ARCHITECTURE GRADUATE PORTFOLIO
SWAROOP LAMDHADE
About
Name Swaroop Lamdhade
Contact no. 9518515829
Email swarooplamdhade@gmail.com
DOB 13.04.2001
Nationality Indian
Education
School- Somalwar Nikals School, Nagpur
Junior College- MKH Sancheti Junior college, Nagpur
Graduation- Rizvi College of Architecture, Mumbai
Professional Experience
2022- 2023- d6th D Design Studio, Ahmedabad, Gujrat (Ar. Himanshu Patel)
Documentation
2021- Sassoon Docks, Mumbai.
2023- Gatronomy and the city- Kalbadevi Bhuleshwar
Software skills
Autocad Sketchup Twinmotion Photoshop Indesign
Competitions
Annual NASA Design Competiotion Design 2020
Annual NASA Design Competiotion Design 2021
MASA Exhibition 2021
Languages
English, Marathi, Hindi
Other skills/ Hobbies
Punctual, teamwork, efficient, management, doodling, watercolours, photography.
Architecture holds a pivotal role in people’s lives, serving as a crucial point that influences their journey, whether directly or indirectly. It has the power to offer guidance, shape futures, inspire, or instill apprehension. This artistic discipline wields significant influence.
I emphasize the importance of engaging those we design for and also collaborate with the team, workers in the process of space creation. Moreover, I advocate for environmentally sustainable and inclusive design practices, ensuring that our architectural endeavors resonate with diverse communities and uphold environmental integrity. I eagerly anticipate broadening my horizons through collaboration and work in diverse fields.I also believe that novelty crafted with traditional and cultural sensibility proves to be valuable and practical.
2
Academic
Invisible Cities
Gurukul
Environmental Centre
Twin Bungalow
Ahaar- Mapping culture through food
Professional Experience
Bridge house
Avsar party plot
Rushitoya homestay
Aam bagaan
Nature’s edge
Competition
ANDC - Reimagine mobility in pandemic
ANDC- Shelter for construction workers
Documentation
Gatronomy and city
Sassoon Docks, Mumbai documentation
Miscellaneous
3 CONTENT
Pg no 6-7 8-9 10-11 12-13 14-17 20-21 22-23 24-27 28 29 32 33 36-37 38 39
4
5
2019-2023
Academic Work
DESIGN ELEMENTS
AXONOMETRIC VIEW
INVISIBLE CITIES
GROUND FLOOR PLAN
ELEVATIONS
FIRST FLOOR PLAN
ROOF FLOOR PLAN
EXPLODED VIEW OF INTERPRETATION CENTRE
PERGOLA DETAIL
In Jawahar Village, Palghar, Mumbai, children engage in agrarian life alongside adults. A Gurukul designed to reflect local culture, climate, and surroundings, while also creating opportunities for passive income, fosters holistic development. By integrating education with traditional practices, encouraging community involvement, and promoting sustainability, the Gurukul empowers children academically, economically, and culturally, ensuring their comprehensive growth within their distinct environment.
Architectural Design Semester 4
Guide- Ar. Proboddho Mukhopadhyay
Medium- Watercolours and pencils
GURUKUL INITIAL MODEL
Increasing plinth height
Uninterrupted ventilation
Rainwater catchment
Water collection tower
MASTER PLAN
SECTION DD’
SECTION BB’
BRICK WALL
BAMBOO WALL
CLUSTER PLAN A
ADMIN BLOCK
DETAILS OF VETIEVER CURTAIN
DETAIL OF MANGALORE TILE ROOF
CLUSTER PLAN B
CLUSTER PLAN C
CONSTRUCTION
DETAIL
ACCOMODATION BLOCK ACADEMIC BLOCK ANIMAL HUSBANDRY BLOCK
SECTION
II’ SECTION FF’
ENVIRONMENTAL CONSERVATION CENTRE
The developed land in Navi Mumbai is situated between two ecologically significant areas: the hill slopes of Parsik and the coasts alongside Thane Creek. Navi Mumbai boasts a creek line spanning 150 km, encompassing various water bodies and mud flats that harbor diverse flora and fauna. This particular site is nestled within one of these developable areas, surrounded by numerous gaothans (villages). The Environmental Centre serves as a bridge between the local community and the ecological systems, facilitating interaction between gaothan residents and other visitors to enhance awareness and promote conservation efforts. The design focuses on creating spaces where people can appreciate and understand the importance of preserving the ecology, particularly mangroves and associated flora and fauna. These spaces are intricately connected to the surroundings and are designed to engage all five senses, enriching the human experience while navigating through them.
