闊別兩年， 回首有如前世， 但我們仍然 繼續耕種， 繼續有種。
The two years of absences are like a world away, yet we still keep on cultivating our soil and our minds, not to get slayed.
序言
01
After the social movement and the sudden outbreak of the epidemic, the world seems to be different or we see our world from a different broader perspective. While fighting, we must also uphold the basics of life. This year’s film festival selected films from the United Kingdom, Canada, the United States, North Macedonia, and other places. The shots range from cultural movements such as veganism and food waste problems to civil protests on social aspects, and to the lives of beekeepers in remote small towns. They all happen or have always been happening in reflecting the connections between the distressed reality and the yearned nirvana. Let us continue to expand our imaginations at these nights; Let our dialogues about life, images, agriculture, food, and more to be continued through the screenings, concerts, markets, and snack parties.
Foreword
經歷了社會運動、疫情忽然來襲，世界彷彿已不 一樣⸺或我們能看見的新世界，原來可以很廣闊。 抗爭的同時，也需守住生命的根本。今屆電影節選映 來自英國、加拿大、美國、北馬其頓等地的電影， 鏡頭由素食、剩食、公民抗命，一直擺到偏遠小鎮的 養蜂人生活，恰好，或一直如此地，無不與困頓現實 及美好張望相連。黑夜中，盼我們仍能繼續想像， 一同在映後討論、音樂會、市集、小食會之間，延續 關乎生活、影像、農田與飲食的對話。
02 ｜工作�員�單
工作人員名單 Credits 生活��種�����小� Sangwoodgoon Food and Farming Film Festival Preparatory team
��翻�小� Subtitle Translation Team
周思中
Jenny Li Grace Kwong Mark Li Rita Wong Lai Lai Lo Hinson Gillian
想像群黨 吳彥俊
Lau Jinki 主���� Key Visual
Onion Peterman
場刊�� Booklet Design
KiKi Lam
� ��間�｜ 0 3
放映時間表 Screening Schedule 一 MON
二 TUE
三 WED
四 THU
五 FRI
六 SAT
1
2
3
4
5
8
9
10
11
12
FILM NAME / TIME
12.06
Carnage: Swallowing the Past
4
12.12
Just Eat It
6
12.13
The Green Lie
7
12.20
The Reluctant Radical
8
12.26
Seed: The Untold Story
9
12.27
Honeyland
SUN
6
7
1
13
2
14
15
16
17
18
19
21
22
23
24
25
26
Chri st ma s
5
PAGE
DATE
SAT
7:30pm - 10:00pm
7:00pm - 10:00pm
3
20 4
27
28
29
30
31
6
報名方法
Register
SUN
SUN
詳細影片介紹 Detailed film introduction
SAT
SUN
3:00pm - 6:00pm
4:00pm - 07:00pm
2:00pm - 6:00pm（3:00pm 放映 Screening Time）
2:00pm - 6:00pm（3:00pm 放映 Screening Time）
�����，各場��可�轉為�上 / ������， ��切留�「生活��種���」Facebook。
10
04 ｜開���
1
M O V I E
Carnage: Swallowing the Past 放映時間 Time
2020.12.06 (SUN) | 7:30pm - 10:00pm 地點 Venue
一拳書館 Book Punch （深水埗大南街 169-171 號大南商業大廈 3/F ）
主題分享 Disscution Topic
Beyond Vegetarianism
分享嘉賓 Guest Speaker
張展鴻 （香港中文大學人類學系教授）
電影 開幕
開���｜ 0 5
�� Director
在 2067 年的英國，吃肉是罪，不至被捕，但會讓人 連說出曾吃過芝士都愧疚哭泣。
國� Country 英國 United Kingdom
另一邊廂，一個個年輕人坐在草地上，夢幻的光線下， 他們笑着，有人說： Why could they eat cow ？ 說着竟想哭。看似荒誕惹笑，但我們現在又何嘗不會 質問：誰會吃貓狗。導演是在嘲弄素食者，抑或素食 的烏托邦竟美好得讓人難以承受？
Simon Amstell
年� Year
2017
�� Runtime 68 分鐘 / mins
�� Language 英文 English
�� Subtitles 中文字幕、English subtitles
導演 Simon Amstell 本身是一名英國棟篤笑喜劇 演員、編劇和導演，機智幽默的他，以偽紀錄片的 形式帶大家從 20 世紀 40 年代開始，由頭看起素食 如何由被嘲笑，變成唯一真理。論對錯之前，不如 一同想像在這世界裏，懷有罪疚的人、不忿的人， 會碰撞出一個怎樣的結局。
It’s 2067, the U.K. is vegan. Eating meat isn't technically a crime, yet the older generations are suffering the guilt of their carnivorous past, and would even cry in shame just by naming the cheese they’ve eaten before. On the other side, young people are sitting joyfully on the grassland under the dreamy light; they wonder, almost in tears, “Why would they eat a cow?”. Wait, is the director mocking vegans, or is the vegan utopia too ideal to bear? Director Simon Amstell is a British comedian, screenwriter, and director. With his witty and humorous, and taking the form of mockumentary, the director attempts to project how vegetarianism changed from being mocked in the 40s to the only truth in 2067. Try holding your judgement and join the director in this imaginary epic between the vegans and the carnists.
