Sworders Fine Interiors 14 & 15 December 2021 by swordersfineart

FINE INTERIORS Tuesday 14 and Wednesday 15 December 2021

ORDER OF SALE DAY 1 | T UE S DAY 14 DECEM BE R, 10AM

VIEWING

Lots 1-58

Furniture and Works of Art

Lots 59-73

Walking Canes and Sticks

We will be offering viewing by appointment only at our Stansted Mountfitchet Saleroom. You can book an appointment on our website. One hour time slots will be available from:

Lots 74-108

The Selected Contents of 47 Phillimore Gardens, Holland Park, London W8

Lots 109-295

Furniture and Works of Art

Lots 296-328

Glass from the Collection of Peter and Pat Crofts

Lots 329-351A

Furniture and Works of Art

Lots 352-434

A Single Owner Collection of Portrait Miniatures

DAY 2 | WEDNESDAY 15 DECEMBER, 10AM Lots 435-608

Paintings, Watercolours and Prints

Lots 609-633

Furniture and Works of Art

Lots 634-693

Silver

Lots 694-804

Furniture and Works of Art

Lots 805-841

Garden

Lots 842-854

‘Salvage Hunters: The Restorers’

Friday 10 December

9am-5pm

Saturday 11 December

10am-2pm

Sunday 12 December

10am-2pm

Monday 13 December

9am-5pm

R E M O VA L O F LO T S We continue to operate a booking system for collections in accordance with government guidelines. Please see our website for the latest advice and further information.

SWORDERS’ DELIVERY SER VICE We are able to provide a bespoke shipping cost based on the lot and delivery destination, anywhere in the world. Should you be successful in buying larger items, a specific shipping estimate will need to be requested after the sale using the link in your invoice email; this also includes all requests for international delivery.

C O N TA C T

James Pickup Head of Department Fine Interiors

Jane Oakley Head of Department Paintings

Alexander Hallett Specialist

Sylvia Ewen Paintings Cataloguer

T 01279 817778 E fineinteriors@sworder.co.uk

BIDDING ATTEND THE LIVE AUCTION To book your place to be at the saleroom in person, please visit www.sworder.co.uk/appointments ONLINE Bid live at www.sworder.co.uk (0% surcharge)

Charlotte Lee-Finglas Sale Co-ordinator

Fine Russian Art & Antiques from the Renowned London Gallery Изящное Искусство И антИкварИат россИИ Из прославленной лондонской галереИ

SUMMER 2022

russianart@sworder.co.uk | 01279 817778

Day One Tuesday 14 December at 10am

FUR NITUR E AND WOR K S OF ART LOTS 1 -58

Lot 1 A Victorian cast iron stick stand by Coalbrookdale, with a brassed finish, the top with nine circular apertures on cast end supports over two lift-out trays, marked with registration stamps, stamped ‘C-B-Dale’ and ‘No.24’, 90cm wide 16cm deep 63cm high £300 - 500 Provenance: T he Peter and Pat Crofts Collection.

Lot 2 Delhi School, mid to late 19th century, a pair of architectural studies on ivory depicting the interior of the Diwan I Am and Diwan I Khus in the Red Fort, Delhi, each within a white metal mount behind a convex glass, 21cm wide 14.5cm high (2) £700 - 900

Lot 3 A pair of William IV-style leather ottoman stools, each with a buttoned leather top, opening on to a hollow interior, the rim stamped ‘Ritz London’, with concave sides with studded edges, 60cm square 45cm high (2) £600 - 800

1-58 FURNITURE AND WORKS OF ART

Lot 4 A large carved and polychrome painted Royal Coat of Arms of the United Kingdom, probably 18th century, with supporting lion and unicorn among scrolling foliage, inscribed ‘HONI SOIT QUI MAL Y PENSE’ and ‘DIEU ET MON DROIT’, 115cm wide 125cm high £4,000 - 6,000 Provenance: P urportedly from an administrative building in the Caribbean. Lot 5 A Portuguese colonial rosewood table, 19th century, the rectangular top with a moulded border over two cushion moulded frieze drawers, two dummy drawers and twist turned legs and stretcher, 70cm wide 51cm deep 67cm high £300 - 500 Lot 6 A Schonbek ‘Renaissance’ gilt-metal and cut-glass chandelier, the pear-shaped body with scrolling arms applied with rosettes and cut clear and coloured glass drops, 100cm diameter 200cm high £2,000 - 4,000

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FURNITURE AND WORKS OF ART 1-58

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

1-58 FURNITURE AND WORKS OF ART

Lot 7 A Persian wool carpet, 20th century, Heriz, decorated with scrolling motifs on a pale field, 342 x 242cm £1,200 - 1,800

Lot 8 A pair of giltwood console tables in the manner of Robert Adam, 19th century, each with a fluted frieze, centred with a foliate swag panel, flanked by a pair of paterae, raised on tapering fluted supports with acanthus capitals and terminals, with later serpentine marble tops, 124cm wide 46cm deep 88cm high (2) £2,000 - 3,000

Lot 9 Two Ziegler Sultanabad wool runners, mid-late 20th century, Persian, each woven with floral and foliate motifs on a red ground, 415 x 75cm approximately (2) £2,000 - 3,000

Provenance: Farm House, Farm Street, Mayfair, London.

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FURNITURE AND WORKS OF ART 1-58

Lot 10 An Indian bronze vase, possibly 19th century, profusely engraved all over, on a later wrought iron stand, 45cm diameter 45cm high overall £300 - 400

Lot 12 A collection of wooden fids, 19th and 20th centuries, comprising three lignum vitae examples, a hardwood and a softwood example stamped ‘Scarborough, Harwich 1812’, the largest 78cm long (5) £600 - 800

Lot 11 A cased model ship, late 19th century, the three-master believed to be a customs and excise ship, modelled on a choppy sea and housed in a fully glazed and ebonised case, 65.5cm wide 30cm deep 45cm high £200 - 400

Lot 13 A pair of petrified tree fragments, Jurassic period, c.200-150 million years old, Madagascar, each 48cm high, together with a further piece of petrified wood and several ammonites and other fossils (8) £200 - 400

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

1-58 FURNITURE AND WORKS OF ART

Lot 14 A silk rug, 20th century, Persian, Tabriz, decorated with animals and foliate scrolls, 102 x 69cm £300 - 500 Lot 15 A William IV rosewood gentleman’s library armchair, early 19th century, the carved frame with a concave front and lappet-carved arms, raised on turned and carved tapering legs and brass castors, 64cm wide 75cm deep 93cm high £600 - 800 Lot 16 A small yew wine table, 19th century and later, the circular top raised on a turned column terminating in a platform base and carved hairy paw feet, 38cm diameter 49cm high £450 - 750 Lot 17 A near pair of leather fire buckets, 18th century, each of conical form with studded edge and base, with a metal mounted rim and leather handle suspended from iron hoops, 27cm diameter 29cm high (2) £300 - 500

Lot 18 A mahogany hall stand, 19th century, the pierced and carved upper section set with five hooks, over the oval stick stand below, fitted with a zinc liner, 45cm wide 32cm deep 152cm high £250 - 350

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FURNITURE AND WORKS OF ART 1-58

Lot 19 Jodhpur School, Rajasthan, late 18th/ early 19th century Four portraits of princes, three on horseback, one with a bow gouache heightened with gold 30 x 23cm, 29.5 x 24cm, 28 x 21cm and 20.5 x 29.5cm (4) £1,000 - 1,500 Provenance: Christie’s, London, ‘The Duarte Pinto Coelho Collection’, 21 July 2011, lot 703. Lot 20 Rajasthan School, 19th century Portraits of standing princes and noblemen four, gouache, three heightened with gold, one with a varnished border 32 x 22cm, 27.5 x 23cm, 24.5 x 17cm and 23 x 13.5cm (4) £1,000 - 1,500 Provenance: Christie’s, London, ‘The Duarte Pinto Coelho Collection’, 21 July 2011, lot 702.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

1-58 FURNITURE AND WORKS OF ART

Lot 21 Jodhpur School, Rajasthan, late 18th/early 19th century Three royal portraits of seated princes gouache, one heightened with gold 29.5 x 22.5cm and two at 34.5 x 26cm; and one 20th century example of a standing noble gouache 22 x 16.5cm (4) £1,000 - 1,500 Provenance: C hristie’s, London, ‘The Duarte Pinto Coelho Collection’, 21 July 2011, lot 700.

Lot 22 Indian Mughal School, 19th century A sitar player pencil, gouache and ink on paper 24 x 19cm £200 - 300 Lot 23 An Indian Mughal School painting, 20th century, watercolour and gouache, highlighted in gilt, depicting Krishna leading a white stallion, 23 x 18cm £300 - 500

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FURNITURE AND WORKS OF ART 1-58 Lot 24 A Gonçalo alves tripod table, 19th century, French, the crossbanded and brass-bound octagonal top raised on a faceted column support and scrolling legs, 51cm diameter 72cm high £300 - 500 Lot 25 An Anglo-Indian sandalwood and ivory miniature bureau cabinet, c.1780-1790, Vizagapatam, the upper section fitted with drawers and fitted cupboards opening to reveal drawers and pigeonholes within, over a fall front writing slope and further drawers, decorated all-over with penwork scenes of English country houses, landscapes and birds set within deep foliate borders, 61cm wide 27cm deep 71cm high £5,000 - 8,000

Literature: Amin Jaffer, ‘Furniture from British India and Ceylon’, 2001, for other very similar examples.

25 Lot 26 A colonial rosewood high-backed chair, c.1860, Ceylon (Sri Lanka), the back with an arching crest over a pierced and carved foliate panel, a drop-in seat and on carved scrolling cabriole legs, 70cm wide 60cm deep 140cm high £400 - 600

Lot 27 An ivory-veneered games box, 19th century, Anglo-Indian, Vizagapatam, the folding playing surface with alternating horn squares, within a foliate penwork-decorated border, enclosing a sandalwood, ebony and ivory backgammon board to the interior, 46cm wide 23.5cm deep 10.5cm high closed £1,000 - 1,500

Lot 27A An Anglo-Indian ivory tea caddy, .1810-1820, Vizagapatam, of sarcophagus form and decorated with penwork foliate borders, opening to reveal two fitted canisters and a recess for a mixing bowl, 30cm wide 16cm deep £400 - 600

27A Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

1-58 FURNITURE AND WORKS OF ART

28A

Lot 28 A pair of Chelsea gold anchor cabinet plates, c.1760, each painted with floral sprays within moulded gilt and blue scrolled borders, gold anchor marks, 23cm diameter (2) £200 - 400 Provenance: T he Peter and Pat Crofts Collection. Lot 28A A Derby porcelain cream boat, c.1760, of ribbed oval form, painted with floral sprays, 12.5cm long 7cm high £200 - 300 Provenance: T he Peter and Pat Crofts Collection. Lot 29 A Spode botanical cabinet plate, early 19th century, pattern no 2789, the central flowers within a blue gilt and enamelled border, puce painted mark ‘Spode 2789’, 21.5cm diameter, a Meissen Marcolini period (1774-1814) saucer, the central gilt reserved panel painted in enamels with a young shepherd guarding three sheep before a ruined archway, the gilt border worked with flowers, foliage and guilloché, crossed swords and star mark, 13.5cm diameter, a Barr, Worcester saucer, c.1800, pattern no 114, the wrythen moulded body painted with bands of trailing flowers around a central gilt sunburst, puce painted mark ‘Barr, Worcester’ and pattern number, 14cm diameter, and a Swansea pottery saucer, early 19th century, painted with a band of floral sprays with a gilt rim, painted puce Swansea banner mark, 14cm diameter (4) £200 - 400

Provenance: T he Peter and Pat Crofts Collection. Lot 30 A fine North-West Persian silk rug, c.1880-1900, Tabriz, the field woven with a central medallion with saz leaves, surrounded by further floral and foliate motifs, within various stepped borders decorated with Shah-Abbasi designs, 187 x 145cm £2,000 - 3,000

30 detail

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FURNITURE AND WORKS OF ART 1-58

34 Lot 31 A carved wooden, papier mâché and painted occasional table, contemporary, Indian, in the form of three leopards, sat on their haunches on a triform base, 100cm wide 84cm high £200 - 400 Lot 32 A pair of carved wooden papier mâché and painted chairs, contemporary, Indian, each in the form of a tiger, with a curved back and solid seat, standing on paw feet, 85cm wide 65cm deep 91cm high (2) £400 - 600

Lot 34 A large crystalline geological specimen, with associated calcite and quartz, 46cm wide, together with a fluorite crystalline specimen, 39cm wide (2) £400 - 600 Lot 35 A walnut centre table, 19th century, Portuguese, the folding lobed top with incised and pierced foliate detail, raised on a square base with scrolling cabriole legs, 128cm deep 77cm high £600 - 800

Lot 33 A large lapis lazuli ‘freeform’ specimen, in a fitted case, 60cm long 35cm deep 30cm high £1,000 - 1,500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

1-58 FURNITURE AND WORKS OF ART

38 Lot 36 A pair of mahogany stands, George III style, each of square form and raised on carved paw feet, 40cm wide 40cm deep 39cm high (2) £300 - 500 Lot 37 A Victorian hall bench, 19th century, the rectangular top raised on turned tapering legs, 138cm wide 30cm deep 47cm high £400 - 600 Lot 38 Two graduated black leather suitcases by Tanner Krolle, of recent manufacture, each with cream linen-lined interior and fitted with brass clasps, one complete with dust cover, 67 and 71cm wide (2) £1,000 - 2,000 Provenance: A Private Collection, Mayfair, London. Lot 38A A red leather vanity case by Asprey London, 1950s, the case, with two white ‘go faster’ stripes, opening to reveal an interior fitted with gilt-metal-topped plastic bottles and jars, 26cm wide 21cm deep 11cm high £300 - 500 Provenance: A Private Collection, Mayfair, London.

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38A Lot 39 A leather cartridge case, early 20th century, with brass corners and leather straps, the lid with an inset leather plaque ‘W.M. de P.’, the oak-lined interior with six compartments and an applied paper label printed ‘Cogswell & Harrison Ltd. established 1770, Depots For Their Manufacture, London: 168 Piccadilly and 226 Strand. Exeter: 94 Queen St. Paris: 26 Avenue De L’Opera. Works: Feltham, Middlesex’, 48cm wide 30cm deep 18cm high £200 - 300

Provenance: The Peter and Pat Crofts Collection. Lot 40 Two leather falcon hoods, one with fabric sides and now loaded as a paperweight, 6cm high excluding feather plume (2) £200 - 300 Provenance: The Peter and Pat Crofts Collection.

FURNITURE AND WORKS OF ART 1-58

Lot 41 Forty-six Mughal arrows, late 18th/early 19th century, India, with various points to include armour-piercing examples, with variously polychrome painted bamboo shafts, the majority approximately 80cm long (46) £300 - 500 Lot 42 A pair of Indian carved teak corbels, probably 19th century, Rajasthan or Gujarat, each with profuse scrolling floral and foliate decoration and surmounted with a bird, 14cm wide 19cm deep 50cm high (2) £300 - 500

Lot 43 A rosewood tripod table in the manner of Gillows, early 19th century, the rectangular top raised on a cluster column support terminating in a carved tripod base, 60cm wide 46cm deep 76cm high £300 - 500 Lot 44 A William IV mahogany horseshoe back chair, early to mid 19th century, with leather upholstered back and arms, raised on turned tapering legs and brass castors, 73cm wide 58cm deep 75cm high £400 - 600 Lot 45 An Oushak wool runner, c.1900-1910, Western Anatolia, the red field woven with geometric medallions, 362 x 115cm £1,500 - 2,500

45 detail

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

1-58 FURNITURE AND WORKS OF ART

46 Lot 46 A George lll mahogany apothecary’s cabinet, fully fitted with glass bottles, jars and brass scales, with two trays and fall front, 23cm wide 21cm deep 18cm high £300 - 400

Lot 48 A mahogany adjustable easel, 19th century, with a moulded platform, on square supports, 61cm wide 70cm deep 158cm high £300 - 500 Lot 49 Rajasthani School (19th century), a Rajpur king on a horse, gouache on paper, 22 x 20cm £300 - 500

Lot 47 A large Mughal-style carved marble horse, contemporary, Indian, wearing an elaborately-decorated saddlecloth and with a scalloped upstand, 73cm wide 30cm deep 93cm high £500 - 800

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FURNITURE AND WORKS OF ART 1-58

51 Lot 50 A pair of Indian papier mâché candlesticks, early 20th century, Kashmir, each with a triple helix bulbous stem, with floral decoration, with later brass fittings for bayonet light bulbs, 51cm high (2) £200 - 400

Lot 51 A collection of Suzani textiles, 19th/20th century, comprising: an example decorated with stylised birds and flowers, all to a golden ground, 172 x 69cm, another example, densely decorated with birds above a floral border, all to a red ground, 211 x 74cm, and another decorated with stylised birds, to a deep red ground, 197 x 72cm (3) £200 - 400 Lot 52 A Suzani textile, late 19th to early 20th century, possibly Uzbek, decorated with dense foliate motifs to a pale ground, 130cm square £200 - 300 Lot 53 A carved rosewood centre table, early 20th century, Indian, the circular top with profusely-carved decoration depicting deities amongst foliage, raised on four elephant-carved supports set with ivory tusks and united by an ‘X’ stretcher, 80cm wide 64cm high £300 - 500

53 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

1-58 FURNITURE AND WORKS OF ART Lot 54 Two ornithological taxidermy dioramas, late 19th/early 20th century, one an Indian Roller, the other containing various other brightly-coloured exotic birds, both under a glass dome, largest 34cm wide 19cm deep 50cm high (2) £200 - 400 Lot 55 A monumental carved pine-framed wall mirror, probably second quarter of the 19th century, with bold acanthus decoration, 193cm wide 183cm deep £800 - 1,200 Lot 56 Spare lot

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FURNITURE AND WORKS OF ART 1-58 Lot 57 A rare antique Persian Laver carpet, c.1870, Kirman, finely woven throughout with dense scrolling floral and foliate motifs, the field centred with a multi-pointed lozenge, signed in Arabic to one of the borders, 655 x 376cm £3,000 - 5,000 The city of Kirman in North-East Persia has been the centre of fine rug-weaving since the 17th century and enjoyed a particular renaissance in the 19th century, when rug-weaving became more widespread. It was at this point that Kirman established itself as a centre of fine weaving in the Persian tradition. 19th century Kirman carpets, particularly those of the Laver group, are known for their technically superior weaves, delicate drawings and an incomparable range of varied colours. This is a wonderful early example of its type with remarkable quality and an array of harmonious colours. It is particularly rare to find one in such a large format. Lot 58 A pair of fine Persian pictorial wool rugs, c.1900, each depicting portraits of ancient Persian queens and princesses, 217 x 126cm and 217 x 130cm (2) £3,000 - 5,000

57 detail

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

1-58 FURNITURE AND WORKS OF ART

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WALK ING CANES AND STICK S LOTS 5 9-7 3

Lot 59 A mariner’s whalebone walking cane, 19th century, the octagonal whale tooth handle above a variously-carved tapering shaft, 82cm long £300 - 500 Lot 60 A carved wooden walking stick or parasol handle, 19th century, in the form of a dog’s head with an articulated lower jaw and glass eyes, mounted on bamboo, 15.5cm high, together with two carved ivory cane handles, 19th century, in the form of male heads, 4 and 5cm high (3) £200 - 400 Provenance: The Peter and Pat Crofts Collection. Lot 61 An ornately carved ivory parasol handle, mid-19th century, of tapering form, crisply carved with initials amongst trailing flowering foliage, 31cm long £200 - 300

Provenance: The Peter and Pat Crofts Collection.

Lot 62 A briarwood walking stick, the base metal cap unscrewing to reveal a stemmed cup, the stick enclosing a long flask and stopper, stick 95cm long flask 38cm long, together with a malacca stick, enclosing a long flask and stopper and a stemmed cup within base metal mounts, stick 89cm long flask 40cm long (2) £200 - 300 Provenance: The Peter and Pat Crofts Collection. Lot 63 Two walking sticks, a malacca stick with an ivory handle and engraved 22ct collar, with a blank cartouche, London 1875, 19cm long including rubber ferrule, together with a turned sectional ivory stick, late 19th century, worked to represent bamboo below a lion carved handle, 93cm long (2) £300 - 500 Provenance: The Peter and Pat Crofts Collection.

59 - 73 WALKING CANES AND STICKS

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WALKING CANES AND STICKS 5 9 - 7 3

Lot 64 A group of four walking sticks, to include a malacca sword stick, with white metal mounts, 85cm long, a bamboo stick, with a silver knob handle in the form of a grotesque face, by George Brace, London 1879, 93cm long, a malacca stick, with a carved bull handle, 87cm long, and a bamboo swagger stick, with an ivory dog’s head terminal and white metal collar, 83cm long (4) £200 - 300 Provenance: T he Peter and Pat Crofts Collection.

Lot 65 Four military walking sticks, a malacca stick, with a white metal handle engraved ‘Serg. Major W McCleave, on leaving the Regiment from Lt. Colonel R.T. Glyn, 1st Ba. 2nd Regt., Malta 13th May 1871’, 90cm long including rubber ferrule, a bamboo SAS swagger stick, the white metal terminal embossed with the SAS insignia and motto ‘Who Dares Wins’, 90cm long, a wooden stick, probably ash with mahogany details, the handle inset with the RAF insignia in white metal and blue and white enamel, 89cm long, and an RAF bamboo swagger stick, the white metal terminal embossed with the RAF insignia, 73cm long (4) £200 - 300 Provenance: T he Peter and Pat Crofts Collection.

Lot 66 A group of four walking sticks, a hardwood stick, the carved lion’s head handle with glass eyes and silver collar, Birmingham 1897, 90cm long, an ebony stick, with a carved horn dog’s head handle with glass eyes and a white metal collar, 86cm high including rubber ferrule, a hardwood stick, probably ash, with an antler handle having a silver lidded compartment, with an engraved crest and a white metal tip and initials, 93cm high including rubber ferrule, and a snakeskin covered stick, with an embossed Chinese white metal terminal, 83.5cm high (4) £200 - 300 Provenance: T he Peter and Pat Crofts Collection. Lot 67 Two parasols and an umbrella stick, one parasol with a bamboo handle by Gauntlet, one with a white metal sphinx-like handle, the Victorian walking stick/umbrella with a 9ct collar, engraved with initials and with a black silk umbrella, 91cm long (3) £100 - 200

Lot 68 Six walking sticks, one with a vertebrae shaft and horn handle, 87cm long, five of African origin (6) £200 - 400 Provenance: The Peter and Pat Crofts Collection. Lot 69 Two walking sticks, comprising: one hardwood example with a carved animal handle, perhaps a dog, over an engraved shield, white metal collar and various animal heads carved to the shaft, including a lion, a rabbit, various masks and grotesques, 90cm long including metal ferrule, together with a malacca stick, with a metal, probably bronze, handle, in the form of a hand grasping a rod, 91cm long (2) £200 - 300 Provenance: The Peter and Pat Crofts Collection.

Provenance: T he Peter and Pat Crofts Collection.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

59 - 73 WALKING CANES AND STICKS

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WALKING CANES AND STICKS 5 9 - 7 3

Lot 70 Two Victorian malacca walking sticks, one with a bone handle, worked as a grotesque with glass eyes over a white metal collar, engraved ‘J.W. Palliser Btd’, 88cm long including rubber ferrule, the other with an ivory terminal, worked as a clenched fist over a white metal collar, 82cm long including rubber ferrule (2) £150 - 250 Provenance: T he Peter and Pat Crofts Collection. Lot 71 A Victorian malacca walking stick, the malacca handle carved as a dog’s head with glass eyes, over an embossed yellow metal collar with a vacant shield-shaped cartouche, 90cm long including rubber ferrule £200 - 400 Provenance: T he Peter and Pat Crofts Collection.

Lot 72 Three walking sticks with carved head handles, comprising: one hardwood example, with safety cord eyelets, 86cm long, a small hardwood stick, the head with a hat and glass eyes over an embossed white metal collar, 83cm long, and an ebony example, the bearded head with a contrasting wooden turban, 87cm long (3) £200 - 300 Provenance: The Peter and Pat Crofts Collection. Lot 73 Two gold-mounted walking canes, the first, malacca with a gold terminal (tests approximately 15ct), engraved with a coat of arms and initials over an eyelet for a safety cord, 89.5cm long, and the second, an ebony cane, with a plain 9ct gold terminal, with engraved initials, 92cm long (2) £200 - 300 Provenance: The Peter and Pat Crofts Collection.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

47 Phillimore Gardens, Holland Park, London, W8 Situated at the heart of one of London’s most exclusive areas, 47 Phillimore Gardens, Holland Park, can be considered one of its finest residences, boasting 6,520 square feet over five storeys and overlooking the park itself. We are very proud to be able to present thirty-four selected lots, a fine mixture of antique and modern European and Middle-Eastern decorative arts, which illustrate perfectly the style and opulence with which the townhouse was furnished by its previous owners.

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THE SELECTED CONTENTS OF 47 PHILLIMOR E GAR DENS LOTS 7 4-1 08

Lot 74 A pair of terracotta planters, of recent manufacture, each of urn shape, decorated with a crest, on a separate dish base, 61cm diameter 43cm high (2) £200 - 400

Lot 77 A pair of giltwood and ebonised mirrors, of recent manufacture, each of shaped rectangular outline, with moulded detail and the corners set with roundels, 126cm wide 103cm high (2) £1,000 - 2,000

Lot 75 A pair of terracotta planters, of recent manufacture, each of urn shape, decorated with a crest, on a separate dish base, 61cm diameter 43cm high (2) £300 - 500

Lot 78 A French Louis XV-style gilt-metal hall lantern, probably late 19th/early 20th century, with five scrolling supports above five shaped glass panels, the frames cast with scrolling rococo detail, enclosing three branches, fitted for electricity, 38cm diameter 65cm high £800 - 1,200

Lot 76 Spare lot

74-108 THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8

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THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8 74-108

Lot 79 A pair of large beaded glass and giltwood ten-light chandeliers, probably early 20th century, Italian, Genoa, each with scrolling branches and supports, elaborately decorated with various beads, floral roundels and drops, with carved foliate sconces, 110cm diameter 115cm high (2) £8,000 - 12,000

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

74-108 THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8 Lot 80 A pair of French Louis XVI-style marble and bronze guéridons, 20th century, in the manner of Adam Weisweiler, each with a circular marble top on faux bamboo supports, united by a triform stretcher and on sabot feet, 43cm wide 75cm high (2) £1,000 - 2,000 Lot 81 A three-seater sofa, by Francois Catroux (1936-2020), upholstered in multicoloured fabric with various floral and foliate decoration, with downswept arms, raised on tapering square supports, 250cm wide 110cm deep 85cm high, with various cushions £3,000 - 5,000 Francois Catroux (1936-2020), was an Algerian-born French interior designer. Described as ‘the decorator of choice for aristocrats’, his illustrious clientele included members of the Rothschild, Van Zuylen and Goulandris families.

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THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8 74-108 Lot 82 A pair of large Satsuma vase table lamps, early 20th century, Japanese, Kinkozan School, each painted in the round with geese in flight, one bearing a gilt six-character mark, fitted with pleated shades, 90cm high overall (2) £600 - 800 Lot 83 An upholstered ottoman, late 19th/early 20th century, in striped velvet, raised on cup feet, 86cm wide 58cm deep 50cm high £400 - 600

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

74-108 THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8

Lot 84 A large brass club fender, 20th century, the red leather upholstered seat raised on twisted brass supports, 225cm wide 64cm deep 60cm high internal 185cm wide 40cm high £800 - 1,200 Lot 85 A pair of neoclassical brass firedogs, late 19th century, each with embossed floral and foliate decoration, surmounted by an acanthus finial and raised on paw supports, 31cm wide 50cm deep 61cm high, together with a set of brass tools and a pair of brass rests (7) £200 - 400

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THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8 74-108

Lot 86 A Roman marble column capital of the Corinthian order, probably c.2nd-3rd century AD, carved with acanthus leaves and foliate scrolls, 82cm wide 82cm deep 54cm high, raised on a later stand 52cm diameter (2) £5,000 - 7,000 For a similar, albeit smaller, example, see Bonhams, ‘Antiquities’, 28 November 2017, lot 113.

74-108 THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8

THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8 74-108 Lot 87 A Bohemian blue and clear glass chandelier for the Persian market, early 20th century, the central baluster issuing scrolling arms ending in dished bobeche and hurricane shades depicting various Qajar rulers, 130cm high 78cm diameter £1,000 - 2,000 Lot 88 A set of twelve walnut, bone and mother-of-pearl inlaid dining chairs, c.1880-1900, Syrian, Damascus, each with all-over floral and foliate decoration, the scrolling pierced top rail above a panelled back and serpentine seat, upholstered in striped silk, raised on turned supports terminating in peg feet, 58cm wide 67cm deep 118cm high (12) £6,000 - 8,000

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74-108 THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8

Lot 89 A set of four glass, rock crystal and gilt metal wall lights, 20th century, French, attributed to Maison Baguès, each in the form of a flower-filled urn with floral and foliate backplate issuing two arms, 53cm high (4) £2,000 - 3,000 Lot 90 A rosewood side table, early to mid 19th century, with a single drawer, raised on turned tapering legs and brass feet, 46cm wide 38cm deep 73cm high £200 - 300

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THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8 74-108 Lot 91 A Victorian silver-plated centrepiece in the manner of Elkington & Co., with a tapering cut-glass trumpet vase and platform, supported by two palm trees with deer to the base, on a mirrored glass and oak-leaf cast stand, 38cm diameter 56cm high £200 - 400 Lot 92 A late Regency or George IV pollard oak centre table, with two drawers, trestle ends united by a stretcher, 104cm diameter 61cm deep 73cm high £300 - 500 Lot 93 A pair of Chinese yokeback armchairs, each with a shaped splat over a rattan seat, the legs united by stretchers, 57cm wide approximately 55cm deep 115cm high (2) £400 - 600 Lot 94 A pair of Northern European side tables, 20th century, each with a shaped oval top painted with a central medallion depicting a harpist, surrounded by a border of fabric swags, birds and foliate scrolls, on a turned support with flared legs, 73cm wide 55cm deep 75cm high (2) £600 - 800

94 detail Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

74-108 THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8 Lot 95 A pair of large red glass table lamps, of recent manufacture, each with a faceted column support over a cast brass base, 64cm high (2) £200 - 300 Lot 96 A gilt-metal hall lantern, early 20th century and later, of rectangular shape, with cast scrolling foliate decoration, 30cm wide 30cm deep 60cm high £600 - 800 Lot 97 Two Aesthetic period faux bamboo stools, early 20th century, each with overstuffed upholstery, one 54cm diameter 40cm high, the other 44cm diameter 40cm high £300 - 500

Lot 98 A two-seater sofa, by Francois Catroux (1936-2020), upholstered in yellow and purple geometric fabric with a tasselled fringe, on tapering square supports, 176cm wide 97cm deep 76cm high £2,000 - 3,000 Francois Catroux (1936-2020), was an Algerian-born French interior designer. Described as ‘the decorator of choice for aristocrats’, his illustrious clientele included members of the Rothschild, Van Zuylen and Goulandris families.

