Sworders DESIGN Tuesday 26 January 2021 at 10am by swordersfineart

Tuesday 26 January 2021 at 10am

FINE INTERIORS Tuesday 9 & Wednesday 10 M arch

Entries close 15 January

fineinteriors@sworder.co.uk | 01279 817778

Live Online - Tuesday 26 January 2021 at 10am ORDER OF SALE Lots 1 -111

Aesthetic, Art Nouveau and Arts & Crafts

Lots 112-251

Art Deco

Lots 252-633

Modern Design

VIEWING TIMES Due to current social distancing restrictions, we will be offering viewing by appointment only. You can book an appointment on our website. One hour time slots will be available from: Friday 22 January 9am - 5pm Saturday 23 January 10am - 2pm Sunday 24 January 10am - 2pm Monday 25 January 9am - 5pm Due to the current climate, viewing arrangements may be subject to change. Please check our website for up-to-date information.

ONLINE BIDDING Bid live at www.sworder.co.uk (0% surcharge)

FURTHER INFORMATION Contact: John Black Telephone: 01279 817778 Email: auctions@sworder.co.uk To obtain more detailed images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk

REMOVAL OF LOTS All lots should be removed by 5pm on Friday 5 February 2021. Furniture lots remaining after this date will be removed to: Perry Removals, Chapel End, Broxted, Essex CM6 2BW. Removal will be at a cost of £20 + VAT per lot and storage will be charged at £2 + VAT per lot, per day.

Welcome to Sworders’ Design Sale and 2021! We have refreshed our catalogue and logo, and we look forward to welcoming you to our sale at Stansted Mountfitchet for the viewing. After an uncertain 2020, we are looking forward to this year’s sales and have some fabulous consignments for you to pick through in this catalogue and our other three sales in May, July and October. I thought you’d like to know a little bit more about our consignments, as so often we sell items without context and background, and all items have a story to tell, whether it was who bought them, their interests, or their professions – it really opens one’s eyes into the variety of what we sell through our Design and other sales. We are excited to have a new member of the team joining us, Otto Billström, who will be helping to grow our sales this year and into the future. We all look forward seeing you in the saleroom soon – enjoy the catalogue! John Black - Head of Design

DERYCK HEALEY Deryck was a successful textile and print designer, who having grown up in South Africa, set up his consultancy business, Deryck Healey International, in the 1960s, which had clients throughout the world. His company won the Queen’s Award for Industry in 1974, for export achievement and services to the textile industry. He also managed to find time to teach at the Royal College of Art where he was the Professor of Colour. His eclectic tastes were highlighted in an interview with Australian Vogue in 1978, where he declared that his one decree in decorating was ‘There’s no such thing as something doesn’t go. I throw together modern, period and antique in a casual way. It’s an anything goes attitude’. Author of many books, featured here are some of the pages from ‘New Art of Flower Design’ he published in 1986, which incorporates some of the lots we have for sale in this catalogue. In his later years Deryck also worked as an experimental artist; one of the highlights of his art is a large installation inspired by textiles, which is on view in the Bridgewater Hall Manchester. Deryck died in 2004 and his son has decided to pass on some of his collection for others to enjoy.

TOM MUNRO Tom Munro is a celebrated photographer who in his mid-20s moved from London to New York to study at the prestigious Parsons School of Design. Since his early editorials for British Vogue and Italian Vogue, Tom has worked with supermodels Kate Moss, Naomi Campbell, Stella Tennant and Linda Evangelista, to name a few. By 2000 he was shooting for American Vogue. He has worked with many of the industry’s leading designers including Giorgio Armani, Givenchy, Yves St Laurent and Tom Ford. He is well known for his celebrity portraiture, having worked with Hollywood greats Cate Blanchett, Kate Winslet, Julia Roberts, Dustin Hoffman, as well as the likes of Beyoncé, Madonna and Justin Timberlake. The items we are offering were used in his Manhattan studio located in New York’s trendy West Chelsea district. Tom returned to live in the UK in 2015 and today splits his time between London and North Norfolk when not jetting around the world.

DAVID POCKNELL David Pocknell, a graphic and architectural designer, is downsizing following the sale of East Barn, Blackmore End after over forty years of living in rural Essex. David’s career began in the 1960s, in the embryonic days of what eventually became the British design industry. He was a partner at design agency Pentagram in the 1990s and a consultant to the Conran Group. In the last twenty years he has counted Transport for London, Jaguar, British Gas, BP and Eurotunnel among his clients. Items for sale include a selection of posters and works on paper from the walls of East Barn. The conversion of the East Barn and further details can be found at www.themodernhouse.co.uk

Lot 1 1933 Austin Seven Saloon, Registration Number: 819 UXJ, Chassis Number: 175325, Car Number: B7 8830, Engine Number: M168454 £4,000 - 6,000 Painted black over bright red with a red vinyl interior, the overall condition of this Seven saloon is ‘fair’ overall. The dash and instrumentation appear original with a combination of Lucas and Smiths MA gauges. The engine bay is very presentable and the car started easily and ran very well during our recent inspection, and is reported to have been overhauled and bored to +0.060in. The clutch, back axle and prop are to Ruby specification and P&A Wood restored the radiator. Avon tyres are fitted all round and flashing indicators have been added for safety. An older restoration, it has seen regular use until recently in its present ownership, over the last fourteen years, having been bought as a non-runner. A number of spares are available with the car including two rear wings, a nearside front wing, back axle and rear prop shaft. Collection from the seller may be required following completion of the sale. Paperwork includes a current V5C registration document.

This lot is subject to Buyer’s Premium at 15% inclusive of VAT @ 20%

Lot 2 1956 Morris Minor Series II ‘Split Screen’ Four-Door Saloon, Registration Number: 559 GMU, Chassis Number: FAJ11/402026 £3,500 - 4,500 A single family-owned car from new, this Minor is finished in grey with a red pinstripe and the condition appears to be good overall. The car was the subject of a comprehensive restoration in 1989 by Charles Ware’s Morris Minor Centre in Bath and the bodywork remains in generally nice fettle. The paint can be considered a good older repaint. The interior is in older/original deep red leather with matching door cards and the headlining appears to have been replaced at the time of the restoration. Flashing indicators are fitted in addition to the original semaphore trafficators, and a badge bar and driving/spot light combination adorn the front. Supplied by Stewart & Ardern of Acton in 1956 the little ‘Moggy’, incredibly, has remained in the same family ownership from new. Paperwork includes the original Instruction Manual in original envelope, the original Morris Maintenance Service Book, RAC and AA ephemera and a large quantity of MoT test certificates dating back to 1965. Other documents include a workshop manual and a quantity of correspondence from the Morris Minor Centre regarding the restoration.

This lot is subject to Buyer’s Premium at 15% inclusive of VAT @ 20%

AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS 1-111 Lot 3 An Art Nouveau silver-mounted mantel clock, the shaped mahogany front mounted with a silver embossed panel, Birmingham, 1909, centred with a convex Arabic dial, on button feet, 32cm high £550 - 650

Lot 5 A pair of ash and elm ladderback side chairs, attributed to C R Ashbee (1863-1942) for the Guild of Handicraft, each with rush seats and double stretchers, 46.6cm wide 36cm deep 86.5cm high, seat 44cm high (2) £200 - 300

Lot 4 An ash ladder back armchair, in the manner of Edwin Lutyens, with nipple finials, crook arms and a leatherette overstuffed seat, 65cm wide 59cm deep 105cm high, seat 45cm high £150 - 250

5 Lot 6 A Gothic oak armchair, in the manner of Pugin, reupholstered in a mustard latticed design fabric, with chamfered supports, raised on octagonal supports, on brass castors, 63cm wide 60cm deep 95cm high, seat 46cm high £250 - 350

Lot 7 A Victorian Gothic oak and ebonised daybed, with green Dralon arms and seat, with a spindle gallery, the frame with a dog-tooth apron, spade and dot inlaid designs, 160cm wide 65cm deep 63cm high £300 - 500 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

1-111 AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS Lot 8 A set of six limed oak dining chairs, with shaped leather backs, stitched and coloured with bunches of flowers, with plain green stuffover seats, and shaped and pierced front stretchers, 46cm wide 45cm deep 95cm high, 48cm seat high (6) £200 - 300

Lot 9 An Arts and Crafts mahogany armchair, c.1900, with capped vertical supports, the top rail with fret cut details, outswept arms, on ring turned supports, with a rush seat, 57.6cm wide 54cm deep 125cm high, seat 46cm high £300 - 500

Lot 10 An Arts and Crafts ash Thebes stool, with a rush seat, worn, 45.5cm wide 32cm deep 41cm high £150 - 250

Lot 11 Six walnut dining chairs, in the manner of Charles Bevan, stamped ‘Gillow’, with original upholstery, with ball finials, moulded frames and turned supports on castors, 48cm wide 54cm deep 98cm high, 45cm seat high (6) £400 - 600

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AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS 1-111

Lot 12 An Aesthetic brass bough pot, in the style of Dr Christopher Dresser, each of the embossed panels with a central boss with flowers and fruiting branches, each panel stamped twice with registration marks, dated 6th October 1879, with wreath side handles, on ball feet, stamped ‘C’ to the base, 21cm wide 20.5cm deep 23cm high £100 - 200

Lot 13 An Aesthetic ebonised side table, the central top over a moulded frieze, turned supports, with a ‘X’ stretcher, 82.5cm wide 42cm deep 75cm high £200 - 300

Lot 14 An Aesthetic brass fire kerb, decorated with roundels of birds and foliage, 131cm wide 32cm deep 20cm high £200 - 300

Lot 15 An oak side table, in the manner of A W N Pugin, with a moulded top and ring turned supports on swept moulded feet, 91.5cm wide 60cm deep 78cm high £250 - 350

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

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16 detail

Lot 16 A cast iron bench, designed by Thomas Jekyll (1827-1881) for Barnard, Bishop, Barnard in 1878, cast with Seigaiha wave designs, the sides with Japanesque pierced panels, with birds and foliage, cast ‘BBB’ logo, 180cm wide 58cm deep 90cm high, seat 43.5cm high £3,000 - 5,000

16 detail

For a similar design, see Barnard, Bishop, Barnard’s catalogue 1884, no. 435. Lot 17 A mahogany side cabinet, in the manner of E W Godwin, with a central glazed cupboard mounted with bevelled glass panels, with shelves to the side incorporating the stand, with an undertier, 81cm wide 36cm deep 99.5cm high £200 - 300

Lot 18 A walnut corner chair, in the manner of E W Godwin, with a latticed back, ring turned supports, and a rush seat, 57.5cm wide 52cm deep 69cm high, seat 39cm high £100 - 200

18 www.sworder.co.uk

AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS 1-111

Lot 19 A glass claret jug, after Christopher Dresser, in the manner of Hukin & Heath, late 19th century, with silver-plated mounts joined by an ebony handle, the body engraved with a repeat foliate design and polished printie cuts, raised on a star cut foot, 22.5cm high £100 - 150

Lot 20 A silver double basket or bonbon dish, designed by Dr Christopher Dresser (1834-1904), makers’ marks for Hukin and Heath, London 1881, with a central woven handle, engraved initial ‘C’ to the base of handle, each bowl with a curled rim, 19.5cm wide 16.5cm deep 12cm high, 12ozt approximately £1,200 - 1,500 Dr Christopher Dresser made the original design in around 1880 for Hukin and Heath, the model number was 2223. It is rare to find this in silver, as many were made in silver plate. For a similar design, see the VAM collection no. M.14-1970, a silver-plated example.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

1-111 AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS Lot 21 A pair of Aesthetic engraved brass wall lights, each with twin branches, the wall plate embossed with flowers, within a dog-tooth border, 18cm wide, a pair of copper and brass petal chambersticks, each on domed plinths, with turned wood handles, 18.5cm high, and a pair of Arts and Crafts brass chambersticks, each mounted to the drip tray with Japanese copper convex roundels, 19cm high (6) £150 - 250

Lot 22 An Arts and Crafts hexagonal oak lamp table, the plain top with an arcaded apron raised on turned supports, 35.5cm diameter 51cm high £100 - 200 Lot 23 A set of six oak dining chairs, attributed to Shapland & Petter, probably retailed at J A S Shoolbred, each with shaped rails centred with a carved roundel, with a drop-in seat, stamped ‘Rd. No. 481740’, 45cm wide 43cm deep 105cm high, seat 45cm high (6) £250 - 350

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Lot 24 C H Hare & Son Patent stool, with a rise/fall action, cast ‘PAT applied for no. 18969’, 45.5cm wide 34cm deep 53cm high £400 - 600

25 Lot 25  ‘Designs for Cretonne’ three watercolours, titled on card mount, each with ‘ESK’ blind stamp (for Examined South Kensington) 74 x 52cm on card (3) £200 - 300

Lot 26 A pair of walnut armchairs, after a design by E W Godwin, possibly for Liberty, London, each with recently reupholstered drop-in seats, moulded backs and arms, with ring turned supports and stretchers, 53cm wide 53cm deep 80.5cm high, seat 36cm high (2) £300 - 500 For a similar design see ‘Pictorial Dictionary of British 19th Century Furniture Design’ Antique Collectors Club p.261.

26 Lot 27 A Liberty walnut side chair, of tapering form, with a carved back rail, spindle supports over a drop-in seat, with spiral turned front legs with a shaped and pegged stretcher, labelled ‘Allen & Appleyard Artistic Furnishers Liverpool’, 51cm wide 49cm deep 100.5cm high, seat 39cm £150 - 250

Lot 28 A Liberty oak stick stand, with three divisions, pierced ends, and a tray base, 55.5cm wide 20cm deep 73cm high £100 - 150

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

1-111 AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS Lot 29 An unusual Arts and Crafts Baltic pine occasional table, the tiers of octagonal petalled form, with angular supports, 59cm diameter 52cm high £150 - 200 Lot 30 An Arts and Crafts walnut octagonal occasional table, the carved top, with pierced tapering supports with an undertier, 44cm diameter 69cm high £100 - 200

Lot 31 An Arts and Crafts oak free-standing set of shelves, 61.5cm wide 19cm deep 107.5cm high £150 - 200

31 32 Lot 32 A mahogany inlaid cabinet, in the manner of George Jack, with three-quarter glazed doors, with a cupboard below, 95cm wide 34cm deep 186.5cm high £250 - 350

Lot 33 An Arts and Crafts oak four-tier open bookcase, with a fret cut detail to the three-quarter gallery, arcaded sides, with moulded front edges, 62cm wide 24cm deep 127cm high £150 - 250 Lot 34 Spare lot

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AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS 1-111

Lot 35 A William De Morgan ‘Persian Flowers’ pattern tile, Merton Abbey Period, c.1882-1888, painted with Persian-style flower heads in green, turquoise and yellow, impressed with Merton Abbey mark, 25cm (10in), in a mahogany frame £400 - 600

Lot 36 A William De Morgan ‘Chicago’ pattern tile, early Fulham Period, c.1888-1897, painted with leaves and two Persian-style flower heads in shades of blue, purple, green and brown on a blue ground, impressed with ‘Sand’s End’ mark, 20cm (8in) £200 - 300

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

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38 37 Lot 37 A stoneware mottled green glazed vase, by A & H Hopkins, Lambeth, with a wide rim and ovoid body, stamped ‘A & H Hopkins 208 Lambeth Rd London SE’, 15.5cm high, and a French stoneware gourd-shaped vase, with a mottled brown and ochre glaze, with silver-plated floral mounts, incised ‘94’, 10cm high (2) £200 - 300

39 closed

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Lot 38 A pair of Arts and Crafts copper and brass candlesticks, by Carl Deffner, each stamped ‘D’, 24cm wide 10.5cm high (2) £200 - 300

Lot 39 A Scottish Arts and Crafts walnut, oak and burrwood cabinet, in the manner of John Ednie, with a moulded edge, over a cupboard centred with carved oval wreaths and conforming sides, enclosing three shelves, inscribed ‘Waltz Songs’, ‘Ballads’, ‘Song Books’, ‘High Jinks Etc.’, to the inside of one door, on a fixed stand, inlaid with oak and burrwood, shaped aprons, with an undertier, on castors, 44cm wide 44cm deep 96cm high £350 - 450

39 open

AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS 1-111 Lot 40 Three Aesthetic period brass wall lights, with scrolled arms, and reeded brass and ceramic switches, on shaped burr oak wall plates, one only polished, 40cm high (3) £150 - 250

Lot 41 A Shakespearian oak throne chair, for Liberty & Co., with a panelled and pierced back, a triangular seat on turned front supports, 62cm wide 52cm deep 131cm high, seat 45cm high £200 - 300

Lot 42 A Liberty oval copper wall mirror, with circular embossed roundels, labelled ‘Liberty London’, 63cm wide 51.5cm high £500 - 700

42 Lot 43 An Arts and Crafts oak and copper-mounted log bin, the hinged slope front mounted with an embossed English rose, the sides and front with fleur-de-lys, with a tin liner, 58cm wide 42cm deep 46cm high £100 - 150

Lot 44 A set of twelve Arts and Crafts walnut chairs, in the manner of E W Godwin, comprising a pair of armchairs and ten singles, with latticed backs and drop-in seats, armchairs 44cm wide 59cm deep 93cm high, seat 45cm high, singles 43cm wide 52cm deep 88cm high, seat 43cm high (12) £600 - 800

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

1-111 AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS Lot 45 An Arts & Crafts oak settee, with drop sides, a carved detailed top rail, with burgundy leather seats and base, 157cm wide 84cm deep 94cm high, seat 40cm high £800 - 1,200

Lot 47 A mahogany side table, c.1900, with a shaped fret cut top, over shaped brackets and a spindle gallery, 56cm wide 69cm high £150 - 250

48 Lot 46 Five Arts and Crafts oak dining chairs, comprising a pair of armchairs and three singles, each with a carved back, pierced splat, and padded back and seat, armchairs 57.5cm wide 55cm deep 116cm high, seat 46cm high, singles 45cm wide 45cm deep 113cm high, seat 46cm high (5) £350 - 450

47 Lot 48 Two near pairs of Arts and Crafts velvet curtains, each pair with a brown or ochre velvet ground, with stylised chain stitch designs of flowering branches, the hems with a vermiculated frieze, 120cm wide approximately 220cm high (4) £300 - 500

AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS 1-111 Lot 49 A Shapland & Petter mahogany table cabinet, the glazed moulded cupboard mounted with a pierced copper panel, opening to reveal two shelves, lock stamped ‘SP B’, 37.5cm wide 21cm deep 51cm high £200 - 300

Lot 50 An Arts and Crafts embossed coal box, the sloping hinged cover, opening to reveal a tin liner, the front with an embossed design, with side carrying handles, 39.5cm wide 33cm deep 35cm high £150 - 250

Lot 51 A set of eight Arts and Crafts oak dining chairs, with pierced backs, and green upholstered seats, comprising: a pair of taller chairs, 49cm wide 51cm deep 119cm high, seats 46cm high, and six singles, 47cm wide 49cm deep 109cm high (8) £250 - 450

Lot 52 An Arts and Crafts hammered copper haystack measure and cover, by William Souter & Sons, with a scrolled thumbpiece, stamped ‘5 Pint’ and ‘WSAS B’, 28cm high £150 - 250

Lot 53 A Scottish Arts and Crafts brass twin-light wall sconce, the shield back embossed with a rose panel, mounted with an enamelled cabochon, fitted with two candle sconces, 30.5cm wide 66cm high £120 - 150

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

1-111 AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS Lot 54 A Newlyn embossed copper casket, c.1900, the hinged cover with three fishing boats under sail, the front with fish, seaweed and shells, the sides with shells and seaweed, the back with strapwork, stamped ‘Newlyn’, 17.5cm wide 10cm deep 7cm high £400 - 600

Lot 55 An Arts and Crafts oak wardrobe, by Shapland & Petter, centred with a mirror and panelled cupboards, with carved details, stamped ‘SPB’, over three drawers, 195cm wide 54cm deep 201cm high £300 - 500 Lot 56 An Arts and Crafts oak cheval mirror, the rectangular frame fixed on a pierced stand, 79cm wide 59cm deep 159cm high £200 - 300

Lot 57 An Art Nouveau mahogany dressing table, the central mirror over shelves, and an arrangement of drawers and cupboards, 107cm wide 51cm deep 165cm high £250 - 350

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Lot 58 An Arts and Crafts walnut desk, with an arrangement of eleven drawers, losses to the leather top, raised on high arabesque bracket feet, 108cm wide 57cm deep 75cm high £200 - 400

AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS 1-111

Lot 59 A Liberty Tudric pewter and enamel jug, with an hinged cover and thumbpiece, moulded with sinuous designs, mounted with enamel cabochons, the handle woven with copper wire, stamped marks and numbered ‘0305’, 21cm high £300 - 500

Lot 60 An Arts and Crafts pewter muffin dish and cover, by William Hutton and Sons, of rectangular form with a domed cover, mounted with a strap handle, inset with a Ruskin enamel cabochon, a separate fitted dish and raised on arched supports, stamped marks, 26cm wide 19.5cm deep 14cm high (2) £250 - 350

Lot 61 A Liberty Tudric pewter mantel clock, the shaped top over an Arabic dial, flanked with oak spiral columns, stamped marks and numbered ‘01126B’, 31cm wide 17.5cm high £500 - 700

