDIATE STRUCTURE
CH3
SINGLET O2
R [ = C H 2 ( C 5H10 ) 3 H ]
CH3 O CH3
LIPID—OOH
CH3
LIPID—OO
O2-
HO
H3C
V I TA M I N E R A D I C A L
associated with a reduction in the risk of AD.
V I TA M I N E RADICAL + ASCORBATE
intermediate structure that is converted to a -tocopher ylquinone. A recent population based
straight
avoid phobia S I H T from passing
study of antioxidants concluded that a diet rich in foods containing vitamin E might help protect
a
linic C hobia P N R T C he T of processes free - drug , fast , modern the that is news goodgood news is that the modern , fast , drug - free processes of T he C T R N P hobia C linic the eliminating , mirrors about different completely feel to mind your train willwill train your mind to feel completely different about mirrors , eliminating the
in
some people against Alzheimer’s disease ( AD ). Vitamin E in the form of supplements was not
as is
which
people fearing looking into mirrors . T hey fear
from
mirrors large Y R E V O T N I suffering E S O H T . mirrors
hey T
PHOBIA WHEN FEAR BECOMES A DISORDER
for
when and how to F E E L
length ody B specially E
also
neutralising its unpaired electron. For example, vitamin E binds to OO · or O2· they form an
E very P E R S O N has their
kind
kind
Free radicals, such as superoxide, hydroxyl ions and nitric oxide all contain an unpaired electron.
SECOND
others just in response
BAD.
E isoptrophobia ,
be can symptoms withdrawal or / and effects side , catoptrophobia for prescribedprescribed for catoptrophobia , side effects and / or withdrawal symptoms can be
of
These radicals can have a negative effect on cells causing oxidative damage that leads to cell
FEELING
EVERY
O F T H E I R E V E R Y D AY L I F E ,
. symptoms different have may and way own their in catoptrophobia experiencesexperiences catoptrophobia in their own way and may have different symptoms . often are drugs potent of variety a hough T . drugs no involves treatment ur OO ur treatment involves no drugs . T hough a variety of potent drugs are often
fear
+ + + +
to V E R Y direct stimuli .
.DAB
, isoptrophobia E in
++
unique
RESPONSES TO THE PHOBIC S T I M U L I . S ome sufferers
GNILEEF
sometimes
has
even
not that believe e W . fear their to repeatedly exposed be to patient the requirerequire the patient to be exposed repeatedly to their fear . W e believe that not
PHOBIA WHEN FEAR BECOMES A DISORDER
causes
even
sufferers ome S . I L U M I T S
, E F I L YA D Y R E V E R I E H T F O
PHOBIA WHEN FEAR BECOMES A DISORDER
fear unwarranted and , abnormal , persistent a “ as efined D S I A I B O H P O R T P O T A CC A T O P T R O P H O B I A I S D efined as “a persistent , abnormal , and unwarranted fear , condition distressing already an to insult add o T . distress needless peoplepeople needless distress . T o add insult to an already distressing condition ,
CIBOHP EHT OT SESNOPSER
PHOBIA WHEN FEAR BECOMES A DISORDER
has
death. Antioxidants, such as vitamin E, prevent cell damage by binding to the free radical and
PHOBIA WHEN FEAR BECOMES A DISORDER
10000
many women as men suffer from panic disorder, post traumatic stress disorder, generalised anxiety
disorder and specific phobia though about equal numbers of women and men have obsessive - compulsive
disorder and social phobia.
Females are more prone to irrational fears than males. Phobia statistics suggest that roughly twice as 10 8 6 4
increases as symptoms get stronger) , top row; negative correlation ( activity decreases as symptoms
2
their
+
0 9 T R E AT M EN T A N D P RO G N OS IS
own
F i g .T _ D I F F E R E N C E S I N S P E C I F I C I T Y B E T W E E N C E R TA I N D R U G S
9 6 / 97
92/ 93
82/ 83
to response the in just veryone E . stimuli direct unique
08 DIAGNOSIS OF PHOBIC DISORDERS
0
strengthen ) , bottom. Approximately 4 0 million American adults ages 18 and older, or about 18.1 percent
Fig.6
of people in this age group in a given year, have an anxiety disorder.
Fig.5
07 SYMTPOMS OF PHOBIA
PHOBIA WHEN FEAR BECOMES A DISORDER
Fig.4
Fig.3
Figs. 1- 6 are APET scans of a brain showing active areas in phobic disorders; positive correlations ( activity
Fig.2
disorder, generalized anxiety disorder, and phobias ( social phobia, agoraphobia, and specific phobia ).
76 / 77
F i g . S _ M E C H A N I S M O F A C T I O N O F A N T I O X I D A N T S , V I TA M I N E
Fig.1
Approximately 4 0 million American adults ages 18 and older, or about 18.1 percent of people in this age
1 _A xon 70 / 71
62/ 63
F i g .O _ A C T I V E A R E A S O F B R A I N I N P H O B I C D I S O R D E R S
TCAs
Q
+ + + +
+ + + +
neutralising its unpaired electron. For example, vitamin E binds to OO · or O2· they form an
22
Region 15Q 24 — Q 26 / DUP 25
21
ADRENERGIC RECEPTOR S
20
Free radicals, such as superoxide, hydroxyl ions and nitric oxide all contain an unpaired electron.
Y
19
++
These radicals can have a negative effect on cells causing oxidative damage that leads to cell
X
18
17
P
++
HO
+ + + +
7
K+ P O TA S S I U M I O N C H A N N E L
death. Antioxidants, such as vitamin E, prevent cell damage by binding to the free radical and
16
Region 17Q11.1— Q12 / 5HT Transporter
15
6
Na+
3
A . Amitriptyline
14
Na+
Na+
SODIUM ION CHANNEL
PHOBIA WHEN FEAR BECOMES A DISORDER
Region 22Q11.2 / Catechol Methyltransferase ( Comt)
13
Inheritance of phobia is thought to be autosomal dominant. Few genes have been implicated in phobia
12
11
4
2
06 CAUSES OF PHOBIA
10
9
P
Q
DEPOLARIZ ATION REACHES AXON TERMINAL
5
+
06 CAUSES OF PHOBIA
PHOBIA WHEN FEAR BECOMES A DISORDER
Q
ACT IO N P OT EN T I A L D EP O L A R I Z AT IO N
1
+
PHOBIA WHEN FEAR BECOMES A DISORDER
8
++
time and COMT has links with the sympathetic ner vous system, however the effect of DUP25 in this
7
condition, if any, is unclear.
6
06 CAUSES OF PHOBIA
as possible susceptibility factors. The involvement of serotonin in phobia has been known for some
5
and their inheritance and effect on phenotype remain unclear. A duplication on chromosome 15, DUP25,
4
and a polymorphism in the COMT ( catechol - O - methyltransferase ) gene and another in the upstream
3
P
+
R EST I N G P OT EN T I A L
region of the serotonin transporter gene ( SLC6A 4 ) which reduces transcription, have all been identified
2
+
1
disorder and specific phobia though about equal numbers of women and men have obsessive - compulsive
Fig.N_N ERV OUS R ES P O NS E TO PHO BI A
Fig.M_PSYC HOGEN ET IC S O F PHO BI A
++
to a low-frequency sinusid. The pattern moves from left to right, building up gradually with distance, and
decaying rapidly beyond the point of maximal displacement.
A M A XOPHOBIA
+ + + +
Figure C shows schematically the waveform on the BM at four successive nistants in time, in response
2
1
A M BU LO P H O B I A
06 CAUSES OF PHOBIA
PHOBIA WHEN FEAR BECOMES A DISORDER
AGYROPHOBIA
Fig. K
05 TYPES OF PHOBIA
system. Figure A illustrates the structure of the peripheral auditor y system showing the outer, middle and
44/45
4 0 / 41
Fig.K & L_ R EL AT IV E EN V ELO PE A M PLI T U D E
Fig.I
05 TYPES OF PHOBIA
The origin of sensor y phobias can be traced to a breakdown in our sensor y- processing center: the inner ear
34/ 35
Fig.I&J_T H E I N N ER E A R SY ST E M
13
11
10
12
14
16
18
{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
19 P R O J E C T N 째1 / / P H O B I A : W H E N F E A R B E C O M E S A D I S O R D E R
17
15
13
11
10
12
14
16
18
{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
19 P R O J E C T N 째1 / / P H O B I A : W H E N F E A R B E C O M E S A D I S O R D E R
17
15
13
11
10
12
14
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
19 P R O J E C T N 째1 / / P H O B I A : W H E N F E A R B E C O M E S A D I S O R D E R
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15
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
N째2
E N T E R I N G T H E M A G I C A L R E A L M O F T H E B E A S T S I S A R A R E T R E AT F O R T H E S E N S E S . A S W I S H O F A TA I L , T H E G A Z E O F U N B L I N K I N G E Y E S , A S I L E N T R I P P L E T H R O U G H T H E W AT E R . L I G H T F I LT E R S D O W N T H R O U G H T H E T R E E S , A N D T H E W AT E R R E S P O N D S W I T H A S P A R K L E . B R I L L I A N T S H O R T T E N D R I L S S H O O T O U T O F A N I G H T F U L L O F N O I S E S , E Y E S G L E A M I N T H E F I R S T S U N T H AT YA W N S I T S W AY PA S T C R E AT U R E S L A R G E A N D S M A L L . L A N D O R S E A , T H E J O Y I S A L L A R O U N D .