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THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8 74-108 Lot 99 A pair of polished metal and leather aviator trunks, by Andrew Martin, contemporary, each with a lifting lid over two drawers, 58cm wide 58cm deep 58cm high (2) £400 - 600 Lot 100 A pair of modern circular mirrors, each with a painted foliate frame, 106cm diameter (2) £600 - 800 Lot 101 A pair of Chinese pith paper paintings, late 19th/early 20th century, each depicting flowers in a basket, together with two similar examples, each 25 x 18cm, framed as a set (4) £200 - 400

Lot 102 An Ottoman embroidered qibla prayer cloth panel, possibly 18th century, Turkish, depicting a hanging lantern between two minarets, 108cm wide 164cm high £600 - 800

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74-108 THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8

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THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8 74-108

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Lot 103 A George III Chinese Chippendale-style overmantel mirror, 20th century, with a triple pagoda crest over a shaped plate, flanked by figures, 162cm wide 125cm high £1,500 - 2,500

Lot 104 A rosewood bench, 19th century and later, with a curved bar back over a caned seat, raised on sabre legs, 135cm wide 48cm deep 85cm high £300 - 500

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Lot 105 A lobed crystal glass hall lantern by Val Saint-Lambert, 19th century, Belgian, of lobed bulbous form, with a cast gilt-metal finial, 20cm diameter 33cm high to cover £300 - 500

105 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

74-108 THE SELECTED CONTENTS OF 47 PHILLIMORE GARDENS, HOLLAND PARK, LONDON, W8 Lot 106 A green-painted aluminium garden table, of recent manufacture, in the Regency taste, the circular table with a pierced top, raised on a scrolling quadripartite base, 96cm diameter 74cm high, together with six matching chairs (7) £300 - 500 Lot 107 A pair of painted aluminium garden love seats in the manner of Coalbrookdale, of recent manufacture, probably by Brambley Furniture, each curved back decorated with scrolling foliage above a honeycomb seat, raised on own-head supports terminating in scroll feet, 110cm wide 87cm deep 87cm high, together with a lobed table, 94cm diameter 74cm high (3) £400 - 600 Lot 108 A set of four painted aluminium garden chairs in the manner of Coalbrookdale, of recent manufacture, by Brambley Furniture, decorated with entwined nasturtium leaves and nymph-mask detail, on scroll feet, 64cm wide 64cm deep 88cm high (4) £400 - 600

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FUR NITUR E AND WOR K S OF ART LOTS 1 09 -29 5

Lot 109 A George II-style yellow-lacquered bureau bookcase, late 20th century, with all-over chinoiserie detail, the double-domed upper section with twin-glazed doors, above a fall front and drawers, raised on bracket feet, 100cm wide 50cm deep 220cm high £500 - 700

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Lot 110 A pair of lacquered leather trunks, late 19th/early 20th century, Chinese, each hinged lid with shaped metal mounts and a rectangular lockplate, each side with ruyi-shaped carry handles, 59cm wide 39cm deep 46cm high (2) £200 - 400 Provenance: Supplied by Sibyl Colefax & John Fowler. Lot 111 A Chinese horseshoe back chair, 20th century, the undulating splat carved with a ruyi-head motif, above a rectangular seat, and raised on turned supports united by stretchers, 68cm wide 58cm deep 93cm high £200 - 300 Provenance: B arrington Hall, Essex. Lot 112 An Aubusson-style flatweave carpet, by Paul Smith, contemporary, decorated with typical floral motifs to a pale ground, with a vibrant fuchsia border, 366 x 270cm £300 - 500

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Lot 113 A pair of ormolu-mounted brèche rouge marble garniture urns, 1930s, of baluster form, with banded ormolu mounts, each with a banded frieze depicting children and birds, the sides mounted with satyr heads and rosettes joined by floral swags, the tops surmounted with acanthus leaves and pine cone finials, 21cm wide 16cm deep 53cm high (2) £800 - 1,200 Lot 114 A small Chinese rosewood and paktong-mounted cabinet, late 19th/early 20th century, the doors opening to reveal drawers within, 29cm wide 13cm deep 32cm high £200 - 400 Lot 115 A parquetry bombé commode chest, 18th century, Italian, the serpentine top above two drawers with gilt-metal mounts and handles, on swept feet, 111cm wide 51cm deep 87cm high £600 - 800

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Lot 116 A pair of Chinese Fuzhou lacquered wood wall brackets, 20th century, each pierced and carved with flower heads, 31cm wide 17cm deep 37cm high (2) £400 - 600

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118 Lot 117 A mirror pair of Chinese export famille rose cockerels, early 20th century, with polychrome decoration, with gilt combs and wattles, 23cm high (2) £150 - 250 Lot 118 A Chinese silk panel, embroidered with birds and flowers and centred with dragons, with tassels to the corners, 74cm wide £200 - 300

Lot 119 A Chinese black limestone sculpture, Ming dynasty, of a seated creature with prey, 18cm wide 22cm deep 26cm high £400 - 600

Lot 120 An export porcelain vase table lamp, late 19th century, Chinese, Canton, of baluster shape, painted in enamels with figures, birds and insects among foliage, with applied gilt-decorated lizards and chilong and puppy handles, set with pierced gilt-metal mounts, 23cm wide 78cm high £600 - 800 Lot 121 A Chinese reverse painting on glass, late 18th/early 19th century, a still life of a fisherman’s catch on a bench, 43 x 48cm £400 - 600

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122 Lot 122 A Meissen parasol handle, c.1755, moulded with ‘c’ scrolls and painted with figures in parkland, and another porcelain parasol handle, 19th century, painted with a courting couple in a woodland clearing, within a trailing and ‘jewelled’ border, 6.5cm high (2) £300 - 500 Provenance: T he Peter and Pat Crofts Collection. Lot 123 A Persian Bakhtiari wool carpet, mid-20th century, woven with geometric floral motifs on a deep red ground, 397 x 300cm £500 - 800 Lot 124 A pair of lacquered low table cabinets, 20th century, on low stands, 88cm wide 54.5cm deep 57cm high (2) £200 - 300

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Lot 125 A Victorian black papier mâché tray, stamped ‘R Gray & Son’, painted with gilt chinoiserie decoration, 80 x 60cm £200 - 400

Lot 126 Four Victorian découpage panels, each with ‘scraps’ applied to a canvas ground within an ebonised frame, formerly a draught screen, now two panels conjoined, each panel 184 x 63cm (2) £500 - 800

Lot 127 An Italian centre table, 20th century, the serpentine top set with a printed design, the ebonised base with cabriole legs, 96cm wide 70cm deep 70cm high £300 - 500

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128 detail Lot 128 A Kirman wool carpet, c.1900, Persian, 446 x 344cm £2,000 - 3,000

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FURNITURE AND WORKS OF ART 1 0 9 - 2 9 5

129 detail Lot 129 A Persian wool carpet, mid-20th century, Heriz, the field centred with a flower head medallion, among densely-populated geometric floral and foliate motifs, within similarly-decorated spandrels and stepped borders, 410 x 285cm £800 - 1,200 Lot 130 Gustave Henri Colin (French, 1828-1910), ‘Le barreur sur son esquif’, bronze, signed ‘G Colin’, on a rouge marble stand, 62cm high £700 - 1,000

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Lot 131 A pair of Napoleon III patinated bronze and ormolu candlesticks, second half of the 19th century, French, each in the form of a cherub seated on a vine and supporting a foliate-cast sconce, on a scrolling rococo base, 23cm wide 40cm high (2) £3,000 - 5,000 Provenance: A Private Collection, Mayfair, London.

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131A

Lot 131A A pair of large turned table lamps, of ovoid form, with two linen-covered pleated shades, 55cm high (2) £800 - 1,200 Provenance: A Private Collection, Mayfair, London. Lot 132 A rococo-style giltwood mirror, 19th century, French, of oval form with a pierced crest and incised moulded frame, 89cm wide 150cm high £500 - 700 Lot 133 A large Aubusson-style carpet, of recent manufacture, having a central dark red reserve and decorated with a scrolling banded border, 550 x 355cm £1,500 - 2,000

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Lot 134 A hardwood and mother-of-pearl inlaid dressing table mirror, late 19th century, Chinese, decorated with peonies and blossom, 49cm wide 86cm high £200 - 300 Lot 135 An Empire-style ebonised and ormolu-mounted guéridon, late 19th century, French, attributed to Maison Jansen, the circular grey marble top above a frieze with applied foliate-cast detail, raised on tapering square supports united by an undertier, terminating in sabots, 72cm diameter 76.5cm high £1,500 - 2,000

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136 Lot 136 A French mahogany side cabinet, late 19th century, the moulded and shaped top over two adjustable open shelves and a panelled back within gilt-bronze mounts, over a pair of tambour doors enclosing a single shelf, and short shaped legs with gilt-bronze mounts, 76cm wide 38cm deep 139cm high £1,000 - 1,500

138 Lot 139 A pair of Chinese blue and white moon flask table lamps, 20th century, on fixed hardwood stands, 57cm high, one shade (2) £300 - 500

Lot 140 A large bronze table lamp, late 19th/early 20th century, Continental, with elaborately relief-cast detail, with a water nymph and a dolphin among rockwork and foliage, 36cm diameter 119cm high £1,000 - 1,500

Provenance: T he Peter and Pat Crofts Collection. Lot 137 A pair of Louis XVI-style painted and parcel-gilt fauteuils, 20th century, of generous proportions, each oval back with a floral surmount, raised on tapering turned supports, upholstered in crimson fabric, 71cm wide 71cm deep 110cm high (2) £300 - 500 Lot 138 A pair of modern black-painted wood and glass side tables, each circular top raised on ‘X’ frame supports, 75cm diameter 78cm high (2) £300 - 500 Provenance: A Private Collection, Mayfair, London.

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109 - 295 FURNITURE AND WORKS OF ART

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142 Lot 141 A wool carpet, c.1960, Persian, Kashan, the pale green field with overall vinery and palmettes, within a complementary skeletal border with an inscription, 400 x 293cm £500 - 700 Provenance: S otheby’s, ‘Colonnade: European Decorative Arts and English Furniture’, 6, 8 & 16 April 1993.

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144 Lot 142 A gilt-framed pier mirror, 19th century, with a scrolling acanthus crest over a shaped bevelled plate, with a moulded frame, 88cm wide 158cm high £400 - 600

Lot 143 A large mahogany display cabinet, 19th century, French, two glazed doors with brass glazing bars opening to reveal shelves within, 194cm wide 38cm deep 216cm high £1,000 - 1,500

Lot 144 A pair of French upholstered and painted stools, 20th century, each with a green gingham seat on six turned and fluted tapering legs, 185cm wide 30cm deep 39cm high (2) £600 - 800 Provenance: A Private Collection, Mayfair, London.

FURNITURE AND WORKS OF ART 1 0 9 - 2 9 5 Lot 145 A Victorian armchair, mid to late 19th century, the swept arms with rollover button upholstery, raised on ring-turned mahogany legs, 76cm wide 82cm deep 90cm high £600 - 800 Lot 146 A Régence-style giltwood fauteuil, late 19th century, French, the lobed rail with carved floral decoration, upholstered in a lavender-coloured fabric, on squat cabriole supports, 76cm wide 70cm deep 97cm high £600 - 800 Provenance: A Private Collection, Mayfair, London.

Lot 147 A Louis XVI-style giltwood fauteuil, 20th century, French, with a carved rail with foliate decoration over a wing back and a cushioned seat upholstered in a lavender fabric, on turned and fluted tapering legs, 68cm wide 78cm deep 105cm high £600 - 800 Provenance: A Private Collection, Mayfair, London. Lot 148 A Queen Anne-style upholstered side chair, of recent manufacture, the back with appliqué armorial decoration, raised on cabriole supports terminating in pad feet, 85cm wide 63cm deep 100cm high £300 - 500

Lot 150 A Louis XVI-style gilt-framed fauteuil, 20th century, twisted ribbon and leaf carved decoration, upholstered in a woven floral pattern fabric with loose cushion seat, on turned and fluted column legs, 68cm wide 70cm deep 102cm high £400 - 600

Lot 151 An armchair by Howard and Sons, with green Dralon button back upholstery, with walnut frame and castors, stamped once to the back leg ‘Howard and Sons Ltd Berners St’ and numbered ‘772 / 6277’, 76cm wide 83cm deep 84cm high, seat 36cm high £400 - 600

Provenance: A Private Collection, Mayfair, London. Lot 149 A French armchair, late 19th century, the arched cane panel back and arms above a cushioned fabric seat, on fluted turned supports, 62cm wide 52cm deep 109cm high £200 - 300

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FURNITURE AND WORKS OF ART 1 0 9 - 2 9 5 Lot 152 A Chinese carved ivory brush pot, late 19th century, with a continuous landscape of figures, soldiers, some on horseback, trees and pavilions, the background finely reticulated, on a wooden stand, 21.5cm high including stand (2) £300 - 500

Lot 154 A Japanese solid carved ivory oni okimono, Meiji period (late 19th century), the larger figure striding forth, his crouching attendant proffering a bowl, red seal signature Nihon and further incised signature Goka beneath base, 16.5cm high £400 - 600

Lot 153 A set of eighteen Chinese carved ivory figures, 19th century, on wooden stands, described as the ‘Disciples of Lohan’, each portrayed with their attributes, including animals, musical instruments, lotus, tools and precious objects, 14-16cm high (18) £1,000 - 1,500

Lot 155 A Japanese solid carved ivory figure of a man, Meiji period (late 19th century), holding a cricket cage with a staff in his right hand, incised signature Taizan beneath base, 17.5cm high £400 - 600

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Lot 157 Two small Japanese carved ivory groups, Meiji period (late 19th century), the first with a sage holding a scroll for a child to read, a woman looking on, red incised signature Gyokuju beneath base, 6cm high, the second a man showing a terrapin to a young boy, a dog watching, 3.5cm high (2) £200 - 400

Lot 156 Spare lot

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165 Lot 158 A Japanese carved ivory figure of a child, Meiji period (late 19th century) standing on a sphere, on a wooden stand, incised signature beneath base, 18cm high excluding stand (2) £200 - 400 Lot 159 A Japanese carved ivory samurai warrior group, Meiji period (late 19th century), one a helmeted horseman, the other on foot, incised signature Jitsukei beneath base, on a wooden stand, 10cm high (2) £100 - 150 Lot 160 A Japanese carved ivory group, Meiji period (late 19th century), a father and child resting from carrying another in a basket suspended from a pole, on wooden stand, 15cm long stand 17.5cm long (2) £400 - 600

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166 Lot 161 A Japanese carved ivory figure of a lady asleep, Meiji period (late 19th century), Tokyo School, her head resting on a basket of produce, incised signature Ryusho beneath base, 20.5cm long £400 - 600 Lot 162 Spare lot Lot 163 A Japanese sectional carved ivory group of two basket sellers, Meiji period (late 19th century), he standing with a bamboo pole over his shoulder, she seated, red ground signature Toshimasa beneath base, 13.5cm high £500 - 700

164 Lot 164 A Chinese carved ivory ‘long’ lady, part coloured, red incised signature Qianlong nian zhi to back of her kimono, 37.5cm high £200 - 300 Lot 165 A Japanese carved ivory mask, Meiji period (late 19th century), signed Yamaji Mitsuyuki, together with two jade carvings of a spider on leaf and a cat, mask 9.4cm high (3) £150 - 200 Lot 166 A Japanese carved ivory okimono, Meiji period (late 19th century), a standing priest chanting, another grimacing at his feet, 12cm high £150 - 250

FURNITURE AND WORKS OF ART 1 0 9 - 2 9 5 Lot 167 Two small Japanese carved ivory okimonos, Meiji period (late 19th century), the first a sage seated by a table, a scroll in his left hand, incised signature Taizan beneath base, the second a mother and three children, 6.5 and 8cm high (2) £200 - 400 Lot 168 An ivory and Shibayama box, Meiji period (late 19th century), with screw cover, 9cm high, together with a small carved and stained ivory vase, with two bronze panel mounts 9cm high (2) £100 - 200 Lot 169 A Japanese sectional carved ivory okimono, Meiji period (late 19th century), of a Samurai standing while a sword appraiser sits at his feet, red seal signature Moritoshi and two incised artefacts beneath base, on original hardwood stand, 15.5cm high (2) £400 - 600

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Lot 170 A Japanese solid carved ivory family group, Meiji period (late 19th century), Tokiwa Gozen fleeing, holding a baby, two older children by her side, 15cm high £400 - 600 Lot 171 A Japanese solid carved ivory figure of a crab fisherman, Meiji period (late 19th century), perched on a large jar, a crab on his head, a rod in his left hand, incised signature Ichiya beneath base, 21cm high £300 - 400

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172 Lot 172 A Japanese Shibayama ivory and silver vase and cover, Meiji period (late 19th century), the two handles as birds, with plain and stained mother-of-pearl, horn and enamel decoration, signed Masakun on plaque under one handle, 21cm high (2) £500 - 700 Lot 173 A Japanese cloisonné vase and cover, early 20th century, with two handles, finely decorated with four panels of birds and butterflies on foliage, on a hardwood stand, 17cm high (3) £600 - 800

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173 Lot 174 A Japanese solid carved ivory figure of Kannon Bosatsu, Meiji period (late 19th century), seated on a lotus with three attendants to the top of the mandorla, red seal signature Kogyoku beneath base, 21.5cm high £300 - 500 Lot 175 A Japanese solid carved ivory figure of a man carrying a child, Meiji period (late 19th century), holding bunches of grapes in his other hand, a hare at his feet, red seal signature Sotoshi beneath base, 21.5cm high £400 - 600

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Lot 176 A Japanese solid carved ivory figure of a man turning a waterwheel, Meiji period (late 19th century), a child assisting, carved signature Keiyuki beneath base, 19.5cm high £300 - 500 Lot 177 A Japanese carved ivory sectional figure of a basket seller, Meiji period (late 19th century), carrying a vast array of wares on a bamboo pole, signed Eishin to base, 18cm high £400 - 600

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Lot 178 A Japanese carved ivory and Shibayama box and cover, Meiji period (late 19th century), with a relief carved elephant body and tiger finial cover, inlaid with mother-of-pearl and tortoiseshell, signed Kazuaki, 16cm high (2) £200 - 400 Lot 179 A Japanese carved ivory elephant and lion group, Meiji period (late 19th century), on a carved wood stand, group 24cm long base 28cm long (2) £200 - 400 Lot 180 A Japanese carved ivory dove bridge group, Meiji period (late 19th century), signed Gyokuzan, on a carved hardwood base, tusk 34.5cm long stand 40cm long (2) £200 - 400 Lot 181 A Japanese carved ivory short sword, Meiji period (late 19th century), finely decorated with two relief figure groups, incised signature, 37.5cm long £300 - 500

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Lot 182 A large celadon-glazed table lamp, probably 20th century, of hexagonal form on a giltwood base, and fitted with a large cream pleated shade, 110cm high overall 70cm diameter £300 - 400 Lot 183 A Louis XV rosewood side table, possibly 18th century, French, the parquetry-inlaid rectangular top with a pierced gallery, above a shaped apron set with a single short drawer, above ormolu-mounted supports with satyr-cast decoration, terminating in sabots, 59cm wide 39cm deep 71cm high £3,000 - 5,000 Provenance: A Private Collection, Mayfair, London.

Lot 184 A low Chinese softwood coffee table, 20th century, with a latticework top beneath glass, 123cm wide 90cm deep 40cm high £400 - 600 Provenance: A Private Collection, Mayfair, London.

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185 Lot 185 An English mahogany and ormolu-mounted bureau plat, third quarter 19th century, in the manner of Holland and Sons in the French taste, with a tooled leather skiver and pierced three-quarter gallery, pull-out slides to either end over three frieze drawers and dummy drawers to the reverse, all fitted with swan neck handles and Crofts & Assinder locks, raised on turned tapering and stop fluted legs, 130cm wide 69cm deep 74cm high £3,000 - 5,000 Provenance: A Private Collection, Mayfair, London.

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Lot 186 An Aubusson-style flatweave carpet, late 20th century, decorated all-over with flowers to a red and pale green ground, 279 x 260cm £800 - 1,200 Lot 187 A green-lacquered papier-mâché vase and cover, c.1900, Chinese, decorated with scrolling foliage and flowers, 40cm high (2) £200 - 300

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188 Lot 188 A Napoleon III lacquered commode, in the Louis XV style, French, of serpentine outline, the Brèche d’Alep marble top above three drawers, with rococo-style gilt-metal mounts and chinoiserie decoration, raised on splayed supports, terminating in sabots, 122cm wide 54cm deep 86cm high £1,200 - 1,800

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Lot 189 A Chinese northern elm wine table, late Qing Dynasty, with a carved apron over rounded supports united by stretchers, 104cm wide 49cm deep 84 cm high £300 - 500

Lot 190 A near pair of large Chinese porcelain vase table lamps, late 19th/early 20th century, each of baluster shape, painted in underglaze blue with scrolling floral and foliate motifs, each decorated with xi (double happiness) characters, on an integral wooden base, 28cm diameter 47cm high, together with silk shades, 70cm high total (4) £400 - 600

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FURNITURE AND WORKS OF ART 1 0 9 - 2 9 5 Lot 191 A Persian Karajeh wool runner, 20th century, centred with four geometric floral medallions on a red ground, 450 x 110cm £200 - 400 Lot 192 A Persian wool carpet, 20th century, Tabriz, the deep red field woven with scrolling foliate motifs, within a pale border, 445 x 330cm £1,200 - 1,800 For a similar example, see Christie’s Interiors, ‘Style and Spirit’, 25 September 2012, lot 142. Lot 193 A Persian wool carpet, mid-20th century, Kashan, with a pale green blue ground and decorated with scrolling foliate and vine designs within a banded border, signed, 400 x 293cm £1,000 - 1,500

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Lot 194 A Persian wool carpet, late 19th century, Bidjar, the field decorated with Herati motifs, 392 x 252cm £1,000 - 1,500 Provenance: Purchased from Liberty of London.

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Lot 195 A gilt-framed wall mirror, 19th century, French, of rectangular form, the central bevelled plate surrounded by marginal mirror plates and with shell mouldings to the corners, 71cm wide 83cm high £500 - 700

Lot 196 A giltwood coffee table, mid-20th century, with a glass top, 164.5cm wide 104cm deep 46.5cm high £300 - 500

Lot 197 A wool rug, mid-late 20th century, North-West Persia, the field woven with scrolling floral and foliate motifs, within a banded border, 356 x 245cm £400 - 600

Lot 198 An Empire-style patinated and gilt-bronze mantel clock, late 19th century, French, the case surmounted by the figure of a seated astronomer, the white enamel dial set with Roman numerals, housing a movement chiming the hours and half hours on a bell, raised on scrolling bracket feet, 45cm wide 18cm deep 53cm high £800 - 1,200

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200 part lot

Lot 199 A French Louis XVI-style mahogany and parcel-gilt side table, late 19th century/early 20th century, the rectangular top above a moulded frieze set with a single drawer, each side punctuated with paterae, raised on tapering fluted supports united by an ‘H’ stretcher, 118cm wide 71cm deep 77cm high £300 - 500 Lot 200 A Soviet state porcelain six setting dinner service from the Russian Embassy in London, second half of the 20th century, Russia, by the Dulevo Manufactory, comprising dinner plates, bowls, salad plates, side plates, navette-shaped serving dishes, butter dishes and a tureen, each piece highlighted in gilt and bearing the State Emblem of the Soviet Union, stamped marks to the reverse, dinner plates 24cm diameter (34) £300 - 500 Provenance: P urchased from Christopher Martin-Zakheim, owner of Iconastas, who bought the extensive service directly from the Russian Embassy in Kensington c.1991.

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Lot 201 A painted console table in the Continental taste, of recent manufacture, the rectangular top raised on tapering fluted supports, 120cm wide 33cm deep 74cm high £300 - 500 Provenance: A Private Collection, Mayfair, London. Lot 202 A Chinese sang-de-boeuf glazed porcelain table lamp, 20th century, of cylindrical shape, on an integral wooden base, 23cm diameter 45cm high, with a faceted silk shade, 69cm high total (2) £300 - 500 Lot 203 A large giltwood overmantel mirror, 19th century, French, the domed top surmounted with putti and garlands, between a pair of urn finials, above a pair of caryatid supports and foliate carved edges, surrounding an arched plate, 160cm wide 190cm high £1,000 - 1,500

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Lot 204 A Persian silk rug, by Sarraf Mamoury, mid-20th century, Isfahan, 240 x 153cm £1,500 - 2,000 Lot 205 A Persian silk rug, mid-20th century, Isfahan, 205 x 275cm £600 - 800 Lot 206 A Persian silk rug, 20th century, Qum, the field decorated with animals among blossoming trees, on an ivory ground, 206 x 140cm £1,500 - 2,000

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FURNITURE AND WORKS OF ART 1 0 9 - 2 9 5 Lot 207 A pair of Empire-style giltwood armchairs, 20th century, the arms carved in the form of swans and raised on square tapering swept legs, 70cm wide 70cm deep 85cm high (2) £300 - 500 Lot 208 A painted mahogany pedestal desk, 19th century, the moulded rectangular top with an inset leather surface, above an arrangement of drawers to one side and dummy drawers to the other, raised on acanthus-carved cabriole supports terminating in hoof feet, 134cm wide 74cm deep 78cm high £800 - 1,200

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Lot 209 A Continental wall mirror, 20th century, the carved giltwood and gesso frame with ho-o bird cresting around an oval bevelled plate, 64cm wide 103cm high £500 - 700 Lot 210 A giltwood and veined marble-topped console table, 19th century, French, with a profusely carved apron and festoon swags, raised on slender scrolling supports united by a carved stretcher, 67cm wide 40cm deep 104cm high £300 - 500

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211 details Lot 211 A Regency mahogany ‘Edwards Patent’ dining table, with concertina action, three additional leaves and drop-leaf ends, on standard end supports with embossed brass labels, downswept legs, brass paw feet and castors, the three leaves supported on two central turned legs, the brass plaques read ‘Edwards Patent Ne Plus Ultra Dieu Et Mon Droit’, 269cm long maximum 58cm long minimum 122cm wide 72cm high £3,000 - 5,000 Provenance: The Peter and Pat Crofts Collection. Literature: Christopher Gilbert, ‘Pictorial Dictionary of Marked London Furniture 1700-1840’, 1996, this table is illustrated on pp.188, 189. At the time of publishing, there were no other examples of patent furniture by this maker. With accompanying letter from the photographer John Stabler regarding the inclusion of this table in Gilbert’s ‘Pictorial Dictionary of Marked London Furniture 1700-1840’, dated 18 June 1993. D Edwards, maker, active first half of the 19th century. Possibly the same D Edwards based at 84 St James’s Street, London and then 21 King Street, Bloomsbury, London, known for their fashionable writing and dressing cases, and the inventor of patent campaign and military travelling writing cases. He was appointed supplier to the Royal family in 1813 until his death in 1848. This form of concertina action expanding table has been referred to as a ‘Cumberland-action’ table. The first table of this type was supposedly made for Henry Frederick, Duke of Cumberland, fourth son of Frederick, Prince of Wales and brother of George III. Resident at Cumberland Lodge, Windsor, he was a patron of John Linnell in the mid-1770s, so it is possible that he was the first recipient of a sophisticated design which is a development of the double gateleg table, adapted so that the legs spread the weight without obstructing people sitting at it.

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109 - 295 FURNITURE AND WORKS OF ART Lot 212 A Persian wool carpet, 20th century, Heriz, woven all-over with geometric foliate motifs, on a red ground, 344 x 250cm £800 - 1,200 Lot 213 A large Regency mahogany open wine cooler, early 19th century, of sarcophagus form with panelled sides fitted with a lead lining, raised on carved hairy paw feet and cup castors, 80cm wide 52cm deep 45cm high £1,000 - 1,500

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Provenance: A Private Collection, Mayfair, London. Lot 214 A George III mahogany oval tray, with a shaped gallery, brass banding and a scroll carved handle to either end, 49cm wide 35cm deep 7cm high £250 - 350 Lot 215 A pair of grand tour bronze candlesticks, 19th century, each in the form of Roman oil lamps, with crisply cast foliate decoration on integral square bases, 15cm long 10cm high (2) £200 - 400 Provenance: T he Peter and Pat Crofts Collection.

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Lot 216 A ‘Grafton’ armchair by Howard & Sons, c.1900-1910, upholstered in classic blue ticking, with a deep seat and raised on walnut cabriole front supports terminating in brass and leather castors, stamped and numbered to the back-left leg and to each castor, 84cm wide 102cm deep 84cm high £3,000 - 5,000 Provenance: Strutt & Parker, Lofts & Warner, Hylands near Chelmsford, 13-16 July 1964, lot 197.

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109 - 295 FURNITURE AND WORKS OF ART

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Lot 217 A three-seater ‘Fielding’ sofa by Howard & Sons, c.1900-1910, upholstered in classic blue and white ticking, with a deep seat and raised on walnut cabriole front supports terminating in brass and leather castors, stamped and numbered to the back-left leg and to each castor, 240cm wide 104cm deep 91cm high, with a later bolster cushion and loose covers £6,000 - 8,000 Provenance: S trutt & Parker, Lofts & Warner, Hylands near Chelmsford, 13-16 July 1964, lot 195.

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FURNITURE AND WORKS OF ART 1 0 9 - 2 9 5 Lot 218 A pair of wing back armchairs, 20th century, each with a tan leather button-upholstered back and overstuffed seat, raised on square tapering legs and brass castors, 84cm wide 75cm deep 11cm high (2) £600 - 800 Lot 219 A Regency oak marble top console table, the grey veined marble top over a frieze drawer, fitted for cutlery, with moulded decoration and two scrolled front supports, carved with stiff leaves and moulding, 105.5cm wide 80cm high marble top 106.5 x 57cm £600 - 1,000 Provenance: The Peter and Pat Crofts Collection.

