Sporting Art, Wildlife & Dogs Tuesday 31 May 2022 by swordersfineart

Sporting Art, Wildlife and Dogs Tuesday 31 May 2022

Old Master, British and European Art TUESDAY 27 SEPTEMBER 2022 | INVITING ENTRIES pictures@sworder.co.uk | 01279 817778

SPORTING ART, WILDLIFE AND DOGS Tuesday 31 May 2022 at 1pm ORDER OF SALE Lots 1-87 Equestrian and Hunting Lots 88-124

Racing

Lots 125-213

Dogs

Lots 214-273

Ornithological Art

Lots 274-350

Wildlife

VIEWING TIMES We will be offering viewing at our Stansted Mountfitchet saleroom as follows: Sunday 29 May

10am - 1pm

Monday 30 May

9am - 5pm

Tuesday 31 May

9am - 1pm

ONLINE BIDDING Bid live at www.sworder.co.uk (0% surcharge)

FURTHER INFORMATION: Contact:

Jane Oakley

Luke Macdonald

Telephone: 01279 817778 Email: auctions@sworder.co.uk To obtain more images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk

REMOVAL OF LOTS

SWORDERS’ DELIVERY SERVICE

To save you having to wait, we operate a mandatory booking system for collections. Please book your appointment 24 hours in advance, to ensure your items are ready when you arrive. Please see our website for details.

Sworders offer a delivery service for item(s) purchased. Please see our website where you can enter the necessary information to obtain a quote.

EQUESTRIAN AND HUNTING 1-87

Lot 1 English School, 19th century Chestnut hunter in a landscape oil on canvas 50.5 x 61.5cm £500 - 700

Lot 2 Clifton Tomson (1775-1828) Bay hunter standing with a hound signed, inscribed and dated ‘Clifton Tomson/Pinxit Notts 1804’ l.l., oil on canvas 51 x 60.5cm £700 - 1,000

2 4

1-87 EQUESTRIAN AND HUNTING Lot 3 English School, 19th century A chestnut hunter held by a groom in a landscape oil on canvas 62.5 x 70.5cm £400 - 600

Lot 4 English School, 19th century A black thoroughbred in a landscape with a terrier oil on canvas 59.5 x 79cm £800 - 1,200

4 www.sworder.co.uk

EQUESTRIAN AND HUNTING 1-87 Lot 5 J Clark (19th century) A bay hunter in a stable signed ‘J Clark’ and dated ‘65 verso, oil on canvas 33.5 x 48.5cm £300 - 500

Lot 6 John Duvall (1816-1892) Bay hunter loose in a box signed ‘Duvall’ l.r., oil on canvas 64 x 76.5cm £500 - 700

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING

Lot 7 Henri Auguste de Montpezat (French, 1817-1859) Mare and foal in a storm signed ‘MONTPEZAT’ l.l., oil on canvas 74 x 59.5cm £800 - 1,200

www.sworder.co.uk

EQUESTRIAN AND HUNTING 1-87 Lot 8 English School, 19th century A pair of grey hunters in a loose box oil on canvas 51 x 76cm £400 - 600

8 Lot 9 *Juliet McLeod (1917-1982) A dappled bay in a loose box signed and dated ‘Juliet McLeod/1970’ l.l., oil on canvas 63.5 x 76cm £300 - 500

9 Lot 10 John Charles Maggs (1819-1896) A grey hunter in a stable with a terrier signed and dated ‘J C Maggs/1850’ l.l., oil on canvas laid down 46 x 64cm £400 - 600

10 8

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING Lot 11 Alken Bl** A dark bay hunter in a stable indistinctly signed l.r., oil on canvas 51 x 61cm £300 - 500

Lot 12 English School, 19th century A chestnut horse in a stable oil on canvas 72 x 98cm, unframed £300 - 500

11 Lot 13 After George Morland Grooming the Grey Mare oil on canvas 31 x 38cm £200 - 300

Lot 14 After Henry Thomas Alken The Runaway oil on panel 15 x 20.3cm £200 - 300

www.sworder.co.uk

EQUESTRIAN AND HUNTING 1-87 Lot 15 Albert Clark Snr (1821-1909) and Albert James Clark (fl.1890-1943) ‘County Member Jnr’ - A carriage horse signed ‘Albert Clark and Son/Riversdale Rd, Highbury’ l.r., oil on canvas 51 x 61cm £500 - 700 Provenance: Ernest Samuel Stock, of The Stud Farm, Bradfield, near Manningtree, Essex. Stock provided Hackney and Shire stallions to serve mares on farms throughout East Anglia. Literature: Mentioned in the ‘Hackney Stud Book’. Lot 16 Albert Clark (1821-1909) ‘Conjuror II’, a carriage horse signed ‘Albert Clark & Son’ l.c., oil on canvas 51 x 61cm £500 - 700

Provenance: Ernest Samuel Stock, of The Stud Farm, Bradfield, near Manningtree, Essex. Stock provided Hackney and Shire stallions to serve mares on farms throughout East Anglia. Lot 17 William Henry Wheelwright (fl.1857-1897) A horse-drawn hackney carriage signed and dated ‘W H Wheelwright/1877’ l.l., pencil, watercolour and bodycolour 23 x 33cm £100 - 150 Lot 18 Circle of John Charles Maggs (1819-1896) Stagecoach changing horses at an inn indistinctly signed and dated ‘1840’ l.l., oil on canvas 44.5 x 68cm £300 - 500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING

Lot 19 Albert James Clark (fl.1890-1943) ‘The coloured team’ signed ‘A Clark’ l.r., oil on canvas 43 x 55cm £600 - 800

www.sworder.co.uk

EQUESTRIAN AND HUNTING 1-87

Lot 20 Ernest Griffiths (fl.1880-1945) A long team of horses pulling a log cart through a forest signed with a monogram and dated 1936 l.l., pencil 27.5 x 45cm £100 - 150 Lot 21 *Allen William Seaby (1867-1953) New Forest ponies in a landscape watercolour 24 x 36cm £100 - 150

Lot 22 Vadim Gorbatov (b.1940) Early morning in the forest signed in Cyrillic l.l., watercolour 47.5 x 66cm £150 - 250

Lot 24 George Soper (1870-1942) The blacksmith’s forge etching, signed in pencil plate 17.3 x 12.5cm £80 - 100

Lot 23 Harry Becker (1865-1928) Haymaking etching plate 15 x 30cm £200 - 300 Provenance: From the artist’s studio. Exhibited: The Wildlife Art Gallery, Suffolk, 2010, no.145.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING Lot 25 Charles Edward Stewart (19th/20th century) ‘Wild Thyme, Tait’s Clock’; ‘Dolly Grey’ a pair, both signed with initials l.r., watercolour 37 x 25.5cm (2) £300 - 500 Lot 26 Ian Jeffrey (20th century) ‘Valeriga’, a study of a thoroughbred signed indistinctly, dated 1981 l.r., and inscribed with title l.l., pastel 39 x 39.5cm £200 - 300 Valeriga was a thoroughbred racehorse born in 1976.

25 part lot

Lot 27 A M Selfe, 20th century Mares and yearlings out to grass signed ‘A M Selfe’ l.l., also signed and inscribed indistinctly in pencil verso, oil on panel 59 x 78cm £400 - 600 Lot 28 English School, 19th century The First Ride oil on canvas 54 x 64.5cm £600 - 800 Lot 28A English School, 19th century Pony, cat and terrier in a stable signed with a monogram l.l., oil on canvas 41 x 49cm £150 - 250

28A www.sworder.co.uk

EQUESTRIAN AND HUNTING 1-87

Lot 29 *Molly Maurice Latham (1900-1987) Bowler-hatted huntsman signed and dated ‘Molly M Latham/1933’ l.r., watercolour 45 x 62cm £300 - 500 Lot 30 Thomas Ivester-Lloyd (1873-1942) Heavy horses out to grass signed ‘T. Ivester/Lloyd’ l.r., watercolour heightened with white 31.5 x 48.5cm £500 - 700

Lot 31 Charles Valton (French, 1851-1918) ‘The Plough Team’ bronze, signed ‘C Valton’ on base, with ‘Siot-Decauville Fondeur Paris’ and numbered ‘3330’ 29cm wide 21cm high £800 - 1,200

Lot 32 Continental School, 20th century Mare and foal cast iron, indistinctly signed on base 33cm wide 26cm deep 31cm high £200 - 300

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING Lot 33 *Rosemary Sarah Welch (b.1946) Two shire horses pulling a cart at twilight signed ‘Rosemary Sarah Welch’ l.r., oil on canvas 56 x 76cm £1,500 - 2,000 Lot 34 English School, 19th century Mounted sportsmen with guns over pointers, a country house beyond oil on canvas 46 x 61cm £300 - 500 Lot 35 Edward Hacker after William and Henry Barraud Mr William Long on Bertha, to His Grace the Duke of Beaufort engraving with hand-colouring image 36.5 x 49cm £150 - 250

Lot 36 Spare lot Lot 37 Basil Nightingale (1864-1940) ‘Fine Carrying On’ inscribed with title, signed and dated ‘Basil Nightingale 1920.’ u.r., charcoal and watercolour, heightened with white 54.5 x 73cm £200 - 300

Lot 38 CAT (20th century) ‘The Man Who at Once is a Judge of a Horse, is a Judge of a Country’; ‘The Man Who is Always on Good Terms with his Horse’ two, lithographs with hand colouring 35.5 x 38cm (2) £100 - 150

www.sworder.co.uk

38 part lot

EQUESTRIAN AND HUNTING 1-87 Lot 39 Edward Benjamin Herberte (fl.1857-1893) The meet; Flushing out a pair, signed and dated ‘E B Herberte/1883’ l.r., oil on canvas 25 x 35.5cm (2) £800 - 1,200

Lot 40 Edward Benjamin Herberte (fl.1857-1893) Approaching a fence signed and dated ‘E H Herberte/1883’ l.r., oil on canvas 30.5 x 25.4cm £500 - 700

40 16

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING

41 Lot 41 After Henry Thomas Alken Engravings showing a large scope of the Leicestershire, Rutlandshire and Lincolnshire counties: with all sorts of riders, good, bad, and indifferent four, hand-coloured engraving 13 x 56cm (4) £100 - 150

42 Lot 42 Thomas Burford (1710-1774) after James Seymour ‘Making a Cast at a Fault’; ‘Going to Cover’ mezzotint with hand colouring, published by T Burford, 1766 plate 25.5 x 35cm (2) £100 - 150 Lot 43 Thomas Goff Lupton (1791-1873) after William Barraud John Ward Esq. on Blue Ruin with his favourite hound, Betsy aquatint in colours image 42.5 x 50cm £100 - 150

43 www.sworder.co.uk

EQUESTRIAN AND HUNTING 1-87 Lot 44 Sylvester Martin (fl.1850-1906) The star; On the scent a pair, both signed and dated ‘S. Martin/1874’ l.l., oil on canvas 31 x 51cm (2) £500 - 700

44 Lot 45 English School, 19th century A gentleman on horseback, a terrier by his side, a country house beyond oil on canvas 50 x 65cm £300 - 500

45 18

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING

Lot 46 George Wright (1860-1942) ‘Gone to Earth’ signed ‘G. Wright’ l.r., oil on canvas 56 x 92cm £1,800 - 2,500 Lot 47 John Alexander Harrington Bird (1846-1936) A huntsman and hounds preparing to draw cover signed ‘Harrington Bird’ l.r., oil on canvas 35.5 x 46cm £300 - 500

47 www.sworder.co.uk

EQUESTRIAN AND HUNTING 1-87

Lot 48 Henry Thomas Alken (1785-1851) The Meet; The Kill a pair, signed ‘H Alken’ l.r. and l.c. respectively, oil on canvas 28 x 38cm (2) £15,000 - 20,000 Provenance: C ecil Dunn-Gardner Esq.; Christie’s, London, 27 June 1881, lot 44 (sold for 8.8.0 guineas to Hall); The Baird Collection; Phillips Auctioneers, Bury St Edmunds, 24 and 25 September 1997, lot 631 where purchased by the current owner.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING

Henry Thomas Alken (1785-1951), was the most famous member of the Alken family. He was a true master draftsman and as comfortable in the medium of oil and watercolour as he was engraving. His hunting and racing prints disseminated his work far and wide through the 1820s and 1830s making him a household name. Often humorous, his prints gently satirised the eccentricities of the upper classes at play. An avid sportsman himself, it is the character which shines through his paintings that is particularly charming. The present lot shows two works, ‘The Meet’ and ‘The Kill’, most probably from a set of four which follow a hunt from beginning to end. Generally this will include ‘The Meet’, showing the riders and hounds gathering. Here, we can see what looks like the master of the hunt arriving by carriage to the left of the picture, another carriage is visible in the distance. Next, we might have ‘Breaking Cover’ where the fox has been forced into the open by the hounds. Next, we will have ‘In Full Cry’, depicting the high drama of the hounds and the riders galloping full pelt after their quarry. The final part is ‘The Kill’ which, in varying degrees of gruesome realism, depicts the moment the hounds catch up with fox and the ride is over. There is always so much detail in Alken’s paintings, so much observation has gone into the composition – every rider is an individual and every horse expresses an attitude, their heads full of personality. At the start of the hunt, the horses are portrayed a little skittishly - they are stomping, turning their heads; the riders are forced to rein them in, curbing their impatience for the off. The hounds sniff the ground or play, waiting for the command. Contrast this to ‘The Kill’ - the horses look tired, steam shooting out of their nostrils, the viewer can feel their exertion. The riders lean back in their saddles, one lights a cigar. The hounds are all attention, circling the fox expectantly, some latecomers bounding in. He has such a lightness of touch; there is a fluidity in the application of the paint which makes them look fresh and effortless. The proportions and physiognomy of the animals is so well observed, and it is these qualities that have given his paintings such enduring appeal.

www.sworder.co.uk

EQUESTRIAN AND HUNTING 1-87

Lot 49 *Frederick J Haycock (b.1948) Huntsman and Hounds signed ‘Frederick J. Haycock’ l.l., oil on canvas 61 x 76cm £1,600 - 1,800

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING

Lot 50 *Peter Biegel (1913-1987) Ashford Valley Hunt signed ‘Peter Biegel’ l.r., oil on canvas 51 x 61cm £4,000 - 6,000 Provenance: Col. William H Whitbread. The Ashford Valley Hunt was formed in 1873 and initially hunted hares and occasionally foxes. The hunt is now known as The West Street Tickham Hunt and its hunt country is split between East Kent and the Ashford Valley.

www.sworder.co.uk

EQUESTRIAN AND HUNTING 1-87

51 part lot

52 part lot

Lot 51 English School, 19th century ‘Forward, Forward’; ‘You brush him up’ ‘To him, to him’; ‘Who Whoop’ four, each inscribed with title, pencil, oil pastel and bodycolour 25 x 35cm (4) £200 - 300 Lot 52 After Dean Wolstenholme ‘The Surrey Foxhounds, 1824’, plates 1-4 four, aquatint with later hand colouring, published by Messrs Fores plate 33 x 44cm and similar (4) £100 - 150

Lot 53 *Sir Alfred James Munnings (1878-1959) Huntsman clearing a fence offset lithograph in colours, signed ‘A J Munnings’ in pencil l.l. image 40 x 57.5cm £100 - 150 Provenance: With the Leicester Galleries, London. Lot 54 Hablot Knight Browne (‘Phiz’) (1815-1882) ‘The Meet. Pippins Congratulated on His Sportsmanlike Appearance’; ‘Pippins Doing Another Fall, This Time Picks out a Soft Place’; ‘He Takes a Wash After It A Perfect Refresher!’; ‘Pippins Tramps Home With a Friend, Having Enjoyed Himself Immensely!’ lithograph in colours image 23.6 x 38.6cm, unframed (4) £150 - 250

54 part lot 24

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING

Lot 55 Charles Edward Stewart (19th/20th century) Full cry signed ‘CE Stewart’ l.l., watercolour 34 x 48.5cm £200 - 300 Lot 56 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘Andsome Is Wot Andsome Does’ reproduction in colours with remarque, with Snaffle bit blind stamp and signature to the margin sheet 48 x 44cm £100 - 150 Lot 57 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘That far far-away Echo’, c.1915 coloured print, with some hand colouring, with remarque, signed in pencil l.r., with Snaffle bit blind stamp image 24 x 35cm £150 - 250 Lot 58 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) The Biggest Walls in the Country was in it’ chromolithograph in colours, with printed remarque, signed in pencil l.l., with Snaffle bit blind stamp image 30 x 46cm £100 - 150

www.sworder.co.uk

59 Lot 59 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘The Stone Wall’ print in colours, part hand-coloured by Fores, printed remarque, printed signature 47.5 x 67cm £150 - 250 Provenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.

EQUESTRIAN AND HUNTING 1-87 Lot 60 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘The Whissendine Brook Runs Deep and Wide’ print in colours, part hand-coloured by Fores, printed remarque, printed signature 47.5 x 66.5cm £150 - 250 Provenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.

61 Lot 61 *Lionel Dalhousie Robertson Edwards (1878-1966) ‘Lipnoak’, an elegant lady riding side-saddle through a wood signed with a monogram, indistinctly inscribed and dated ‘Lipnoak. 1903’ l.r., watercolour 31.5 x 25.2cm £300 - 500

62 Lot 62 George Denholm Armour (1864-1949) ‘The Stile’ signed ‘G.D. Armour’ l.r., watercolour, pen and ink 35 x 27cm £500 - 700

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING

63 part lot

Lot 63 Alfred Frank de Prades (French, 1825-1895) Bullfight; Picador with two matadors a pair, both signed and dated ‘A. de P/1869’ l.l. and l.r. respectively, watercolour 31 x 23.5cm (2) £400 - 600

64 part lot

Lot 64 *Glyn Williams (b.1955) Evening huntsman and hounds; Misty morning; The meet three, each signed ‘G. Williams’, oil on board largest 19.5 x 14.5cm (3) £300 - 500

65 www.sworder.co.uk

Lot 65 Henry Mansfield Childerstone (1873-1942) ‘With the Oakley foxhounds, Hanger Wood’ signed and dated ‘H M Childerstone’ l.r., inscribed on a label 1937 verso, watercolour 38 x 52.5cm £300 - 500

Lot 66 Henry Mansfield Childerstone (1873-1942) A Huntsman from the Oakley hunt, jumping a gate oil on canvas 61.5 x 51.5cm £300 - 500

66 27

EQUESTRIAN AND HUNTING 1-87

67 Lot 67 Alfred Elias (fl.1885-1911) Horse and foal beside a gypsy encampment signed ‘Alfred Elias’, l.r. oil on canvas 117.5 x 191cm £500 - 800

Lot 68 *Leesa Sandys-Lumsdaine (b.1936) Deer in heather signed and dated ‘L. SANDYS-LUMSDAINE ‘71’ l.l., oil on canvas 40 x 81cm £500 - 700 Provenance: With the Tryon Gallery.

68 28

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING

Lot 69 *Lionel Dalhousie Robertson Edwards (1878-1966) Gentlemen Prefer Blondes signed ‘Lionel Edwards’ l.r., oil on canvas board 30.5 x 41cm £1,500 - 2,500

Lot 69A William Turner Davey after Richard Ansdell RA ‘Grouse’; ‘Black Game’ two, lithograph in colours 40 x 65cm (2) £300 - 400

Provenance: W th The Tryon Gallery.

69A www.sworder.co.uk

EQUESTRIAN AND HUNTING 1-87

71 30

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING

Lot 70 *John Trickett (b.1952) Stag in the Scottish Highlands signed ‘John Trickett’ l.l., oil on canvas 51 x 76cm £600 - 800

Lot 71 *John Trickett (b.1952) Stag in Glen signed ‘John Trickett’ l.r., oil on canvas 40.5 x 61cm £600 - 800

Lot 72 *Peter Biegel (1913-1987) ‘Highland Evening’ signed ‘Peter Biegel’ l.r., inscribed as titled verso, oil on canvas 41 x 51cm £700 - 900 Provenance: With The Tryon Gallery.

www.sworder.co.uk

EQUESTRIAN AND HUNTING 1-87

Lot 73 Emil Rozsay (1839-1891) A wooded landscape with deer by a pool signed ‘Rozsay’ and dated (1)878.VI.10, l.r., oil on canvas 100 x 82.5cm £150 - 250 Lot 74 English School, 19th century A fox with a partridge oil on canvas 88 x 110.5cm, unframed £300 - 500 Lot 75 Stag on a rocky outcrop 20th century, indistinctly signed, bronze 75cm wide 39cm deep 93cm high £200 - 300 Lot 76 A stalking fox with initials ‘AW’, raised on a wood plinth, bronze with brown patina 43cm wide 12cm deep 18.5cm high £300 - 500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING

Lot 77 Sir Edwin Landseer RA (1802-1873) A caricature of three figures and a duck, ‘Yes Sir a wiry superb cure Sir’ signed with initials EL l.l., pen and ink 23 x 18.3cm; Studies of a hound pencil 12.4 x 16.5cm, all framed as one £400 - 600

Lot 78 Sir Edwin Landseer RA (1802-1873) A preparatory study for ‘The Connoisseurs’ pencil 22.3 x 17.7cm; A study of a seated lion inscribed ‘for H Collen Esq, with EL’s respects’ l.c., pencil 12 x 16.2cm, framed as one £1,000 - 1,500

Provenance: H enry Collen RA, thence by descent.

Provenance: Henry Collen RA, thence by descent.

The present lot and subsequent lot (78) were both the property of Landseer’s friend, the miniature painter Henry Collen RA and godfather to his son, Edwin.

The family tradition has it that Landseer sketched the studes whilst talking to Collen and then dedicated it to him.

www.sworder.co.uk

EQUESTRIAN AND HUNTING 1-87

Lot 79 Reginald Day (b.1935) Huntsman showing a Hound painted fretwork, signed and dated 1985, on a stand 22.5cm wide 13.5cm high £100 - 150

79 Lot 80 A silk top hat, from H M Budgett Esq., Kirtlington Park, size 7½, by Lincoln, Bennett & Co., in a carrying case with kid leather gloves and spats, and H M Budgett, ‘Hunting by Scent’, red cloth binding, 1st edn., one vol. (7) £80 - 120

80 Lot 81 A 9ct gold-capped riding whip, London 1929, with crocodile leather grip, 71cm long, a silver-mounted hunting crop, Birmingham 1916, inscribed ‘IV Hussars’, 64cm long, and a harrier’s crop, with hound head mount, also carved as a whistle, 29cm long (3) £100 - 150

Lot 82 A nickel-banded copper hunting horn, by Kohler & Son, retailed by Swaine Adeney, 22.5cm long £80 - 120

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

1-87 EQUESTRIAN AND HUNTING

83 part lot

Lot 83 *Daniel Crane (b.1969) A set of hunting still lifes including fishing rods, guns, riding and polo equipment five, each signed ‘Daniel Crane’, one dated ‘96, pencil, watercolour and bodycolour 16 x 11.5cm and similar (5) £300 - 500

Lot 84 ‘The Poacher’s Progress’, with eight colour plates after engravings by C Turner, Paul Harris Publishing, Edinburgh, 1981, from an edition of 750, overall 45.8 x 64.5cm £60 - 80 Lot 85 An oak and leather cartridge magazine, by C S Rosson & Co., Norwich, with presentation plaque ‘To GRR Colman Esq. 1913’, 47.5cm wide 33.5 deep 15cm high £100 - 200

www.sworder.co.uk

Provenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.

EQUESTRIAN AND HUNTING 1-87

Lot 86 *Michael Lyne (1912-1989) Coursing with Salukis signed ‘Michael Lyne’ l.r., inscribed as titled verso, oil on canvas 50 x 76cm £800 - 1,200 Lot 87 *Paul Jenkins (b.1949) Two hares bronze with brown patina, 24cm wide 9cm deep 14cm high £500 - 600

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

RACING 88-124

Lot 88 Follower of Harry Hall A racehorse held by a groom with trainer and jockey oil on canvas 48 x 62cm £1,000 - 1,500

88-124 RACING

Lot 89 Clifton Tomson (1775-1828) ‘Patriot’ signed and inscribed ‘Clifton Tomson/ Nottingham’ l.r., inscribed with title l.c., also signed and inscribed on stretcher verso, oil on canvas 55 x 70.5cm £2,000 - 3,000

www.sworder.co.uk

RACING 88-124 Lot 90 James Clark (1858-1943) ‘Bull-Dog, the Renowned Jumper’ signed and dated ‘James Clark 19’ l.r., oil on canvas 51 x 61cm £400 - 600

90 Lot 91 Marie Joseph Ernest Le Nail (French, 1842-1927) A chestnut racehorse with jockey up signed ‘Le Nail’ l.r., oil on board 15.5 x 23.5cm £400 - 600

91 Lot 92 English School, early 19th century Portrait of a racehorse called Tawney with jockey inscribed ‘Tawney’ l.l., oil on canvas 63.5 x 76.5cm £300 - 500

92 40

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

88-124 RACING

93 part lot

Lot 93 *Jan Maciej Kopecki (Polish, 1945-2016) ‘Arabian mare’; ‘El Paso’ two, engraving, the first limited edition 1/100, the second an artist’s proof, both signed and inscribed in pencil plate 19.5 x 22cm and 21 x 24.5cm (2) £100 - 150

94 part lot

Lot 94 J Goldsmith (c.1875) Over the water, a steeplechase; Over the jump a pair, both signed and dated ‘J Goldsmith/1875’ l.r., the first indistinctly inscribed, oil on board 15.2 x 20cm (2) £100 - 150