27
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23
M E N AGE R I E // C OU R SE: L E T T E R PR E S S // I NS T RUC TOR : M AC Y C H A DW IC K // DI M E NSIONS: 4.5 x 5.25 I N
{ M E N A G E R I E } M E N A G E R I E I S A I L L U S T R AT E D C H I L D R E N ’ S B O O K B A S E D O N S E L E C T E D C O U P L E T S A B O U T A N I M A L S B Y O G D E N N A S H . T H E I L L U S T R AT I O N S A R E I N A Q U I R K Y S T Y L E T O M AT C H H I S F U N N Y V E R S E S A N D W E R E H A N D D R A W N U S I N G A S H A R P I E . T H E P A G E S A LT E R N AT E B E T W E E N L A N D A N D S E A C R E AT U R E S . T H E B O O K S W E R E H A N D P R I N T E D O N A V A N D E R C O O K U S I N G P O LY M E R P L AT E S F O R T H E T Y P E A N D I L L U S T R AT I O N S A N D P R E S S U R E P L AT E S F O R T H E B A C K G R O U N D S .
21
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
P R O J E C T N 째2 / / M E N A G E R I E
27
25
23
21
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
P R O J E C T N 째2 / / M E N A G E R I E
27
25
23
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20
22
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
P R O J E C T N 째2 / / M E N A G E R I E
27
25
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
N째3
T R E S PA S S I N G I N T O T H E D A N G E R O U S A N D E N T I C I N G G A R D E N S O F D E S I R E , A L L B L O O D R U S H E S T O T H E H E A D , T E M P O R A R I LY B L I N D I N G . T H E S K I N F E E L S S O T R A N S P A R E N T I N T H E R E D H E AT O F T H E M O M E N T. T HE BE AU T Y M A K ES A L L YOUR SEN SES S W IM W I T H PL E A SURE, Y E T I T S SECRE T S C A N CR A S H YOU IN TO A P I T O F F I R E . A B U R N I N G S E N S E O F PA S S I O N M A K E S T H E N I G H T N E V E R E N D , I T H O L D S Y O U I N I T S F I E R Y G R A S P. A L L C O N T R O L I S R E L I N Q U I S H E D , A L L C A U T I O N T H R O W N T O T H E W I N D S .
39
37
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31
DE SE O: PE DRO A L MOD ÓVA R F I L M F E S T I VA L // C OU R SE: I N T E GR AT E D C OM M U N IC AT ION // I NS T RUC TOR : H U N T E R W I M M E R
{ D E S E O : P E D R O A L M O D Ó V A R F I L M F E S T I V A L } P E D R O A L M O D Ó VA R I S O N E O F S PA I N ’ S M O S T A C C L A I M E D D I R E C T O R S K N O W N F O R H I S C O L O R F U L , S E X U A L LY A N D E M O T I O N A L LY C H A R G E D F I L M S . D E S E O I S A F I L M F E S T I V A L T H AT S H O W C A S E S S I X O F H I S F I L M S R E V O LV I N G A R O U N D T H E T H E M E O F W O M E N A N D D E S I R E . M AT E R I A L S D E V E L O P E D I N C L U D E F E S T I V A L I D E N T I T Y, P O S T E R , A D V E R T I S I N G , C ATA L O G , S C R E E N I N G S C H E D U L E , D V D P A C K A G I N G A N D T I C K E T S .
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
39 PROJ E C T N ツー3 // DE SE O: PE DRO A L MOD テ天A R F I L M F E S T I VA L // F E S T I VA L C ATA L O G
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
39 PROJ E C T N ツー3 // DE SE O: PE DRO A L MOD テ天A R F I L M F E S T I VA L // F E S T I VA L C ATA L O G
37
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
39 PROJ E C T N ツー3 // DE SE O: PE DRO A L MOD テ天A R F I L M F E S T I VA L // PRO C E S S B O OK
37
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
28
30
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38
{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
39 PROJ E C T N ツー3 // DE SE O: PE DRO A L MOD テ天A R F I L M F E S T I VA L
37
35
33
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29
T I M E S TA N D S S T I L L O N M E M O R Y L A N E . T H E S T R AY H A I R O F A L O V E R O N T H E P I L L O W, T H E S M E L L O F T H E E A R T H D U R I N G T H E F I R S T R A I N S , T H E VA N I L L A S M E L L O F A N O L D B O O K , A P E T ’ S E F F U S I V E WELCOME, A STR ANGER’S UNWARR ANTED KINDNESS. FLEE TING MOMENTS SHARED BE T WEEN S T R A N G E R S , H A N D S H E L D , L I V E S T O U C H E D . A B L I P I N T H E D A I LY R O U T I N E L E A D S T O U N E X P E C T E D
N°4 40
42
44
{ POINTS OF EX PLOR ATION }
E N C O U N T E R S W H I C H L E AV E L A S T I N G I M P R E S S I O N S O N T H E M I N D .
SU PR I YA K A L I DA S // M FA P ORT FOL IO
{ M U N D A N E S A V E S T H E W O R L D } M U N D A N E S AV E S T H E W O R L D I S A M A G A Z I N E T H AT C E L E B R AT E S T H E N O R M A L . I N A W O R L D W H E R E P O P U L A R C U LT U R E D I C TAT E S B E A U T Y, S U C C E S S A N D H A P P I N E S S , T H I S MAGA ZINE RECOGNIZES THE INHERENT INTEREST IN THE LIVES OF ORDIN ARY PEOPLE. THE GOAL IS TO S H A R E T H E S T O R I E S O F T H E E V E R Y D AY P E R S O N I N A N AT T E M P T T O E X P O S E T H E B E A U T Y A N D W O N D E R O F T H E S E E M I N G LY M U N D A N E , A N D I N D O I N G S O, R E C L A I M O U R S E N S E O F S E L F - W O R T H . T H E M A G A Z I N E WA S P R I N T E D AT C E N V E O A N D D I S T R I B U T E D AT T H E A C A D E M Y ’ S A N N U A L S P R I N G S H O W.
M U N DA N E S AV E S T H E WOR L D // C OU R SE:PU BL IC AT ION N A R R AT I V E S // I N S T RUC TOR : M IC H A E L S A I N ATO // DI M E N SION S: 6 . 25 X 8.3 I N
45
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
45 P R O J E C T N 째4 // M U N D A N E S AV E S T H E W O R L D
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40
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
45 P R O J E C T N 째4 // M U N D A N E S AV E S T H E W O R L D
43
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
N°5
T H E L A N D O F P L E N T Y I S A R I C H , L U S T Y, P U N G E N T A N D F U L L- B O D I E D P L A C E . A S C E N T, A H I N T, A W H I F F, A S N I F F, A S M E L L , A S P E L L … E V E R Y T H I N G R E M I N D S M E O F Y O U . R I P E A P P L E S D R O P A B O U T M Y H E A D , L U S C I O U S C L U S T E R S O F T H E V I N E W E A V E T H E I R W AY A R O U N D M E . T H E TA S T E B U D S E X P L O D E W I T H T H E F I E R C E K I S S O F A C H I L E , S O O T H E D O N LY B Y T H E G E N T L E S W E E T N E S S O F T H E W I N E . T I M E A B O U N D S , T H ER E IS N O P L AC E EL S E TO BE RI G H T N OW.
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I A M W H AT I E AT // C O U R S E : I N F O R M AT I O N D E S I G N // I N S T R U C T O R S : M A R K R O U D E B U S H // D I M E N S I O N S : 7.75 X 5 . 5 I N GE ORGE SL AV I K WINSTON WEIR
{ I A M W H A T I E A T } T H I S B O O K I S A V I S U A L M E M O I R T H AT C ATA L O G U E S M Y R E L AT I O N S H I P W I T H F O O D . O V E R A P E R I O D O F T H R E E W E E K S , E V E R Y M E A L W A S M E T I C U L O U S LY R E C O R D E D A N D VA R I O U S Q U A N T I T I E S TA B U L AT E D T O P R O D U C E A N E X T R E M E LY C O M P L E X A N D VA R I A N T I N F O R M AT I O N S E T. T H I S I N F O R M AT I O N W A S T H E N A N A LY Z E D T O P R O D U C E A C O M P E L L I N G S T O R Y T O L D U S I N G P H O T O G R A P H Y A N D I N F O R M AT I O N G R A P H I C S . T H E B O O K C O M E S S H R I N K - W R A P P E D F O R F R E S H N E S S .