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219

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109 - 295 FURNITURE AND WORKS OF ART Lot 220 A French Hepplewhite-style mahogany open armchair, probably 18th century, the pierced wheel back with a carved central rosette and open arms, over a serpentine-fronted seat and on carved cabriole legs, upholstered in lemon moiré silk, 58cm wide 58cm deep 89cm high £600 - 800 Lot 221 A George IV mahogany sideboard in the manner of Gillows, of shaped bow-fronted outline, the top with a moulded edge, above two frieze drawers with scrolling line inlay, raised on tapering reeded supports terminating in peg feet, 183cm wide 75cm deep 92cm high £2,500 - 3,500

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FURNITURE AND WORKS OF ART 1 0 9 - 2 9 5 Lot 222 A white-painted fire surround, probably 18th or 19th century, the shaped frieze decorated with floral swags, above the aperture with an egg and dart moulded edge, set between two pairs of Corinthian columns, on a moulded base, 204cm wide 26cm deep 131cm high, aperture 101cm wide 81cm high £300 - 500 Lot 223 A large cast iron fireback, dated 1611, depicting a lion beneath a thistle, 79cm wide 70cm high £300 - 500 Lot 224 A set of George III brass fire irons, possibly Irish, with lyre-decorated polished steel shovel blade and facet-moulded knop handles, 72.5cm high (3) £150 - 250

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109 - 295 FURNITURE AND WORKS OF ART Lot 225 A pair of cast iron French bulldog firedogs, by Howes, 43cm high, together with an adjustable brass fire kerb, a poker and an ash sieve (5) £500 - 800 Provenance: A Private Collection, Mayfair, London. Lot 226 A pair of mahogany and brass-mounted peat buckets, George III style, each with ribbed sides, a twisted brass handle and a brass liner, 35cm diameter 64cm high (2) £800 - 1,200

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FURNITURE AND WORKS OF ART 1 0 9 - 2 9 5 Lot 227 A North-West Persian wool carpet in the manner of the Benlian workshop, early-mid 20th century, Tabriz, the pale field woven in vibrant polychrome colours with Shah Abbasi motifs, centred with four saz leaves around a single flower head, bearing an eight-pointed star to one corner enclosing an Arabic signature, within three foliate-decorated borders, 360 x 275cm £1,500 - 2,500 Lot 228 A set of four Victorian hall chairs, mid-19th century, each with an ornately carved scrolling back with a painted armorial, over a solid seat and on turned tapering front legs, 41cm wide 42cm deep 87cm high (4) £800 - 1,200 Lot 229 A pair of demilune console tables, second half of the 20th century, each top with radiating sunburst inlay, over three curved leaf-capped giltwood supports, 58cm wide 30 cm deep 63cm high (2) £300 - 500

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Lot 230 Spare lot

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109 - 295 FURNITURE AND WORKS OF ART

Lot 231 A mahogany bergère library tub armchair, early 19th century, the scrolling top rail above a curved seat with a buttoned leather cushion, raised on tapering square supports terminating in brass caps, 61cm wide 55cm deep 90cm high £400 - 600

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Lot 232 A Regency mahogany hall chair, the fan carved back above a painted central roundel of a coat of arms depicting a white cat, above an oval solid seat and tapering turned supports, 45cm wide 43cm deep 92cm high £300 - 500

Lot 233 A George III mother-of-pearl octagonal tea caddy, c.1780, with tortoiseshell borders and all-over engraved decoration of trailing and stylised flowers, the front mounted with a circular miniature on ivory depicting a wistful looking lady and her spaniel seated beneath a tree with a gold border, the cover with a gold capital, the lockplate with gold mounts, the hinge and escutcheon also gold mounted, 12cm high 7.5cm deep 10cm wide £400 - 600

Lot 234 After the antique, an equestrian sculpture of Marcus Aurelius, 19th century, on a marble plinth, 26cm high £200 - 400 Provenance: T he Peter and Pat Crofts Collection.

Provenance: The Peter and Pat Crofts Collection.

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Lot 235 A Persian wool carpet, c.1930s, Tabriz, the pale field centred with a lozenge medallion, within foliate decorated borders, 312 x 226cm £1,200 - 1,800 Lot 236 A tribal wool runner, 20th century, Afghan, decorated with foliate motifs on a red ground, 278 x 75cm £400 - 600 Lot 237 A Persian silk carpet, early 20th century, probably Isfahan, decorated in a garden design within a banded border, signed, 207 x 132cm £300 - 500 Lot 238 A tribal wool runner, 20th century, Afghan, decorated with scrolling foliate motifs on a red ground, 283 x 75cm £300 - 500

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109 - 295 FURNITURE AND WORKS OF ART

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Lot 239 A Chinese Tang-style pottery figure of a camel and rider, on a square base, 31cm long 12cm deep 42cm high £300 - 500 Lot 240 A set of three rococo-style composite and gilt-metal candleholders, 20th century, each in the form of a dolphin, with erect tail supporting an acanthus-cast sconce, on a shell-decorated base, 15cm wide 9cm deep 28cm high, together with six carved giltwood curtain pole finials in the form of artichokes (9) £200 - 300 Provenance: A Private Collection, Mayfair, London. Lot 241 A carved ivory bust of William Shakespeare, 19th century, raised on a fluted and turned column socle base, 29cm high £600 - 800 Lot 242 A plaster bust of Sir Edmund Burke, 19th century, depicted wearing classical robes, raised on a socle base, 68cm high £200 - 400

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Lot 243 A mahogany library bookcase, first quarter of the 19th century, of inverted breakfront outline, the three sections with an arrangement of glazed upper and lower doors and all-over gilt-metal mounts, raised on bracket feet, 240cm wide 36cm deep 206cm high £2,500 - 3,500

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FURNITURE AND WORKS OF ART 1 0 9 - 2 9 5

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246 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

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Lot 244 Two sets of pine library steps by Slingsby, 20th century, each with four steps to a platform with a tubular metal frame, the rear supports on wheels, one ladder with two Slingsby plaques, 121cm high to platform 213cm high total (2) £500 - 700 Lot 245 A set of four maps of Spain (3) and Portugal (1), published under the Superintendence of the Society for the Diffusion of Useful Knowledge, Baldwin & Cradock, 47 Paternoster Row, 1831, 1938 (4) £200 - 300 Lot 246 A three-tier étagère occasional table, 20th century, the mahogany shelves held on turned brass supports terminating in brass castors, 34cm wide 34cm deep 76cm high £450 - 550

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Lot 247 A pair of George III satinwood and painted card tables, c.1800, each hinged D-shaped top with a Greek key border, opening to a baize inset playing surface, above a frieze decorated with a snaking vine pattern and centred with a moulded tablet decorated with a tied ribbon, lute and horn motif, on turned and reeded tapering legs, surmounted by patera terminals, 92cm wide 45cm deep 74cm high (2) £6,000 - 9,000 For a related pair of satinwood card tables displaying a similar scheme of painted decoration, see Christie’s, ‘Important English Furniture & Carpets’, 24 November 2005, lot 116 (£19,200).

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Lot 248 A George II mahogany centre table, c.1730-1740, raised on slender lappet-carved cabriole legs, terminating in pad feet, 68cm wide 33cm deep 66cm high £1,000 - 2,000 Provenance: Christie’s South Kensington, ‘The Collection of Will Fisher: Founder of Jamb’, 2 February 2012, lot 202. Lot 249 An Art Deco oval burr elm and walnut desk, early to mid 20th century, the top inset with green leather skiver over three frieze drawers and recessed shelves to either end, raised on a plinth base, 118cm wide 76cm deep 75cm high £2,000 - 3,000 Provenance: A Private Collection, Mayfair, London.

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249

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Lot 250 A French wool rug, c.1925, decorated with a repeating abstract design, 265 x 196cm £500 - 800 Provenance: Christie’s, ‘Collection of Alberto Pinto’, 2017, lot 318.

Lot 251 *Bryan Kneale (b.1930), a pierced bronze abstract sculpture, signed to lower section ‘Bryan Kneale’, 34cm wide 55cm high £400 - 600

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Lot 251A A set of ten Chippendale style mahogany dining chairs, late 19th/early 20th century, each with a well-carved Gothic-style back, over-stuffed seat and square chamfered front legs, two armchairs and eight singles, armchairs 62cm wide 62cm deep 100cm high (10) £500 - 800

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251A part lot

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Axel Vervoordt (Belgian, b.1947) Interior designer, antique and art dealer, Axel Vervoordt, started his fifty-year career at age 21 by buying and restoring a row of 16th century houses in his hometown of Antwerp. His empire now stretches a little further, with an interior design practice, an antiquaire, a private foundation, and two art galleries in Antwerp and Hong Kong. Listed in Architectural Digest’s inaugural AD100 Hall of Fame, Vervoordt has built a reputation as one of the world’s leading connoisseurs of style, working with clients such as Robert De Niro, Sting and Calvin Klein. His interiors are clean and serene, with every piece carefully chosen for its presence and story, often fusing heritage with the contemporary. The following select group of lots encapsulates Vervoordt’s aesthetic, whilst giving a gentle nod to traditional designs such as the cricket table, lot 255, and wing back armchair, lot 253.

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109 - 295 FURNITURE AND WORKS OF ART Lot 252 A pair of green veined marble lamps, by Axel Vervoordt, with wide shallow shades, 23cm wide 43cm high excluding fittings (2) £800 - 1,200

Lot 253 A wing back armchair, by Axel Vervoordt, contemporary, Belgian, with grey stuff-over upholstery and raised on bleached oak cabriole legs, 82cm wide 72cm deep 112cm high £500 - 700

Lot 254 A pair of contemporary slate and oak side tables, by Axel Vervoordt, contemporary, Belgian, with applied maker’s label beneath the marble and with a brand to the underside, 57cm wide 57cm deep 60cm high (2) £1,000 - 1,500 Lot 255 An oak ‘cricket’ table, contemporary, by Alex Vervoordt, the three legs united by an undertier, 59cm diameter 68cm high £250 - 350 Lot 256 A porphyry-topped rectangular low table, contemporary, Belgian, by Alex Vervoordt, on turned ovoid legs, 136cm long 68cm deep 37cm high £1,000 - 1,500

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258 Lot 257 A Regency mahogany cylinder bureau desk, early 19th century, the upper section with a brass gallery and a tambour front, opening to reveal pigeonholes and a pull-out slide, over a twin pedestal base containing an arrangement of further drawers and slides arranged around a kneehole, on a plinth base and castors, 121cm wide 70cm deep 111cm high £400 - 600 Lot 258 A pair of brass candlestick lamps, 20th century, each of classical column design, on a leaf moulded and cast square raised base, stamped ‘Asprey & Co.’, 15.5cm wide 51cm high including fittings (2) £250 - 350

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Lot 259 A George IV rosewood centre table, early 19th century, the rectangular top raised on pierced and carved end supports, on carved hairy paw feet, 115cm wide 55.5cm deep 63cm high £400 - 600 Lot 260 A set of twelve Chippendale-style mahogany dining chairs, early 20th century, each with a pierced wavy back and square moulded legs, two carvers and ten singles, six single chairs with serpentine over-stuffed seats, four singles and two carvers with drop-in seats, each 56cm wide 56cm deep 100cm high (12) £500 - 800 Provenance: The Peter and Pat Crofts Collection.

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109 - 295 FURNITURE AND WORKS OF ART

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262 Lot 261 A pair of giltwood mirrors, 18th century, each of oval shape, with a carved foliate frame surrounding a mercury glass plate, 60cm wide 80cm high (2) £800 - 1,200

Lot 263 A mahogany and brass-bound tray, 19th century, with a wavy shaped gallery and brass binding, 57cm wide 39cm deep 11cm high £150 - 250

Lot 262 A carved oak repeating bracket clock, 19th century, the silvered dial with subsidiary dials for chime/silent and regulation fitted gong strike, three train movement, 32cm wide 25cm deep 48cm high together with a carved oak bracket (2) £300 - 500

Lot 264 Casa del Fauno, a modern bronze figure of a dancing faun, signed ‘Milo’, on a white marble plinth, 26cm wide 16cm deep 70cm high including plinth £250 - 350

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Lot 265 A Sarab wool runner, c.1910, Persian, 524 x 90cm £1,500 - 2,500

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FURNITURE AND WORKS OF ART 1 0 9 - 2 9 5 Lot 266 A George III and later mahogany kneehole desk, the lifting top revealing a fitted interior complete with shaving mirror and an adjustable writing surface, the six further drawers fitted with brass swan neck handles and on bracket feet, 74cm wide 52cm deep 75cm high £1,500 - 2,000 Lot 267 A George II mahogany low press, c.1750, with heavy brass side handles, fitted with slides and on bracket feet, 126cm wide 63cm deep 93cm high £700 - 1,000 Provenance: Christie’s South Kensington, ‘The Collection of Will Fisher: Founder of Jamb’, 2 February 2021, lot 299. Lot 268 A pair of Empire D’or ormolu and bronze candelabra, 19th century, Russian, each with four sconces raised on scrolling arms, a figural support and circular to square plinth base, 66cm high (2) £1,000 - 1,500

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Lot 269 A Chinese hardwood altar table, 20th century, in the Ming style, with pierced and carved brackets and stretchers to the turned supports, 112cm wide 40cm deep 81cm high £200 - 400

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Lot 270 A large pietra dura specimen stone tabletop, of recent manufacture, depicting a central coat of arms surrounded by parrots and foliate motifs within a banded border, 152cm wide 102cm deep £800 - 1,200 Lot 271 A large treacle-glazed pottery table lamp, 20th century, fitted with a large shade, 60cm high £200 - 300 Lot 272 A Regency mahogany whatnot, with four shelves set between ring-turned supports, raised on baluster feet terminating in castors, 51cm wide 41cm deep 147cm high £300 - 500 Lot 273 A mahogany and glazed cabinet, 19th century, French, with a scrolling architectural pediment over a single door and with a single deep drawer to the base, 95cm wide 52cm deep 181cm high £400 - 600

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FURNITURE AND WORKS OF ART 1 0 9 - 2 9 5

274 part lot

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Lot 274 Frank Mason Good (1839-1928), ‘Selected Photographs of the Nile and its Scenery Including some of its Most Ancient & Interesting Temples’. Published by A Shapcott, 50 Rathbone Place, London, octavo landscape, containing 20 lithographic photographs, each numbered and with printed title, including Cairo (3), Pyramids (3), Nile boats (1) Thebes, Karnak (4) Sehayl (1), Philae (3) and Nubia (5), images 10 x 18cm approximately album 19.5 x 29cm approximately £2,000 - 3,000 Lot 275 After Benedetto Boschetti (1820-1870), ‘Capitoline Venus’, a bronze figure, stamped ‘B Boschetti Roma’, the base fitted with a plug and a small handle to the side that would allow the bronze to turn, 47cm high £800 - 1,200 Lot 276 A crocodile skin stationery box by Asprey London, late 19th century, with fall front and silver mounts, stamped with maker’s name to the inside edge, 23cm wide 14cm deep 18cm high £400 - 600 Provenance: A Private Collection, Mayfair, London.

Lot 277 A grand tour lava box, the cover worked with two musicians and two dancers, the interior with silver hinges and mounts, 8cm long 5.2cm wide 1.7cm high, and an ivory pillbox, 19th century, with a carved ‘basket weave’ cover with a yellow metal-framed lock of hair and ornamental pins, the interior velvet lined, 6cm long (2) £200 - 300 Provenance: T he Peter and Pat Crofts Collection. Lot 278 A William IV gilt brass carriage timepiece, c.1835, in the manner of Thomas Cole, the case engine turned below a scrolled and part-reeded handle and within cluster column corners, the rear with a revolving shutter for the winding hole, the silvered dial engine turned over subsidiary day and date dials, the case engraved ‘Presented by Mr W. Buchan To His Mother, 22nd July 1836’, 11.5cm high £800 - 1,200 Provenance: T he Peter and Pat Crofts Collection.

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281 Lot 279 A pair of bronze and Blue John figural table ornaments, early 19th century, each African figure with a gilt headdress, skirt and boots, supporting an urn whilst standing on a square plinth, 28cm high (2) £300 - 500 Provenance: The Peter and Pat Crofts Collection. Lot 280 A box of grand tour plaster intaglios, each beechwood tray now with a marbled paper mount and prepared for hanging, seven trays containing 126 plaques, together with the original box lid, each tray 24 x 15cm £1,400 - 1,800 Lot 281 A grand tour marble cistern, early 19th century, Italian, in the manner of Benedetto Boschetti, raised on lion’s mask and paw feet, 23cm long 10cm wide 9cm high £300 - 500 Provenance: The Peter and Pat Crofts Collection.

282 Lot 282 A French silver and brown banded agate Historismus tazza, c.1890, maker’s mark ‘M G’, in a lozenge-shaped punch, of oval form, with bifurcated scroll handles and gadrooned borders, raised on a knopped and baluster stem, terminating in a domed and spread base, the ball and foot carved with narrow and broad flutes, together with the top of another dish, of similar design, lacking base, 13.3cm wide 23cm long 17cm high (2) £500 - 800 Provenance: The Peter and Pat Crofts Collection. Lot 283 A grand tour gilt-metal and specimen hardstone dish, 19th century, of lobed and pierced form, with scrolling foliate detail, inset with various agate and quartz roundels, on bun feet, 27cm wide 6cm high £200 - 400

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FURNITURE AND WORKS OF ART 1 0 9 - 2 9 5 Lot 284 A four-fold screen, decorated with a fleet of ships at sea, 204cm wide 177cm high £250 - 350 Lot 285 A carved giltwood pier mirror, c.1760, in the manner of Thomas Johnson, the scrolling rococo frame decorated with acanthus and further floral motifs, set with a pair of square columns and surmounted by a ho-o bird, surrounding a rectangular mercury glass plate, 55cm wide 107cm high £800 - 1,200 Provenance: Private collection, Suffolk; The Guinness family, Coldpiece Farm, Hound Green, Hampshire, via Lacy Scott & Knight; Sotheby’s, ‘Britwell House: Sold by the direction of Mr David and the Lady Pamela Hicks’, 20-22 March 1979, lot 173. Lot 286 A Persian wool and silk rug, 20th century, Isfahan, the blue woven field centred with a floral medallion, surrounded by foliate scrolls and multiple borders, 223 x 135cm £500 - 700 Lot 287 Spare lot

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109 - 295 FURNITURE AND WORKS OF ART Lot 288 A pair of French alabaster figures of Voltaire and Rousseau, 19th century, each on a square plinth carved with stiff-leaf borders, 10.5cm wide 14cm deep 34cm high (2) £600 - 800 Provenance: Christie’s, ‘The Duarte Pinto Coelho Collection: From the distinguished decorator’s houses in Madrid and Trujillo, Spain’, 20 July 2011, lot 233. Lot 289 A wooden model of the Octagon Church, Wisbech, by Tony Southwell, mounted as a table lamp, Octagon 21cm high lamp 40cm high £200 - 400

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Provenance: The Peter and Pat Crofts Collection. The Chapel was a brick building faced in stone, erected in 1827 as a chapel of ease to the parish church. It was designed by William Swansborough in imitation of the Octagon of Ely Cathedral. It closed in 1946 and was demolished in 1952. Lot 290 A Napoleonic prisoner of war straw workbox, 19th century, in the form of a book, opening to reveal a mirror, a printed angel and French inscription which translates as ‘Your absence worries me, I only like where you are’, 8.5cm wide 6.5cm deep £200 - 300 Provenance: T he Peter and Pat Crofts Collection. Lot 291 A pair of carved marble reliefs, late 19th/early 20th century, depicting a gentleman and a lady, the marbles each 32.5 x 23cm, one housed in a wooden frame (2) £200 - 300 Lot 292 A carved alabaster Corinthian capital, 57cm wide 43cm high, together with a carved alabaster cartouche panel, 54cm wide 72cm high (2) £300 - 500

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Lot 293 A walking stick of Napoleon Bonaparte interest, with an ivory handle, crisply carved with a dog’s head and collar, mounted with diamonds, opals, garnet, split pearls, coral, turquoise and zircon, a banded agate in the dog’s open mouth over a cast yellow metal collar which tests as 15ct gold, similarly mounted with gemstones, on a malachite cane, with an applied paper label which reads ‘From The Collection of the Stansfield and Cooper-Horsfall families. This stick was presented to Marshal Soult, with gratitude from Napoleon’ [sic], 91cm long £1,000 - 2,000 Provenance: T he Peter and Pat Crofts Collection. Marshal General Jean-de-Soult, the 1st Duke of Dalmatia (born 29 March 1769, died 26 November 1851), commonly known as Marshal Soult, was a distinguished military commander during the French Revolutionary and Napoleonic Wars (including the Peninsular War). The Stansfield and Copper-Horsfall families were brought together by the marriage of the Reverend Michael Alfred Horsfall of West Thorpe, Whitby to Mabel Catherine Stansfield in 1897. As the name Stansfield is mentioned first, it is more than feasible that the stick came into the possession of the Copper-Horsfall family through Michael’s marriage to Mabel in 1897. The Stansfield family were a well-established family in the County of Yorkshire gentry. Likewise, the Horsfall family appear to have been long residents in the county.

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109 - 295 FURNITURE AND WORKS OF ART

Lot 294 A Napoleonic gilt-bronze medallion in a fitted case, 19th century, depicting the emperor in profile, the red leather case inscribed in gilt lettering ‘Donnee Par S. M. L’Empereur A Mr Roustam Ier Mameluc’, 7.7cm diameter case 9.5cm wide 9.5cm deep £1,000 - 2,000 The inscription on the case of this medallion suggests it was presented by Emperor Napoleon to Roustam Raza, Premier Mameluc. Roustam Raza was Napoleon’s Mamluk bodyguard and secondary valet. Having been taken into slavery from his home city of Tbilisi, Georgia, by the Egyptians, Roustam was gifted to Napoleon in 1798 by the sheikh of Cairo, following the successful French campaign in Egypt. He served the Emperor for 15 years until his exile. The use of the phrase ‘premier Mameluc’ in this inscription is notable and alludes to the fact that Napoleon had a second Mamluk, Mamluk Ali who joined his service in 1812, after which time Roustam would have referred to himself as the premier mamluk to denote his seniority. This may indicate that whoever inscribed the box knew of this arrangement and was probably following the owner’s instructions, rather than someone simply inscribing a text. A letter from the British Museum, Department of Coins and Medals, dated December 1964, suggests that this medal matches the description of one shown in both Trésor de Numismatique and Bramsen which is said to have been produced in December 1813.

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Lot 295 A George III mahogany breakfront bookcase, early 19th century, the moulded cornice above lancet-glazed doors punctuated with reeded baluster columns, on a panelled cupboard base, 239cm wide 50cm deep 245cm high £2,000 - 3,000 Provenance: T he Peter and Pat Crofts Collection.

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Peter Crofts (1924-2001) Peter Crofts was a big man in many senses of the word. Broad and above average height, with thick white hair and clear penetrating eyes, he cut an imposing figure. Above all, he was a big man in terms of his courage, spirit, and determination to make the most of life. Peter was born in Elm, a small village south of Wisbech in Cambridgeshire. His parents were well-known professional farmers and Peter joined the family firm, where he remained active until his death. After leaving Wisbech grammar school, he volunteered to serve in the Fleet Air Arm and subsequently went to the USA as part of the Admiral Tower Scheme, to train as a pilot. He gained his wings at Corpus Christi Air Base in Texas. On 25 March 1945, a month and a day before his 21st birthday, the engine of his Corsair F4U failed during take-off, crashed and burst into flames, leaving Peter severely injured. He spent the next three and a half years in hospital. In his own words ‘on April 25th, surgeon Sam Stabins came to see me and told me he would have to amputate both my feet… it sounds better than legs. I spent the 26th April, my 21st birthday, with no legs’. The care he received forged a great love of America and many lifelong friendships. In 1948 Peter met Major Bernard Edinburgh of Stamford, a well-known and knowledgeable antique dealer who took him under his wing and encouraged him to set up and trade himself. In 1950 he married Pat, who shared his love of antiques. In 1958 Peter was elected a member of the British Antique Dealers Association, whom he served for the following forty years. Despite his disability, he was a keen sailor, greatly enjoying time on his boat ‘Amity’, an eighty-eight year old clinker-built Norfolk beach boat. He was also a trustee and generous benefactor of the Fenland Museum.

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GLASS FROM THE COLLECTION OF PETER AND PAT CROFTS LOTS 2 96 -32 8

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Lot 296 A Masonic glass rummer, c.1820, the bucket form bowl finely engraved ‘United to believe not combin’d to injure’ between Masonic emblems, above an engraved crest with a steamship, surmounted by a bird and enclosed by two figures, all above a scrolled banner engraved ‘Industry and benevolence unite us in friendship’, surrounded by Act of Union symbols, the reverse diamond point engraved with a cypher, enclosed by a polished printie cut border and floral swags, raised on a short stem with a compressed ball knop and circular foot, 18cm high £300 - 500 Lot 297 A composed group of six glass rummers, c.1810, each with a straight-sided bowl, cut and engraved with swag borders and a cypher, raised on a short stem and lemon-squeezer foot, comprising an example engraved ‘WEL’, possibly for William E Leader, a ship captain of Wisbech, and a pair engraved ‘JR&RN’, largest 13.2cm high (6) £200 - 400

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Lot 298 A group of glass shipping rummers, comprising: a rummer, c.1790, engraved with three reserves, depicting a ship at full sail, an anchor and a cypher, ‘WC’, raised on a lemon- squeezer foot, 14.2cm high, a similar example, engraved with a scene of Sunderland Bridge and a cypher to the reverse, 13.9cm high, another similar example, with a rounded bowl, the bowl engraved a matched view of Sunderland Bridge and a cypher to the reverse, 12.2cm high, and another rummer, with a bucket form bowl, engraved with a ship at full sail, the reverse engraved ‘John Clifton 1857’, 14cm high (4) £200 - 400

Lot 299 A large Sunderland glass rummer, c.1810, the straight-sided bowl engraved with a titled view of ‘Sunderland Bridge’ with three ships at sail below, the reverse engraved with a view of a cathedral, raised on a short octagonal moulded stem and lemon-squeezer foot, 19.7cm high £300 - 500 The cathedral depicted is possibly St Nicholas, Newcastle-upon-Tyne.

296 - 328 GLASS FROM THE COLLECTION OF PETER AND PAT CROFTS Lot 300 A pair of glass shipping rummers, c.1780, each engraved with a ship at full sail, titled ‘Alfred’, the reverse engraved with a cypher, the conical bowl raised on a short stem and lemon-squeezer base, 15.9cm high (2) £300 - 500

Lot 303 A group of five farming glasses, comprising: a tumbler, early 19th century, engraved ‘May farming flourish’ and ‘A trifle from Yarmouth Rushford’, 1.8cm high, a rummer, c.1810, engraved with a shield and farming implements, titled ‘Speed the plough’, with ‘WAW’ to the reverse, raised on a tapering stem and lemon-squeezer foot, 15.8cm high, a similar smaller example, c.1800, engraved with a matched titled shield, the reverse diamond point engraved ‘E A Arrowsmith’, raised on a short stem and lemonsqueezer foot, 13.7cm high, and a pair of tumblers, each with matched engraving, the reverse with a cypher ‘JHM’, with a slice cut base and moulded foot, 10cm high (5) £200 - 400

Possibly relating to HMS Alfred, which featured in the Battle of Cape St Vincent, the Battle of Saint Kitts and the Battle of Saintes. Lot 301 A group of six glass rummers, c.1810, each with a straight-sided bowl engraved with a ship, the reverse engraved ‘R M Bull’, each raised on a lemon-squeezer foot, 12.8cm high (6) £400 - 600

Lot 304 A Sunderland Bridge glass rummer, c.1830, the bucket bowl engraved with a titled view of ‘Sunderland Bridge’ with a ship below, raised on a squat stem with a bladed knop, 17.2cm high, together with another rummer, c.1820, the bucket bowl engraved with a ship at full sail, the reverse engraved with a cypher, raised on a short stem with a ball knop, 17cm high (2) £200 - 400

Lot 302 A composed group of glass farming rummers, c.1810, comprising: a pair, each engraved with a shield depicting farming implements titled ‘Speed the plow’ with a cypher to the reverse, raised on a tapering stem and lemon-squeezer base, 13.3cm high, a similar smaller example, engraved with a titled shield, ‘Speed the plough’ and ‘GEW’ to the reverse, 13.2cm high, and a similar pair, engraved with swag borders, 13.2cm high (5) £300 - 500

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GLASS FROM THE COLLECTION OF PETER AND PAT CROFTS 296 - 328 Lot 305 A documentary glass rummer, c.1817, the rounded bowl engraved with a ship titled ‘Concord’ below ‘Joy and our rights’, the reverse engraved with ‘In commemoration of a cause tried at Norwich on the 7th of Augt 1817. Joy (versus) the Comm’ under the Smallburgh Inclosure Act, When after a hearing of four hours & three quarters, the verdict of a special jury securd to the Plantiff Mr Robt Joy his rights for ever which defendants wish’d to deprive him of’, raised on a short stem and radial star foot, 18.1cm high £400 - 600 Lot 306 An engraved glass rummer, c.1810, the straight-sided bowl engraved with a titled scene of ‘Alnwick Castle Northumberland’, the title diamond point engraved, the reverse engraved ‘S Gum’, raised on a knopped stem and lemon-squeezer foot, 17.5cm high £400 - 600

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Lot 307 A glass rummer, c.1800, attributed to William Absolon, engraved with a mill, possibly Carrow Mill, raised on a lemon-squeezer foot, 14cm high £200 - 400 Lot 308 A large glass hunting rummer, c.1825, the bucket bowl engraved with a framed view of a mounted huntsman with three hounds in chase, the reverse engraved with a bird above a castle and a diamond point cypher, raised on a short stem with an annulated knop, 17cm high, together with another example with a straight-sided bowl, engraved with a Liver bird above a shield form crest, the reverse engraved with a cypher and dated ‘1811’, raised on a lemon-squeezer foot, 13.5cm high, and another example, engraved with a cypher between Act of Union motifs, raised on a lemon-squeezer foot, 14cm high (3) £200 - 400 Lot 309 An engraved glass ale flute, c.1825, engraved with a view of Sunderland Bridge and its dimensions, with a diamond point engraved cypher to the reverse, 16.2cm high, together with a rummer, c.1800, engraved ‘do all things without murmurings and disputings’, with two cyphers to the reverse, raised on a lemon-squeezer foot, 14cm high, a similar example, engraved with a cypher ‘WHL’, possibly for William Leader, a ship captain of Wisbech, 12.9cm high, and another rummer, with a bucket form bowl, engraved with a Masonic square and compass, 11.5cm high (4) £200 - 300

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296 - 328 GLASS FROM THE COLLECTION OF PETER AND PAT CROFTS

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Lot 310 A matched pair of Lynn glass finger bowls, c.1775, each with typical ribbed decoration, 7.5 and 7.9cm high (2) £200 - 400 Lot 311 A pair of Irish cut glass finger bowls, by Cork Glass Co., c.1800, each with a repeating mitre cuts to the base, moulded ‘CORK GLASS CO.’, 13cm diameter 8.8cm high (2) £200 - 300 Lot 312 An engraved glass ale jug, late 18th century, the swollen body engraved with two reserves, the first, a scene of an iron foundry or metalworks, the second, a cypher ‘JRB’, enclosed by hops and barley, with an applied scrolled handle, 18.2cm high £200 - 400 Lot 313 A collection of glass tumblers, early 19th century and later, comprising: a pair engraved with farm animals, each with a slice cut base, inscribed ‘J.T 1831’, signed ‘CHF’, 10cm high, a further pair, engraved with a crest before a bow and crossed arrow, 8.2cm high, a tumbler, with basal cutting and engraved cypher ‘MW’, 8.7cm high, a similar plain example, 9.5cm high, and a set of six barrel form examples, each with a slender band of small mitre cuts above a slice cut base, 8cm high (12) £200 - 400

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Lot 314 A George III glass mug, c.1800, of swollen form with a reeded and looped handle, engraved with a cypher enclosed by two engraved panels with Masonic emblems, 11cm high, together with another example, of tapering form, with an applied scroll handle, engraved ‘R & J Elsum 1853’, 9.5cm high (2) £200 - 300

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GLASS FROM THE COLLECTION OF PETER AND PAT CROFTS 296 - 328 Lot 315 A collection of 18th century table glass, comprising: a wine glass, c.1750, with a trumpet bowl raised a plain stem with an air tear, above a conical folded foot, 17.7cm high, a sweetmeat glass, c.1740, with a wrythen moulded bowl, over a hollow blown and moulded stem, raised on a high conical foot, 18cm high, a drinking glass, possibly German, mid-18th century, with a large funnel bowl raised on a hollow blown inverted baluster stem and a conical folded foot, 19.6cm high, and another similar example, 19.3cm (4) £200 - 400

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Lot 316 A group of three Victorian shipping glasses, mid-19th century, comprising: a pair, each engraved with a ship at full sail, titled ‘John of Goole’, the reverse with a cartouche, ‘R & J Lister 1862’, raised on a plain and a conical foot, 15cm high, and another example, the flared bowl engraved with a steamship, titled in diamond point ‘Achilles’, the reverse engraved with a thistle below ‘A Graham 1840’, raised on a baluster stem and conical foot, 14cm high (3) £200 - 300 Lot 317 Spare lot Lot 318 A collection of late George III glass, comprising: a large rummer, with a wide round bowl, raised on a short stem with rounded knop and spread foot, 16.5cm high, another rummer, with a bucket form bowl, raised on a short stem with a ball knop and a star cut foot, 14.2cm high, a jug, of straight-sided form with a pinched neck, 16.8cm high, and a wall pocket, of shield outline, 14.5cm high, each decorated with diamond cut fish (4) £300 - 500

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296 - 328 GLASS FROM THE COLLECTION OF PETER AND PAT CROFTS Lot 319 A glass tazza, c.1770, the lipped top raised on a moulded eight-sided pedestal stem, over a domed and folded foot, 37cm wide, 18.5cm high £200 - 300 Lot 320 A façon de Venise drinking glass, mid to late 17th century, probably Low Countries, the gently flared conical bowl above a hollow blown knop, all raised on a swept folded foot, 16.2cm high £500 - 700 Lot 321 An Apsley Pellatt glass scent bottle, c.1830, intaglio moulded with a titled portrait of Lord Brougham, enclosed by facet cut sides and a facet cut mushroom stopper, moulded ‘Pellatt & Co Patentees’, 11.3cm high £300 - 500

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GLASS FROM THE COLLECTION OF PETER AND PAT CROFTS 296 - 328

Lot 322 A stipple-engraved glass, c.1950, by Laurence Whistler, decorated with a candle and a stag beetle, inscribed ‘THE STAG BEETLE Lucanus cervus’, the foot inscribed ‘Silence, within/work, whispering night, without. And then a guest comes tapping…Quick! Blow the candles out!’, 14cm high £800 - 1,200 For a similar example see Laurence Whistler, ‘The Image on the Glass’, 1975. Given the shape and the inclusion of the insect and couplet, it is likely this piece is from the set of six glasses produced for Mr Leonard Russell.