Lot 95 C & G Hunt after F C Turner ‘Vale of Aylesbury Steeple Chase’, a set of three aquatint in colours 33 x 55.2cm (3) £200 - 300

Lot 96 Charles Hunt after James Pollard Epsom Races, plates I-VI six, aquatints, published by Messrs Fores each plate 30 x 46.5cm and similar (6) £200 - 300

95 part lot

96 part lot www.sworder.co.uk

RACING 88-124

Lot 97 Cecil Aldin (1870-1935) The Water Jump signed ‘Cecil Aldin’ l.r., coloured chalk 57.5 x 86cm £3,000 - 5,000

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

88-124 RACING

Lot 98 *Lionel Dalhousie Robertson Edwards (1878-1966) Ascot - The Start of the Hunt Cup signed ‘…Edwards’ l.r., watercolour 31 x 50.5cm £10,000 - 15,000 The Hunt Cup is held on the second day of the Royal Ascot meeting in June and is one of the week’s three trophy races alongside the Gold Cup and the Queen’s Vase. Ascot was founded by Queen Anne in 1711 and the Hunt Cup later established in 1843. Covering a distance of one mile, Edwards captures the start of this prestigious event. Edwards was born in Conway, Wales, and grew up with a passion for horses and fox hunting. He trained at the Heatherley and at Frank Calderon’s School of Animal Painting. During the First World War, he volunteered as a Remount Purchasing Officer alongside Sir Alfred Munnings and Cecil Aldin. Edwards’ output was prolific; alongside painting he also wrote and illustrated more than thirty books and was commissioned to document the Olympics of 1928, 1932 and 1948. Executed in his preferred medium of watercolour, this painting demonstrates Edwards’ adeptness at portraying the movement and drama of horse racing.

www.sworder.co.uk

RACING 88-124

Lot 99 *Peter Biegel (1913-1988) ‘Mackeson Gold Cup 1964’ signed and dated ‘Peter Biegel/ ‘64’ l.r., inscribed with title verso, also inscribed ‘The Water’ verso, oil on canvas 51 x 76.5cm £5,000 - 8,000 Provenance: Col. William H Whitbread, no.SK970. The Mackeson Gold Cup was established in 1960. Run at Cheltenham, the course is more than 2 miles long with 16 fences to jump. In 1964, Super Flash ridden by Stan Mellor ran to victory. Mellor is famous for being the first National Hunt jockey to ride 1000 winning races.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

88-124 RACING

Lot 100 *Peter Biegel (1913-1988) ‘Hurdlers’ signed and dated ‘Peter Biegel/69’ l.r., oil on canvas 49 x 74.5cm £5,000 - 8,000 Illustrated: The Injured Jockeys fund Calendar, 1999, illustrating the month of November.

www.sworder.co.uk

RACING 88-124 Lot 101 *Peter Biegel (1913-1988) Racehorses and jockeys at Aintree signed and dated ‘Peter Biegel/Aintree 1953’ l.l., watercolour and gouache 20 x 26cm £500 - 700 Lot 102 *Norman Hoad (1923-2014) Horse racing; and a companion a pair, signed ‘NORMAN HOAD’ l.l. and l.r., respectively, red chalk 36 x 45.5cm and 30.5 x 50.5cm (2) £200 - 300

101

Lot 103 *Raoul Millais (1901-1999) Sketches of Ascot signed ‘Raoul Millais’ in pencil l.l. and inscribed ‘Ascot’ l.r., pencil and pastel 21 x 14cm £150 - 250 Provenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.

102

103

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

88-124 RACING

104

105 Lot 104 *Lionel Ellis (1903-1988) A dapple grey racehorse with trainer and owner, a paddock beyond signed with initials l.r., oil on canvas 51 x 68.5cm £400 - 600

www.sworder.co.uk

Lot 105 *Sir Alfred James Munnings PRA (1878-1959) Study for The Hon. Anthony Mildmay on Davy Jones drypoint etching image 19 x 29.5cm £200 - 300

The oil painting of this subject was exhibited at the Royal Academy in 1938. The Hon. Anthony Mildmay was a celebrated amateur steeplechaser and rode Davy Jones in the 1936 Grand National.

RACING 88-124 Lot 106 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘A bona fide fox chaser’ print in colours, with printed remarques top and bottom, signed in pencil l.r., with blind stamp sheet 48 x 44cm £100 - 150

106 Lot 107 *Charles Johnson Payne, called Snaffles (1884-1967) ‘The Worst View in Europe’ print in colours with remarque, blind stamp and signed in pencil sheet 41 x 67cm £100 - 150

107 Lot 108 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘A sight to take home and dream about’ print in colours, part hand-coloured by Fores, printed remarque, signed l.l., with blind stamp sheet 51 x 66.5cm £150 - 250

108 Lot 109 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘Once upon a time’ chromolithograph in colours with some hand colouring, signed in pencil sheet 49.5 x 62cm £200 - 300

109 48

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

88-124 RACING

Lot 110 *Philip Blacker (b.1949) Race horse jumping a fence bronze with brown patina on a marble base, signed, dated ‘PB 78’ and numbered from an edition 2/6 on the base 37cm wide 12cm deep 41.5cm high £1,500 - 2,000

110

Lot 111 Beswick model of Nijinsky with Lester Piggott up, 29.5cm wide 10cm deep 31.5cm high £100 - 150

111

112

www.sworder.co.uk

Lot 112 An Edwardian silver cigarette box, by William Comyns & Sons, London 1902, with an enamelled lid depicting a racehorse and jockey up, inscribed ‘MARPESSA H S Persee’, cedar lined, 22cm wide 14cm deep 6.5cm high £1,000 - 1,500

RACING 88-124

113

88-124 RACING

114

Lot 113 Isidore Jules Bonheur (French, 1827-1901) Horse and jockey bronze with brown patina, signed on the base 77cm wide 20cm deep 70cm high £2,000 - 3,000

Lot 114 *Charles Walter Simpson (1885-1971) ‘Golden Miller Winning the Grand National from Delaneige 1934’ signed ‘Charles Simpson’ l.r., oil on canvas 72 x 102cm £6,000 - 8,000 Illustrated: Claude Berry, ‘The Racehorse in Twentieth Century Art’, published by The Sportsman’s Press, 1989, p.12. This painting depicts the dramatic moment that Golden Miller took the lead in the 1934 Grand National, and became the first horse to win the Grand National and the Cheltenham Gold Cup in the same year. Miller also broke the 72-year long course record, racing to victory in 9 minutes, 20.4 seconds. Golden Miller was ridden by Gerry Wilson, trained by Basil Briscoe and owned by Dorothy Paget. He was the most successful Cheltenham Gold Cup horse ever, winning the race five years in a row.

www.sworder.co.uk

RACING 88-124

115 Lot 115 Boris Sporykhin (1928-2020) ‘Before the races’, 1957 signed in Cyrillic and dated 57 l.r., watercolour 20 x 51cm £200 - 300

Lot 116 *Jake Sutton (b.1947) ‘Jockey’ signed with initials ‘JS’ l.r., inscribed as titled and dated ‘1987’ on gallery label verso 34 x 49.5cm; together with two similar examples by the artist ‘Jockey with Blue Stars’; ‘Jockey II’ both signed ‘JS’ with initials 34 x 50cm and similar (3) £300 - 500 Provenance: With Francis Kyle Gallery.

116 part lot

117 Lot 117 British School, 20th century Over the fence signed indistinctly and dated 38 l.r., pastel 37.5 x 44cm £200 - 300

118 Lot 118 *Lionel Ellis (1903-1988) ‘Grey Colt’ signed ‘Lionel Ellis’ l.l., inscribed with title verso, oil on board 40.5 x 50.5cm £400 - 600

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

88-124 RACING

119

120

Lot 119 *Graham Isom (b.1945) ‘Petong - Wokingham Stakes, Ascot’ signed ‘Isom’ l.l., inscribed with title verso, oil on canvas 50.5 x 76cm £200 - 300

Lot 120 *Cédric Eudeline (French, b.1969) Over the jump signed ‘C Eudeline’ l.r., oil on canvas 45.5 x 54cm £100 - 150

Lot 121 *Walter John Beauvais (1942-1998) Gathering at the start line signed ‘Beauvais’ l.r., oil on board 49 x 59cm £300 - 400

Lot 122 *Walter John Beauvais (1942-1998) The Finishing Line signed ‘Beauvais’ l.l., oil on board 49 x 59cm £300 - 400

121

www.sworder.co.uk

122

RACING 88-124

123

124 Lot 123 *Malcolm Coward (b.1948) Garthorpe Point to Point signed ‘M Coward’ l.l., oil on board 44 x 125cm £1,200 - 1,400

Lot 124 *James Power (b.1946) ‘First Time Around, Chester’ signed ‘James Power’ l.r., oil on canvas 77 x 107cm £500 - 800 Power worked as a stud groom for Juddmonte Farms for thirty years, working with great racehorses such as the unbeaten champion, Frankel. His close observation of racehorses nurtured his ability to capture racing through painting. He has been an active member of the Society of Equestrian Artists for more than twenty years, and more recently became a member of the East Anglian Artists. In 2000, he won the Horse and Hound award for Best Racing Picture.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

DOGS 125-213

125

Lot 125 Follower of Pieter Boel Dogs with dead game in a wooded landscape oil on canvas 63 x 99cm £1,500 - 2,000 Lot 126 M A Dowden (19th/20th century) Study of a St Bernard signed and dated ‘M. A. Dowden/1916’ l.c., oil on board 6 x 44.5cm £400 - 600

126

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS Lot 127 Richard Strebel (German, 1861-1940) ‘Baldur and Herta’, Newfoundlands on a beach signed, inscribed and dated ‘Richard Strebel Munchen 99’ l.r., also signed, inscribed with title and dated verso, oil on canvas 62.5 x 78.5cm £700 - 900 Strebel depicts two important Newfoundland dogs that helped establish the breed in Germany. Professor Waszily of Von der Ostsee Kennels was a founding member of the German Newfoundland Club in 1893, which became one of the largest breeding clubs for Newfoundland dogs in Europe. Waszily bred Herta and Baldur, who were born from the same litter on 28 May 1898. Strebel was a famous animal painter and produced an illustrated two-volume work titled ‘The German Dogs and their Ancestry’ (1903-5). He produced a similar painting depicting the three varieties of Newfoundland playing on the beach for the German Newfoundland Club, which became their club emblem.

127

128 Lot 128 After Landseer Portrait of a Newfoundland dog oil on papier mâché diameter 21cm, circular, concave; together with After Landseer Newfoundland on a bank oil on board 16 x 20.5cm (2) £300 - 500

www.sworder.co.uk

DOGS 125-213

Lot 129 Louis Riché (French, 1877-1949) A German shepherd signed, bronze with gold patina 37cm wide 19cm deep 38cm high £300 - 400

129

Lot 130 Louis Riché (French, 1877-1949) Two German shepherds signed on the base, bronze with gold brown patina 53cm wide 29cm deep 46.5cm high £400 - 500

130

Lot 131 *Norman Webster (b.1924) ‘Portrait of Del’, a German Shepherd signed and dated ‘Norman Webster/1970’ l.r., inscribed with title verso, oil on canvas 45.5 x 83.5cm £200 - 400

131

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS

Lot 132 Louis Riché (French, 1877-1949) Seated German shepherd bronze with brown patina, signed ‘L. Riché’ on the base, with Jollet & Cie foundry mark 19cm wide 8cm deep 23.5cm high £200 - 300

132

Lot 133 Louis Riché (French, 1877-1949) A recumbent Alsatian bronze with brown patina, signed to the base ‘L. Riché’, with Jollet & Cie foundry mark 24.5cm wide 7cm deep 15cm high £200 - 300

133

Lot 134 *Natalie Mascall (contemporary) ‘Vigilant’ signed ‘Natalie Mascall’ l.l., pastel 30.5 x 38.5cm £300 - 500 Natalie Mascall is an Essex-based award-winning animal artist and winner of the 2010 BBC Wildlife Artist of the Year Competition.

134

www.sworder.co.uk

DOGS 125-213 Lot 135 *John Trickett (b.1952) Rottweilers oil on canvas 45.5cm diameter £500 - 700

135

Lot 136 Contemporary Staffordshire bull terrier bronze 45cm wide 21cm deep 31cm high £600 - 800

136

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS

Lot 137 Contemporary British bulldog bronze with brown patina 70cm wide 55cm deep 50cm high £2,000 - 3,000

137

www.sworder.co.uk

DOGS 125-213 Lot 138 A porcelain figure of a greyhound by Jacob Petit of Paris, 19th century, standing over a dead hare on an oval base, painted underglaze marks to base, 24cm wide 10cm deep 18cm high, together with five further greyhounds and whippet figures (6) £300 - 500 Lot 139 Two unusual porcelain figures of dogs, 19th century, probably Staffordshire, one a greyhound, the other a spaniel, each very thin, flat figure modelled in grass and raised on a stepped base, each bearing ‘Doris Keane Collection’ paper labels beneath, the larger 14cm wide 4.5cm deep 5.5cm high (2) £200 - 300

138

Provenance: The Doris Keane Collection.