60 Lot 62 A Moorcroft ‘Claremont’ vase, of ovoid form, blue monogram, stamped marks and numbered ‘189’, 8.5cm high £250 - 350

Lot 63 A Moorcroft ‘Eventide’ vase, of flared form, with a blue signature, stamped marks and numbered, 15cm high £200 - 400

Lot 64 A William Moorcroft ‘Pomegranate’ biscuit barrel and cover, with twin handles, impressed marks, blue facsimile signature, 17.5cm high (2) £500 - 700

64 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

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Lot 65 An Art Nouveau cast iron torchère, c.1890, a mahogany top, the supports with cast masks and copper hoop rings with polished copper details, cast ‘Reg. No. 490413’, 21.5cm wide 87.5cm high £150 - 250

Lot 66 A Goldscheider ‘La Negresse’ terracotta bust, 1890s, modelled by Friedrich Goldscheider (1845-1897), stamped marks, numbered ‘1341/84/47’ and inscribed ‘IV’, 46.5cm high £500 - 700

Lot 67 A Russian 84 standard silver twin-handled salver, maker’s mark for Gubkin, assayer Ivan Vasilyersin Avdeyev, Moscow, 42.5cm wide, 29cm deep, 30ozt approximately £250 - 350

Lot 68 An Art Nouveau Kralik iridescent moulded glass bowl, mounted with pewter mounts, the handles formed as leaves, the rim and base with a reeded edge, unsigned, 26cm diameter £250 - 350

Lot 69 A Gallé floral cameo glass vase, of tapering form, the pale yellow and frosted body overlaid in green glass and acid etched with multi-headed flowers, with cameo signature, 40cm high £500 - 700

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AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS 1-111 Lot 70 French School, c.1900 Portrait of a lady in a flowing scarf, holding an umbrella watercolour 50 x 14cm £200 - 300

Lot 71 Two Moser Karlsbad dark green glass vases, of tapering faceted form, printed with Moser Karlsbad Wiener Werkstätte marks, 13.5 and 17cm high (2) £150 - 250

Lot 72 A WMF embossed copper plaque, of circular form, centred with the profile of a lady, with an embossed fruiting banding, stamped mark, 43.5cm diameter £120 - 180

Lot 73 A collection of Tudric pewter items, comprising: a three-piece tea set, designed by Archibald Knox, stamped marks ‘0231’ and ‘Retailed by Dawsons Ltd, Dunedin NZ’, teapot 10cm high, a pewter twin-handled vase, stamped ‘029’, 25cm high, and a pierced shamrock dish, stamped ‘0287’, 28.5cm wide (5) £200 - 300

Lot 74  An Art Nouveau pewter dish, by Léon Kann for the Siot-Decauville foundry, moulded with blackberries and leaves, signed ‘L Kann’, impressed mark and stamped ‘M762’, 45cm wide 32cm deep £200 - 300

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74 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

1-111 AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS

Lot 75  A pair of Art Nouveau Kayserzinn pewter candlesticks, with removable petal sconces, cast ‘Kayserzinn 4521, and numbered ‘15’, 30cm high, an Osiris pewter twin-handled bowl, moulded with panels and olives, stamped ‘Osiris’ and ‘820’, 33cm diameter, and a Tudric pewter biscuit barrel, lacking cover, designed by Archibald Knox, stamped ‘Tudric’ and ‘0194’, 15cm wide 12cm high (4) £200 - 300

Lot 76 A large French Arts and Crafts pottery vase, mid-20th century, in blue and brown and salt glaze, signed to the underside, 89cm high £200 - 400

77 Lot 77 A pair of WMF silver-plated figural table lamps, each modelled as a lady stretching upwards, with a scrolled branch, stamped marks, 42cm high (2) £250 - 350

Lot 78 An Art Nouveau silver-plated figural mounted double dish, the maiden gazing into a hand mirror, the dishes embossed and pierced, 39.5cm wide 26.5cm high, and a WMF figural dish, stamped marks and cast ‘80’, 31cm wide (2) £150 - 200

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Lot 79 Three Art Nouveau metalware items, comprising: an Achille Gamba pewter dish, modelled with a seated lady, stamped marks, 18cm wide 17cm high, a WMF inkstand, stamped marks and ‘224’, 34cm wide, and a WMF pierced twin-handled comport, 33.5cm wide 22.5cm high (3) £150 - 200

AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS 1-111

Lot 80  ‘La Raphaëlle Liqueur Bonal’, designed by J Rosetti, 1908, lithograph in colours, printed by ‘Imp I.Lang 3 rue du Platre - Paris’, 158 x 116cm 167.5 x 124.5cm, framed £1,000 - 1,500

Lot 81 A Thonet coat stand, with two rows of hooks over stick clips, 39cm wide 184cm high £200 - 300

Lot 82 After Egon Schiele Two studies of women mixed media 61 x 24cm and 61 x 30cm, in oak and gold frames (2) £200 - 300

82 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

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Lot 83 E… Possner (20th century) Ducks linocut, on buff oriental paper, signed in pencil and numbered 64/100 40 x 48cm £150 - 200

Lot 84 A Secessionist copper and brass oval tray, by Gustave Serrurier-Bovy, with a pierced gallery and handles, unmarked, 54cm wide 26.5cm deep £300 - 500

83 Lot 86 A Fledermaus occasional table, a Wittmann Edition, after a design by Josef Hoffmann, with a circular glass and embroidered top, over a stained beechwood stand, labelled, 66cm diameter 65cm high £200 - 400

Lot 85 A silver-plated five-branch candelabra, early 20th century, possibly by F W Quist, the slender ring turned column, with five coiled branches, with tapered sconces, loose liners, with a tapered multiball finial, marks worn, 45cm high £500 - 700

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AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS 1-111 Lot 87 A rare Royal Copenhagen ‘Skagen’ figure, by Carl Martin-Hansen, c.1910, modelled as a fisherman dressed in traditional costume holding a net, standing on a rocky outcrop, the plinth inscribed ‘Skagen’ to the front, painted factory mark in underglaze blue, impressed and painted model number ‘12214’ to the base, 33cm high £800 - 1,200 From the ‘Danish National Costumes’ series, designed by Carl Martin-Hansen (Danish, 1877-1941), and produced 1906-1925.

87 Lot 88 A rare Royal Copenhagen figure ‘Gronland’ (Greenland), by Carl Martin-Hansen c.1910, modelled as a lady dressed in traditional costume, finely decorated standing on a rocky outcrop, set on a moulded pedestal base titled ‘GRONLAND’, painted factory mark in underglaze blue, impressed and painted model number ‘12224’, 33.6cm high £800 - 1,200 From the ‘Danish National Costumes’ series, designed by Carl Martin-Hansen (Danish, 1877-1941), and produced 1906-1925.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

1-111 AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS

Lot 89  ‘The Race for the Grand National’, a lithographic three-part card, printed by Raphael Tuck, No.82, after a painting by William Henry Ellam, in a perspex box, 43cm wide 9.5cm deep 20cm high £100 - 200

Lot 90  *Edward Ardizzone (1900-1979) ‘Shelter scene’ colour lithograph, published by the National Gallery, printed by Baynard Press 74 x 99cm, framed £150 - 250

Lot 91  *Felix Kelly (1914-1994) ‘Drifter and Paddle Steamers’ No. 15, a coloured lithographic Schools’ print, printed by Baynard Press 48 x 75cm, mounted and framed £150 - 200

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AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS 1-111

Lot 96  Sir Frank Brangwyn (1867-1956), ‘Exhibition of Drawings Etchings Paintings at 184 Queen’s Gate SW7 Open May 26’, 88 x 62cm, framed 93 x 66cm £150 - 250

92 Lot 92  Sir Frank Brangwyn (1867-1956), ‘Book plates by Frank Brangwyn, Morland Press’, a coloured lithographic poster, mounted and framed £200 - 300 Lot 93  *Sir Frank Brangwyn (1867-1956) ‘Pollards Storefitters’ colour lithographic poster, printed by The Avenue Press, London WC2 75 x 48cm 78.5 x 51.5cm, framed £200 - 300

93 Lot 94  ‘The Granta’, a lithographic poster, ‘The Granta runs through Cambridge and Cambridge through the World’, 85 x 56cm, framed 88.5cm x 59.5cm £200 - 300 Lot 95  *Sir Frank Brangwyn (1867-1956) ‘Use Your Public Library for Information and Recreation’ a lithographic poster 74.5cm x 79.5cm, framed 77.5 x 52.5cm £200 - 400

Lot 97 A pair of rare Gordon Russell yew wood ladderback chairs, each with a shaped top rail, flanked with turned finials, outswept arms, re-rushed seats, with double turned stretchers to the front and sides, 62.5cm wide 51cm deep 96cm high, seat 44cm high (2) £600 - 800 Lot 98 A pair of fruitwood three-branch candelabra, each with flared faceted sconces and a chamfered support, 32cm wide 40.5cm high (2) £200 - 300 Lot 99 A Gordon Russell oak bedroom suite, comprising: a dressing chest, with a rectangular mirror, over two drawers, labelled, 91.5cm wide 49.5cm deep 138cm high, a stool, 49cm wide 34cm deep 41cm high, and a wardrobe, the plain doors enclosing a hanging space and shelves to the side, labelled, 91cm wide 49.5cm deep 183cm high (3) £400 - 600 Lot 100 An oak narrow waterfall bookcase, in the manner of Gordon Russell, with five shelves, 45.5cm wide 22.5cm deep 137cm high £150 - 250

95 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

1-111 AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS

100 97 part lot

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AESTHETIC, ART NOUVEAU AND ARTS & CRAFTS 1-111

Lot 101 An oak draw-leaf table, in the Heal’s style, with a cross stretcher, 91cm wide, 160cm extended 76cm high £150 - 200

Lot 102 A Cotswold School elm occasional table, the square top, with an incised edge, over an undertier, with shaped supports and a cruciform stand, 50.5cm square 70cm high £150 - 200

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Lot 103 An oak desk, c.1930, designed by Peter Waals (1870-1937), with three drawers, constructed under the direction of Edward Barnsley at Loughborough College, 116cm wide 57cm deep 76cm high £300 - 500

105 Lot 104 An Austrian Arts and Crafts stool, designed by Adolf Loos, 36cm wide 27cm deep 37cm high £300 - 500

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Lot 105 A Cotswold School crossbanded coromandel toilet mirror, the canted, rectangular, bevelled glass mirror, flanked between ebonised capped tapering supports, the shaped stand with an arrangement of six drawers with ivory handles, on ebonised bun feet, 56cm wide 24cm deep 78cm high £400 - 600 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

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Lot 106 Five ash ladderback chairs, with strung seats, by Robin Nance of St Ives, unlabelled, 46cm wide 42cm deep 105cm high, seat 46cm, and a round coffee table, labelled ‘Robin Nance Woodworker St Ives C. priced £2.10.0’, 61cm diameter 49cm high (6) £250 - 450

Lot 107 A Robert ‘Mouseman’ Thompson stool, the dish top, of shaped form, the edge with the signature mouse, raised on four tapering octagonal legs, 36.5cm wide 28.5cm deep 45.5cm high £300 - 500

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Lot 108 A Robert ‘Mouseman’ Thompson oak standard lamp, with an octagonal turned column, the plinth carved with the signature mouse, 146cm high £400 - 600

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Lot 109 A Robert ‘Mouseman’ Thompson burr oak table, 1950s, the burr shaped top, raised on tapering octagonal legs, with a carved mouse signature, 71cm wide 52cm deep 71cm high £1,000 - 1,500

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Lot 110 A Robert ‘Mouseman’ Thompson dining table, c.1930, the adzed rectangular two-plank top, raised on adzed supports, these on shaped sledge supports, with the mouse signature, with an adzed stretcher, 211cm long 60cm deep 82.5cm high £6,000 - 8,000 The table was bought by the present owner’s father in 1958. It was sold by auction, the family understands, from the estate of Sir Peter James Cunliffe Horlick, 3rd Bt (1908-1958).

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Lot 111 Six Robert ‘Mouseman’ Thompson oak dining chairs, c.1930, each with a solid back, replaced tan leather seat, raised on octagonal turned supports, united with plain stretchers, four with two mouse signatures, on the front left legs and the top of the backs, two with mouse signatures on the front right legs, all inscribed in different places with ‘H’, 45cm wide 50cm deep 114cm high, seat 46cm high (6) £6,000 - 8,000 The chairs were bought by the present owner’s father in 1958. The chairs, along with lot 110, were bought at auction, the family understands, from the estate of Sir Peter James Cunliffe Horlick, 3rd Bt (1908-1958). Interestingly, all the chairs have the ‘H’ initials carved into the frames in different places - was this perhaps for guests to find at the dinner table?

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Lot 112 Louis Riché (French, 1877-1949), an Art Deco patinated and silvered bronze figure group, modelled as a lady with two borzoi dogs, signed ‘L. Riche’, on a marble plinth, 61cm wide 53.5cm high £500 - 700

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Lot 113 An Art Deco Madagascan ebony desk, c.1928, centred with a drawer, flanked with cupboards, enclosing three slides and a shelf opposite, the back fitted with a bookcase enclosed with glass sliding panels, 160.5cm wide 79cm deep 76cm high £2,000 - 3,000 Lot 114 A pair of Art Deco oak reclining armchairs, each with bar adjustable backs, shaped arms over latticed sides, with carved leaf details, the front supports fluted and the seat bar with a dog-tooth frieze, 61cm wide 88cm deep 86cm high, seat 37cm high (2) £300 - 500

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Lot 115 A pair of bronze and Bakelite candlesticks, of classical form with reeded columns on stepped plinths, 19.5cm high (2) £150 - 250

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Lot 115A A French Art Deco rosewood and ivory mounted desk set, comprising: a desk clock, 15.5cm wide, a pair of bookends, 22cm wide together, 17cm high, a deskstand with inkwells, 30cm wide, two pens, 20.5cm long, an ashtray, 14.5cm diameter, a blotter, 16cm wide, a photograph frame base, 19.5cm wide, and a warthog tusk mounted stand, 14.5cm high together with a tray (11) £300 - 500

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116 Lot 116 An Art Deco maple and walnut wall mirror, the rectangular mirror plate, with a cushion frame, 71cm wide 42cm high £200 - 300

Lot 117 An Art Deco walnut chest of drawers, with an arrangement of four drawers, the curved chrome handles with faux ivory mounts, 75cm wide 45cm deep 114cm high £300 - 500

Lot 118 An Art Deco silvered hanging light, with a moulded glass dish terminal, with three branches and mounted glass shades, 55cm diameter 70cm high £250 - 350

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Lot 119 An Art Deco burr maple and walnut dressing table, with a triptych of bevelled glass mirrors, flanked with three drawers, on an inverted stand, 125cm wide 58cm deep 168.5cm high, www.sworder.co.uk

together with a stool, with a re-covered tan leather seat, 59.5cm wide 40cm deep 50.5cm high (2) £400 - 600

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120 Lot 120 Kenneth Stevens MacIntire (American, 1891-1979), a three-fold screen design, decorated with three girls dancing amongst flowers and trees, 24 x 21.5cm 38.5 x 33.5cm overall £200 - 300

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121 Lot 121 Kenneth Stevens MacIntire (American, 1891-1979), a three-fold screen design, decorated with a vase flanked with dragons, 16 x 16.5cm, 33.5 x 33.5cm overall £200 - 300

Lot 122 Kenneth Stevens MacIntire (American, 1891-1979), a three-fold screen design, decorated with Chinese horses on a gold ground, 21 x 21.5cm 42 x 40.5cm overall £200 - 300

Lot 123 Kenneth Stevens MacIntire (American, 1891-1979), a three-fold screen design, decorated with a nautical map of the Atlantic showing America and Europe, centred with a three-masted ship ‘Montezuma’, 21 x 22cm 37 x 37cm overall £200 - 300

123 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

112-251 ART DECO

124 125 Lot 124 An Art Deco armchair, with blue velvet upholstery, 90cm wide 77cm deep 74cm high, seat 40cm high £150 - 250

Lot 125 A pair of Art Deco burr walnut-style console tables, each with canted corners and supports with ebonised ball details, 137cm wide 44cm deep 92cm high (2) £500 - 700

Lot 126 An extensive Art Deco Royal Venton ware pottery dinner service, designed by Harold Holdcroft, hand-painted with a flowering branch, with a scrolled border, comprising: 12 dinner plates, 25.5cm diameter, 12 dessert plates, 22.5cm diameter, 12 side plates, 20cm diameter, a pair of vegetable tureens and covers, 5 oval platters, 30 to 43cm long, a sauce tureen, cover and stand, and a sauce boat, each with printed marks (49) £150 - 250

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Harold Holdcroft was born in 1904, was appointed a lecturer at Burslem School of Art at the age of 18, and was working at J Steventon & Sons, Burslem in 1928.

Lot 127 A Danish black leather settee, 1930s, with scrolled arms and button back, 205cm wide 74cm deep 77cm high, seat 39cm high £400 - 600

Lot 128 An Art Deco-style maple duet stool, with a cream suede seat on splayed supports, 115.5cm wide 45cm deep 48.5cm high £250 - 350 Lot 128A A French standard lamp, 1950s, gilt metal, cast as a palm tree, lacking fitting and shade, 156cm high £250 - 450

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ART DECO 112-251 Lot 129 Twenty-five photographs of the sculptures on Imperial Chemical House and Thames House Millbank, carried out by Charles Sargeant Jagger (1885-1934), the sculptures represent the various industries of Imperial Chemicals, published by ‘W H Grove & Son, 73 Earls Court Rd., Kensington, W.8’, all mounted, comprising: six, Chemistry, eight, Agriculture ‘The Sower’, five, Marine Transport, four, Construction ‘The Builder’, one, Thames House, one, ‘St George’, one, ‘Britannia’ (25) £100 - 200

After active service in the First World War Charles Sargeant Jagger was responsible for a number of well-known war memorials, which in London includes the Great Western Railways’ war memorial at Paddington Station and the Royal Artillery Memorial at Hyde Park Corner. He was appreciated for the rugged and realistic style of his work, which clearly comes across in the statues on the ICI building. Imperial Chemical House is a Grade II listed building situated on Millbank, London. It was designed by Sir Frank Baines in the neoclassical style of the inter-war years, and constructed between 1927 and 1929 as the headquarters for the newly created Imperial Chemical Industries (ICI). Thames House, the next building south along Millbank, was also designed by Baines and constructed at the same time. Once one of Britain’s largest industrial companies. ICI became a huge global concern, employing tens of thousands of people, but unfortunately, towards the end of the 20th century, it was sold off to AkzoNobel.