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296 - 328 GLASS FROM THE COLLECTION OF PETER AND PAT CROFTS

Lot 323 A stipple-engraved glass, 1950, by Laurence Whistler, decorated with a butterfly above an open book, enclosed by a net and a monocular microscope, all before a village in the background, the foot inscribed ‘Nymph they have labelled you! But can they hope to pin your daring mind with that dull microscope?’, ‘LW’ signature to the base of the bowl, 14cm high £800 - 1,200 Illustrated: Laurence Whistler, ‘The Image on the Glass’, 1975, p.8 and pp.46 and 150. This example was one of six glasses originally made for Mr Leonard Russell, to include insects and a couplet.

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Lot 324 A Thomas Webb & Sons three-colour cameo glass scent bottle, c.1900, of globular form, carved with trailing flowers in opal over purple, all to a ruby ground, rising to a 9ct gold stopper, 13.5cm high £200 - 300 Lot 325 A Thomas Webb & Sons three-colour cameo glass vase, c.1890, the short neck over a tapering body, carved with flowers in opal over pink, to a frosted clear ground, acid-etched ‘Thomas Webb & Sons’ mark, faint pencil markings ‘W1455’, 17.5cm high £300 - 500 Lot 326 A Thomas Webb & Sons Gem Cameo glass vase, c.1880, Stourbridge, of shouldered form with a short flared neck and spread foot, carved with two monkeys amongst branches in relief against a citron ground, acid-etched ‘Thomas Webb & Sons Gem Cameo’, 15.1cm high £800 - 1,200

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296 - 328 GLASS FROM THE COLLECTION OF PETER AND PAT CROFTS

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GLASS FROM THE COLLECTION OF PETER AND PAT CROFTS 296 - 328 Lot 327 A collection of coloured glassware, comprising: a pair of opaque white glass beakers, late 18th century, each enamelled with a young lady and her beau, in the manner of the Giles workshop, 10.33cm high, an opaque glass egg cup, c.1800, with an applied blue rim, 8.7cm high, a similar example, with an applied green rim, 8.2cm high, a pair of Ricketts Patent glass bottles, Bristol, c.1820, each with an applied seal of the Creach family, moulded marks, 27cm high, and an olive green glass bottle, with an applied seal, dated 1788, 23cm high (7) £300 - 500

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Lot 327A A Richardson glass goblet, 19th century, Stourbridge, probably made for Felix Summerly’s Art Manufactures, enamelled with flowers, 18.7cm high £250 - 350 Lot 328 A Clichy glass millefiori paperweight, c.1850, French, with five Clichy rose canes to the outer concentric ring, 4.6cm diameter, together with another Clichy glass paperweight, c.1850, with a central cane surrounded by pink and white spiral staves, 4.8cm diameter (2) £300 - 500

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FUR NITUR E AND WOR K S OF ART LOTS 3 29 -35 1A

329 Lot 329 A pair of Regency rosewood and parcel-gilt side cabinets, each with a rectangular white marble top, above a pair of arched mirrored doors on a plinth base, 118cm wide 40.5cm deep 94cm high (2) £1,000 - 1,500 Lot 330 A pair of Victorian mahogany jardinière stands, each with a paper label to the underside, one handwritten ‘The Downs…12 Upper Brook Street, August 1870’, 47cm diameter 101cm high (2) £800 - 1,200 Provenance: T he Peter and Pat Crofts Collection. Lot 331 A figured walnut longcase clock by Nicholas Lambert of London, early-mid 18th century, the silvered 13in chapter ring set with Roman and Arabic numerals, with subsidiary seconds and strike/silent dials, housed within a domed hood with foliate fret-carved decoration and stop-fluted columns, above a line-inlaid arched door and a plinth base, 53cm wide 28cm deep 237cm high £800 - 1,200 Lot 332 A George III mahogany triple fold-over games and tea table, late 18th century and later, the crossbanded top opening to reveal a green baize playing surface set with counter wells, over the base with a single drawer, raised on slender cabriole legs and pad feet, 83cm wide 39cm deep 78cm high £400 - 600

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329-351A FURNITURE AND WORKS OF ART Lot 332A A George III strung and crossbanded mahogany serving table, the serpentine top over a fluted frieze, moulded square legs and pierced brackets, 153cm wide 73.5cm deep 85cm high £400 - 600 Lot 333 A pair of Irish cut-glass vases, early 19th century, each with a flaring rolled rim and decorated with all-over hobnail cut decoration, 17.5cm diameter 28cm high (2) £400 - 600

Lot 334 A Regency mahogany bookcase, the scrolled cornice with applied gilt-metal mounts over two astragal-glazed doors enclosing two adjustable slides, the base with a shallow frieze drawer with applied boss tablets over two panelled doors with half-turned pilasters, enclosing one slide, on turned feet, 108cm wide 47cm deep 195cm high £1,000 - 1,500 Provenance: The Peter and Pat Crofts Collection. Lot 335 A George III mahogany serpentine chest, the crossbanded top over a baize-lined brushing slide, four graduated drawers with original brass handles and ogee bracket feet, 89cm wide 57.5cm deep 88cm high £2,000 - 3,000

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FURNITURE AND WORKS OF ART 329-351A

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Lot 337 A mahogany stool, 19th century and later, the green leather button-upholstered top raised on scrolling end supports united by a double stretcher, 102cm wide 46cm deep 63cm high £400 - 600

Lot 338 A Victorian horseshoe backed chair, 19th century, with oxblood leather upholstery and a colonnaded back, all raised on turned tapering legs, 70cm wide 66cm deep 72cm high £400 - 600

Lot 338A A George III mahogany sideboard, the curved inverted breakfront with a central drawer fitted for cutlery within a door and drop-down cellaret, all with geometric moulding, on curved front supports with matching moulding, 199.5cm wide 74.5cm deep 91cm high £400 - 600

Lot 339 A Victorian walnut horseshoe backed chair, mid-19th century, with button leather upholstered back and arms, and raised on turned tapering legs and castors, 77cm wide 66cm deep 75cm high £400 - 600

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329-351A FURNITURE AND WORKS OF ART Lot 340 A brass and oak reading lamp with table tier, of recent manufacture, on a weighted circular base, 115cm high £200 - 300 Lot 341 A wool rug, 20th century, North-West Persian, the field decorated with repeating geometric medallions, on a red ground, 292 x 127cm £500 - 700 Lot 342 An eight-day longcase clock by William Nickals, Wells, in a red lacquered case, the 11in arched brass dial with a silvered nameplate, chapter ring and calendar, supporting a movement with five ringed pillars striking on a bell, the pagoda hood over a case with gilt decoration, the door and plinth with figural panels, dial 28cm diameter case 242cm high £1,000 - 2,000 Provenance: T he Peter and Pat Crofts Collection.

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FURNITURE AND WORKS OF ART 329-351A Lot 343 A Victorian corner chair, the top rail with scrolled terminals on slender turned supports and scrolled supports, the seat with a squab cushion on four scrolled and carved stiff-leaf supports and castors, 68cm high £400 - 600 Provenance: The Peter and Pat Crofts Collection. Lot 344 A George II-style walnut and parcel-gilt stool, early 20th century, the rectangular top upholstered in floral fabric, raised on acanthus-carved cabriole supports, terminating in claw and ball feet, 106cm wide 51cm deep 48cm high £300 - 500 Provenance: A Private Collection, Mayfair, London.

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Lot 345 A George III mahogany drop-leaf gateleg side table, the rectangular top on six slender legs, 76cm wide top 69cm deep 66.5cm high £300 - 500 Provenance: The Peter and Pat Crofts Collection.

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329-351A FURNITURE AND WORKS OF ART

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348 Lot 346 A large mahogany and glazed display cabinet, probably by Gillows, the raised back with a large shell crest over a further relief carved crest, the two glazed doors opening to reveal shelves within, the base ornately carved with lion’s mask and hairy paw supports, united by a platform, 156cm wide 54cm deep 259cm high £1,500 - 2,500 Lot 347 A George II-style carved giltwood wall mirror, with an ornate crest over a bevelled plate and two later brass sconces, 56cm wide 123cm high £200 - 400 Provenance: The Peter and Pat Crofts Collection. Lot 348 A George III mahogany bookcase, the top section with two doors with silk-lined brass grille doors, over a base with two panelled doors and turned feet, each door with a reeded pilaster edge and enclosing adjustable reeded shelves, 85cm wide 36cm deep 213cm high £1,000 - 1,500 Provenance: The Peter and Pat Crofts Collection.

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FURNITURE AND WORKS OF ART 329-351A Lot 349 A Qum wool carpet with silk highlights, c.1930s, Persian, the cream field woven with repeating botehs, 296 x 200cm £1,500 - 2,500 Lot 350 A small Empire satin birch commode, c.1810, Danish, of bow-fronted outline, set with four graduated drawers, each with a shield-shaped ebony escutcheon, on bracket feet, 71cm wide 47cm deep 79cm high £200 - 400 Provenance: Supplied by Sibyl Colefax & John Fowler in May 2002.

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Lot 351A A marquetry and walnut eight-day longcase clock by Thomas Wentworth ‘Junier’, Sarum, mid-18th century, a marquetry and walnut eight-day longcase clock, the square dial with a silvered seconds dial, chapter ring, engraved calendar aperture and ringed winding holes, supporting the eight-day striking movement with five ringed pillars, the caddy-shaped hood with gilt finials and three-quarter columns over a trunk with a marquetry front worked with birds, flowers and arabesques around a lenticle, the sides strung and crossbanded, dial 11¼in diameter (28.5cm) case 234cm high £2,000 - 4,000

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Lot 351 An Heriz wool carpet, 20th century, Persian, woven all-over with geometric foliate motifs on a red ground, 365 x 262cm £1,500 - 2,500

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329-351A FURNITURE AND WORKS OF ART

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A SINGLE-OWNER COLLECTION OF PORTR AIT MINIATUR ES LOTS 35 2-4 34

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358 Lot 352 English School, 1627 Portrait of a gentleman in a red and cream doublet with lace collar, holding a ring inscribed around the edge ‘AETATIS SUA 20 … ANNO 1627’, on copper, oval 7.5 x 6cm £400 - 600 Lot 353 Dutch School, early 17th century Portrait of a gentleman in a black and red doublet, his lace sash embroidered with the letter ‘E’ on copper, oval 8.8 x 7.2cm £400 - 600 Lot 354 Dutch School, 17th century Portrait of a lady in a white dress with a blue waistband, wearing pearl earrings oval 5.2 x 4.2cm £300 - 500

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Lot 355 English School, 17th century Portrait of King Charles I in armour oval 5 x 3.8cm £200 - 300 Lot 356 French School, c.1700 Portrait of a gentleman in armour on copper, oval 5.5 x 4.5cm £300 - 500

Lot 358 Circle of John Hoskins (c.1595-1664) Portrait of a young gentleman in armour, c.1660 on card, oval 7.5 x 6cm £600 - 800

Lot 357 English School, 1664 Portrait of a Cromwellian solider in armour inscribed ‘Aet. 54/An Do/1664’ c.l., oval 7.3 x 5.8cm £300 - 500

Lot 359 William Essex (1784-1869) Portrait of Oliver Cromwell in armour enamel, oval 4 x 3.8cm £300 - 500

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Lot 360 English School, 17th century Portrait of a lady in a gold dress and white chemise; Portrait of a gentleman in a russet coat with white collar a double-sided miniature, on card, oval 7.8 x 6cm, in an 18 carat gold frame £800 - 1,200

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Lot 361 English School, early 18th century Portrait of a gentleman in a russet coat and white stock indistinctly inscribed ‘This is the portrait of Lord Baron Donnelan. He was Chief…Ireland…1706’ verso, on card, oval 7.8 x 6.2cm £200 - 300 The sitter is perhaps Nehemiah Donnelan (1649-1705), who was Puisne Baron of the Irish Court of Exchequer and became Chief Baron of the Exchequer in 1703. Lot 362 Bernard II Lens (1659-1725) Portrait of the Hon. Robert Fielding (1650-1712) in an orange buttoned coat, white stock and jewelled pin on card, oval 5.8 x 4.5cm £800 - 1,200 Provenance: Christie’s, London, 25 May 2004, lot 60

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Inscription verso reads: ‘The Honourable Colonel Robert Fielding, painted by Bernard Lens, son of John Fielding, of Solihull, Warwick. On coming to London to study law he was remarked by the King as ‘Handsome Fielding’, and as he dressed in the most expensive way he was usually called ‘Beau Fielding’; married Mary, daughter of Viscount Carlingford, after whose death he dissipated the whole fortune of her family; becoming impoverished he married one Mary Wadsworth, taking her to be Madame Deleau with a large fortune; concealing this he was married to the Duchess of Cleveland, who prosecuted him for bigamy; he was found guilty but pardoned by Queen Anne’. Lot 363 English School, 17th century Portrait of King William III and Queen Mary II, the King in a blue cloak with a gold chain, the Queen in a red dress with black bows and an ermine wrap, a Crown before them on paper, oval 2.8 x 3.3cm £300 - 400

Lot 364 Follower of Cornelis Jonson Portrait of a lady, traditionally identified as Queen Henrietta Maria, her dark hair in ringlets, with a flower in her hair, pearl earrings, pearl choker and pearl stomacher on copper, oval 6.3 x 5.3cm £300 - 500 Lot 365 English School, 17th century Portrait of a lady in a red and gold dress trimmed with lace, a two row pearl necklace and a ribbon in her dark hair, c.1660 inscribed in German verso, oil on metal, oval 8 x 6.5cm £400 - 600 Lot 366 Circle of Peter Crosse (1645-1724) Portrait of a young woman in a blue dress on copper, oval 8 x 7cm £600 - 800 Lot 367 Circle of Thomas Forster (c.1677-1712) Portrait of a gentleman, head and shoulders, in a brown coat and white stock pencil, oval 13 x 11cm, with an engraved crest to the reverse of the frame and inscribed ‘Deo Gloria Detur’ £200 - 300 Lot 368 English School, 18th century Portrait of a gentleman in a red cloak and red and white lace jabot, c.1720 on card, oval 6.5 x 5.3cm, the frame surmounted by a rampant lion seal £300 - 500 Lot 369 Attributed to Bernard III Lens (1682-1740) Portrait of a gentleman in a blue coat and red waistcoat on card, oval 10 x 8cm £800 - 1,200 Bernard Lens III was the miniature painter to the Courts of George I and George II and instructor in miniature painting (then called limning) to HRH Prince William, HRH The Princess Mary and HRH The Princess Louisa, the children of George II. Although Lens was the first British miniaturist to work on ivory, he occasionally painted on vellum.

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Lot 370 English School, early 18th century Portrait of a gentleman in a red waistcoat and purple cloak enamel, oval 4.8 x 3.8cm £300 - 500 Lot 371 English School, early 18th century Portrait of a gentleman in a blue and brown coat and white stock on copper, oval 4.5 x 3.5cm £250 - 350 Lot 372 Charles Boit (Swedish, 1662-1727) Portrait of a gentleman in a brown coat and white stock, c.1720 enamel, oval 5 x 4cm £1,000 - 1,500 Lot 373 Noah Seaman (fl.1723-1741) Portrait of a gentleman in a brown coat and black waistcoat enamel, oval 4.8 x 3.9cm £400 - 600 Lot 374 Thomas Worlidge (1700-1766) Portrait of a gentleman in a red cloak and white stock signed with initials ‘TW’ l.r., on ivory, oval 4 x 3.3cm £400 - 600

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Lot 375 French School, c.1740 Portrait of a gentleman in a brown coat enamel, oval 4.3 x 3.5cm £300 - 400 Lot 376 Attributed to Richard Crosse (1742-1810) Portrait of a gentleman in Van Dyck costume on ivory, oval 4.1 x 3.2cm £400 - 600 Lot 377 English School, 18th century Portrait of a lady in mourning attire, a black cap, white lace ruff and fichu, and pearl necklace in the style of a lady c.1620 on ivory, oval 4.2 x 3.7cm, in an 18ct gold frame, with an engraved family crest to the reverse £300 - 500 The family crest on the reverse is the same as for lot 415.

Lot 378 English School, mid-18th century Portrait of a young lady as a shepherdess, three-quarter length, holding a portrait of a gentleman, a coastal view beyond on ivory 7 x 5.4cm £400 - 600 Lot 379 Ignatius de Geer (Irish, d.1751) Portrait of a lady in a red dress, white chemise and flowers in her hair signed ‘Ig. de Geer pinxit’ c.l., on ivory, oval 6.4 x 4.7cm £200 - 400 Lot 380 Penelope Carwardine (1730-1800) Portrait of a woman in a lace-trimmed blue dress, lace mob cap, lace fichu and choker, and pearl earrings signed with initials ‘P.C.’ and dated 1752 l.r., on ivory, oval 4.5 x 3.7cm £300 - 500

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Lot 381 English School, c.1730 Portrait of Anastasia, Countess of Peterborough (1695-1755), wearing a white dress, red shawl and blue hat decorated with flowers on ivory, oval 5 x 4cm, in a blue glass and 9ct gold frame, with plaited hair verso £400 - 600 Lot 382 James Scouler (1741-1812) Portrait of a gentleman in a pale pink coat and white stock on ivory, oval 3.8 x 3.1cm, mounted on a plaited hairwork bracelet £600 - 800 Provenance: C hristie’s, London, 8 March 1995, lot 37.

Lot 383 James Ferguson (1710-1776) A family group of five plumbago miniatures including two ladies, two gentlemen and a boy each oval, 6.5 x 5.5cm (5) £700 - 1,000

Lot 385 Henry Spicer (1743-1804) Portrait of a gentleman in a crimson coat, waistcoat and white stock enamel on copper, oval 8 x 6.5cm £600 - 800

Lot 384 Gustavus Hamilton (Irish, 1739-1775) Portrait of a gentleman in a lilac coat, matching waistcoat and white cravat signed with initials ‘GH’ and dated 1758 l.r., on ivory, oval 3.2 x 2.7cm £400 - 600

Lot 386 English School, c.1740 Portrait of a gentleman in a red coat and white stock on card, oval 7.3 x 6.2cm £200 - 300

Provenance: Christie’s and Hamilton Osborne King, Castletown House, Kilkenny, Ireland, 7 October 1991, lot 407; Bonhams London, 22 February 2005, lot 79.

Lot 387 English School, 18th century Portrait of a gentleman in a blue coat, red waistcoat and white stock enamel on copper, oval 4.5 x 3.5cm £300 - 500

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Lot 388 Attributed to Robert Wade, late 18th century Portrait of a nobleman in a black coat and black waistcoat, wearing a blue badge adorned with a red jewel and a coronet with five balls signed with initials ‘Rbt W…’ and dated 1794 l.l., on ivory, oval 6.1 x 4.6cm, with plaited hair, blue glass and brooch pin verso £400 - 600 Lot 389 Attributed to William Singleton (d.1793) Portrait of a gentleman wearing a grey curled wig, purple overcoat and white stock on ivory, oval 6 x 4.7cm, with blue glass, woven hair, seed pearls and initials ‘DR’ verso £300 - 500 Lot 390 English School, 18th century Portrait of a gentleman in a brown coat and white stock enamel, oval 3 x 2cm £150 - 250 Lot 391 English School, 18th century Portrait of a gentleman in a frogged coat with white lace stock enamel, oval 4.5 x 3.5cm £200 - 300 Lot 392 French School, 18th century Portrait of a gentleman in a blue coat with gold braid enamel, oval 4 x 4cm, with plaited hair back £300 - 500 Lot 393 Attributed to Samuel Shelley (1750-1808) Portrait of a young man in a blue coat and white stock on ivory, oval 7.2 x 6cm £400 - 600

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Lot 394 Nathaniel Hone RA (Irish, 1718-1784) Portrait of a gentleman in a lilac jacket with gold braiding and cream waistcoat signed with initials and dated ‘NH 1750’ l.l., enamel, oval 4.8 x 4cm £300 - 500 Lot 395 Charles Dixon (1748-1798) Portrait of a gentleman in a russet coat with silver frogging and a silver stock signed with initials ‘C.D.’ c.r., on ivory, oval 3.5 x 3cm, in a split garnet frame £300 - 500 Lot 396 English School, 18th century Portrait miniature of a gentleman in a red coat, c.1755 enamel, oval 3.5 x 3cm, in a bracelet mount £200 - 300 Lot 397 English School, 18th century Portrait of a gentleman in a blue coat, white waistcoat and lace stock on ivory, oval 3.5 x 3cm, in a bracelet mount £200 - 400 Lot 398 English School, 18th century Portrait of a gentleman in a green coat trimmed with gold braid indistinctly signed with initials ‘JT?’ and dated ‘64 l.r., on ivory, oval 3.7 x 3cm £250 - 350 Lot 399 English School, mid-18th century Portrait of a gentleman in a brown coat, green waistcoat and white lace stock enamel, oval 4 x 3.4cm £200 - 300

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352 - 434 A SINGLE OWNER COLLECTION OF PORTRAIT MINIATURES

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Lot 400 Attributed to Henry Edridge ARA (1768-1821) Portrait of a lady in a white dress with blue sash and black choker on ivory, oval 7.5 x 6.1cm £600 - 800

Lot 404 William Singleton (d.1793) Portrait of a lady in a ribboned bonnet and a cream and gold striped dress signed ‘W.S.’ c.l., on ivory, oval 3.8 x 3.2cm £300 - 400

Lot 401 English School, 18th century Portrait of a young lady in a blue dress indistinctly signed with initials ‘I.H.?’ and dated ‘178*’ l.r., on ivory, oval 5 x 4cm, with curled hair and seed pearls verso £300 - 400

Lot 405 English School, c.1770 Portrait of a young lady in a green dress, with pearls and a patterned ribbon in her hair indistinctly signed with initials ‘TJ?’ l.r., on ivory, oval 3.8 x 3cm, a gold frame with diamond border £2,000 - 3,000

Lot 408 Penelope Carwardine (c.1730-1802) Portrait of a lady wearing a sprigged blue and cream dress, a black choker and pearl earrings, resting her head on her hand signed ‘P.C.’ l.r., on ivory, oval 3.1 x 2.6cm, in a ropework frame £250 - 350

Lot 402 English School, c.1770 Portrait of a young lady in a green dress and dark blue shawl, with blue ribbons in her plaited hair on ivory, oval 4 x 3.2cm £300 - 500

Lot 406 Walter Robertson (Irish, 1750-1801) Portrait of Lady Pastard in a white dress with pink sash, her dark hair in ringlets, a landscape beyond on ivory, oval 9 x 7cm, with a blue glass back £700 - 1,000

Lot 409 R… Fortin (18th century) Portrait of a young girl with golden hair in a blue dress and straw hat bedecked with ribbons signed and dated ‘Fortin/1793’ u.l., on ivory, oval 6.6 x 5.5cm, with plaited hair verso £500 - 700

Provenance: Sale, 5 November 2002, Lot 80 (label refers - sale unrecorded)

Literature: Miniatures Dictionary and Guide, Daphne Foskett, 1987, Antique Collectors Club, p.349.

Lot 403 Luke Sullivan (1705-1771) Portrait of a lady in a rose-coloured dress, lace chemise and pearl necklace, with pearls and flowers in her hair, c.1765 oval 4 x 3.2cm, in a bracelet clasp £600 - 800

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Lot 407 English School, late 18th century Portrait of a young girl wearing a white muslin dress on ivory, oval 4.5 x 3.5cm £300 - 500

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Lot 410 Attributed to Gervase Spencer (1715-1763) Portrait of a gentleman in a blue coat signed with initials ‘GS’ l.r., oval 3.2 x 2.7cm, in a bracelet mount £200 - 300 Lot 411 English School, mid-18th century Portrait of a young gentleman in a blue jacket with gold braid frogging enamel on copper, oval 4.7 x 4cm, with a pale blue agate back £300 - 500

Lot 412 Henry Spicer (c.1743-1804) Portrait of a gentleman wearing a blue jacket with a red collar and white stock enamel on copper, oval 4.3 x 3.8cm £300 - 500 Provenance: Christie’s, London, 11 May 1994, lot 32. Lot 413 English School, 18th century Portrait of a gentleman in a blue coat oval 6.2 x 4.8cm, with a fan-shaped hair design set with seed pearls over blue and pearlescent glass verso £200 - 300

Lot 414 John Bogle (1746-1804) Portrait of a gentleman in a grey coat and white stock signed and dated ‘I Bogle/pinxit/1796’ c.r., on ivory, oval 7.2 x 5.8cm, with a lock of hair verso £700 - 1,000 Provenance: Phillips, London, 7 November 2001, lot 408. Lot 415 English School, mid-18th century Portrait of a gentleman in a blue coat with gold braid and grey waistcoat and stock oval 4.2 x 3.6cm, the frame engraved with crest verso £300 - 500 The family crest on the reverse is the same as for lot 377. Lot 416 Attributed to Richard Cosway RA (1742-1821) Portrait of the Hon. Shaw Lefevre in a red coat and white lace stock on ivory, oval 8 x 6.4cm £400 - 600 Lot 417 John Sanders Jnr (1750-1825) Portrait miniatures, double-sided, of a gentleman and lady: he, in a blue coat, peach-coloured waistcoat and white cravat; she in a blue dress with pointed white collar, lace underslip and scarf, a blue bandeau in her hair both signed and dated ‘J Sanders/1790’ in a gold frame, he within plaited hair belt and outer border of blue enamel set with gold-mounted split pearls; she within a gold-mounted plaited hair border and outer border set with split pearls, the whole within a later gold brooch clasp frame with blue enamel crossed ribbons, tested as approximately 15ct gold with 9ct gold pin, the reverse engraved ‘Sir Belford Hinton Wilson KCB and of his Wife Catherine Randolph. Father & Mother of General Sir Robert Wilson & Grand Father & Mother of [sic]’, on ivory, oval he: 4.6 x 3.8cm she: 4.5 x 3.5cm, overall: 7.8 x 6.7cm £1,000 - 1,500 Provenance: Christie’s London, 21 November 1967, lot 24; Bonhams London, 17 November 2004, lot 47. Literature: Daphne Foskett, ‘A Dictionary of British Miniature Painters’, 1972, vol. I, p.490, ill. vol. II, pl.316, no.792. The later frame describes the sitters as Sir Belford Hinton Wilson KCB (1804-1858) and his wife Catherine (née Randolph). Sir Belford Hinton Wilson, friend and supporter of the Peruvian liberator Simón Bolívar was not born until 1804 (making him an impossible candidate for a portrait dated 1790), it would appear that the later frame refers to a different miniature.