139

139A Lot 139A An unusual Victorian silver dog collar, mid-19th century, to either side with a reeded rim, inscribed to the side ‘AGNES FOWLER BUTLER / PENDEFORD HALL’, diameter 6cm £300 - 400 The Fowler family, later Fowler-Butler, passed down Pendeford Hall, Wolverhampton, throughout almost five centuries, with the majority of the men going into military service. Agnes Fowler-Butler was married to Robert Henry Fowler-Butler, who inherited the estate in 1865, his army career culminating with the rank of Major-General. The estate began its partial demolition in 1953, before being completely demolished fifteen years later.

140 Lot 140 After Jules-Edmond Masson Greyhounds bronze, signed 33cm wide 12cm deep 28cm high £600 - 800 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS

140A Lot 140A A pair of recumbent greyhounds, lead on stone base 28.5cm wide 70cm long 30cm high (2) £2,000 - 3,000

Lot 141 An Albany Fine China group, by Neil Campbell, modelled as a pair of racing greyhounds, mounted on an oval mahogany plinth, with an engraved silver dedication plaque, inscribed ‘Presented to Douglas Tyler by the Directors of Walthamstow Stadium in appreciation of his services to Greyhound Racing’, in a silk and velvet-lined presentation case, with certificate of authenticity, numbered 77/250, 33cm wide 16cm deep 23cm high including plinth £300 - 500 Lot 142 After Pierre-Jules Mêne Standing whippet bronze, the oval base with cruciform detail and a cast signature, marked ‘FBL’ for the Fonderie de Bronze Lauragais 16cm wide 9cm deep 15.5cm high £100 - 150

141

142 www.sworder.co.uk

DOGS 125-213 Lot 143 Samuel John Carter ROI (1835-1892) A lurcher and stag in a highland landscape signed ‘S J Carter’ on stretcher verso, oil on canvas 63 x 73cm £700 - 1,000

143 Lot 144 *Joseph Appleyard (1908-1960) ‘Bandage’ signed ‘Joseph Appleyard’ and dated 39 l.l., inscribed with title u.r., watercolour, pencil 19 x 23.5cm £100 - 150

144 Lot 145 H Hardy, c.1878 A pointer bitch in a wheat field signed and dated ‘H. Hardy./1878’ l.r., watercolour 19.5 x 25.5cm £200 - 300

145

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS Lot 146 Bruce Little (South African, contemporary) Standing figure of a pointer bronze, signed, dated 2015 and numbered 3/4 20cm wide 119 deep 76cm high £600 - 800 Provenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.

Lot 147 *Steve Boss (b.1970) Large whippet bronze, signed and numbered from edition of 45 13cm wide 12cm deep 33cm high £1,200 - 1,800

146

147

Lot 147A *Sally Arnup (1930-2015) A Bloodhound following the scent bronze on marble base, numbered VI of X 46cm wide 23cm high £1,200 - 1,800

147A

www.sworder.co.uk

DOGS 125-213

148

150

Lot 148 Colin Graeme Roe (1858-1910) Pointer and Setter oil on canvas 51 x 40.5cm £200 - 300 Lot 149 Edwin Loder (1827-1885) A bull terrier with a rat signed ‘E. Loder’ l.l., oil on canvas 25.5 x 35.5cm £300 - 500 Lot 150 English School, 19th/20th century Bull terrier oil on panel 17.5 x 23cm £200 - 300

149

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS Lot 151 A pair of Meissen-style porcelain figures of bulldogs, in the manner of Joachim Kaendler, late 19th century, German, each seated on an oval base, 18cm wide 9cm deep 20cm high (2) £200 - 300

Lot 152 A Derby porcelain figure of a pug, late 18th century, modelled seated on an oval base, incised number ‘3’ to base, 6cm high, and three further canine figures (4) £200 - 300

151

152

Lot 153 English School, 19th century Left in Charge oil on canvas 46 x 66cm £150 - 250

153

www.sworder.co.uk

DOGS 125-213 Lot 154 Herbert Thomas Dicksee RE (1862-1942) ‘The Closed Door’ (an alert recumbent patient terrier) etching on Japanese vellum plate 37 x 56cm £300 - 500 Lot 155 Herbert Thomas Dicksee RE (1862-1942) ‘The Little Gipsy’, a girl sitting with her terrier dog in a woodland glade, both gazing at flames under a cooking pot original etching on vellum image 48.5 x 60.4cm £150 - 250

154

155

156 Lot 156 Herbert Thomas Dicksee RE (1862-1942) ‘Hope’, two Cairn terriers, one seated, the other lying down, both waiting patiently etching plate 28.5 x 41.7cm £200 - 300 Lot 157 Herbert Thomas Dicksee RE (1862-1942) ‘Beauty and the Beast’: a Belligerent Staffordshire Bull Terrier; and a Friendly Border Collie a pair of original etchings on one sheet of paper, signed artist’s proof, no other state, published by C E Clifford & Co., London, 1888 plates 19.4 x 12.2cm (two framed as one) £150 - 250

157

Provenance: From the artist’s grandson; the Bryan Steele Collection. Exhibited: The Royal Academy 1887, number 1473.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS Lot 158 *Mabel Gear (1898-1987) A West Highland Terrier signed ‘M. GEAR’ l.r., bodycolour 23.5 x 28.5cm £200 - 300

Lot 159 *Neil Forster (1939-2016) A Yorkshire Terrier signed ‘Neil Forster’ l.r., pastel 35.5 x 45.5cm £150 - 250

158

Lot 160 After Heinrich Sperling ‘The Five Senses: Hearing, Seeing, Smelling, Tasting, Feeling’ five framed together, engraving, signed ‘H Sperling’ in plate, published by Richard Bong, 1893 each 29.5 x 12.5cm, overall 41 x 85.5cm £100 - 150

159

160

www.sworder.co.uk

DOGS 125-213 Lot 161 English School, 19th century ‘Waiting for Master’ oil on panel 23 x 18cm £300 - 500

161

Lot 162 Samuel Edmund Waller (1850-1903) ‘Defiance’ signed with initials l.r., inscribed with title verso, oil on canvas 35.5 x 25cm £700 - 1,000

162

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS

163

Lot 163 Arthur Wardle (1864-1949) Sealyham terrier by the hearth signed ‘Arthur Wardle’ l.l., oil on canvas 46 x 36cm £3,000 - 5,000

www.sworder.co.uk

DOGS 125-213

Lot 164 British School, 20th century Standing terrier oil on canvas board 37 x 38.5cm £500 - 700

164

Lot 165 Edward Armfield (1817-1896) Otter Hounds and Huntsman crossing the river signed ‘E. Armfield’ l.l., oil on canvas 76.5 x 127cm £400 - 600

165

Lot 166 Edward Aistrop (fl.1880-1920) A pair of fox terriers two, oil on board 10.5 x 12.5cm (2) £200 - 300

166

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS

167

168

Lot 167 Edward Armfield (1817-1896) Terriers in a landscape signed ‘E Armfield’ l.r., oil on canvas 38.5 x 50.5cm £200 - 300 Lot 168 George Armfield (1808-1893) Terriers by a burrow oil on board 23.7 x 30cm £300 - 500 Lot 169 Walter Harrowing (c.1838-1913) after Sir Edwin Landseer Dignity and Impudence signed and inscribed ‘Walter Harrowing/ After Landseer’ l.r., oil on canvas 61 x 51cm £400 - 600

169

www.sworder.co.uk

DOGS 125-213

170

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS

171

Lot 170 Valentine Thomas Garland (1840-1914) Ready for the hunt signed and dated ‘Valentine T. Garland ‘98’ l.r., oil on canvas 51 x 35.5cm £800 - 1,200 Lot 171 *Frederick J Haycock (b.1948) Hounds clearing a fence signed ‘Frederick J. Haycock’ l.r., oil on canvas 36 x 45.5cm £900 - 1,200 Lot 172 Arthur Charles Dodd (fl.1878-1891) Fox hounds chasing down a fox signed ‘A C Dodd’ l.r., oil on canvas 50.5 x 76cm £400 - 600

172

www.sworder.co.uk

DOGS 125-213

173 Lot 173 James Walsham Baldock (1822-1898) Rufford Hounds, 1884 signed and dated ‘J Baldock/1884’ l.l., oil on canvas 51 x 68.5cm £1,000 - 1,500

Lot 174 After Pierre-Jules Mêne Hounds in pursuit of a rabbit bronze with brown patina, 20th century, with signature ‘P.J. MENE’ 86cm wide 44cm deep 38cm high £400 - 600

174

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS Lot 175 J Hallett (20th century) Beagle with puppies signed ‘J Hallett’ and dated ‘85 l.r., pastel 31 x 43cm £200 - 300

175 Lot 176 English School, early 19th century The head of a hound pastel 12.2 x 15cm £150 - 250

176 Lot 177 *Michael Lyne (1912-1989) ‘Battle’, a foxhound of the Cottesmore Hunt, together with a pencil and wash sketch of the same subject two, the first signed l.r., the second signed and inscribed l.r., oil on canvas 61 x 76cm and 24.5 x 30cm (2) £300 - 500

177

www.sworder.co.uk

DOGS 125-213 Lot 178 Robert Cleminson (1864-1903) Two gun dogs with pigeons, rifle and game bag, mountains beyond signed ‘R. Cleminson’ l.l., oil on canvas 90 x 70cm £1,000 - 1,500

178

Lot 179 A Staffordshire creamware figure of a gun dog, 19th century, seated above a bird, decorated in tones of brown and green, bearing a Jonathan Horne paper label beneath, 11cm wide 16cm deep 18cm high together with two smaller examples, and a Continental seated cat and a figure of a setter (5) £200 - 300

179

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS

180

Lot 180 *John Trickett (b.1952) Black Labradors signed ‘John Trickett’ l.r., oil on canvas 40 x 76cm £800 - 1,000 Lot 181 *Muhmood Tahir (contemporary) Retriever on the scent bronze 14cm wide 9cm deep 7cm high £150 - 250

181

www.sworder.co.uk

DOGS 125-213

182

183

Lot 182 *John Murray Thomson (1885-1974) A Black Labrador signed ‘J Murray Thomson’ l.l., oil on board 36 x 26cm £400 - 600

Lot 183 *Norman Webster (b.1924) ‘Major’, a Labrador signed and dated ‘Norman Webster/1980’ l.r., inscribed with title verso, oil on board 56 x 76.5cm £200 - 400

184 Lot 184 *Norman Webster (b.1924) ‘Major’, a Labrador signed and dated ‘Norman Webster/1970’ l.l., inscribed with title and the artist’s address verso, oil on board 55.5 x 74cm £200 - 400

185 Lot 185 Henry Crowther (fl.1905-1929) Irish Setter signed and dated ‘Crowther’/1913 l.l., oil on canvas 25.5 x 30.5cm £150 - 250 Provenance: With Gilbert’s Art Gallery, Cork.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS

186

Lot 186 Attributed to Abraham Cooper (1787-1868) Setter in a landscape oil on panel 24.8 x 29cm £600 - 800 Provenance: W ith The Tryon Gallery. Lot 187 I Clark after Henry Alken Spaniels; Pointers; Stag Hounds; Setters; Water Spaniels; Terriers a set of six aquatints with some hand colouring plate 28 x 37.6cm, unframed (6) £200 - 300

187 part lot

www.sworder.co.uk

DOGS 125-213

188

189

Lot 188 *John Trickett (b.1952) English Setters signed ‘John Trickett’ l.r., oil on canvas 41 x 61cm £700 - 900

190

Lot 189 Andrea Clarkson (contemporary) ‘Quail and Sophie’ signed ‘Andrea Clarkson’ l.l., watercolour 53.5 x 71.5cm £100 - 150

Lot 190 *John Murray Thomson (1885-1974) Spaniels signed ‘J Murray Thomson’ l.l., oil on canvas board 41 x 51cm £300 - 500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS

191 Lot 191 Léon Danchin (French, 1887-1938) Black Cocker Spaniel; English Setter and Duck two, lithographs with some hand-colouring, both signed ‘Léon Danchin’ in pencil l.l., the second inscribed l.r. 47 x 65cm and 37 x 52cm (2) £100 - 150

192 part lot Lot 192 Herbert Wynn Hellings (1873-1948) Labrador with pheasant; Spaniel with pheasant; Spaniel with mallard three, each signed ‘H W Hellings’ l.l. and l.r., pencil and watercolour largest 25.5 x 40cm and smaller (3) £150 - 250 Lot 193 Herbert Wynn Hellings (1873-1948) Hare; Perch; Ducks in flight; Labrador with pheasant four, each signed ‘H W Hellings’ l.l. and l.r., pencil and watercolour largest 30.5 x 21.5cm and smaller (4) £150 - 250