06 ｜�二場
2
M O V I E
Just Eat It 放映時間 Time
2020.12.12 (SAT) | 7:00pm - 10:00pm 地點 Venue
Art and Culture Outreach 艺鵠（灣仔軒尼詩道 365-367 號富德樓 14 樓）
映後討論 Post-screening Discussion
剩食生活的可能
分享嘉賓 Guest Speaker
肥緊村
�二場｜ 0 7
�� Director
Grant Baldwin 國� Country 加拿大 Canada 年� Year
2014
�� Runtime 75 分鐘 / mins
�� Languages 英文 English
�� Subtitles 中文字幕、English subtitles
剩食、垃圾問題，漸漸已變成一組無論是多少你都會 無感的數字，但紀錄片製作人夫婦不認命：「我們都 喜歡食物，那麼我們怎麼可能將近 50% 的垃圾扔進 垃圾桶呢？」他們決定開展為期 6 個月的實驗：只吃 別人不要的食物。 這不會變得像個乞丐嗎？嗯，很難說是或不是⸺ 起與伏總是不斷轉變。他們同時訪問了農夫、零售商 和關注者，拍下由農場到運輸帶到垃圾車的畫面⸺ 例如是倒不完的桃子，揭示我們對 best before 、 完美產品痴迷下對地球毀滅性的後果。經歷完剩食之 旅的倆人，又為世界找到什麼提示與出路？ 影片囊括多個電影節獎項，同時贏得利奧獎最佳紀錄 片、最佳紀錄片導演及最佳紀錄片音樂等。
No matter how ridiculous it is, the problem of food waste and garbage are morphing into a set of numbers to which people respond indifferently. The couple documentary makers and food lovers refused to accept their fate. "We all love food, so how could we possibly be throwing nearly 50% of it into the trash? ", they decided to embark on a sixmonth experiment: eating only discarded food that others don't want. Filming scenes such as endless perfectly good peaches in the garage trucks destined for the landfill, and revealing the devastating global consequences of our obsession with “best before” dates and perfectly presented products, the directors brought forward farmers, retailers, and food activists, and at the same time got glimpses of how crazy the food waste throughout the whole system - from farm to store to home. So are freegan only picking leftover foods, yes and no and more. The film has won multiple film festival awards: the Leo Awards for Best Documentary, Best Documentary Director, and Best Documentary Original Score.
08 ｜�三場
3
M O V I E
The Green Lie 放映時間 Time
2020.12.13 (SUN) | 3:00pm - 6:00pm 地點 Venue
香港兆基創意書院 HKICC Lee Shau Kee School of Creativity（九龍仔聯合道 135 號）
主題分享 Disscution Topic
環保 = 左膠？
分享嘉賓 Guest Speaker
覃俊基 （網媒「夜貓」編輯）
�三場｜ 0 9
�� Directors
Werner Boote, Kathrin Hartmann 國� Country 奧地利 Austria 年� Year
2018
�� Runtime 96 分鐘 / mins
�� Language 德文 German、 英文 English、 葡萄牙文 Portuguese
�� Subtitles 中文字幕、English subtitles
惡名昭彰的棕櫚油，原來也有永續版？燒媒的電力 公司巨頭，也開始做風力發電？等等， Are they all just green lies ？總是一臉單純的導演，與精明的反 green wash 專家，決定走訪世界各地，尋找真相。 他們找到蘇門答臘的 activist ，看見被焚至只剩餘燼 的「森林」；又走進國際棕櫚油會議，把標榜「永續」 的商人問至口啞啞；開一輛自我感覺良好的電動車， 來到德國加爾茨維勒的露天媒礦場，在充滿細粉塵的 空氣裏，不知道是否該自欺那是「 fresh air 」。 二人在路上走走停停、探問、辯論，仿如一部環保版 的公路電影，最後，他們，或者說我們，能否找到 生命的解方？
There is a sustainable version of the notorious palm oil? The leading coal-burning power plant also started to shift to wind power generation? Wait, Are they all just green lies? The innocent-looking director travels around the world with the shrewd anti-green washing expert, to find out the truth behind these green lies. How do you understand a “forest” that has been burnt down to ashes? Ever participated in the International Palm Oil Conference and experienced the extravagant speeches given by the cooperates? How does it feel to drive a state-of-the-art eco-friendly electric car in the middle of the open-pit coal mine in Garzweiler, Germany, while the air is full of coal dust? Like an eco-version road movie, the two stopped here and there to inquire and debate on the so-called green products along the way. In the end, can they, or we, find the solution to a sustainable life?
