Beyond the Edge - 2018 CPP/SWA Urban Design Studio

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BEYOND THE EDGE WATER + URBANISM IN WUHAN, CHINA



BEYOND THE EDGE WATER + URBANISM IN WUHAN, CHINA SWA L AGUNA BEACH IN COLL ABOR ATION WITH

CALIFORNIA STATE POLY TECHNIC UNIVERSIT Y, POMONA: DEPARTMENT OF L ANDSCAPE ARCHITECTURE AND IN ASSOCIATION WITH

HUAZHONG UNIVERSIT Y OF SCIENCE & TECHNOLOGY: SCHOOL OF ARCHITECTURE & URBAN PL ANNING


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FOREWORD By Sean O’Malley

Most Chinese cities are river cities, evolving over thousands of years along the edges of waterways, linked thru trade to other cities, countries, and continents. The action was at the water’s edge where goods were packed up and unloaded, business thrived, and village gossip exchanged. The edge was the lifeblood of daily existence.

As new transportation technologies emerged over time, these edges lost their energy; boulevards, railways, and levees separated the rivers from the community. Formerly vibrant industries became abandoned and waterfront villages forgotten, leaving larger rivers and smaller canals to slowly become polluted and inoperative.

This studio explores the notion of rediscovery, rebirth, and reconnection. How do we reconnect a city of 7 million to the river? How do we protect citizens against rising floods, improve water quality, and celebrate a forgotten culture? How do we utilize a canal as an integral piece of open space within an established university?

Beyond the Edge investigates the edge condition as a model of adaptive density; a location that reaches back into the city as much as it pulls out from the city. The work exhibited here is dedicated to forecasting landscape-based strategies that address ecological, cultural, social, and design issues that complicate the future of urban development. We believe that future land-use and landscape systems must combat climate change and ecological and economic erosion. In order to accomplish this feat, new possibilities must be imagined, natural and cultural systems must be perfected, and the edge must be redefined.

Beyond the Edge Foreword

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TABLE OF CONTENTS 5

Foreword

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Table of Contents

40-43 44-45

Wuhan Workshop Montage Shanghai Exploration Montage

ANALYSIS BACKGROUND 10-11 12-13 13-14 15-16 17-18 19-20

Credits SWA + CPPLA Urban Design Studio Project Brief + Syllabus Tasks + Deliverables Huxi River Team Profiles Yangtze River Team Profiles

48-51 52-55

Precedent Studies Figure Ground Studies

PROJECTS Project 1 - Huxi River Site 58-75

Huxi Revival

76-93

Forest Campus

94-111

Blend

PROJECT FRAMEWORK 24-25

Project Context

26-27 28-29

Project 1 - Huxi River Site Project 1 - Site Photos

30-31 32-33

Project 2 - Yangtze River Site Project 2 - Site Photos

FIELD TRIP 36-37 38-39

Site Visit, Urban Design Workshop, and Contextual Research Schedule of Events

Project 2 - Yangtze River Site 112-129

Woven Islands

130-147

Wuhan, City of Memory

148-167

The Nexus

IC

Studio Photo

Beyond the Edge Table of Contents

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BACKGROUND CREDITS URBAN DESIGN STUDIO PROJECT BRIEF + SYLLABUS TASKS + DELIVERABLES TEAM PROFILES

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CREDITS STUDIO INSTRUCTOR

SPECIAL THANKS

Andrew O. Wilcox, Professor + Department Chair

Michal Woo, Dean - College of Environmental Design Jenkins Shannon, Senior Director of Development

Dean Huang Ning, Dean Meng Jianjun, Dean Rang Yumin, Dai Fei, Lu Zhou, Ji Donglan, Huang Yaping, Mark Merkelback, Jonnu Singleton, Elvis Wong, Diane McGill, Margaret Leonard, Dawn Perkins, Fran Hegeler, Julie Eakin, David Fischer-Militaru, Marlon Theilacker, and Wenrui Zhao

SWA TEAM

STUDIO PARTICIPANTS - CPPLA

Sean O’Malley, Managing Principal Pavel Petrov, Associate + Studio Coordinator Xiao Zheng, Principal Andrew Watkins, Principal Natasha Harkison Evan Lee

Christopher Valenzuela Patricio Yrizar Bin Nakatani Shelby Herbel Bessy Barahona Hyunji Kim Amy Chen Danqing Sun Pablo Hinojosa Ho Sun Chau

ADMINISTRATORS

PARTNERSHIPS Huazhong University of Science & Technology Wuhan Planning & Design Co., LTD. Wuhan City Flood Control Survey & Design Institute Wuhan Landscape Planning & Design Academy Green Earth Operations

ART DIRECTION + EDITOR Pavel Petrov

PUBLICATION + PRESS INQUIRIES Press@swagroup.com Copyright © 2018 by SWA Group. All rights reserved. No part of this book may be reproduced in any form or by any means, without written permission from the publisher.

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Rosa Mendoza Nermeen Aboudawood Grisol Ramirez Gustavo Coronilla Alvin Alvarez Kenneth Rodgers Eric Hunter Jesus Aguirre Galina Novikova Dwen-Dwen Wang

STUDIO PARTICIPANTS - HUST Zhao Wenrui Liu Congyi Wu Chen Huang Yinzhe Xiao Oscar Lv Yingrong Rong Huaiyu Deng Ying Chen Lay Luo Lu Yang Lu Yin Chujun

Li Hongling Wang Yanan Xu Wenfei Fang Junting Wei Liangjing Yin Zhiyi Yang Yu Xu Jingshuang Wang Yunda Ma Fujing Liu Xiaomeng Xu Jinwen


DONORS PLATINUM LEVEL Tom Donnelly + Brightview GOLD LEVEL Victor Pais + MM Cite David Fischer-Militaru + Pierre Landscape SILVER LEVEL Berliner Bison Innovative Products Buzon id metalco Scofield Quickcrete Products Rainbird Shaw & Sons | Shaw Construction AckerStone D.L. Cunningham BRONZE LEVEL Belgard Chaparral Coast Recreation Coldspring David Silverman & Associates Dynamo Playgrounds Forms + Surfaces Glasir Design Landscape Structures SiteOne Sweeney & Associates Hunter Industries Modern Outdoor Tri-C Natural Soilutions Tnemec Netafim USA

INVESTMENT IN THE FUTURE In order to proceed with an Internationally focused design studio, Cal Poly Pomona required one condition. SWA was tasked with raising funding for students to embark on a field trip to visit the project areas and cultural sites, as well as participate in a workshop with students and faculty from Huazhong University of Science & Technology. SWA reached out and asked our industry partners to invest in the future, referring to the next generation of practitioners and students. Donations were provided to successfully fund the studio thanks to the generous group of vendors, contractors, and designers listed to the left. Their incredible support allowed for a 10-day excursion to China to visit Wuhan and Shanghai, an experience that won’t be forgotten. On behalf of SWA, Cal Poly Pomona, and all the students from the 2018 SWA Studio, we want to issue a special thanks to all the donors that made this remarkable collaboration possible. Thank you.

Beyond the Edge Background - Credits + Donor Recognition

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SWA + CPPLA URBAN DESIGN STUDIO THE HISTORY OF SWA For six decades, SWA has been recognized as a world leader in landscape architecture, planning, and urban design. Our projects, located in more than 60 countries worldwide, have garnered over 800 awards, and many of our principals are widely acknowledged as among the industry’s most innovative and experienced designers and planners. After emerging in 1959 as the West Coast office of Sasaki, Walker Associates, the firm became the SWA Group in 1975. Although SWA is one of the largest firms within the industry, we’ve organized ourselves into smaller studio-based offices to enhance creativity and client responsiveness. Historically, over 75 percent of our work has come from repeat clients. SWA has had the opportunity to work with some of the world’s most renowned public and private sponsors of projects, and some of the world’s most talented architects, engineers, and related professionals. Our work is fueled by a deep appreciation for nature and for the beauty of natural systems. We are also inspired by the complexity of human-made systems and the interactions they influence. Our projects have become recognized for their visionary

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aesthetics, exceptional functionality, and keen understanding of social design, as well as their emphasis on environmental sustainability. At SWA’s core is a passion for imaginative, solution-oriented design that adds value to land, buildings, cities, regions, and people’s lives.

URBAN DESIGN Successful urban design encompasses the infrastructure of an urban environment, synthesizing buildings, streets, corridors, and natural systems into a cohesive, fully functional, and aesthetically unified whole. SWA has designed new cities, districts, neighborhoods and waterfronts, as well as the specific components of urban environments, including plazas, parks, promenades, and urban streetscapes. As designers with a sophisticated understanding of the urban landscape, we are particularly adept at integrating nature into cities using the available resources as the foundation and framework from which livable, high-density environments can flourish. SWA’s international reputation in urban planning and design has evolved from our history of successful projects.