47
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
PROJ EC T N 째5 // I A M W H AT I E AT
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
PROJ EC T N 째5 // I A M W H AT I E AT
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SU PR I YA K A L I DA S // M FA P ORT FOL IO
PROJ EC T N 째5 // I A M W H AT I E AT
53
51
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47
D ES C EN D I N G I N TO T H E VA L L E Y O F DA R K N ES S , T H E S U R V I VA L I N S T I N C T R EI G N S S U P R EM E. E V ERY S C A R I S A T E S T I M O N Y T O A B AT T L E F O U G H T, R I G H T S L O S T A N D W O N . T H E H E A R T I S F I L L E D W I T H S O R R O W A N D T H E M E M O R I E S O F A R A V A G E D P A S T. D R E A M S S T O L E N A N D S O U L S B AT T E R E D . A N D Y E T, D E S P I T E T H E PA I N , T H E U N D I M M A B L E R AY S O F H U M A N O P T I M I S M C U T T H R O U G H T H E D A R K N E S S . W I T H E V E R Y
N째6 54
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{ POINTS OF EX PLOR ATION }
S T E P TA K E N , T H E M I N D K N O W S T H AT T H I S T O O S H A L L PA S S . W E W I L L S U R V I V E .
SU PR I YA K A L I DA S // M FA P ORT FOL IO
{ I H A V E A D R E A M } T H I S B OX E D S E T O F P O S T C A R D S I S A N I N T E R P R E TAT I O N O F M A R T I N L U T H E R K I N G J R .’ S I H AV E A D R E A M S P E E C H I N T H E M O D E R N C O N T E X T. P H O T O G R A P H S O F VA R I O U S S T R E E T S I G N S , S E R V I C E S A N D E S TA B L I S H M E N T S N A M E D A F T E R M A R T I N L U T H E R K I N G J R . A N D L I N E S F R O M T H E S P E E C H C R E AT E T H O U G H T - P R O V O K I N G J U X TA P O S I T I O N S . T H E P I E C E A I M S T O E X A M I N E H I S L E G A C Y 4 4 Y E A R S A F T ER T HE HIS TORIC A L SPEECH WA S DELI V ERED.
I H AV E A DR E A M // C OU R S E : P U B L IC AT ION N A R R AT I V E S // I N S T RUC T OR : M IC H A E L S A I N AT O // DI M E N S ION S: 4.75 X 7 I N
63
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59
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55
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
PROJ E C T N 째6 // I H AV E A DR E A M
63
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59
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55
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
PROJ E C T N 째6 // I H AV E A DR E A M
63
61
59
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
PROJ E C T N 째6 // I H AV E A DR E A M
63
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55
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SU PR I YA K A L I DA S // M FA P ORT FOL IO
N째7
T H E S E A O F I N EQ UA L I T Y I S A M U C H T R AV EL ED R O U T E. T H E C U R R EN T S A R E S T R O N G A N D T H E S E A I S A N G R Y A N D I N H O S P I TA B L E . S T O R M S A N D G A L E S A B O U N D . M A N Y D R O W N A N D T H E R E S T F I G H T F O R T H EI R S U R V I VA L . D ES P I T E T H E O D D S , H O P E M U S T P R E VA I L . T H E S E A M U S T B E C R O S S ED, F O R AC R O S S THE SE A LIES A GLORIOUS RE A LM W HERE A LL MEN A ND WOMEN A RE EQUA L A ND JUSTICE HOLDS ITS HE AD HIGH. THE MEEK SHALL ONCE MORE INHERIT THE E ARTH.
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U N I V E R S A L D E C L A R AT I O N O F H U M A N R I G H T S // C O U R S E : T Y P E 4 // I N S T R U C T O R : J E A N - B E N O I T L E V Y // D I M E N S I O N S : 17.75 X 17.75 X 21 I N
{ U N I V E R S A L D E C L A R A T I O N O F H U M A N R I G H T S } THIS T YPOGR APHICAL PIECE REORGANIZES T H E U N I V E R S A L D EC L A R ATI O N O F H U M A N R I G HTS I N T O A M O R E C O M P R E H E N S I V E V E R S I O N . I T I S A N I N T E R A C T I V E TA B L E -T O P D E V I C E , T O B E P L A C E D AT C E N T E R S O F I N T E R A C T I O N L I K E S C H O O L S , C A F É S A N D W O R K P L A C E S . T H I S I S O N E O F T H E M O S T I M P O R TA N T D O C U M E N T S O F O U R T I M E , A N D I T I S I M P E R AT I V E T H AT A D I V E R S E G R O U P O F P E O P L E A R E C U R I O U S A B O U T I T, A N D U N D E R S TA N D I T S I M P O R TA N C E .
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SU PR I YA K A L I DA S // M FA P ORT FOL IO
73 PROJ EC T N 째 7 // U N I V E R S A L DEC L A R AT ION OF H U M A N R IGH T S
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SU PR I YA K A L I DA S // M FA P ORT FOL IO
73 PROJ EC T N 째 7 // U N I V E R S A L DEC L A R AT ION OF H U M A N R IGH T S
71
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SU PR I YA K A L I DA S // M FA P ORT FOL IO
73 PROJ EC T N 째 7 // U N I V E R S A L DEC L A R AT ION OF H U M A N R IGH T S
71
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65
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SU PR I YA K A L I DA S // M FA P ORT FOL IO
N째8
A S I C R O S S I N T O A N C I E N T B O H E M I A N L A N D S , I R E A L I Z E T H AT T H E M E A L I S T H E C E N T E R O F T H E H U M A N E X P E R I E N C E . AT T H E TA B L E W E A R E N O U R I S H E D A N D R E C O N N E C T E D T O T R A D I T I O N A N D N AT U R E . F O O D I S O U R C O M M O N G R O U N D , A U N I V E R S A L E X P E R I E N C E T H AT B I N D S U S . A C E N T R A L A C T I V I T Y O F M A N K I N D A N D O N E O F T H E S I N G L E M O S T S I G N I F I C A N T T R A D E M A R K S O F A C U LT U R E . A L L F O O D A N D C U I S I N E I S D E E P LY C O N N E C T E D T O M E A N I N G S Y S T E M S O F I T S PA R E N T C U LT U R E .
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RU S SI A N T E A RO OM : R E -BR A N DI NG // C OU R SE: N AT U R E OF I DE N T I T Y // I NS T RUC TOR : H U N T E R W I M M E R // DI M E NSIONS: VA R IOU S
{ R U S S I A N T E A R O O M : R E - B R A N D I N G } R E - B R A N D I N G O F T H E R U S S I A N T E A R O O M , A R E S TA U R A N T I N N E W YO R K F O R A M O R E M O D E R N , YO U N G E R C L I E N T E L E . T H E S T Y L E A N D T Y P O G R A P H Y W A S I N S P I R E D B Y T H E A E S T H E T I C O F R U S S I A N C O N S T R U C T I V I S T M O V E M E N T, R E I N T E R P R E T E D W I T H A M O D E R N E D G E . T H E P R O J E C T I N C L U D E S LO G O, B U S I N E S S S Y S T E M , PA C K A G I N G , I N T E R I O R S A N D U N I F O R M S . T H E R E A R E T W O V E R S I O N S O F T H E I D E N T I T Y – A L O G O T Y P E F O R R E TA I L A N D A VA R I AT I O N F O R T H E R E S TA U R A N T.
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SU PR I YA K A L I DA S // M FA P ORT FOL IO
85 PROJ EC T N 째 8 // RUS SI A N T E A RO OM : R E -BR A N DI NG // BR A N D I DE N T I T Y
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SU PR I YA K A L I DA S // M FA P ORT FOL IO
85 PROJ EC T N 째 8 // RUS SI A N T E A RO OM : R E -BR A N DI NG // PRO C E S S BO OK
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SU PR I YA K A L I DA S // M FA P ORT FOL IO
85 PROJ EC T N 째 8 // RUS SI A N T E A RO OM : R E -BR A N DI NG // PAC K AGI NG
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SU PR I YA K A L I DA S // M FA P ORT FOL IO
85 PROJ EC T N 째 8 // RUS SI A N T E A RO OM : R E -BR A N DI NG // PAC K AGI NG
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SU PR I YA K A L I DA S // M FA P ORT FOL IO
85 PROJ EC T N 째 8 // RUS SI A N T E A RO OM : R E -BR A N DI NG // R E S TAU R A N T I N T E R IOR + E X T E R IOR
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SU PR I YA K A L I DA S // M FA P ORT FOL IO
N째9
IN THE BUSY HUSTLE OF THE MARKETPL ACE, THE POSSIBILITIES ARE ENDLESS. A DASH, A SPL ASH, A S P R I N K L E , A S P R I T Z . A P I N C H , A S C O O P, A D R I Z Z L E , A S Q U E E Z E . T H E C U L I N A R Y M I N D I S E X C I T E D AT T H E T H O U G H T O F A B U S Y K I T C H E N . A M Y R I A D C O M B I N AT I O N S T H AT C A N M A K E T H E H E A R T S I N G A N D T H E TA S T E B U D S D A N C E . L U S C I O U S B O U N T Y F I N D S I T S W AY I N T O M Y H A N D S , S O O N T O B E T R A N S F O R M E D I N T O A S U B T L E S Y M P H O N Y.