10 ｜��場
4
M O V I E
The Reluctant Radical 放映時間 Time
2020.12.20 (SUN) | 4:00pm - 07:00pm 地點 Venue
電影文化中心 Film Culture Centre （香港九龍土瓜灣旭日街 19 號雅高工業大樓 4 樓 A2 室）
映後討論 Post-screening Discussion
環保啫，犯法呀？
分享嘉賓 Guest Speakers
日青 （��團��束一桶專�成員） 劉衍一 Lance （少年氣候行動者）
��場｜ 1 1
�� Director
Lindsey Grayzel 國� Country 加拿大 Canada 年� Year
2018
�� Runtime 77 分鐘 / mins
�� Language �� English
�� Subtitles 中文字幕、English subtitles
美國氣候研究組織曾指，如果全球氣溫相對工業革命 前升 2 度，機場、米埔一帶會被淹沒，再上升多 2 度， 維港兩岸、旺角都會消失。如果嫌上一場電影講剩食 對拯救地球太緩慢，講對抗化石燃料又如何？ 導演跟隨社運人士 Ken Ward 一年半，拍下他一次次 的「激進」行動，包括闖進瀝青砂輸油設施、和一群 人坐到鐵路軌上把自己鎖上等。那齊齊拿着鐵架往 前跑的畫面，一瞬間真像郊遊。 「郊遊」背後，是否真的可以那麼一往無前？影片 穿插着抗命、上庭以及他與家人對自己的看法。 「他不是為自己、為他的兒子，而是為了這個世界。」 律師這樣說。聽起來怎麼和香港如此相像？而製作 團隊也在一次拍攝公民抗命的過程中被捕。這個 世界，到底能否接受這些不服從的公民？
The United States Climate Central once pointed out that if the global temperature rises by 2 degrees relative to the pre-industrial revolution, the Hong Kong airport and the Mai Po nature reserve area will be submerged. And if it rises by another 2 degrees, both sides of the Victoria Harbour and Mong Kok will be underwater. If the last screening about food waste was too polite and ineffective in saving the planet, how about a dosage of confrontation against fossil fuels industries, the dirty energy? For one and a half years, the director featured the climate activist Ken Ward, and filmed his "radical" actions repeatedly, including breaking into the tar sands oil transportation facility, and blockading t he railroad tracks with a group of activists. The scene of running forward together holding the iron frame, for a moment, it really resembles an “outing”. Is it true that the "outing" went boldly forward and unreserved? The film is interspersed with series disobedience actions, lawsuits in consequence of the law-breaking actions, and Ward’s personal struggles with his family on his moral callings. "He is not doing it or himself, for his son, but for the world and the future generations," the Ward’s lawyer said. Does the lawyer’s defense resonate what many Hong Kongers aspire these days, beyond technical adjudications by the court?
12 ｜��場
5
M O V I E
Seed: The Untold Story 放映時間 Time
2020.12.26 (SAT) | 2:00pm - 6:00pm
（ 3:00pm 放映 Screening time ） 地點 Venue
Sangwoodgoon 生活 kids club （元朗八鄉錦上路清潭路）
活動 Activity
種子展示
分享嘉賓 Guest Speakers
胡應手、林自立（本地農夫）
映後討論 Post-screening Discussion
小鮮肉留種
��場｜ 1 3
�� Directors
Jon Betz, Taggart Siegel
國� Country 美國 United States 年� Year
2016
�� Runtime 94 分鐘 / mins
�� Language 英文 English、 印地語 Hindi、 西班牙語 Spanish
�� Subtitle 中文字幕、English subtitles
沒有種子，何以吃食？今天已失傳的元朗絲苗已是 一例。事實上在上個世紀，全球 94% 種子品種已經 消失。此時有人走進叢林，尋找未被商業化的可可 遠親；種子嬉皮士攤出一床擁有不同斑紋、尤如寶石 的種子。這些「挪亞」，不約而同地說出人類生存的 定律：一顆種子承接着歷史，也連向未來。 然而畫面一轉，這歷史長河忽遭洪水淹浸⸺ 化工公司研發難以再培植的雜交品種、申請專利， 甚至改造基因，更進佔夏威夷大片農地進行測試， 每夜噴灑毒霧，有人一夜醒來枕頭染血，人和種子的 生命，幾乎就此中斷。 各國抗議人潮出現在街頭，除此以外，他們還會怎樣 反抗？在極權之下，自由意志原來可以迸發無數 想像以及行動。影片獲多個電影節獎項，包括最佳 紀錄片、最佳攝影等。
What and how we are going to eat as food if there’s no more seed on the earth? Take the example of our local Yeun Long jasmine rice, which is known for its high quality and aroma, had dwindled and disappeared since the 1960s. In fact, in the last century, 94% of the global seed varieties have been lost. At the same time there are people going into the woods, looking for the uncommercialised seeds in the coco family; people who spend their nights, gazing and admiring their bags of seeds in weird patterns and markings as if they are jewels. These “Noahs” unanimously state out the same story of our human existence - The story of our seeds is a defining story of our time: our past and our future. Yet in our modern world, biotech chemical companies have long been in control of global seed markets with their genetically modified monocultures, where patented Hybrid seeds that are difficult to replant were disturbed all over the world. These industries used up Hawaiian farmlands for testing, spraying poisonous fog every night. And as result, people woke up with their bloodedsoaked pillow, leaving both the lives of people and seeds almost ceased. Besides protesting all over the world on the streets to fight for the control of our food, how else would these conscious people resist? Under the totalitarian power, free will could be burst into countless imaginations and actions. The film has won multiple film festival awards, including best documentary, best photography, and etc.