PARTNERSHIP SWA is pleased to partner with Cal Poly Pomona’s Department of Landscape Architecture for the 5th consecutive year in order to explore significant water + urbanism possibilities in Wuhan, China. This project has tremendous commercial, cultural, and environmental potential, which creates the perfect laboratory for students to test ideas within the urban context through various planning and design approaches. The 2018 SWA Studio is particularly unique among previous collaborations due to the funding contingency placed by the University in order to pursue an international studio project with a field trip component. SWA reached out to industry partners and successfully choreographed the funding of international travel for all twenty of our students and studio instructor. This privileged experience will be documented and donors recognized in the forthcoming pages. Our program provides students with an opportunity to learn and grow rapidly in a high stakes and fast moving environment. The obtain real-world design experience and get exposure to SWA’s process and design approach.

At SWA, we see this studio as a great way to explore innovative and exciting design ideas that reinvigorate our practice and strengthen our connection with academic research. Working with the University ensures that our ideas are fresh, original, and at the cutting edge of the design profession. We hope this collaboration will allow us to grow as designers, further developing our ideas and design thinking while challenging students to develop their design abilities and philosophy. The overarching goal of this course is to empower students with an expanded personal knowledge base, further develop and expand skill sets and provide an opportunity to examine deeper personal values of design. The course is designed to provide students a design collaborative experience that includes the sharing of mutual learning experiences, and to ensure that all students share an understanding of the roles of architecture and landscape architecture as their actions affect and design for ecological processes, diverse cultural contexts, and built systems. The course also seeks to reinforce issues of professional collegiality, mutual respect and collaboration.

Beyond the Edge Background - SWA + CPPLA Urban Design Studio

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PROJECT BRIEF + SYLLABUS PROJECT BRIEF The Department of Landscape Architecture at Cal Poly Pomona partnered with SWA Laguna Beach and Huazhong University of Science & Technology (HUST) on an academically rigorous and collaborative cross-cultural urban design studio. The intent of this studio project is to provide Chinese and American landscape architecture students the opportunity to work together to produce an urban design project that is local in practice but global in its example. This project is directly guided by the collaborative effort of CPPLA faculty and the experienced staff of SWA. The students were grouped into six teams to explore impacts of differential water bodies on the adjacent urban context. Three groups focused on a large waterfront site and the other three focused on an intimate canal site. The large waterfront site rests along the banks of the Yangtze River and the canal site is nestled between the urban fabric along East Campus of HUST.

ABOUT WUHAN Wuhan, China is a conglomeration of three cities that sit on the middle banks of the Yangtze River. With a population of more than 10 million residents, Wuhan is the largest city in central China and holds the position as capital city of Hubei province. The city is recognized as the political, economic, financial, cultural, educational, and transportation center of central China. Wuhan is a traditional trading center for central China. The city’s strategic position on the Yangtze River at the confluence with the Han River, has facilitated its growth

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as a significant trading crossroads with connections in all directions and the way to the Pacific Ocean. It is a city characterized by transportation; railways, roadways, expressways, canals and the Yangtze river. Wuhan has also been a significant industrial center for central China where local coal and iron ore deposits have developed a significant steel industry and automobile manufacturing. Building upon this foundation of trade and industry, Wuhan is currently positioning itself to become a more significant leader in modern industrial change and development as maintains a strategic position as a hub for distribution. Wuhan is now actively developing new manufacturing development in the areas of opto-electronic technology, pharmaceutical, biology engineering, new material industry, sustainable technologies and environmental protection. Wuhan’s GDP in 2015 ranked 1st in major cities in Central China and 8th among 100 major cities in China. Recent massive flooding incidents have caused extensive damage and made clear that a new approach to civic, economic and environmental infrastructure is necessary in this current era of climate change. Wuhan has been identified by the Central Government to be one of 16 pilot cities to be developed as a Sponge City. This government led initiative places a central focus on an integrated green infrastructure approach to hold, clean and drain water, especially storm water, through natural process. This climate responsive and adaptive approach seeks to make the city more resilient, reduce economic and environmental damage, while also invigorating the space and life of the city.


SYLLABUS Beyond the Edge: Water + Urbanism in Wuhan The LA 402L SWA|CPPLA project will look beyond the edge as a significant economic but spatially thin urban condition. Most waterfront development looks outward, towards the water, where the inescapable attraction is clear. The studio will explore the edge condition as a model of thickness and adaptive density; a location that reaches back into the city as much as it pulls out from the city. Edges in natural systems are the most diverse, they are the locations where ecotones emerge; locations where ecologies, habitats and species comingle and adapt in unimagined ways. The project seeks to develop projects that embrace the history of trade, the industrial strength of an educated workforce and the recognition of necessary resilience into an environmentally integrated urban development model. The Beyond the Edge studio project will focus on two scales of waterfront projects and seek to build upon the local context while exploring new directions in urban waterfront development. The studio will research, plan and execute ideas of a locally derived urbanism that reflect the emerging trends in an ecologically grounded, intermodal, vertical, mixed-use and sustainably integrated driven development. Each of the projects will explore the edge as a condition of urban linkage that functions to deeply connect and radically adapt the city.

The studio will begin forecasting landscape-based strategies and conceptualizing high-performing frameworks to address ecological and cultural issues challenging the future of human habitation. Current and future land-use systems will be approached as diverse and hybrid ecologies formulated to combat climate change, cultural dilution, biological diversity, awareness and economies. New possibilities will be modeled, economic ecologies will be proposed and territories will be formed through adaptation and informed speculation. This research period will explore Wuhan’s economy, ecology, future opportunities, and case studies in city-building. The studio will discuss future trends in mobility, transit, retail environments, residential, office, and environmental infrastructure. A focus on visual communication and argument development will be key to all phases, including diagrams, sketches, plans, modeling of proposed building massing, transportation systems, and a deep sense of the quality of the public realm. This course will utilize the University’s learn-by-doing philosophy as a primary method of instruction. This approach will blend theory with real application through the execution of short term assignments, exercises, individual critiques, field trips, lectures by faculty and guests will be amongst the means of instruction.

Beyond the Edge Background - Project Brief + Syllabus

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PRECEDENT STUDIES Urban Design “Kit of Parts� that organizes Buildings, Landscapes, Transportation, and Land Use associated with the practices of Urban Design. These documents emphasize diagrammatic design communication with an emphasis on application and benefits.

TASKS + DELIVERABLES LA 402L is an immersion into a design environment requiring both individual and group efforts in creative design explorations. The studio will be composed of both team and individual design projects. Teams will also have international student partners that are expected to be directly engaged in the projects.

FIELD TRIP + PROJECT SITE VISIT The Studio will travel to China for a 10-day trip to visit the project site in Wuhan, participate in a design workshop and charette, begin developing their projects in collaboration with their crossuniversity teams and ultimately visit cultural sites in Shanghai.

The studio aims to create a collaborative learning environment in which students can engage in the issues critical to the studio and the broader discipline of Landscape Architecture. The learning tasks are designed to maximize learning for the entire class as well as provide a basis for evaluation of performance throughout the course. Specific Requirements and formats are assigned for each assignment and include individual as well as team efforts to complete tasks. This spread provides a general description of the requirements associated with this course:

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PROJECT POSITIONING AND PRODUCTION SWA will be providing weekly project and design review, desk critiques to develop and position each project, lectures and overall guidance regarding the advancement and production of each project.


FIGURE GROUND STUDIES + TYPOLOGIES

MAPPING + INVENTORY / ANALYSIS

Exploration of the basic public space elements of urban design and the formation of a public realm in direct relationship to water, architectural program and resultant building type. The Figure ground describes the grain of each location.

This inventory expresses an individual point-of-view of the unique potential and opportunity of the site. Students will utilize these drawings as a means to research the systems of the place and connect the relationships of the site as a vision for development.

DESIGN WORKSHOP

URBAN DESIGN FRAMEWORKS

Students will collaborate with students and faculty of Huazhong University of Science & Technology, SWA and all faculty during a five-day urban design workshop. The workshop is intended to provide quick vision to their project ideas while working in China.

Students will propose large-scale frameworks that focus on typological development, ecological infrastructure, transportation and circulation systems, and phasing considerations. Each project will visualize systems and infrastructures of proposed development.

PROJECT NARRATIVE

DESIGN JOURNAL

Each phase of the project includes writing requirements. The focus of these is on brevity and clarity. The writing is expected to provide the outline for the narrative development of the project and serve as the body text for the team publication.

A design journal will be developed by each team throughout the studio. This journal will include each phase of the project as chapters/articles and document the entire process of design and collaboration.