93
91
89
W O R D L E S S R E C I P E S // C O U R S E : I N F O R M AT I O N D E S I G N // I N S T R U C T O R S : M A R K R O U D E B U S H // D I M E N S I O N S : 5 . 5 x 7. 5 I N GE ORGE SL AV I K WINSTON WEIR
{ W O R D L E S S R E C I P E } T H I S S E T O F C A R D S I S I L L U S T R AT E S A D E TA I L E D S T E P - BY- S T E P R E C I P E F O R A P P L E A N D B E E T S O U P W I T H O U T U S I N G A N Y W O R D S . N U M B E R S A R E T H E O N LY C H A R A C T E R S U S E D T O I N D I C AT E Q U A N T I T I E S . S T E P S I N C L U D E I N G R E D I E N T L I S T, P R E PA R AT I O N A N D T H E R E C I P E , A N D A R E I N D I C AT E D BY TA B B E D S E PA R AT O R S . T H E I N D I V I D U A L C A R D S A R E H E L D T O G E T H E R AT T H E C O R N E R F O R EASE OF USE WHILE COOKING.
87
86
88
90
92
{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
93 PROJ EC T N 째 9 // WOR DL E S S R EC I PE C A R DS
91
89
87
86
88
90
92
{ POINTS OF EX PLOR ATION }
2
2
2
3
SU PR I YA K A L I DA S // M FA P ORT FOL IO
93 PROJ EC T N 째 9 // WOR DL E S S R EC I PE C A R DS
91
89
87
86
88
90
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
93 PROJ EC T N 째 9 // WOR DL E S S R EC I PE C A R DS
91
89
87
T H E R O A D L E S S T R AV E L E D L E A D S T O A B A R R E N D E S E R T L A I D W A S T E B Y FA L S E P R O M I S E S A N D G R E E D . B L AC K S M O K E S P I R A L S FR O M T H E WA S T EL A N D, A N D T H E A S H Y D U S T S E T T L ES O N T H E G R AV ES O F T H E I N N O C E N T. L I V E S C H A N G E D , S P I R I T S B R O K E N , A P E O P L E D E S T R O Y E D . G R I E F, S O R R O W A N D T H E U N S T O P PA B L E S TA C C AT O O F R I F L E F I R E A R E T H E O N LY R U L E R S O F T H I S D E S E R T L A N D . T H E H E A R T S
N째10 94
96
98
100
{ POINTS OF EX PLOR ATION }
G R O W N U M B A N D T H E M I N D S L O W LY G I V E S I N T O D E S PA I R .
SU PR I YA K A L I DA S // M FA P ORT FOL IO
{ M A S T E R S O F W A R } M A S T E R S O F W A R I S A 3 - C D C O M P I L AT I O N O F B O B DY L A N ’ S P R O T E S T S O N G S S PA N N I N G H I S L O N G A N D P R O L I F I C C A R E E R . T H E C H A L L E N G E W A S T O C R E AT E A C D PA C K A G E A N D LY R I C S I N S E R T U S I N G O N LY T Y P E . T H E R E S U LT I N G S O L U T I O N U S E S T Y P E A S I M A G E R Y. T H E C D I N S E R T D O U B L E S U P A S A P O S T E R . W H E N V I E W E D F R O M A D I S TA N C E , T H E W O R D WA R I S V I S I B L E I N T H E S T Y L E O F A STENCILLED PROTEST SIGN.
M A S T E R S OF WA R // C OU R SE: T Y P O GR A PH Y 3 // I NS T RUC TOR : BR I A N SI NGE R // DI M E NSIONS: 6 . 25 x 5 I N
101
99
97
95
94
96
98
100
{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
101 PROJ E C T N 째10 // M A S T E R S OF WA R
1
2
3
99
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95
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{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
101 PROJ E C T N 째10 // M A S T E R S OF WA R
99
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95
94
96
98
100
{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
BLOWIN’ IN THE WIND How many roads must a man walk down / Before you call him a man? / Yes, 'n' how many seas must a white dove sail Before she sleeps in the sand? / Yes, 'n' how many times must the cannon balls fly / Before they're forever banned? / The answer, my friend, is blowin' in the wind, / The answer is blowin' in the wind. How many times must a man look up / Before he can see the sky? / Yes, 'n' how many ears must one man have / Before he can hear people cry? / Yes, 'n' how many deaths will it take till he knows / That too many people have died? / The answer, my friend, is blowin' in the wind, / The answer is blowin' in the wind. How many years can a mountain exist / Before it's washed to the sea? / Yes, 'n' how many years can some people exist / Before they're allowed to be free? / Yes, 'n' how many times can a man turn his head, / Pretending he just doesn't see? / The answer, my friend, is blowin' in the wind, / The answer is blowin' in the wind.
THE TIMES THEY ARE A-CHANGIN’
And it's a
Come gather 'round people / Wherever you roam / And admit that the waters / Around you have grown / And accept it that soon / You'll be drenched to the bone / If your time to you / Is worth savin' / Then you better start swimmin' / Or you'll sink like a stone / For the times they are a-changin'. Come writers and critics / Who prophesize with your pen / And keep your eyes wide / The chance won't come again / And don't speak too soon / For the wheel's still in spin / And there's no tellin' who / That it's namin' / For the loser now / Will be later to win / For the times they are a-changin' Come senators, congressmen / Please heed the call / Don't stand in the doorway / Don't block up the hall / For he that gets hurt / Will be he who has stalled / There's a battle outside / And it is ragin'/ It'll soon shake your windows / And rattle your walls / For the times they
hard, and it's a hard, it'sa hard, and it's a hard / And it's a hard rain's a-gonna fall. Oh, what did you see, my blue-eyed son? / Oh, what did you see, my darling young one? / I saw a newborn baby with wild wolves all around it / I saw a highway of diamonds with nobody on it / I saw a black branch with blood that kept drippin' / I saw a
are a-changin'. Come mothers and fathers / Throughout the land / And don't criticize what you can't understand / Your sons and your daughters / Are beyond your command / Your old road is rapidly agin' / Please get out of the new one / If you can't lend your hand / For the times they are a-changin'. The line it is drawn / The curse it is cast / The slow one now / Will later be fast / As the present now / Will later be past / The order is rapidly fadin' / And the first one now / Will later be last / For the times they are a-changin'.
A HARD RAIN’S A-GONNA FALL Oh, where have you been, my blue-eyed son? / Oh, where have you been, my darling young one? / I've stumbled on the side of twelve misty mountains / I've walked and I've crawled on six crooked highways / I've stepped in the middle of seven sad forests / I've been out
room full of men with their hammers a-bleedin' / saw a white ladder all covered with water / I saw
thousand talkers whose tongues were all broken / I
guns and sharp swords in the hands of young childre And it's a hard, and it's a hard, it's a hard, it's a hard it's a hard rain's a-gonna fall.
Heard ten thousand whisperin' and nobody listenin' / H person starve, I heard many people laughin' Heard the
poet who died in the gutter / Heard the sound of a cl
cried in the alley / And it's a hard, and it's a hard
hard, it's a hard / And it's a hard rain's a-g
Oh, who did you meet, my blue-eye
in front of a dozen dead oceans / I've been
did you meet, my darling young on
thousand miles in the mouth of a graveyard /
young child beside a dead pony / I
101
99
97
95
PROJ E C T N 째10 // M A S T E R S OF WA R
man who walked a black dog / I met a young woman whose body was burning / I met a young girl, she gave me a rainbow / I met one man who was wounded in love / I met another man who was wounded with hatred / And it's a hard, it's a hard, it's a hard, it's a hard, It's a hard rain's a-gonna fall. Oh, what'll you do now, my blue-eyed son? / Oh, what'll you do now, my darling young one? / I'm a-goin' back out 'fore the rain starts a-fallin' / I'll walk to the depths of the deepest black forest / Where the people are many and their hands are all empty / Where the pellets of poison are flooding their waters / Where the home in the valley meets the damp dirty prison / Where the executioner's face is always well hidden / Where hunger is ugly, where souls are forgotten / Where black is the color, where none is the number And I'll tell it and think it and speak it and breathe it / And reflect it from the mountain so all souls can see it / Then I'll stand on the ocean until I start sinkin' / But I'll know my song well before I start singin' / And it's a hard, it's a hard, it's a hard, it's a hard / It's a hard rain's a-gonna fall.
times where men commit crimes / And crime don't have a face / We live in a political world / Icicles hanging down / Wedding bells ring and angels sing, clouds cover up the ground. We live in a political world / Wisdom is thrown into jail / It rots in a cell, is misguided as hell / Leaving no one to pick up a trail / We live in a political world / Where mercy walks the plank / Life is in mirrors, death disappears / Up the steps into the nearest bank. We live in a political world / Where courage is a thing of the past / Houses are haunted, children are unwanted / The next day could be your last / We live in a political world / The one we can see and can feel / But there's no one to check, it's all a stacked deck / We all know for sure that it's real. We live in a political world / In the cities of lonesome fear / Little by little you turn in the middle / But you're never why you're here / We live in a political world / Under the microscope / You can travel anywhere and hang yourself there / You always got more than enough rope. We live in a political world / Turning and a'thrashing about / As soon as you're awake, you're trained to take / What looks like the easy way out / We live in a political world / Where peace is not welcome at all / It's turned away from the door to wander some more Or put up against the wall.
en / / And
Heard one song of a
lown who
d, it's a
gonna fall.
ed son? / Who e? / I met a met a white
eyes look crazy / They're a-tuggin' at your sleeve / Your baby's eyes look crazy / They're
We live in a political world / Everything is hers or his / Climb into the frame and shout God's name / But you're never sure what it is.