193 part lot

www.sworder.co.uk

DOGS 125-213

194 Lot 194 *John Trickett (b.1952) Spaniels flushing Woodcock signed ‘John Trickett’, oil on canvas 51 x 60.5cm £800 - 1,000 Lot 195 John Trickett (b.1952) Spaniel flushing pheasant signed ‘John Trickett’ l.r., oil on canvas 30.5 x 40.5cm £400 - 600

195

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS

196 Lot 196 English School, 19th century A Blenheim and Tricolour King Charles spaniels on a cushion oil on board 24.5 x 30.5cm £200 - 300

197 Lot 197 English School, early 20th century A King Charles spaniel in a landscape oil on board 45 x 55cm £300 - 500

Lot 198 *Kay Nixon (1894-1988) Blenheim King Charles spaniel signed ‘K Nixon’ l.r., bodycolour 34 x 27.5cm £150 - 200

198

www.sworder.co.uk

DOGS 125-213

199

200

Lot 199 Ruth Bowyer (20th century) Lhasa Apso signed ‘R. BOWYER’ l.r., oil on canvas 40.5 x 51cm £200 - 300

Lot 200 *Frances Mabel Hollams (1877-1963) ‘Bumble’, a shitzu titled u.l. and signed and dated ‘F M HOLLAMS ‘87’ l.r., oil on board 40.5 x 51cm £300 - 500

Lot 201 English School, 20th century Study of a dachshund bodycolour 2.5cm diameter £100 - 150

201 Lot 202 Charles Boland (Belgian, c.1850) A pug and a Griffon Bruxellois playing on the cushions signed ‘Charles Boland’ l.r., oil on canvas 60 x 76.5 cm £700 - 900

202

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS

203 204 Lot 203 Sausage dog Resin, open 12cm wide 42cm deep 20cm high £120 - 180 Lot 204 Maud Turner (20th century) Pretty Girl signed ‘MAUD TURNER’ l.r., and inscribed ‘Pretty Girl’ l.c., oil on canvas board 18 x 23cm £100 - 150 Lot 205 A group of five Staffordshire pottery poodles, 19th century, comprising: a pair holding birds in their mouths, each bearing a label for the Doris Keane Collection, 9cm high, an example on hind legs begging, and two further, one bearing a Chelsea gold anchor (5) £200 - 400

206

www.sworder.co.uk

205 Lot 206 A Jackfield pottery figure of a poodle, 19th century, seated with a stick in its mouth, on a shaped oval base, 8cm wide 15cm deep 17cm high, together with a glazed earthenware figure of a spaniel (2) £200 - 300

Lot 207 A pair of delft figures in the form of seated dogs, 18th century, Dutch, each with polychrome spotted decoration, on a canted base, 6.5cm wide 8.5cm deep 13cm high (2) £300 - 500

207

DOGS 125-213

MANDY E SHEPHERD (b.1960) Mandy Shepherd has a passion for animals and wildlife, and has travelled extensively, capturing different species and exhibiting her artworks around the world. She undertook commissions for the military leading her to travel to Bosnia, Kosovo, Brunei, Oman, Iraq and Gibraltar, as well as accompanying naval ships HMS Invincible, Illustrious and Ocean. Mandy has been an active member of her father’s charity, ‘The David Shepherd Wildlife Foundation’, and has donated works to three exhibitions at the Tryon Gallery that fundraised for the charity. She works with water-based paints, pastels, crayons and pencils to add layers to her drawings that allow her to achieve a remarkable immediacy and liveliness when capturing animals.

208

209

Lot 208 *Mandy E Shepherd (b.1960) Airedale terrier, depicted in Malham, Yorkshire, home of the terrier signed ‘Mandy E Shepherd’ l.r., watercolour, coloured pencil, pastel 38.2 x 47cm, unframed £300 - 500

Lot 209 *Mandy E Shepherd (b.1960) Rottweiler signed ‘Mandy E Shepherd’ l.r., watercolour, pastel 46.4 x 37.6cm, unframed £300 - 500

Lot 210 *Mandy E Shepherd (b.1960) Golden Retriever signed ‘Mandy E Shepherd’ l.r., watercolour, coloured pencil, pastel 32 x 42.5cm, unframed £300 - 500

210

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

125-213 DOGS Lot 211 *Mandy E Shepherd (b.1960) Whippet signed ‘Mandy E Shepherd’ l.r., watercolour, coloured pencil, pastel 35 x 46.3cm, unframed £300 - 500

211

213 Lot 212 *Mandy E Shepherd (b.1960) Dalmatian, seated in a courtyard signed ‘Mandy E Shepherd’ l.r., watercolour, coloured pencil 48.5 x 38cm, unframed £300 - 500 Lot 213 *Mandy E Shepherd (b.1960) Bearded Collie signed ‘Mandy E Shepherd’ l.r., watercolour, pastel 37.2 x 48.8cm, unframed £300 - 500

212

www.sworder.co.uk

ORNITHOLOGICAL ART 214-273

214

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

214-273 ORNITHOLOGICAL ART

215 Lot 214 *Trevor Boyer (b.1948) Black and White Eagle signed and dated ‘T.BOYER 1980’ c.l., watercolour 61 x 40cm £300 - 500 Illustrated: Philip Burton, ‘Vanishing Eagles’, Chartwell, 1987, p.109. Lot 215 *Richard Robjent (b.1937) ‘Golden eagle, Sutherland’ signed ‘Richard Robjent’ l.r. and inscribed with title on artist’s label verso, watercolour 61 x 86cm £200 - 300 Lot 216 *Trevor Boyer (b.1948) Harpy Eagle signed and dated ‘T.BOYER 1978’ on the branch, watercolour 61 x 43cm £300 - 500 Illustrated: Philip Burton, ‘Vanishing Eagles’, Chartwell, 1987, p.57.

216

www.sworder.co.uk

ORNITHOLOGICAL ART 214-273

217

219

Lot 217 *Trevor Boyer (b.1948) Bateleur Eagle signed and dated ‘T.BOYER 1978’, watercolour 60.5 x 40.5cm £300 - 500

Lot 219 *Trevor Boyer (b.1948) Bald Eagles signed and dated ‘T.BOYER 79’ l.r., watercolour and bodycolour 60.5 x 40.5cm £300 - 500

Provenance: W ith Gallery 181, London.

Illustrated: Philip Burton, ‘Vanishing Eagles’, Chartwell, 1987, p.19.

Illustrated: Philip Burton, ‘Vanishing Eagles’, Chartwell, 1987, p.57. The bateleur eagle is native to South Africa and is closely related to snake eagles. They have an exceptionally long wingspan and are adapted to high-speed gliding. Lot 218 *Mark Luckhurst (b.1961) Golden Eagle signed ‘Mark Luckhurst’ l.l., acrylic on wood 38 x 52.5cm £300 - 500

218

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

214-273 ORNITHOLOGICAL ART Lot 220 *Trevor Boyer (b.1948) ‘Wedge-Tail Eagle’ signed and dated ‘T.BOYER 80’ l.l., watercolour and bodycolour 41.5 x 31cm £300 - 500 Provenance: With Halcyon Gallery, Birmingham. Illustrated: Philip Burton, ‘Vanishing Eagles’, Chartwell, 1987, p.87.

220

Lot 221 Gustave Van Vaerenbergh (Belgian, 1873-1927) An eagle on a rocky outcrop terracotta, signed on the reverse and marked 1429/2 37cm wide 48cm deep 46cm high £1,000 - 1,500

221

ORNITHOLOGICAL ART 214-273

Lot 222 Taxidermy: A rose-coloured pastor (Pastor roseus) full mount in a dome display, mounted on a branch with green foliage, the stand inscribed ‘Southtown Farm, Aug 11th 1868’ 25cm high 27cm long £150 - 250 Provenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.

222

Lot 223 Taxidermy: a golden pheasant, a shelduck and a wader in a naturalistic setting of moss and grasses in a single glass display case 28.5cm wide 28.5cm deep 54.5cm high £100 - 150

223

Lot 224 Taxidermy: Sparrowhawks (Accipiter nisus) 19th/early 20th century, full mounts in a naturalistic setting with mosses and ferns, in a single glass display case 51cm wide 25.7cm deep 34cm high £150 - 200 Provenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.

224

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

214-273 ORNITHOLOGICAL ART

Lot 225 Taxidermy: Ptarmigan (Lagopus muta) full mount on a rocky plinth, in a five-sided glass display case 30.5cm wide 23cm deep 32.5cm high £200 - 300 Provenance: T he residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.

225

Lot 226 Taxidermy: Bittern (Botaurus stellaris) full mount in a naturalistic setting of long grasses and ferns, in a single glass display case, preserved by John Cole, Norwich 52.5 wide 26.5cm deep 68cm high £250 - 350 Provenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.

226

www.sworder.co.uk

ORNITHOLOGICAL ART 214-273

227

228

229 Lot 227 Lindsey (20th century) Pigeon signed ‘Lindsey’ l.r., watercolour 20.5 x 23.5cm £100 - 150

230

Lot 228 *Rodney Charman (b.1944) Pigeons, a pair both signed ‘Rodney Charman’ l.r., oil on board 35.5 x 46cm (2) £100 - 150

Lot 229 *Andrew Beer (1862-1954) Portrait of a red cheq racing pigeon signed ‘W.A. Beer’ l.r., oil on canvas board 29.5 x 39.5cm £600 - 800 Lot 230 *Andrew Beer (1862-1954) ‘Slow and Sure’, portrait of a racing pigeon signed ‘Andrew Beer’ l.l., inscribed with title and further inscribed ‘Mealy Hen NU21 BPC19. Winner of 1st Banff. also Special for 2nd Best Average Old Bird races 1929, Flown Banff four times. Owners. Dando & Cox. Bristol Premier F.C.’, oil on canvas 31 x 41cm £600 - 800 Lot 231 *Andrew Beer (1862-1954) ‘Charles’, portrait of a racing pigeon signed ‘Andrew Beer’ l.r., inscribed with title and further inscribed ‘Cheq Badge Cock. NU24. B.P.C. 277. Winner of 1st Ashchurch & 1st Tamworth. 1926. Also 1st Tamworth and this Oil Painting given by Andrew Beer. 5th Rippon & 4th Berwick. also Best Combined Average. 1927. Bristol Premier F.C. Owners. Messrs Dando & Cox.’, oil on canvas 30.5 x 40.5cm £600 - 800

231 96

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

214-273 ORNITHOLOGICAL ART

232 Lot 232 *Andrew Beer (1862-1954) ‘Oakdale Hero’, portrait of a racing pigeon signed ‘Andrew Beer’ l.r., inscribed with title, further inscribed ‘Black Cheq Cock. NURP.28.HHD.323. Winner of 1st Welsh Hills South Rd Fed. 764 birds. Velocity 617 yards per minute and 1st Pontypridd South Rd Club, from Bordeaux, July 18th 1932. Owner Geo Cecil.’, oil on canvas 41 x 51cm £600 - 800 Lot 233 Yakov Khaimov (1914-1991) Studies for the painting ‘Pigeons on the Windowsill’, 1950s three, oil on board largest 24 x 33.5cm and smaller (3) £300 - 500

Lot 234 *Raymond Watson (1935-1994) Tree creeper signed ‘Raymond Watson’ l.l., gouache 34.5 x 26cm £300 - 500 Provenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG. Lot 235 *Raymond Watson (1935-1994) Male and female blackbirds signed ‘RAYMOND C WATSON’ l.c., watercolour and bodycolour 43 x 54cm £150 - 250

233

234 www.sworder.co.uk

235 97

ORNITHOLOGICAL ART 214-273

Lot 236 *Basil Ede (1931-2016) White-breasted nuthatch; American robin; Cardinal; Black-capped chicadee four, each inscribed with title, pencil largest 26 x 19cm and smaller (4) £200 - 300

236

Lot 237 *Raymond Watson (1935-1994) ‘Nuthatch’ signed ‘Raymond Watson’ l.r. and titled on artist’s label verso, gouache 35 x 25cm £400 - 600 Provenance: The residual contents of Bixley Manor, by instruction of the Executors of Sir Timothy Colman KG.

237 98

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

214-273 ORNITHOLOGICAL ART Lot 238 *Richard Hull (b.1946) ‘Autumn Feast, Redwing and Blackbird’ signed ‘RICHARD HULL’ l.l., and inscribed with title l.c., bodycolour 23 x 33cm £150 - 250 Lot 239 Michelangelo Meucci (Italian, 1840-1909) Green woodpecker and jay high up in the trees signed ‘M Meucci’ and inscribed ‘Firenze’, oil on board 39 x 48.5cm, oval, unframed £300 - 500

238

239

240

Lot 240 *Robert Gillmor (b.1936) ‘August Afternoon in Titchwell’ inscribed with title, dated and signed 19.8.’92, ‘Robert Gillmor’, pencil and watercolour 27.7 x 38cm £200 - 300 Lot 241 *David Ord Kerr (b.1952) ‘Ruff’ signed ‘David Ord Kerr’ l.r., titled on gallery label verso, watercolour 13.5 x 16.5cm £150 - 250 Provenance: W ith Westcliffe Gallery, Norfolk.