Beyond the Edge Background - Tasks + Deliverables

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HUXI RIVER TEAM PROFILES

HUXI REVIVAL

KENNETH RODGERS

PABLO HINOJOSA

PATRICIO YRIZAR

DWEN-DWEN WANG

This class has shown me that the Suburban Sprawl has to be redeveloped into the Urban Densification. Miles of travel should be transformed into minutes of walking or even seconds of cycling. Urban massing and localization of function and program might be the answer to reshaping our overdeveloped and land consuming sequestration. Thank you to SWA, and all the sponsors for providing me a great learning opportunity and a once in a lifetime experience.

My area of focus in Landscape Architecture is in ecological restoration projects and community based designs that serve underprivileged areas. I am fascinated with the role that ecology plays in an urban environment not only as infrastructure, but as a means of coalescing culture and natural biological systems. I also like peanut butter cookies.

My name is Patricio Yrizar and I’m twenty-three years old. I was born in Queretaro, Mexico. I grew up along my brother in a family of four, we loved to be outdoors and move around which led us to do activities that allowed us to be ourselves, so we joined sports. My passion towards the observed and its identity has made me look into the field of Landscape Architecture, a profession that has me realize how much more I can accomplish by learning from it.

Environmental design introduced me to the science and art behind hidden details. Its complex character has sparked my curiosity beyond this field. My interests often shift from one topic to another; yet, it all ties back into design. I am grateful to have stumbled upon landscape architecture, as it had turned the rest of my life into a never-ending learning experience. It allows me to explore art and philosophy while serving an impact to a critical and growing field that demands support and advocacy.

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FOREST CAMPUS

GALINA NOVIKOVA

BESSY BARAHONA

JESUS AGUIRRE

Galina enjoys feeling unbounded in her work. She intentionally takes risks and seeks new opportunities to grow and learn from her projects and life experiences. Her work is fueled by conceptual thought processes and ephemeral qualities. Growing up in a city like New York, Galina feels passionate for public space and artistic mediums that articulate the human experience and natural phenomena. In her travels abroad she has begun to appreciate public transit systems, regional planning and analysis.

Bessy grew up in a small town in El Salvador where her love for nature and outdoor spaces took root. She has always held a strong fascination for art, architecture and landscapes that evoke deep emotions. After attending community college, she transferred into the Landscape Architecture program. The program has enriched her appreciation of design and it has inspired her to continually stretch her ideas and concepts to create functional yet aesthetically appealing spaces.

Jesus was born in Guanajuato, Mexico. He Moved to the U.S. at the age of three and grew up in Ontario, California where he attended Chaffey High School. While attending college, Jesus began a new hobby with a club named Meals for Mankind, which is a group of students who volunteer in community centers, who provide food and shelter for people in need. Such experience helped him fully understand what it means to give back to the community and help him grow more as an individual.

BIN NAKATANI

HO SUN CHAU

GUSTAVO CORONILLA

Coming from a different country, the experience I had in California has definitely helped shaping my philosophy and perspectives on the idea of Landscape Architecture. Cal Poly Pomona has provided me with a new comprehension of Landscape Architecture. The experiences and understanding of the field at Cal Poly Pomona have only expanded my interest in the profession. I believe that the flexibility of the field allows it to be a continuum that blends the various ideas into the continuously changing environment.

Nicholas Chau is a Landscape Designer and Photographer. During his 4 years in Landscape Design, Nicholas explored different scales of design and different mediums to portray design ideas. Currently, Nicholas is focusing on a better connection between the artistic expression and the scientific problem-solving, his motto for Landscape Design is “Have Fun and Creativity will come to you.�

Cal Poly Pomona has enforced my academic curiosity in landscape architecture. My curiosity for landscape architecture and environmental design has grown over the course of my time in college. The field of landscape architecture is a vast multifaceted profession and I am very passionate about the role landscape architecture has in environmental justice. I feel landscape architecture can not only help me advocate for what I believe in, but landscape architecture can also make me the catalyst for change.

BLEND

Beyond the Edge Background - Huxi River Team Profiles

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YANGTZE RIVER TEAM PROFILES

WOVEN ISLANDS

ALVIN ALVAREZ

ERIC HUNTER

GRISOL RAMIREZ

ROSA MENDOZA

I was brought to landscape architecture through a combined interest in art history and engineering. Lately my interests have also turned towards advocacy and mapping; representing and collaborating with underserved communities as well as providing maps and analysis to assist in long term planning.

I am currently pursuing a BS in Landscape Architecture. I have designed Award Winning Rose Parade Floats where we took a design build approach to the process. I have studied engineering including thermodynamics, fluid dynamics, and multi-variable calculus which gave me a great understanding behind how things work. A perfect job for me would be where I can create.

I always enjoyed drawing and as I grew up I realized that I can leverage my skills and passion into Landscape Architecture. This major has taught me a set of skills that have challenged me as a designer. As a fourth year currently in Cal Poly Pomona I have designed in a variety of ways to understand and experiment new ways of gathering and enhancing spaces. I believe that landscape architecture is the answer the challenges in spaces that are not used significantly, whether it be in boundaries, spaces or corners.

I am interested with the ideas about gathering and creating unity between the public. I came into this major with curiosity, not knowing what to expect. But I grew interested with the way the fabric of landscape design works. This soon turned into a passion in landscape architecture after realizing the power and function this career has towards my personal life and the way design in landscape can have an impact in a community.

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WUHAN, CITY OF MEMORY

DANQING SUN

AMY CHEN

HYUNJI KIM

My interest in Landscape Architecture is that every project can be a unique story. I enjoy understanding each place and developing the story through a designer’s eye. I create a space based on my understanding and make it a place. People might experience it differently, and those differences continue the story.

I lived and travelled to many places across the world. Much of those observations around my living environment influenced my design interests and helped me to understand many cultures that are so different yet similar in some ways. In almost everything I explore, I look for differences and conflicts of ideas. It is rather challenging to find the harmony within contradictions. But that is exactly how our environment and human minds are. And landscape architects make places for them.

Creating place rather than space is important to me. Space is simply defined as three directional voids. Place is connected to people’s experience of the environment and other elements like personal stories. Once every element is interwoven, it reflects individual’s unique inner landscape. I am always questioning about how i can design a place that lives in people’s memory and how to connect people to a place where they feel their time, turning minutes into hours and days into years on a personal level.

THE NEXUS

NERMEEN ABOUDAWOOD SHELBY HERBEL

CHRIS VALENZUELA

Design is a form of poetry. Designers are given two elements: tools and context. When these elements are applied, poetry unveils. Living in countries such as the United States, Lebanon, Egypt, and Dubai, and visiting many other countries, helps her understand the importance of narrative design. Conflicting languages might create barriers but when a designer is given the right tools and context, they can prove that design is a global language.

Chris has always had great curiosity about his surroundings. He constantly wonders where things come from, how they work, and why they are here. He has grown interest in how landscape functions to better the health and safety of the environment and how people feel and experience the stories a landscape is telling. The similarities between design and music have brought Chris much joy in how they both can tell stories, make people feel, and provide an opportunity to have an outburst of the soul.

I believe that landscape architects need an excellent understanding of context, and an intuitive understanding of the value of place. I have a strong curiosity and want to work at the edge of the discipline, pushing landscape architecture to the forefront of the built environment where I believe it belongs. Through landscape and urban design, we are capable of bridging barriers within development by bringing together sustainability, ecology, and architecture, all within the public realm.

Beyond the Edge Background - Yangtze River Team Profiles

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PROJECT FRAMEWORK PROJECT CONTEXT PROJECT 1 - HUXI RIVER SITE SITE PHOTOS PROJECT 2 - YANGTZE RIVER SITE SITE PHOTOS

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CITY OF WUHAN

HUBEI PROVINCE, CHINA

PROJECT SITE 2

YANGTZE RIVER

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PROJECT CONTEXT

DONGHU LAKE

EAST LAKE

PROJECT SITE 1 HUXI RIVER

Beyond the Edge Project Framework - Project Context

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PROJECT 1 HUXI RIVER SITE

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HUXI RIVER SITE Site Area - 127.8 HA (315.7 AC) The project site is situated within the eastern portion of the Huazhong University of Science & Technology campus to the south of the East Lake. A dense forest sets the eastern edge restricting development while a major arterial to the west disconnects the site from the main campus. Many undeveloped (and rundown developed) parcels weave along each side of a dilapidated and toxic looking Huxi River. A need for densification and modernized infrastructure is apparent along with remediation efforts. Many design opportunities exist to elevate the campus.

Beyond the Edge Project Framework - Project 1 - Huxi River Site

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Beyond the Edge Project Framework - Project 1 - Site Photos

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PROJECT 2 YANGTZE RIVER SITE

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YANGTZE RIVER SITE Site Area - 103.4 HA (255.5 AC) The project site is situated along Second Wuhan Yangtze River Bridge in Wuhan. An underutilized linear park stretches along the waterfront but remains separated from the inland village due to transportation infrastructure (roadway and train tracks). Defunct rail lines enter the open space terminating at a fairy station. This location used to consist of significant trade with train cars loaded onto ships at the docks to cross the river and for shipping up and down stream. The site has an opportunity to be a catalyst for new development and subsequently community.