THE BALLAD OF HOLLIS BROWN Hollis Brown / He lived on the outside of town / Hollis Brown / He lived on the outside of town / With his wife and five children / And his cabin fallin' down You looked for work and money / And
seven breezes a-blowin' / All around the cabin door / There's seven breezes a-blowin' / All around the cabin door / Seven shots ring out / Like the ocean's pounding roar There's seven people dead / On a South Dakota farm / There's seven people dead / On a South Dakota farm / Somewhere in the distance / There's seven new people born
a-tuggin' at your sleeve / You walk the floor and wonder why / With every breath you breathe The rats have got your flour / The rats have got your
We live in a political world / Love don't have any place / We're living in
I saw
baby's
/ Bad blood it got your mare
POLITICAL WORLD
I
smile Your
flour / Bad blood it got your mare If there's anyone that knows / Is there anyone that cares? You prayed to the Lord above Oh please send you a friend / You prayed to the Lord above / Oh please send you a friend Your empty pockets tell yuh / That you ain't a-got no friend Your babies are crying louder / It's pounding on your brain Your babies are crying louder / It's pounding on your brain Your wife's screams are stabbin' you / Like the dirty drivin' rain
SUBTERRANEAN HOMESICK BLUES Johnny's in the basement / Mixing up the medicine / I'm on the pavement / Thinking about the government / The man in the trench coat / Badge out, laid off / Says he's got a bad cough / Wants to get it paid off Look out kid / It's somethin' you did / God knows when / But you're doin' it again / You better duck down the alley way / Lookin' for a new friend / The man in the coon-skin cap / In the big pen / Wants eleven dollar bills / You only got ten Maggie comes fleet foot / Face full of black soot / Talkin' that the heat put Plants in the bed but / The phone's tapped anyway / Maggie says that many say / They must bust in early May Orders from the D. A. / Look out kid / Don't matter what you did / Walk on your tip toes / Don't try "No Doz" Better stay away from those / That carry around a fire hose / Keep a clean nose / Watch the plain clothes / You don't need a weather man / To know which way the wind blows Get sick, get well / Hang around a ink well / Ring bell, hard to tell / If anything is goin' to sell / Try hard, get barred / Get back,
Your grass it is turning black
write braille / Get jailed, jump
/ There's no water in your
bail Join the army, if you fail /
well / Your grass is turning
Look out kid You're gonna get
black / There's no water in
hit / But users, cheaters /
your well / You spent your
Six-time losers / Hang around
last lone dollar / On seven
the theaters / Girl by the
shotgun shells
whirlpool / Lookin' for a new
Way out in the wilderness / A cold coyote calls / Way out in the wilderness / A cold coyote calls / Your eyes fix on the shotgun / That's hangin' on the wall / Your brain is a-bleedin' And your legs can't
you walked a rugged mile / You looked
seem to stand / Your brain is
for work and money / And you walked
a-bleedin' / And your legs can't seem
a rugged mile / Your children are so
to stand / Your eyes fix on the shotgun
hungry That they don't know how to
/ That you're holdin' in your hand / There's
fool / Don't follow leaders / Watch
the parkin' meters Ah get born, keep warm / Short pants, romance, learn to dance / Get
dressed, get blessed /
S A U N T E R I N G A L O N G T H E S U N N Y AV E N U E S , A H O R D E O F H I D D E N FA C E S G R E E T M E . S M I L I N G , F R O W N I N G , G R I M A C I N G , Q U E S T I O N I N G . PAT I E N T, T E N D E R , M I R T H F U L , E A G E R . E Y E S T H AT W AT C H M E A N D L I P S T H AT P O U T, B R E AT H E N E W L I F E I N T O T H E I N A N I M AT E . I S I L E N T LY G R E E T T H E M , F O R T H E Y A R E M Y F R I E N D S , M Y C O M PA N I O N S A L O N G T H E J O U R N E Y O F M Y L I F E .
N째11 102
10 4 10 6
{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
{ M A K I N G F A C E S } M A K I N G FA C E S E M P L OY S A P L AY F U L F L A G B O O K S T R U C T U R E T O S H O W C A S E A C O L L E C T I O N O F Q U I R K Y FA C E S F O U N D I N E V E R Y D AY O B J E C T S , O F T E N I N L E A S T U N E X P E C T E D P L A C E S . T H E B O O K I S D I V I D E D I N T O T H R E E S E T S O F I N D I V I D U A L LY B O U N D PA N E L S W H I C H C A N B E M I X E D A N D M AT C H E D, T O C R E AT E A N E N D L E S S A R R AY O F FA C E S A N D E X P R E S S I O N S .
M A K I NG FAC E S // C OU R SE: BO OK A RT S // I NS T RUC TOR : M AC Y C H A DW IC K // DI M E NSIONS: 6.25 X 6.25 I N
10 7
105 103
102
10 4 10 6
{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
P R O J E C T N 째 11 // M A K I N G F A C E S
10 7
105 103
P R O J E C T N 째 11 // M A K I N G F A C E S
10 7
105 103
{ A T HESIS ST P O S I T IO N }
TAT E S YOU R { THESIS COMPONENTS }
{ M F A T H E S I S } A N T H E S I S P R O J E C T I S A W E I G H T Y, S E L F - D I R E C T E D P R O J E C T D R I V E N BY E X T E N S I V E
I D E N T I T Y + S TAT I O N E R Y
RESE ARCH, CRITICAL THINKING AND AN INFORMED POINT OF VIE W ON A TOPIC OF THE STUDENT’S
E X H I B I T I O N C ATA L O G
C H O I C E . I T I S A N O P P O R T U N I T Y F O R S T U D E N T S , N O T O N LY T O D E M O N S T R AT E T H E I R O W N A N A LY T I C A L
PROMOTION AL POSTERS
A N D D E S I G N S K I L L S , B U T A L S O T O E X P L O R E T H E P O W E R O F G R A P H I C D E S I G N A S A C O M M U N I C AT I O N
WEBSITE
T O O L T H AT C A N O F T E N T R A N S C E N D B A R R I E R S O F L A N G U A G E . C O N S E Q U E N T LY, T H E T O P I C S E X P L O R E D
E XHIBITION
A R E O F T E N S I G N I F I C A N T I N T E R M S O F U N I V E R S A L I M P L I C AT I O N S , Y E T A L S O D E E P LY P E R S O N A L . T H E T H E S I S P R O J E C T C U L M I N AT E S I N A V I S U A L A N D E X P E R I E N T I A L P I E C E T H AT E M B O D I E S T H E D E S I G N E R ’ S U N I Q U E V O I C E A N D P O I N T O F V I E W.
{ S H I F T I N G H O M E L A N D S } M Y T H E S I S P R O J E C T, S H I F TI N G H O M EL A N D S I S A N E X H I B I T A N D V I S U A L N A R R AT I V E T H AT U S E S T H E M E TA P H O R O F A M E R I C A N C U LT U R A L I C O N S A S A W AY T O U N D E R S TA N D A N D I N T E R P R E T A M E R I C A’ S I M M I G R A N T I D E N T I T Y. T H E E X H I B I T E X A M I N E S T H E P I V O TA L R O L E P L AY E D B Y I M M I G R A N T S I N T H E S H A P I N G O F A M E R I C A N C U LT U R E A N D W AY O F L I F E . B Y R E M I N D I N G U S T H AT A L L A M E R I C A N S A R E U N I T E D B Y A S H A R E D I M M I G R A N T H E R I TA G E , T H E E X H I B I T PAV E S T H E PAT H F O R A B E T T E R U N D E R S TA N D I N G O F A M E R I C A’ S U N I Q U E P O S I T I O N I N T H E W O R L D A S A N AT I O N O F N AT I O N S . T H E P R I M A R Y O B J E C T I V E O F T H E E X H I B I T I S T O C E L E B R AT E A M E R I C A’ S L O N G H I S T O R Y A S A N AT I O N O F I M M I G R A N T S , A N D T O PAV E T H E PAT H F O R A C O N T I N U E D C U LT U R A L E X C H A N G E B E T W E E N A M E R I C A N S A N D N E W I M M I G R A N T S , S O T H AT W E M AY C O N T I N U E T O B E T R U E T O O U R N AT I O N ’ S M O T T O, E P LU R I B U S U N U M – O U T O F M A N Y, O N E . T H E E X H I B I T I O N I S O R G A N I Z E D A R O U N D T H E T H E M E S O F F O O D , S P O R T A N D L A N G U A G E . T H E N A R R AT I V E I S C O N S T R U C T E D W I T H E M P H A S I S O N H I S T O R Y, FA C T S A N D S TAT I S T I C S A B O U T I M M I G R AT I O N I N T O A M E R I C A I N G E N E R A L , A N D S P E C I F I C A M E R I C A N C U LT U R A L I C O N S . T H I S I S A C C O M P L I S H E D U S I N G T H E M E D I U M O F I L L U S T R AT I O N , T E X T, P H Y S I C A L O B J E C T S A N D I N T E R A C T I V E D I S P L AY S . T H E P R I M A R Y TA R G E T A U D I E N C E I S A M E R I C A N S B E T W E E N T H E A G E S O F 2 0 – 4 0 . H O W E V E R , I T I S I M P O R TA N T T H AT T H E E X H I B I T B E A C C E S S I B L E T O P E O P L E O F VA R I E D S O C I A L A N D C U LT U R A L U P B R I N G I N G W H O C U R R E N T LY R E S I D E I N T H E U N I T E D S TAT E S .