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Lot 130 A pair of Art Deco-style brass uplighters, each with a pyramidal shade, raised on tapering supports, shades 31cm square 182.5cm high bases 38.5cm square (2) £400 - 600

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Lot 131 A Karlsruher terracotta fawn, designed by Else Bach, with a raised mark, 26.5cm high £150 - 250

Lot 132 Two Val St Lambert ‘Luxal’ amber and green glass plate warmers or centrepieces, each of oval form with twin moulded handles, with flèche-type reeded sides, one labelled, both with pierced covers and internal base sleeve, 37cm wide, and another amber glass bowl, 22.5cm square (7) £100 - 150

Lot 133 An Art Deco burr maple dining table, with a plain edge and rounded ends, raised on a pair of plinths, 183.5cm wide 91.5cm deep 74.5cm high £250 - 450

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Lot 134 An Art Deco walnut nest of tables, the shaped crossbanded circular top, with four-quarter three-tier tables, 63cm diameter 51.5cm high £250 - 450

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137 Lot 137 An Art Deco spelter and marble centrepiece, modelled as a sprinting man and a dog, raised on a sloped marble and onyx stand, inscribed ‘L.Valderi’, 56.5cm wide 39cm high £250 - 350

Lot 135 Four Art Deco occasional tables, largest 56cm diameter 59cm high (4) £300 - 500

138 Lot 138 An Art Deco bronze and marble mounted mantel clock, mounted to one side with a lady and a greyhound next to a fan-shaped clock stand, mounted with onyx panels, with a lozenge- shaped dial, inscribed ‘E. Bourgedi/Doudeville’, stamped to the plinth ‘Menneville’, 55cm wide 38cm high £300 - 500

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Lot 136 An Art Deco Macassar ebony games table, in the manner of Émile-Jacques Ruhlmann, the baize inset top over four pull-out slides, raised on silvered reeded baluster legs, 94cm square 73cm high £1,500 - 2,500

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Lot 139 Four Goebel wall masks, various sizes, printed ‘Specially designed by Mrs Agnes Richardson’, a Beswick ware wall mask, 30.5cm long, two plaster masks, largest 19.5cm long, and an embossed painted metal wall mask, 31.5cm long (8) £200 - 300 Lot 140 A German porcelain shade, modelled as a seated cat, with holes to the eyes, collar and tail, blue marks to inside, 19cm high £100 - 150 Lot 141 A Georg Jensen sterling silver bowl, of hammered finish with a flared rim, over a pierced floral column, on a raised circular foot, stamped marks and ‘197A’, 20cm diameter, 15.5cm high, 22ozt approximately £500 - 700

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141 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

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Lot 142 An Art Deco silver-plated cocktail shaker and six beakers, by Thomas Wilkinson & Son, Birmingham, cocktail shaker, 24.5cm high beakers, 6.5cm high, in worn original box (7) £200 - 300

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Lot 143 An Art Deco Swedish silver vase, maker’s mark for Carl Gustaf Hjulström, 1926, of flared hammered form with fan-shaped lappet panels to the lower part and the circular foot, stamped marks and numbered, 17.5cm high, 14ozt approximately £350 - 450

Lot 144  A French silver-plated urn or trophy, in the style of Jean Puiforcat, on a marble plinth, with a brass plaque reading ‘Aan Mr Collyn B Als Blyvend Aandenken Voor Jarenlange Toewyding Aan Vynckler EC 1942-1955’, stamped ‘18G/ NS? DEES’, 36cm high £400 - 600

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Lot 145  A silver-plated twin-handled urn, probably French, with ribbed handles and foot, stamped ‘GC’, 27.5cm diameter 22.5cm high £200 - 300

ART DECO 112-251 Lot 146 A large collection of ‘The Studio’ magazines, mostly 1900-1920s, paper covers, all worn (qty.) £100 - 200 Lot 147 A large collection of ‘The Studio’ magazines, most cloth bound, some leather spined, and a General Index 1-42, facsimile, 1979 (31) £150 - 200

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Lot 148 A large collection of ‘The Studio’ magazines, mostly 1940s-1950s, paper covers, seven bound, 1940s, eight Studio Yearbooks, and fifteen Studio Internationals, 1960s (qty.) £150 - 200 Lot 149 A collection of ‘The Studio’ magazine, 1930-1938, not complete, worn (79) £150 - 250

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Lot 150 A Danish ‘banana’ settee, 1940s, with green upholstery, raised on turned supports, 168cm wide 79cm deep 79cm high, seat 40cm high £200 - 400 Lot 151 ‘Le Rouge Baiser’ poster, modern, designed in 1949 by René Gruau, printed by Editions Speciales, Paris, 69 x 49cm 72 x 52cm overall, framed £150 - 200

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Lot 152 An Art Deco walnut nest of tables, the circular shaped quarter veneered top, with four tables below, each with three tiers, 74cm diameter 55cm high £400 - 600 Lot 152A A pair of Art Deco walnut bedside cupboards, each of Chinese style with raised edges, crossbanded cupboards enclosing a drawer, on a cushion frieze and block feet, 51.5cm wide 40cm deep 71cm high (2) £400 - 600

152A Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

112-251 ART DECO

Lot 154  A Daum cased glass vase, of ovoid form, with cut vertical designs on an ‘ice’ ground, inscribed ‘Daum Nancy France’, 47cm high £400 - 600

Lot 153 A pair of wrought iron and copper uplighters, 198cm high 36cm diameter (2) £300 - 500

155 Lot 155 A Schneider glass tazza, with a mottled orange and yellow bowl and stem, with purple pronts, a column stand and circular foot, etched ‘Schneider France’, 18cm diameter 15.3cm high £200 - 300

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Lot 156  Eric Gill (1882-1940) ‘Girl in Bath, I and II’, 1923 two, later printed wood engravings, each numbered with page nos. 26;27 image 10 x 10cm, mounted and framed 54.5 x 44.5cm (2) £150 - 250

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153 Lot 157 ‘Giornata Del Balilla 4 Decembre XI’, a large offset lithographic poster, 1933, designed by Giulio Cisari (1892-1979), printed La Presse, Milan, 144.5cm x 105cm, in a wrap-around frame £300 - 500

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Lot 158 An Art Deco bentwood armchair, with a distressed black seat, 55cm wide 68cm deep 81cm high, seat 37cm high £150 - 250

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159 Lot 159 A French Art Deco centrepiece, by Limousin, the moulded glass dish raised on three spelter figural supports, around a central light with a fan moulded shade, the base with cast signature, 68cm wide 34cm high £400 - 600 Lot 160 *Émile-Jean Armel Beaufils (French 1882-1952), a bust of a young girl, bronze, signed, 42cm high £200 - 400

162A headboard

Lot 161 An Art Deco walnut book table, the quarter veneered top over shelves and an undertier, with cut details to the supports, 56cm diameter 56cm high £150 - 200

Lot 162A An Art Deco burr walnut and maple bedroom suite, comprising: a dressing table, of kidney shape, with pink tinted mirrors, the lozenge-shaped side mirrors revolving on circular pads, centred with a single drawer, flanked with bow fronted drawers, enclosing four drawers, 161cm wide 71cm deep 166cm high,

162A double wardrobe a walnut backed stool, 65cm wide 48cm deep 69cm high, seat 49cm high, a large headboard, centred with a pink tinted mirror, flanked with fitted bedside cupboards, each with a shelf, a drawer and a cupboard enclosing a shelf,

Lot 162 An Art Deco walnut elbow chair, in the Chinese style, with an embossed leather seat, with turned supports, 62cm wide 58cm deep 108.5cm high, seat 45.5cm high £100 - 150

162A dressing table and stool 46

276.5cm wide 42.5cm deep 157cm high, a double wardrobe, with fluted cupboards, enclosing a hanging space to the left, and fitted with glazed drawers and further drawers, 120cm wide 70cm deep 180cm high, and a a walnut triple wardrobe, with a three-quarter hanging space, and with a selection of slides and glass-fronted drawers, 180cm wide 68cm deep 194cm high (5) £3,000 - 5,000

162A triple wardrobe Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

112-251 ART DECO Lot 163  Edward McKnight Kauffer (1890-1954) ‘Chingford by Motor Bus’ colour lithograph poster advertising the London General Omnibus Company, signed in the print 76 x 55cm, framed £250 - 350

Lot 164 An Art Deco walnut table, with a veneered square top, over shaped supports, with a shaped undertier, 61cm square 51cm high £150 - 250

164 163 Lot 165 An Art Deco burr walnut drinks cabinet, the front hinged to reveal a revolving two-tier shelf, with chrome rails and glass tops, raised on splayed legs, 69.5cm wide 39cm deep 67.5cm high £300 - 500

Lot 166 A veneered occasional table, the circular top, raised on shaped supports, labelled ‘Fischel’ £200 - 300

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Lot 167 An Art Deco bird’s-eye maple nest of tables, the circular quarter veneered top, fitted with four tables below, 61cm diameter 46cm high £300 - 500

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168 Lot 168  A Clarice Cliff stepped vase, shape no. 369A, with a black ground, the front and top rim painted in gold, printed mark, 19cm high £150 - 200

169 part lot

Lot 169 A Clarice Cliff ‘Blue Firs’ Biarritz dinner service, comprising: 12 dinner plates, 21 x 27cm, 12 dessert plates, 19 x 23cm, 12 side plates, 15.5 x 18.5cm, a large dish, 31 x 44cm, a large dish, 28 x 41cm, a medium dish, 24 x 41cm, a smaller plate, 21.5 x 32cm, 2 smaller dishes, 19 x 28cm, 2 sauce tureens and covers, 20cm wide, 15cm high, 2 tureens and covers, 16cm wide, 11cm high, each with printed marks ‘The Biarritz Royal Staffordshire England’ and ‘Bizarre by Clarice Cliff’ (50) £1,500 - 2,000

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Lot 170 An Art Deco walnut canteen of silver-plated cutlery, comprising a twelve-piece place setting, in a burr walnut canteen of three drawers, 53.5cm wide 36cm deep 28.5cm high £250 - 350

Lot 171 An Art Deco burr walnut dining table, of rectangular form, raised on twin pedestals, with a glass top, 184cm wide 92cm deep 75cm high, and six dining chairs, with tan leather drop-in seats and veneered backs, 47.5cm wide 55cm deep 90.5cm high, seat 47cm high (7) £400 - 600

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172 John Guida (1897-1965), born to an Italian father and an American mother, was an important Italian stylist, designer and illustrator. As a child he moved to Rome where he attended Visconti High School. In 1914 he participated in the fashion exhibition at the Circolo Degli Artisti together with Sartorio, Grassi, Innocenti and Angoletta. John Guida was a regular visitor to the Paris fashion shows, coming into contact with famous tailors such as Jean Patou, Jeanne Lanvin, Lucien Lelong, Madeleine Vionnet and Coco Chanel from whom he drew inspiration to find his own personal style, becoming an official dress designer for some of the most well-known Italian tailors such as Coen, Sanet and La Merveilleuse of Turin. His designs remained characterised by a refined linearity and a constant attention to precious detail. Elongated and slender female figures were often underlined by loose skirts and flowing pants; the sophisticated profiles were highlighted by short or gathered hair, inspired by the typical garçonne model of the time. He was also active as an illustrator for the women’s magazines ‘La Donna’ and ‘Cose’, and as an advertising designer for the fashion and perfumery sectors.

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Lot 172 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a checked two-piece suit signed and dated, inscribed ‘una giacca con effector gi quautetti la blouse nella gonna’ paper size 70.5 x 50cm £200 - 300 Lot 173 *John Guida (Italian, 1897-1965) A fashion study - a lady in a brown suit and hat signed ‘John’ and numbered ‘933’(?), mixed media 70 x 50cm £200 - 300

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Lot 174 *John Guida (Italian, 1897-1965) A fashion study - a lady in a green hat and coat ensemble, signed and numbered ‘936’, mixed media 70 x 50cm £200 - 300

Lot 176 *John Guida (Italian, 1897-1965) A fashion study - a lady in a full-length crimson dress signed ‘Guida’ and numbered ‘938’, mixed media 70 x 51cm £200 - 300

Lot 175 *John Guida (Italian, 1897-1965) A fashion study - a lady seated in a pink dress with a floral lapel signed ‘John’ and numbered ‘934’, mixed media 70 x 50cm £200 - 300

Lot 177 *John Guida (Italian, 1897-1965) A fashion study - a lady in a purple dress with a red tie belt, signed and numbered ‘936’, mixed media 70 x 50.5cm £200 - 300

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

180 Lot 178 *John Guida (Italian, 1897-1965) A fashion study - a lady in a billowing green and blue dress signed and numbered ‘938’, mixed media 69 x 51cm £200 - 300 Lot 179 *John Guida (Italian, 1897-1965) A fashion study - a lady seated in a brown hat, a pink-edged short jacket and a latticed dress signed and numbered ‘938’, mixed media 69 x 51cm £200 - 300 Lot 180 *John Guida (Italian, 1897-1965) A fashion study - a lady in a red suit and polka dot scarf and blouse signed ‘John’ and numbered ‘932’(?), mixed media 70 x 50.5cm £200 - 300

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181 Lot 181 *John Guida (Italian, 1897-1965) Two fashion studies: A lady in a lovat green dress and coat; A lady holding a bowl of fruit in a pink and purple diaphanous dress both signed ‘John’ and numbered ‘920’, mixed media 54 x 29cm and 45 x 30.5cm (2) £200 - 300 Lot 182 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a long black dress, with a fur scarf signed ‘John’ and numbered ‘920’, mixed media 50 x 31cm, laid on a mount and paper, paper 70 x 49.5cm overall £200 - 300

182 Lot 183 *John Guida (Italian, 1897-1965) A fashion study - a lady in a fur-lined coat signed ‘John’ and numbered ‘924’, mixed media 66 x 49.5cm £200 - 300 Lot 184 Henri Gerbault (French, 1863-1930) ‘Un Matelot’; ‘Une Negresse’ a pair, both signed ‘H Gerbault’ l.r. and inscribed u.l., pen and ink, watercolour and gouache 32 x 24cm (2) £250 - 300

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Lot 185 Demétre Chiparus (Romanian, 1886-1947), ‘The Dancer of Kapurthala’, patinated and gilt-bronze and ivory, on a stepped onyx base, signed on the plinth and stamped ‘Made in France and numbered 35’, 57cm high £15,000 - 20,000

Lot 186 Robert Bousquet (1894-1917), ‘The Singing Pierrot’, a gilt bronze and ivory figure, playing a mandolin, signed ‘Bousquet’, 39.5cm high £4,000 - 6,000

Provenance: P rivate collection, East Sussex. See A Shayo, ‘Chiparus: Master of Art Deco’, Abbeville Press, 1999, pl.63, p.132.

Lot 187 *Stefan Dakon (Austrian, 1904-1992), a cold-painted bronze and ivory figure of a dancer, signed ‘Dakon’, raised on an onyx plinth, lacking hands, 24cm high £200 - 300

‘The Dancer of Kapurthala’ is believed to have been inspired by Anita Delgado (1890-1962), a flamenco dancer who captured the heart of the Maharajah of Kapurthala when he saw her perform at a café, while attending the wedding of Spain’s King Alfonso XIII. They later married and she changed her name to Maharani Prem Kaur Sahiba.

Lot 188 An Art Deco cold-painted bronze and ivory figure of a Pierrot, standing emptying her pockets, raised on an onyx plinth, 24cm high £300 - 500

Demétre Chiparus (1886-1947), was born in Drohoi, Romania, went to study in Italy with the sculptor Raffaello Romanelli, and then enrolled at the École des Beaux-Arts in Paris. The distinctive sculptures he produced, in the Art Deco style, were frequently made with bronze and ivory - a tradition that had been used in ancient Greece and commonly known as chryselephantine.

Lot 189 *Josef Lorenzl (Austrian, 1892-1950), a cold-painted bronze figure of a nude, partially covered with a robe, stamped ‘RLor Austria’, on a tapering octagonal onyx column and plinth, 34cm high £600 - 800

Chiparus, fascinated by the discovery of Tutankhamun’s tomb and influenced by Diaghilev’s Ballets Russes, was also inspired by the exotic - something that is very evident in this fantastic sculpture.

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Lot 190 An Art Deco oak veneered coffee table, with a square glass top, over an undertier, on a cruciform frame, 60cm wide 56cm high £100 - 200

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Lot 191 A pair of patinated bronze sphinx bookends, each mounted on wood plinths, 27.5cm wide (2) £600 - 800

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Lot 192 An Art Deco blonde wood and suede armchair, 70cm wide 86cm deep 95cm high, seat 45cm high £200 - 300

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Lot 193 An Art Deco walnut centre table, centred with a burr walnut panel, the canted top over fluted supports, united with an undertier, 106.5cm wide 76.5cm deep 66cm high £400 - 600

Lot 194 An Art Deco silvered metal hanging light, with three branches and a central light, mounted with moulded glass shades and a central shade, 45cm diameter 75cm high £250 - 350

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112-251 ART DECO Lot 195 Three Keramos terracotta wall masks, two of children, printed marks, 16 and 21cm high, and a wall mask of lady, printed marks, 19.5cm high (3) £200 - 300

Lot 195A An Art Deco pottery wall mask, modelled as a lady with her mouth open, impressed ‘835 III’ and stamped ‘Czechoslovakia’, 22.5cm wide 28.5cm high £500 - 700

195A 195 Lot 196 Three Art Deco figures, a Karls Ens figure of a nude, printed mark, 16cm high a Zsolnay Pécs figure of a dancer, printed mark inscribed ‘Teveia’, 22.5cm high, and a Crown Devon figure of a lady in a blooming dress, printed mark, 27cm high (3) £200 - 300

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Lot 197 Two Goldscheider pottery figures of ladies, a lady striking a pose, 35.5cm high, the other of a lady seated on a pedestal playing a banjo, 27cm high, both with raised pad marks and stamped ‘3058’ and ‘3027’ (2) £200 - 300

Lot 198 Two Royal Dux pottery figures, ‘Spanish Dancers’ and ‘Waltz’, each with printed and raised pad marks, stamped ‘3164’ and ‘2735’, 22 and 27.5cm high (2) £200 - 300

Lot 199 A Goldscheider pottery figure of a lady in a hat, modelled by Stefan Dakon, holding her dress and striking a pose, on a domed stand, printed marks and ‘Dakon’, stamped ‘6551/543/4’, restored, 39cm high £250 - 350 Lot 200 A Goldscheider pottery figure of a dancer, modelled by Josef Lorenzl, of a lady striking a pose, holding a purple robe, on a lozenge-shaped stand, printed marks and ‘Lorenzl’, restored, 40.5cm high £250 - 350

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Lot 201 A Goldscheider pottery figure of a lady, designed by Josef Lorenzl, striking a pose holding her pink and floral decorated dress, a vase of flowers alongside, on a black plinth, stamped ‘6211/252/19’ with a printed mark, 39.5cm high £400 - 600

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ART DECO 112-251 Lot 202 A Bing & Grøndahl porcelain vase, by Fanny Garde (1855-1928), decorated with a hatched ground with blackberries, flowers and leaves, blue ‘B & G’, ‘485’, and ‘F Garde’, 16cm high £200 - 300 This vase was donated by HM Queen Mary for an auction to raise funds for the 21st Birthday celebrations of the Southend Branch of the Church Missionary Society. Sold with a cutting from Southend Standard, 11 February 1926 - ‘Queen’s Vase Auctioned - Novel feature at C.M.S sale. It was a Mr A Talbot who auctioned Her Majesty’s gift. Bidding for the vase started at ten guineas and went by easy stages to sixteen guineas, at which price it was purchased by Mr Wilson, a sidesman at St Saviour’s Church’. Interestingly, it would equate to nearly £1000 in today’s money.

202 Lot 203 A pair of Art Deco armchairs, with green cotton upholstery, 94cm wide 80cm deep 74cm high, seat 34cm high (2) £200 - 300

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Lot 204 An Art Deco-style Macassar ebony desk, the rectangular top, with slight bow to the back, with three drawers with silvered handles, on shaped supports with silvered caps, and a fitted glass top, 182cm wide 90cm deep 76.5cm high £600 - 800

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Lot 205 A model of a Pan American Boeing 314 Clipper floatplane, constructed in mahogany and brushed aluminium, with propellers, raised on three tubular supports, on a revolving globe and turned stand, 77.5cm wide 62cm deep 46cm high £2,000 - 3,000 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

Lot 206 A painted three-piece suite, designed by Le Corbusier, the frames in salmon pink, with peach and yellow cushions, settee 170cm wide 68cm deep 64cm high, seat 45cm high approximately, armchairs 98cm wide 68cm deep 64cm high, seat 43cm high (3) £1,000 - 1,500

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Lot 207 An Art Deco cold-painted bronze figure of a lady, in the manner of Josef Lorenzl, standing in a suit with one hand in her pocket, on a marble plinth, 17cm high £250 - 350

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Lot 210 A collection of twelve Art Deco fabric sample cards, c.1929, each card from the Technical College, Bradford, Department of Textile Industries, printed and handwritten notes to the reverse (12) £200 - 300

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Lot 208 A Muller Frères glass and wrought iron hanging light, fitted with a central mottled glass bowl, etched ‘Muller Freres Luneville’, with three branches and tapering glass shades, 50cm diameter 100cm high £250 - 350

ART DECO 112-251 Lot 211  Four Art Deco moulded white glazed doves, designed by Jacques Adnet (1901-1984), impressed ‘Adnet’ to each plinth, 48cm high (4) £300 - 500 Lot 212  A Lalique ‘Primeveres’ opalescent glass bowl, moulded with flowers, impressed ‘R Lalique’ and wheel cut ‘France’, 16cm diameter £150 - 250

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212 Lot 213 A Lalique ‘Ormeaux’ glass bowl, moulded with tinted leaves, stencilled ‘R Lalique France’, 19cm diameter 7.8cm high £150 - 200 Lot 214 A pair of Sabino opalescent glass vases, each with a flared trumpet bowl moulded with fish, on a square plinth, moulded ‘Sabino Paris’ and one etched to the plinth, 12.8cm high (2) £300 - 500

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Lot 215 An Art Deco-style pressed glass bowl, the rim with raised flowers, each quarter panel on the bowl with mermaids and seaweed, on four lug feet, 31.5cm diameter 14.5cm high £100 - 200 Lot 216  An Art Deco leaf moulded glass vase, of globular form, later signed to the base, 35cm high £200 - 300

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Lot 217 A set of four Lalique ‘Palme’ glass wall lights, modern, moulded and frosted glass, each mounted with a single light fitting, each engraved ‘Lalique France’, 9.5cm wide 11cm deep 24cm high (4) £700 - 900 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

112-251 ART DECO Lot 218 An Essevi figure of a mother and child ‘Il figlio dell’amore’, by Sandro Vacchetti, modelled as a mother cradling a child to her breast, wearing a coloured shawl and a patterned dress, ed on a plinth, inscribed ‘Essevi Made in Italy Torino nil Figlio dell’Amore di Sandro Vacchetti 29-9-938 XVI I, labelled ‘Argentaria Orefloiceria Deangeli Leone via M Gloda 20-Torino’, 30cm high £700 - 900 Lot 219 A Lenci ‘Nella’ figure, modelled by Helen König Scavini, as a lady seated on a bench, the reverse forming a box with a cover surmounted with a frog, inscribed ‘Lenci/Made in Italy 8.3.932’ with star, restored, 23cm high £2,000 - 3,000 Lot 220 A Lenci figure ‘La Modista - Il Cappellino’, designed by Helen Konig Scavini, 1933, a version without a hatbox or dog, inscribed ‘Lenci Torino Italy 8-3-33 XI’, 34.5cm high £2,000 - 3,000

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Lot 221 Bruno Zach (Ukrainian-Austrian, 1891-1935), ‘Clown’, modelled in bronze and ivory, wearing a hat and goggles, gesturing with his thumb up, holding a parasol beside him, raised on an oval marble plinth, unsigned, 28.5cm high £1,200 - 1,500

Lot 222 Bruno Zach (Ukrainian-Austrian,1891-1935), an Art Deco bronze and ivory figural sculpture, c.1925, depicting a cold-painted female dancer in 1920s dress. holding a large feathered fan behind her, raised on a square variegated marble base, signed in cast ‘B ZACH’, 34.3cm high £2,500 - 3,500 See Alberto Shayo, ‘Roland Paris, The Art Deco Jester King’, ACC Art Books Ltd., Suffolk, UK 2016 page 178, for examples of these models.