Beyond the Edge Project Framework - Project 2 - Yangtze River Site

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Beyond the Edge Project Framework - Project 2 - Site Photos

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FIELD TRIP SITE VISIT URBAN DESIGN WORKSHOP CONTEXTUAL RESEARCH SCHEDULE OF EVENTS WUHAN WORKSHOP MONTAGE SHANGHAI EXPLORATION MONTAGE

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FOLLOW THE STUDIO ON INSTAGRAM

#SWA2018WUHAN 36


FIELD TRIP - 10 DAYS IN CHINA URBAN DESIGN WORKSHOP + SITE VISIT On January 18-28, 2018 the studio took a field trip to Wuhan’s Huazhong University of Science & Technology to participate in an urban design workshop to explore the future of waterfront development in Wuhan, China. For the the CPPLA students, the trip helped build a deeper cultural awareness and sensitivity to the climate, ecology, history and customs of Wuhan, Hubei province and the Yangtze river watershed. The trip included project site visits, meetings with site representatives, meetings with local design institutes, and a 5-day workshop that concluded with HUST and CPPLA students formally presenting their projects to numerous government agencies. The trip was concluded with a brief trip to Shanghai, Suzhou and Tongli to explore numerous historical and contemporary precedents to inform each group’s project.

This extremely unique opportunity, an experience beyond all previous academic experiences, will provide the ability for direct engagement in an urban design workshop and site visit. This trip has been made possible by the generous support of numerous donors, the staff of SWA and the collaborative partnership of the faculty and leadership of Huazhong University of Science & Technology, Wuhan, China. During this trip, the 20 students of the LA 402L SWA|CPPLA studio will be collaborating with 20 students from our host and partner at Huazhong University in a workshop that will provide the analog experience to current international practices. The collaborative teams of students will be tasked with looking ‘Beyond the Edge’ to address sustainability, climate change, transportation, and urbanization along the edges of river and waterfront in Wuhan.

Beyond the Edge Field Trip - Site Visit, Urban Design Workshop, and Contextual Research

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SCHEDULE OF EVENTS January 19-28, 2018 Friday 1/19 Arrival Day; Campus Orientation and Check-In. Workshop Introduction and International Team Organization: CPPLA and Huazhong University students broken into teams. Saturday 1/20 Wuhan City Visit - Contextual Research A series of visits to sites of significant cultural value to provide general background and context for the project. Students are expected to be on time and ready with sketchbooks and cameras. •East Lake •Yellow Crane Tower •Guiyuan Temple Complex •Hubei Provincial Museum •Wuhan Botanical Garden •Yangtze River Bridge

•Hubu Alley Markets •Hanjie Wand Square; UN Studio •Modern Industrial Museum; Daniel Libeskind •Wanda Movie Park; Stufish •Wuhan Garden Expo Park

Sunday 1/21 Project Site Visits + Formal Group Introductions •Site 1 - Huxi River •Site 2 - Yangtze River Workshop Kick-off with formal group introductions of all participants and stakeholders involved in the studio. Monday 1/22 - Wednesday 1/24 Urban Design Workshop •Visioning and Big Ideas •Project Development and Positioning •Final Presentations + Awards •Group Farewell Dinner Thursday 1/25 Travel Day to Shanghai Friday 1/26 - Saturday 1/27 Shanghai City Visit - Contextual Research •Nanjing Road (Peoples park to the Bund) •Fosun Foundation and Bund Finance Centre; Heatherwick Studios and Foster+Partners •Yuyuan Gardens •Shanghai World Financial Center; Kohn Pedersen Fox •Shanghai Tower, Gensler •Jing’an Temple •M50 Art District •1000 Trees; Heatherwick Studios •1933 Slaughterhouse Adaptive Reuse (Laochangfang) •Suzhou Museum, I.M. Pei •Humble Administrators Garden •Tongli Sunday 1/28 Departure Day; Flights back to Los Angeles.

Beyond the Edge Field Trip - Schedule of Events

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Beyond the Edge Field Trip - Wuhan Workshop Montage

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Beyond the Edge Field Trip - Wuhan Workshop Montage

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Beyond the Edge Field Trip - Shanghai Exploration Montage

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ANALYSIS PRECEDENT STUDIES FIGURE GROUND STUDIES

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PRECEDENT STUDIES This project emphasizes diagrammatic design communication of the specific morphology of the precedents as formed by the conditions of context. This project serves as the basis of the studio-wide understanding of the basic public space elements of urban design and the formation of a public realm in direct relationship to water in addition to understanding the architectural program and building type. The Urban Design “Kit of Parts” includes Buildings, Landscapes, Transportation, Land Use, and Organizational Types. Each of these precedents have been researched and diagramed in response to the studio discussion along with the questions and themes outlined in the syllabus.

WATER AS CONTEXT

WATER AS FRONT

Building type and organization in relationship to water. Role of water in organization of pattern and form.

Resilience strategies. Program distribution and circulation strategies. Connections back into the city.

•The Barbican, London, England •Borneo-Sporenburg, Amsterdam, Netherlands •Fuzhou Vanke City, Fuzhou, China •Bo01, Malmö, Sweden •Offenbach Harbour, Offenbach, Germany •Vathorst - De Laak, Amersfoort, The Netherlands

•San Antonio Riverwalk, San Antonio, Texas •Madrid Rio Park, Madrid, Spain •Chicago River Front, Chicago, Illinois •Rhone River Front, Lyon, France •Toronto Waterfront, Toronto, Canada •Dania Park, Malmo, Sweden

WATER AS AMENITY OR THEME

WATER AS INFRASTRUCTURE

Water use and source. Public interaction.

Ecological services and structural organization. Circulation and program.

•Postdamer Platz, Berlin, Germany •Cheonggycheon, Seoul, South Korea •Place de la Bourse, Bordeaux, France •Mesa Center for the Arts, Mesa, Arizona •Canal City, Japan •Schwabinger Bach and Eisbach, Munich, Germany

•Buffalo Bayou, Houston, Texas •Tanner Springs Park, Portland, Oregon •Liupanshui Minghu Wetland Park, Liupanshui City, China •Guadalupe River Park, San Jose, California •Brooklyn Bridge Park, New York, New York •Sherbourne Common, Toronto, Canada

•Featured Precedent Studies

Beyond the Edge Analysis - Precedent Studies

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50


Beyond the Edge Analysis - Precedent Studies

51


52


UTRECHT, NETHERLANDS [Featured to the Left] Utrecht is a city in the central Netherlands that has been a religious center for centuries. It has a medieval old town, canals, Christian monuments and a venerable university.

FIGURE GROUND STUDIES The Figure Ground exploration of the basic public space elements of urban design and the formation of a public realm in direct relationship to water, architectural program and resultant building type provided a basis for comparison between Wuhan and various water-adjacent communities and cities around the world. These comparison points inform the studio of building footprints and dimensions, block structure, road layout, and the relationship between the water edge and the urban fabric.

AMSTERDAM, NETHERLANDS

ANNECY, FRANCE

BANGKOK, THAILAND

Amsterdam is the Netherlands’ capital, known for its artistic heritage, elaborate canal system and narrow houses with gabled facades, along with cycling which is key to the city’s character with numerous bike paths.

Annecy is an alpine town in southeastern France, where Lake Annecy feeds into the Thiou River. It’s known for its Vieille Ville (old town), with cobbled streets, winding canals and pastel-colored houses.

Bangkok, Thailand’s capital, is a large city known for ornate shrines and vibrant street life. The boat-filled Chao Phraya River feeds its network of canals, flowing past the Rattanakosin royal district.

Beyond the Edge Analysis - Figure Ground Studies

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BIRMINGHAM, ENGLAND

BRUGES, BELGIUM

CAPE CORAL, FLORIDA

Birmingham is a major city in England’s West Midlands region, with many Industrial Revolution-era landmarks and home to a network of canals, many of which radiate from Sherborne Wharf.

Bruges, the capital of West Flanders in northwest Belgium, is distinguished by its canals, cobbled streets and medieval buildings. Its port, Zeebrugge, is an important center for fishing and European trade.

Cape Coral is a city in southwest Florida, known for its many canals. Home to manatees, Sirenia Vista Park has kayak routes to Matlacha Pass Aquatic Preserve, where birds wade amid mangroves.

JIANGSU, CHINA

ST. PETERSBURG, RUSSIA

STOCKHOLM, SWEDEN

Jiangsu is a coastal Chinese province north of Shanghai.