110
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114
116
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13 0 132
13 4
136
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14 0 142
N°12
14 4
14 6 14 8
15 0
152
{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
T H E Y H AV E C O M E FR O M A L L C O R N ER S O F T H E W O R L D, BE A R I N G N OT H I N G BU T A FE W P O S S ES S I O N S A N D A G L I M M E R O F H O P E . T H O U G H T H E F A C E S H AV E C H A N G E D O V E R T I M E , T H E R E A S O N S R E M A I N T H E S A M E – F R E E D O M , L I B E R T Y A N D O P P O R T U N I T Y. A S T H E Y C R O S S B O R D E R S T H E Y F I N D T H AT N O T O N LY I S T H E I R O W N U N D E R S TA N D I N G O F T H E M S E LV E S T R A N S F O R M E D , B U T T H AT O T H E R S ’ R E A C T I O N S T O T H E M H AV E C H A N G E D A S W E L L . W I L L T H E Y E V E R B E AT H O M E H E R E ?
111 SH I F T I NG HOM E L A N D S // C OU R SE: M FA T H E SIS // I NS T RUC TOR S: PH I L H A M L E T T // DI M E NSIONS: VA R IOU S TOM SIEU M ICH A EL SA INATO
{ S H I F T I N G H O M E L A N D S } A S T E A DY S T R E A M O F I M M I G R A N T S H A S B E E N A N I M P O R TA N T S O U R C E O F A M E R I C A’ S C U LT U R A L V I TA L I T Y A N D D I V E R S I T Y. A M E R I C A H A S S O A K E D U P I N F L U E N C E S F R O M A L L O T H E R C U LT U R E S , B U T C R E AT E D S O M E T H I N G D I S T I N C T LY A M E R I C A N , W H I C H I S A S Y N E R GY O F A L L T H E VA R I O U S C U LT U R E S W I T H I N . S H I F T I N G H O M E L A N D S C E L E B R AT E S T H I S E S S E N T I A L P R O C E S S O F C U LT U R A L G I V E A N D -TA K E T H AT H A S M A D E A M E R I C A A U N I Q U E M I C R O S C O S M O F T H E W O R L D .
110
112
114
116
118
120
122
124
126
128
13 0 132
13 4
136
138
14 0 142
14 4
14 6 14 8
15 0
152
{ POINTS OF EX PLOR ATION }
SU PR I YA K A L I DA S // M FA P ORT FOL IO
PROJ EC T N 째12 // M FA T H E SIS: SH I F T I NG HOM E L A N DS
153
151
149
147
145
143
141
139
137
135
133
131
129
127 125
123
121
119
117
115
113
111
110
112
114
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{ I D E N T I T Y S Y S T E M } T HE FIN A L LOGO FOR SHIF TING HOMEL A NDS IS A S TA M P, TA K I N G I T S C U E F R O M T H E I M M I G R AT I O N S TA M P T H AT A P P E A R S O N A PA S S P O R T W H E N E V E R A B O R D E R I S C R O S S E D . T H E S TAT I O N E R Y I S H A N D S TA M P E D B E F O R E I T I S G I V E N O U T.
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{ E X H I B I T I O N C A T A L O G } A N E W S PA P E R I S T H E M A I N D I S P E R S E R O F N E W S A N D I N F O R M AT I O N A L L O V E R T H E W O R L D. I C H O S E T H E F O R M AT O F T H E N E W S PA P E R F O R M Y E X H I B I T I O N C ATA L O G B E C A U S E O F T H I S U N I V E R S A L I T Y A C R O S S C U LT U R E S . T H E C ATA L O G I S D I V I D E D I N T O F O U R S E C T I O N S – F O O D , S P O R T, L A N G U A G E A N D P E R S O N A L S T O R I E S .
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{ W E B S I T E } T H E W E B S I T E W A S D E S I G N E D T O H AV E A S M A N Y D I F F E R E N T P E O P L E I N V O LV E D W I T H T H E P R O J E C T A S P O S S I B L E . A PA R T F R O M C R E AT I N G AWA R E N E S S A B O U T T H E P R O J E C T A N D E X H I B I T, T H E W E B S I T E A L S O I N V I T E S P E O P L E T O J O I N T H E C O N V E R S AT I O N A N D S H A R E T H E I R I M M I G R AT I O N STORIES A ND E XPERIENCES.
THE PROJECT
J O I N T H E C O N V E R S AT I O N
ABOUT US
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C O N TA C T
THE PROJECT
J O I N T H E C O N V E R S AT I O N
ABOUT US
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C O N TA C T
THE PROJECT
J O I N T H E C O N V E R S AT I O N
ABOUT US
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THE PROJECT
C O N TA C T
THE ISSUE
J O I N T H E C O N V E R S AT I O N THE E XHIBIT
ABOUT US
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C O N TA C T
SPRE AD THE WORD
THE PROJECT PROJECT SUMMARY
THE ISSUE
Shif ting Homelands is an MFA thesis project aimed at better assimilation
Know the fac t s about the histor y of immigration in Amer ic a, and lear n how you c an get involved.
and quality of life for immigrants in America by facilitating a dialogue between immigrants and Americans. While much has been said about immigration policy and reform, ver y little is said about migrants as individuals, their relationships either within their own or with the host community, their value systems or their own views about migration. When people cross borders, not only are their own understandings of themselves and their surroundings
SHIF TING HOMEL ANDS E XPLORES THE ESSENTIAL ROLE PL AYED BY IMMIGR ANTS
SHIF TING HOMEL ANDS E XPLORES THE ESSENTIAL ROLE PL AYED BY IMMIGR ANTS IN TODAY ’S AMERICAN SOCIE T Y. BY REMINDING US THAT AMERICA IS A “NATION OF
IN TODAY ’S AMERICAN SOCIE T Y. BY REMINDING US THAT AMERICA IS A “NATION OF
IN TODAY ’S AMERICAN SOCIE T Y. BY REMINDING US THAT AMERICA IS A “NATION OF
NATIONS”, AND THAT ALL AMERICANS ARE UNITED BY A SHARED IMMIGR ANT
NATIONS”, AND THAT ALL AMERICANS ARE UNITED BY A SHARED IMMIGR ANT
Shif ting Homelands will create a platform for sharing stories and
HERITAGE, THE PROJECT AIMS FOR A BE T TER UNDERSTANDING OF IMMIGR ANT
HERITAGE, THE PROJECT AIMS FOR A BE T TER UNDERSTANDING OF IMMIGR ANT
HERITAGE, THE PROJECT AIMS FOR A BE T TER UNDERSTANDING OF IMMIGR ANT
individuals and small groups within a larger social context.
CULTURE AMONGST AMERICANS A S WELL A S TO RECONCILE THE IMMIGR ANTS’
CULTURE AMONGST AMERICANS A S WELL A S TO RECONCILE THE IMMIGR ANTS’
Supported by
0 0 0 0 0
RE A D MORE A BOU T T HE PROJECT
Sponsored by
Supported by
0 0 0 0 0
RE A D MORE A BOU T T HE PROJECT
Sponsored by
acceptance from the hosts.
personal testimonies of immigrants, highlighting the experience of
CULTURE AMONGST AMERICANS A S WELL A S TO RECONCILE THE IMMIGR ANTS’
E THNIC IDENTIT Y WITH THEIR NE W HOME. JOIN THE C ON V ER S ATION
The project is geared towards a better understanding of immigrant culture amongst Americans as well as to reconcile the immigrants’
E THNIC IDENTIT Y WITH THEIR NE W HOME. JOIN THE C ON V ER S ATION
Supported by
0 0 0 0 0
THE EXHIBIT Infor mation and news updates about the exhibit as and when it happens
transformed, but they find that others’ reaction to them has changed as well. Effective assimilation of immigrants can only be achieved by
NATIONS”, AND THAT ALL AMERICANS ARE UNITED BY A SHARED IMMIGR ANT
E THNIC IDENTIT Y WITH THEIR NE W HOME. JOIN T HE C ON V ER S AT ION
SHIF TING HOMEL ANDS E XPLORES THE ESSENTIAL ROLE PL AYED BY IMMIGR ANTS
ethnic identity with their new home.