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Lot 418 Nathaniel Plimer (1751-1822) Portrait of a gentleman in a brown coat and white stock on ivory, oval 5.5 x 4.4cm £600 - 800 Lot 419 English School, c.1800 Portrait of a gentleman in a royal blue coat and white stock oval 7.5 x 6cm, with locks of hair and the initials ‘F’ and ‘M’ in seed pearls verso £300 - 500 Lot 420 Attributed to John Smart (1741-1811) Portrait of an Officer in uniform indistinctly signed l.r., on ivory, oval 6.2 x 5.1cm, in a bejewelled paste frame, with woven hair and initials ‘FB’ verso £500 - 700 Lot 421 Circle of Richard Cosway RA (1742-1821) Portrait of a gentleman in a blue jacket with yellow lapels oval 4 x 3.3cm, with a lock of hair verso £200 - 300

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Lot 422 English School, 18th century Portrait of Andrew Armstrong in a blue coat with brown frogging and white stock engraved ‘Andrew Armstrong/only son to Edmund/who was eldest son to/William Armstrong/born 2 May 1730’ verso, on ivory, oval 3.8 x 3.2cm £200 - 400 Lot 423 English School, 18th century Portrait of a gentleman in a brown coat with a yellow and green striped waistcoat, c.1770 on ivory, oval 5.2 x 3.9cm £300 - 500 Lot 424 Samuel Shelley (1756-1808) Portrait of a gentleman in a blue coat, red-trimmed waistcoat and white stock on ivory, oval 4 x 3.1cm, with plaited hair border, with a picture of three urns under a willow tree depicted in seed pearls over blue glass verso £700 - 1,000

Lot 425 Abraham Daniel (1750-1806) Portrait of a gentleman in a blue coat with gold buttons and a white stock on ivory, oval 6.3 x 5.1cm, with blue glass back £300 - 500 Lot 426 John Barry (1784-1827) Portrait of Miss M Barton in a white dress with blue ribbons inscribed ‘M Barton’ on case verso, on ivory, oval 5 x 4.2cm £400 - 600 Lot 427 Nathaniel Plimer (1757-1822) Portrait of Mrs Amos Gordon wearing a white ruffled dress on ivory, oval 5.7 x 4.6cm, with blue glass and plaited hair verso £600 - 800

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352 - 434 A SINGLE OWNER COLLECTION OF PORTRAIT MINIATURES

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352 - 434 A SINGLE OWNER COLLECTION OF PORTRAIT MINIATURES

Lot 428 John Barry (1784-1827) Portrait of a gentleman in a red velvet coat and white stock on ivory, oval 4.2 x 3.4cm, in a split pearl frame £200 - 300 Provenance: C hristie’s, London, 8 July 1987, lot 344. Lot 429 English School, early 19th century Portrait of a gentleman in a blue coat with white stock and jewelled stick pin on ivory, oval 9 x 7cm, in a gold frame tested as approximately 9ct gold with rolled gold suspension, woven hair and initials ‘WN’ verso £300 - 500

Lot 432 English School, early 19th century Portrait of a young man in a blue coat with gold buttons, c.1810 on ivory, oval 6.6 x 5.2cm, with a fan-shaped arrangement of curls within a plaited hair border verso £400 - 600

Lot 434 Horace Hone (c.1754/56-1825) Portrait of a young lady in a white lace dress signed with initials ‘H.H.’ and dated 1819 l.r., on ivory, oval 7 x 5.7cm, in an ivory case £600 - 800

Lot 433 English School, early 19th century Portrait of a gentleman in a black coat with yellow collar and white stock on ivory, oval 7 x 5.5cm, with woven hair back £300 - 500

Lot 430 Attributed to William Dixon (early 19th century) Portrait of a gentleman in a dark blue coat, white waistcoat, white stock and pearl pin oval 7 x 5.6cm, with locks of hair and initials ‘JHH’ in seed pearls verso £250 - 350 Lot 431 Peter Paillou Jnr (1757-c.1832) Portrait of a gentleman in a brown coat, yellow and brown striped waistcoat and white stock signed and dated ‘P. Paillou 1816’ c.l., on ivory, oval 7.2 x 5.8cm £300 - 500

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Day Two Wednesday 15 December at 10am

PAINTINGS, WATERCOLOURS AND PR INTS LOTS 4 35 -60 8

Lot 435 Circle of Michiel van Mierevelt (Dutch, 1566-1641) Portrait of a gentleman, bust length, in a black doublet with lace collar oil on canvas 46 x 41cm £1,000 - 1,500

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Lot 436 Manner of Frans Pourbus the Younger Portrait of a nobleman, bust length, in an embroidered red doublet and large white ruff inscribed ‘Portrait of one of the Visconti family… from Parma…’ on an old label verso, oil on canvas 61 x 45.5cm, unframed £800 - 1,200

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Lot 437 Flemish School, mid-17th century Portrait of a gentleman, bust length, wearing a gold coat and lace collar inscribed ‘Portrait of a gentleman/from the Guadagni/gallery. Florence by Carbone/Van Dyck’s pupil Genoa’, on a label verso, oil on canvas 48.5 x 38.5cm £2,000 - 3,000

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Lot 438 Circle of Pietro Muttoni, called Della Vecchia (Venice, 1602-1678) Three astronomers oil on canvas 90.5 x 111.5cm £5,000 - 7,000

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435 - 608 PAINTINGS, WATERCOLOURS AND PRINTS

Lot 439 After Rembrandt van Rijn Portrait of a man in oriental costume oil on canvas 74 x 62cm £1,500 - 2,500 The original painting is in the Devonshire Collections, Chatsworth House, Derbyshire. Lot 440 Dutch School, 18th century Portrait of a bearded man, bust length oil on canvas 26 x 21cm, unframed £250 - 350 Lot 441 Continental School, 19th century Portrait of a bearded man wearing a hat oil on panel, the reverse inset with an inscribed medallion 45 x 37.5cm £250 - 350 Provenance: T he Peter and Pat Crofts Collection.

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Lot 442 After David Beck Miniature portrait of Christina, Queen of Sweden (1626-1689), head and shoulders, in a pearl choker oil on copper, oval 4.5 x 3.7cm £400 - 600

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Lot 443 Circle of Peter Crosse (1645-1724) Portrait of a gentleman, bust length, in a blue coat and white stock oil on copper 7.5 x 6cm £400 - 600 Lot 444 German School, 18th century Portrait of an elderly woman, bust length miniature on vellum 9.8 x 7.2cm £300 - 400

Lot 445 English School, late 18th century Portraits of five members of the Sladen family, half length five miniatures, some inscribed with the names of the sitters on the backboard, bodycolour on paper, oval 10.5 x 8.5cm (5) £300 - 400

Lot 446 Adolphe Henri Dubasty (French, 1814-1884) ‘Le Gourmet’ signed ‘Dubasty’ and dated 1856 l.r., also signed and inscribed with title verso, oil on panel 13 x 13.3cm, unframed £300 - 400

Provenance: The Peter and Pat Crofts Collection.

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435 - 608 PAINTINGS, WATERCOLOURS AND PRINTS

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Lot 447 Circle of Godfried Schalcken (Dutch, 1643-1706) A servant holding a candlestick, a bedchamber behind oil on panel 25.5 x 19.5cm, unframed £400 - 600

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Lot 448 English School, early 18th century Portrait of a lady, bust length, in a brown dress oil on canvas 64 x 48.5cm £400 - 600

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Lot 449 Follower of George Romney Portrait of a young gentleman, half length, in a dark blue coat and white stock oil on canvas 76 x 63cm £400 - 600 By family repute this is said to be a portrait of Admiral Nelson’s father.

Lot 450 George Frederic Watts OM RA (1817-1904) An unfinished portrait study of William Ewart Gladstone pencil and white chalk 50 x 38cm £300 - 500

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Lot 451 After Jean-Marc Nattier Portrait of Madame Sophie de France, sixth daughter of King Louis XV, half length, in a gold-embroidered and lace-trimmed dress, with a garland of flowers signed ‘E Delaporte, d’apres Nattier’ l.r., pastel 77.5 x 61cm £2,000 - 3,000

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435 - 608 PAINTINGS, WATERCOLOURS AND PRINTS

Lot 452 After Jean-Marc Nattier Portrait of Madame Victoire de France, fifth daughter of King Louis XV, half length, in a white dress and brown sash signed ‘E Delaporte, d’apres Nattier’ l.r., pastel 78 x 62cm £2,000 - 3,000

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Lot 453 Thomas Hudson (1701-1779) Portrait of Samuel Armytage (1713-1793), half length, in Van Dyck costume inscribed ‘Samuel Armytage, born May 1713’ l.l., oil on canvas, painted oval 76 x 63cm, in a fine 18th century carved giltwood frame £3,000 - 5,000 A label attached verso states that Samuel Amytage married Rebecca Braithwaite. A portrait by Hudson of John Armytage (b.1715), presumably the sitter’s brother, depicting him in Van Dyck costume and similar pose, was sold by Christie’s, New York, 26 January 2005 (lot 267). It seems reasonable to conclude that they were painted as a pair.

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435 - 608 PAINTINGS, WATERCOLOURS AND PRINTS

Lot 454 Charles Sillem Lidderdale (1831-1895) ‘A moment’s thought’ signed with initials ‘CSL’ and dated ‘70 l.l., oil on canvas 54 x 47cm £1,500 - 2,000 Lot 455 Spare lot

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Lot 456 Continental School, 19th century Study of a peasant girl in a landscape oil on canvas 76 x 57.5cm £1,000 - 1,500 Lot 457 English School, 19th century Portrait of a lady, half length, in a black dress and white collar oil on canvas 60.5 x 45.5cm £250 - 350 Lot 458 Alexandre Girard (French, 19th century) Portrait of a cellist signed and dated ‘Alexandre Girard 1892’ u.l., oil on canvas 176 x 103.5cm, unframed £600 - 800 Provenance: Sotheby’s, ‘British & Continental Pictures’, 30 November 2005, lot 268.

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Lot 459 Harry Baldry (1866-1890) The flower seller signed ‘H Baldry’ and dated ‘87 l.l., oil on canvas 92 x 61cm £1,000 - 1,500 Lot 460 *Gilbert Ledward (1888-1960) ‘Fanny Anne Buck’ signed ‘G Ledward’ and dated 1913 l.r., a preparatory sanguine chalk sketch 37 x 27cm; a relief bronze plaque, signed and dated l.r. set with an ebonised frame 28 x 19cm (2) £800 - 1,200 Provenance: A cquired by the vendor through direct family descent.

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PAINTINGS, WATERCOLOURS AND PRINTS 4 3 5 - 608 Lot 461 Valeri Sichkov (Russian, b.1949) ‘Female model’ signed in Cyrillic and dated 1967 l.l., pencil 92 x 61cm £300 - 500 Lot 462 Valeri Sichkov (Russian, b.1949) ‘Male model seated’ signed in Cyrillic and dated ‘68 l.r., pencil 89 x 63cm £300 - 500 Lot 463 Anna Marinova (Russian, b.1983) ‘Golden light’ signed ‘Anna Marinova’ l.l., oil on canvas 75 x 65cm £1,500 - 2,000 Lot 464 Laurent de la Hyre (French, 1606-1656) Putti playing at the edge of a wood oil on canvas 91 x 118cm £4,000 - 6,000 Provenance: Christie’s, ‘Old Master Pictures’, 11 December 2002, lot 79.

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Lot 465 Follower of Jacob Bogdani A still life of fruit and flowers with a putto and a parrot by a tree oil on canvas 93 x 160cm £1,000 - 1,500

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PAINTINGS, WATERCOLOURS AND PRINTS 4 3 5 - 608 Lot 466 After Raphael Madonna of the Goldfinch oil on card, oval 22 x 18cm, unframed £250 - 350 Lot 467 After Mariotto Albertinelli The Visitation inscribed ‘Gianni Copio’ verso, oil on canvas 143cm x 98cm £400 - 600 The original painting is in the Uffizi, Florence.

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Lot 468 Manner of Raphael Madonna and Child with the infant Saint John en grisaille, oil on canvas 80 x 66cm £1,000 - 1,500

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Lot 469 Attributed to Paolo Farinati (Italian, 1524-1606) Madonna and Child with Saint Elizabeth and Saint Joseph brown washes heightened with white 26 x 40cm £600 - 800 Inscribed indistinctly on paper label on frame. Lot 470 After Pietro da Cortona Study of a section of the Allegory of Divine Providence and Barberini Power pencil 52.5 x 38cm £300 - 500 Provenance: The Cyril and Shirley Fry Collection. The original fresco is in the Palazzo Barberini, Rome.

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Lot 471 Walter Crane RWS (1845-1915) Study for ‘Neptune’s Horses’ watercolour 18 x 26cm £250 - 350 Provenance: The Cyril and Shirley Fry Collection.

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435 - 608 PAINTINGS, WATERCOLOURS AND PRINTS Lot 472 Manner of Adriaen van Ostade Interior scenes with figures reading letters a pair, oil on metal 19.5 x 16.5cm (2) £300 - 500 Lot 473 Manner of David Teniers the Younger Tavern scenes a pair, oil on metal 19.5 x 16.5cm (2) £300 - 500

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Lot 474 After Abraham Cooper RA The Rescue oil on panel 27 x 23.5cm £250 - 350

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Lot 475 Attributed to William Turner of Oxford (1789-1862) A cavalry skirmish with initials l.l., pen and ink and watercolour 22 x 35cm, unframed £250 - 350 Provenance: The Cyril and Shirley Fry Collection. Lot 476 Sir Augustus Wall Callcott RA (1779-1844) Travellers conversing on a road in an open landscape, a village in the distance oil on panel 35 x 46cm £400 - 600 Provenance: James Price of Barcombe, Paignton. Exhibited: Royal Academy, ‘Exhibition of the Works of the Old Masters’, 1882.

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477 Lot 477 Mariano Fortuny (Spanish, 1838-1874) A connoisseur admiring a vase; Soldiers resting a pair, each signed ‘M Fortuny’ l.r., oil on panel 28 x 19cm (2) £2,000 - 3,000 Lot 478 John IV Smart (1838-1899) ‘The Adoption’ signed ‘J Smart’ l.r., oil on canvas 87 x 113cm £700 - 1,000

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481 Lot 479 Carl Wünnenberg (German, 1850-1929) A lady leaving confession signed ‘C Wünnenberg’ and inscribed ‘Roma’ l.l., oil on canvas 66.5 x 39.5cm £800 - 1,200

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Lot 480 Circle of Frank Stone (1800-1859) News from afar oil on canvas 38 x 30cm £300 - 500

Lot 481 Attributed to Paul Sandby RA (1725-1809) Young ladies of fashion two, pen and ink and watercolour 11.7 x 6.5cm and 12.5 x 8cm (2) £250 - 350 Exhibited: Appleby Bros. Ltd., ‘Winter Exhibition’, 1964, no.138/UL (as by Sandby).

Lot 482 J… F… M… Gow (19th century) A standing nude indistinctly signed ‘J F M Gow’ and dated 4th September 1877 l.r., oil on canvas 61 x 41cm £250 - 350

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486 Lot 485 John Lewis Brown (French, 1829-1890) On the beach at Etretat signed ‘John Lewis Brown’ and dated 1874 l.r., watercolour and bodycolour 45 x 54cm £500 - 700 Despite the English name, Brown was a French artist, of Scottish descent. He studied in Paris at the École des Beaux-Arts under Jean-Hilaire Belloc and Camille Roqueplan. Whilst he is best-known for his military and animal subjects, he cited Edgar Degas and Eugene Lami as major influences and was known to have painted with the impressionists. His prowess as an equestrian artist can be clearly seen here in the handling of horses.

485 Lot 483 George John Pinwell RWS (1842-1875) A summer’s evening by a river signed ‘G J Pinwell’ l.l., watercolour and bodycolour 21.5 x 19.3cm £400 - 600

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Lot 484 William Kidd RSA (1790-1863) A girl and her pet dog on a shore, fisherfolk beyond oil on board 30.5 x 46.5cm £400 - 600 Provenance: With Thomas Agnew and Sons, London; The Peter and Pat Crofts Collection.

Lot 486 Mary Forster (1853-1885) A vegetable stall in a market square in Caudebec, France signed ‘Mary Forster’ l.c., inscribed on old label verso, watercolour and bodycolour 33 x 23.5cm £300 - 500 Provenance: From the estate of the author Sir Henry Rider Haggard (1856-1925).

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435 - 608 PAINTINGS, WATERCOLOURS AND PRINTS Lot 487 Edward Wilkins Waite (1854-1924) A girl by a garden gate, tending to her chickens and ducks signed ‘Edward Waite’ and dated 1894 l.l., oil on canvas 61 x 51cm £1,500 - 2,000 Lot 488 T… C… (19th century) An interior with a woman plucking a bird by a hearth signed with initials ‘TC’ l.r., oil on canvas 35 x 42cm £300 - 500

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490 Lot 489 Jacques Zon (Dutch, 1872-1932) A cottage interior with a family at a table signed ‘J Zon’ l.l., and indistinctly inscribed and dated ‘1909’ verso, oil on canvas 79 x 98cm £400 - 600 Lot 490 George Jackson Flemwell (1865-1928) The cobbler signed ‘Geo Flemwell’ and dated 1892 l.l., oil on canvas 54.5 x 74cm £300 - 500

491 Lot 491 Count Albert de Belleroche (1864-1944) ‘La couture’, a woman sewing by an open window signed ‘Belleroche’ l.r., oil on canvas laid on board 41 x 39.5cm £1,500 - 2,000 Provenance: Leicester Galleries, London, where purchased by Mrs Dean of the Pearl & Dean family, 1954; a gift from her to the family of the present owner and thence by descent. Exhibited: Leicester Galleries, London, ‘Exhibition of Works by Albert de Belleroche’, April 1954.

Lot 492 Renat Ramazanov (Russian, b.1978) ‘Washing her hair’, 2011 signed in Cyrillic l.r., signed, inscribed, and dated verso, oil on canvas 90 x 120cm £500 - 700 Lot 493 Bob Baur (American, 20th century) Figures around a campfire signed ‘Baur’ l.l., inscribed ‘Painting by Bob Baur, who was part of our Antique Business at 2020 N Broad Street, Philadelphia, USA’ on label verso, oil on board 37 x 27cm £250 - 350 Provenance: The Peter and Pat Crofts Collection.

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Lot 494 Sergei Zakharovich Gatin (Russian, 1923-2001) ‘Boxing day’ signed in Cyrillic and dated ‘57 l.l., also signed, inscribed and dated verso, oil on canvas 108.5 x 78cm £1,500 - 2,000

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Lot 495 Russian School, 20th century Costume design for Smeraldina from ‘Masquerade’ by Mikhail Lermontov inscribed in Cyrillic, watercolour, bodycolour and gold paint sheet 31 x 21cm; and two further costume designs inscribed in Cyrillic, watercolour and bodycolour 29 x 20cm (3) £300 - 500

Lot 496 Anatoli Demenko (Ukrainian, b.1979) Ballerinas signed ‘Demenko’ l.r., inscribed indistinctly verso, oil on canvas 61.5 x 50.5cm £400 - 600

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Lot 497 Johann Wilhelm Weinmann (German, 1683-1741) ‘Tulipa lutea Sanguineis’ from ‘Phytanthoza Iconographia’ and four others, similar, of tulips from the same album etching with hand colouring platemark 33 x 21cm, one in a slightly smaller frame (5) £300 - 500

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Lot 498 Circle of Herman van der Mijn (Dutch, 1684-1741) Still life of fruit on a stone ledge, a landscape beyond oil on canvas 68.5 x 52cm, in a carved frame £1,500 - 2,000

498 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

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499 Lot 499 Manner of Frans Snyders A still life of fruit, vegetables, dead game and a monkey on a draped table oil on canvas 92 x 132cm £800 - 1,200

Lot 500 Circle of George Lance (1802-1864) A still life of grapes, peaches, melons and other fruit on a draped ledge oil on canvas 46 x 61cm £300 - 500 Provenance: From the estate of the author Sir Henry Rider Haggard (1856-1925).

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Lot 501 Circle of Eloise Harriet Stannard (1829-1915) A still life of fruit on a draped marble ledge oil on canvas, painted circle 43cm diameter £500 - 700

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Lot 502 Sarah Biffin (1784-1850) Study of feathers inscribed in pen ‘Drawn by Miss Biffin, 6th August 1812’, watercolour 10.3 x 12cm; together with a handbill advertising her as an attraction ‘During The Races’, describing her as ‘born deficient of arms and legs, she is of comely appearance, twenty-eight years of age, and is only thirty-seven inches high’. £3,000 - 5,000 Provenance: The Peter and Pat Crofts Collection. Sarah Biffin was born in Somerset with no arms and only vestigial legs. She was apprenticed to a man called Dukes who exhibited her as an attraction throughout England. The Society of Arts awarded her a medal in 1821 and the Royal Academy accepted her work. She is thought to have had the condition phocomelia, but taught herself to write and paint, holding the pen or brush between her teeth. She has come to greater prominence in recent years, although the majority of her paintings that have emerged at auction have been portraits. The Earl of Marton died in 1827 leaving her without a noble sponsor, which caused her financial difficulties. Queen Victoria later awarded her a Civil List pension whereupon she retired to Liverpool and later married. Three similar works sold at Sotheby’s this year: one also dated 1812 - 7 July 2021, lot 11, and two further smaller examples - 27 October 2021, lots 65 and 66.

Sarah Biffin, a lithograph by G Engelmann (1788-1839). Wellcome Collection.

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PAINTINGS, WATERCOLOURS AND PRINTS 4 3 5 - 608 Lot 503 Maria Teresa Hegg (1829-1911) Wild ferns and flowers at the base of a tree signed and inscribed ‘Teresa. Hegg/Vevey’ l.r., watercolour and bodycolour 70.5 x 58cm £300 - 500 Lot 504 Evgeni Chuikov (Ukrainian, 1924-2000) ‘Garden flowers’ signed in Cyrillic l.l., also signed and dated 1959 verso, oil on canvas 96 x 79cm £400 - 600 Lot 505 Evgeni Chuikov (Ukrainian, 1924-2000) ‘Still life with lilacs’, 1962 signed in Cyrillic l.r., oil on canvas 95 x 77cm £400 - 600

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Lot 506 Vladimir Shvab (Ukrainian, b.1970) A vase of flowers, violin and book on a table signed in Cyrillic l.r., oil on canvas 80 x 62cm £300 - 500 Lot 507 *Uriel Eekhoff (Dutch, 1923-2014) Still life of apples, lemons and an orange signed ‘U Eekhoff’ u.r., oil on canvas board 51 x 60cm £300 - 500 Exhibited: The Portal Gallery, London.

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Lot 508 Mikhail Zharov (Russian, b.1974) ‘Still life with irises’ signed in Cyrillic l.r., oil on canvas 89 x 58cm £400 - 600

Lot 510 Vladimir Aldoshin (Russian, b.1951) ‘Still life with irises’ signed in Cyrillic l.r., oil on board 69 x 49cm £500 - 700

Lot 509 Vladimir Aldoshin (Russian, b.1951) ‘Lilac’ signed in Cyrillic, inscribed as titled and dated 2004 verso, oil on canvas 75 x 64.5cm £600 - 800

Lot 511 Vladimir Lunevski (Russian, b.1949) ‘Lupins’ signed in Cyrillic l.r., signed and inscribed verso, oil on canvas 80 x 65cm £500 - 700

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Lot 512 Vladimir Burdin (Russian, b.1960) ‘Still life with fish and lemon’ signed ‘Burdin’ l.r., also signed, inscribed and dated 2003 verso, oil on canvas 63.5 x 86cm £500 - 700

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Part X - The final sale of original etchings by Herbert Thomas Dicksee RE (1862-1942) from the Bryan Steele Collection. Sold without reserve.

Lot 513 Herbert Thomas Dicksee RE (1862-1942) A Christmas card design of three kittens, a sprig of mistletoe top right original etching on paper, inscribed ‘Christmas Greetings from Herbert Dic…’ in pencil (i.e. etching created prior to his marriage to Ella in 1896) image 10.2 x 10.2cm £100 - 200

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Lot 514 Herbert Thomas Dicksee RE (1862-1942) ‘The Young Nobleman’, an early self-portrait of the artist dressed in medieval clothes original mezzotint etching on paper, 1884, signed in pencil image 21 x 16.4cm £100 - 200 Provenance: T he Bryan Steele Collection.

Provenance: From the artist’s grandson; The Bryan Steele Collection.

Lot 515 Herbert Thomas Dicksee RE (1862-1942) ‘Conrad Unhorsed’; ‘Minna on the cliff’; ‘Howleglas and the Abbott’; ‘Julian and Fenella’ four etchings, all illustrations for the Waverley Novels by Sir Walter Scott images 13.8 x 9.4cm, 13.8 x 9.6cm, 9.6 x 14.7cm and 14 x 9.3cm, framed as one £100 - 200 Provenance: The Bryan Steele Collection. Lot 516 Herbert Thomas Dicksee RE (1862-1942), after Frank Dicksee RA ‘Memories’, a music soirée around a piano with a recumbent Irish Wolfhound in the foreground original etching, 1892, signed in pencil by both artists, artist’s proof, with remarque two lines of music and lyric ‘O for the touch of a vanished hand, and the sound of a voice that is still’, published by C E Clifford & Co., London, edition limited to 400, on vellum, as exhibited at the Royal Academy 1892, number 1505, exhibited at The World’s Columbian Commission International Exhibition, Chicago, 1893 image 46.4 x 60.1cm £100 - 200 Provenance: The Bryan Steele Collection.

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Lot 517 Herbert Thomas Dicksee RE (1862-1942) ‘On Velvet’, a puppy asleep original etching, 1922, signed in pencil, artist’s proof, with blind stamp, edition limited to 325, published by Frost & Reed, on vellum image 23.2 x 37.9cm £100 - 200 Provenance: T he Bryan Steele Collection. Lot 518 Herbert Thomas Dicksee RE (1862-1942) ‘My Lady Sleeps’, the artist’s daughter Dorothy (born 1901) asleep alongside a recumbent mastiff original etching, 1905, signed in pencil, artist’s proof, published by Frost & Reed, with blind stamp, edition limited to 300, no other state, plate destroyed, on vellum image 24.5 x 49.6cm £100 - 200 Provenance: T he Bryan Steele Collection. Lot 519 Herbert Thomas Dicksee RE (1862-1942) A King Charles Spaniel, head and shoulders etching, original printer’s proof, signed and inscribed ‘to F Goulding’ the printer in pencil, on laid paper image 24.8 x 19.6cm £100 - 200 Provenance: T he Bryan Steele Collection. After refinement to the lower body, the etching ‘Bonnie Prince Charlie’ was published as a small limited edition by the Fine Art Society, London, in 1902. Lot 520 Herbert Thomas Dicksee RE (1862-1942) ‘A Sealyham Pup’ original etching on paper, 1923, signed in pencil, artist’s proof, with blind stamps, published by Frost & Reed, impressions limited to 325, one state only, plate destroyed image 27.6 x 20cm £100 - 200

519

Lot 521 Herbert Thomas Dicksee RE (1862-1942) ‘The Dying Lion’, a recumbent lion, by the side of a lake, looking towards the heavens original etching, 1887, signed in pencil, artist’s proof, as exhibited at the Royal Academy, 1887, number 1444, after the artist’s oil painting image 25.4 x 46.8cm; a first state proof of the same etching, unframed; a third state proof of the same etching, unframed (3) £100 - 200

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Lot 522 Herbert Thomas Dicksee RE (1862-1942) ‘Onward’, a study of a lion walking left to right original etching, 1918, signed in pencil, artist’s proof, small limited edition (number not established), published by Frost & Reed, no other state, as exhibited at the Royal Academy 1918, number 1203 image 26.3 x 50.8cm £100 - 200 Provenance: T he Bryan Steele Collection.

Provenance: From the artist’s daughter; The Bryan Steele Collection.

Provenance: T he Bryan Steele Collection.

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PAINTINGS, WATERCOLOURS AND PRINTS 4 3 5 - 608 Lot 523 Attributed to Benjamin Zobel (German, 1762-1830) Two carthorses outside a barn sand picture 42 x 57cm £250 - 350 Lot 524 Thomas Sidney Cooper RA (1803-1902) Sheep resting signed ‘T Sidney Cooper RA’ and dated 1883 l.l., watercolour 22.5 x 29.5 cm £300 - 500 Lot 525 Thomas Sidney Cooper RA (1803-1902) Cattle watering signed ‘T Sidney Cooper RA’ and dated 1882 l.l., watercolour 22.5 x 29.5 cm £200 - 300 Lot 526 Edmund Bristow (1787-1876) A farmyard scene with a donkey, pig, cockerel and cows, and two figures in a hut; Cattle grazing in an open landscape a pair, one signed ‘E Bristow’, oil on panel 21 x 29cm (2) £400 - 600

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435 - 608 PAINTINGS, WATERCOLOURS AND PRINTS Lot 527 Follower of Charles Cooper Henderson A stagecoach hurrying across a landscape, a railway accident in the distance oil on canvas 38 x 65cm £300 - 500 Lot 528 After John Frederick Herring ‘Three Members of the Temperance Society’ oil on canvas 63 x 74.5cm £500 - 700 Lot 529 *Juliet McLeod (1917-1982) ‘Ballymoss’, a chestnut hunter in an open landscape signed ‘Juliet McLeod’ and dated 1971 l.l., oil on canvas 70 x 91cm £500 - 700 Lot 530 *Malcolm Coward (b.1948) Mare and foal signed ‘M Coward’ l.r., oil on canvas 45.5 x 121.5cm £700 - 1,000

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Lot 531 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘The Bullfinch’ hand-coloured print with remarque 50 x 68cm £200 - 300

Lot 532 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘The Stone-faced ‘Narrer-back’’ hand-coloured print with remarque 50 x 68cm £200 - 300

Lot 533 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘The Irish Yawner’ hand-coloured print with remarque 50 x 68cm £200 - 300

Lot 534 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘The Stake and Bound’ hand-coloured print with remarque 50 x 68cm £200 - 300

Lot 535 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘The Whissendine brook runs deep and wide’ hand-coloured print with remarque 50 x 68cm £200 - 300

Lot 536 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘The stone wall’ hand-coloured print with remarque 50 x 68cm £200 - 300

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435 - 608 PAINTINGS, WATERCOLOURS AND PRINTS Lot 537 Marjorie Cox (1915-2003) ‘Sophie’ and ‘Mumfie’, a double portrait of King Charles spaniels signed ‘Marjorie Cox’, inscribed and dated 1970 l.c., pastel, oval 48 x 38cm; ‘Crumpit’ and ‘Natty’, a double portrait of King Charles spaniels signed ‘Marjorie Cox’, inscribed and dated 1988 l.c., pastel, oval 48 x 38cm; Anne Doyle (20th century) ‘Pippi’ and ‘Tiggy’, a double portrait of King Charles spaniels signed ‘Anne Doyle’ and dated 1999 l.r., pastel 39 x 33cm; ‘Mopsy’, a single portrait of a King Charles spaniel signed ‘Anne Doyle’ and dated 2011 l.r., pastel 40 x 32.5cm (4) £200 - 300 Lot 538 Edward Armfield (1817-1896) ‘A hot treat’; Terriers ratting a pair, both signed ‘E Armfield’ l.l., oil on canvas 30.5 x 41cm (2) £600 - 800

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Lot 539 *Andrew Beer (1862-1954) ‘Strong Boy’, a racing pigeon signed ‘Andrew Beer’ l.l., inscribed l.c., oil on canvas 30.5 x 40.5cm £500 - 700

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Lot 540 *Andrew Beer (1862-1954) ‘Herb’s choice’ and ‘Consistent’, a double portrait of two racing pigeons signed ‘Andrew Beer’ l.l., inscribed l.c., oil on canvas 38 x 51cm £1,000 - 1,500 Lot 541 *Andrew Beer (1862-1954) ‘Beaufort Beauty’ and ‘Beaufort Pride’, a double portrait of racing pigeons signed ‘Andrew Beer’ l.r., inscribed l.c. oil on canvas 38 x 51cm £1,000 - 1,500 Lot 542 *Andrew Beer (1862-1954) ‘Double Event’, a racing pigeon signed ‘Andrew Beer’ l.l., inscribed l.c., oil on canvas 30.5 x 40.5cm; and another portrait of a racing pigeon signed ‘Andrew Beer’ l.r., inscribed l.c., oil on canvas 30.5 x 40.5cm (2) £600 - 800

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Lot 543 Anna Cherednichenko (Russian, 1917-2003) Chickens in sunshine signed in Cyrillic and dated ‘64’ l.r., watercolour 49 x 66cm £250 - 300 Lot 544 *John Cyril Harrison (1898-1985) Swans in flight over a rocky coast signed ‘J C Harrison’ l.r., watercolour and bodycolour 44 x 58cm £500 - 700 Provenance: F rom the estate of the author Sir Henry Rider Haggard (1856-1925). Lot 545 Harry Fidler (1856-1935) A farmer with a pair of heavy horses signed ‘Fidler’ l.r., also signed verso, oil on canvas 36 x 41cm £800 - 1,200 Lot 546 Harry Fidler (1856-1935) ‘Harrowing’ oil on canvas board 26.5 x 34.5cm £800 - 1,200

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547 Lot 547 Follower of Adriaen van Diest A wooded coastal landscape with travellers in the foreground and vessels offshore oil on canvas 62.5 x 70cm £300 - 500

549 Lot 548 Circle of Jan Abrahamsz Beerstraten (Dutch, 1622-1666) A winter landscape with numerous figures on a frozen river by a village, two kolf players in the foreground oil on canvas 61 x 75cm £2,000 - 3,000

Lot 549 Follower of Eugene Verboeckhoven A river landscape with figures driving sheep and cattle, a monastery and town beyond bears two signatures l.r., oil on cradled panel 32.5 x 48cm £400 - 600

Provenance: The Coldharbour Collection.