241 www.sworder.co.uk

ORNITHOLOGICAL ART 214-273 Lot 242 *Raymond Watson (1935-1994) ‘Ringed Plover’ signed ‘Raymond C Watson’ l.r., gouache 33 x 48.5cm £300 - 500 Provenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.

242 Lot 243 *Richard Robjent (b.1937) Grey plover signed ‘Richard Robjent’ l.r., watercolour 25.5 x 35cm £200 - 300

243 Lot 244 Frank Southgate (1872-1916) ‘Caspian Plover, Red Shanks and Widgeons in Distance Congregating for Spring Mating’ signed ‘Frank Southgate’ l.r., watercolour 29 x 17cm £150 - 250 Provenance: The residual contents of Bixley Manor, by instruction of the Executors of Sir Timothy Colman KG.

244 100

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

214-273 ORNITHOLOGICAL ART

Lot 245 *George Edward Lodge (1860-1954) Black-winged stilts signed ‘GE Lodge’ l.l., watercolour 28 x 36.5cm £600 - 800 Provenance: With Tryon Gallery.

www.sworder.co.uk

101

ORNITHOLOGICAL ART 214-273

Lot 246 Pintail decoy duck wood 15cm wide 35cm deep 20cm high £100 - 150

246

Lot 247 Canadian goose decoy print on card with wooden base 14cm wide 55cm deep 67cm high £100 - 150

247

102

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

214-273 ORNITHOLOGICAL ART

Lot 248 *Guy Taplin (b.1939) ‘Egret’ painted driftwood, signed ‘Guy Taplin’ and inscribed with title ‘Egret’ on base 21cm wide 34cm deep 62cm high £2,000 - 3,000

www.sworder.co.uk

103

ORNITHOLOGICAL ART 214-273

249

251

250 Lot 249 English School, 20th century Group of six ducklings bronze each approximately 12cm wide 12cm deep 12cm high (6) £400 - 500 Lot 250 *David Ord Kerr (b.1952) A jay with mushrooms signed ‘David Ord Kerr’ l.l., watercolour and bodycolour 12.5 x 17.5cm £150 - 250

Lot 251 *Richard Barrett Talbot-Kelly (1896-1971) ‘Hoody Crows’ monogram u.l., signed ‘BARRETT TALBOT-KELLY’ and inscribed with title verso, oil on panel 72 x 48.5cm £400 - 600 Lot 252 *Alan Harris (b.1957) Red-breasted geese signed with initials ‘AH’ and dated 2003 l.l., bodycolour 48 x 33.5cm £200 - 300

252

104

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

214-273 ORNITHOLOGICAL ART Lot 253 *John Cyril Harrison (1898-1985) Herons in flight signed with initials ‘JCH’ l.r., pencil 24 x 33.5cm £300 - 500 Provenance: W ith the Tryon Gallery, London.

Lot 254 *John Cyril Harrison (1898-1985) ‘Bittern and Young’; ‘Black-throated Diver’ two, pencil 19.5 x 18.5cm and 11.5 x 16.5cm (2) £250 - 350 Provenance: B oth with the Tryon Gallery, London.

253

254 Lot 255 *Philip Rickman (1891-1982) A pair of swans in evening sun; Snowy highlands; Highland river three, watercolour and bodycolour 7.5 x 28cm and similar (3) £150 - 250

255 part lot

www.sworder.co.uk

105

ORNITHOLOGICAL ART 214-273 Lot 256 *Philip Rickman (1891-1982) ‘Chestnut Lichen’ signed with initials ‘PR’ and inscribed with title l.l., watercolour, bodycolour and biro 29 x 51cm; together with two similar studies by the same artist (3) £150 - 250

256 part lot Lot 257 *Raymond Watson (1935-1994) Snipe signed ‘RAYMOND WATSON’ l.l., bodycolour 26 x 42cm £200 - 300

257 Lot 258 Henry Harry Stannard RBA (1844-1920) Falling woodcock signed ‘Henry Stannard R.B.A.’ l.l., bodycolour 39 x 25.5cm £180 - 220

258 106

259

Lot 259 Henry Harry Stannard RBA (1844-1920) Woodcock and spaniel signed ‘Henry Stannard RBA’ l.l., bodycolour 51 x 36.5cm £180 - 220

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

214-273 ORNITHOLOGICAL ART Lot 260 *Ian Bowles (1947-2018) Woodcock signed ‘Ian Bowles’ l.r., watercolour 23.5 x 34cm £200 - 300 Lot 261 *Owen Williams (b.1956) ‘Grouse Over the Track’ signed ‘O WILLIAMS’ l.r., watercolour 24.5 x 31cm £400 - 600 Lot 262 *Ian Bowles (1947-2018) Grouse; Studies of grouse and eagles signed ‘Ian Bowles’ l.r. and l.l. respectively, watercolour heightened with white 24 x 34cm and 52 x 33cm; together with a third watercolour of a trout by the same artist (3) £300 - 500

260

Lot 263 John Guille Millais (1865-1931) ‘British Diving Ducks’, vol I-II, published by Longmans, Green and Co., London, 1913 (2) £200 - 300 Lot 264 Archibald Thorburn (1860-1935) ‘Gamefowls and Wildfowl of Great Britain and Ireland’, written and illustrated by Archibald Thorburn, containing fifty-eight colour plates, published by Longmans, Green and Co., London, 1923 £100 - 150

261

263

264 262 part lot www.sworder.co.uk

107

ORNITHOLOGICAL ART 214-273

265

266

267 Lot 265 Archibald Thorburn (1860-1935) English partridge pencil 11 x 17cm, mounted, unframed £200 - 300

Lot 266 Archibald Thorburn (1860-1935) Grouse alighting dated 1898 l.r., pencil 10 x 16.5cm, mounted, unframed £250 - 350

Lot 267 Archibald Thorburn (1860-1935) Grouse sheltering; Beaters approaching (verso) two on same sheet, the first dated 1921 l.r., pencil 11 x 16.5cm, mounted, unframed £300 - 500 Lot 268 Archibald Thorburn (1860-1935) Driven grouse signed with initials ‘AT’ l.r., pencil 13 x 20.5cm, mounted, unframed £250 - 350 Lots 269-270 Spare lots

268

108

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

214-273 ORNITHOLOGICAL ART

Lot 271 *Carl Longworth (contemporary) Grouse bronze with silver patina, signed and numbered 8/25 26cm wide 12cm deep 26.2cm high £1,200 - 1,800

271

Lot 272 *Richard Robjent (b.1937) Pheasants in wetlands, an owl overhead signed ‘Richard Robjent’ l.r., watercolour 36 x 48.5cm £200 - 300

272

Lot 273 *Ian Bowles (1947-2018) Grey partridge on a hillside; A single grey partridge both signed ‘Ian Bowles’ l.r., watercolour heightened with white 45.5 x 59cm and 24 x 34cm (2) £300 - 500

273 www.sworder.co.uk

109

WILDLIFE 274-350

274

Lots 274-307 PROPERTY OF A DISTINGUISHED PRIVATE COLLECTOR Lot 274 Pere David a UK park stag, shoulder mount 84cm wide 89cm deep 149cm high £200 - 300

Lot 275 Red deer park stag skull mount 25 points 123cm wide £150 - 250

275

Lot 276 Oryx bull silver medal shoulder mount 33cm wide 88cm deep 135cm high £400 - 600 Lot 277 Black wildebeest skull mount on a display shield 64cm wide 66cm deep 57cm high, and three further skull mounts (4) £150 - 250

276 110

277 part lot

274-350 WILDLIFE

278

279

Lot 278 Water buffalo skull mount on a display shield 82cm wide 17cm deep 32cm high £150 - 250 Lot 279 Warthog half mount on a naturalistic base 58cm wide 79cm deep 82cm high £400 - 600 Lot 280 White fallow buck shoulder mount 94cm wide 65cm deep 134cm high £200 - 400

280

www.sworder.co.uk

111

WILDLIFE 274-350

282 Lot 281 Blesbuck shoulder mount 35cm wide £200 - 300

Lot 283 Manchurian sika 10 points, shoulder mount 69cm wide 59cm deep 128cm high £200 - 300

Lot 282 Cape buffalo skull mount boss and horns on a display shield 90cm wide 30cm deep 26cm high £100 - 150

281

Lot 284 Cape buffalo shoulder mount 93cm wide 107cm deep 82cm high £400 - 600

283

284

112

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

274-350 WILDLIFE

286

285

Lot 285 Red deer stag a UK park stag, shoulder mount on an oak shield, 22 pts, by Colin Dunton 102cm wide 83cm deep 158cm high £600 - 800 Lot 286 Sable antelope shoulder mount, silver medal 109cm wide 89cm deep 128cm high £300 - 500

Lot 287 Canadian black bear half mount, on a naturalistic base 38cm wide 72cm deep 91cm high £800 - 1,200 This lot is subject to CITES regulations when exporting outside the UK. Non-UK potential purchasers should be aware that, under EU/UK guidance issued March 2014, it is possible that you may not be able to obtain a CITES re-export permit for this lot.

287 www.sworder.co.uk

113

WILDLIFE 274-350

Lot 288 Livingstone eland shoulder mount 46cm wide 97cm deep 155cm high £300 - 500 Lot 289 Black springbuck full mount on a naturalistic base 118cm wide 26cm deep 104cm high £300 - 500

289 288

Lot 290 Waterbuck gold medal shoulder mount 58cm wide 74cm deep 147cm high £300 - 500 Lot 291 Cape kudu side mount, 77cm wide 84cm deep 156cm high £300 - 500

291 290

114

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

274-350 WILDLIFE

Lot 292 Cape eland shoulder mount 48cm wide 108cm deep 155cm high £300 - 500 Lot 293 Canadian moose shoulder mount 122cm wide 134cm deep 115cm high £1,000 - 1,500 Lot 294 Bush pig boar shoulder mount 25cm wide 46cm deep 35cm high £200 - 300

292

293 294

www.sworder.co.uk

115

WILDLIFE 274-350 Lot 295 Red hartebeest shoulder mount 32cm wide 71cm deep 31cm high £200 - 300 Lot 296 Blesbuck shoulder mount 27cm wide 60cm deep 81cm high £200 - 300 Lot 297 Black fallow deer side mount 94cm wide 65cm deep 134cm high £200 - 300

295

296

Lot 298 Impala shoulder mount 24cm wide 51cm deep 93cm high £200 - 300

298 297

116

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

274-350 WILDLIFE

Lot 299 Ostrich shoulder mount, with outstretched wings 210cm wide 122cm high £800 - 1,200

299

Lot 300 Giraffe head and neck mount floor-standing 68cm wide 110cm deep 189cm high £2,000 - 3,000

Lot 301 Coffee springbuck shoulder mount 36cm wide 45cm deep 71cm high £150 - 250

This lot is subject to CITES regulations when exporting outside the UK. Non-UK potential purchasers should be aware that, under EU/UK guidance issued March 2014, it is possible that you may not be able to obtain a CITES re-export permit for this lot.

300 301 www.sworder.co.uk

117

WILDLIFE 274-350

302 Lot 302 Blue wildebeest bull shoulder mount 24cm wide 43cm deep 70cm high £300 - 500

Lot 304 Nile crocodile full skull mount head, felt-lined mount as a rug 65cm wide 354cm long £400 - 600

Lot 303 Common springbuck bull shoulder mount 14cm wide 45cm deep 69cm high £150 - 250

303

This specimen was taken from the wild in compliance with CITES regulations regarding the Nile Crocodile (Crocodylus niloticus) in Botswana, Ethiopia, Kenya, Madagascar, Malawi, Mozambique, Namibia, South Africa, Uganda, the United Republic of Tanzania, Zambia and Zimbabwe.

304

118

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

274-350 WILDLIFE Lot 305 Black wildebeest shoulder mount 51cm wide 87cm deep 77cm high £200 - 400

306 Lot 306 Four ostrich foot candle holders 17cm deep 54cm high (4) £300 - 500

305

Lot 307 Black wildebeest shoulder mount 60cm wide 69cm deep 60cm high £200 - 400

307

VARIOUS PROPERTIES

307A

www.sworder.co.uk

Lot 307A A taxidermy tiger skin rug by Rowland Ward late 19th/early 20th century, the felted back bearing a label inscribed ‘The Jungle, Rowland Ward, 167 Piccadilly, London’ 266cm long 185cm wide £1,000 - 2,000

119

WILDLIFE 274-350

Lot 308 Otter mask a taxidermy mount by T Salkeld, Carnforth, Lancs, labelled ‘KDOH, Bella, October 1st 1949, 24lbs’, on an oak shield 13.5cm wide 23cm deep 15cm high £150 - 250

308

Lot 309 Otter mask taxidermy mount on an oak shield by K Murray & Son, Carnforth, Lancs, labelled ‘KDOH, Leighton Beck, 21.8.48’ 10cm wide 20cm deep 13cm high £150 - 250

IMPORTANT NOTE - LOTS 308 AND 309 CITES REGULATIONS To comply with CITES Regulations on post1947 skeletons and specimens found in Appendix I, all post-war taxidermy and skeletons have Article 10 certificates. If you are purchasing taxidermy for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal and Plant Health Agency (APHA) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate numbers or are aware of its reference number. Equally any species listed in CITES Appendix II will be requiring a (re-) export and import licence from the United Kingdom to the country of destination. It is therefore the responsibility of all commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. For confirmation of certificate number, please refer to our website www.sworder.co.uk.