Architectural Design Semester 5
Guide- Ar. Masroor Ansari
Medium- Autocad, Sketchup and Photoshop
FORM DEVELOPMENT
GROUND FLOOR PLAN
SHADOW ANALYSIS
FIRST
FLOOR PLAN
ROOF AND LANDSCAPE PLAN
SECTIONS
TWIN BUNGALOW
Understanding structural components and its working while planning a twin bungalow with parking
Working Drawing Semester 6
Guide- Ar. Urvashi Purohit
Medium- Autocad
12
SECTION AA’ ELEVATION SECTION BB’ SECTION CC’ PLAN @+1620 MM PLAN @+1620 MM COMPOUND WALL GROUND FLOOR PLAN STRIP SECTION
13 SOUTH ELEVATION SECTION BB’
STRIP SECTION
PLAN SECTION DD’ SECTION AA’ SECTION BB’
TOILET
The thesis explores the symbiotic evolution of food and shelter from ancient societies to globalization, highlighting the loss of indigenous food culture. It suggests creating spaces to promote these practices, fostering cultural preservation and identity through experiential learning and institutional support.
Design Dissertaion Semester 9-10
Guide- Ar. Minaz Ansari
Medium- Autocad, Sketchup, Sketches, Photoshop, Indesign.
MAPPING
THROUGH
आहार-
A FLAVOURFUL JOURNEY- AN EXPERIENTIAL PLACE
CULTURE
FOOD
16 INSTITUTE FOR INDEGINEOUS CULINARY PRACTICES PANEL
17
18
Proffesional Work 2022-2023
19
BRIDGE HOUSE, AHMEDABAD
A farmhouse was designed with RCC In the middle of lush farms. The stairwell elevation with tinted glass windows was designed to have a play of light and ventilation. Electrical layout was designed.
STAIRWELL ELEVATION DESIGN
20
Medium- Autocad, Sketchup, Enscape
21 GROUND FLOOR PLAN ELECTRICAL LAYOUT FIRST FLOOR PLAN
AVSAR PARTY PLOT, AHMEDABAD
Celebration Lawn with supporting spaces was deisgned in Ahmedabad. The electrical layout for certain space was designed. The feature wall of the kitchen was designed and carried out on site constructed with bella stone, papda stone and bricks.
22
LAYOUT OF BRIDE’S AND GROOM;S ROOM ELECTRICAL LAYOUT
Medium- Autocad, Sketchup, Enscape.
ELECTRICAL
23 ROOF CONSTRUCTION FEATURE WALL OF THE KITCHEN
RUSHITOYA HOME STAY, GIR
A Homestay in Gir, is designed at the bank of the river Rushitoya. Materials for construction used were bela stone, papda stone and mangalore tiles which could be sourced locally.Planning for roof and it’s layout, Electrical layout plan, flooring layout with kota stone, kadappa and jaisalmer stone was done. MS steel railing was designed for the balcony.
Medium- Autocad, Sketchup
KEY PLAN
ROOF PLAN FOR LIVING AREA
ROOF LAYOUT DESIGN
ROOF PLAN FOR KITCHEN AND DINING AREA
ROOF PLAN FOR GROUND FLOOR BEDROOM BLOCK