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Lot 550 Jean-Louis Demarne (Belgian, 1752-1829) A town square on market day oil on canvas 59 x 78 cm £10,000 - 15,000 Provenance: C hristie’s, New York, 31 January 1997, lot 101; Farm House, Farm Street, Mayfair, London. Lot 551 Flemish School, 18th century An extensive Italianate river landscape with figures and cattle oil on canvas 49 x 84cm £800 - 1,200

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554 Lot 552 John Fisher (1748-1825) ‘View on the Exe Estuary’ signed ‘J Fisher’ and dated 1787 l.r., pen and ink and watercolour 28 x 46.5cm £250 - 350

Lot 553 French School, 18th century Elegant figures outside a chateau pencil 27 x 40cm £250 - 350 Provenance: The Cyril and Shirley Fry Collection.

Lot 554 John Harris, after Pieter van Gunst ‘The Front of Blenheim House, drawn Orthographically’ engraving 48 x 64cm; T Miller, after J James (architect) ‘Elevation of the Flank of (the house of) Sir Gregory Page, Bart’ engraving 24.5 x 60cm; After Colen Campbell ‘The elevation of Stainborough in Yorkshire, the seat of the Right Hon. Earl of Strafford’

engraving, from Vitruvius Britannicus 24.5 x 49cm approximately; R Parr, after William Halfpenny ‘A Plan and Elevation of the Royal Fireworks…1749’ engraving 43 x 58cm; After Joseph Nash ‘The Great Exhibition: The Inauguration’ chromolithograph approximately 50 x 60cm (5) £300 - 500

Lot 555 Henry Hulsbergh (Dutch, 1660-1729), after Colen Campbell (16761729) Four engravings of Inigo Jones’ 1639 elevation designs for the Palace at White Hall, from ‘Vitruvius Britannicus’ each with a join down the centre 27 x 97cm, 27 x 111cm and two 27 x 113.5cm (4) £300 - 500

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Lot 556 English School, late 18th century A view of the church of St Peter and St Paul, Wisbech, with figures conversing outside on Church Terrace, the Duke’s Head pub visible at the end of the street oil on board, with clock movement 29 x 45cm £500 - 800 Provenance: T he Peter and Pat Crofts Collection. Lot 557 J… Goddard (19th century) A view of the River Witham in Boston signed ‘J Goddard’ and dated August 1836 on a piece of canvas attached verso (removed during re-lining), oil on canvas 32 x 41cm £300 - 400 Provenance: T he Peter and Pat Crofts Collection. Lot 558 John Dobbin (1815-1888) Amiens Cathedral signed ‘J Dobbin’ and dated 1855 l.r., watercolour and bodycolour 51.5 x 71cm £300 - 500

558

Lot 559 Lionel Percy Smythe (1839-1918) Figures paddling in a river with a cathedral beyond signed and dated ‘Lionel P Smythe 1895 l.l., oil on panel 32.5 x 45.5cm £1,000 - 1,500 Lot 560 Spare lot

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562 Lot 561 Attributed to Henry Baines (1823-1894) A stormy landscape with figures and an ox-drawn wagon crossing a river inscribed ‘H Baines, 69 Upper Seymour Street, Euston Square’ on stretcher verso, oil on canvas 49.5 x 66cm £1,000 - 1,500 Provenance: From a private collection in King’s Lynn, Norfolk.

Lot 562 Henry Baines (1823-1894) Boats off Hunstanton, the tide covering the sandbanks, a rainbow in the sky inscribed ‘Off Hunstanton - Tide coming up on the Bull Dogs Sandbank. Painted August-October 1867 by Henry Baines of Kings Lynn, born 1823, died 1894. Acquired by Henry J Thompson, January 1914, and by W E G MacDonald 27th April 1932’ on old label verso, oil on canvas 43 x 92cm £600 - 800 Provenance: The Peter and Pat Crofts Collection.

Henry Baines was the younger brother of the celebrated artist Thomas Baines (1820-1875), whose reputation rests on the extensive output of paintings and drawings produced on his expeditions to Australia and, principally, Southern Africa. The brothers were brought up in King’s Lynn and, after training in London and Europe, Henry returned to the town and established his own Art Academy. His paintings are chiefly devoted to East Anglian landscapes and coastal scenes, and his topographical views are a valuable record of the town and its environs. The King’s Lynn Museum holds a large collection of his sketches and watercolours as well as paintings, many of which were included in the exhibition of his work held after his death in 1894. This painting depicts a stormy landscape in the romantic tradition, but the subject appears to be African. Although, so far, we have been unable to find a record of this composition by Thomas, it is well known that Henry copied his brother’s work. Stylistically, parallels can be drawn with some of Henry’s East Anglian landscapes in his treatment of the foreground vegetation, but also, more tellingly, in his Turneresque rendering of the approaching storm and the dramatic effects of light.

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435 - 608 PAINTINGS, WATERCOLOURS AND PRINTS Lot 563 Karl Heffner (German, 1849-1925) A river landscape with a sailing barge by a village at dusk signed ‘K Heffner’ l.r., oil on panel 22.5 x 28cm £300 - 500 Lot 564 Theophile de Bock (Dutch, 1851-1904) ‘The Cottage, Evening’ indistinctly signed l.r., oil on canvas 37 x 56cm, unframed £300 - 500 Lot 565 Albert H Gos (Swiss, 1852-1942) An Alpine landscape at dusk signed ‘Albert Gos’ l.r., oil on board 33.5 x 37cm £250 - 350 Lot 566 George Sherwood Hunter (1846-1919) A church at sunset signed ‘G S Hunter’ l.r., oil on canvas 25.5 x 51cm, unframed £300 - 500

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Lot 567 Circle of Abraham Storck (Dutch, 1644-1708) ‘On the Rhine near Arnhem’ oil on canvas 62 x 86cm £1,000 - 1,500

Lot 568 Follower of Peter Monamy British men-of-war and other shipping in a calm estuary at dusk indistinctly signed l.l., oil on panel 62.5 x 163.5cm £1,000 - 1,500 Provenance: The Peter and Pat Crofts Collection.

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Lot 569 Follower of Franz Richard Unterberger The Bay of Naples bears signature ‘F R Unterberger’ and date 1871 l.l., oil on canvas 80 x 100cm £600 - 800

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Lot 570 Nicholas Pocock (1740-1821) The White Squadron signed and dated ‘N Pocock 1806’ l.r., watercolour over pencil 42 x 60cm £300 - 400

Lot 571 … Wilson, 19th century A frigate and other shipping off the coast signed ‘Wilson’, inscribed ‘London’ and indistinctly dated 186… l.r., oil on canvas 58 x 93cm £800 - 1,200 Provenance: The Peter and Pat Crofts Collection.

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PAINTINGS, WATERCOLOURS AND PRINTS 4 3 5 - 608 Lot 572 Circle of Edward Pritchett (fl.1828-1864) An Italian town, probably Venice, with numerous boats oil on panel 22.5 x 33cm, unframed £300 - 500 Lot 573 Abraham Hulk (Dutch, 1813-1897) Fishing boats in an estuary signed ‘A Hulk’ l.l., oil on board 25.5 x 36cm £1,000 - 1,500

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Lot 574 Hector Caffieri (1847-1932) On the quayside signed ‘H Caffieri’ l.r., watercolour heightened with white 45 x 59xm £600 - 800

Lot 575 Aleksandr Nikolaev Roussoff (Russian, 1844-1928) Figures on a balcony by a Venetian canal signed ‘A N Roussoff’ and dated 1883 l.r., watercolour 78 x 28cm £500 - 700 Provenance: F rom the estate of the author Sir Henry Rider Haggard (1856-1925).

575 Lot 576 James Poole (1804-1886) View of the Jungfrau, Switzerland signed ‘J Poole’ l.r., oil on canvas board 22 x 41.5cm £300 - 400

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PAINTINGS, WATERCOLOURS AND PRINTS 4 3 5 - 608 Lot 577 English School, mid-19th century Netley Abbey, Southampton; Carisbrooke Castle a pair, each inscribed with title verso, also inscribed ‘Thomas Baker of Leamington’ on backboard, oil on board 16 x 21cm (2) £250 - 350

577 Lot 578 James Peel (1811-1906) A wooded landscape with a tinkers’ camp by the side of the road signed ‘J Peel’ l.r., oil on canvas 61 x 92cm £800 - 1,200 Lot 579 Alfred H Vickers (1853-1907) A river landscape with figures near a village; A coastal landscape with figures and fishing boats a pair, both signed ‘A H Vickers’ and dated 1911, oil on canvas 31 x 61cm (2) £300 - 500 Lot 580 Alfred H Vickers (1853-1907) River landscapes a pair, both signed ‘A H Vickers’ l.r., oil on canvas 20.5 x 30.5cm (2) £300 - 400

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435 - 608 PAINTINGS, WATERCOLOURS AND PRINTS Lot 581 H… Williams (19th century) A wooded landscape with a figure and chickens near a cottage signed ‘H Williams’ l.l., oil on canvas 51 x 76cm £300 - 400 Lot 582 Emil Rozsay (1839-1891) A wooded landscape with deer by a pool signed ‘Rozsay’ and dated (1)878.VI.10, l.r., oil on canvas 100 x 82.5cm £300 - 500 Lot 583 Charles Napier Hemy RA (1841-1917) ‘Falmouth’ signed with initials ‘CNH’ and dated ‘1897’ l.r., also signed and inscribed as titled verso, watercolour and gouache 43.5 x 56cm £300 - 500 Lot 584 Philip Wilson Steer RWS (1860-1942) Study of Chepstow Castle oil on card 12.5 x 25.5cm £250 - 350

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Provenance: The Cyril and Shirley Fry Collection.

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585 Lot 585 Theresa Sylvester Stannard (1898-1947) A cottage garden signed ‘Theresa/ Sylvester Stannard’ l.l., watercolour 34.5 x 24.5cm; together with a companion by the same artist, 35 x 20.5cm (2) £400 - 600

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Lot 586 Henry John Sylvester Stannard (1870-1951) Flitwick, Bedfordshire signed ‘Sylvester Stannard NEAC’ l.l., watercolour 25 x 36.5cm £300 - 500

Lot 588 William Mainwaring Palin (1862-1947) Porlock Weir signed ‘W M Palin’ l.l., inscribed with title, signed and dated 1930 on label verso, oil on canvas 35.5 x 51cm £300 - 500

Lot 587 John McDougal (1851-1945) ‘Sunshine and poppies’ signed ‘John McDougal’ and dated 1903 l.l., watercolour 49 x 39cm £300 - 500

Lot 589 English Naive School, 19th century A street scene in Whitby, Yorkshire oil on canvas 41 x 61cm £300 - 500 Provenance: The Peter and Pat Crofts Collection.

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594 Lot 592 *Alan Fearnley (b.1942) A locomotive in green livery pulling away from a station signed ‘Alan Fearnley’ and dated ‘77 l.l., oil on canvas 51 x 61cm £300 - 500 Lot 593 William de Leftwich-Dodge (American, 1867-1935) An extensive river landscape signed ‘Wm. de Leftwich-Dodge’ l.l., oil on canvas 36 x 70cm, unframed £300 - 400

592

Lot 590 Garstin Cox (1892-1933) A wooded stream signed ‘Garstin Cox’ l.l., oil on canvas 51 x 61cm £300 - 500

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Lot 591 Hans Richard von Volkmann (German, 1860-1927) A wooded landscape in autumn signed and dated ‘H R v. Volkmann 1917’ l.l., oil on canvas 34 x 44cm £250 - 350

Lot 594 Austin Winterbottom (1860-1919) ‘The Old Barn’ signed ‘Austin Winterbottom’ l.l., inscribed with title verso, oil on canvas 30.5 x 45.5cm £250 - 350 Lot 595 Hungarian School, 20th century A lakeland landscape oil on canvas 80 x 60cm, unframed £250 - 350

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Lot 596 Francisco Hernandez Monjo (Spanish, 1862-1937) Shipping off a coastline signed ‘Hernandez Monjo’ l.r., oil on canvas 40.5 x 60cm £400 - 600

Lot 597 British School, 20th century Steamships in rough seas indistinctly signed l.r., oil on canvas 50.5 x 76cm £300 - 400

Lot 598 Continental School, 20th century The Grand Canal, Venice signed with monogram l.r., oil on canvas 51 x 61cm £300 - 500

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Lot 599 Anna Cherednichenko (Russian, 1917-2003) ‘Young boy fishing’ signed in Cyrillic and dated ‘58 l.r., oil on canvas 77 x 145cm £1,000 - 1,500

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435 - 608 PAINTINGS, WATERCOLOURS AND PRINTS Lot 600 *Peter Coombs (1929-2007) A light aircraft flying low over a field signed ‘P W G Coombs’ l.l., oil on canvas 76 x 50.5cm, unframed; An aerodrome signed ‘P W G Coombs’ l.r., oil on canvas 76 x 50.5cm (2) £300 - 400 These paintings were used as cover images for ‘Wings over Georgia’ by Jack Currie and ‘A WAAF in Bomber Command’ by Pip Beck respectively, and are sold with a copy of each book.

600 Lot 601 *Peter Coombs (1929-2007) A Lancaster bomber taking off signed ‘P W G Coombs’ l.l., oil on canvas 76 x 50.5cm, unframed; A Lancaster bomber flying over explosions by night signed ‘P W G Coombs’ l.l., oil on canvas 76 x 50.5cm, unframed (2) £300 - 400 These paintings were used as cover images for ‘No Moon Tonight’ by Don Charlwood and ‘Lancaster Target’ by Jack Currie respectively, and are sold with a copy of each book.

601 Lot 602 *Peter Coombs (1929-2007) A Lancaster bomber surrounded by searchlights and explosions signed ‘P W G Coombs’ l.l., oil on canvas 76 x 50.5cm, unframed; A Mosquito flying by moonlight signed ‘P W G Coombs’ l.l., oil on canvas 76 x 51cm, unframed (2) £300 - 400 These paintings were used as cover images for the books ‘Lancaster to Berlin’ by Walter Thompson DFC and Bar and ‘Night Flyer’ by Lewis Brandon DSO DFC respectively, and are sold with a copy of each book. Lot 603 Spare lot

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PAINTINGS, WATERCOLOURS AND PRINTS 4 3 5 - 608 Lot 604 *Jean Franck-Baudoin (French, 1870-1961) Cows in a field signed ‘J. F. Baudoin’ l.l., oil on canvas 54.2 x 65cm £600 - 800 Provenance: Petley Fine Art, London, no.386. Lot 605 *Jean-Franck Baudoin (French, 1870-1961) ‘Soir d’orage’ signed ‘Jean Franck Baudoin’ l.l., oil on canvas 46.8 x 66cm £400 - 600 Provenance: Petley Fine Art, London.

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435 - 608 PAINTINGS, WATERCOLOURS AND PRINTS Lot 606 *Jean Franck-Baudoin (French, 1870-1961) La Clouère, Vienne signed ‘J F. Baudoin’ l.l., signed and inscribed verso, oil on canvas 38.5 x 55cm £400 - 600 Provenance: P etley Fine Art, London. La Clouère is a river in Vienne, France.

606 Lot 607 Vladimir Lunevski (Russian, b.1949) ‘Autumn’ signed in Cyrillic l.r., also signed, inscribed as titled and dated 2014 verso, oil on canvas 50 x 60cm £300 - 500

607 Lot 608 Vladimir Aldoshin (Russian, b.1951) ‘Autumn’ signed in Cyrillic l.l., also signed, inscribed and dated 2010 verso, oil on canvas 69 x 90cm £500 - 700

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FUR NITUR E AND WOR K S OF ART LOTS 6 09 -63 3

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609 - 633 FURNITURE AND WORKS OF ART

610 Lot 609 A carved giltwood Florentine mirror, 19th century, with an elaborate scrolling frame and moulded slip, surrounding a rectangular plate, 130cm wide 157cm high £1,500 - 2,500 Lot 610 A pair of painted and parcel-gilt side chairs, 18th century, North-Italian, probably Genoa, each with acanthus carved top rail and cabriole supports, later upholstered in horsehair fabric, 50cm wide 57cm deep 87cm high £600 - 800 Provenance: A Private Collection, Mayfair, London. Lot 611 A Louis XVI painted console table, late 18th century, French, the shaped grey marble top above an elaborate foliate-detailed pierced frieze centred with a classical mask, raised on tapering fluted supports with entwined floral decoration, 115cm wide 38cm deep 88cm high £1,000 - 2,000

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615 Lot 612 A painted and parcel-gilt child’s sleigh, 19th century, the Netherlands, with all-over pierced scrolling detail, decorated to each side with pastoral scenes, 100cm long 68cm wide 92cm high £500 - 700 Provenance: Iconastas, Piccadilly Arcade, St. James’s, London, W1. Lot 613 An eight-air musical box with bells and drums in sight, the walnut lid with strung and inlaid decoration over a grained base, the lid interior with a paper label, comb 18cm long case 46cm wide £200 - 400 Provenance: The Peter and Pat Crofts Collection.

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Lot 614 An ivory and ebony crucifix, 19th century, French, Dieppe, the Corpus Christi beneath a scroll inscribed ‘IN RI’, 22cm wide 41cm high £300 - 500 Lot 615 A black-lacquered cabinet on stand, 18th century and later, the cabinet with all-over neoclassical decoration, the twin doors set with foliate-engraved metal mounts, enclosing various drawers decorated with putti, raised on a modern stand, 79cm wide 43cm deep 116cm high £600 - 800 Lot 616 A three-seater sofa, of recent manufacture, designed by Guy Goodfellow for Colefax & Fowler, in the Howard & Sons ‘Audley’-style, upholstered in floral and foliate decorated fabric, raised on tapering square supports, 209cm wide 103cm deep 87cm high, together with four pairs of cushions (9) £600 - 800 Provenance: Supplied by Sibyl Colefax & John Fowler.

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609 - 633 FURNITURE AND WORKS OF ART Lot 617 A Neapolitan parlour guitar, c.1830, bearing a label that reads ‘Flli Calace, strumenti musica, Napoli’, and also with a label ‘Restored by A.C. Beardmore in his 62nd year, Wednesbury 1988’, the body with ivory, mother-of-pearl and ebony binding, and the rosette with stylised foliate, mother-of-pearl inlay, the slotted headstock and fingerboard with further mother-of-pearl inlays, complete with a modern fitted case, back 45cm long upper bout 24cm wide lower bout 30cm wide scale length approximately 23¾in £700 - 900 Lot 618 A pair of carved limewood and polychrome painted wooden figures of angels, 18th century, South German, each raised on a perspex display stand, the largest 44cm high (2) £500 - 800 Provenance: J oanna Booth, London.

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FURNITURE AND WORKS OF ART 6 0 9 - 6 3 3 Lot 619 An ebony tric-trac table, 19th century, French, the turn-over top with tooled leather skiver, reversing to show an inlaid chequerboard beneath, over an ivory and stained ivory inlaid backgammon board with two single counter drawers beneath, and raised on slender cabriole legs with gilt-metal sabot feet, 75cm wide 58cm deep 78cm high £1,000 - 2,000 Provenance: A Private Collection, Mayfair, London. Lot 620 A Staunton Grandmaster chess set by Jaques of London, of recent manufacture, the chessmen carved in boxwood and ebony, each piece with a gilt-embossed label beneath, kings 11.5cm high, in a fitted baize-lined mahogany box, together with a teak, walnut and birch board, 58 x 58cm (2) £2,000 - 3,000 Provenance: A Private Collection, Mayfair, London.

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609 - 633 FURNITURE AND WORKS OF ART

621 Lot 621 A treen roulette wheel, 19th century, the detachable cover with a hole for the wheel handle and for a ball, the roulette wheel painted red and black, with ebonised detail, 15cm diameter 9cm high, a treen spinning top, 10.5cm high, and a lignum vitae bilboquet, handle 14cm long bell 5cm diameter (3) £200 - 300

622

Provenance: T he Peter and Pat Crofts Collection. Lot 622 A bone spelling set, mid-19th century, consisting of a combination of square-cut and fret-cut letters, housed in a mahogany box with a sliding lid, 11.5cm wide 8cm deep 4.5cm high £400 - 600 Lot 623 Four Louis XV ivory gaming boxes, c.1750, by Mariaval Le Jeune (Mariaval the Younger), Paris and Rouen, the rectangular boxes stained red, green, yellow and natural, three covers decorated with figures titled ‘L ‘Amerique’, ‘L ‘Europe’ and ‘La Frique’, one ‘Si Je Prend Je Suis Pris’, the cover interiors with river landscapes, each with ornate, gilt metal hinges, and signed ‘Mariaval Le Jeune’, the three continents recorded as Paris, the green box, Rouen, 8cm long 6cm deep 2cm high (4) £800 - 1,200

623

Provenance: T he Peter and Pat Crofts Collection. Similarly decorated boxes are held in public collections including the Victoria & Albert Museum, the Fitzwilliam Museum and the Museum of Fine Arts, Boston. Such boxes were made in sets of four to hold counters for a card game, probably ‘reversis’, an ancient Italian card game from which the games of hombre and quadrille were derived in the 18th century. The four boxes are coloured green (for diamonds), red (for spades), yellow (for clubs) and white (for hearts). Lot 624 Four French white metal and stained ivory gaming boxes and counters, mid-18th century, probably by Mariaval Le Jeune, Paris, each rectangular box with white metal mounts, which test as silver, enclosing a hinged lid decorated in colours with an exotic figure seated in an ornamental garden, the sides and bases un-decorated, together with twenty-eight long counters decorated to both sides, fifteen un-decorated counters and six with remnants of red-painted decoration, housed in a contemporary shagreen case with a domed, hinged cover, counter boxes 8cm long 6cm deep 1.5cm high, shagreen case 18cm long 14cm deep 5cm high £500 - 1,000 Provenance: T he Peter and Pat Crofts Collection.

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FURNITURE AND WORKS OF ART 6 0 9 - 6 3 3 Lot 625 A pair of Baccarat ‘Tsar’ pattern decanters, early 20th century, each of compressed globe and shaft form, cased in blue over clear crystal, 43.5cm high (2) £500 - 800 Lot 626 An icon of the Mother of God of Bogolyubovo, late 19th century, Russian, the figure standing three-quarters before various saints, tempera and gold on wood, 45 x 36cm £300 - 500

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Lot 627 A pair of large circular glass bowls, contemporary, by Carlo Moretti, Murano, each with a gilt rim, 50cm diameter 9cm high, together with a pair of matching demilune vases on pedestal bases, 30cm wide 12cm deep 23cm high (4) £200 - 400

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Lot 628 A miniature silver gilt icon of St Andrew of Crete, marked Morozov with the Imperial Warrant, maker’s Cyrillic initials ‘IG’, St Petersburg, 1908-1917, the figure painted half length, raising his right hand in benediction and holding the Gospels in his left hand, his silver-gilt vestments repoussé and chased with geometric motifs, red velvet to the reverse and suspension loop, 84 standard, 9.2cm high £600 - 800 Provenance: Acquired from Iconastas Gallery, London, SW1.

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Lot 629 A marble bust of a bearded man, 19th century, raised on a socle plinth, 67cm high £300 - 500 Lot 630 A wooden model of a Thames rowing cutter, mid to late 20th century, painted in dark blue and gold royal livery, complete with three oars and on a later stand, 48cm long 10cm deep 5cm high £200 - 400

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Lot 631 A Chief Fireman’s Merryweather-style helmet, c.1900, probably belonging to James Archer of Wisbech, together with the original tin hat box, two epaulettes and buttons, two for long service, a vellum-bound book, inscribed ‘Borough of Wisbech Fire Engines 1883’ with handwritten diary entries by James Archer, a booklet, with pressed card covers with handwritten entries detailing ‘Fires and Calls to Fires attended by James Archer, 1852-1900, Fire Engines, Borough of Wisbech Ledger, J. Archer…Wisbech 1875’, card-bound with handwritten entries, together with further paperwork memorabilia (qty.) £400 - 600 Provenance: The Peter and Pat Crofts Collection.

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609 - 633 FURNITURE AND WORKS OF ART Lot 632 A locomotive nameplate ‘AUDLEY END’, LNER 2806 / 1606 / BR1606, B17 Sandringham Class, 159cm wide 29cm deep 43cm high £10,000 - 15,000 From the collection of Simon Porter. Simon’s father, David Porter, was a renowned pharmacist for over fifty years and the MD of the traditional chemist, Bayley’s in Clacton-on-Sea, Essex. He was an avid collector of stamps and Railwayana and well known in the town for his charitable efforts, especially for the RNLI. Following his passing in 2011, the RNLI named Clacton’s new inshore rescue boat after him during a ceremony hosted by BBC Radio 2 DJ, Johnnie Walker, who was rescued by the RNLI in the early Sixties during his time onboard the pirate radio ship Radio Caroline. David’s son, Simon Porter, is the long-time manager of legendary rock band Status Quo and has worked in the music business for over 45 years, acting as publicist for the likes of Motorhead, Manfred Mann, Olivia Newton-John, Paul Anka, The Temptations, Four Tops, Barbara Windsor, Smokey Robinson, Hawkwind, Uriah Heep and many more. Lot 633 A finely engineered 7¼ inch gauge live steam model, 20th century, the LMS Class Stanier Pacific 4-6-2 No. 6200 Princess Royal Class locomotive and tender, featuring a Fowler tender in LMS maroon livery and a boiler test certificate from Southern Federation of Model Engineering Societies, 37cm wide 293cm deep 57cm high £10,000 - 15,000 The actual locomotive No 6200 was built in 1933 for the London Midland and Scottish Railway to the design of Sir William A Stanier FRS. It had a maximum boiler pressure of 250lb, had a tractive effort of 40285lb with 4 cylinders/Walschearts valve gear and was intended for express passenger train haulage. It worked over the West Coast Main Line, principally on routes from Euston to Glasgow. In its later years, it worked from Carlisle. It was scrapped in 1964. We are grateful to Jeff Ryan, Rob Newman and Richard Shaw from the Stanier 8F Locomotive Society for their assistance in cataloguing this work. The Stanier 8F Locomotive Society are currently fundraising for their next major project. Full details can be found at www.8fsociety.co.uk.

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SILVER LOTS 6 34 -69 3

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Lot 634 A George III cast silver gilt figural taper stick, maker’s mark incise stamped ‘D S’, unrecorded, London 1813, the stem modelled as a gentleman/dandy, possibly a commedia dell’arte figure, 15cm high, 7ozt £500 - 600 Provenance: The Peter and Pat Crofts Collection. David Solomon registered his mark in May 1813, unrecorded in Grimwade and Jacksons, however, his mark is recorded in Book 4 of registered Smallworkers held at The Goldsmiths’ Company. Lot 635 Two George II cast silver candlesticks, both probably by James Gould, each have a different maker’s mark for the silversmith, one London 1744, the other 1747, each knopped and baluster stem terminating in a shaped, stepped and scalloped base, the sunken well engraved with a coat of arms, 20cm high, 27.3ozt without unmarked sconces (2) £400 - 600 Provenance: The Peter and Pat Crofts Collection.

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Lot 636 A pair of George III silver table candlesticks by James Sutton and James Bult, London 1783, of square tapering form decorated with fluted and zigzag decoration, on a square spreading base, 28cm high, loaded (2) £500 - 800 Lot 637 An Indian silver salver/card tray, by Robert Hamilton of Calcutta, first quarter of the 19th century, of plain circular form with a reed border, raised on three hairy claw and ball feet, 12cm diameter, 6.5ozt £200 - 300 Provenance: The Peter and Pat Crofts Collection. Lot 638 An 18th century Irish silver sauce boat, by Stephen Walsh, Cork, c.1770, stamped ‘WALSH’ over ‘Sterling’, of typical design with a flying scroll handle with wavy border, raised on three masked, capped feet, terminating in shell pads, engraved on base ‘M’ over ‘TE’, engraved with a crest over script initials ‘KOK’, 17.4cm long, 9cm high, 5.3ozt £800 - 1,200 Provenance: The Peter and Pat Crofts Collection.

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642 Lot 641 A George III silver teapot and stand, by Robert Hennell (I), London 1791, of oval, panelled form with scalloped shoulder and high domed cover, bright-cut engraved with bands of stiff-leaf motifs on a linear ground and floral and fern motifs, also engraved on either side with an oval cartouche, one vacant, the other initialled, the conforming teapot stand engraved with similar decoration and initials, raised on four bracelet feet, the teapot with wood handle and finial, 18cm high overall, 19.35ozt overall (2) £300 - 500 Provenance: The Peter and Pat Crofts Collection. Lot 642 A George III silver miniature journeyman’s or saffron teapot, London 1781, of plain oval form with a flush hinged cover, applied with an urn finial and wooden handle, engraved with a crest, the base faintly engraved with a ‘3-15’ over other script initials, 3.8ozt overall £300 - 500

643 Lot 639 An early 18th century silver gilt spoon tray, stamped four times with maker’s mark only, by Edmund Pears, c.1720, of elongated oval scalloped form, the gilding of a later date and now engraved with a coat of arms for a spinster or a widow, engraved on the back ‘3=9’, 17 x 9.5cm, 3.4ozt £300 - 400 Provenance: T he Peter and Pat Crofts Collection. Lot 640 A George III silver sauce boat, by maker’s mark script ‘(P)S’ or ‘S(P)’, London 1779, of conventional form with leaf-capped flying scroll handle and wavy border, raised on three shell-capped scroll feet, 16cm long, 8.6ozt £250 - 300

Provenance: The Peter and Pat Crofts Collection. There are a number of possibilities for this maker’s mark, one being Thomas Heming. However, given the article, there are two other possibilities, both of whom are not recorded in Grimwade, yet recorded at Mark Book, Smallworkers C3 at The Goldsmiths’ Company - one being John Huntley and the other Thomas Hatton, Mark Book C3, Smallworker. Lot 643 A George III silver beaker, by Thomas Daniel, London 1781, of plain tapering form with a fine thread-edge band to the base, engraved on the front ‘The Friendly Society, John Coati(s) Thos…’, 8.2cm high, 2.3ozt £150 - 250 Provenance: The Peter and Pat Crofts Collection.

Provenance: T he Peter and Pat Crofts Collection.