St. Petersburg is a Russian port city on the Baltic Sea. It was the imperial capital for 2 centuries, having been founded in 1703 by Peter the Great. It remains as Russia’s cultural center.

Stockholm, the capital of Sweden, encompasses 14 islands and more than 50 bridges on an extensive Baltic Sea archipelago. Ferries and sightseeing boats shuttle passengers between the islands.

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DUBAI, UNITED ARAB EMIRATES

EL GOUNA, EGYPT

HAMBURG, GERMANY

Dubai is a city and emirate in the United Arab Emirates known for luxury shopping, ultramodern architecture and a lively nightlife scene. A series of artificial islands just offshore include Atlantis and The Palm.

El Gouna is a modern resort town on Egypt’s Red Sea, near Hurghada. It’s built along the shore and on small islands, and is known for its lagoons, coral reefs and sandy beaches.

Hamburg, a major port city in northern Germany, is connected to the North Sea by the Elbe River. It’s crossed by hundreds of canals, and also contains large areas of parkland.

VENICE BEACH, CALIFORNIA

VENICE, ITALY

XOCHIMILCO, MEXICO

Known for its bohemian spirit, Venice is a buzzing beach town with upscale commercial and residential pockets. A picturesque enclave of canals is surrounded by modernist homes.

Venice, the capital of northern Italy’s Veneto region, is built on more than 100 small islands in a lagoon in the Adriatic Sea. It has no roads, just canals including the Grand Canal thoroughfare .

Xochimilco is one of the 16 mayoralities within Mexico City. The borough is centered on the formerly independent city of Xochimilco, which was established on what was the southern shore of Lake Xochimilco in the pre-Hispanic period.

Beyond the Edge Analysis - Figure Ground Studies

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PROJECTS PROJECT 1 - HUXI RIVER SITE HUXI REVIVAL FOREST CAMPUS BLEND PROJECT 2 - YANGTZE RIVER SITE WOVEN ISLANDS WUHAN, CITY OF MEMORY THE NEXUS 57


58 HUXI REVIVAL


HUXI REVIVAL PROJECT 1 - HUXI RIVER SITE

Huxi Revival - Huxi River Projects - Cover

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HUXI REVIVAL

HUXI RIV.IVAL

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THE RIVER IN THE PAST We walked the entire edge of Huxi River documenting, and sketching what we thought were moments lost in the unmonitored expanse of the surrounding environment. Construction debris and runoff littered the edge of what appeared to be a stream, but a stream choking from affluent of algae during its shallow trickle through the university. That didn’t stop local guerilla agriculture from flourishing on its edges like invasive vegetables. Every accessible terrace was opportunely planted by locals trying to exploit what water they did have. We interviewed local farmers, predominantly old, who spoke to a time where there was no disconnect. They weren’t seen as illegal before the land around them was bought up and profiteered. We realized there was a neglected importance behind the Huxi River to the community. We realized part of that disconnect did not stem solely through construction, but water quality concerns as well. The stormwater runoff, sewage runoff, and other unfiltered contaminants freely flow into the existing canal.

Huxi Revival - Huxi River Projects - The River in the Past

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HUXI REVIVAL

METHODOLOGY We came to the conclusion that it all starts with changing the canal. First, we implement a new grid system focused on directing the campus to the waterfront. By doing so, we develop a clear center of the campus. This center allows for the manipulation and massing of buildings to face the canal and speak to each other. The grid creates a matrix of needed density lacking from the current unpronounced campus layout and intimacy with Huxi River’s historical context. Second, we integrate water filtration to maximize the amount of water, whether through ground or inlet, through phytoremediation. The current water filtration plan will clean water from river outlets, which does not address surface runoff. Therefore, the future plan will incorporate rain gardens, green roofs, green walls, and bioswales to capture, clean, and filter the water before it reaches the Huxi River.

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Condense

Shift

Flood

Walking distance

River-facing

Campus connection

Vehicular

Pedestrian

Boardwalk

Huxi Revival - Huxi River Projects - Methodology

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HUXI REVIVAL

THE RIVER IN THE PAST

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THE RIVER IN THE FUTURE

Huxi Revival - Huxi River Projects - Past vs Future

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HUXI REVIVAL

WATER RELATIONSHIPS

Boardwalk + Bridge + Island

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A

Residence

Classrooms

B

A

Run-off filtration

B

Huxi Revival - Huxi River Projects - Water Relationships

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HUXI REVIVAL

LAND USE

Commercial Commercial Mix-use Low Density Residential High Density Residential Classroom/Labs Sports Field Open Space Water

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BUILDING TYPES

High Density Residential

Low Density Residential

Commercial Mix-use

Commercial

Classroom/labs

Towards River

Huxi Revival - Huxi River Projects - Land Use + Building Types

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HUXI REVIVAL

LANDSCAPE TYPES

70

Plaza

Habitat

Residential

Canal

Lake

Pool


BRIDGE TYPES

Island

Under

Between

Above

Huxi Revival - Huxi River Projects - Landscape + Bridge Types

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HUXI REVIVAL

THE RIVER IN THE FUTURE By expanding and contracting the water edge it allowed for different opportunities to harness the canal when its narrow and deploy programming in the areas that it expanded. A reoriented circulation was derived out of the new grid that was implemented. The clear connection to the east and west ends of campus created a lateral movement for visitors to reach the river from any part of the campuses. A clear connection of travel from north to south provided a connection to the east lake as a terminus and draw movement from the northern and southern ends of the campus and surrounding community. The restructured routes allowed for the forest to creep into the rest of the campus creating a blurred edge of the natural forest and the constructed encroachment. Building massing was placed along the water’s edge to draw attention and activation from the surrounding communityto the Huxi River. Our land use and programming acts as the binding that helps hold the community together and creates a sense of place discovered through sustainability, ecology and recreation.

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Mountain East Lake

Forest Middle School

Campus Core

Huxi Revival - Huxi River Projects - Illustrative

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HUXI REVIVAL

RESIDENCE EXPERIENCE

COMMERCIAL CORE

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RESIDENCE VIEW

PEDESTRIAN EXPERIENCE

Huxi Revival - Huxi River Projects - Experiences

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76 FOREST CAMPUS


FOREST CAMPUS PROJECT 1 - HUXI RIVER SITE

Forest Campus - Huxi River Projects - Cover

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FOREST CAMPUS

FOREST CAMPUS

CONTEXT Located in one of the most spectacular natural areas of Wuhan and the Huazhong university of science and technology (HUST), the East Campus is adjacent to the remaining fragmented forest, carved by flooding events for centuries from nearby lakes and rivers. For thousands of years, these massive landforms have been broken down even further, defining the fragmented forest that remains along the Huazhong university of science and technology (HUST). From west to east, the campus is also fragmented, there is limited access and connection from all corners of the campus. In addition, non-university residential towers and commercial development has begun to fragment the institutional facilities. The fragmentation caused by development and present day landform, is most obvious when observed the site in a regional scale. The adjacent east lake, a large ecological amenity to the region provides an opportunity for unification, bringing the forest, the west and east campus, and flooding bodies of water to the university core and thus well-being for faculty and students.

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PAST LANDFORM PRESENT LANDFORM

Forest Campus - Huxi River Projects - Context

79


SITE ANALYSIS CULTURAL AND REGIONAL CONTEXT

FOREST CAMPUS

STAIRS STAIRS

STAIRS SCENIC PATH

HARD EDGE+PEDESTRIAN ACCESS

GRASS VEGETATION+TRASH

STAIRS

HARD EDGE+PEDESTRIAN ACCESS

SOFT EDGE+VEGETATION

CANAL AND LAKE EDGE CONDITIONS

FLOODING CULTURE

PROJECT STATEMENT The East campus is an integral part of the university at large. However the lack of mobility, and connections between the West and East campuses impacts the lives of students and faculty daily. By acknowledging a culture that has lived with consequences of the monsoon season for centuries, the Forest Campus aims unite the fragmented by bringing the forest, the lake edge and the campus to a central axis, creating a core of wellness.

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MIXED EDGES


CULTURAL IMPRESSIONS

FOREST CULTURE

Focusing on the well being of students, and faculty and considering existing issues about circulation, public spaces, water treatment and a rising water line, the Forest Campus will re-define the future of HUST, one that embraces the ecology, culture and the resilient values of the people who use the spaces. The Forest Campus proposal aims to revitalize the East campus of HUST by reconnecting, embracing and de fragmenting the existing layers of the East campus fabric.

Forest Campus - Huxi River Projects - Site Analysis

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FOREST+WATER+CAMPUS

FOREST CAMPUS

CONVERGENCE+UNIFICATION

The Forest Campus proposal addresses the fragmentation of in the campus and the landscape by creating a dialog of fragmented landscape and development. Addressing the different issues that the East campus faces the Forest Campus proposal embraces the culture water and forest at the same time it puts students, faculty and residents wellbeing first.