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112-251 ART DECO Lot 223 A bronze pin dish, by Bruno Zach (1891-1945), the dish modelled with a lady’s head to one side, inscribed ‘B.Zach’ and stamped ‘Made in Austria’, 14cm wide £200 - 300 Lot 224 László Beszédes (Hungarian, 1874-1922), a bronze sculpture of a male artisan, signed, on a marble plinth, 50cm high £400 - 600

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Lot 225 W S Lakeman (1930s) A study of a ballerina lying down holding a red mask signed l.r., oil on canvas 38 x 56cm £250 - 350 Lot 226 Continental School, c.1930 A lady resting with two borzoi dogs, a spear beside her signed indistinctly l.l., oil on canvas 71.5 x 100.5cm £300 - 500

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Lot 227 ‘Walkers - For a Good Start use the Motor Bus’, a colour lithographic travel poster, designed by C R W Nevinson (1889-1946), printed by ‘The Avenue Press, Upcott Gill & Son, 55-57 Drury Lane London WC2’, 62.5 x 100cm, framed £300 - 500 Lot 228 An Art Deco marble centrepiece, modelled as a lady lying down with a borzoi dog, indistinctly signed, on a stepped, veined marble plinth, 62cm wide 22cm deep 40cm high £800 - 1,200

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Lot 229 A pair of lion fire dog ornaments, in the manner of Alfred Stevens (1817-1875), bronze, possibly cast by D Brucciani, seated on stepped plinths, with copper finished oval patera, 37cm high (2) £100 - 150

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Lot 230 A pair of bespoke Art Deco-style glazed display cabinets, each with an arrangement of glazed and solid shelves, with chrome handles, raised on chrome ball supports, on plinth bases, 122cm wide 32cm deep 231cm high (2) £2,500 - 3,500 Lot 231 A Danish Art Deco green velvet lounge chair, 68cm wide 68cm deep 78cm high, seat 40cm high £150 - 250 Lot 232  An Art Deco bronze hanging lantern, by Max Le Verrier, with frosted shades, above a latticed base, signed ‘M Le Verrier’ to the side, 11cm wide 11cm deep 23.5cm high £150 - 250

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Lot 233 *Josef Lorenzl (Austrian, 1892-1950), ‘Tambourine Dancer’, c.1925, a cold-painted bronze figure, signed ‘Lorenzl’, the inside of the tambourine onyx, the plinth onyx and marble, 28cm high £600 - 800

Lot 234 *Josef Lorenzl (Austrian, 1892-1950), a silvered bronze figure of a ballerina standing en pointe, signed ‘Lorenzl’, on an onyx plinth, 30cm high £800 - 1,200

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Lot 238A *Josef Lorenzl (Austrian, 1892-1950), a cold-painted bronze figure of a nude dancer, stamped ‘Lorenzl’ to the base, on an onyx column and plinth, 34.5cm high £400 - 600

Lot 235 *Josef Lorenzl (Austrian, 1892-1950), a cold-painted bronze figure of a dancing nude, her arms outstretched, signed ‘Lorenzl’, on a stepped marble plinth, 42cm high £800 - 1,200

Lot 237 An Art Deco gilt figure of a hoop dancer, by Demétre Chiparus (1886-1947), on a tapering veined marble plinth, 28cm high £300 - 500

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Lot 238 An Art Deco patinated bronze figure, after J P Morante, of a dancer performing the splits, her arm raised, on a veined marble plinth, signed to foot, 40cm wide 26.5cm high £300 - 500 64

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Lot 236 An ivory and onyx pin dish, after Ferdinand Preiss, modelled as a lady seated on a plinth, a crowned frog to the edge of the dish, inscribed ‘578’ to the plinth, 7cm high £300 - 500 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

Lot 239 *Éric Bagge (French, 1890-1978) Designs for monuments for victims of the Holocaust two, pencil and watercolour, labelled ‘Eric Bagge et Henri Durand Architectes 3D Faillet…’ 47.5 x 61.5cm and 70.5 x 50.5cm (2) £600 - 800 An architect as well as an interior designer, Eric Bagge designed furniture, wallpaper, fabrics, accessories, jewellery and silver. His furniture was produced in precious woods in geometric motifs inspired by Cubist art.

For the 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, he designed the Hall of Jewellery at the Grand Palais and the bedroom and bath of the French Ambassade, as well as exhibitions for Les Gobelins and Beauvais. A member of the Groupe des Architectes Modernes and of the Societe d’Encouragement à l’Art et l’Industrie, he designed furniture for La Maitrise, Saddier Frères, Mercier Frères, and Dennery.

Lot 241 An Art Deco rug, attributed to Jules Leleu, of shaped circular form, with a border of pink circles, centred with a buff ground, 360cm diameter £600 - 800

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239 Lot 240 Marc Chagall and Paul Eluard, ‘Le Dur Desir de Durer’, Paris, Arnold-Bordas, 1946, hand-coloured pochoir frontispiece and twenty-five black and white tinted illustrations, printed by Daniel Jacomet after Chagall, large slim folio limited edition 164/330, signed by Eluard and Chagall £150 - 250

Lot 242 An Italian settee, of concave form, with olive Dralon upholstery, raised on turned supports, 155cm wide 95cm deep 77cm high, seat 45cm high £400 - 600

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Lot 243 A French gilt table, in the manner of René Drouet, with a circular mirrored top, on a scrolled tripod stand, 70cm diameter 66cm high £300 - 500

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Lot 244 A Maison Jansen mahogany coffee table, the rectangular top with an undertier, on shaped triangular legs with pierced gilt-metal sabots, stamped ‘Jansen’, 110.5cm wide 60cm deep 42cm high £800 - 1,200

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ART DECO 112-251 Jules Leleu (1883-1961) Born into a family of artisans and artists in Boulogne-sur-Mer in Northern France, Jules Leleu was one of the fathers of French Art Deco design. Although he ‘never achieved the international fame of Jacques-Émile Ruhlmann, Jean Michel Frank, or Le Corbusier,’ The New York Times once wrote, ‘he was just as successful and probably more prolific than his better-known contemporaries.’ Leleu exhibited at the prestigious ‘Exposition des Arts Decoratifs’ in 1925, for which he designed the chairs for the Grand Salon and the Music Room, both part of the French Embassy Exhibition, and also exhibited a complete suite of furniture in his own space on the Esplanade des Invalides. He won a Grand Prize at the 1925 Exposition, and one of his pieces was purchased by the Metropolitan Museum in New York City. Often compared with the furniture designs of Ruhlmann, Leleu’s chairs, tables, and cabinets emphasized simple shapes, exotic woods, and marquetry, and inlaid ivory and other embellishments.

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As these techniques had been brought to France from the Orient, Leleu employed Oriental craftspeople for this work. Hamanaka, one of the great masters of lacquer work, and the famed Jean Dunand, who had learned the skills from Hamanaka, collaborated with Leleu on pieces where lacquer was an element. Leleu was very prolific, and was also constantly evolving and developing his styles. The awards that he won brought him many important clients and commissions, including the ocean liners ‘Ile de France’ and the famed and ill-fated ‘Normandie’. Among other important commissions were a dining room for the Elysée Palace, and, later on, the Grand Salon des Ambassadeurs at La Societé des Nations in Geneva, called the Salon Leleu, and still in existence. The collection comes from the descendants of Mrs Celestine Galani, the wife of John Galani, who ran a Shipping Company, and who was a friend of Jules Leleu. She commissioned him in the 1940s, to decorate her entire apartment at 81 Avenue Marceau in Paris. Their flat was less than one mile from the Maison Leleu which was at 65 Avenue Franklin Roosevelt, in the 8th arrondissement, in Paris.

Lot 245 Jules Leleu (French, 1883-1961), an Art Deco sycamore parquetry cabinet, with four cupboards, inlaid with pewter, flanked with plain capitals and columns, 189.5cm wide 52.5cm deep 155cm high £600 - 800 Lot 245A A French hanging glass ceiling light, 1950s, modelled as wisteria, with coloured glass drops, with five branches, 50cm wide 75cm high, and a pair of wall lights, 45cm high (3) £500 - 700

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Lot 246 Jules Leleu (French, 1883-1961), an Art Deco mahogany dining suite, comprising: a table, with ripple moulded panels and details, with sabots, signed, 220.5cm long 110cm deep 71.5cm high, eight chairs, (6+2) armchairs 56cm wide 60cm deep 100cm high, seat 47cm high, singles 47.5cm wide 56cm deep 100c high, seat 47cm high, and a sideboard, with five ribbon moulded cupboards, with pierced gilt-bronze roundels, opening to reveal a blonde wood interior with shelves, the end cupboards each with five drawers, on sabots, signed and stamped ‘22498’, 285.5cm wide 52cm deep 97cm high (10) £12,000 - 15,000

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Lot 246A Jules Leleu (French, 1883-1961), six mahogany chairs, (4+2) armchairs 56cm wide 60cm deep 100cm high, seat 47cm high, singles 47.5cm wide 56cm deep 100cm high, seat 47cm high (6) £1,000 - 1,500

Lot 247 Jules Leleu (French, 1883-1961), an Art Deco rosewood and marquetry escritoire, the stepped top over a parquetry and marquetry inlaid fall-front cupboard with ebony and mother-of-pearl flowers, enclosing a blonde wood interior, over four drawers, on a scrolled stand with sabots, signed and stamped ‘23998’, 79cm wide 38cm deep 133.5cm high £3,000 - 5,000

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Lot 247A Attributed to Jules Leleu (French, 1883-1961), a mahogany occasional table, with a glass top, raised on slender cabriole legs, 60.5cm diameter 68cm high £250 - 350 Lot 248 Jules Leleu (French, 1883-1961), an Art Deco rosewood and marquetry games table, the shaped square top, with a gallery edge and an inlaid chequerboard to the centre, with ebony and mother-of-pearl inlaid flowers, over a single drawer, on cabriole legs with sabots, signed, 75cm wide 76cm high £2,000 - 3,000

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Lot 248A Two chinoiserie lacquered coffee tables, each with a glass top decorated with landscapes and figures, raised on cast faux bamboo supports, 102cm wide 68cm deep 42.5cm high, and 110.5cm wide 55.5cm deep 41.5cm high (2) £600 - 800

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Lot 249 Jules Leleu (French, 1883-1961), an Art Deco rosewood and marquetry cocktail cabinet, the stepped top over a parquetry and marquetry inlaid fall-front cupboard, with ebony and mother-of-pearl flowers, enclosing a blonde wood and mirrored interior, over a further cupboard with a shelf and bottle racks, on a scrolled stand with sabots, signed and stamped ‘23997’, 79cm wide 37.5cm deep 133.5cm high £4,000 - 6,000

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250 Lot 250 Jules Leleu (French, 1883-1961), an Art Deco ‘Feux d’artifice’ (Fireworks) rosewood and marquetry cabinet, inlaid with rosewood, ebony and mother-of-pearl marquetry, of slight bow front form, with a stepped top over two cupboards, opening to reveal a blonde wood interior with two shelves, flanked with faceted supports with gilt-bronze details, tapered legs with sabots, stamped ‘22568’, 80cm wide 36.5cm deep 134cm high £10,000 - 15,000

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Lot 251 Jules Leleu (French, 1883-1961), an Art Deco ‘Feux d’artifice’ (Fireworks) rosewood and marquetry commode, inlaid with rosewood, ebony and mother-of-pearl marquetry flowers, of slight bow front form, with a stepped top over two cupboards, opening to reveal a blonde wood interior with four shelves, flanked with faceted supports with gilt-bronze details, tapered legs with sabots, 190cm wide 50cm deep 92.5cm high £20,000 - 30,000

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Lot 252 A film poster for ‘Carry on Loving’, designed by Renato Fratini 1970, printed by W E Berry Ltd, 101 x 68, framed and glazed £200 - 300 Lot 253 A film poster for ‘On the Buses’ printed by Lonsdale & Bartholomew, 75 x 101cm, framed and glazed £150 - 200

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Lot 254 A film poster for ‘Carry On Camping’, two-part, designed by Renato Fratini 1970, printed by W E Berry Ltd., Bradford, 200 x 101cm £150 - 200 Lot 255 Four studio cards from ‘Gone With the Wind’, 36.5 x 46.5cm, framed and glazed (4) £100 - 200 Lot 256 A film poster for ‘The Unfaithfuls’, printed in the USA, 1953, numbered 60/342, 103 x 68cm, framed and glazed £150 - 200

252-633 MODERN DESIGN Lot 257 A collection of photographs of young starlets from the Aida Foster Theatre School, starlets include: twenty-three of Barbara Windsor, four inscribed ‘Barbara Deeks’, Shirley Eaton, Shirley Burniston, Lynda Hayden, Elaine Page, also other photographs of ballerinas, stage and film productions, mostly stamped with ‘Aida Foster’, and inscribed with the name of the starlet (qty.) £400 - 600 The Aida Foster Theatre School for drama, dance and education was founded by Aida Foster in 1929 and was situated in Golders Green in North London. It expanded over the years to become one of Britain’s foremost stage schools. Many stage and film personalities of the post-war era received their professional education, and arranged their first employment, through the school. Run by Aida, and later by her daughter Anita Foster, it catered for three different groups of students: those that undertook dance training only, younger pupils that had full education plus both dancing and drama training, and older students taking drama training only. The School closed in 1970, when these were acquired by the vendor.

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Lot 258 Sir Alec Issigonis (1906-1988) Mini Minor an original sketch concept drawing depicting a four-stage transition design from ‘box to a mini’, black felt-tip pen, numbered 1-4, in black, red and blue, signed in blue ink ‘A Issigonis’, undated, mounted in clip frame 38 x 31cm, and ‘The Mini Story’ by Laurence Pomery, Temple Press, 1964, a publisher’s proof copy with printed soft cover, with dedication to flyleaf ‘To Peggy, this or some parts may amuse you, from Alec’, signed in blue pen, importantly, contained within are his personal amendments, comments and annotations in his own hand, mostly in blue pen, and with sketches to rear flyleaf one comment reading ‘having established design concept acceptable to the public we never intended to change this image by a bigger car, such as stupid developments tend to do. Hope to make 3-4 million by detail improvements’, together with ‘The Mini Story’ publisher’s book 1964, signed to flyleaf ‘A Issigonis’ in blue pen, the final text incorporating the changes made to proof copy (3) £1,000 - 1,500

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Exhibited: ‘Mini - 40 Years of an Icon’, The Design Museum, 1999.

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Lot 259 A collection of six rolls of 1970s woven wallpaper, by Eborolin for Edgar Brothers (London) Ltd., a couple labelled, each 150.5cm wide (6) £200 - 300

Lot 260  Rowland Suddaby (1912-1972), a Shell poster, ‘To Visit Britain’s Landmarks You Can Be Sure of Shell’ Folly Houses, Darley Abbey, a colour lithographic print, 76 x 114cm, framed £1,500 - 2,000

Lot 261 An Ercol dressing table, with an easel back mirror, over three drawers, 114cm wide 47cm deep 124cm high, a low back stool, 42cm wide

41cm deep 62cm high, seat 42cm high, and a side table, with a single drawer, 68.5cm wide 47cm deep 74cm high (3) £400 - 600

Lot 262 A pair of Ercol single bed frames, with slatted bases, 214cm long 97cm wide 88cm high (2) £300 - 500

Lot 263 A contemporary oak chest of five drawers, 60cm wide 54.5cm deep 124cm high, and a low oak single drawer chest, 100cm wide 42.5cm deep 40.5cm high (2) £250 - 350

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252-633 MODERN DESIGN Lot 264 A Staples’ teak and satin black metal Ladderax three-section wall unit, 1960s, designed by Robert Heals for Staples, comprising three two-door base units and a chest of three drawers, with adjustable shelves above, 369cm wide 36cm deep 190cm high 201cm high, as shown £400 - 600 Lot 265 An Italian brass and glass chandelier, 1950s, with cream-coloured, curved glass, ‘cheesecloth’ textured shades, 105cm diameter 60cm high £250 - 350

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Lot 266 A Danish beech framed armchair, 1950s, with striped and rope twist piping, 73cm wide 76cm deep 102cm high, seat 46cm high £200 - 300 Lot 267 A ‘Cumbrae’ walnut and sycamore sideboard, 1950s, designed by Neil Morris for ‘Morris of Glasgow’, with three central drawers, the top lined with baize, flanked with cupboards, branded in gold to one door, 138.5cm wide 47cm deep 85cm high £200 - 300

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MODERN DESIGN 252-633 Lot 268 A tree trunk coffee table, with turned supports and ‘Armstrong Cork Company’ button feet, 164cm wide 53cm deep 35cm high £250 - 350 Lot 269 A Danish armchair, 1950s, with raised floral upholstery, 78cm wide 70cm deep 90cm high, seat 43cm high £150 - 250

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272 Lot 270 A Danish embroidered settee, 1950s, with red upholstery, beige sides and back, 135cm wide 78cm deep 90cm high, seat 42cm high £250 - 350

Lot 271 Two pairs of wall lights, each with two lights, one set with star details, with black and velvet shades, 32cm wide (4) £150 - 200

Lot 272 A pottery flamingo, modern, detailed with features, 84cm high £200 - 300

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252-633 MODERN DESIGN Lot 273 A pair of Italian hanging lights, with black and red enamelled mounts and moulded glass shades, 23cm diameter 49cm high (2) £250 - 450

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Lot 274 A Gordon Russell ‘Helix’ sideboard, designed by David Booth and Judith Ledeboer in 1951, the routed cupboard panels enclosing a cutlery drawer and a shelf, labelled, 121.5cm wide 46.5cm deep 83.5cm high £500 - 700

Lot 275 A wood slice coffee table, attributed to Carl Auböck, c.1950, with brass legs and button feet, 106cm wide 50cm deep 47cm high £250 - 350 Lot 276 An Ercol drop-leaf dining table, 113.5cm open 61cm wide 71cm high, and a set of four chairs, 42.5cm wide 55cm deep 96cm high, seat 42cm high (5) £300 - 500

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MODERN DESIGN 252-633 Lot 277 Margo Veillon (Swiss-Egyptian, 1907-2003) Nature Morte (Cafetiere) signed and dated 1958 l.r., mixed media on paper 38 x 29cm £150 - 250 Exhibited: Padova Fine Arts, London 1958.

Lot 280 H… A… Luxford ‘Night at the Ballet’ signed l.r., watercolour 38.5 x 48.5cm £200 - 300 Lot 281 Maurice Mann (1921-1997) ‘Myriad Faces’ 1967 pastel on board, unsigned, with title and artist’s label to reverse 48 x 63.5cm, and Phyllis Ellis Flower Fantasy, 1973 signed and dated, oil on canvas 41 x 71cm (2) £250 - 350

Lot 278 D… Wisdom (20th century) The end of the day unsigned, oil on board 68 x 102cm £250 - 350 Lot 279 *Paul Lucien Dessau (1909-1999) Still Life with a Cat signed l.r., oil on canvas board 56 x 122cm £200 - 400 Paul Lucien Dessau was a British artist best known for the paintings he produced during the Second World War whilst serving as a fireman in London.

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Lot 282 A Danish curved settee, 1930s, with upholstered back and seat, 225cm wide 74cm deep 78cm high, seat 44cm high £300 - 500

Lot 287 A pair of Danish teak armchairs, designed by Arne Hovmand-Olsen for Mogens Kold in 1958, each with brown vinyl seats, 66.5cm wide 70cm deep 77cm high, seat 38.5cm high (2) £500 - 700

Lot 283 A set of four BA23 chairs, designed by Ernest Race in 1946, each with a cast aluminium frame, original pad seat and back, cast ‘BA23 Regd Design No.848794’ and with remnants of labels (4) £250 - 350

Lot 285  A carved and painted still life of flowers, 45cm high £100 - 150

Lot 284 A Danish armchair, 1950s, with a striped vinyl upholstery in orange and red, 74cm wide 80cm deep 100cm high, seat 42cm high £200 - 300

Lot 286 A teak and yew wood centre table, 1950s, the circular top, with crossbanded edge, over a turned column, on angular feet, 91cm diameter 76.5cm high £150 - 250

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Lot 288 A Staples’ teak and satin black metal Ladderax three-section modular wall unit, 1960s, designed by Robert Heals for Staples, the two end units with two door base units above shelves and a lectern, the central section a fitted glazed display unit above shelves, 277cm wide 36cm deep 200cm high, as shown £400 - 600

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Lots 289-301 The following collection of cartoons were all produced for Biorex Laboratories Ltd. which was incorporated on 5 October 1944, it was set up by a doctor and a chemist, who had studied at Cambridge and was interested in the natural extract of plants and materials. Since the 17th century, liquorice had been used to treat stomach ulcers - and the main extract was glycyrrhetinic acid which Biorex then developed into a cream called Biosone GA, which had the same qualities of hydrocortisone cream. The cartoons were hung in the boardroom and were most probably all part of a marketing campaign in the 1950s. They were given to the vendor who started working at the company in 1965.