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644

645

Lot 644 A pair of George III silver-mounted coconut tureens and covers, by Peter and Ann Bateman, London 1798, each cover with a silver pineapple finial over birds of geometric and stiff-leaf carving, the bodies carved with panels of ribbon-tied musical trophies, a basket of fruit and flowers on a pedestal and a tree with a crossed fork and rake below, below draped swags over a cross-hatched ground, the base with a stylised sunburst, mounted with a silver rim and an oval plaque engraved with a sea monster, on shell-capped, carved supports, each cup bears a paper label pasted to the inside cover which reads ‘Gift of Lieut R Poaby of the Royal Navy at Calcutta, August 2nd 1786. The Cocoa Nutts of Penang. To Captain & Mrs Page of H/M/ ship Hubert on their wedding. Mounted in London 1798’, 12cm wide 19cm high (4) £500 - 1,000 Provenance: T he Peter and Pat Crofts Collection.

646

Lot 645 A set of three cut-glass and silver gilt cups and covers, probably 19th century and later, silver marks obscured, each of urn-shape with a pineapple finial and facet-cut stem, on a square base, raised on claw and ball supports, 9cm diameter 24cm high (3) £400 - 600

647

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Lot 646 A George III silver serving dish lid, by Paul Storr, London, 1801, of octagonal form, the oval reeded handle affixed with a cut nut over a gadrooned band, sloping faceted sides and a moulded rim engraved with a coat of arms, believed to be those of the Duke of Cambridge, 27cm wide, 30ozt £1,000 - 1,500

Lot 647 A Queen Anne silver tankard, attributed to Alice Sheene, London 1700-1715, with slightly convex sides, crested with an engraving of a stag, 10cm high, 6ozt £400 - 600

Lot 648 A Queen Anne silver goblet, by Lewis Mettayer, London 1711, with a tapering bowl, with a flared rim, raised on a turned column and circular foot, 16cm high, 8.6ozt £700 - 900

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SILVER 6 3 4 - 6 9 3 Lot 649 A set of four George III silver dishes, by Thomas Hemming, London 1772, each circular-shaped with a gadrooned rim, each engraved with a ducal coronet with a panache of five ostrich feathers crowned, a crowned garter with the motto ‘Honi soit qui mal y pense’ between ‘GR’ initials, each engraved with weights, 24cm diameter, 69ozt (4) £1,500 - 2,500 Lot 650 A George III silver wine funnel, maker’s mark (P)S, London 1793, of conventional form with a reeded border and having a part-fluted section between two reeded bands to the middle section, initialled, 16cm high, 3.3ozt £150 - 200 Provenance: The Peter and Pat Crofts Collection. Lot 651 A George III silver five-bottle cruet stand, by Benjamin Laver, London 1775, fitted with five cut-glass and unmarked silver-topped bottles, the circular frame pierced with a double band of vertical slats between scalloped borders, the cartouche engraved ‘G E E’, with a rope-twist border and raised on three claw and ball feet with a central scroll handle, 22cm high, loaded £250 - 300

649

Provenance: The Peter and Pat Crofts Collection. Lot 652 A set of twelve silver vodka cups, early 20th century, Belgian, each of tapering form and with a band of chased decoration, each stamped to the underside ‘A800’, in a fitted case, 4cm high, 5.5ozt (12) £300 - 500 Lot 653 Twelve American parcel-gilt sterling silver coffee spoons, by Black Starr & Frost, Fifth Avenue, New York, the Art Nouveau rose pattern marked ‘sterling’, maker’s monogram and dated ‘pat May 22 1900’, initialled ‘EW’ for Edith Warner, born 13 September 1870, a wedding present from her marriage in 1907, in original fitted case, spoons 11cm long case 35 x 13.5 x 3.5cm £400 - 600

650

651

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Black Starr & Frost, founded 1810, are the oldest established silversmiths still operating in the USA.

653 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

6 3 4 - 6 9 3 SILVER

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654 Lot 654 A silver filigree counter box, 18th century, of cylindrical form, containing nine jetton gaming counters, each dated 1786, the box 3.25cm diameter 2cm high £300 - 400 Lot 655 An imperial harp shell box, probably 18th century, silver and gold mounted, 8cm long £200 - 400 Provenance: T he Peter and Pat Crofts Collection. Imperial harp shells are found in the Indian Ocean, mainly in the waters off Mauritius. Lot 656 An unusual silver and mother-of-pearl box, by Omar Ramsden, London 1936, incised, engraved ‘OMAR RAMSDEN ME FECIT’, rectangular, the frame case in relief with entwined rose stems, the base having a rope twist border and the inside of the frame engraved with wrigglework, with cedar lining, 12.2cm wide 7.1cm deep 4.3cm high £1,000 - 1,500

655 Lot 657 A silver, mother-of-pearl and enamel table snuff box, c.1900, Austrian, maker’s mark ‘S B’, of oval form, the hinged cover set with a natural piece of shell and applied with St Hubert kneeling before a stag with his dog at his side, the base engraved with elaborate scrollwork and centred with script initials below a coronet, further engraved with ‘Vickery, Regent St W’ to the inner rim, 10.3cm wide 6cm deep 2.5cm high at highest point £400 - 500

Lot 658 A French silver and mother-of-pearl box, 19th century, the side, top and serpentine front deeply carved with biblical scenes, including The Three Kings visiting Christ in a stable, Rebecca at the well and Samson and Delilah, the silver mounts engraved, 7.5cm wide 5.5cm deep 4.5cm high £400 - 600 Provenance: The Peter and Pat Crofts Collection.

Provenance: The Peter and Pat Crofts Collection. St Hubert (Hubertus) was an 8th century Christian saint who became the first Bishop of Liege. He is the patron saint of hunters, mathematicians, opticians and metalworkers, and is known as the ‘Apostle of the Ardennes’.

Provenance: T he Peter and Pat Crofts Collection. For a similar example, see: Woolley & Wallis, ‘Arts & Crafts’, 18 June 2014, lot 507, and Christie’s, New York, ‘Silver & Objects of Vertu’, 22 October 2014, lot 101. Several boxes of this design, either with ivory or mother-of-pearl panels, are recorded in Omar Ramsden’s order book, 1933-37, held at the Goldsmiths’ Company. The current lot may be illustrated as order no. 2022.

656

657

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658 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

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659

662 part

660

663 part

661 Lot 663 A George III, George IV and Victorian silver table service, of king’s hourglass pattern, comprising: 6 tablespoons, by Eley & Fearn, London 1816, 6 tablespoons, by George Adams, London 1849, 6 table forks, by George Adams, London 1849, 6 dessert spoons, by George Adams, London 1849, 6 dessert forks, by Eley & Fearn, London 1822 (4) and 1840 (2), and a pair of George III sauce ladles, by Solomon Hougham, London 1816, initialled or crested, 97ozt (32) £800 - 1,200 Lot 664 An unmarked gold salt spoon, the curved handle terminating in a star-shaped terminal and the back of the bowl with a rat-tail, the spoon has a swing ticket and has been attributed to Matthew Warwick or possibly James Warwick, tests as 9ct gold, 8.9g £100 - 150 Provenance: The Peter and Pat Crofts Collection.

664 Lot 659 A small collection of ‘picture back’ teaspoons, a set of five 18th century teaspoons, the back of the bowl depicting ‘TC’ and the front engraved ‘MEH’, stamped with maker’s mark of TW and lion passant, 1.7ozt (5) £150 - 250 Provenance: T he Peter and Pat Crofts Collection. Lot 660 A George III silver and ivory-handled cheese scoop, maker’s mark E.F. probably by Edward Fernell, London 1811, no town mark, with a tapering, faceted handle and a plain silver scoop, a Victorian silver and ivory-handled butter knife, by Hilliard & Thomason, Birmingham 1889, the handle carved with flutes and the blade decorated with zigzag motifs and a spray of ferns, together with a pair of Victorian silver and ivorine-handled fish servers, by Goldsmiths’ & Silversmiths’ Co., London 1899, of plain design (4) £250 - 350

665 Lot 661 A set of four 18th century Irish silver dessert spoons, by John Nicholson, Cork c.1780, of old English pointed pattern, with bright-cut engraving and a crest of the mitre, stamped ‘sterling’ and maker’s marks, 3.5ozt (4) £800 - 1,200 Provenance: The Peter and Pat Crofts Collection. Lot 662 A composite George III silver canteen of old English pattern flatware, various makers and dates, London and Glasgow, comprising: 12 tablespoons, various dates, 13 table forks (seven crested), various dates, 8 dessert spoons, Glasgow 1831, and 11 dessert forks, various dates, 76ozt (44) £700 - 900

Lot 665 A collection of thimbles, various dates, makers and materials, comprising: a 19th century unmarked silver-gilt and turquoise set example, two 18th century finger tip examples, one stamped with maker’s mark, possibly Joseph Taylor, the other unmarked, fifteen various silver examples, all hallmarked, two metalware examples, twenty various plated and other thimbles, a glass example, with a cane glass cap, a painted ceramic example, a treen example, a copper and enamel example, and an unmarked gold example, tests as 19ct gold (qty.) £300 - 500 Provenance: The Peter and Pat Crofts Collection.

Provenance: T he Peter and Pat Crofts Collection.

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666

667

669

Lot 666 A small collection of silver boxes, comprising: a George IV silver-gilt vinaigrette, by John Bettridge, Birmingham 1822, with engine-turned decoration to the cover and base, another similar example, by Thomas & William Simpson, Birmingham 1823, an early 19th century silver-gilt example, of rectangular form with canted corners, marks slightly distorted, a Victorian silver small snuff box, by E Smith, Birmingham 1856, and a George III silver patch box, by Samuel Pemberton, Birmingham 1795, oval with bright-cut decoration, 1.8ozt (5) £300 - 500 Provenance: T he Peter and Pat Crofts Collection.

668

670

Lot 667 A Victorian silver caddy spoon, by George Unite, Birmingham 1860, with a frosted shell-shaped bowl and hollow two-ring handle applied with vine tendrils, a George III silver caddy spoon, modelled as a leaf with coiled serpent handle, maker’s mark obscured, Birmingham 1806, an early 19th century unmarked silver filigree caddy spoon, with scalloped-shaped bowl, engraved with a lion standing on a coronet, and a George III silver ‘hand’ caddy spoon, by Joseph Taylor, Birmingham 1806, with bright decoration to the handle, 103ozt (4) £300 - 400 Provenance: The Peter and Pat Crofts Collection. Lot 668 A silver/metalware-handled and horn serving/salad spoon and fork, by Georg Jensen, the spoon stamped with the following marks: an incuse ‘TI’ over ‘925’, ‘S’ town mark 1926 and ‘C.F.’ in ‘H’, the fork stamped ‘GI’ in a dotted circle, 830 in a dotted circle and ‘G’ over ‘830’ over ‘S’ in a dotted circle, acorn pattern, the fork 25.5cm long (2) £150 - 200 Provenance: The Peter and Pat Crofts Collection.

Lot 669 Five antique silver caddy spoons, to include: a George IV example, by Joseph Taylor, Birmingham 1827, with an engraved shovel-shaped bowl and hollow fiddle pattern handle, initialled, a George III example, with a zigzag engraved handle, a shell bowl, by Smith & Fearn, London 1792, a fiddle pattern example, by George Unite, Birmingham 1859, initialled, a George III Old English pattern example, by Elizabeth Morley, London 1802, initialled, with a bright cut engraved handle, and a George III shovel-shaped example, by Thropp & Taylor, Birmingham 1812, the bowl engraved with a band of chainwork, initialled, 1.68ozt (5) £300 - 500 Provenance: The Peter and Pat Crofts Collection. Lot 670 An unmarked silver nutmeg grater, late 18th century, of ‘egg’ form, bright-cut, engraved with scrolling foliage and flutes, 4.5cm high, together with another unmarked nutmeg grater, late 17th/early 18th century, of plain teardrop shape, engraved ‘F B’, 2.5cm high 1.4ozt overall (2) £300 - 500 Provenance: The Peter and Pat Crofts Collection.

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671

Lot 671 A Victorian mother-of-pearl and silver folding fruit knife, by Aaron Hadfield, Sheffield 1842, the blade decorated with emblems of the union issuing out of a feather plume, the handle carved with a crown beneath a large fleur-de-lys motif, an Edwardian silver and mother-of-pearl folding fruit knife, maker’s mark overstruck with that of James Dixon & Sons, Sheffield 1903, and a late Victorian silver and mother-of-pearl-handled folding fruit knife, by John Edward Bingham (Walker & Hall), Sheffield 1882, both carved with 319-399 borders and fluted terminals, both applied with a thick rectangular strip, one engraved ‘Alice’, together with a George III silver and mother-of-pearl folding fruit fork, stamped with a cusped King’s head duty mark and lion passant, the tines engraved and the handle applied with vacant cartouche (4) £180 - 220 Provenance: T he Peter and Pat Crofts Collection. Lot 672 A silver, steel, mother-of-pearl and unmarked gold folding fruit knife, maker’s mark ‘L.M.’ with a key between, probably Rouen, last quarter of the 18th century, the handle carved with alternate narrow and wide sections of diagonal flutes, also embellished with three small gold roundels and fluted terminals, together with and fitted in a green stained fish skin case, 21cm long overall £100 - 150 Provenance: T he Peter and Pat Crofts Collection.

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672

673

Lot 673 Five antique silver and mother-of-pearl folding fruit knives, either with plain shaped handle or carved handle, comprising: an example by Arthur Staniforth, Sheffield 1903, each handle applied with a vacant cartouche, a Victorian example, by Hilliard & Thomason, Birmingham 1865, a further example, by John Yeoman Cowlishaw, Sheffield 1929, a combined fruit knife and nut pick, maker’s mark ‘J.P.’, Sheffield 1892, plus an Edwardian example, by Villiers & Jackson, Birmingham 1907 (5) £200 - 300 Provenance: The Peter and Pat Crofts Collection.

674

Lot 674 A small collection of mother-of-pearl-handled folding fruit knives, various dates and makers, six with silver blades, a cased example and three with steel blades, one incorporating a bottom hook and corkscrew, also included is a small leather knife holder (11) £100 - 150 Provenance: The Peter and Pat Crofts Collection. Lot 675 A George II silver tankard, by William Shaw & William Priest, London 1758, the domed lid with a scrolling thumbpiece, above a cylindrical body set with an S-scroll handle with a heart terminal, centred with a crest, 21cm high, 28ozt £800 - 1,200 Lots 676-677 Spare lots

675

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218

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6 3 4 - 6 9 3 SILVER Lot 678 Three pairs of silver and mother-of-pearl folding fruit knives and forks, the first pair by Aaron Hadfield, Sheffield 1824, 13.3cm long, the second and third pairs with lion passant and duty marks (only), open 11 and 15cm long (3) £150 - 200 Lot 679 Two gold folding fruit knives, the first by William Needham, Sheffield 1924, the handles engine-turned 9ct gold, the blade silver gilt, the second with gold blade and mounts and mother-of-pearl handles, open 14 and 15cm long (2) £300 - 500 Lot 680 Six various silver, silver-plated and base metal folding fruit knives and a penknife, the first with silver blade and plated handle cast with a hunter, by Law, Atkin and Oxley, Sheffield 1827, the second with silver blade and mother-of-pearl handle, by Robert Martin and Edward Hall, Sheffield 1843, in case, the third a miniature, by Francis Higgins (possibly), London 1846, in associated case, the fourth with silver blade and mother-of-pearl handle, by James Fenton, Sheffield 1904, the fifth with reversible concealed blade, by Francis Wallis, Birmingham 1925, the sixth a penknife with silver blade and plated handle cast with a hunter, largest open 15.2cm long (6) £150 - 200

678

679

Lot 681 Two gold and mother-of-pearl folding fruit knives, largest open 16.5cm long (2) £200 - 400 Lot 682 Three silver and mother-of-pearl folding fruit knives, the first of Berge type, the two blades of silver gilt and steel, one stamped ‘GRAY’, open 21cm long, the second a combined knife and fork, locking together, by IL, Sheffield 1823, open 14cm long, the third by Edward Thomason, Birmingham 1922, blade stamped ‘B Thomason Patent’ in brown leather case, open 15cm long (3) £200 - 400

680

681

Lot 683 Two cased pairs of silver and mother-of-pearl folding fruit knives, the first by James Yeomans Cowlishaw, Sheffield 1890 and 1891, the silver-gilt blades with engraved decoration, open 17cm long, the second by Hilliard & Thomason, Birmingham 1916, open 14.3cm long (2) £150 - 200

682

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683

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684 Lot 684 Five silver and mother-of-pearl folding fruit knives, the first by Charles William Fletcher, Sheffield 1902, the handles engraved with birds and foliage, the second also by Charles William Fletcher, Sheffield 1901, the third by JL, Sheffield 182_(?), with gold mounts to handle, the fourth by William Needham, 1919, the fifth with gilded base metal blade, stamped ‘Westby Levick’, open 12.5-15.7cm long (5) £200 - 300

685 Lot 685 Six tortoiseshell and silver folding fruit knives, the first with silver gilt blade, Sheffield 1784, the second with two steel blades, one stamped ‘Beet’, the third probably French silver, stamped ‘Prucker’, the fourth by Alfred Taylor, Birmingham 1886, the handle inlaid with mother-of-pearl bird design, the fifth by Robert Martin and Edward Hall, Sheffield 1900, the sixth by Robert Pringle (probably), Sheffield 1930, largest open 19.5cm long (6) £200 - 400

687

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686

Lot 686 A Victorian silver and silver gilt folding fruit knife, by John William Kirwan(?), Sheffield 1888, the handles set with coloured hardstones and with Celtic knot engraving, open 16cm long £150 - 250 Lot 687 Two cased pairs of Victorian silver and mother-of-pearl folding fruit knives and forks, the first pair by George Unite, Sheffield 1877, with vine engraved blades and initialled handles, open 15cm long, the second pair also by George Unite, Sheffield 1864, open 14.5cm long (2) £150 - 200

Lot 688 Two pairs of silver and mother-of-pearl folding fruit knives and forks, the first pair by Thomas Sansom, Sheffield 1836, the second pair by Henry Wilkinson & Co., Sheffield 1866, both pairs with engraved handles largest open 16cm long (2) £200 - 300

688 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

6 3 4 - 6 9 3 SILVER

689

690

Lot 689 Two pairs of silver and mother-of-pearl folding fruit knives and forks in leather cases, the first pair silver gilt, by TM (London 1806 or Sheffield 1810?), the handles inscribed ‘Lamitie’, the second pair by Aaron Hadfield, Sheffield 1830, the handles decorated with active beehives, longest open 15.7cm (2) £200 - 300 Lot 690 Four silver and mother-of-pearl folding fruit knives and a fork, the fork: Sheffield 1818, the fruit knives by: Martin, Hall & Co, Sheffield 1855, Levesley Brothers (CL over TL), Sheffield 1868, James Yeomans Cowlishall, Sheffield 1877, and by James Fenton, Sheffield 1904, largest open 15.5cm long (5) £200 - 300 Lot 691 Two pairs of silver and mother-of-pearl folding fruit knives and forks, the first pair with lion passant and duty marks (only), the second pair by Thomas Marples, Sheffield 1844, largest open 14.5cm long (2) £150 - 200

692

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Lot 692 Four silver and mother-of-pearl folding fruit knives and a pair, the first with lion passant and duty marks (only), the second by Hilliard & Thomason, Birmingham 1853, the third by George Unite, Sheffield 1853, the fourth by James Yeomans Cowlishall, Sheffield 1885 (?), the pair with lion passant and duty marks (only) in a case, largest open 16cm long (6) £200 - 300 Lot 693 A gold and mother-of-pearl folding fruit knife and fork, the handles with inlaid circle and dot work, in a leather case, tests as 15ct, largest 13.5cm long open (2) £200 - 400

691

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FUR NITUR E AND WOR K S OF ART LOTS 6 94 -80 4

694 Lot 694 A gilt-framed oval mirror, 19th century, with a ribbon-tied frame around a bevelled plate, 92cm wide 110cm high £300 - 500

Lot 697 A pair of Regency-style toleware chestnut urns and covers, late 19th/early 20th century, each of goblet form, with an acorn finial and twin lion-mask handles, on an oval base, with simulated wood and scrolling foliate decoration, 19cm wide 13cm deep 31cm high (4) £200 - 300

Lot 695 A Victorian lacquered brass warp winder by John Nesbitt Limited, late 19th century, with dial revolutions gauge, and on a mahogany base with a single drawer, 76cm wide 40cm deep 60cm high £200 - 300

Lot 697A An oak butler’s tray, of recent manufacture, on a folding ‘X’ frame stand, 90cm wide 53cm deep 95cm high £200 - 300

Lot 696 A bronze of a reclining sheep, early to mid 20th century, on a black marble plinth, unsigned, 20cm long 11cm wide 10cm high £300 - 500

Provenance: A Private Collection, Mayfair, London.

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694 - 804 FURNITURE AND WORKS OF ART

698

700

699 detail

701 Lot 698 An oak side table, c.1690, with plank top and cleated ends, with a single drawer and geometric carved decoration to the lower frieze rail, on baluster turned legs and stretchers, 125.5cm wide 56cm deep 72cm high £300 - 500 Lot 699 A Persian wool carpet, 20th century, Kashan, decorated with scrolling foliate motifs on a pale ground, 355 x 255cm £600 - 800

702

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Lot 700 A French white-painted window seat, early 20th century, the rectangular pad back above a cushioned seat in green fabric on fluted turned supports, 99cm wide 54cm deep 91cm high £200 - 300

Lot 701 A pair of rustic tree slice occasional tables, 20th century, each raised on three naturalistically carved oak legs, approximately 40cm diameter 46cm high (2) £200 - 400 Lot 702 A pair of blonde oak fauteuils, of recent manufacture, French, upholstered in linen, raised on cabriole supports, 68cm wide 68cm deep 95cm high, together with a pair of matching footstools (4) £600 - 800 Provenance: A Private Collection, Mayfair, London.

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703

705 Lot 703 A George II draughtsman’s set, in a fitted shagreen case, containing nine instruments including an ivory rule, a brass protractor and a boxwood 8cm ivory rule, 7cm wide 17cm high £200 - 300 Provenance: The Peter and Pat Crofts Collection. Lot 704 A 19th century needlework sampler, worked by ‘Mary Jane Crofts, aged 8 years, 1845’, with a verse within baskets and urns of flowers and fruiting trees, 43 x 33cm, another, worked by ‘… Boyden, aged 9 years, 1878’, 39 x 39cm, together with an early 19th century sampler, inscribed ‘Nancy Clarkson, her wor’, wrought in the 9th year of her age, 1818’, worked with alphabets and a rhyme, 29 x 29cm (3) £150 - 250 Provenance: The Peter and Pat Crofts Collection.

704

Lot 705 The Wilson Family, a pair of watercolour miniatures, depicting Mrs S Wilson and husband, a card to the reverse reads ‘S. Wilson & Husband. She worked the Map of England on silk, and the four samplers’, in pen to the reverse of the Husband is written ‘Tinted (?) by Harry Mills, April 6 1942’, 7.5 x 5.3cm, together with an oval silkwork map, ‘England & Wales’ worked by M A Wilson within a ribbon-tied floral border, a handwritten label by Pat Cross verso reads ‘This was worked by a member of the Wilson family, they were part of The Drewery family - my mother’s maiden name was Drewery, Pat’. 55 x 47cm, a woolwork sampler, worked by ‘Mary Ann Wilson wrought in the 10th year of her age 1790’, with the alphabet, numbers, inscription, date and rhyme over a tulip flanked by two windmills and crowns, 31 x 24cm, and a needlework sampler, 19th century, neatly worked with alphabets and numbers in various styles above a rhyme, an embroidered patch attached reads ‘S. Wilson’, 36 x 35cm (5) £300 - 500 Provenance: The Peter and Pat Crofts Collection. Lot 706 A needlework sampler by Wilfred and Kara Harchant, 19th/20th century, worked with a house flanked by a pair of spaniels, comedy and tragedy masks, a bookshelf, inkwell and pipe, with a trailing border, 29 x 22cm £150 - 250 Provenance: The Peter and Pat Crofts Collection.

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A sampler that has been unusually worked by two members of the same family, probably brother and sister. It is reasonable to assume the Harchants were a Wisbech family.

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694 - 804 FURNITURE AND WORKS OF ART Lot 707 A wool carpet, c.1930, Turkish, Anatolia, woven with dense floral and foliate motifs in unusual monochrome colours, 280 x 202cm £1,200 - 1,800 Lot 708 A Northern European parquetry-inlaid specimen wood twin pedestal desk, probably late 18th/early 19th century, the serpentine top above an arrangement of seven drawers, raised on tapering square feet, decorated in the round with line inlay, 128cm wide 68cm deep 80cm high £400 - 600

Lot 710 A walnut and ebonised kettle bucket, 19th century, Dutch, decorated with turned banded decoration and raised on a circular spreading pedestal base, with a brass liner and swing handle, 37cm diameter 40cm high £300 - 500 Lot 711 Louis Baralis (French, 1862-1940), Ganymede and the Eagle, bronze, signed ‘L Baralis’, 82cm high £800 - 1,200

Lot 709 A domed, leather-bound trunk and stand, 20th century, the domed top painted with men-of-war off the coast, one possibly the royal yacht ‘Peregrine’, the front inscribed ‘In Omnia Paratus’ over the royal coat of arms and a drawer, the sides painted with ribbon-tied swags of husks and scrolls, on painted legs, the whole with studded borders, 37cm wide 26cm deep 59cm high £500 - 800

707 detail

Provenance: The Peter and Pat Crofts Collection.

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709

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710

711

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712 Lot 712 After Antoine-Louis Barye (French 1795-1875), a bronze figure group of a lurcher and a whippet, on a canted rectangular base bearing a cast signature, raised on a black marble socle, 37cm long 18cm wide 22cm high £500 - 700 Lot 713 A set of four carved oak panels, probably 16th century, each centred with a relief carved figure within scrolling foliate spandrels, 27cm wide 43cm high (4) £600 - 800

713

Lot 714 A French provincial pine and walnut cupboard, 19th century, the upper section with a single cupboard over a central recess, with a further cupboard to the base, all with carved foliate decoration and on scrolling feet, 68cm wide 41cm deep 209cm high £400 - 600 Lot 715 A Royal Worcester vitreous porcelain game service, c.1900, comprising: 12 plates, an oval serving dish, 4 comports, a pair of oval stands, and an oval tureen, stand and cover, each painted with a bird, including (probably) avocet, ducks, kiwi, moorhens, oystercatchers, partridges, penguin, pheasants, pigeon, some moulded with birds’ heads and wings, the tureen with stags’ heads, brown printed marks, Rd no. 208978, meat plate 45cm long x 32cm wide (22) £400 - 600

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694 - 804 FURNITURE AND WORKS OF ART Lot 716 A porcelain cabbage tureen, 19th century, French, probably by Jacob Petit of Paris, the lid with a finial in the form of carrots, bearing the initials ‘JP’ in underglaze blue and an overglaze crossed swords mark, 36cm diameter 24cm high £300 - 500 According to William Chaffers, ‘Marks & Monograms on Pottery & Porcelain’, ‘The products of the first period were much esteemed, being well painted and well modelled, bearing his mark, but recently the proprietor has unwisely altered his original plan and imitates Dresden, counterfeiting also the mark of the crossed swords…’.

Lot 717 A provincial fruitwood pétrin table or dough bin, late 19th/early 20th century, French, the rectangular plank top with cleated ends, enclosing a compartment, raised on tapering square supports, 200cm wide 78cm deep 77cm high £300 - 500 Lot 718 A set of eight elm and ash Windsor-style dining chairs, by cabinetmaker, Nigel Coope of Mansfield, Nottinghamshire, to include two elbow chairs, each with a pierced burr elm splat over a dished seat, all raised on turned supports united by a crinoline stretcher, elbow chair 56cm wide 70cm deep 117cm high, seat 47cm high, side chair 46cm wide 50cm deep 93.5cm high, seat 47cm high (8) £500 - 700 Lot 719 A Victorian taxidermy diorama by Ashmead and Co., late 19th century, containing common buzzard and a French partridge in a naturalistic setting, housed in an oak and glazed cabinet on stand, with paper maker’s label, 82cm wide 39cm deep 164cm high £600 - 800

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Lot 720 A Bakhtiari wool carpet, c.1910, Persian, the pale field with an unusual floral decoration, 285 x 193cm £1,500 - 2,500

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Lot 721 A painted pine chest, 19th century, French, Alsace, with a panelled top and front, with floral and foliate decoration, raised on bracket feet, 143cm wide 62cm deep 71cm high £300 - 500

Lot 722 A cut-glass twelve-light ‘Powerscourt’ chandelier by Waterford, of recent manufacture, the facet cut knopped stem and twelve scrolling arms festooned with prismatic drops, each piece with etched maker’s mark, 93cm diameter 104cm high £2,000 - 3,000

721 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

694 - 804 FURNITURE AND WORKS OF ART

723

724

725 Lot 723 A painted toleware chandelier, early 20th century, probably French or Italian, with six scrolling branches and four bulbs, decorated with various blanc de Chine porcelain flowers, 55cm diameter 55cm high £300 - 500 Lot 724 A set of six painted toleware wall lights, early 20th century, probably French or Italian, each with twin scrolling branches and decorated with various blanc de Chine porcelain flowers, each approximately 30cm wide 40cm high (6) £300 - 500

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Lot 725 A Charles I oak refectory table, 17th century and later, the plank top with cleated ends, above a frieze carved to one side with projecting husks and acanthus motifs, raised on turned supports united by stretchers, terminating in block feet, 258cm wide 77cm deep 77cm high £2,000 - 3,000 Lot 726 A pair of modern Louis XVI-style armchairs, by Nordic Style, each with a limed oak frame with a woven light blue buttoned fabric back and loose cushion seat, on turned and fluted legs, 76cm wide 66cm deep 95.5cm high (2) £600 - 800

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Lot 727 A group of seven George III deep blue enamel boxes, late 18th century, Staffordshire, to include an oval example painted with the portrait of a man, and inscribed ‘Quin’, 5cm wide 4cm deep 2cm high, together with six further boxes, largest 5.5cm wide 4cm deep 2cm high (7) £300 - 500 Lot 728 A group of seven George III enamel patch and other boxes, 1760s-90s, Staffordshire, all inscribed with messages of friendship, to include an oval example on a blue moulded base inscribed ‘Tho’ Absent not Forgotten’, largest 4.5cm wide 3.5cm deep 2cm high (7) £200 - 400

Lot 729 A George III enamel pill box, c.1780, inscribed ‘This for my Friend’, containing a miniature letter dated 17th July 1785, 3cm wide 2cm high, together with five further English enamel patch boxes, late 18th/early 19th century, three oval, variously printed and painted with inscriptions for love and friendship, on pink and blue bases, one circular inscribed ‘Trifle’s show Respect’, the last rectangular, inscribed ‘Always the Same’, the largest 4.5cm wide (6) £150 - 200

Lot 730 Two George III enamel egg-shaped nutmeg graters, c.1790s, one decorated with multicoloured stripes on a blue ground, the second with flowers on a green ground, each with a domed lid and pierced grille, 5cm high (2) £150 - 200

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Lot 731 A George III enamel oval patch box, c.1800, Staffordshire, the lid decorated with a spaniel in a kennel, 4.5cm wide 3.75cm deep 2.5cm high together with four further similar boxes, and another French example, decorated with a landscape scene and inscribed internally ‘Rendez heureux’, 4.5cm wide 3.5cm deep 3.5cm high (6) £200 - 400

Lot 732 A George III enamel patch box, c.1780, Staffordshire, the lid inscribed ‘This trifle tho small will remind you of one whose heart ever shall be entirely your own’, 4.5cm wide 4cm deep 2cm high, together with three further similar boxes, each inscribed with a motto, largest 4.5cm wide 3cm deep 2cm high (4) £200 - 300 Lot 733 A group of seven George III enamel patch and other boxes, late 18th/19th century, variously modelled and decorated with floral patterns, largest 5cm wide 4.5cm deep 3cm high (7) £200-400

Lot 734 An English enamel box of maritime interest, early 19th century, printed and painted with a naval battle scene between English and French ships, two ‘C’s mark to inside lid, 5cm wide 4.5cm deep 3cm high, together with two oval patch boxes, late 18th/early 19th century, illustrated with scenes of ladies in landscapes, 4.5cm wide 4cm deep 2.5cm high, and a brass and enamel snuff box, illustrated with chinoiserie scenes, 3.5cm wide 3cm high (4) £100 - 150

Lot 735 An English enamel nutmeg grater, 18th century, the cover titled ‘A Trifle from Wisbich’, over panels of flowers within enamelled ‘jewelled’ borders, on a pink ground, 4.5cm long £200 - 400 Provenance: The Peter and Pat Crofts Collection.