14 ｜閉���
6
M O V I E
Honeyland 放映時間 Time
2020.12.27 (SUN) | 2:00pm - 6:00pm
（ 3:00pm 放映 Screening time ） 地點 Venue
Sangwoodgoon 生活 kids club （元朗八鄉錦上路清潭路）
活動 Activity
音樂會
演出單位 Performers
阮志雄 ( 雄仔叔叔 ) 、曾永曦 Wilson Tsang
電影 閉幕
閉���｜ 1 5
�� Directors
Tamara Kotevska, Ljubomir Stefanov 國� Country 北馬其頓 North Macedonia 年� Year
2019
�� Runtime 89 分鐘 / mins
�� Language 土耳其語 Turkish、 馬其頓語 Macedonian、 克羅地亞語 Serbo-Croatian、 波斯尼亞語 Bosnian �� Subtitles 中文字幕、English subtitles
憑着聲音，她走到懸崖峭壁，一步步，停下，把石堆 拆鬆，緩緩搬開，內裏是一窩生命。與蜂共存的她， 是歐洲僅餘的女性養蜂人，與相依的年邁母親， 成為了北馬其頓一個沒水沒電、荒廢村莊裏的 最後一人家。 日子平常，有天，一家九口的遊牧家族經過，暫以此 為居。她教他們採蜂養蜂，小男孩看着她把沾滿蜜糖 的巢餅分開一半，把她的話記得很清楚：一半（蜂蜜） 給你，一半給我。兩家人成為了朋友，直至「一半」 的原則被父親中斷，人的關係與蜂群都起了大變。 生活與大自然，還能不能回復最初？人和大自然， 到底是共生還是共亡？
Following the buzzing sound, Hatidze walked along the cliff, slowly removing the rocks from the loosened pile, and inside found the nest of life. Hatidze is one of Europe’s last wild beekeepers, who uses ancient harvesting wild honey methods. Living as the last family in an abandoned Bekirlija, a city with no electricity, running water or roads, she looks after her ailing mother and sells wild honey at the market in the capital of North Macedonia. Days were normal in Bekirlija, but one day, a nomadic family of nine passed by and lived here temporarily. She taught the family how to harvest wild honey and keep bees. The little boy watched her split the honey-stained nest cake in half, remembering her mantra clearly: half for me and half for you (bees). The two families became friends, until the "half" principle was interrupted by the father, and the relationship between the people and the bee swarm changed drastically. Can life and nature return to its origin? Are human beings and nature coexisting or perishing? Issues such as ecological balance, natural resource extraction, and materialism can all be seen from Hatidze’s life. The director specifically pointed out on the website, "The honey crisis in the movie reveals the risk of ignoring biodiversity." After three years of shooting and one year of editing, the film presents itself as a feature film. It is also the first in history to have been shortlisted for both the best documentary and the best international film awards.
Online pre-registration is required to reserve seats.
*All discussions & activities are conducted in Cantonese. 報名方法 Register
詳細影片介紹 Detailed Film Introduction 生活館有種電影節 swgffff
OR 或
惟所有活動需網上預先登記， 以便留座。
Admission is free, donations are welcome.
免費入場， 歡迎捐款夾錢支持。
16
主� Presented by
協� In association with
�助 Supported by
場��� Venue Partners
鳴� Acknowledgement 張展鴻（香港中文大學人類學系教授） 肥緊村 Fat Gun Village 覃俊基 （網媒「夜貓」編輯）
日青（環保團體結束一桶專棄成員） 劉衍一 Lance（少年氣候行動者） 胡應手（本地農夫）
林自立（本地農夫） 阮志雄（雄仔叔叔） 曾永曦 Wilson Tsang