In order to treat the polluted water of the Huxi River and address the flooding issue terraced wetlands are distributed in the lake edge and the canal as well as elevated paths for pedestrian and bicycle use. To address the lack of open spaces, new green spaces at the edge of the lake, and surrounding areas are added. The new forest would create a dialog between buildings and landscape where people wellness is at the core.

Initial concept

We proposed a core development of institutional buildings that provide different services. In addition a surrounding development that mainly focuses in housing and mix-used facilities.

Conntecting the West and East campus.

Expanding lake edges for views and recreation.

Bringing the forest into the campus.

Convergence of Water, Forest and Campus

82


EXISTING CONDITIONS

PROPOSED CONDITIONS

The existing conditions of the HUST East campus show different layers of fragmentations that are addressed by the Forest Campus proposal. A new dialog between each layer is added to create connection and wellness

Housing and Institutional development

CANTINES BUS STOPS PRIMARY CIRCULATION SECONDARY CIRCULATION OPEN SPACES WATER

Circulation and cantines

FOREST OPEN SPACES WATER

FOREST OPEN SPACES

Open spaces

WATER

Open spaces

FOREST INSTITUTIONAL RESIDENTIAL WATER

Campus landuse distribution

CANTINES AND COMMERCIAL INSTITUTIONAL DISTRICTS HOUSING DISTRICTS FOREST OPEN SPACES WATER

Landuse distribution

FOREST OPEN SPACES WATER FLOW DIRECTION CANAL WATERFLOW DIRECTION

Huxi River and water flow

BUS STOPS TRAM STOPS PRIMARY CIRCULATION SECONDARY CIRCULATION TRAM CIRCULATION

SOFT EDGES

WATER

HARD EDGES WATER

Huxi River and Lake edges

Circulation

Forest Campus - Huxi River Projects - Forest + Water + Campus

83


WEST CA M P US FOREST CAMPUS

EAST LAKE

84 1

4 3 5

2

6

7


MASTER PLAN 1

EAST LAKE ACCESS

2

WELLNESS CENTER

3

PATH OF LOTUS

4

URBAN CANAL

5

FOREST RECREATION

6

RESIDENTIAL CANAL

7

GRAND CANAL EXISTING BOUNDARY GIVEN

FOREST PARK

Forest Campus - Huxi River Projects - Illustrative

85


TYPOLOGIES+ STRATEGIES

FOREST CAMPUS

EDGE CONDITION + FOREST ARCHITECTURE

The development would respond to the existing forces of forest, water and program in addition to the orientation and views to open spaces and the lakes.

TREE HOUSE

SKY FOREST

EAST LAKE CONNECTION | FLOODWALL SUMMER

LAKE CIRCULATION | REACHING LOTUS SUMMER

URBAN STREAM | WATER FEATURE SUMMER

LAKE ACCESS | ACTIVATED EDGE WINTER

LAKE CIRCULATION | GEOMETRIC LOTUS WINTER

URBAN STREAM | ACCESSIBLE CANAL WINTER

FOREST CLASSROOM SOFT EDGE | CANAL PATHWAYS SUMMER

86

SOFT EDGE | CANAL AS PATHWAY WINTER


DISTRICTS HIGHLIGHTS LAKE EDGE+WELLNESS CENTER+FOREST HOUSING

Forest Campus - Huxi River Projects - Typologies + Strategies and District Highlights

GRAND WALK

INTIMATE EDGES + CROSSINGS

LOTUS PATHWAY

Forest Housing

TREE-HOUSE LIVING

Wellness Center

WELLNESS CENTER

LOW-RISE LIVING

ACTIVATED FOREST EDGE

BRIDGE FOR ACCESS

East Lake and Huxi River Edge

87


EAST LAKE + FOREST BRIDGE PARK

FOREST CAMPUS

EAST LAKE ACCESS + MIXED USE DEVELOPMENT

With adjacently to the East Lake and nearby forest fragment to the north, the east lake development strategy is intended to extend beyond the campus edge for greater views to ecological amenities and lake edge recreational access for students and faculty.

EAST LAKE

To the north of the site, remains the original vehicular circulation, transformed into a bridge, creating access below the bridge to nearby existing green spaces. When entering the mixed-use commercial district from the north east entrance, a park below the bridge emerges along with access to the flood wall walk surrounding buildings at the edge. This floodwall was designed to withstand the flood and rise in water levels. During the highest of water levels, the floodwall disappears meeting the edge of the water sinuously, creating the effect of a submerged building and forest. Bringing the viewer to the cafe below the bridge, creates an intimate spectacle to the east lake. The cafe sits on a sweeping form and is engulfed by a sweeping forest. Various views can be experienced from bridge pathways and a central elevated pathway that connects both side of the lake edges. The Forest Bridge Park invites users to become close with the edge, embracing flood conditions with spectacular views.

88

BRIDGE

MIX IIXED IXE XED XED ED U US USE SE SE

E

500’

1000’


FOREST LAKE EDGE

Forest Campus - Huxi River Projects - East Lake + Forest Bridge Park

89


WELLNESS CENTER+LOTUS LAKE

The proposed Lotus Lake sits at the intersection of an axis, central to the university’s core. It’s design intention is to bring and promote wellness; for the health of the body and minds of students and faculty.

LN

ES SC

EN

TE

R

LLOTUS OTU LAKE

EL

The east campus is disconnected from the classrooms and academic facilities at the west side of the lake and the recreational areas at the east side due to flooding events. Green spaces surrounding the lake were under-utilized. We propose connections to the west campus and around the lotus lake to connect both sides of the lake and create efficiency from classroom to classroom.

W

FOREST CAMPUS

UNIVERSITY CORE + WELLNESS

The wellness center would offer a range of programs to ease university stress and pressure, while pulling viewers closer to the edge of the lake, specifically to be near the magnificent blooming lotus in summer. Elevated paths encircle the lake weaving in and out of the edge. These paths provide more options for students to move from the recreational area to their classrooms and would be functional year around . An elevated path that crosses the forest, circulates around the wellness center providing access to all corners of the campus. This elevated path accommodates mobility during the wet and dry seasons and experiential qualities of walking through the forest.

90

500’

1000’


REACHING LOTUS

Forest Campus - Huxi River Projects - Wellness Center + Lotus Lake

91


FOREST HOUSING

FOREST CAMPUS

INTIMATE EDGES + SOCIAL WELL-BEING

The Residential district, south of university core, is where intersections of intimate canal edges and student faculty housing meet. Next to forest housing, is the Grand Walk, connecting the east campus residential district back to the west campus with an ecological greenway. Residential forest building typologies are embedded within the forest and newly proposed canals. Buildings with balconies and glass materials open up housing life to the forest ambiance. The social atmosphere is heightened by newly developed pathways and interactive spaces along canal edges. Multiple canals were introduced into the site to relieve the existing canal of rising water levels and damage. The new canals trace drainage patterns while providing access for students and faculty with extruded walkways along housing corridors and canal edges. Soft and hard edges along the canal emerge, defining new experiences for the individual walking home from class. Social interactions are promoted through new pathways and edge conditions. Connections are made through balcony dwelling, walks through the forest, stairs along canals and pocket park green spaces in between housing units to promote such social activity.

92

STUDENT UDEN NTT HOUSIN N H HO O OUSING OUS OU U USIN SING SN

500’

1000’


FOREST NETWORK

Forest Campus - Huxi River Projects - Forest Housing

93


94 BLEND


BLEND PROJECT 1 - HUXI RIVER SITE

Blend - Huxi River Projects - Cover

95


SCROLL ANALYSIS

BLEND

The traditional Chinese garden is originated from scroll painting. Our group decided to follow the trace back to scroll painting and through our own observation, scroll painting generally highlight five elements in the paintings. They are: Nature, Community, Intimacy, Revealing and Ecology. The word Nature is interpreted as the landscape in the painting is often depicted whether subtle or bold. Some Chinese paintings will focus solely on the landscape itself, with small people as a sense of scale and a compliment. Chinese long scroll painting is often used to showcase a scene in towns with the community interacting with each other; these paintings also show the intimacy in scale of the ancient Chinese towns and also reveal certain elements that are nowhere to be found nowadays, such as the normality of animals running around freely in markets. Last but not least, Ecology is often a big topic in Chinese paintings as some paintings even solely focus on the relationship between an animal and a portion of a tree.

96


SCROLL PHILOSOPHY Further research in the history and philosophy of the Chinese Scroll Painting, we discovered that Chinese painting, Chinese garden and Chinese Philosophy all comes to a common agreement that Humans relationship with each other, with nature and with flora and fauna is the most important component for us. The relationship with Nature is Man’s relationship with Land and Water, how they react, interact and how emotions are triggered or expressed through land and water, the thinking is similar to Landscape Architecture.