309 120

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

274-350 WILDLIFE Lot 310 *Raymond John Vandenbergh (1889-1960) Indian python, Madagascan boa, bear, crocodile, badger and butterflies Six, each signed, pencil and watercolour largest 46.5 x 34cm and smaller (6) £250 - 350

310 part lot Lot 311 *Raymond John Vandenbergh (1889-1960) Studies of lions, tigers, rhinoceros and antelopes eight, each signed, pencil and pastel largest measures 40 x 26.5cm and smaller (8) £250 - 350

311 part lot

www.sworder.co.uk

121

WILDLIFE 274-350

Lot 312 B C Zheng Amorous Rhinoceros bronze on marble plinth, signed 44cm wide 28cm deep 22cm high £2,000 - 3,000

122

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

274-350 WILDLIFE

Lot 313 Phanuel Chakuda (Zimbabwean, b.1953) Hippopatamus carved in black serpentine on an associated white marble plinth, 2cm high, signed 43cm high £300 - 500 Provenance: A private collection. The Contemporary Fine Art Gallery, Eton.

www.sworder.co.uk

123

WILDLIFE 274-350

Lot 314 Contemporary Life-sized rhino head fibreglass 163cm deep £3,000 - 4,000

124

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

274-350 WILDLIFE Lot 315 *Jessica Perry (contemporary) Gloucester Old Spot pigs signed and dated ‘S Perry 1990’ l.r., oil on canvas 45 x 60cm £200 - 300

315

Lot 316 *Jessica Perry (contemporary) Pig fire screen oil on board, label verso 53 x 55cm £150 - 250

316

Lot 317 *Jessica Perry (contemporary) Piglet bronze with green patina 48cm long 27cm high £300 - 500

317 www.sworder.co.uk

125

WILDLIFE 274-350

318

Lot 318 Two charging warthogs bronze with brown patina, signed ‘AW’ 48cm wide 10.5cm deep 9cm high £250 - 350 Lot 319 *Muhmood Tahir (contemporary) Warthog bronze with brown patina 18cm wide 6cm deep 10cm high £250 - 350

319

Lot 320 *Nichola Theakston (b.1967) ‘Wildebeest’, the pottery beast depicted at rest 64cm long 39cm high £300 - 500 Provenance: A private collection. The Contemporary Fine Art Gallery, Eton.

320

126

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

274-350 WILDLIFE Lot 321 *John Cox (1952-2014) Lying hare bronze with brown patina, foundry stamped 75cm wide 36cm high £600 - 800

321 Lot 322 *Linda Frances (contemporary) Running hares bronze with green patina, signed and numbered 61/125 35cm wide 13cm deep 21cm high £400 - 600

322 Lot 323 *John Cox (1952-2014) Boxing hares bronze with brown patina, with foundry stamp to base 70cm wide 72cm high £1,000 - 1,400

323 www.sworder.co.uk

127

WILDLIFE 274-350 Lot 324 Archibald Thorburn (1865-1935) Stoat sketch signed with initials ‘AT’ l.r., pencil 17 x 10.5cm £200 - 300

Lot 325 Alexsei Prokopenko (1926-1998) ‘Good catch’ signed in Cyrillic and dated 52 l.r., oil on board 48.5 x 34cm £300 - 500

324

325 Lot 326 European School, 20th century Still life of a fish and bowl indistinctly signed and dated ‘1903’ u.r., oil on canvas 53 x 92cm £300 - 500

326 Lot 327 Archibald Thorburn (1860-1935) Dolphin signed and dated ‘A. Thorburn/1920’ l.l., pen and ink 14.5 x 17.5cm £600 - 800 Provenance: The McDonald Booth Gallery, London.

327 128

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

274-350 WILDLIFE

Lot 328 *John Cox (1952-2014) Leaping frog water feature bronze with brown patina with foundry stamp 55cm high 73cm long £600 - 800

328 Lot 329 A sailfish bronze with black/green patina, inscribed ‘#56 of 400’, raised on a wood plinth 25cm high £150 - 200

Lot 331 *David Ord Kerr (b.1951) A long-tailed woodmouse signed with initials l.l., watercolour, circular 11cm diameter £100 - 150

Lot 330 Chris Meadows (1863-1947) A creel of salmon and trout signed ‘Chris Meadows’ l.l., watercolour 33 x 47.5cm £150 - 250

Lot 332 Spare lot

329

330 www.sworder.co.uk

331 129

WILDLIFE 274-350 Lot 333 *Annette Kane (b.1955) Six young rabbits signed ‘Kane’ l.r.’, watercolour 20.5 x 30cm £100 - 150

333 Lot 334 Frank Paton (1856-1909) Study of a rabbit in long grass signed ‘Frank Paton 1900’ l.r., watercolour and body colour 31 x 48cm £300 - 500 Provenance: Burlington Paintings, 12 Burlington Gardens, London, W1.

334 Lot 335 Frank Paton (1855-1909) A family of rabbits signed and dated ‘FRANK PATON’ 1901 l.l., watercolour 45 x 62cm £800 - 1,200 Provenance: Sotheby’s, 21 July 1999, lot 757.

335 130

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

274-350 WILDLIFE

Lot 336 Annemarie Haage (German, b.1917) Panther bronze with brown patina, signed ‘A HAAGE’ and dated and marked ‘74 II/X’ underneath 56cm wide 14cm deep 23cm high £500 - 600

336

337

Lot 337 Annemarie Haage (German, b.1917) Stalking panther bronze with gold/brown patina, signed with initials, marked with the foundry stamp ‘W. Füssel Berlin’ and numbered IV/X, underneath the paws 45cm wide 11cm deep 17.5cm high £400 - 500

338

www.sworder.co.uk

Lot 338 A bronze panther signed with monogram ‘AW,’ numbered 1/9, raised on a polished granite base 33cm long 12.7cm wide 15cm high £300 - 500

131

WILDLIFE 274-350

Lot 339 Anon Jaguar bronze with brown patina, stamped with a symbol 35cm wide 64cm deep 48cm high £1,200 - 1,800

339

Lot 340 Benjamin Zobel (German-British, 1762-1831) A lion devouring a ram signed with initials l.l., sand picture on board 51 x 66cm £300 - 500

340

132

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

274-350 WILDLIFE

341 Lot 341 *Fritz Laube (German, 1914-1993) Lion and lioness signed ‘F Laube’ l.r., also signed, inscribed and dated 1980 verso, oil on canvas 50.2 x 70.5cm £400 - 600 Lot 342 Herbert Thomas Dicksee RE (1862-1942) ‘Maternal Care’ (wounded lioness protecting her cub from a circling vulture), after his own painting exhibited Royal Academy, 1896 no.665 etching on vellum, signed artist’s proof, edition of 275, published by Frost & Reed, 1899 plate 42.5 x 68cm £200 - 300

342

Lot 343 *Elsie Henderson (1880-1967) Startled leopard conté and pastel 22.5 x 34cm £200 - 300 Provenance: With Sally Hunter Fine Art.

343 www.sworder.co.uk

133

WILDLIFE 274-350 Lot 344 *John Edwards (b.1940) ‘Leopard’; ‘Otter’ two, signed ‘Edwards’ l.l. and l.r. respectively, pencil both 18 x 23cm (2) £150 - 250 Provenance: With the Moorland Gallery London. The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG. Lot 345 *Joan Warburton (1920-1996) Running leopard signed and dated ‘JW /72’ l.r., watercolour 51 x 72cm £400 - 600

344 part lot

Lot 346 *Kay Nixon (1895-1988) Persian cats signed ‘KAY NIXON’ l.l., charcoal and watercolour 40 x 51.5cm £200 - 300 Lot 347 A late 19th century Royal Dux porcelain figure of a lion, on a naturalistic base, with impressed and applied marks in the form of a pink triangle, and the letter ‘E’, 30cm wide 10.5cm deep 20cm high £100 - 150

345

346 134

347 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

274-350 WILDLIFE

348 Lot 348 *Julie Ann Bull (b.1964) ‘Luminescent’ signed ‘Julie Ann Bull’ l.r., signed, inscribed with title and dated 2022 verso, oil on canvas 61 x 76.5cm £800 - 1,200

Lot 349 Charles Ruchot (French, fl.1880-1925) Sitting tiger gilt-bronze on a marble base, signed on the base 58cm wide 24cm deep 22cm high including base £500 - 600

349 www.sworder.co.uk

135

WILDLIFE 274-350

350 Lot 350 *Julie Ann Bull (b.1964) ‘Young Blood’ signed ‘Julie Ann Bull’ l.r., signed, inscribed with title and dated 2022 verso, oil on canvas 61 x 45.5cm £700 - 1,000

136

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 138

GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty. Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

Circle of David Cox in our opinion a work from the period of the artist and showing his influence.

The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt.

Follower of David Cox in our opinion a work executed in the style of David Cox After David Cox in our opinion a copy of any date after a work by the artist Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist

A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750. All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing. Condition reports are not included in the descriptions.

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right? Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more. This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale. How are resale royalties calculated? The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate. The royalty is worked out according to a sliding scale from 4% to 0.25%.

What nationality must an artist be to qualify? The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA: Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom. Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs.

From 0 to €50,000

From €50,000.01 to €200,000

Are all sales of artwork covered? The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met:

From €200,000.01 to €350,000

•

Hammer Price

From €350,000.01 to €500,000 Exceeding €500,000

Royalty

0.5% 0.25%

What is the qualifying threshold? An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

138

• • •

the artwork is a copyright protected work of graphic or plastic art; it is sold for more than €1000; it is sold in the secondary market with the involvement of an art market professional (e.g. auction house); and it is sold in the UK or another country in the European Economic Area (EEA).

This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

INDEX OF ARTISTS A Aistrop, Edward 166 Aldin, Cecil 97 Alken, after Henry Thomas 14, 41 Alken, Henry Thomas 48 *Appleyard, Joseph 144 Armfield, Edward 165, 167 Armfield, George 168 Armour, George Denholm 62 B Baldock, James Walsham 173 *Beauvais, Walter John 121, 122 Becker, Harry 23 *Beer, Andrew 229-232 *Biegel, Peter 50, 72, 99-101 Bl**, Alken 11 *Blacker, Philip 110 Boel, Follower of Pieter 125 Boland, Charles 202 Bonheur, Isidore Jules 113 *Boss, Steve 147 *Bowles, Ian 260, 262, 273 Bowyer, Ruth 199 *Boyer, Trevor 214, 216, 217, 219, 220 British School, 20th century 117, 164 Browne, Hablot Knight 54 *Bull, Julie Ann 348, 350 Burford, Thomas, after James Seymour 42 C Carter, Samuel John 143 CAT 38 Chakuda, Phanuel 313 *Charman, Rodney 228 Childerstone, Henry Mansfield 65, 66 Clark, J 5 Clark, Albert 16 Clark, Albert James 19 Clark, James 90 Clark, I, after Henry Alken 187 Clark, Albert Snr and Albert James 15 Clarkson, Andrea 189 Cleminson, Robert 178 Contemporary 136, 137, 314 Continental School, 20th century 32 Cooper, Attributed to Abraham 186 *Coward, Malcolm 123 *Cox, John 321, 323, 328 *Crane, Daniel 83 Crowther, Henry 185 D Danchin, Léon Davey, William Turner, after Richard Ansdell

191 69A

Day, Reginald 79 de Montpezat, Henri Auguste 7 de Prades, Alfred Frank 63 Dicksee, Herbert Thomas 154-157, 342 Dodd, Arthur Charles 172 Dowden, M A 126 Duvall, John 6 E *Ede, Basil 236 *Edwards, Lionel Dalhousie Robertson 61, 69, 98 *Edwards, John 344 Elias, Alfred 67 *Ellis, Lionel 104, 118 English School, early 19th century 92, 176 English School, 19th century 1, 3, 4, 8, 12, 28, 28A, 34, 45, 51, 74, 153, 161, 196 English School, 19th/20th century 150 English School, early 20th century 197 English School, 20th century 201, 249 *Eudeline, Cédric 120 European School, 20th century 326 F *Forster, Neil *Frances, Linda

159 322

G Garland, Valentine Thomas *Gear, Mabel *Gillmor, Robert Goldsmith, J Gorbatov, Vadim Griffiths, Ernest