24 UPPER COURTYARD 36' x 36' BEDROOM 15' 13' VERANDAH 7' 10'6" VERANDAH 15' x 6' BEDROOM 15' 13' BATHROOM 12' x 12' BATHROOM 8' 10' LOWER COURTYARD 46' 25' UP OTS BEDROOM 15' 13' VERANDAH 7' x 10'6" VERANDAH 15' x 6' BEDROOM 15' 13' BATHROOM 12' 12' BATHROOM 8' 10' UP OTS 3' 2'-51 2 4'-71 2 4' 4' 4' 4' 4' 4' 4' 4' 4' 4'-7" 4'-7" 4'-7" 4'-10" 2'-6" 4'-10" 3'-11" 3'-11" 3'-11" 3'-11" 3'-11" 3'-11" 3'-5 1 2 4'-10" 3'-11" 3'-11" 3'-11" 3'-11" 3'-11" 3'-11" 3'-5 1 2 3'-81 4 3'-8 1 2 8" GUTTER 8" GUTTER 8" GUTTER 8" GUTTER 3'-51 4 3'-51 4 3'-51 4 4'-7" 4'-7" 4'-7" 2'-11 1 2 2'-6" 5'-9" 3'-03 4 APPROX APPROX APPROX 3 APPROX APPROX 3' 3'-5" 3'-6 1 2 4'-71 2 2'-51 2 2'-51 4'-71 2 4'-71 2'-51 2 3'-6 1 2 3'-5" 2'-11 1 2 4'-10" 3'-81 4 6" 3'-81 4 3'-81 4 3'-8 1 2 3'-51 4 3'-51 4 3'-51 4 3'-8 1 2 3'-8 1 2 th design studio 4'-4" 4'-4" 4'-4" 4'-91 2 4'-91 2 " 4'-91 2 " 4'-91 2 " 4'-91 2 " 4'-91 2 " 5'-9" 3'-4 1 4 3'-4 1 4 3'-11 1 4 3'-11 1 4 3'-11 1 4 3'-11 1 4 3'-4 1 4 APPROX 3 3'-11 1 4 " 3'-11 1 4 " 3'-11 1 4 " 3'-11 1 4 " CENTRELINE FOR RAFTER 3'-4 1 2 3'-4 1 4 " 3'-4 1 4 " 3'-4 1 4 " 3'-4 1 2 " APPROX APPROX 3 1' CENTRELINE FOR WALL PLATE CENTRELINE FOR RIDGE 3'-41 4 " 3'-41 4 " 3'-41 4 " 3'-41 4 " 3'-41 4 3'-41 4 " 3'-41 4 " 3'-41 4 " th LOWER COURTYARD 46' x 25' LIVING 21' 10" x 15' 2'-81 4 " 3'-111 4 " 3'-111 4 " 2'-81 4 " 3'-111 4 " 3'-111 4 " 4'-91 4 " 4'-91 4 " 3'-8 1 4 4'-2" 3'-8 1 4 2'-8 1 4 " 3'-11 1 4 " 3'-11 1 4 " 3'-11 1 4 " 3'-11 1 4 " 2'-8 1 4 " APPROX 3 APPROX 3' Ø6" Ø6" 3'-81 4 " 3'-81 4 " 3'-81 4 " 3'-81 4 " 3'-81 4 " 3'-81 4 " 3'-81 4 " 3'-81 4 " 4'-91 2 " 4'-91 2 " 4'-91 2 " 3'-81 4 " 4'-9 1 2 4'-9 1 2 4'-91 4 " 4'-91 4 " 4'-91 2 " 4'-91 2 " 4'-91 2 " 3'-81 4 " th design studio
SB-
ELECTRICAL PLAN FOR LIVING AREA
25 KITCHEN 23' x 10' STORE ROOM 12'3" x 8' UTILITY AREA 10' x 15' VERANDAH 33' 9" x 10' P A S S A G E 5' W I D E TOILET 10' x 15' LVL -5'3" CHANGING ROOM 10' x 9'6" EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ 8'-3" 6'-6" 8'-3" CEILLING POINT WALL POINT SWITCH BOARD FAN POINT EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ th design studio 5'-9" 5' 4'-5" 4'-91 2 4'-91 2 4'-91 2 4'-91 2 4' EQ EQ EQ EQ 1'-11 4 " EQ EQ EQ EQ 3'-4" 3'-4" 3'-4" EQ 1'-6" EQ EQ 3'-9" 2'-01 2 2'-101 2 81 2 EQ EQ 13'-11 2 " 20'-6" 6'-91 2 SB- 40 EQ SB- 41 SB- 43 SB- 42 SB- 44 1'-6" SB- 45 SB- 47 SB- 48A SB- 46 SB- 49 SB- 50 SB- 51 SB- 51A SB- 51B SB- 52 SB- 52A ELECTRICAL LAYOUT SB NO. DESCRIPTION HEIGHT SB- 40 (3) FLOOR POINT, (1) 5A PLUG POINT- SWITCHES 2'-6" SB- 41 (5) CEILING POINT, (1) 5A PLUG POINT- 2 SWITCHES 2'-6" SB- 42 (2) WALL