Blend - Huxi River Projects - Scroll Analysis and Philosophy

97


BLEND

APPLYING THE CONCEPT TO THE SITE As our group found out the flooding problem is severe, we decided to turn it into an opportunity, making water the driving force of our design. Focusing on solving Water, by give in to water. Creating more area for water to flow into, allow the land to interact more with the water, and also allow water to be a prominent experience in the users’ life. After precisely creating more interaction of water with human, the community bond and human’s bond with nature shall emerge within.

98


EXISTING SITE ANALYSIS

EXISTING SITE ANALYSIS

EXISTING POLLUTION ANALYSIS

Blend - Huxi River Projects - Applying the Concept and Existing Site Analysis

99


BLEND

Existing Water bodies

100


existing node density

higher congestion

proposed node dispersion

higher capacity

Existing Node Density

Proposed Node Dispersion

Pedestrian Vehicular Existing Circulation

Proposed Water bodies

Blend - Huxi River Projects - Analysis

101


BLEND

PUBLIC PRIVATE

PROPOSED PUBLIC AND PRIVATE OPEN SPACE

102


WETLAND

PARK

LOTUS POND

COURTYARD

PROPOSED OPEN SPACE PROGRAMMING

Blend - Huxi River Projects - Proposed Open Space + Programming

103


BLEND

CHECK DAM

BARRAGE

NEW HUXI RIVER MAIN CANALS STREET CANALS

PROPOSED CANALS, DAMS & BARRAGE

104


BUILDING FORM IN RELATIONSHIP TO GREEN SPACE & BUILDING FORMS Blend - Huxi River Projects - Illustrative

105


BLEND

CONDENSE

BREAK DOWN REFORMING BUILDING FORMS

106


EXISTING BUILDING FORMS

PROPOSED BUILDING FORMS

Blend - Huxi River Projects - Diagrams and Scroll Perspective

107


108 BLEND


Blend - Huxi River Projects - Scroll Perspectives

109


110 BLEND


Blend - Huxi River Projects - Scroll Perspectives

111


112 WOVEN ISLANDS


WOVEN ISLANDS PROJECT 2 - YANGTZE RIVER SITE

Woven Islands - Yangtze River Projects - Cover

113


WOVEN ISLANDS

CONCEPT

Observing the geography of Wuhan, we noticed to distinct types of edges. One was a push-and-pull-like form of the lakes, encouraging a much stronger relationship between the city and the waterfront. Additionally at a larger scale we noticed that along with the more literal islands within Wuhan, the lakes and river massed together began to form larger isolations of land where much of the city has formed. Looking at our railyard site specifically, we noticed to distinct barriers; one dividing the river to the park and one dividing the park to the city. In an effort to bring this richer relationship to the Yangtze River into our site, we began reflecting this islands idea not only onto the edge of the river, but also into the urban fabric itself. We pushed and warped the edges on both sides of the park and in some instances even perforated it so that park begins to bleed into city at various moments.

114


PARK AS BARRIER

PUSHING AND PERFORATING THE BARRIER

Woven Islands - Yangtze River Projects - Concept

115


WOVEN ISLANDS

MASTER PLAN

116


circulation

CIRCULATION

scale: 1/16” = 1’ - 0”

STREETS TO ISLANDS

connection streets to park

pedestrian access to islands

scale: 1/16” = 1’ - 0”

roads connected to the area

main street

ENTRANCE TO ISLANDS

scale: 1/16” = 1’ - 0”

ISLANDS MANIPULating road

Woven Islands - Yangtze River Projects - Master Plan

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WOVEN ISLANDS

LAND USE

118


ISLAND VOIDS

Woven Islands - Yangtze River Projects - Land Use and Island Voids

119


RIVERFRONT ISLAND

WOVEN ISLANDS

ECOLOGY

RIVERFRONT ECOLOGY

120


RIVERFRONT PROGRAMING

Woven Islands - Yangtze River Projects - Riverfront Island

121


WOVEN ISLANDS

COMMERCIAL PROGRAMING

122


CIRCULATION

COMMERCIAL ISLAND DYNAMIC HUMAN SPACE

Water Show

Water Jets

Ice Skating

Live Concerts

Woven Islands - Yangtze River Projects - Commercial Island

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WOVEN ISLANDS

EDUCATION ISLAND EDUCATIONAL

124


EDUCATIONAL + ECOLOGY

Woven Islands - Yangtze River Projects - Education Island

125


LAKE - WATER FILTRATION 1 2 3

WOVEN ISLANDS

4

5

7

6

Water Collection

1

126

Aggragate Settling

2

Subsurface Filtration

3

Heavy Metal Removal and Bio-Purification

4

Pathogen Removal and Bio-Purification

5

Aeration and Biological Purification

6

Clean Water Impoundment

7


LAKEFRONT ISLAND WATER FILTRATION

Woven Islands - Yangtze River Projects - Lakefront Island

127


WOVEN ISLANDS Woven Islands is an idea meant to soften the edge of the Yangtze riverfront park, while reflecting the island imagery onto both the littoral and urban edges of the park. This helped us envision a cohesive and distinct grain to the city. Our project has a unique potential in its focus on large portions of open space integrated into the urban fabric. The original purpose of this proposal was to reintroduce community scale spaces into the city. These islands would not only provide some ecological relief from dense urbanism but also an opportunity to build stronger relationships within a neighborhood. This idea went further by utilizing certain set programs that would also help give back to the neighborhoods, such as schools museums, and a water reclamation plant. The potential growth within a portion of a city and how to accommodate that growth through building form and layout was subject to several points of enhancement within our project. Woven Islands is our proposal and it is a concept that builds upon its unique potential strengths; small scale community building, ecological, environmental relief, and direct connection from the city to the waterfront.

128


Woven Islands - Yangtze River Projects - Narrative and Perspective View

129


130 CITY OF MEMORY


WUHAN, CITY OF MEMORY PROJECT 2 - YANGTZE RIVER SITE

City of Memory - Yangtze River Projects - Cover

131


CITY OF MEMORY

PIER

RAIL ALLEY

132


ECONOMIC STRENGTH

COMMUNITY COHESION

The identity of Wuhan is clearly unique but is at the verge of loss as the urban developments came in. The cultural richness is diminishing, and memories are slowly forgotten. Little is there to remind people of how Wuhan first became an important trade point and advanced city in China. It was meant to be. Interestingly, the geological feature, shallow riverbed, forced ships to terminate and build piers on the river banks of Wuhan. Exchange occurred near the pier, settlements expanded, and a culture emerged. As the world continued to advance, rail was built, and alleys were full of everyday activities of people. The life, routine, and memory passed on for generations yet may be fragile at this critical time of fast our changing world. Our vision for the city of Wuhan is to continue its economic strength, to continue community cohesion, to facilitate intergenerational interaction, and to preserve identity while responding to growth and change. In making the economic strength, we will not neglect the increasing elderly population as a major phenomenon in China.

SMALLNESS AS IDENTITY

INTERGENERATIONAL INTERACTION

City of Memory - Yangtze River Projects - Vision

133


CITY OF MEMORY

PIER

CONVERGE DIVERGE RAIL

ALLEY The approach to work toward these goals should keep in mind of the identity. In the smallness of alleys, people gather, chat, trade, get breakfast, site and relax.

134


PIER

EXCHANGE RAIL

ALLEY We see values from studying the old photographs of Wuhan. The three significant cultures, pier, rail, and alley suggest the important performances, converge, diverge, and exchange.

City of Memory - Yangtze River Projects - Converge, Diverge, and Exchange

135


RAILYARD

AR

K

RIV

TU RA

LP

GT ZE

WUHAN OF TECH

EH

AN

RA

ILR

OA

DC

UL

YA N

5

N

HA

1

3

WU

PR

OJ EC TS

ITE

YU

4

2

N 0

1

ER

CITY OF MEMORY

PRESERVED IDENTITY

100

200

300

500m

The urban design project, Wuhan, City of Memory, developed its circulation network from the preserved existing sites. Using weave as a strong structure and texture to tie together the city fabric and make mosaics of spaces. Around the edge of each superblock are economic activities, and within each holds a strong community that is then connected to another through alleys.