170 158 240 94 22 20

H Haage, Annemarie 336, 337 Hacker, Edward, after William and Henry Barraud 35 Hall, Follower of Harry 88 Hallett, J 175 Hardy, H 145 Harrington, John Alexander 47 *Harris, Alan 252 *Harrison, John Cyril 253, 254 Harrowing, Walter, after Sir Edwin Landseer 169 *Haycock, Frederick J 49, 171 Hellings, Herbert Wynn 192, 193 *Henderson, Elsie 343 Herberte, Edward Benjamin 39, 40 *Hoad, Norman 102 *Hollams, Frances Mabel 200 *Hull, Richard 238 Hunt, C & G, after F C Turner 95

Hunt, Charles, after James Pollard I *Isom, Graham Ivester-Lloyd, Thomas J Jeffrey, Ian *Jenkins, Paul

119 30

26 87

K *Kane, Annette 333 *Kerr, David Ord 241, 250, 331 Khaimov, Yakov 233 *Kopecki, Jan Maciej 93 L Landseer, after 128 Landseer, Sir Edwin 77, 78 *Latham, Molly Maurice 29 *Laube, Fritz 341 Le Nail, Marie Joseph Ernest 91 Lindsey 227 Little, Bruce 146 Loder, Edwin 149 *Lodge, George Edward 245 *Longworth, Carl 271 *Luckhurst, Mark 218 Lupton, Thomas Goff, after William Barraud 43 *Lyne, Michael 86, 177 M Maggs, John Charles 10 Maggs, Circle of John Charles 18 Martin, Sylvester 44 *Mascall, Natalie 134 Masson, after Jules-Edmond 140 *McLeod, Juliet 9 Meadows, Chris 330 Mêne, after Pierre-Jules 142, 174 Meucci, Michelangelo 239 *Millais, Raoul 103 Millais, John Guille 263 Morland, after George 13 *Munnings, Sir Alfred James 53, 105 N Nightingale, Basil *Nixon, Kay

37 198, 346

P Paton, Frank 334, 335 *Payne, Charles Johnson, called 'Snaffles' 56-60, 106-109 *Perry, Jessica 315-317 *Power, James 124 Prokopenko, Alexsei 325

R Riché, Louis 129, 130, 132, 133 *Rickman, Philip 255, 256 *Robjent, Richard 215, 243, 272 Roe, Colin Graeme 148 Rozsay, Emil 73 Ruchot, Charles 349 S *Sandys-Lumsdaine, Leesa 68 *Seaby, Allen William 21 Selfe, A M 27 *Shepherd, Mandy E 208-213 *Simpson, Charles Walter 114 Soper, George 24 Southgate, Frank 244 Sperling, after Heinrich 160 Sporykhin, Boris 115 Stannard, Henry Harry 258, 259 Stewart, Charles Edward 25, 55 Strebel, Richard 127 *Sutton, Jake 116 T *Tahir, Muhmood 181, 319 *Talbot-Kelly, Richard Barrett 251 *Taplin, Guy 248 *Theakston, Nichola 320 *Thomson, John Murray 182, 190 Thorburn, Archibald 264-268, 324, 327 Tomson, Clifton 2, 89 *Trickett, John 70, 71, 135, 180, 188, 194, 195 Turner, Maud 204 V Valton, Charles 31 Van Vaerenbergh, Gustave 221 *Vandenbergh, Raymond John 310, 311 W Waller, Samuel Edmund 162 *Warburton, Joan 345 Wardle, Arthur 163 *Watson, Raymond 234, 235, 237, 242, 257 *Webster, Norman 131, 183, 184 *Welch, Rosemary Sarah 33 Wheelwright, William Henry 17 *Williams, Glyn 64 *Williams, Owen 261 Wolstenholme, after Dean 52 Wright, George 46 Z Zheng, B C Zobel, Benjamin

Lots marked with a ‘*’ may attract the Artist’s Resale royalty charge at the rate of 4% of the hammer price. This royalty, where applicable, will be charged to the purchaser.

312 340

TERMS AND CONDITIONS

Estimates of Shipping Costs on our website are based on the low estimate, whilst the actual cost is based on Hammer Price.

These conditions of business consist of:

Electrical goods These are sold as ‘antiques’ only. If you buy electrical Goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

Information for Buyers;

Terms of Consignment (for Sellers);

Terms of Sale (for Bidders and Buyers).

1. INFORMATION FOR BUYERS Introduction The following notes are intended to assist Bidders and Buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Terms and Conditions and any notices that are displayed in our salerooms or announced by the Auctioneer at the auction. Our Terms and Conditions are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Terms and Conditions that you do not fully understand. Please make sure that you read our Terms of Sale carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. Methods of payment Lots must be paid for before they are collected or shipped. For those attending the auction we ask that Lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our Website, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000. Usually any cheques will need to be cleared before you can take the Goods away. Collection and storage All Lots should be paid for and collected by 5pm on the Friday following the sale. Commission Bidders should check the success of their bids and arrange payment, and collection or shipping within this time. For our specialist auctions please refer to the collection and storage requirements detailed in the catalogue and on our Website, which specifies the applicable fees. For our Homes and Interiors auctions, items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 (plus VAT) for administration and £2 (plus VAT) per lot per day. Agency As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the Goods is with the Seller, not with us as Auctioneer. Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the sale Price. The lower estimate may represent the Reserve Price (the minimum Price for which a Lot may be sold) and will not be below the Reserve Price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot. They are not definitive. Buyer’s Premium The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased, except for our Fine Wine and Spirits auctions when it is 15%. In addition, VAT is charged on these Premiums (see below). VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the Buyer on the Hammer Price and the Buyer’s Premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that Lot. Lots which do not have either of the above symbols have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the Premium is not recoverable as input tax. Shipping Costs are liable for VAT and are payable by the Buyer. Inspection of Goods by the Buyer As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have ample opportunity to inspect the Goods. You must inspect and investigate Lots that you might wish to bid for. Please note carefully the exclusion of liability for the description and condition of Lots set out in the Terms of Sale at clauses 12.2 and 12.4. Condition reports We may be able to assist Buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending Buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale. Shipping of Goods We offer a delivery service for Lots purchased. Estimates for Shipping Costs for smaller items can be calculated pre-sale on our website under each Lot and are based on value, size and your chosen UK destination. For items purchased the actual cost can be added to your account and paid online after the sale. If you purchase multiple Lots from the same auction, we will combine packaging/deliveries to reduce the Shipping Costs. For lots for which Shipping Costs cannot be automatically calculated, such as furniture, you can obtain a bespoke Shipping Cost from our website to any destination in the world either in advance of the sale or after you have purchased.

140

Export of Goods If you intend to export Goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing Goods of that character e.g. because the Goods contain prohibited materials such as ivory. Bidding Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a Commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Commission bidding You may leave Commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyers’ Premium and/or any applicable VAT). We will execute Commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical Commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving Commission bids online via our Website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute Commission bids received after this time. Telephone bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value Lots. Please note that this service is for Lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason. Online bidding Any Lots purchased via a live online bidding service will be subject to an additional Commission charge on the Hammer Price payable by the Bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% while bidding via Sworders Website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. These charges will be payable to us on top of the Hammer Price and our Buyer’s Commission.

IMPORTANT NOTICES Removal of Lots All Lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove Lots remaining after this time into safe storage, for which a charge will be made. Electrical Goods All electrical Goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical Goods certified safe must be re-Commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-Commissioned. Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling. Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial Buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

TERMS OF SALE Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. These Terms of Sale relate to auctions conducted by an Auctioneer only. We have separate terms for online only auctions. 1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a Commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition and other characteristics. 3.3 If you instruct us in writing, we may execute Commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your Commission bid, unless our failure to do so is unreasonable. Where two or more Commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

‘Auctioneer’

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised Auctioneer, as appropriate;

‘Bidder’

means a person who places a bid for Goods at our auction;

‘Buyer’

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

‘Commission’

means the Commission that we charge you on the sale of the Goods as set out in Clause 5 below;

‘Consumer’

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

‘Consumer Contracts Regulations’

means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

‘Deliberate Forgery’

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

‘FCA’

means the Financial Conduct Authority;

‘Goods’

means the Goods that have been consigned to us for sale at our auction;

‘Hammer Price’

means the level of the highest bid for a Lot accepted by the Auctioneer;

‘Premium’

means the Premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

‘Price’

means the total of the Hammer Price, Premium, Shipping Costs (if applicable) and any applicable VAT;

‘Proceeds’

means the Price less the Commission, the Premium, Shipping Costs, any expenses incurred to your account and any applicable VAT;

‘Reserve’

means the minimum Price at which the Goods may be sold;

‘Seller’

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

‘Shipping Costs’

means the charges applied to the shipping of all Goods purchased, should the Buyer ask for the Auctioneer’s shipping agent to deliver the Goods (if applicable);

‘Terms of Consignment’

means these Terms of Consignment;

‘Terms of Sale’

means the Terms of Sale for Bidders or Buyers at our auctions;

‘Trader’

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the Trader’s name or on the Trader’s behalf (such as an agent and/or the Auctioneer);

‘VAT’

means any value added tax or equivalent sales tax; and

‘Website’

means our Website available at www.sworder.co.uk.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price, Premium and Shipping Costs (if applicable) due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further information. 5.2 We will charge VAT at the current rate at the date of the auction. 6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the Auctioneer records the winning Lot in the sale book accepting the highest bid for the Lot at auction, unless due diligence information required by the Auctioneer under the Money Laundering Regulations 2019 in accordance with their internal procedure remains outstanding, in which case the contract will be formed when that information is accepted by the Auctioneer as complete. 6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may at our discretion provide the Seller with information or assistance in relation to that claim. 6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the total amount due in any way that we agree to accept payment. 7.1.3 pay in full the Shipping Costs prior to the Goods being shipped, should you agree to the Auctioneer’s shipping agent delivering the Goods. 7.2 If you owe us any money, we may use any payment made by you to repay these debts. 8. Title and collection of purchases 8.1 Once you have paid us in full the total amount due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it. 8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction, or such later date as is specified in the printed catalogue or on our Website. 8.3 If you agree to the Auctioneer delivering the Goods, only when the full Shipping Costs have been paid will the Goods be dispatched. We reserve the right that some Lots will not be suitable for an automated shipping estimate and will require bespoke quotes from the shipping agent.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may re-offer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

2.3 The Price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

2.4 The arrangements for collection or delivery of the Goods as set out in Clauses 8 and 9.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

8.5 If you do not collect the Lot within the time period under Clause 8.2, you will be responsible for any reasonable removal and storage charges in relation to that Lot.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

8.6 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

4. The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 25% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Spirits Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

8.7 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the Proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling Commission at our standard rates on any such resale of the Lot.

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

8.4 Should you decide to use the delivery service, you thereby agree to allow the Auctioneer to share relevant personal data that we hold with the shipping agent in order to allow effective communication between the shipping agent and you, and to enable delivery.

141

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the Price you should have paid for the Lot and the Price we sell it for as well as the charges outlined in Clause 8.7). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the total amount due, including Shipping Costs where applicable; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us. 9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale. 10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our employees’ or our agents’ negligence. 11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the Lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct. 11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the total amount due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below. 11.3 Please note that many of the Lots that you may bid on at our auction are second-hand. 11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot in advance of the auction. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling Price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. 12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed. 13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within thirty days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects. 13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if: 13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2. 13.3 If you have sold the Lot to another person, we will only be liable to refund the Price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale. 14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. 14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Terms and Conditions. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

15.2 Any notice referred in Clause 15.1 may be given:

142

15.3 Notices must be sent: 15.3.1 by hand or registered post; a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or recorded delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient). 15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message. 16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our Website. 17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person. 17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale. 17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

15.2.2 by first class pre-paid post or recorded delivery; or

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

15.2.3 by email, provided that receipt of the email is acknowledged by the recipient.

These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers

15.2.1 by delivering it by hand;

OFFICES AND CONTACTS

@sworderspaintingsandsculpture

CORPORATE SOCIAL RESPONSIBILITY

Printed by Park Communications on FSC® certified paper. Park works to the EMAS standard and its Environmental Management System is certified to ISO 14001. This publication has been manufactured using 100% offshore wind electricity sourced from UK wind. 100% of the inks used are vegetable oil based, 95% of press chemicals are recycled for further use and, on average 99% of any waste associated with this production will be recycled and the remaining 1% used to generate energy. This document is printed on Galerie Satin made of material from well-managed, FSC®-certified forests and other controlled sources. This is a certified climate neutral print product for which carbon emissions have been calculated and offset by supporting recognised carbon offset projects. The carbon offset projects are audited and certified according to international standards and demonstrably reduce emissions. The climate neutral label includes a unique ID number specific to this product which can be tracked at www.climatepartner.com, giving details of the carbon offsetting process including information on the emissions volume and the carbon offset project being supported.

143