POINT, (2) WALL POINT (TWO WAY), (2) CEILING POINTS, (2) FAN POINT, (2) 5A PLUG POINT- 7 SWITCHES 4'-6" SB- 43 (2) WALL POINT, (2) CEILING HIGHLITER POINT, (2) FAN POINT, (2) 5A PLUG POINT- SWITCHES 4'-6" SB- 44 (1) CEILING POINT, (3) WALL POINT- 3 SWITCHES 4'-6" SB- 45 (1) CEILING POINT, (1) WALL POINT, (1) 5A PLUG POINT SWITCHES 4'-6" SB- 46 (2) WALL POINT,(1) HANGING POINT (1) 5A PLUG POINT- 4 SWITCHES 4'-6" SB- 47 (1) WALL POINT, (2) 15A PLUG POINT- SWITCHES 4'-6" SB- 48 (1)15A PLUG POINT- 1 SWITCHES 4'-6" SB- 48A (1) WALL POINT, (2)5/15A PLUG POINT- 3 SWITCHES 3'-0" SB- 49 (2) HANGING POINT, (1) FAN POINT, (1) 5/15A PLUG POINTSWITCH 2'-6" SB- 50 (1) HANGING POINT, (1) FAN POINT, (1) 5/15A PLUG POINTSWITCHES 4'-6" SB- 51 (2) WALL POINT, (1) 5A PLUG POINT- SWITCHES 4'-6" SB- 51A (1) WALL POINT, (1) 5A PLUG POINT- SWITCHES 4'-6" SB- 51B (2) WALL POINT- SWITCHES 4'-6" SB- 52 (1) WALL POINT, (1) 5A POINT- SWITCHES 4'-6" SB- 52A (2) WALL POINT 1 SWITCH 4'-6" EQ 1'-6" SB- 48 EQ EQ EQ EQ 2'-8" EQ EQ HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" EQ 81 2 TWO WAY CEILING POINT WALL POINT FOOT LIGHT POINT SWITCH BOARD FAN POINT HANGING POINT LEGEND LIVING 21' 10" x 15' HT- 8'6" 7'-21 2 7'-51 4 7'-21 2 7'-6" 7'-6" 7'-6" 3'-91 2 3'-91 2 3'-81 2 " 3'-81 2 7'-6" 1'-71 2 " 8'-3" 9'-21 2 7'-51 2 1'-41 2 4'-103 4 4'-11" 4'-61 4 SB- 26 SB- 24 SB- 25 ELECTRICAL LAYOUT SB NO. DESCRIPTION HEIGHT SB- 24 (1) WALL POINT, (2) HANGING POINT, (1) FAN POINT, (2) 5/15A PLUG POINT- SWITCHES 2'-6" SB- 25 (3) WALL POINT, (1) FAN POINT, (2) 5A PLUG POINTSWITCHES ₹3.00 SB- 26 (1) 5A PLUG POINT, (1) TV CABLE POINT (1) 15A PLUG POINT SWITCHES IN SB 27 4'-6" SB- 27 (2) WALL POINT, (1) HANGING POINT, (1) FAN POINT, (2)5/15A PLUG POINT, SWITCHES OF 5A AND 15A FROM SB 26SWITCHES ₹3.00 EQ EQ SB- 27 TWO WAY HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" HT- 8'6" 3'-01 4 2'-81 4 " th design studio HANGING POINT WALL POINT FOOT LIGHT POINT SWITCH BOARD FAN POINT TABLE LAMP EXHAUST FAN POINT LEGEND CEILING POINT UPPER COURTYARD 36' x 36' P A S S A G E 5' W I D E P A S S A G E 5' W I D E P A S S A G E 10' W I D E BEDROOM 15' x 13' VERANDAH 7' x 10'6" VERANDAH 15' x 6' BEDROOM BATHROOM BATHROOM 8' x 10' UP OTS LVL +2'4" LVL +00 LVL +2'4" 5' A C A C HT- 8'6" HT- 8'6" HT- 10' HT- 7' HT- 7' 2' 3'-93 4 5'-41 2 " 9" 1'-33 4 " 83 4 " 3'-3" 5'-6" 3'-3" EQ EQ EQ EQ EQ EQ EQ EQ 9" 5'-6" SB- 6 SB- 2 SB- 3 SB- 7 SB- 8 SB- 10 SB- 9 CENTRE OF NICHE AT EXTREME TOP ABOVE NICHE 9" 3'-9" 3'-1" 3'-5" 8'-3" 7'-6" EQ EQ 81 4 " EQ EQ 3'-3 1 2 6'-81 