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Rowland Emett was born in New Southgate, London on 22 October 1906, the elder son of the proprietor of a small advertising business. Educated at Waverley Grammar School, Birmingham, he showed his father’s enthusiasm for invention, and registered his first patent at the age of fourteen. However, he had ambitions to be a landscape painter and studied with great success at the Birmingham School of Art. The combination of artistic and scientific talents allowed Emett to work as an industrial draughtsman, while contributing with increasing regularity to Punch, Lilliput and other magazines from the late 1930s. During the Second World War, Emett worked as a draughtsman on the development of jet engines. In 1941, he was chosen to illustrate ‘Bells and Grass’, a series of humorous rhymes that Walter de la Mare had originally written for Punch. The poet was so impressed by the result that he immediately encouraged Emett to illustrate an edition of his more famous book, ‘Peacock Pie’. In the same year, Emett married, and he and his wife set about producing the delightful children’s book, ‘Anthony and Antimacassar’ (1943). About the same time, Emett’s cartoons began to be collected in volume form, ‘A Book of Curious Happenings’ (1943) initiating a series that culminated in ‘Far Twittering’ (1949).

Lot 289 *(Frederick) Rowland Emett (1906-1990) ‘The Logical Train’ signed ‘Emett’, pencil and pen with a green wash, on a Windsor and Newton’s Fashion Plate Board, 35 x 46cm £500 - 700

In 1951, Emett reached a wider public with his designs for The Far Tottering and Oyster Creek Railway, and its featured engine, ‘Nellie’, which was sited at Battersea Park during the Festival of Britain. As his eyesight faltered, he converted more of his illustrations into increasingly complex three-dimensional machines that, from 1956, he constructed himself at a blacksmith’s forge near his home in West Sussex. He received international success through his work on the film ‘Chitty Chitty Bang Bang’ (1968), when he gave substance to the adventures of the inventor, Caractacus Potts. He achieved this by employing a team of assistants to help him make eight of his machines for the filming and a further thirty-seven for international promotional purposes. These and other inventions continue to prove popular throughout the world and remain on public exhibition in such esteemed institutions as the National Air and Space Museum in Washington. A parodist of the real world of functional engineering, Emett had long proved to be the Genius of British Eccentricity, a fact acknowledged by his being awarded an OBE in 1978. This was confirmed by the overwhelming response to the most important exhibition of his career, ‘Rowland Emett: From ‘Punch’ to ‘Chitty-Chitty-Bang-Bang’ and beyond’ at the Chris Beetles Gallery in 1988 and, augmented by a number of the machines, at the Smithsonian Museum in Washington. He died on 13 November 1990 in a nursing home in Hassocks, Sussex, close to Wild Goose Cottage, his home in Ditchling.

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290 Lot 290 *(Frederick) Rowland Emett (1906-1990) ‘Immediate Response’ signed ‘Emett’, pen, pencil and watercolour, with a ‘Bisone G.A’ glued to the board, on a Windsor and Newton ‘Herga’ watercolour board, 38 x 53cm £500 - 700

292 Lot 292 *(Frederick) Rowland Emett (1906-1990) ‘Down to Earth (&, of course, good will to all men…)’ signed ‘Emett’, pen, pencil and a blue wash, on a Windsor and Newton ‘Fashion plate board’, 38.5 x 54cm £500 - 700

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291 Lot 291 *(Frederick) Rowland Emett (1906-1990) ‘Something old…something NEW’ signed ‘Emett’, pen, pencil and a pink wash, with a ‘Bisone G.A’ glued to the board, on a Windsor and Newton ‘Whatman’ watercolour board, 42.5 x 54cm £500 - 700

293 Lot 293 *(Frederick) Rowland Emett (1906-1990) ‘…for Fire…orinflammation’ signed ‘Emett’, pen, pencil, bodycolour and a pink wash, on a Windsor and Newton ‘Fashion plate board’ 37.5 x 49.5cm £500 - 700

MODERN DESIGN 252-633 Lot 294 *Michael ffolkes (1925-1988) ‘Flight of Fancy’ signed ‘ffolkes’, pen ink and watercolour 40 x 50.5cm £250 - 300

294 Michael ffolkes was born Brian Davis in London on 6 June 1925, the son of Walter Lawrence Davis, a commercial artist. He attended Leigh Hall College, a boarding school in Essex, before studying under John Farleigh at St Martin’s School of Art from 1941 to 1943. In 1942, aged 17, he had his first cartoon published in Punch. On leaving college, Davis worked in various commercial art studios, before joining the Royal Navy in 1943, where he served as a telegraphist in the Far East. Following the end of the Second World War, he returned to his studies, enrolling at Chelsea School of Art in 1946.

Lot 295 *Michael ffolkes (1925-1988) ‘Spots’ signed ‘ffolkes’, pen and a pink wash 37.5 x 48.5cm £250 - 350

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252-633 MODERN DESIGN Lot 296 *Norman Thelwell (1923-2004) ‘Space Age Itch’ signed ‘Thelwell’, pen and ink, with a blue wash on board 27 x 38cm £300 - 500

296 Norman Thelwell was born in Tranmere, Birkenhead, Cheshire on 3 May 1923, the youngest son of a maintenance engineer at Lever Brothers, Port Sunlight. He was educated locally at Well Lane Primary School and Rock Ferry High School, where he began to show a talent for drawing. In 1939, Thelwell joined a Liverpool dock office as a junior clerk and, on the outbreak of war, spent nights fire watching. Three years later, he joined the second battalion of the East Yorkshire Regiment and was soon transferred to the intelligence section because of his ability to draw. During training as a wireless operator in 1944, he also took evening classes at Nottingham School of Art, later gaining a degree at Liverpool College of Art. Known to many purely as ‘Thelwell’, he went on to become a hugely popular British cartoonist, producing over sixty front covers for Punch and famous for his series of humorous images of ponies.

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Lot 297 *Norman Thelwell (1923-2004) ‘An Itch for Liquorice’ signed ‘Thelwell’, pen and ink, with a pink wash, on a Whatman drawing board 22 x 38cm £250 - 350

MODERN DESIGN 252-633 Lot 298 *Anton (Beryl Antonia Botterill Yeoman) (Australian-British, 1907-1970) ‘God Bless The Duke of Argyll’ signed ‘Anton’, pen and ink, with a green wash and bodycolour, on a Windsor and Newton ‘Fashion plate board, 27 x 38cm £200 - 300 Lot 299 *Anton (Beryl Antonia Botterill Yeoman) (Australian-British, 1907-1970) ‘Immediate Response’ signed ‘Anton’, pen and ink, with an orange wash and bodycolour, on a Windsor and Newton ‘Fashion plate board 26.8 x 38cm, and two other pen and ink studies, largest 15 x 10.5cm (3) £200 - 300

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252-633 MODERN DESIGN Lot 300 *Anton (Beryl Antonia Botterill Yeoman) (Australian-British, 1907-1970) ‘What is the meaning of this?’ signed ‘Anton’, pen and ink, with a yellow wash and bodycolour, on paper and mounted on a CS2 fashion plate board, 32.5 x 42.5cm £200 - 300

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Lot 301 *Anton (Beryl Antonia Botterill Yeoman) (Australian-British, 1907-1970) ‘Good Hunting’ signed ‘Anton’, pen and gouache, with bodycolour on board 27 x 37cm £200 - 300

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Lot 302 A ‘Timebeam Classic’ analogue dial shadow clock, manufactured by Design Ltd., 23cm wide £200 - 300 Lot 303 A Liberty ‘Bauhaus’ mounted fabric panel, designed by Collier Campbell for Liberty London, 1972, printed fabric, mounted on a board, 122 x 122cm £250 - 350 Lot 304 A teak coffee table, by France & Søn, the square top with a cut-out section, labelled and numbered ‘6338274’, 95cm wide 30.5cm high £200 - 400 Lot 305 A pair of Danish teak and rattan corner settees, designed by Peter Hvidt and Orla Mølgaard-Nielsen for France and Sons, Denmark, two labels on one, one on the other, each with cushions and bolster backs, each settee 154cm wide 77cm deep 63cm high, seat 40cm high, together with a teak and glass two-tier Minerva corner table en suite, with a glass undertier, two labels, 74.5cm wide 64cm high (3) £2,000 - 3,000 Lot 306 A British Invisaflex articulated four-section desk lamp, with a green enamelled shade, 92cm high approximately, adjustable £300 - 500

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Lot 308 Lane Gordon Thorlaksson (Canadian, 1937-2009), three vases, in yellow, cream and blue glazes, with integral stands, each incised with signature, numbered and dated, 5.5, 13 and 18cm high (6) £250 - 350

307 Lot 307 Lane Gordon Thorlaksson (Canadian, 1937-2009), a sang-de-boeuf glazed vase, with an integral stand, incised, signed, numbered and dated ‘84 and ‘85, 20cm high £300 - 500 Lane Gordon Thorlaksson was born in 1937 in Winnipeg, Manitoba and moved to Vancouver as a child. In his twenties, he represented Canada in the 1959 Chicago Pan-American Games, running alongside Henry ‘Harry’ Winston Jerome in both the 100 yard and 220-yard dash. Following this, he attended San Jose University of California and in 1966 received a BFA in Ceramics. Working with clay was Thorlaksson’s passion. He was fascinated with Asian ceramics, in particular the Song dynasty Chinese pot forms and glazes. In 1985, the Mayor of Vancouver, Mike Harcourt, visited China on a goodwill mission for the twinning of Vancouver with Guangzhou China. As gifts, he took with him several of Thorlaksson’s ceramics and presented them to Cao Yun-ping, Secretary-General of the People’s Municipal Government of Guangzhou. The pieces were well received and local Chinese potters were interested to learn about his glazing techniques.

308 In 1987, Thorlaksson was invited to visit China’s Guangzhou University to exhibit more of his work. He was aided in this exchange by Joanne Mah, the Director of Intercultural Training and Educational Consultants (ITEC), who had worked with the Harcourt exchange. In 1988, she and her husband sponsored a pre-gallery showing of Thorlaksson’s ceramics at the ITEC’s Hong Kong office, prior to an exhibition at Alvin Gallery in Hong Kong. Thorlaksson was celebrated and introduced to academics and the media, including the head of ceramics at the Guangzhou Institute of Fine Arts. Local Chinese potters were eager to learn about his firing techniques, which used multiple firings to create special glaze characteristics. They were also intrigued to understand how he designed his own stands as an integrated part of his presentation. Unlike Asian potters who used wooden stands, Thorlaksson produced his stands in clay, matching each stand in aesthetic and tone to its pot. This two-part process elevated his pieces to sculpture. He believed that ceramics should be viewed as fine art and not craft. He was inspired by the female form and was quoted as saying ‘Most potters make pots; I make parts of people’.

Lot 309 Lane Gordon Thorlaksson (Canadian, 1937-2009), a shallow bowl, with cream and blue glaze, with integral stand, incised with signature, numbered and dated, 18cm diameter, two further cream and white bowls, no stands, 13 and 15.5cm diameter, and a bowl, with a grey dashed body, with integral stand, 18cm diameter (6) £150 - 250 Lot 310 Lane Gordon Thorlaksson (Canadian, 1937-2009), three shallow bowls, in celadon and blue glazes, with integral stands, each incised with signature, numbered and dated, 12, 12.5 and 14cm diameter (6) £250 - 350

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Lot 311 Lane Gordon Thorlaksson (Canadian, 1937-2009), nine various bowls, a vase, a lidded pot and a jug, largest 17cm high largest 25.5cm diameter (12) £150 - 200

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Lot 312 *John Ward (b.1939), a stoneware vase in a light green and rust brown spotted glaze, with impressed artist’s mark, 21.5cm wide 24cm high £800 - 1,200

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Lot 313 *Dame Lucie Rie (Austrian-British, 1902-1995), a stoneware bowl with a manganese ground, with a trailing glaze to the inside of the bowl, with artist’s monogram, 16cm diameter 8cm high £2,000 - 3,000

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Lot 314 *Hans Coper (German, 1920-1981), a stoneware tapering vase, with a flared rim, on lug feet, unmarked, restored, 23cm high £800 - 1,200 Provenance: S otheby’s, ‘The Roger Collection’, January 1998, lot 379, ‘A Hans Coper stoneware vase, c.1960’. Lot 315 *Dan Kelly (b.1953), a stoneware vase with a black glaze, of compressed form with pinched sides, with an impressed line with cream slip glaze to one side, the other an impressed cross, unmarked, 33cm high £200 - 400 Lot 316 *Dan Kelly (b.1953), two stoneware bowls, with a green and a mushroom and pink glaze, impressed artist’s monogram, 20cm diameter (2) £150 - 250

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252-633 MODERN DESIGN Lot 317 *Antony Theakston (b.1965), two salt-glazed stoneware ‘Sparrow’ jugs, both signed, 11 and 15cm high (2) £100 - 150 Lot 318 *Kate Malone (b.1959), a stoneware pumpkin sculpture, with a crystalline glaze, incised ‘Kate Malone 2010/16/30’, 21cm high £300 - 500

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318 Lot 319 Hans Schwarz (1922-2003), ‘Bathers’, cement fondu, labelled in pencil ‘Hans Schwarz, Three Springs, Stogunsey, Bathers cement Fondu’, 46 x 35.5cm, and Mother and two children, terracotta, 34.5cm high, together with a pottery vase by Dennis Lane, 44.5cm high (3) £150 - 250

Lot 320 *John Piper (1903-1992), a glazed pottery plaque, centred with a grey to white glaze, with black brushed glazes and a central oval in yellow, signed with initials ‘J.P VI ‘73’, 54cm diameter £600 - 1,000 Lot 321 A Troika Pottery moon flask, by Simone Killburn, moulded with geometric shapes, painted marks and artist’s monogram, 16cm high, and a cylindrical vase, by Sylvia Vallance, moulded with a band of circles, painted marks and artist’s monogram, 19.5cm high (2) £150 - 250

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Lot 322 Deana Moore (contemporary), two earthenware tripod vessels, one in a yellow glaze, the other with a purple and yellow glaze, one with artist’s monogram, 13.5cm high (2) £100 - 150

Lot 323 Deana Moore (contemporary), two earthenware coiled vessels, in a white and a yellow glaze, one with artist’s monogram, 19 and 23cm high (2) £150 - 200

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Lot 324 *’Erte’ (Romain de Tirtoff) (Russian-French, 1892-1990) I, O, Q, U, V, X, Y, from the Alphabet Series seven serigraph Artist’s Proofs, a part set comprising title page, all signed in pencil lower right and initialled ‘A/P’ image 40 x 27cm 65 x 49cm, unframed (7) £1,000 - 2,000

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327 325 Lot 325 A Romeo Riga table lamp, 1960s, with a solid brass and enamelled arched base, with an arched shade, 46cm high £400 - 600

Lot 326 An American japanned cabinet, by Renzo Rutili, with a cabinet to one side, 175cm wide 52cm deep 79cm high £400 - 600

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Lot 327 An Italian light fixture, 1960s, attributed to Tito Agnoli for Oluce, comprising three hanging conical shades, 160cm wide £250 - 350

Lot 328 A pair of chrome and glass side tables, each with two glass shelves, 50cm wide 30cm deep 52cm high (2) £150 - 250

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Lot 329 A cut brass four-light table lamp, 1970s, in the style of Maison Jansen, 85cm high £200 - 300

Lot 331 A pair of purple upholstered settees, by Maison Jansen, with chrome supports, 200cm wide 65cm deep 75cm high, seat 40cm high (2) £2,000 - 3,000

Lot 330 A nest of three lacquered tables, by Pierre Vandel, Paris, with glass inserts and brass inlaid frames, 49.5cm wide 40.5cm deep 38cm high (3) £250 - 350

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Lot 332 § A Merrow Associates’ rosewood and chrome coffee table, with a glass top, over a rosewood undertier on castors, 85cm wide 83cm deep 41cm high £400 - 600

Lot 333 An Italian hanging ceiling pendant, 54cm diameter 35cm high £150 - 250

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Lot 335 A Continental metal standard lamp, raised on a tripod scissor stand with a modern shade, 147cm high to fitting £250 - 350

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Lot 334 A ‘PK-55’ table, designed by Poul Kjaerholm for E Kold Christensen in 1957, stamped logo to frame, lacking top, 204cm wide 103cm deep 66cm high £500 - 700

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

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252-633 MODERN DESIGN Lot 336 A pair of Italian armchairs, attributed to De Pas, D’Urbino and Lomazzi, each with mustard-coloured fabric cushions, with ebonised cut frames, 90cm wide 80cm deep 70cm high, seat 45cm high (2) £600 - 800 In 1966, a design collective was co-founded by architects Jonathan De Pas (1932-1991), Donato D’Urbino (b.1935), and Paolo Lomazzi (b.1936), the threesome having met while studying architecture at Milan’s Polytechnic University.

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The group focused on architecture (industrial and residential buildings), urban development, and industrial design. During the 1960s and 1970s, they developed a specific interest in developing furniture and temporary buildings featuring avant-garde signs, materials and industrial technologies.

Lot 337 An Italian coromandel dressing table, in the Art Deco style, with a circular bevelled edge mirror, over two drawers, a shaped apron and turned supports, with metal sabots, 121.5cm wide 45cm deep 120.5cm high £300 - 500

Lot 338 A beechwood coat and hat stand, designed by Vico Magistretti, with a baton top and a four-point base, labelled, 150cm high £250 - 350

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Lot 339 § A rosewood wall cabinet, designed by Robert Heritage, with two sliding doors enclosing shelves and two drawers, 143.5cm wide 46cm deep 45.5cm high £300 - 500

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Lot 340 A Swedish modernist cut-glass disk and brass ceiling lamp, by Notini for Böhlmarks, 64cm diameter 70cm high £200 - 400

340 Lot 341 A ‘peacock’ chair, woven plastic strips in light blue and brown, with a turquoise upholstered seat and two cushions, 125cm wide 114cm deep 104cm high, seat 29cm high £300 - 500

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Lot 342 An Italian marble and travertine marble console table, with a brass inlaid cross design to the top, with brass banding to the edges and plinth, 129.5cm wide 46cm deep 77cm high £400 - 600

341 Lot 343 Paolo Staccioli (Italian, b.1943), a large Italian earthenware bottle vase, decorated with horses and Trojan horses, on a turquoise and copper lustre, the neck with a gold glaze, signed and dated ‘98, 51cm high £400 - 600 Paolo Staccioli began his career as a painter in the 1970s, becoming interested in ceramics in the 1990s, when he decided to open his own workshop and explore different approaches to fire glazing and copper oxides. His compositions are dominated by accumulation and variation of themes where warriors, travellers and horses are recurrent characters. The elongated figures are reduced to the essential and seem fixed in a dimension outside of time in which they appear motionless.

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Lot 344 A set of four Italian chairs, with strung seats, 42cm wide 40cm deep 92cm high, seat 48cm high (4) £250 - 450

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Lot 345 A pair of gold painted and mirrored side tables, each with circular bevelled edge tops, over a mosaic mirrored frieze, on mounted supports and with a triform stretcher, 55.5cm diameter 76.5cm high (2) £300 - 500

Lot 346 A standard lamp, with leaf details to the column, raised on six spider legs, with a shade, 160cm high £300 - 500

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Lot 347 *’Erte’ (Romain de Tirtoff) (Russian-French, 1892-1990) Spring, Summer, Autumn and Winter, from the Seasons Series four serigraphs, signed in pencil lower right and numbered 7/75 image 50 x 30cm 64 x 48cm overall, gilt framed and glazed (4) £800 - 1,200

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348 Lot 348 *’Erte’ (Romain de Tirtoff) (Russian-French, 1892-1990) Clubs, Diamonds, Hearts, Spades, from the Playing Card Series four serigraphs, signed in pencil lower right and numbered 7/75 image 48 x 34cm 65 x 50cm overall, unframed (4) £800 - 1,200

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Lot 350 A Fase Lupela ‘President’ table lamp, with a gold finish and chrome support £250 - 350

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Lot 349 An Italian brass globe ceiling light, with twelve lights, lacking glass petal shades, 65cm diameter £150 - 250

Lot 351 A pair of ‘Wassily’ armchairs, modern, designed by Marcel Breuer in 1925, each with chrome tubular supports and tan leather strung arms, seat and back, 78cm wide 69cm deep 73cm high, 40cm seat high (2) £300 - 500

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Lot 352 A Danish three-seater sofa, 1950s, with red wool upholstery and coloured piping, with wood arms, 173cm wide 75cm deep 83cm high, seat 44cm high £200 - 400

Lot 353 A pair of Scandinavian brass side tables, 1970s, each with two leather-mounted tiers, with Greek key banding, 41.5cm wide 62.5cm high (2) £600 - 800

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Lot 354 *A woolwork hanging, by Ewald Kröner at the Schloss Hackhausen Studio, with tassels and a woven hanging to the left, 126cm wide 190cm high £300 - 500 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

252-633 MODERN DESIGN Lot 355 A French multi-light standard lamp, 1950s, 169cm high £500 - 700 Lot 356 A Del Campo enamelled vase, of circular cut form, with a purple ground with vertical lines, raised on an oval plinth, inscribed ‘del campo Italy’, 25cm wide 26cm high £300 - 500

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Lot 357 A Del Campo enamelled dish, with a green enamel and lined top, with a copper speckled underside, marked ‘Del Campo Italy for AH’, on a low foot, 32cm wide 12.5cm deep, a palmwood cigarette box, the hinged top inset with an enamelled plaque, 12cm square 4cm high, and an enamelled and wood pot, cover 7cm diameter the base 8cm diameter (3) £250 - 350

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Lot 358 A Christofle ‘Orgue’ silver-plated vase, designed by Jacques Sitoleux for Christofle, of five asymmetrical cylinders passing through a square, stamped marks, 31cm high £300 - 500 Lot 359 An Aldo Tura two-tier vellum drinks trolley, with gilt handles, drop sides with galleries, over an undertier with a bottle rack and gallery on castors, 42cm wide 78cm open 79.5cm long 74cm high £300 - 500

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MODERN DESIGN 252-633 Lot 360 ‘Olivetti Studio 44’, lithograph in colours, printed in England, 73 x 51cm, framed and glazed £400 - 600 Adriano Olivetti saw the link between the growing importance of graphic design and advertising in the consumer market. He commissioned designers and artists from a broad background, including former Bauhaus students Herbert Bayer and Xanti Schawinsky, to advertise their typewriters.