RE A D MORE A BOU T T HE PROJECT
DO W NLOA D A PDF OF T HE SUMM A R Y
Sponsored by
0 0 0 0 0
SPREAD THE WORD Download our c ampaign br oc hur e, poster s and postc ar ds and help spr ead the wor d about the pr ojec t.
153
PROJ EC T N °12 // M FA T H E SIS: SH I F T I NG HOM E L A N DS
THE PROJECT THE ISSUE
J O I N T H E C O N V E R S AT I O N THE E XHIBIT
ABOUT US
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THE PROJECT
C O N TA C T
SPRE AD THE WORD
THE ISSUE
THE PROJECT :: THE ISSUE
1
A NATION OF NATIONS America has been witness to four centuries of immigration spanning a variety of scenarios. The one thing that unifies the 295 million people living in the United States today, save the Native Americans, is that at some point in the last millennium, they or their ancestors came here from someplace else in the
2
3
J O I N T H E C O N V E R S AT I O N THE E XHIBIT
ABOUT US
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in the hope of accumulating enough savings to return home and live comfortably, most immigrants come to stay with no greater goal than to be accepted as Americans.
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C O N TA C T
THE PROJECT
THE PROJECT :: SPREAD THE WORD
4
“America is a society of immigrants, each
This project is for immigrants as well as Americans throughout
6
A MOST EXOTIC FOOD
SHIFTING HOMELANDS / FINDING A COMMON GROUND
4
the United States.
equal footing. This is the secret of America;
AMERICA
Help spread the word about this project by downloading our
SALAD BOWL
WWW.SHIFTINGHOMELANDS.ORG
publicity campaign materials. You can distribute them among
A MOST EXOTIC FOOD
FOOD
WHAT IS AMERICAN FOOD REALLY? A STAGGERING DO WE TRULY OWN ANY TYPE OF FOOD?
Take pizza for example – isn’t it an import? When the Italians began to arrive on our shores and became an integral part of the melting pot, they brought their own foods, tastes, and spices. Garlic, olive oil, oregano, basil, pizza and pasta entered our diets.
93%
Pizza has become part of America’s diet. It is surely not the Neapolitan street food for the poor that it once was. The pizza is an apt metaphor for the immigration debate, framed in dough and cheese. Can a foreigner gain acceptance in America? Should we allow these tastes from foreign shores into our American stomachs? Foods introduced by immigrants have not only become a regular part of the American diet, but have become Americanized. From Taco Bell on the go, to different varieties of salsa in the supermarket, there’s some version of Mexican cuisine available in almost every community across the country.
CAN A FRIGHTENINGLY EXOTIC JAPANESE CONCOCTION OF SEAWEED STUFFED WITH STICKY RICE AND RAW CREATURES EVER FIND A MARKET IN OUR NATION? IT HARDLY SEEMS POSSIBLE UNLESS YOU THINK OF THE ONCE EXOTIC PIZZA.
AS WELL AS TO RECONCILE THE IMMIGRANTS’ ETHNIC IDENTITY WITH THEIR NEW HOME.
OF AMERICANS E AT
mantra crimson zombie avatar
old traditions who dared to explore new
You can also link to our website from yours through a text link or by using our web banner.
PIZZ A ATLE A ST ONCE A MONTH.
anchovy
alcove stampede ranch
DO YOU SPEAK
P O S TC A RD S (JPEG / PDF )
alkali barbecue alligator voodoo
P. 04
SPORTS
5
WWW. SHIFTINGHOMELANDS.ORG
SHIFTING HOMELANDS IS A PROJECT THAT EXPLORES THE ESSENTIAL ROLE PLAYED BY IMMIGRANTS IN AMERICAN SOCIETY. BY REMINDING US THAT AMERICA IS A “NATION OF NATIONS”, AND THAT ALL AMERICANS ARE UNITED BY A SHARED IMMIGRANT HERITAGE, THE PROJECT AIMS FOR A BETTER UNDERSTANDING OF IMMIGRANT CULTURE AMONGST AMERICANS
WHAT IS AMERICAN FOOD REALLY?
7
WWW. SHIFTINGHOMELANDS.ORG
SHIFTING HOMELANDS / FINDING A COMMON GROUND
FINDING A COMMON GROUND
A MULTICULTURAL
your friends and family or put up posters in your neigborhood.
frontiers...”
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C O N TA C T
P. 12
cruller plaza LANGUAGE
P. 18
WHAT MAKES SPORTS THE GREAT
WHAT MAKES AMERICAN ENGLISH
AMERICANIZER?
UNIQUE?
STORIES
P. 24
WHO, OR WHAT, IS A “RESIDENT ALIEN”?
ONE OF THE FIRST MAJOR FORCES FOR CHANGE IN THE AMERICAN DIET CAME FROM GERMAN IMMIGRANTS, WHOSE DISTINCTIVE EMPHASIS ON BEER, MARINADED MEATS, SOUR FLAVORS AND WURSTS WAS GRADUALLY ASSIMILATED
J O I N T H E C O N V E R S AT I O N _W W W. S H I F T I N G H O M E L A N D S . C O M
BROCHURE (PDF )
INTO THE MAINSTREAM AMERICAN DIET IN THE FORM OF COLE SLAW, HOT DOGS, DONUTS, AND HAMBURGER.
P O S T ER S (JPEG / PDF )
spread the word and direct traffic to our website.
“To know America, it is necessary to know why over 42 million people gave up their settled lives to start anew in a strange land. We must know how they met the new land and how it met them, and most important, we must know what these things mean for our present and for the future.”
SUBMIT YOUR STORY
JOHN F K ENNEDY, A Nation of Immigr ant s
What countr y did you or your ancestors immigrate from?
First Name
aims to create a dialogue between the immigrant population and the
WEB BANNER
To say goodbye to ever ything you have known and set off for another
1851 – 1860 Potato Famine
1861 – 1870 Land of Oppor tunit y
1871 – 1880 Religious Freedom
1881 – 1890 The Age of Steam
Many Irish flee to America to escape pover t y caused by the Potato blight.
Dissastisfied with lack of land and oppor tunit y, many Germans migrate to America.
Many Germans migrate to America to escape the Prussian Protestant rule.
Steamships spur a major wave of European immigration
C O N TA C T
the frustrations, hardships, discontents and ambitions that made and
Supriya Kalidas is a fellow immigrant and graphic designer with six years experience in the graphic design and visual communications industr y. She currently is working on earning a MFA in Graphic Design at the Academy of Ar t University. Supriya Kalidas was born and raised in Chennai, a coastal metropolis in the south of India. Af ter high school, she enrolled in the Graphic Design Interaction with students of varied cultural background from different corners of the countr y made the four years at NID a ver y valuable experience. Her time at NID lef t her with a restless eagerness to plunge intp the real world, and she worked for three years at prominent graphic design firms in India. Her most recent position was at Ray + Keshavan Design, which is par t of the WPP group. Though the learning was great, she yearned to share, experience and learn while being par t of a community built and bound by common interests and visions, yet
Why did you or your ancestors immigrate to the U.S.?
significant in terms of cultural diversity and personal histories. She decided to pursue a Masters degree in Graphic Design, and this ultimately led her to the Academy of Ar t University in San Francisco where she is currently enrolled as a full time student.
Your Stor y DO W NLOA D RE SUME
We are looking for stories from immigrants and Americans alike about the immigration experience. We would to hear about personal immigration experiences or those of your ancestors, your views about
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DESIGNER BIO
program at the National Institute of Design (NID) in Ahmedabad.
When did you or your ancestors immigrate to the U.S.?
continues to make America their destination.
0 0 0 0 0
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United States to each other and to themselves, and to remind Americans
The project will culminate in an exhibition (date and time TBD) that will
the world the immigrants lef t behind, the roots that defined them, and
immigration and what it means to be an immigrant in America.
0 0 0 0 0
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that they too are descendants of immigrants.
be open to the public.
linked to meaning systems of their own countr y. The project focuses on
B A NNER (JPEG)
1600 – 1850 African Slaver y
DOWNLOADS
Academy of Ar t University in San Francisco.
State
hosts through stories of a shared immigrant histor y.
countr y is a hear t-wrenching experience. Despite the immigrants’ effor ts
Forced migration into the United States
ABOUT US
The project was concieved out of a desire to introduce the people of the
City
to cope with their new home and setting, they cannot help but remain
1600s British Settlement
J O I N T H E C O N V E R S AT I O N
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SHIF TING HOMEL ANDS is an MFA Graphic Design Thesis Project at the Last Name
Email (this will be kept confidential)
Personal stories are the centerpiece of Shif ting Homelands. The project
DO W NLOA D A PDF OF T HE SUMM A R Y
Establishment of Jamestown.