2 1'-93 4 " 6'-21 4 EQ EQ 6'-31 2 " 6'-6" 6'-6" 11'-8 1 2 2'-81 4 3'-93 4 3'-93 4 2'-81 4 2'-03 4 " 5'-51 4 " 2'-3" 3'-9" FOR WALL POINT OF UPPER FLOOR 11'-9" 2'-101 2 2'-6" HT- 7' 5'-6" 8'-3" 2'-41 2 2'-6" SB- 1 SB- 13 SB- 14 SB- 11 8'-3" 81 2 SB- 6A 1'-6" 1'-9" SB- 7A SB- 9A 2'-11" 1'-71 2 SB- 10A SB- 12 SB- 14A SB- 11A 9'-01 4 " ELECTRICAL LAYOUT SB NO. DESCRIPTION HEIGHT SB- 1 (2) WALL POINT, (4) LANDSCAPE LIGHT POINT, (1) 5/15A PLUG POINT- 7 SWITCHES BELOW COPING LVL SB- 1A (2) CEILING HIGHLITER POINT- 1 SWITCH BELOW COPING LVL SB- 1B (2) CEILING HIGHLITER POINT- 1 SWITCH BELOW COPING LVL SB- 2 (1) CEILING POINT, (1) WALL POINT(TWO WAY)- 2 SWITCHES 4'-6" SB- 3 (3) WALL POINT, (2) HANGING POINT, (1) 5A PLUG POINT-3 SWITCHES 2'-6" SB- 4 (3) WALL POINT, (3) HANGING POINT- 3 SWITCHES 2'-6" SB- 5 (1) CEILING POINT, (1) WALL POINT (TWO WAY)- 2 SWITCHES 4'-6" SB- 6 (2) CEILING POINT - SWITCHES 4'-6" SB- 6A (1) WALL POINT, (1) 5/15A PLUG POINT- 2 SWITCHES 3'-0"
7 (1) CEILING POINT, (1) FAN POINT- 2 SWITCHES 4'-6"
SB-
7A (1) WALL POINT, (1)5/15A PLUG POINT- 2 SWITCHES 3'-0"
7B (1) CEILING POINT, (1) EXHAUST FAN POINT, (2)FOOT LIGHT POINT- 3 SWITCHES 4'-6"
8 (4) CEILING POINT (TWO WAY), 1 FAN POINT (TWO WAY)- 3 SWITCH 4'-6" SB- 8A (1) WALL POINT, (1) HANGING POINT 4'-6"
9 (1) AC POINT, (1) 5A PLUG POINT- 2 SWITCH 2'-0" SB- 9A (2) CEILING POINT (TWO WAY), (1) FAN POINT (TWO WAY), (1) 5A PLUG POINT- 3 SWITCHES 2'-0" SB- 10 (1) WALL POINT- 1 SWITCH 4'-6" SB- 10A (1) WALL POINT, (1) 5/15A POINT- 2 SWITCHES 3'-0" SB- 11 (1) WALL POINT, (1) 5/15A PLUG POINT 2 SWITCHES 3'-0" SB- 11A (2) WALL POINT, (1) FAN POINT- 3 SWITCHES 2'-6" SB- 12 (1) FAN POINT (TWO WAY), (1) WALL POINT- SWITCHES 4'-6" SB- 13 (3) WALL POINT- 3 SWITCHES 4'-6" SB- 14 (2) 5A PLUG POINTS- SWITCHES 2'-0" SB- 14A (1) AC POINT, (1) FAN POINT (TWO WAY) (2) PLUG POINT- 4 SWITCHES 2'-0" 3'-7 3 4 3'-7 3 4 5'-13 4 5'-13 4 SB- 8A 81 2 " 3'-7 1 2 7'-3" 3'-7 1 2 3'-41 2 3'-41 2 12' 12' 11'-9" 11'-9" HT- 7' TWO WAY EQ EQ SB- 1A SB- 7B 3'-93 4 HT- 8'6" HT- 8'6" EQ EQ HT- ABOVE DOOR AT TOP HT- ABOVE DOOR AT TOP HT- ABOVE DOOR AT TOP th design studio HANGING POINT WALL POINT FOOT LIGHT POINT SWITCH BOARD FAN POINT TABLE LAMP EXHAUST FAN POINT LEGEND CEILING POINT CEILING HIGHLITER POINT ONE WAY LINE TWO WAY LINE LANDSCAPE LIGHT
KITCHEN AND DINING
SB-
SB-
SB-
ELECTRICAL LAYOUT DESIGN ELECTRICAL PLAN FOR GROUND FLOOR BEDROOM BLOCK ELECTRICAL PLAN FOR
AREA
TILING LAYOUT FOR GROUND FLOOR PLAN
TILING LAYOUT FOR KITCHEN AND DINING AREA
PATTERN IN PASSAGE