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361 Lot 361 Ilya Bolotowsky (Russian-American, 1907-1981) Untitled a screenprint, signed and numbered 9/100 framed £200 - 300

Lot 362 Ilya Bolotowsky (Russian-American, 1907-1981) An exhibition poster for Lincoln Center Institute 112.5 x 77cm, framed £150 - 250

Lot 363 A Chairman Mao poster, centred with a Soviet flag bearing the portrait of Chairman Mao, the inscription reads ‘Wish with highly respect the Great Leader Chairman Mao a long long life’, 54 x 78cm, in a wrap-around frame £150 - 200 106

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252-633 MODERN DESIGN Lot 364 A ‘Gyro’ or ‘Pastille’ fibreglass chair, 1960s, designed by Eero Aarnio for Asko, 88cm wide 54cm high, together with a pair of tights, (Feinstrumpfhose) in original packaging, showing an advertising model seated on a similar chair (2) £250 - 350

Lot 366 A teak folding deck lounger, with a slung beadwork seat and a folding footrest, 66cm wide 106cm deep 81cm high, seat 44cm high £200 - 300

Lot 365 A Danish brown leather three-seater sofa, 190cm wide 76cm deep 76cm high, seat 36cm high £300 - 500

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Lot 367 A Danish three-seater settee, 1960s, with green velvet upholstery, 207cm wide 82cm deep 74cm high, seat 49cm high £200 - 400

Lot 369 A Danish three-seater settee in green velvet velour upholstery, 180cm wide 82cm deep 80cm high, seat 40cm high £200 - 300

Lot 368 A pair of brass wall lights, each with three lights, tapered sconces and a central ring, 28.5cm wide 34cm high (2) £120 - 150

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252-633 MODERN DESIGN Lot 370  A ‘Zebra Grate Polish’ enamel sign, 91 x 61cm 106.5 x 75.5cm, mounted in a glazed frame £250 - 350

Lot 371 A large Pragotron wall clock, with an olive case, stencilled dial with triangle mark, 58cm diameter £350 - 450

Lot 372 A Soviet-era spotlight, 1984, with a green enamelled shade, on a wood tripod stand, 120cm high £350 - 450

Lot 373 A pair of ‘Cité’ armchairs, designed by Jean Prouvé, with slung canvas seats, leather armrests, and headrests, 68cm wide 86cm deep 83cm high, seat 33.5cm (2) £1,200 - 1,500 Originally designed for the student residence halls at Cité Universitaire in Nancy, Prouvé also used this comfortable, expansive armchair with powder-coated steel runners and leather belt armrests in the living room of his own home.

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Lot 374 Two ‘Tabouret Haut’ stools, designed by Jean Prouvé in 1942, each a Vitra Prouvé Collection model, 2002, 78cm high seat 38cm diameter (2) £200 - 300

Lot 375 An oak ‘Guéridon’ table, designed by Jean Prouvé in 1949, a Vitra Prouvé Collection model, 2002, 95cm diameter 71cm high, and six ‘Standard’ chairs, labelled, 42cm wide 47cm deep 86cm high, seat 48cm high (7) £600 - 800

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376 Lot 376 A pair of Italian brown leather and steel cabinets, 1970s, 103cm wide 45cm deep 64cm high (2) £400 - 600 Lot 377 A Danish teak wall system, by Skive Møbelfabrik, comprising: five sections, with four shelves, seven cupboards and drawers, four with glass slides, with four loose labels, 324cm wide 40cm deep 195cm high, as shown £300 - 500 Lot 378 A pair of ‘Barcelona’ chairs, after a design by Mies van der Rohe in 1929, each with a dark green buttoned seat and back, frame stamped ‘C7’, 78cm wide 78cm deep 78cm high, seat 44cm high (2) £300 - 500

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Lot 379 A Danish armchair, with green velvet upholstery, 92cm wide 90cm deep 74cm high, seat 40cm high £150 - 250

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252-633 MODERN DESIGN

Lot 380 A pair of ‘Barcelona’ chairs, after a design by Mies van der Rohe in 1929, each with a dark green buttoned seat and back, frame stamped ‘C7’, 78cm wide 78cm deep 78cm high, seat 44cm high approximately, and an ottoman, 62cm wide 59cm deep 41cm high (3) £300 - 500

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Lot 381 A pair of abstract panels, by Ghislaine Rougier, Paris 1979, mixed media, 70 x 80cm (2) £150 - 250 Lot 382 § A rosewood ‘Hunter’ chair, designed by Torbjørn Afdal for Bruksbo, Norway, with a leather seat and slung leather arms, 66.5cm wide 80cm deep 98cm high, seat 42cm high £250 - 350

381

Lot 383 § A rosewood extending dining table, designed by Robert Heritage, with a single leaf, raised on a columnar stand with strut supports, 202cm wide, 247cm extended 110cm deep 73cm high, and six rosewood chairs, (4+2), with black vinyl seats, armchairs 58cm wide 52cm deep 84cm high, 43cm seat high, singles 50cm wide 52cm deep 43cm high (7) £700 - 900

383 www.sworder.co.uk

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MODERN DESIGN 252-633 Lot 384 A blue leather settee, 1970s, 187cm wide 81cm deep 82cm high, seat 40cm high, together with a matching stool, 56cm square 33cm high (2) £500 - 800

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Lot 385 A bentwood and leather armchair, by Göte Möbler, 70cm wide 75cm deep 100cm high, seat 41cm high, and an Ekornes stool, with a leather seat (2) £200 - 300

Lot 386 § A Danish rosewood nest of three tables, designed by Johannes Andersen for CFC Silkeborg, each table sliding into one another, labelled with button ‘CFC Silkeborg’, 54cm wide 40.5cm deep 43cm high £250 - 450

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Lot 387 A Danish teak armchair, with original mustard upholstery, 66cm wide 76cm deep 73cm high, seat 36.5cm high £250 - 350

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Lot 388 § A Merrow Associates’ chrome and rosewood trolley, with two glass shelves, with a rosewood undertier, on castors, 73cm wide 46cm deep 64cm high £300 - 500

Lot 390 A green corduroy lounge chair, on an aluminium revolving stand, 78cm wide 80cm deep 94cm high, seat 42cm high £200 - 300

Lot 389 An unusual four-fold leather screen, with pierced and embossed designs, signed by a saddlemaker, 175cm wide 120cm high £200 - 300

Lot 391 A chrome and milk glass table lamp, 1970s, 45cm high, and a chrome and Lucite table lamp, 41cm high (2) £150 - 200

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Lot 392 A Val St Lambert blue and clear glass centrepiece, with a pulled rim on a lozenge-shaped clear foot, 72cm wide 26.6cm high £300 - 500

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Lot 393 A Val St Lambert blue and clear glass vase, of pulled spiral form on a triangular base, remnants of a silver label, 35.5cm high £200 - 300

393

Lot 394 A Murano glass vase, c.1940, in the manner of Ercole Barovier, with ‘Gemmato’-style decoration in the form of aventurine and silver mica inclusions, with hot worked foot and applied integral handles, 36cm high £250 - 350

Lot 395 A Val St Lambert pink and clear glass vase, of pulled spiral form, etched mark, 24cm high £150 - 250 Lot 396 A Val St Lambert pink and clear glass vase, of spiral form, with remnants of label, 28cm high £150 - 200

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Lot 397  A Seguso Sommerso green and blue glass vase, of oval form, signed ‘Seguso Murano’, 21cm wide 6cm deep 13cm high £100 - 150 Lot 398 A collection of ten Scandinavian and Murano glass vases, various sizes, most signed, 17.5 to 31cm high (10) £200 - 300

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399 Lot 399 An Iittala glass ‘Rubiinilintu’ bird, designed by Oiva Toikka in 1992, in ruby and mottled iridescent details, etched ‘O Toikka Nuutajarvi’, 18cm wide 12cm high, together with a booklet ‘Birds by Toikka’ (2) £200 - 300

Lot 402 Three Venini red glass vases, dated 2002 and 2004, each with etched marks and dated, 12.5, 19 and 37cm high, together with a large blue case glass vase, etched mark and dated 2000, 41.5cm high (4) £200 - 300

Lot 400 A collection of thirty coloured glass vases and bowls, to include Murano and Mdina, various sizes and marks, largest 31.5cm high (30) £200 - 300

Lot 403 A Venini ‘Clessidre’ hourglass, 2002, designed by Paolo Venini & Fulvio Bianconi for Venini, in blue and green glass, etched mark and date, 22.5cm high £100 - 150

Lot 401 Peter Layton (b.1937), a pear-shaped iridescent glass vase, of flattened form, etched signature, 22cm high £150 - 250

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Lot 404 A Swedish silver enamel locket pendant, by Weissenberg Konsthantverk, 1952, of rectangular form with an enamelled stylised sailing scene, to a planished frame, hinged bale and locket verso, 55 x 32mm, 28.25g £200 - 300

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Lot 405 A silver gilt table bell, by Stuart Devlin, London 1970, of tapering spire form with a silver-gilt handle, 17.5cm high, 6ozt approximately £250 - 350 Lot 406 A silver potpourri, by Stuart Devlin, London 1973, of ovoid form, within the pierced silver gilt spiral cover, 8.5cm high, 4.5ozt approximately, and two stainless steel potpourri of ‘Mooncrater’ design, 7.5cm high (3) £100 - 150 Lot 407 A silver gilt candle snuffer, by Stuart Devlin, London 1973, 27.5cm long, 2.9ozt approximately £250 - 350 Lot 408 A silver gilt goblet, by Stuart Devlin, London 1973, of ovoid form with a pierced foot, 6cm high, 2ozt approximately £100 - 200 Lot 409 A silver-gilt four branch candelabra, by Stuart Devlin, London 1977, 30cm diameter 35cm high, 28ozt approximately £2,000 - 3,000

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Lot 410 A silver shallow rose bowl, by Stuart Devlin, London 1973, with a pierced silver gilt cover, 21cm diameter, 9.8ozt approximately £300 - 500 Lot 411 A silver gilt wine goblet, by Stuart Devlin, London 1972, numbered 2/19 for Viners, with certificate and original case, 17.5cm high, 7ozt approximately £200 - 400 Lot 412 A silver gilt wine goblet, by Stuart Devlin, London 1972, numbered 5/19 for Viners, with certificate and original case, 17.5cm high, 7ozt approximately £200 - 400

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Lot 413 A contemporary silver wine jug and two goblets, by Ian Calvert, London 1998, the jug and the beakers each inset with a band of beads, jug 24.5cm high, goblets 11cm high, 72ozt approximately (3) £1,200 - 1,500 Ian Calvert was born in 1938 and began his craft education at thirteen. Whilst at Gravesend School of Art, a visiting lecturer, Jack Stapley, inspired him to stay on for extra evening classes and, by his third year, he contacted silversmith R E Stone and was offered a four-year apprenticeship in 1954. In 1957, he was chosen to represent Great Britain in the International Apprenticeship competition in Madrid and was awarded first prize by General Franco. He became a Freeman of the Goldsmiths’ Company in 1959, then worked for Wakely and Wheeler with Frank Beck, before setting up the Silver Workshops Ltd.

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Lot 414 *Peter Collingwood (1922-2008) ‘M143, No.74’, a two-dimensional microgauze wall hanging, c.1988 linen, steel rods, metal label incised ‘Peter Collingwood’ and numbered ‘M.143 No. 74’ 42cm wide 117.4cm high £4,000 - 6,000 Sold with a facsimile of a letter dated 24/3/89: ‘Dear John & Madoka, Jun Tomita asked me to make the enclosed hanging & send it to you as a present from him. I am afraid I have taken rather a long time to get it woven as I have been travelling in India. There is a nylon loop at the top of the hanging - so it only needs one nail in the wall to hang it from. I hope you like it. Yours sincerely Peter Collingwood P.S. The metal label shows it is design M.143 & that it is the 74th time I have woven this design’. Peter Collingwood (1922-2008) was at the forefront of weaving for fifty years. His wall hangings use the traditional craft to create visual abstraction and are admired worldwide. Trained after national service by the master weaver Ethel Mairet, he worked with Alastair Morton, who became the visionary Artistic Director at the Edinburgh Weavers. In 1952, Collingwood set up a studio at Archway in North London and sold his work in Liberty’s and Heal’s. He also exhibited at the Red Rose Guild and the Arts and Crafts Society. He moved to Digswell Arts Trust in Hertfordshire, where he met and exhibited with Hans Coper. Collingwood moved to Nayland near Colchester in 1964, where he worked until his death in 2008. Jun Tomita (b.1951) lives in Japan and runs his own world-renowned weaving studio.

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Lot 415 An ‘Artichoke’ pendant lamp, modern, designed by Poul Henningsen for Louis Poulsen in 1958, with silvered petals, 60cm diameter 58cm high £2,000 - 3,000 Lot 416 An Arkana dining suite, comprising: a table, with a circular top, on a powder-coated stand, 136cm diameter 73cm high, and six chairs, 51cm wide 53cm deep 79cm high, seat 40cm high (7) £300 - 500 Lot 417 A blue and green cotton wall hanging, 1970s, with baton and coir horizontal bands, 88cm wide 185cm high £300 - 500

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Lot 418 A Glashütte Limburg hanging ceiling light, designed by Helena Tynell, with a moulded glass shade and chrome collar, labelled and numbered ‘1460’, 33cm high 201cm approximate overall drop £150 - 200

Lot 419 A ‘Nemo’ face chair, designed by Fabio Novembre for Driade, 90cm wide 83cm deep 135cm high, seat 47cm high £400 - 600

Lot 420 An ‘Elan’ circular coffee table, on a chrome stand, 70cm diameter 45cm high £200 - 300 Lot 421 *A ‘Pegasus’ chair, dated 1996, designed by Mark Brazier-Jones, with a cast aluminium frame and an upholstered heart-shaped seat, signed limited edition 17/100, 45cm wide 50cm deep 83cm high, seat 50cm high £1,000 - 1,500

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418 Lot 422 A Cattelan Italia white leather and chrome armchair, designed by Antonio Cittero, with a slung seat, labelled, 69cm wide 62cm deep 72cm high, seat 37cm high £250 - 350

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Lot 423 A set of six Rome XVII Olympiad (summer 1960) figural souvenir bottles, for Fratelli Vlahov, Pescara, modelled as a goalkeeper, a boxer, a cyclist, a racewalker, a fencer, and a skier, all inscribed ‘XVII OLIMPIADE ROMA’, printed marks, some with labels, largest 16cm high (6) £320 - 450

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Lot 424 A glass and marble coffee table, 1970s, with a rectangular glass top, on a pair of travertine marble plinths, united with a stretcher, 149cm wide 60cm deep 36.5cm high £200 - 400 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

Lot 426 Six Verner Panton-style stacking chairs, 50cm wide 85cm deep 84cm high, seat 44cm high (6) £250 - 350

425 Lot 425 Four clear Lucite tables, comprising: a pair of side tables, each with an undertier, 45cm wide 40cm high, a two-tier table, 50cm wide, 50cm high, and an open table, on castors, 40cm wide 47.5cm high (4) £200 - 300

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427 Lot 427 A multi-bubble blown glass pendant light, 20th century, 45cm high £250 - 350

426 Lot 428 A Daum clear glass bowl, unsigned, with remnants of label, 31cm diameter, another smaller clear glass bowl, etched ‘Daum France’, 20cm diameter 12.5cm high, and a Val St Lambert vase, etched mark, 14cm high (3) £150 - 250 Lot 429 A Daum amber-tinted glass vase, with stylised leaf cut designs, signed ‘Daum Nancy’, 16.5cm high, a Holmegaard blue-tinted glass vase, signed ‘Holmegaard’ and numbered, 25cm high, and another heavy clear glass vase, 15cm high (3) £150 - 250

430 Lot 430 A Steuben clear glass vase, of globular form with bubble inclusions, with a wide rim, etched mark, 29cm high, and another clear glass vase, etched mark, 19.5cm high (2) £200 - 300

Lot 431 A set of six ‘Model 193N’ BTC Original hanging pendant lights, with caps and ceiling fixing, 12cm diameter 18cm high (6) £200 - 300

431

Lot 432 A set of six ‘Model 193N’ BTC Original hanging pendant lights, with caps and ceiling fixing, 12cm diameter 18cm high (6) £200 - 300

432

Lot 433 A pair of heavy glass table lamp bases, each with a crackled finish, 19.5cm high (2) £150 - 200

433 www.sworder.co.uk

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MODERN DESIGN 252-633 Lot 434 A carved stone sculpture, 30cm wide 28cm deep 35cm high £150 - 250 Lot 435 *Sir Eduardo Paolozzi (1924-2005) Mechanised Head, 1992 plaster, painted, inscribed ‘1992’ to the side of base 17.5cm high £400 - 600

435

Provenance: A gift from the artist to his studio assistant.

434

Lot 436  A model of a Stuart Turner triple expansion engine, 25cm wide 18cm high £150 - 200

436 Lot 437 *Nick Danziger (b.1958) Abstract acrylic on canvas 153 x 152cm £600 - 800 Nick Danziger is best known for his photo-journalism, but before his lust for travel, he attended the Chelsea School of Art, where he gained an MA in Fine Art. He was represented by the Robert Fraser Gallery in London.