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ABOUT US
You can also download the one page project summar y and help
A L E X IS DE TO CQUE V IL L E, exc er pt f r om A Nation of Immigr ant s
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THE PROJECT
JOIN THE CONVERSATION PUBLICITY CAMPAIGN MATERIALS
the United States. That’s pretty much ever yone who lives in
of whom had begun life anew, on an a nation of people with the fresh memory of
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FOOD
pursuit of freedom and opportunity. While many come mainly
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Terms of Use
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WEBSITE
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{ T H E E X H I B I T I O N } THE IDE A OF THE E X HIBIT WAS TO SHOWCASE THE M A JOR CON TRIBU TIONS M A DE BY IMMIGR A N TS TO M AINSTRE A M A MERIC A N C U LT U R E . F O R T H I S P U R P O S E , I C H O S E T H R E E M A J O R A R E A S – F O O D , S P O R T A ND L A NGUAGE. I WA N TED THE E X HIBITION TO BE MORE OF A N E X PERIENCE, W H E R E T H E P E O P L E AT T E N D I N G T H E E X H I B I T B E C O M E PA R T O F I T. I A L S O W A N T E D T H E E X H I B I T T O H AV E A S M U C H D I M E N S I O N A S P O S S I B L E , B E V E R Y INTER ACTIVE AND HANDS - ON.
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{ T H E C U L T U R A L M A R K E T P L A C E } THE MAIN GOAL OF THIS PROJECT AND E X H I B I T I S T O C E L E B R AT E A N D I N C R E A S E T H E C U LT U R A L G I V E - A N D -TA K E B E T W E E N A M ER I C A N S A N D N E W I M M I G R A N T S . T H I S T H O U G H T G AV E R I S E TO T H E I D E A O F A MARKETPL ACE AS A CENTER OF E XCHANGE AND A COMMUNIT Y HUB WHERE PEOPLE INTER ACT AND COME TOGE THER. THE E XHIBIT THEREFORE E VOKES THE S E N S E O F A C U LT U R A L M A R K E T P L A C E C O M P L E T E W I T H B I L L B O A R D S , S TA L L S , S T R E E T C O R N E R S A N D N E W S S TA N D S .
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A NATION of NATIONS ’0.31
1 IN 9
PEOPLE LIVING IN AMERICA TODA Y IS A FIRST - GENERATION IMMIGRANT
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WE ARE ALL IMMIGRANTS Shifting Homeland s is a visual na rrative that us e s the met aphor
The one thing that unifies the 30 0 million people
of Americ an cu ltural icons as a way to un der s t and an d interp ret
living in the United States today, is that at some point
Americ a’s immigrant i dentit y. This exhibit ex amine s the pivot al
in the last centur y, every one of us, or our ancestors
role play e d by immi grant s in sh aping Americ an cu lture and w ay
came here from someplace else. We are a society of
of li fe. A s a nation of immi grant s, the Un i t e d St ate s has b e en a
immigrants, each of whom has begun life anew, on an
re cipient as much as an ex p or ter of glob al cu lture. This exhibit
equal footing. Ever since the first English settlers
aims to p ave the p ath fo r a continue d cu ltural exchange b et we en
reached the New World, over 70 million people have
Americ ans and ne w immi grant s, s o that we may continue to b e
migrated to the United States.
true to our nation’s mot to, E Pluribus Unum – out of many, one.
A3
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231% 23. FROM ASIA
31.3% FROM MEXICO
13.0’
13.0’
THE CULTURAL MARKETPLACE
7.3 %
A TIMELINE OF IMMIGRATION NO RTH AMERICA
More so than at any period in history, the United
Anthropologists define culture as “the way of life for
into the mainstream to become potent symbols of our
SOUTH + CENTR AL AMERICA
States today is a nation of immigrants. America has
an entire societ y”. A steady stream of immigrants over
national identity. America has soaked up influences
color coded map on the right as a reference. You may ancestory.
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JOHN.F.KENNEDY, A N ATI O N O F I M M I G RA NTS
corner of the world, for a variety of reasons. Please
mark more than one region if you are of mixed
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THE FABRIC OF AMERICAN LIFE
People have migrated to the United States from every indicate your region of origin by placing the colored
FROM EUROPE
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EVERYWHERE, IMMIGRANTS HAVE
BY FAR THE HIGHEST IMMIGRANT POPULATION EVER RECORDED
WHERE ARE YOU FROM?
rings on the appropriate bar for your region. Use the
12.5 2. %
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ENRICHED AND STRENGTHENED
THE TOTAL NUMBER OF IMMIGRANTS IN THE UNITED STATES
AFRICA EURO PE ASIA AUSTR ALIA
seen a steady influx of immigrants from all over the
the last centur y has been an important source of
from all other cultures, but created something
globe. Prior to 1965, nine out of ten immigrants to the
America’s cultural vitality. Immigrants from all over
distinctly American, a hybrid culture which is the
U.S. were from Europe or Canada. Now, more than
the world have brought pieces of their native culture
synergy of all the various different cultures within. It
half come from Asia or Mexico. Though the faces
as a means of retaining their ethnic identity. Many of
is this process of give and take and assimilation that
have changed over time, the reasons remain the
these, like the pizza and apple pie have assimilated
has made America a microcosm of the rest of world.
same.
FROM SOUTH AMERICA
1600 s BRITISH COLONIAL E XPANSION 1600–1850 AFRICAN SL AVERY
1861–1890 IRISH + GERMAN REFUGEES 1891–1900 ITALIAN + AUSTRIAN PE ASANTS 1901–1910 RUS SIAN PO GROMS
1965–present ASIAN IMMIGR ANTS 1980–present ME XICAN IMMIGR ANTS
A4
A5
13.0’
8.0’
10.0’
A5
20.0’
13.0’
A4
6.6’
9.6’
18.0’
A1
13.0’
29.0’
30.0’
A2
A3
9.6’
FROM THE CARIBBEAN
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10.0’
9.6’
9 1% 9.1 FROM THE MIDDLE EAST
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20.0’
7,900,000 5% 3.5
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B3
67’
2 5’
B3
B4
B1
5.7’
5.7’
40’
8.0’
12’
7.5’
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8.0’
49’
B2
77’
60’
12.0’
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67.0
TO KNOW AMERICA, IT IS NECESSA RY THEIR SETTLED L IVES TO START ANE MET THE NEW LAND AND HOW IT MET WHAT THESE THINGS MEAN FOR O UR
{ T H E N E W F A C E O F A M E R I C A } T H E U N I T E D S TAT E S I S C U R R E N T LY E X P E R I E N C I N G T H E L A R G E S T WAV E O F I M M I G R AT I O N I N H I S T O R Y. T O D AY, O N E I N N I N E P E O P L E I N T H E U N I T E D S TAT E S I S A F I R S T G E N E R AT I O N I M M I G R A N T. T H I S N U M B E R I S O N LY G O I N G T O G E T H I G H E R I N T H E F O R E S E E A B L E F U T U R E A S T H E W O R L D C O N T I N U E S T O F L AT T E N . I T I S T I M E A M E R I C A N S R E C O G N I Z E T H E I R I M M I G R A N T H I S T O R Y A N D E M B R A C E T H E D I V E R S I T Y A N D C H A N G E T H AT I M M I G R A N T S U N W I T T I N G LY B R I N G W I T H T H E M .
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45.3’
Y TO KNOW WHY OVER 42 MIL LION PEOPLE GAVE UP EW IN A STRANGE LAND. WE MUST KNOW HOW THEY T THEM, AND MOST IMPORTANTLY, WE MUST KNOW R PRESENT AND FOR THE FUTURE.
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{ TH A NK YOU } A M M A , S U M A N T , P A A T I , T H A T H A : FOR THEIR UNCONDITION A L LOV E A N D F O R A L W AY S K E E P I N G M E I N T H E I R T H O U G H T S .
C A D D Y : FOR MAKING THIS WHOLE THING POSSIBLE AND FOR BEING THE VOICE OF RE ASON.
M Y F R I E N D S : W H O R U S H E D T O M Y R E S C U E I N S T I C K Y S I T U AT I O N S , W E R E A S O U N D I N G B O A R D F O R M Y I D E A S A N D F R U S T R AT I O N S , A N D N E V E R O N C E C O M P L A I N E D T H R O U G H I T A L L . R A N J I N I , G O M AT H I , L I A N A , G R E T C H E N , C H R I S T I N E , M A R I O N , B E T H , J A K E , I C O U L D N T H AV E G OT T EN FA R W I T H O U T YOU GU YS.
M Y T E A C H E R S : FOR HANDING ME THE TOOLS TO SHAPE MY IDE AS WITH, A N D M OS T O F A L L , FOR BELIE V IN G IN M Y A BILI T Y W HEN I LOS T FA I T H : M A R Y S C O T T, P H I L H A M L E T T, T O M S I E U , M I C H A E L S A I N AT O , H U N T E R W I M M E R , J E A N - B E N O I T L E V Y, M I C H A E L K I L G O R E , M A C Y C H A D W I C K , B R I A N SIN GER , BRO DY H A R T M A N , J EN NIFER S T ERLIN G .
ACK NOW LEDGEM EN TS
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