26 A C A C 15' 1'-10 1 2 SP SP SP SP SP 1'-10 1 SP SP SP 1'-10 SP SP SP SP SP th design studio KADAPPA STONE INSERT JAISALMER STONE 11 11 KADAPPA STONE INSERT 1" DETAIL AT C 4" 4" 1'-41 2 PATTERN IN PASSAGE EQ EQ EQ 1'-412 1'-41 2 EQ 1 2 2 3 1 2 1 2 3 3 6 1 4 0 DETAIL AT B' A A' B'' B 1'-10 1'-10 1'-10 1'-10 1'-10 1'-10 1'-10 1'-4 1'-4 9" 1'-101 2 A C 15' SP SP SP SP SP DETAIL AT A 3 7 8 4" 4" 1'-10 1 2 1'-101 2 KADAPPA STONE INSERT JAISALMER STONE 114 111 4 A 1'-10 1 2 1'-101 2 1'-10 1'-101 2 1'-42 1'-10 1 2 25 8 25 8 9" 1'-4 1 2 1'-101 2 15' 1'-10 1 2 SP SP SP SP SP SP DETAIL AT A 3 7 8 4" 4" 1'-10 1 2 1'-101 2 KADAPPA STONE INSERT JAISALMER STONE 1'102 1'10 111 4 11 1 11 1 111 4 114 114 C D KADAPPA STONE INSERT A DETAIL AT A' 1'-10 1 2 1'-101 2 1'-10 1 2 1'-101 2 1'-10 1 2 1'-101 2 1'-41 2 1'-10 1 2 25 8 25 8 9" 1'-4 1 2 1'-101 2 15' 1'-10 1 2 SP SP SP SP SP SP DETAIL AT A 3 7 8 4" 4" 1'-10 1 2 1'-101 2 KADAPPA STONE INSERT JAISALMER STONE 1'10 1 2 1'10 111 4 11 1 4 11 1 4 111 4 111 4 111 4 C D KADAPPA STONE INSERT 11" 1'-10 11" 11" 1" DETAIL AT B DETAIL AT B' A B DETAIL AT A' 1'-10 1 2 1'-10 1'-10 1 2 1'-10 1'-10 1 2 1'-101 1'-10 1 2 1'-101 1'-4 1 2 1'-10 1'-41 2 1'-10 1 2 25 8 5 8 9" 1'-4 1 2 1'-10 1'-10 1 2 SP SP SP SP SP DETAIL AT A 3 7 8 4" 4" 1'-10 1 2 1'-101 2 KADAPPA STONE INSERT JAISALMER STONE 1'10 1 2 1'101 111 4 11 1 4 11 1 4 111 4 111 4 111 4 C D KADAPPA STONE INSERT 11" 1'-101 2 11" 1" DETAIL AT B 1'-10 1 2 1'-101 2 B DETAIL AT B' A B DETAIL AT A' 1'-10 1 2 1'-101 2 1'-10 1 2 1'-101 2 1'-10 1 2 1'-101 1'-10 1 2 1'-101 1'-4 1 2 1'-101 2 1'-41 2 1'-10 1 2 1'-4 1 2 1'-101 2 15' 4" 1'-10 1 2 1'-101 2 KADAPPA STONE INSERT JAISALMER STONE 1'10 1'102 114 11 1 11 1 114 114 114 C D KADAPPA STONE INSERT DETAIL AT B'' 4" 4" 4" 11" 1'-101 2 11" 11" 1'-10 1 2 11" 1" DETAIL AT B 1'-10 1 2 1'-101 2 B A A' DETAIL AT A' 1'-10 1 2 1'-10 1'-10 1 2 1'-10 A C A C 15' 1'-10 1 2 SP SP SP SP SP SP SP SP SP SP DETAIL AT A 3 7 8 4" 4" 1'-10 1 2 1'-101 2 KADAPPA STONE INSERT JAISALMER STONE 1'10 111 4 11 1 11 1 111 4 114 114 C D KADAPPA STONE INSERT 1" DETAIL AT B 1'-10 1 2 1'-101 2 B DETAIL AT C 4" 4" 1'-41 2 1'-10 1 2 EQ EQ DETAIL AT B' A A' B'' B DETAIL AT A' 1'-10 1 2 1'-101 2 1'-10 1 2 1'-101 2 1'-10 1 2 1'-101 2 1'-10 1 2 1'-101 2 1'-4 1 2 1'-101 2 1'-41 2 1'-10 1 2 2 25 8 9" 1'-4 1 2 1'-101 2 A C 1'-10 1 2 SP SP SP 1'-10 1 2 1'-9 1 8 SP SP SP 1'-101 SP SP th design studio DETAIL AT C 4" 4" 1'-41 2 1'-10 1 2 PATTERN IN PASSAGE EQ EQ EQ 1'-412 " 1'-41 2 " EQ 6 1 4 61 4 KADAPPA STONE INSERT JAISALMER STONE 1 2 3 4 1 2 