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Lot 438 A set of five brushed aluminium ‘Kong’ bar stools, designed by Philippe Starck for Emeco, each with an oval back and single arm, raised on stretchered square supports, stamped and labelled, 42cm wide 50cm deep 113cm high, seat 75.5cm high, and a single stool (6) £1,000 - 1,500

438

439 Lot 439  A pair of Cappellini Fronzoni steel-framed desks/tables, each with a laminated top, white painted, 200cm wide 100cm deep 73cm high (2) £400 - 600

440 Lot 440  An American folk art wind vane, with a double propeller, of a man milking a cow, 38cm wide £100 - 200

Lot 441  A steel dentist’s chair, with folding arms, an adjustable seat and back, 91cm high £200 - 400

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Lot 442  An architectural steel ‘I’ beam, early 20th century, American, with alternating large and small perforations, 244cm long 31cm high £200 - 300

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Lot 443  A massive refectory table, the oak plank top supported on a bold cast iron (industrial) base with wheel castors, 326cm long 99cm wide 78cm high £1,500 - 2,000 Lot 444  An African tribal antelope effigy, on a wood plinth, 111cm high, and a stool, 62cm wide 49cm deep 48.5cm wide (2) £200 - 300

447

Lot 446  Three mounted tribal pipes, largest 29cm high, a phallus, 34cm long, and a carved figure, 61cm long (5) £100 - 200 Lot 447 A laminated oak veneered bed tray table, with bentwood edges, raised on brass supports, 73cm wide 34cm deep 27.5cm high £100 - 150

Lot 445  An African carved wood antelope effigy mask, 151cm high £200 - 300

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252-633 MODERN DESIGN

Lot 448 A bronze sculpture, with a pierced central section, inscribed with indistinct script, numbered 97/100, on a square plinth, 31.5cm high £200 - 400 Lot 449 *After Arman (French, 1928-2005),’Camera’, bronze with black and gold patina, unsigned, 23cm wide 56cm deep 32.5cm high £500 - 700

449

Lot 450 A stained wood table, the circular top on a cast iron rise/fall stand, 100cm diameter 77cm as shown £200 - 400

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Lot 451 A stained wood table, the circular top on a cast iron rise/fall stand, 100cm diameter 77cm as shown £200 - 300 Lot 452  An artist’s wooden hand model, on a chrome articulated stand, 43cm high £100 - 150

452 www.sworder.co.uk

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Lot 453 A set of eight contemporary leather slung dining chairs, 48cm wide 54cm deep 82cm high, seats 47cm high, together with a boarded dining table, with rounded ends, raised on a double cast iron stand, united with a rotating shaft with a wheel, with a rise/fall action, 280cm long 110cm wide 75.5cm high (9) £600 - 800

453

Lot 454  A ‘Craven A’ cigarette dispenser, 18.5cm wide 15cm deep 61cm high £150 - 200

Lot 455 Six contemporary bar stools, 41cm diameter 75cm high (6) £250 - 350

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456

Lot 456 Four Industrial pendant lights, with enamelled hoods, the glass shades caged, 40cm high (4) £400 - 600 Lot 457  An ‘industrial’ steel desk, 110cm wide 84cm deep 92cm high £400 - 600

Lot 458 Six contemporary bar stools, 41cm diameter 76cm high (6) £250 - 350 Lot 459 Four wire chairs, designed by Harry Bertoia, with black pad seats, 56cm wide 57cm deep 74cm high, seat 44cm high, and another chrome example, with a pad seat, 54cm wide 52cm deep 70cm high, seat 42cm high (5) £250 - 350

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460 Lot 460  An ‘industrial’ steel dressing mirror, on castors, 98cm wide 237cm high £700 - 1,000

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Lot 461 Three Industrial hanging lights, 1970s, Czechoslovakia, with grey enamelled shades and ring suspensions, 70cm high (3) £180 - 220

461 part lot

Lot 462  A pair of ‘industrial’ steel library steps, 51cm wide 71cm deep maximum 153cm high £400 - 600 Lot 463  A bespoke steel make-up station, with a mirror back and castors, with an illuminated mirror frame, 124cm wide 64cm deep 173cm high £400 - 600

463

Lot 464 An industrial metal circular mirror, with a cushion frame, a riveted inner rim, fitted with a circular mirror plate, 89cm wide 9cm deep £250 - 350 Lot 465  A unique ‘washboard figure’, an adapted 1960s washboard with ‘Madonna-type’ breastplate, mounted on a papier-mâché tailor’s dummy and a turned, ebonised stand, 156cm high £200 - 300 Lot 466 A set of four metal lockers, brushed metal, each opening to reveal a shelf and two hooks, 120.5cm wide 40cm deep 175cm high (4) £300 - 500 Lot 467 A Suez Canal searchlight, 1983, by Shonan Kosakusho Co. Ltd, fitted with two bulbs, lens, 64cm diameter, labelled, on a hinged and revolving stand, 92cm wide 78cm deep 121cm high £1,500 - 2,500

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MODERN DESIGN 252-633 Lot 468 An industrial brushed steel cabinet, with thirty drawers and chrome handles, 29cm wide 42cm deep 98.5cm high £250 - 350

Lot 477  An ‘industrial’ steel dressing mirror, on castors, 98cm wide 237cm high £700 - 1,000

Lot 469  A bespoke steel make-up station, with a mirror back and castors, with an illuminated mirror frame, 124cm wide 64cm deep 173cm high £400 - 600 Lot 470  A pair of tall office chairs, with footrests, 122cm high approximately, adjustable (2) £300 - 500 Lot 471 Four painted tin green letters, Y/E/R/P, 60cm high (4) £200 - 300

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Lot 472  Avi Eisenstein (Israeli, b.1946) Untitled, from the ‘Brush’ series diluted acrylic on Steinbach paper, signed in pencil l.r. 110 x 73cm 134 x 97cm, mounted on polystyrene and framed £400 - 600

469

Lot 473  An African tribal mask, carved and multicoloured on a wood stand, 40.5cm high £150 - 250 Lot 474 An industrial oak index cabinet, with an arrangement of eight drawers with chrome handles, on a steel stand with an undertier and on castors, 116cm wide 42.5cm deep 98cm high £350 - 450 Lot 475  A single office chair, on five supports and castors with adjustable seat height and arms £200 - 400 Lot 476  A Hamilton lithographer’s table early 20th century, American, the patinated steel adjustable top on a cast iron base and large wheel castors, top 108cm wide 79cm deep £400 - 600

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MODERN DESIGN 252-633 Lot 478  An industrial cast iron easel, 20th century, American, with a winding rise and fall mechanism, originally used as a hoist, 51cm wide 182cm high £800 - 1,200 Lot 479  Three African tribal masks, carved wood, with latticework designs, largest 64cm high (3) £150 - 250 Lot 480 An American child’s school desk, with an adjustable sloped vinyl top, and integral moulded steel and powder-coated base, a bentwood plywood seat, with a shelf below, 56cm wide 78cm deep 69cm high, seat 43cm high £150 - 200

Lot 484 A French iron coat rack, 1960s, with a wood finial and six hooks, remnants of paint, 195cm high £250 - 350

Lot 485  An oval steel folding dining table, French, labelled to the underside, top 200cm long 127cm wide £400 - 600

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Lot 481  Avi Eisenstein (Israeli, b.1946) Untitled, from the ‘Brush’ series, diluted acrylic on Steinbach paper, signed in pencil l.r. 110 x 73cm 134 x 97cm, mounted on polystyrene and framed £400 - 600 Lot 482 An industrial cage trolley, mounted with pine planks, raised on four wheels, opening to the front, 122.5cm wide 60cm deep 122cm high £300 - 500

480

Lot 483  A pommel horse, late 19th century, American, the leather pommel on a heavy duty, cast iron, painted base, with retractable castors and a geared height adjustment, base 96cm square pommel 56cm long 94cm high with castors retracted £500 - 700

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MODERN DESIGN 252-633 Lot 486  *Blair Hughes-Stanton (1902-1981) ‘Figures’ and ‘Realization’ two wood engravings, the smaller signed, titled and numbered 6/25 24.5 x 39.5cm and 11 x 11cm, both mounted and framed (2) £300 - 500

Lot 487 ‘Edward Bawden’ by Douglas Percy Bliss, owned by Mary Ward, together with a card from his wife and a copy of the Service of Remembrance & Thanksgiving for Edward Bawden, Thursday 4 January 1990, ‘A Book of Cuts’, 1979, ‘An Exhibition of Historical & British Wallpapers’, Suffolk Galleries, May 1945, ‘Paul Nash - a Memorial Exhibition’, ‘The Engravings of Eric Ravilious’, First Edition, and ‘Ravilious & Wedgwood’, 1986 (6) £150 - 250

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487

488 Lot 488  *Walter Hoyle (1922-2000) ‘Cottage with Elephant in Garden’, 1955 linocut, inscribed in pencil ‘Greetings to all the Nics from Walter and Denise 55’ 38 x 48cm 60 x 67.5cm, mounted and framed £300 - 500

Lot 489  *Richard Bawden (b.1936) ‘The Blackwater at Maldon’ etching, signed in pencil and numbered 9/85 pl.16.5 x 26cm 36.5 x 44cm overall, mounted and framed £200 - 400

Lot 490  *Richard Bawden (b.1936) ‘Reykjavik Harbour, after Thomas Hennell, 1943’ signed, titled and inscribed and dated 2004, watercolour 32.5 x 47cm £300 - 500

489

Lot 491  *Attributed to William Russell Flint RA (1880-1969) Nude Study oil on canvas board 26 x 17cm, mounted and framed £400 - 600

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491 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

252-633 MODERN DESIGN Lot 492  *Paul Lucien Maze (Anglo-French, 1887-1979) ‘New York’ signed l.r., black and coloured chalks 37 x 47cm £600 - 800 Lot 493  *Chris Orr RA (b.1943) ‘The New Microcosm of London Paddington Station’ etching, unsigned, numbered in pencil ‘A20’, with blindstamp, with three folds 34 x 108cm 42 x 121.5cm, framed £150 - 250

492

494

Lot 494  *John Maddison (b.1952) View of Trees, 2004 signed and dated 2004, chalk on paper 56 x 76cm, framed £200 - 400 Lot 495  *Elizabeth Blackadder (b.1931) ‘Paris Still Life’ lithograph on Japon paper Chine Colle, signed in pencil, Artist’s Proof 46 x 58cm 73 x 82.5cm overall, mounted and framed £500 - 800 Lot 496 *David Hockney RA (b.1937) ‘Two Apples, One Lemon and Four Flowers’, 1997 offset lithograph in colour, as published in The Independent newspaper on 7 January 1997, the artist called it a ‘newsprint’ image size 34 x 54cm, mounted and framed £150 - 250 Lot 497  R B Kitaj (American, 1932-2007) ‘The Adding Machine’; ‘Boss Tweed’; ‘Hours with Men and Books’ screenprints, unsigned largest 75 x 54cm 82 x 62cm, all framed (3) £400 - 600

www.sworder.co.uk

493

495

496

497

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Lot 498 § A Danish rosewood nest of three tables, with plain tops and aprons, 59.5cm wide 40cm deep 51cm high £250 - 450

498

Lot 499 A Danish leather armchair, 72cm wide 68cm deep 75cm high, seat 42cm high approximately £200 - 400

499 Lot 500 An Eavestaff upright piano, now painted purple, 130cm wide 47cm deep 103cm high £1,500 - 2,000 Lot 501 A Marantz PM6003 integrated amplifier and a CD6003 CD player, and a pair of Burton and Somervell speakers, 14.5cm wide 25cm deep 90.5cm high (4) £250 - 350

500

Lot 502 An ebonised side chair, designed by Ilmari Tapiovaara, ‘Artek Edition 2011’, 54.5cm wide 60cm deep 95cm high, seat 32cm high £200 - 300

502

501

Lot 503 A green leather settee, of low profile, with cut sides, 215cm wide 90cm deep 56cm high, seat 35cm high £300 - 500

136

503 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

252-633 MODERN DESIGN

504 Lot 504 A Danish elliptical dining table, designed by Piet Hein for Fritz Hansen, labelled, 180cm wide 120cm deep 70cm high £400 - 600

505

Lot 505 A Drexel tan leather three-piece suite, comprising: a three-seater settee, 220cm wide, a pair of armchairs, 75cm wide, and a pouffe, 70cm wide 53cm deep 37cm high (4) £400 - 600

506

Lot 507 § A Bang & Olufsen rosewood mounted music system, comprising: a Beomaster 3000-2, a Beogram 1200, and a pair of Beovox 3700 speakers £250 - 300

507 www.sworder.co.uk

Lot 506 Two G plan teak chests, en suite, each with four and three drawers, one drawer labelled with a gold stamp, raised on floating metal stands, 91.5cm wide 43cm deep 78.5cm high, and 91.5cm wide 43cm deep 64.5cm high (2) £250 - 450

MODERN DESIGN 252-633

Lot 508 § A Danish rosewood serving table, with a sliding top opening to reveal a hotplate, over four frieze drawers, 214cm wide 54cm deep 75cm high £400 - 600

508

509 Lot 509 A pair of beech armchairs, 1960s, with upholstered backs and seats, with an unusual arrangement of the back supports resting on the back, worn, 53cm wide 56cm deep 89cm high (2) £150 - 250

Lot 510 A Danish teak cabinet, designed by Johannes Sorth, with adjustable shelves, over a tambour cupboard over three drawers, 100cm wide 43cm deep 182cm high £250 - 450

510

Lot 511 An Ercol ‘Saville’ dining suite, comprising: a dining table, with an extra leaf, 210cm extended 108cm wide 74cm high, and a set of six chairs, (6+2) with slatted seats, armchairs 57cm wide 46cm deep 101cm high, seat 48cm high (7) £300 - 500

138

511

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252-633 MODERN DESIGN

Lot 512 A ‘Metro’ chair, c.1970, designed by Sam Larsson for Dux, 70cm wide 80cm deep 86cm high, seat 38cm high £300 - 500

Lot 513 A chocolate leather lounger, button backed with patchwork ‘brick’ pattern, on tubular supports on a fixed base, 80cm wide 80cm deep 90cm high, seat 43cm high £300 - 500

512

513

Lot 514 § A Merrow Associates’ rosewood and chrome nest of three tables, 1970s, one with a plain top, with two further tables beneath, 123cm wide 45cm deep 38cm high, the two tables 57.5cm wide 45.5cm deep 30cm high (3) £250 - 450

514

515 Lot 515 A pair of Danish two-seater sofas, by Stouby, in cream upholstery, 131cm wide 80cm deep 64cm high, seat 35cm high (2) £400 - 600

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Lot 516 An adjustable standard lamp, with a ringed column, raised on a tripod stand with ball feet, modern shade, 151cm high to fitting £200 - 300

516

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517 519 Lot 517 § A pair of rosewood bedside chests, each of three drawers with slanted handles, on turned feet, 60cm wide 41.5cm deep 73cm high, and another chest, 78.5cm wide 41.5cm deep 73cm high (3) £600 - 800

518

520

Lot 518 An Italian chrome table lamp, 1970s, mounted with five rings, a single light to the centre, 20cm diameter 17cm high £150 - 200 Lot 519 *Clifford Ellis (1907-1985) Untitled lithograph 56 x 76cm, unframed £150 - 200

Lot 520 A Danish ‘banana’ settee, with a raised floral upholstery, 174cm wide 85cm deep 90cm high, seat 42cm high £200 - 300

Lot 521 § A rosewood wall cabinet, designed by Robert Heritage, with four drawers to one side, with two sliding cupboards enclosing shelves, 214cm wide 46cm deep 46cm high £500 - 700

521

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252-633 MODERN DESIGN

Lot 522 A Jaeger-LeCoultre ‘Ovale’ desk clock, no. 3581, with a gilt case, a rhodium bezel and eight-day movement, with certificate of guarantee and original box, 13.5cm high £300 - 500 Lot 523 Spare lot Lot 524 A Skovby ‘Confide’ walnut veneered extending circular dining table, the circular top extending to take three pop-up leaves stored in the circular pedestal base, when circular seats 4-5, when extended into a ‘soft triangle’ seats 8-9, 120cm diameter minimum, and a set of six Skovby ‘Confide’ walnut single dining chairs, upholstered in ‘Red Touche’ fabric (10) £600 - 800

522

524

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525 526 Lot 525 A monumental centre table, by John Stefanidis, the marble top over a moulded frieze and two end drawers, raised on four turned oak supports, 225cm long 145cm deep 85.5cm high £1,500 - 2,500 Lot 526 A ‘Themes and Variations’ (Tema e Variazioni) plate, designed by Piero Fornasetti, on the 30th Anniversary of the series of 50 signed plates, inscribed in gold ‘no. 315/2/50 Fornasetti 86’, 26.2cm diameter, in original box, numbered (2) £180 - 220

527

Lot 527 Three Cado moulded plastic stacking chairs, designed by Steen Ostergaard for Cado, each with moulded cantilever supports, impressed stamps (3) £200 - 300

528

Lot 528 A pair of ‘Barcelona’ chairs, after a design by Mies van der Rohe in 1929, with dark green buttoned seats and backs, frame stamped ‘C7’, 78cm wide 78cm deep 78cm high, seat 44cm high (2) £300 - 500

142

529 Lot 529 A rustic yew coffee table, 20th century, raised on tapering turned supports, labelled, 137cm wide 54cm deep 41cm high £200 - 300 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

252-633 MODERN DESIGN

530

Lot 530 A pair of contemporary black powder-coated wall lights, 52.4cm wide (2) £120 - 180 Lot 531 A Swedish leather lounge chair and ottoman, 1970s, with tan leather upholstery and a bentwood frame, on a faux rosewood revolving stand, labelled, 94cm wide 90cm deep 91cm high, seat 44cm high, ottoman 62cm wide 50cm deep 38cm high (2) £150 - 250

Lot 532 *Cedric Christie (b.1962) ‘Jerusalem’ two crossed scaffolding bars, with wall mount, signed and numbered 4/25, 27cm wide 26cm high £1,500 - 2,000

531

Exhibited: With Rocket Gallery, 2003. Lot 533 A set of ‘Memphis’-style library steps, the turned red support with an open cube with three beech steps, raised on ball feet, 58cm wide 80cm deep 126cm high £400 - 600

533 532

Lot 534 § A Merrow Associates’ coffee table, with a circular glass top and a chrome and vinyl undertier, raised on rosewood supports, 91cm diameter 43.4cm high £250 - 350

534 www.sworder.co.uk

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Lot 535 Two clear Lucite nests of three tables, modern, 50cm wide 58cm deep 37.5cm and 38cm high (6) £200 - 300

535 Lot 536 A contemporary bronze sculpture, a hoop terminated with three acrobats, on a plate stand, 39cm wide 129cm high £250 - 350 Lot 537 A pair of white painted side tables, each of cylindrical form, with a glass top, cut-out sides with a shaped shelf, on castors, 54cm diameter 50cm high (2) £250 - 350

537

536

538

Lot 538 A set of four wire garden armchairs, with scrolled seats and arms, 68cm wide 75cm deep 86cm high, seat 41cm high (4) £300 - 500

144

Lot 539  An Eileen Grey chrome side table, modern, with an adjustable glass top, 51cm diameter £150 - 250

539

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252-633 MODERN DESIGN

540

541

Lot 540 A set of fifteen modern champagne flutes, by Tiffany and Co., marked to foot, 23cm high (15) £250 - 350 Lot 541 A Louis Poulsen ceiling light, model 43818, 43cm square 24cm high £150 - 200 Lot 542 A Fase ‘Boomerang 2000’ desk lamp, in chrome and white enamel, on a revolving base, moulded mark and label to edge, 53cm long 39cm high £200 - 300

542

543

Lot 543 A Pragotron wall clock, with a grey case, stencilled dial and triangle mark, 54cm diameter 10cm deep £250 - 350 Lot 544 ‘By any means necessary, to free our people’ a rare Malcolm X poster, 75 x 50, framed £200 - 300 Lot 545 A cased glass two-part table lamp, 1970s, with a white and green speckled ground, with a steel collar between the parts, holding two lights, 111cm high £200 - 300

545

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Lot 545A A set of eighteen Lucite and gilt metal folding chairs, each with a shaped and moulded back and slatted seat, 42cm wide 65cm deep 90cm high, seat 44cm high (18) £1,000 - 1,500

544

545A

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546 Lot 546 A jacaranda wood condiment set, labelled ‘casa finland Teresopolis, Brasil’, 22cm wide, and a turned pot and cover, 12cm high (5) £100 - 150

Lot 547 A chrome spring hanging ceiling light, adjustable, fitted with a clear and part-frosted shade, with a white edge, 90cm high approximately £200 - 300

547

548

Lot 548 § A Danish rosewood console chest, with an arrangement of six drawers, one lockable, with a key, labelled and branded ‘Lovig Danish Design and dated 1968’, 120cm wide 45cm deep 70.5cm high £600 - 800

Lot 550 A chocolate leather suite, comprising: a three-seater settee, 215cm wide 61cm high, seat 42cm high, a two-seater settee, 150cm wide, and an armchair, 75cm wide 90cm high (3) £400 - 600

Lot 549 A Desso ‘Rya’ rug, with a beige and orange design, labelled, 130 x 190cm £200 - 300

550

549 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

252-633 MODERN DESIGN

552

551

Lot 551 § A Danish rosewood dining table, with two extra leaves of oval form, raised on a cruciform stand, 190cm wide 123cm deep 71cm high 290cm extended, and a set of eight dining chairs, designed by Johannes Andersen, with olive seats, 49m wide 46cm deep 78cm high, seat 47cm high (11) £1,500 - 2,500

Lot 552 A Sciolari ‘Cubic’ hanging ceiling light, designed by Gaetano Sciolari, 37cm square 26cm high £150 - 250

Lot 554 A leather elephant footstool, 1970s, by Dimitri Omersa for Abercrombie and Fitch, 60cm long 45cm high £200 - 300

554

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Lot 553 A contemporary standard lamp, with a black shade, and a turned red stand, 210cm high approximately £250 - 350

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MODERN DESIGN 252-633

Lot 555 § A Danish rosewood and brown leather armchair, designed by Kai Lyngfeldt Larsen, 66cm wide 77cm deep 70.5cm high, seat 45cm high £200 - 300

557

555

Lot 556 A Danish tiered boot rack, 41.5cm wide 28.5cm deep 74cm high, and a luggage rack, with woven slung bed, 100.5cm wide 31cm deep (2) £150 - 250

Lot 557 § A Danish rosewood coffee table, designed by Severin Hansen for Haslev, with ‘Danish Furniture Makers’ Control’ label, 94cm square 50cm high £200 - 300

Lot 558 A Kosta glass table lamp, designed by Ove Sandeberg for Kosta, of cylindrical form, with a double cut band of birds, engraved ‘Kosta 46095 O. Sandeberg’, 21cm high £200 - 300

558

556

Lot 559 Moshe Givati (Palestinian, 1934-2012) Untitled signed in pencil and numbered 34/100 56 x 75cm, framed £200 - 300

Lot 560  *David Oxtoby (b.1938) ‘Traffic Through Box’ 1970; ‘Wall of Traffic’ 1970; ‘Traffics Diminvendo Five Bar Forte’ 1971 three, pencil, each labelled verso 41 x 60cm image 55 x 60cm, framed (3) £150 - 250

559

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560 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

252-633 MODERN DESIGN Lot 561 Four contemporary revolving chairs, 60cm diameter 57cm deep 70cm high, seat 50cm high (4) £300 - 500 Lot 562 Spare lot

561

Lot 563 A contemporary red desk lamp, raised on three wheels, 67cm wide 42cm high £150 - 200

563

Lot 565 A ‘Kingston’ daybed, designed by and manufactured by William Plunkett Furniture, with four dark green leather upholstered bolster cushions, on an aluminium stand, no labels, 220cm wide 80cm deep 35cm high £400 - 600

Lot 564 An Op Art wall panel, 1970s, on a buff canvas, painted with colours, faded, 101 x 76cm £150 - 200

564

565 www.sworder.co.uk

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Lot 568 A Danish box sofa, 1940s, with an oak frame, 182cm wide 81cm deep 78cm high, seat 45cm high £300 - 500 Lot 569 A pair of Verner Panton cone chairs, with loose seats, 59cm wide 60cm deep 82cm high, seat 45cm high, and a table, 92cm diameter 70cm high (3) £400 - 600

Lot 570 A rare Arredoluce ‘Contrast’ two-light table lamp, designed by Angelo Lelii, labelled ‘Made in Italy Arredoluce Monza’, 8cm wide 29.5cm high £1,500 - 2,000

568

566 Lot 566 ‘Infinity Curve’, a stainless steel sculpture, on a marble plinth, 106cm high £1,000 - 1,500

569 Lot 571 A pair of teak armchairs, one labelled ‘Design Registration Applied for’ 62cm wide 78cm deep 88cm high, seat 40.5cm high £250 - 350

Lot 567 A ‘Kingston’ daybed, designed by and manufactured by William Plunkett Furniture, with four dark green leather upholstered bolster cushions, on an aluminium stand, labelled, 220cm wide 80cm deep 35cm high £400 - 600 William Plunkett supplied the ‘Kingston’ to several important interiors projects, including the QE2 cruise liner. It was used in Russell & Bromley shoe stores across the country and exhibited at the Design Centre in Mayfair.