136

N 0

50

100

200m


2

OLD FACTORY

3

OLD RESIDENCE

IMPORTANT EXISTING CONDITION

EXISTING PRIMARY ROAD NETWORK IMPORTANT EXISTING NODE PRESERVED AREA

4

OLD RESIDENCE

PRIMARY WEAVE NETWORK

PROPOSED PRIMARY CIRCULATION PROPOSED SECONDARY CIRCULATION REALIGNED ROAD PRESERVED ALLEY NEWORK

5

OLD FACTORY

SMALLNESS WEAVE NETWORK

PRESERVED ALLEY NEWORK CIRCULATION NETWORK

EMERGED SMALLNESS City of Memory - Yangtze River Projects - Preserved Identity

137


K NP AR BA

RA ILY AR D

PA

YA NG TZE RIV RK

ER

UR

PA RK

YA

NG

TZ

E

RI

VE

R

CITY OF MEMORY

EXISTING BRIDGE

CIRCULATION AND CONNECTION

138

PROPOSED URBAN PIER METRO LINE 5 STATION


YA N PA GTZ YANGTZ E ER RK RI IVE NP VE R AR K R

PA RK

PEDESTRIAN BIKE

CAR

CAR

CAR

CAR

BIKE

BA

K

NP AR

PA RK

BA

UR

E

YA NG TZ

R

VE

RI

PEDESTRIAN BIKE

CAR

CAR

BIKE PEDESTRIAN

PEDESTRIAN

PEDESTRIAN + BIKE

Projects - Circulation and Connection

139

City of Memory - Yangtze River

PA RK UR BA NP AR K YA NG TZE

RIV ER

PEDESTRIAN

BUS

CAR

MEDIAN PUBLIC SPACE

CAR

BUS

PEDESTRIAN

ALLEY

UR

BOULEVARD

AVENUE

STREET

PA RK UR BA NP AR K

YA NG TZE

RIV ER


CITY OF MEMORY

BUILDING MASS

140


STORIES

A’

40 20 0

B’

0

50

200m

100

SECTION A-A’

STORIES 40 30 20 10

C

0

25

50

100m

50

100m

SECTION B-B’

A

B

C’

MIXED USE RESIDENTIAL RETAIL SCHOOL HEALTH CARE

STORIES 40 30 20 10 0

25

SECTION C-C’

UNDULATING SKYLINE

E L AVAT E D P U B L I C S PA C E

A C T I VAT E D E D G E S IAL P FTO ROO

CE SPA

BOULEVARD

BOULEVARD

NT IDE RES IL A RET

CE SPA OP OFT RO ICE OFF IL ETA E R C A SP OP OFT RO

ICE

OFF

ICE

OFF

AIL

RET

AIL RET

AVENUE

AVENUE

ICE OFFAIL PACE S RET FTOP ROO ICE OFFAIL RET

ER FOY

L TIA

ER FOY

N IDE RESAIL RET

STREET

STREET

MIXED USE RESIDENTIAL RETAIL SCHOOL HEALTH CARE

E PAC

S OP

OFT

RO

TIAL IDEN RES IL A RET

ER FOY L NTIA A IDE RESICE OFF

City of Memory - Yangtze River Projects - Building Massing + Typologies

141


CITY OF MEMORY

GREEN CONNECTION

WA T

ER FR

ON

TP

AR

K

GREEN CORRIDOR OPEN SPACE FOYER

142

ROOFTOP OPEN SPACE


R RIV E UR B

AN PA RK

YA NG TZE YA RIV NGT ER ZE K PAPA RKR

ROOFTOP SPACE URBAN PIER

URBAN PIER CONNECTION TO PARK BOULEVARD GROUND LEVEL ACCESS

ALLEY

GLA SS W ALL

URBAN PIER

AVENUE

AVENUE GROUND LEVEL ACCESS

EXI

STIN

City of Memory - Yangtze River Projects - Green Connection + Urban Pier

GR

AIL

TRA CK

143


144 CITY OF MEMORY


EXISTING RAIL

PROPOSED TOPO

WATERFRONT PARK BOUNDARY

U SHAPED RIVER WALK

INTIMATE EDGE

ELEVATED CIRCULATION (URBAN PIER EXTENSION) ELEVATED LEVEL ACCESS

ELEVATED RIVERWALK

GROUND LEVEL CIRCULATION GROUND LEVEL ACCESS

WATER DECK

City of Memory - Yangtze River Projects - Waterfront

145


CITY OF MEMORY Every space in the city allow for the performances (converge, diverge, and exchange) to take place. And every space allows intergenerational interactions. The cultural texture deeply in the memory of the elderly is found at alleys and corners. The urban façade and magnificent view of the skyline reflect the working class’s hope and pursue for a better life. The art elements and places of relief and freedom encourage young people to create their new memory and future of the city. In the end, the project looks into the old memories of Wuhan and moves forward to continue its story. The economic strength, community cohesion, smallness as identity, and intergenerational interaction will make up the city of Wuhan, the city of memory.

146


City of Memory - Yangtze River Projects - Perspective Renderings

147


148 THE NEXUS


THE NEXUS PROJECT 2 - YANGTZE RIVER SITE

The Nexus - Yangtze River Projects - Cover

149


150 THE NEXUS


TEAM MANIFESTO Throughout our design process, our team took part in different stages of collaboration. The first joint effort was with our fellow colleagues at Huazhong University of Science and Technology in Wuhan, China. In a three day conjoint workshop, our team analyzed the three major disconnections of the project site. The protective barrier that made these disconnections between the river, park, and the existing urban fabric was the flood wall. Our strategy of creating connections was to re-imagine how a flood wall could protect the city without serving as a distinctive barrier. The second partnership was with the team at SWA Group in Laguna Beach, California. Their expertise in creating building massing and carving out spaces between a dense urban city helped us in coming up with our overall strategy. By reshaping and re-aligning the flood wall we allowed

for the park to seep into the city through green corridors and the city extend out to the park through new density blocks. This exchange allowed for a seamless connection between the Yangtze River, the park and the urban fabric. Our exploration of how these systems begin to interconnect include: a railway park museum, historical Chinese garden, a wetland forest habitat, fluctuating filtration lake and a new commercial waterfront plaza. Our grounded research and exchangeable systems attempt to explain how an active city demonstrates layers of interconnections and interactions. Our project illustrates a synergy between different types of architecture and landscape architecture and how these

The Nexus - Yangtze River Projects - Team Manifesto

151


SITE ANALYSIS

THE NEXUS

RIVER PARK CITY

REGIONAL SCALE URBAN SCALE SITE SCALE

152

[DATA] site boundary: 71 hectare wuhan population 2015: 10.6 million wuhan population 2050: 12.3 million park to urban ratio: 25:75 river front length: 2000m scale comparison: 140 football fields


OUR GOAL IS TO UTILIZE THE SEA WALL AS A SEAM BETWEEN THE RIVER, PARK, AND THE URBAN FABRIC. RATHER THAN A BARRIER [FINGER JOINT CONCEPT]

EXISTING FLOOD WALL

PROPOSED FLOOD WALL

The Nexus - Yangtze River Projects - Site Analysis

153


CONCEPT DESIGN

THE NEXUS

[GREEN CORRIDORS]

154


[FLOW+CAPTURE]

[EXISTING MASSING]

[PROPOSED MASSING]

The Nexus - Yangtze River Projects - Green Corridors

155


CONCEPT DESIGN [BUILDING TYPOLOGIES]

THE NEXUS

EDGE

LIGHT

VIEWS

AIR

[PARK SECTION]

156

POCKET SPACE

TERRACE


[PARK TYPOLOGIES]

The Nexus - Yangtze River Projects - Building + Park Typologies

157


CONCEPT DESIGN

THE NEXUS

[MASTERPLAN]

158


The Nexus - Yangtze River Projects - Illustrative Master Plan

159


CONCEPT DESIGN

THE NEXUS

[AERIAL VIEW]

160


WETLAND

RAIL CULTURE

URBAN PLAZA

FILTRATION

The Nexus - Yangtze River Projects - Aerial Perspective

161


CONCEPT DESIGN [RAIL CULTURE+WETLAND]

THE NEXUS

RAIL/RIVER MUSEUM TRAIL FOREST TRAIL

MAIN PLAZA

FERRY

162

WETLAND


The Nexus - Yangtze River Projects - Rail Culture + Wetland

163


CONCEPT DESIGN [KINETIC FILTRATION]

3

THE NEXUS

3

CIRCULATION

164

WATER SYSTEM


The Nexus - Yangtze River Projects - Kinetic Filtration

165


HO TEL HO TEL HO HO T TE LH OT EL

CONCEPT DESIGN [URBAN PLAZA]

TA

E ILR

THE NEXUS

TA

166

E ILR

TA

RE


The Nexus - Yangtze River Projects - Urban Plaza

167



BEYOND THE EDGE WATER + URBANISM IN WUHAN, CHINA


2018 SWA + CPPLA STUDIO BEYOND THE EDGE - WUHAN, CHINA XIAO ZHENG, PRINCIPAL PAVEL PETROV, STUDIO COORDINATOR SEAN O’MALLEY, MANAGING PRINCIPAL


EVAN LEE NATASHA HARKISON ANDY WILCOX, PROFESSOR



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