3 4 1 2 1 2 3 3 61 4 " 6 1 4 0 B'' 1'-10 1 2 1'-101 2 1'-10 1 2 1'-101 2 1'-10 1 2 1'-41 2 th design studio SP SP SP SP SP SP SP SP SP 2 " A 10 9" 1'-10 1'-4 1'-10 2 1'-101 2 1'-4 1 2 1'-101 2 1'-4 1 2 1'-10 1'-4 1 2 1'-10 1'-4 2 1 (WITHOUT GROVE) (WITHOUT GROVE) (WITHOUT GROVE) KOTA TILE PROTRUDING INCH FROM PLASTER PLASTER PLINTH DETAIL AT A P A S S A G E KITCHEN STORE ROOM UTILITY AREA VERANDAH DINING 1'-4 1'-10 1 2 1'-4 1'-10 1 2 MIRROR POLISHED KOTA RIVERWASH KOTA FLOORING LAYOUT DESIGN
DETAIL AT A DETAIL AT A’ DETAIL AT B DETAIL AT B’’ DETAIL AT C DETAIL AT B’
27
PLAN A 3" THK KOTA FLOORING 6MM DIA MS STEEL ROD 20X50 MS STEEL HOLLOW REECTANGULAR SECTION 10X50 MS STEEL FLAT 5" THK RCC SLAB 5" 3" 3'-4" 5 1 2 " 4 5 8 " 4" EQ EQ 14'-11 2 " 14'-91 2 " 14'-91 2 " EQ EQ EQ EQ 50MM EQ 50MM EQ EQ EQ EQ EQ 10X50 MS STEEL FLAT
PLAN A 3" THK KOTA FLOORING 6MM DIA MS STEEL ROD 20X50 MS STEEL HOLLOW REECTANGULAR SECTION 10X50 MS STEEL FLAT 5" THK RCC SLAB 5" 3" 5 1 2 4 5 8 " EQ EQ 14'-11 2 " 14'-91 2 " 14'-91 2 " EQ EQ EQ EQ 50MM EQ 50MM EQ EQ EQ EQ EQ 10X50 MS STEEL FLAT
PLAN A 3" THK KOTA FLOORING 6MM DIA MS STEEL ROD 20X50 MS STEEL HOLLOW REECTANGULAR SECTION 10X50 MS STEEL FLAT 5" THK RCC SLAB 5 1 2 " 4 5 8 " EQ EQ 14'-11 2 " 14'-91 2 " 14'-91 2 " EQ EQ EQ EQ 50MM EQ 50MM EQ EQ EQ EQ EQ 10X50 MS STEEL FLAT th ELEVATION
A PLAN A 3" THK KOTA FLOORING 6MM DIA MS STEEL ROD 20X50 MS STEEL HOLLOW REECTANGULAR SECTION 10X50 MS STEEL FLAT 5" THK RCC SLAB 5" 3" 3'-4" 5 1 2 " 4 5 8 " 4" EQ EQ 14'-11 2 " 14'-91 2 " 14'-91 2 " EQ EQ EQ EQ 50MM EQ 50MM EQ EQ EQ EQ EQ 10X50 MS STEEL FLAT RAILING DESIGN ELEVATION FROM A PLAN KEY PLAN
ELEVATION FROM A
ELEVATION FROM A
ELEVATION FROM A
FROM
AAM BAGAAN, HYDERABAD
A resort in Hyderabad in middle of mango grove. Construction was done with latterite stone and mangalore tiles majorly. Planning for one such cottage in the grid of trees and the foundation plan for the same was designed.
Medium- Autocad, Photoshop
28 th design studio 8'-11" 6'-2" 8'-11" 8'-11" 6'-2" 8'-11" 1'-4" 4' 2'-5" 2'-5" 4' 1'-5" 7'-9" 15'-6" 1'-4" 4' 2'-5" 2'-5" 4' 1'-5" 7'-9" 15'-6" 6'-9" 9'-9" 6'-9" 29'-11" 8'-11" 4'-6" 9'-9" 29'-11" 8'-11" 4'-6" 2' 9"
GROUND FLOOR PLAN ROOF FLOOR PLAN FOUNDATION PLAN
NATURE’S EDGE, AHMEDABAD
A second home was designed as a load bearing structure with random rubble masonry used in walls. The foundation layout and details were designed. Foundation- Sand packed foundation laid by dugging trenches. The foundation differs according to the postion of the wall in the structure.