571

570

567 150

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252-633 MODERN DESIGN Lot 572 A surrealist bronze sculpture, inscribed to the side ‘Recreate the Atmosphere of Banana Yellow’, on a plinth, 31cm wide 32cm high £200 - 300

573

572 Lot 573 A ‘G-Plan’ teak dining suite, comprising: an extending dining table, one leaf with label, 153cm wide closed, 245cm long extended 89 cm deep 72cm high and four chairs (6) £200 - 400

575 576 Lot 576 § An Arkana rosewood circular table, raised on a black metal base, marked ‘Arkana’, 44.5cm diameter 51cm high £150 - 200

Lot 574 Spare lot Lot 575 A Harry Bertoia diamond chair, with green upholstery on a black plastic coated metal frame, 85cm wide 70cm deep 72cm high £200 - 300

Lot 577 A contemporary Lucite console table, 120cm wide 30.5cm deep 74cm high £250 - 350

577 Lot 578 A Merrow Associates’ chrome and glass table, raised on a shaped stand, 198cm wide 91cm deep 72.5cm high £250 - 350

578

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MODERN DESIGN 252-633 Lot 579 A bibendum leather chair, modern, after a design by Eileen Gray, stamped marks ‘Classicon GD10103’ with facsimile signature, 90cm wide 80cm deep 72cm high, seat 41cm high £300 - 500

Lot 580 A ‘Lucia Gauche’ palatial chair, by Christopher Guy, labelled, 71cm wide 65cm deep 178cm high, seat 47cm high £300 - 500

579

580

Lot 581 A brass-mounted chevron coffee table, designed by Tom Dixon, stamped to the plinth ‘Tom Dixon, London’, 80.5cm square 34cm high £250 - 350

Lot 582 A tan leather and chrome lounger, 60cm wide 165cm long 84cm high, seat 42cm high £250 - 450

582 581 Lot 583 A pair of ‘Evi’ lounge chairs, each with blue upholstery, on a revolving stand, 69cm wide 77cm deep 83cm high, seat 43cm high (2) £400 - 600

583

152

Lot 584 A nest of three chrome tables, with smoked glass tops, on cantilever stands 60cm wide 46cm deep 40cm high (3) £150 - 200

584

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

252-633 MODERN DESIGN

Lot 585 A Purbeck Pottery ‘Portland’ dinner service, 1970s, with a speckled ground with reeded edges (qty) £150 - 250

585

Lot 586 § A Danish rosewood low sideboard, with a raised three-quarter gallery, two sliding doors enclosing a birch interior, with three drawers one side and a pull-out slide to the other, unmarked, 148cm wide 46cm deep 62cm high £600 - 800

586

587

Lot 587 Four Pieff chrome bar stools, with leather bolster backs and cushions, 44cm wide 48cm deep 86cm high, seat 70cm high (4) £200 - 400

Lot 588 A tubular chrome reclining lounge chair, with a red buttoned cushion, over a slung canvas seat, 61cm wide 90cm deep 88cm high, seat 30cm high £200 - 300

588

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MODERN DESIGN 252-633

Lot 590 A Gordon Russell pearwood and chrome serving table, 1978, designed by Martin Hall, of plain form with chrome mounted supports, labelled ‘Design No.1032X serving table designer Martin Hall MSIAD cabinet maker IW Galt, Timber Pear, dated August 1978’, 230cm wide 50cm deep 89.5cm high £300 - 500

590

589

Lot 589 A red painted wood coat stand, mounted with twelve horizontal bars, on a circular foot, 165cm high £200 - 300

Lot 591 A contemporary standard lamp, with a red shade, and a turned black stand, 210cm high approximately £250 - 350

593 591

Lot 592 A brass coffee table, 1970s, with two glass tiers, 104.5cm wide 49.5cm deep 33cm high £200 - 300

Lot 593 A Speedo pace wall clock, with a sprayed fibreglass frame and dial, with a perspex dial front. 105.5cm diameter £200 - 300

592

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252-633 MODERN DESIGN

Lot 594 A contemporary bronze and glass ‘She’ll Find’ coffee table, designed by Mark Stoddart, modelled as a girl kneeling down to find shells, the circular glass top as the water, signed and numbered 12/99, 101cm diameter 61.5cm high £600 - 800

594

595

Lot 595 *John Cox (1952-2014), ‘Lying Hare’, bronze, 66cm long £600 - 800 Lot 596 *John Cox (1952-2014), ‘Boxing Hares’, bronze, 90cm high (2) £800 - 1,200

596

MODERN DESIGN 252-633

597 details

597 Lot 597 Maurice Broughton Associates, from the Harrods’ Dress Circle Restaurant, 1986, a table, with a circular glass top, a tapering angular column on a shaped stand, 85cm diameter 74cm high, and a chair, with a spade-shaped back and a perforated seat, loose, 49cm wide 54cm deep 80cm high, seat 43cm high, together with three original designs for the Dress Circle Restaurant, dated ‘86, 50.5 x 75cm, and a large colour photograph, of the restaurant, inscribed ‘Dress Circle Cafe Harrods/ Redesign by MBA 10 years after 1st design Happy 60s original’, 64 x 50cm (6) £300 - 500 156

Lot 598 Maurice Broughton Associates, ‘Millennium Bridge Competition’, a collection of drawings, plans and elevations, on paper and tracing paper, together with printed boards, ‘Bloomers Hole Bridge’, a collection of designs, plans and elevations, photographs, together with a collection of studies of plants, a portrait and others (qty.) £300 - 500

598 part lot

Lot 599 Maurice Broughton Associates, Restaurant Designs: ‘Cafe Rapide’, ‘Cypriana Restaurant’, ‘The Patio’, and ‘Simpson’, all pencil and coloured crayons, some signed ‘Maurice Broughton’, 52 x 75cm largest (4) £200 - 300

599 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

252-633 MODERN DESIGN

Lot 600 Maurice Broughton Associates, Fenwick Designs: ten designs for shop interiors, ‘Fenwick Bond Street’, ‘Fenwick Brent Cross’, Brook Street Elevation Fenwick Bond Street’, one further design for a clock on Fenwick Bond Street, and two photocopies, annotated, all pencil and coloured crayons, some signed ‘Maurice Broughton’ 55 x 75cm largest (13) £300 - 500

600 part lot Lot 601 Maurice Broughton Associates, Designs for Sir Roy Carver’s Cruising Ketch Lac IV comprising: a section drawing ‘Sir Roy Carver’s Cruising Ketch Lac IV’, plans for cabins, ‘Mr Roy Carver’s State Room’, ‘Mr Roy Carver’s Bathroom’, ‘Mr Roy Carver’s Dining Area’, ‘Dining Area LAC IV’, ‘Captains Cabin - LAC IV’ and a top deck lounge, pencil and coloured crayon, 55 x 75.5cm, facsimile sectional plan of the Ketch, and two Naval Architects sectional designs (10) £250 - 350

Lot 602 Maurice Broughton Associates, London shop designs, comprising: two plans and two elevations for Liberty London, two for Simpson Piccadilly, one showing the Estee Lauder Area, two for Jaegar Regent Street, external and interior, and a store front ‘Escalade’, all pencil and coloured crayons, 52 x 74cm largest (9) £300 - 500

Roy Carver (1910-1981) was an American rubber-tyre retreading magnate who also owned a villa in Super-Cannes. This design was apparently not built and the ‘Lac’ name was derived from his wife, Lucy A Carver.

601 part lot

602 part lot

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MODERN DESIGN 252-633

603 sideboard Lot 603 An Indian rosewood dining suite, designed by Carolyn Trevor for Trevor Lahiff Architects, made by Phillip Hawkins, comprising: a dining table, with three extra leaves, the plain top with a double brass inlaid edge, on two cruciform stands, each 110cm long, extended 416cm 126 cm wide 76.5cm high extra leaves each 65.5cm, in a leaf stand, and a sideboard, with a plain top, the front edges mounted with brass, with three frieze drawers, the central drawer fitted with a purple felt-lined cutlery tray, three cupboards enclosing three felt-lined shelves, on a plinth, 190.5cm wide 45cm deep 90cm high (7) £600 - 800

Lot 604 A contemporary ash and Indian rosewood dining table, designed by Andrew Varah (1945-2012), with a rectangular top with inlaid panels, the corners cut exposing the concave columnar supports, signed with triangular monogram, 183.5cm wide 78cm deep 74cm high £600 - 800

158

603 dining suite

604

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

252-633 MODERN DESIGN

Lot 605 A Scandinavian flat-weave rug, designed by Ingrid Silow, with a light blue central ground with geometric designs, surrounded by a dark blue border, 213 x 304cm approximately £800 - 1,200

605

Lot 606 An oak ‘Solvay’ table, designed by Jean Prouvé in 1941, a Vitra Prouvé Collection model, 200cm wide 90cm deep 74cm high, and six ‘Standard’ chairs, 42cm wide 47cm deep 86cm high, seat 48cm high (7) £800 - 1,200

606

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MODERN DESIGN 252-633

Lot 607 A contemporary walnut veneered side cabinet, with a shelf, over two glass sliding panels, on high castors, 145cm wide 41cm deep 88.5cm high £150 - 200

Lot 608 A pair of contemporary Habitat standard lamps, with adjustable shades, 48.5cm high (2) £150 - 250

607 608

608

Lot 609 *Colin Self (b.1941) ‘Cinema Study no. 7’; ‘Cinema Study no. 12’; ‘Cinema Study no. 14’; ‘Cinema Study no. 30’ Four, each signed, titled and dated ‘19th and 20th’, ‘21st’, ‘22nd’ and ‘28th’ July 1969 respectively verso, ink and watercolour 16 x 21cm (4) £800 - 1,200

609

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252-633 MODERN DESIGN

610 tabletop

610

611

Lot 610 § A Danish rosewood brutalist coffee table, with a tiled top, labelled ‘Lysgaard Mobler’, 114cm diameter 48cm high £200 - 400 Lot 611 A Danish buffalo hide sofa, by Thams, on a plinth base, 209cm wide 82cm deep 61cm high, seat 32cm high £300 - 500

612

www.sworder.co.uk

Lot 612 A contemporary grey and pink rug, with a cut pile, labelled, 170 x 245cm £200 - 400

161

The following three lots were removed from a building in the Digbeth area of Birmingham, near the ‘Custard Factory’ in Gibb Street.

Lot 613 A pair of contemporary glass panels, each with curved sides forming an arch, depicting a cat on a parapet, the other with a ship viewed through a tunnel, made with laminated iridescent glass mosaic panels, in three layers, 83cm wide 147.5cm high (2) £300 - 500 Acquired by the present owners in 2011.

613

614 Lot 614 A pair of contemporary glass panels, each with arched tops, one depicting the Birmingham skyline through a tunnel, the other of a workman in a tunnel, made with laminated iridescent glass mosaic panels, in three layers, 83cm wide 155.5cm high (2) £300 - 500

Lot 615 A pair of contemporary glass panels, each with curved sides forming an arch, depicting a cat on a parapet, the other with a workman in a tunnel, made with laminated iridescent glass mosaic panels, in three layers, 83cm wide 147.5cm high (2) £300 - 500

615

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615 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

252-633 MODERN DESIGN

Lot 616 A ‘Rainbow Chair’, 2000, by Patrick Norguet for Cappellini, acrylic coloured Lucite, 39cm wide 52cm deep 80cm high, seat 45cm high £2,500 - 3,500

616

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MODERN DESIGN 252-633 Lot 617 A Swedish ‘Gyroflex’ swivel office chair, by Stoll, with a solid wood seat and back, labelled ‘Stoll Giroflex Jan 1967’, 41cm wide 44cm deep 79cm high, 46cm seat high £200 - 300 Lot 618 A contemporary oak veneered chest of drawers, with fifteen drawers, with fret cut recessed handles, 150cm wide 88cm deep 74cm high £250 - 350

618

617

621

620 Lot 620 A contemporary Zespoke ‘Hoop’ polished chrome coffee table, 170cm wide 50.5cm deep 51cm high £200 - 400 Lot 621 A B&B Italia Maxalto ‘Charles’ sofa, designed by Antonio Citterio, with slate grey upholstery, 225cm wide 98cm deep 71cm high, seat 45cm £600 - 800

Lot 625 A pair of crescent chairs, designed by Michael Vanderbyl for Bolier & Co., each with an ebonised oak frame, the curved buttoned back above an overstuffed seat, upholstered in light grey/blue fabric, labelled ‘Bolier & Company by Decca’, 91cm wide 70cm deep 68cm high, seat 45cm high (2) £300 - 500

623

622 Lot 622 A contemporary silvered console table, with chamfered edges, on shaped supports, 152cm wide 46cm deep 74.5cm high £250 - 350 Lot 623 *Rob and Nick Carter (contemporary) ‘Green to Blue, Blue to Green’ 2003 unique cibachrome print, mounted on aluminium, 101.5cm square £600 - 800 164

625 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

619 Lot 619 *Rob and Nick Carter (contemporary) ‘Colour Changing Spiral XXXIV’ 2005 unique cibachrome print 127 x 140cm, mounted on aluminium and framed £700 - 900

624

Lot 624 A contemporary two-drawer cabinet, each of the drawers with eight laminated coloured sections, raised on strut supports, 105.5cm wide 45cm deep 66cm high £500 - 800

MODERN DESIGN 252-633 Lot 626 A Bang & Olufsen music system, comprising: a Beogram 550, Beogram CD550, Beocord 550, Beomaster 550 and a pair of Beovox 5700 speakers, overall 42cm wide 33cm deep 28cm high (3) £200 - 300

627 626

Lot 628 A contemporary dining table, with a rectangular metal top, raised on a pair of crossed stanchion stands, 290cm long 112cm deep 77cm high £400 - 600

628

Lot 629 A pair of wall panels, by David Warner, mixed media on canvas board, 63cm square approximately (2) £100 - 200 Lot 630 An Indian rosewood dining table, 1950s, designed by Andrew J Milne for Heal’s, with oval ends, a moulded edge, with open extra leaf, raised on two stands with tapering columns and brass tripod supports, 290cm extended 121cm deep 72cm high (3) £1,500 - 2,000

Lot 627 § A Danish rosewood circular dining table, with two extra leaves, 120cm diameter, extended 219.5cm 120cm wide 71cm high (3) £300 - 500

Lot 631 A set of four contemporary triangular tables, 77cm wide 89cm deep 76cm high (4) £250 - 350 Lot 632 A set of four contemporary triangular tables, 77cm wide 89cm deep 76cm high (4) £250 - 350

629

Lot 633 A set of three contemporary triangular tables, 77cm wide 89cm deep 76cm high (3) £200 - 300

630

631

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632

633

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 168

Modern British & 20th Century Art Tuesday 20 April Entries close 5 March

Bridget Riley (b.1931) Fragment 5, signed and dated '65 l.l., screenprint on perspex £15,000-20,000

amyscanlon@sworder.co.uk | 01279 817778

GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty. Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

Circle of David Cox in our opinion a work from the period of the artist and showing his influence.

The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt.

Follower of David Cox in our opinion a work executed in the style of David Cox After David Cox in our opinion a copy of any date after a work by the artist Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist

A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750. All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing. Condition reports are not included in the descriptions.

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right? Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more. This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale. How are resale royalties calculated? The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate. The royalty is worked out according to a sliding scale from 4% to 0.25%. Hammer Price

Royalty

From 0 to €50,000

From €50,000.01 to €200,000

From €200,000.01 to €350,000

From €350,000.01 to €500,000 Exceeding €500,000

0.5% 0.25%

What is the qualifying threshold? An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

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What nationality must an artist be to qualify? The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA: Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom. Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs. Are all sales of artwork covered? The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met: • • • •

the artwork is a copyright protected work of graphic or plastic art; it is sold for more than €1000; it is sold in the secondary market with the involvement of an art market professional (e.g. auction house); and it is sold in the UK or another country in the European Economic Area (EEA).

This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

TERMS AND CONDITIONS INFORMATION FOR BUYERS Introduction The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand. Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. Methods of Payment Lots must be paid for before they are collected. For those attending the auction we ask that lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our web site, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000. Usually any cheques will need to be cleared before you can take the goods away. Collection and storage All lots should be paid for and collected by 5pm on the Friday following the sale. Commission bidders should check the success of their bids and arrange payment and collection within this time. Please note what the Terms of Sale say about collection and storage. Items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 as an administration fee and £2 per lot per day may be charged (plus vat). Please note that we will apply these charges strictly to Furniture purchased in our Homes and Interiors Sales. Dispatch We are rarely able to pack and dispatch purchases. A choice of shippers is detailed on our web site. Agency As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer. Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

Electrical goods These are sold as ‘antiques’ only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them. Export of goods If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory. Bidding Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Commission bidding You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving commission bids online via our website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute commission bids received after this time. Telephone Bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value lots. Please note that this service is for lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason. Online Bidding Any lots purchased via a live online bidding service will be subject to an additional commission charge on the hammer price payable by the bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% plus VAT while bidding via Sworders website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. Both charges will be payable to us on top of the hammer price and our buyer’s commission.

IMPORTANT NOTICES

Buyer’s Premium The Terms of Sale oblige you to pay a buyer’s premium at 25% on the hammer price of each lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these premiums (see below).

Removal of lots ALL lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove lots remaining after this time into safe storage, for which a charge will be made.

VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the buyer on the hammer price and the buyer’s premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that lot.

Electrical Goods All electrical goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical goods certified safe must be re-commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-commissioned.

Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax. Inspection of goods by the buyer As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4. Condition Reports We may be able to assist buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale.

Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling. Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

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TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the ‘Conditions of Business’). The Terms of Consignment and Terms of Sale are available at our saleroom on request. Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions. 1. Definitions and interpretation 1.1 To make these Terms of Consignment easier to read, we have given the following words a specific meaning:

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

the dispute in another way. We will act reasonably when deciding how to settle the dispute.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

4. The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 25% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due. 5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further information.

‘Auctioneer’

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised auctioneer, as appropriate;

‘Bidder’

means a person who places a bid for Goods at our auction;

‘Buyer’

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

‘Commission’

means the commission that we charge you on the sale of the Goods as set out in Clause 5 below;

‘Consumer’

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

‘Consumer Contracts Regulations’

means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

‘Deliberate Forgery’

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

‘FCA’

means the Financial Conduct Authority;

‘Goods’

means the goods that you consign to us for sale at our auction;

‘Hammer Price’

means the level of the highest bid for the Goods accepted by the Auctioneer;

‘Premium’

means the premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

‘Price’

means the total of the Hammer Price, Premium and any applicable VAT;

‘Proceeds’

means the Price less the Commission, the Premium, any expenses incurred to your account and any applicable VAT;

‘Reserve’

means the minimum price at which the Goods may be sold;

‘Seller’

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

‘Terms of Consignment’

means these terms of consignment;

‘Terms of Sale’

means the terms of sale for bidders or buyers at our auctions;

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

‘Trader’

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf (such as an agent and/or the Auctioneer);

8. Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

‘VAT’

means any value added tax or equivalent sales tax; and

‘Website’

means our website available at www.sworders.co.uk.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle

In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

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5.2 We will charge VAT at the current rate at the date of the auction. 6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed after the hammer falls when the highest bid for the Goods at the auction is written into the Auction book by the Auctioneer. 6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim. 6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due in any way that we agree to accept payment. Note there is an upper limit of 10,000 euros equivalent for payments in cash.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction. 8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.5 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due;

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

15.2 Any notice referred in Clause 15.1 may be given:

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot.

15.3 Notices must be sent:

12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. 12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within 30 days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct. 11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below. 11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2. 13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale. 14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. 14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for:

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

14.4.3 any liability which cannot be excluded by law.

14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient. 15.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient). 15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message. 16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website. 17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person. 17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale. 17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. 17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts. These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers

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