Medium- Autocad
CASE 1- FOR PERIPHERAL WALL
CASE 2- FOR FOUNDATION AROUND SWIMMING POOL
CASE 3- FOR FOUNDATION AROUND SWIMMING POOL FOR EXTERNAL WALL
29 th 7'-2" 17'-3" 17'-11" 7'-2" 6'-1 1 2 8'-5" 6'-9" 64'-8" 3'-113 4 " 6'-61 2 " 6'-7" 1'-41 2 " 5'-11" 12'-9" 18'-111 2 " 8'-11" 6'-3" 4'-31 2 80'-7" 11'-7" 10'-4" 1'-5 1 2 19'-4 1 2 10'-21 4 " 10'-7" 10'-7" 1'-7" 3'-1" 3'-1" 1'-21 2 " 1'-21 2 " 3'-113 4 " 2'-83 4 " 6'-7" 20'-01 2 18'-111 2 " 8'-11" 6'-3" 4'-31 2 80'-7" 11'-7" 2'-83 4 " 7'-2" 17'-3" 17'-11" 7'-2" 8'-5" 6'-9" 64'-8" 4'-8" 12'-7" 4'-8" 12'-7" 10'-83 4 " 13'-2" 5'-11" 21'-012 " 17'-8" 13'-8" 8'-101 4 " 10" 1'-41 2 14'-0" 9'-81 2 6'-1 1 2 2'-5" 1'-9 1 2 33'-103 4 9" 9" 9" 9" 7'-3" 1'-0" 1'-5" 2'-0" 2'-5" 2'-11" 9" 2'-0" 1'-0" 10'-10 1 2 5'-3"
3" 2'-6" 3'-0" 6" 1'-0" 4'-6" 4" 3'-0" 6" 1'-0" 6" 9" 4'-6" 3'-3" 4'-6" 2'-6" 1'-0" 4'-6" 4" th design studio 3" 2'-6" 3'-0" 6" 1'-0" 4'-6" 4" 3'-0" 6" 1'-0" 6" 9" 4'-6" 3'-3" 4'-6" 2'-6" 2'-6" 3'-0" 6" 1'-0" 4'-6" 6" 9" 3'-3" 4" 4" 3'-0" 6" 1'-0" 6" 9" 4'-6" 3'-3" 4'-6" 2'-6" 2'-6" 3'-0" 6" 1'-0" 3'-3" 3" 6" 4" 3'-0" 6" 1'-0" 6" 9" 4'-6" 3'-3" 4'-6" 2'-6" 2'-6" 3'-0" 6" 1'-0" 6" 9" 3'-3" FOUNDATION PLAN
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2020-2021
Competitions
32 ANDC 2020- REIMAGINING MOBILITY IN PANDEMIC
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2022- SHELTER FOR CONSTRUCTION WORKERS
ANDC
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UNSUSTAINABLE COMMERCIAL FISHING PRACTICES
INDIGENEOUS COMMUNITIES
INDIGENEOUS PRACTICES WHICH ARE SUSTAINABLE
PART OF THE HERITAGE AND CULTURE OF A REGION
ORIGINAL INHABITANTS OF BOMBAY YET RELEGATED TO NOOKS OF THE CITY
UNHYGIENIC SITUATIONS FACED BY PEOPLE WORKING HERE. MOST OF THEIR CONCERNS ARE NOT ADDERESSED
TRADITIONAL KNOWLEDGE WHICH IS ESSENTIAL TO MAINTAIN A BALANCED ECOSYSTEM
ORIGINAL LIFESTYLE UNDER THREAT DUE TO RAPID MODERNISATION
PLANS TO REDEVELOP AND MODERNISE SASSOON DOCKS WITH TOURIST FRIENDLY APPROACH RATHER THAN THE KOLI PEOPLE
OLD TRADING DOCK OF HISTORICAL IMPORTANCE NOW USED BY FISHING INDUSTRY
KOLIS
SASSOON DOCKS
ORIGINAL INHABITANTS OF BOMBAY YET RELEGATED TO K a l b a d e v i a n d B h u e s h w a r h a v e a r i c h h i s t o r y a n d v i b r a n t c u l t u r a l t a p e s t r y . K a l b a d e v i d e r i v e s i t s n a m e f r o m t h e f a m o u s K a l b a d e v i T e m p l e d e d i c a t e d t o t h e g o d d e s s K a l i O v e r t h e y e a r s i t t r a n s f o r m e d i n t o a b u s t l i n g c o m m e r c i a l h u b a n d a T h e a r e a s c u l t u r a l c h a r m , h i s t o r c a l s i g n i f i c a n c e , a n d l i v e l y m a r k e t s m a k e b o t h K a l b a d e v i a n d B h u l e s h w a r m u s t - v i s i t d e s t i n a t i o n s f o r l o c a l s a n d s a t o u r i s t s a l i k e C U L T U R A L H I S T O R Y SUSTAINABILITY
Documentation 2021-2023
This elective aimed to map the city through its rich cuisine and gastronomical habits. It looks forward to weave out various communities and their food which forms a major cultural stock in the city. What becomes important is to understand how architecture responds to the idea of gastronomy, community and its institutions.
Mumbai boosts of multiculturalism and has been a cosmopolitan hub in India since last century. The urban landscape of Mumbai has an interesting interplay of communities, their ethnicity, language, cultural practices & associations, socio-economic activities and political ideologies. The resultant urban fabric has a very dynamic urban tissue where community, culture and public realm intersect and transact.
The areas chosen to study were –
Kalbadevi & Bhuleshwar – Gujarati & Marwar
Parsi & Irani cafes –
Parsi
Mohd. Ali road –
Dawoodi Bohras & Momins
Matunga – Tamil Brahmins
Gastronomy and the city, Semester 9
Medium- Photoshop, Indesign
Guide- Daksh Jain, Hanisha Chotani
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GASTRONOMY & THE CITY
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