The two ‘C’s mark to the maritime box bears similarities to other 19th century French examples from the Samson factory.

732

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Lot 736 An Austrian silver gilt and enamel vinaigrette, 19th century, of egg form, the red enamel body with gilt highlights and scenes depicting figures in a landscape, a domed hinged cover, the interior with a pierced grille, damages and repairs, 3cm high, together with three Bilston enamel egg bonbonnière, two further egg bonbonnières, and a cylindrical enamel box, all late 18th/early 19th century, variously decorated, largest 5cm high (7) £300 - 500

Lot 737 Five George III enamel patch and other boxes, late 18th/early 19th century, variously decorated with scenes and floral patterns, one with cover lacking, the largest 6cm wide 4cm deep 2.5cm high, together with a porcelain egg-shaped scent bottle, 2.5cm wide 4.5cm high (6) £150 - 200

Lot 738 A commemorative enamel patch box, c.1802, Staffordshire, painted with Britannia holding an olive branch waving to a ship out at sea, indistinctly inscribed ‘We live in Hope’, the hinged mirror interior raised on a painted blue base, 5cm wide 4cm deep 2cm high £200 - 300 The image of Britannia waving an olive branch to a ship out at sea was a popular symbol of Britain’s increasing maritime power. This box bears similarities to another example probably made to commemorate the 1802 Treaty of Amiens, signed to mark the end of the French Revolutionary Wars. Despite the Treaty, Britain declared war on Napoleon’s France in May 1803.

Lot 739 Six enamel patch and other boxes, late 18th/early 19th century, each inscribed with a motto, to include one decorated with love birds and inscribed ‘I love too well to kifs and tell’, 4cm wide 3cm deep 2cm high (6) £300 - 500 Lot 740 A collection of seven souvenir enamel boxes, late 18th/early 19th century, each inscribed with a motto, the largest 5.25cm wide 4.5cm deep 2cm high (7) £400 - 600

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Lot 741 Two architectural enamel patch boxes, late 18th century, the first depicting ‘A Present From The Iron Bridge’, the second ‘Laura Place Bath’, each approximately 4.5cm wide 3.5cm deep 2cm high (2) £150 - 200

Lot 742 A George III memorial enamel patch box, c.1820, inscribed in monochrome to the lid ‘In memory of our most gracious Sovereign George III Obit 1820 Aged 82’, 4cm wide 3.2cm deep 2.5cm high, together with a second box, decorated with a portrait of The Duke of Wellington and inscribed ‘The most Noble Marquis Wellington, Salamanca’, 3cm wide 4.5cm deep 2.1cm high, and a third inscribed ‘The Happy Union of England and Prufia’, 4cm wide 3.5cm deep 2.5cm high (3) £150 - 200

Lot 743 Two Trafalgar-related enamel patch boxes, c.1798, the first decorated with a naval battle scene and inscribed ‘Nelson & Victory’, 4cm wide 3.5cm deep 2.25cm high, together with a second, inscribed ‘The glorious Victory of Admr Nelson on the 1st of Augst 1798’, 4cm wide 3.5cm deep 2cm high (2) £100 - 150

Lot 744 An enamel patch box in the form of a frog, 18th century, the base painted with a butterfly, 4cm diameter 4.5cm high, together with a second similar box, cover lacking, 4cm diameter 2.5cm high (2) £200 - 300 Lot 745 An enamel patch box in the form of a spaniel, 18th century, Bilston, with a clear glass hinged cover to the base, 4cm wide 3cm deep 3cm high £300 - 500

Lot 746 An enamel patch box, mid to late 18th century, of lobed form, the lid painted with the portrait of a lady wearing a feathered headdress, the band inscribed ‘Long live the King’, 3.5cm wide 5cm long 2.5cm high, together with a second oval patch box, the lid painted with a monochrome portrait of Louis XVI, 3.5cm wide 5cm long 2cm high (2) £200 - 400

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748

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750

Lot 750 A pair of Georgian oval needleworks of ladies in gardens, one playing an instrument, with foliate borders in gilt frames, each 16.5 x 12cm frame 25cm high overall (2) £300 - 400 Lot 751 A pair of Staffordshire pottery figures, mid-19th century, representing Count Bruhl’s tailor and his wife, painted in overglaze enamels, 13 and 14cm high (2) £200 - 300 Provenance: The Peter and Pat Crofts Collection.

Lot 748 Three Staffordshire Prattware cow creamers, early 19th century, two with tethered rear legs, all with milkmaids, 2 x 13cm high 1 x 15cm high (3) £200 - 300

Lot 749 A Pontypool-type lacquered tray, 19th century, depicting George III after William Beechy, 81cm wide 62cm deep 5cm high £300 - 500

Lot 752 A Staffordshire pearlware ‘Fair Hebe’ jug, c.1710, moulded with a man handing a woman a bird’s nest, at the base of a tree trunk, the reverse with a sleeping hound, painted with overglaze enamels, indistinct impressed number to base, perhaps 36, 13.5cm high £200 - 300

Provenance: The Peter and Pat Crofts Collection.

751 Lot 747 A Staffordshire pottery pitcher, early 19th century, with an image of the famous sporting dog ‘Nudger’ with an inscription below ‘Hark to Nudger see how he goes, the trail before him and that he knows’, verso a rhyme ‘Nudger that famous dog for sport…’, below copper lustre and underglaze blue bands, 17.5cm high £150 - 250

752

Provenance: The Peter and Pat Crofts Collection.

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694 - 804 FURNITURE AND WORKS OF ART

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754

756 Lot 753 An oak coffer, 17th century, the three-panelled top over a two-panelled front carved with roundels below an arcaded rail, 107cm wide 48cm deep 61cm high £300 - 500 Provenance: The Peter and Pat Crofts Collection. Lot 754 A cast iron fireback, dated 1639, cast with the figure of an ironmaster, who is shown with his dog and the tools of his trade, his furnace shown in the bottom left-hand corner, with cast inscription ‘Richard Lenard Founder at Bred Fournis’, 50cm wide 54cm high £300 - 500

Lot 755 A grey-painted and needlework fire screen, 19th century, French, the needlework later, with a foliate carved crest over a moulded frame and raised on carved scrolling feet, fitted with a crewelwork-type panel depicting a basket of flowers, 62cm wide 40cm deep 99cm high £300 - 500 Provenance: A Private Collection, Mayfair, London. Lot 756 An Alpine Kuba flatweave rug, early 20th century, woven with polychrome geometric motifs, 250 x 97cm £800 - 1,200

755

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758

Lot 757 A limed oak sofa suite, late 20th century, constructed using timber reclaimed from a collapsed barn, comprising a two-seater settee and two chairs, each of slatted construction, with mustard yellow cushions, settee 145cm wide 77cm deep 106cm high (3) £800 - 1,200 Lot 758 An oak and walnut side table, 17th century, Dutch, the single-piece top with cleated sides raised on wavy ‘X’ frame supports united by a stretcher, 126cm wide 80cm deep 74cm high £600 - 800

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Lot 759 A pair of bleached oak luggage racks, 19th century, French, each with a slatted rectangular top, raised on tapering ring-turned supports, 69.5cm wide 40cm deep 42cm high (2) £500 - 700 Lot 760 A rococo-style wall mirror, late 19th/early 20th century, the frame later painted, 76cm wide 96cm high £300 - 500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

694 - 804 FURNITURE AND WORKS OF ART

761

Lot 761 A set of twenty-eight clear glasses, of recent manufacture, French, of conical shape, 13cm high, together with twenty-eight larger and smaller flutes (56) £200 - 300 Lot 762 A Persian Karajeh wool runner, 20th century, the field decorated with various geometric medallions on a red ground, 285 x 82cm £200 - 300 Lot 763 An eight-day longcase clock, 17th century and later, the 10 inch square brass dial with subsidiary second and date dials, ringed winding holes and gilded cherub and leaf spandrels, bears name ‘Edwardus East, Londini’, the movement with five ringed and knopped pillars and outside countwheel, striking a bell, in a later yew wood veneered case with inset lenticle, the hood with a stepped cornice and spiral columns, 193cm high overall £3,000 - 5,000

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765

Lot 764 A pair of gilt-framed wall mirrors, second half of the 20th century, each with printed pictorial panels of windmills, cluster column sides and a bevelled plate, 68cm wide 10cm deep 112cm high (2) £400 - 600

766

Lot 765 A pine and fruitwood dresser, late 19th century, the plate rack back over three drawers, with further drawers and cupboards beneath, 152cm wide 52cm deep 202cm high £600 - 800 Lot 766 A set of sixteen Longchamp majolica oyster plates, 20th century, French, each with shell and basketweave mouldings, 24cm diameter, together with a pair of serving plates, 34cm diameter (18) £200 - 300 Lot 767 A set of thirty-eight wine glasses, of recent manufacture, French, each of conical shape, comprising twenty-one larger and seventeen smaller examples, larger examples 14cm high (38) £150 - 250

767

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694 - 804 FURNITURE AND WORKS OF ART

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768

770

Lot 768 A French library ladder, early 20th century, grey painted, with an applied crest and stencilled initials ‘B.N. PARIS’ for the Bibliothèque Nationale de France, Paris, 49cm wide 36cm deep 181cm high £250 - 350 Lot 769 A carved wooden figure of a lion passant, in the medieval style, with its tongue out and its tail curled between its legs, with traces of polychrome paint and gilt, on a later ebonised stand, 50cm long 18cm wide 31cm high £200 - 400 Lot 770 A cast brass tripod cauldron, in 16th century style, both handles with masks, and the ovoid body of the cauldron with an armorial, 20.5cm wide 19cm high £200 - 300 Provenance: Christie’s, ‘Au Bord de la Mer Private Collections from St Tropez, Cap d’Antibes & A Swiss Villa’, 17 April 2013, lot 302.

771

Lot 771 A pair of steel andirons, 19th century, each in the form of a classical figure, on scrolling dolphin supports, 27cm wide 62cm deep 44cm high (2) £200 - 400

772

Lot 772 A cast iron fireback, dated 1588, commemorating England’s victory over the Armada of Spain, of arched form with a rope twist border, a pair of anchors with fleur-de-lys above a row of Tudor roses, dated and inscribed ‘IFC’, 55cm wide 66cm high £250 - 350 Provenance: Bonhams, Oxford, ‘The Oak Interior’, 1 October 2014, lot 121; The John Caspall Collection.

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774

775 Lot 773 A pair of bronze pricket candlesticks, 17th century, each on a triform base, 15.5cm wide 37cm high (2) £200 - 300 Lot 774 A Gustavian giltwood console table, 18th century, with a white-flecked marble top above carved friezes, on turned legs and united by a stretcher adorned with a vase and festoons, 95cm wide 57cm deep 78cm high £1,000 - 1,500

Lot 776 A porcelain plaque, mid/late 19th century, painted in enamels with a bowl of fruit and an ewer on a window ledge, a classical sculpture beyond, 25 x 20cm, framed £200 - 300 Provenance: The Peter and Pat Crofts Collection. Lot 777 A Persian wool rug with silk highlights, 20th century, Kirman, decorated all-over with animals, birds and foliate scrolls, 205 x 155cm £400 - 600

Lot 775 An Italian giltwood mirror, c.1870, in the rococo style, the shaped, rectangular mirror surmounted by a foliate mirrored cartouche cresting within a floral entwined border, a mirrored cartouche to each corner, the apron centred by an acanthus cartouche and scroll feet, 113cm wide 183cm high £2,000 - 4,000

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Lot 778 A painted and upholstered stool, probably 20th century, Northern European, the rectangular top in purple linen, above a pierced apron with carved oak leaf decoration, raised on tapering turned supports, 111cm wide 48cm deep 44cm high £300 - 500 Provenance: A Private Collection, Mayfair, London. Lot 779 A pine painted dome top chest, 20th century, possibly Eastern Baltic states, decorated with geometric designs and with an iron handle to either end, 90cm wide 50cm deep 53cm high £300 - 500 Lot 780 A George II mahogany elbow chair, with a vase splat back and shepherd crook arms over a drop-in seat, with carved cabriole legs and pad feet, 67cm wide 72cm deep 105cm high £400 - 600

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Lot 781 A brass-framed commemorative girandole mirror, 19th century, with a laurel crest centred with a portrait bust of Queen Victoria, over an oval plate and two scrolling sconces, 50cm wide 79cm high £300 - 500 Lot 782 A Napoleon III buttoned-leather daybed, mid-late 19th century, French, the curved back with scrolling arms, raised on turned and ebonised front supports terminating in brass castors, 82cm wide 160cm deep 88cm high £500 - 700

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Lot 783 An oval brass-mounted étagère occasional table, 20th century, with turned brass supports terminating in castors, 62cm wide 46cm deep 58cm high, together with another similar, 60cm wide 40cm deep 60cm high (2) £500 - 800 Lot 784 A George III mahogany linen press, late 18th century, the triple moulded Gothic cornice over twin-panelled doors with fret-cut knot decoration, enclosing slides within, over two short and one long drawer set with cast brass handles, and on bracket feet, 125cm wide 62cm deep 184cm high £600 - 800 Lot 785 A rosewood console table, early to mid 19th century, the marble top over a single drawer, raised and turned on column supports and a shaped platform base, 126cm wide 50cm deep 108cm high £1,200 - 1,500 Lot 786 An oak butler’s tray, 19th century, of oval form, with brass hinges and on a folding stand, 72cm wide 46cm deep 70cm high £300 - 500

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694 - 804 FURNITURE AND WORKS OF ART

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Lot 787 A base metal, probably iron, tobacco box, with a hinged cover and inscription ‘Virginia good within I have, Britain not free for every…Only my master I supply, let begging fellows go and buy, J R 1821’, 8.5cm long 6cm wide £200 - 300 Provenance: T he Peter and Pat Crofts Collection. Lot 788 A treen spice box and cover, mid-19th century, containing eight lidded compartments inscribed ‘Mace’, ‘Nutmeg’, ‘Lemon peel’, ‘Cloves’, ‘Pepper’, ‘Cinnamon’, ‘Ginger’ and ‘pdrd Cinnamon’, each box containing a quantity of the spice described, the cover to the outer box inscribed ‘Spicebox’, 14cm diameter 12cm high, and a turned treen nutmeg grater, the screw top revealing the metal grater, in a vegetable ivory mount and a nutmeg, 7cm high £200 - 400 Provenance: T he Peter and Pat Crofts Collection. Lot 789 A carved walnut term figure, 17th century, carved with a bearded gentleman over a cherub’s head and foliate swags, with a label to the reverse ‘James A Butti dealer of articles of virtue, Queen Street Edinburgh’, 5.5cm wide 46cm high, together with an oak carving, 17th century, carved with a term figure and lion mask, 10cm wide 73.5cm high (2) £300 - 500

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Lot 790 Thornham Ironworks (1887-1920), an ornate black finished iron basket, the oval lobed bowl below a handle of fruiting branches over flowerheads and rustic scrolled feet, 35cm long 17cm high £150 - 250 Provenance: The Peter and Pat Crofts Collection. Thornham Art Ironworks, in West Norfolk, was founded in 1887 by Mrs Edith Ames-Hyde, to provide education and employment for villagers. She was joined by Victor Ames, a skilled designer of elaborate wares. By 1899, there were seven forges and up to 24 employees producing ornate lamps, signs, gates, railings, balconies and weather vanes. They supplied gates and lamps to the Prince and Princess of Wales at Sandringham and the Countesses of Warwick and Leicester, as well as items for Balmoral and various churches. After many casualties during WW1 and the death of Mrs Ames-Hyde in Shanghai, the business closed in 1920. Lot 791 A pair of carved decoy ducks, 20th century, by Ward & Bell of Crisfield, Maryland, drake 51cm long (2) £200 - 300

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FURNITURE AND WORKS OF ART 6 9 4 - 8 0 4 Lot 792 Henri Alfred Marie Jacquemart (French, 1824-1896), bronze group, ‘Chien assis regardant une tortue’, bearing a cast signature to the oval base, 19cm long 10cm wide 16cm high £2,500 - 3,500 Lot 793 A set of eight late Victorian oak dining chairs by Gillows, comprising two armchairs and six single examples, each with moulded detail to the frame, the rail set with grotesque mask finials, raised on acanthus-carved square supports united by a wavy ‘X’ stretcher, terminating in brass castors, stamped to each back leg, upholstered in leatherette, armchairs 65cm wide 65cm deep 112cm high (8) £600 - 800

792

Lot 794 A walnut stool in the manner of A W N Pugin, 19th century, with a needlework seat and bobbin-turned stretchers, on faceted turned and carved legs, 49cm wide 39cm deep 45cm high £1,000 - 1,500 Provenance: A Private Collection, Mayfair, London. Lot 795 A pair of impressive brass altar stick lamps, 19th century, each with a pierced ornate galleried drip pan, twist moulded column and triform base with further ornate decoration, on winged paw feet, 74.5cm high including fittings (2) £300 - 500

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694 - 804 FURNITURE AND WORKS OF ART

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798

Lot 796 A damascene steel wall plaque, second half of the 19th century, Swedish, of shield shape, with all-over gilt highlights, inscribed ‘Goteborg’ and decorated with views of the city among scrolling foliate motifs, 80 x 50cm together with two further examples, each bearing the coat of arms of Gothenburg (3) £400 - 600

796

Lot 797 A Victorian mahogany chesterfield sofa, stamped ‘John Taylor & Son Manufacturers Edinburgh’, with buttoned red silk upholstery, raised on substantial turned front supports terminating in brass castors, stamped to the back-left leg, 220cm wide 97cm deep 78cm high £1,000 - 1,500 Lot 798 A blue and white Lowestoft teapot and cover, c.1770-1780, in the Good Cross Chapel pattern, 12cm high (2) £300 - 500 Provenance: T he Peter and Pat Crofts Collection. Lot 799 A pair of cast brass altar candlestick lamps, 20th century, each with a decorated knop column and drip pan, on a triform base with paw feet, 52cm high (2) £180 - 280

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800 crest

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Lot 801 A George III polished fruitwood table clock, third quarter of the 18th century, probably by John Green of London, the bell top set with a handle and four finials above canted edges and a moulded base, raised on bracket feet, the arched brass dial with a chapter ring set with Roman and Arabic numerals, with apertures for the pendulum and date and strike/ silent dial, signed ‘Green London’, within scrolling foliate spandrels, the movement striking on a bell for the hours, with engraved detail to the backplate, 26cm wide 19cm deep 47cm high £800 - 1,200 Lot 802 A polychrome painted wooden figure of a reclining female, possibly an architectural fragment, with later wooden and case metal additions, 60cm long 20cm wide 30cm high £200 - 400 Lot 803 A pair of large Knole-type settees by Andrew Martin, of recent manufacture, each with serpentine rail, upholstered in mocha-brown fabric, 230cm wide 103cm deep 112cm high (2) £1,000 - 2,000

803 Lot 800 A Cromwellian oak side chair, 17th century, with seat and back upholstered in ochre velvet, the backrest with an armorial, the crest with a tower flanked by lions, raised on block and turned legs on later bun feet, joined by chamfered stretchers with a barley twist centre stretcher, inscribed underneath the seat ‘Cromwellian chair from Reydon Hall, Suffolk’, 46cm wide 40cm deep 83cm high, seat 46cm high £200 - 300

Lot 804 A cast iron milling table, with a latticed top raised on a stand, cast combined crushing and grinding mill, 93cm wide 114cm deep 60cm high £250 - 350

Provenance: C hristie’s, ‘Oak, Country Furniture, Folk Art and Works of Art’, 24 February 1999, lot 582.

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GAR DEN LOTS 8 05 -84 1

805

806 Lot 805 A cast iron garden suite, early 20th century, Indian, in the manner of the Coalbrookdale ironworks, consisting of two chairs and a bench, each with a pierced Gothic back and a slatted seat, bench 123cm wide 55cm deep 95cm high, chairs 65cm wide 55cm deep 95cm high (3) £500 - 800

248

807 Lot 806 A large teak sugar cane press, South-East Asian, to be operated by buffalo, 170cm wide 80cm deep 165cm high £300 - 500

Lot 807 A pair of carved lava stone elephants, Indonesian, 60cm long 34cm wide 54cm high (2) £300 - 500

805-841 GARDEN

808

809

810

Lot 808 Five Indian carved stone water filters, largest 70cm high (5) £300 - 500 These porous filters are placed in a river and the pure water taken from within. Lot 809 A pair of carved marble capitals, 20th century, Indian, with stiff-leaf carving, 39cm wide 39cm deep 39cm high (2) £200 - 300 Lot 810 A carved stone double-column base, 19th century, Indian, carved in relief with a half-round flower head design, 70cm wide 38cm deep 36cm high £200 - 400 Lot 811 Three large terracotta green-glazed jars, 20th century, South East Asian, of ovoid form, 73cm high (3) £200 - 300

811

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GARDEN 805-841

Lot 812 A pair of iron obelisks, 20th century, each with a scrolling open frame with a cuboid planter base, 50cm wide 50cm deep 210cm high (2) £500 - 1,000

250

812

814

813

815

Lot 813 A teak Lutyens bench, 20th century, 170cm wide 57cm deep 103cm high £200 - 400

Lot 814 A pair of carved marble stands, 20th century, North West Indian, each carved with four masks on a scrolling support, raised on an octagonal base, 50cm wide 50cm deep 62cm high (2) £500 - 1,000

Lot 815 A pair of cast iron campana urns, 20th century, each with a half gadrooned body, 50cm wide 45cm high (2) £300 - 500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

805-841 GARDEN Lot 816 A pair of cast iron urns, 20th century, each of trumpet form, 40cm diameter 65cm high (2) £300 - 500 Lot 817 A carved marble trough, 20th century, North West Indian, of rectangular form with a lion mask handle to either end, 15cm wide 62cm deep 30cm wide £400 - 800

Lot 819 A carved red sandstone lion, 19th century, seated on its haunches with its tongue out, 45cm wide 20cm deep 64cm high £100 - 200 Lot 820 A pair of large turquoise-glazed terracotta jars, 19th century, South East Asian, of ovoid form, 92cm high (2) £200 - 400

Lot 818 A cast iron urn, 20th century, of trumpet form with a half gadrooned body, raised on a plinth base, 58cm diameter 114cm high overall £200 - 300

816

818

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819

820

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GARDEN 805-841

821

822 Lot 821 A pair of cast metal urns, 20th century, South East Asian, each with a lion rampant handle to either side and raised on a circular to square base, 60cm wide 49cm deep 70cm high (2) £500 - 800 Lot 822 A carved lava stone ‘Meru tower’, 20th century, having seven tiers, each with a circular aperture, 50cm wide 50cm deep 203cm high £300 - 500 Lot 823 An iron campagna urn, 20th century, with a lobed body and on a square base, 60cm diameter 50cm high £300 - 500

823

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824

Lot 824 A set of three iron plant frames, 20th century, Indian, each of triangular form with engraved decoration, 154cm high (3) £200 - 400

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

805-841 GARDEN

825

826

Lot 825 A set of four iron scrolling obelisk plant frames, 20th century, 60cm wide 60cm deep 203cm high (4) £800 - 1,200 Lot 826 A pair of carved marble planters, 20th century, Indian, each of stylised flower head form and on a circular spreading base, 59cm diameter 54cm high (2) £500 - 1,000

827

828

Lot 827 A pair of cast stone recumbent lions, 20th century, Indian, 60cm wide 26cm deep 46cm high (2) £200 - 400 Lot 828 A pair of carved sandstone column bases, 19th century, each with a rope twist edge and on a square base, 38cm wide 38cm deep 38cm high (2) £100 - 200 Lot 829 A pair of marble garden seats, 20th century, Indian, each with a griffin carved support to either end, 105cm wide 46cm deep 46cm high (2) £500 - 1,000

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829

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GARDEN 805-841 Lot 830 A pair of carved lava stone ‘Meru towers’, 20th century, Javanese, each with seven stones cut with circular apertures, 52cm wide 52cm deep 265cm high, one reduced to six stones, 240cm high (2) £700 - 1,000 Lot 831 A pair of carved lava stone Dogs of Fo, 20th century, 47cm wide 32cm deep 60cm high (2) £200 - 400

Lot 832 A carved marble pedestal font, 20th century, Indian, with a lotus head bowl on a carved column support, 55cm diameter 108cm high £500 - 800 Lot 833 A pair of carved lava stone Dogs of Fo, 20th century, Javanese, each with a paw raised, on a rectangular base, 32cm wide 45cm deep 68cm high (2) £200 - 400 Lot 834 A carved marble pedestal font, 20th century, Indian, the bowl carved with a rope twist edge and a foliate frieze, raised on a column support, 62cm diameter 90cm high £300 - 500

831

830

832

254

833

834 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

805-841 GARDEN

835

837

Lot 835 A carved lava stone figural group, 20th century, Javanese, depicting three deities amongst ruins, 68cm wide 40cm deep 90cm high £300 - 500 Lot 836 A carved lava stone ‘Meru tower’, 20th century, Javanese, four stones, each of hexagonal form, 62cm diameter 245cm high (reduced in height) £300 - 500 Lot 837 A marble-topped iron garden table, 20th century, Indian, the circular top on a scrolling triform base, 90cm diameter 77cm high £200 - 400 Lot 837A A cast iron hall stand, 19th century, the upper section set with a mask above a mirror, over the base with a twin-division stick and umbrella stand, 70cm wide 40cm deep 200cm high £200 - 400

836

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GARDEN 805-841

838 Lot 838 A terracotta planter in the form of a cat, of recent manufacture, standing four-square with its tail raised, 67cm long 34cm wide 67cm high £200 - 400

839 Lot 839 A wrought-iron weathervane, 20th century, the indicator in the form of a fish over scrolling arms, 162cm high £300 - 500

Lot 840 A Victorian cast iron garden urn and stand, the campana-shaped urn cast with a band of figures over flowering foliage, the base in three parts, 59cm diameter at largest point 142.5cm high £300 - 500 Provenance: The Peter and Pat Crofts Collection.

840

256

Lot 841 A near pair of composite stone guardian dogs, 20th century, each with bared teeth, seated holding a shield, on a canted square base, signed ‘JC’, 27cm wide 24cm deep 83cm high (2) £800 - 1,200

841 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

As featured on

Salvage Hunters: The Restorers 842-854

Salvage Hunters: The Restorers is a popular prime time show broadcast on the Discovery Network (Quest), where industry experts seek out lots in need of a little TLC and restore them to their former glory. We are delighted to now offer these restored lots for sale. The lots here are presented with stills from the programme and the thoughts of the experts on the show.

Lot 842 A leather button-upholstered slipper chair, early 20th century, raised on short turned legs and brass castors, 60cm wide 65cm deep 85cm high £300 - 500

A leather buttonupholstered slipper chair

Provenance: B olehyde Manor, Wiltshire.

This slipper chair originates from a country house in Wiltshire and is believed to date from the early 1900s.

An upholstered armchair

The slipper chair gains its name through function, often found in bedrooms as low seating for the user to use while maids helped them put on their shoes and slippers.

Believed to date from the mid-20th century and European (possibly German) in manufacture, this button back armchair features brass castors. This classic chair has been re-upholstered in a kilim fabric, giving it a contemporary ‘country house’ look.

Scan the code to follow the transformations.

This slipper chair features restored original stuffing and springs, as well as re-upholstery with an oxidised brass trim, returning it to its original grandeur, ready to be used for another 200 years.

842

An apothecary’s cabinet This cabinet, believed to originate from Eastern Europe, features a practical slide-out shelf with a resin finish and newly-installed interior lighting. Layers of old paint have been stripped back, with the original wood given a ‘scumbled’ effect grain, while the interiors have been freshly painted and missing shelves remade. A once drab and utilitarian cabinet is now a functional, bold and versatile piece, perfect in any room of a modern home.

843 Lot 843 An upholstered armchair, mid-20th century, with kilim-printed upholstery, on square tapering legs terminating in brass castors, 80cm wide 75cm deep 75cm high £500 - 800

Lot 844 An apothecary’s cabinet, 20th century, the upper section with two glazed doors opening to glass shelves, above the base with two panelled doors, 123cm wide 53cm deep 199cm high £500 - 800

844

All details were true at the time of transmission. All items are bought as seen at the auction only and Discovery Corporate Service Limited and its affiliates make no representations or warranties as to the condition, suitability or at all in relation to any lot offered for sale; no further documentation can be provided. All valuations stated herein are given by Sworders Fine Art Auctioneers at the time of printing. Please note that these may differ to the valuations given to the items within the programme, which was broadcast at an earlier time.

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Salvage Hunters: The Restorers 8 4 2 - 8 5 4 Lot 845 An elm settle bed, 18th century and later, the seven-panelled back over a base with hinged seat, enclosing a cot bed within, 195cm wide 58cm deep 132cm high £800 - 1,200

An Empirestyle chandelier This dazzling French Empire chandelier, believed to date to the late 19th century, exudes luxury and sophistication. Based on 17th-century chandeliers for French nobility, the crystal beads and iron construction showcase the fine historical craftsmanship from the era. Featuring most of its original beads and a scaled-back design, the original framework retains its original patina and has been meticulously reshaped and strengthened. With bulb holders and missing beads replaced, this luxurious chandelier is now rewired and electrified, ready to shine once more.

846 845

Lot 846 An Empire-style chandelier, late 19th century, of harebell from and set with a beaded glass shade, 70cm high £600 - 800

An elm settle bed This charming Irish settle bed, believed to date back to the 18th century, doubles as both a bench and a bed. Folding out to accommodate your overnight guests, it can also be used as storage, perfect for a hallway or living room. Settle beds were traditionally made by country carpenters in Ireland’s less affluent rural population, serving as an additional sleeping area for servants or children. This settle bed has been brought back to life, with damaged elm wood repaired, replaced and stripped back, accentuating its colour and decorative carving. The bench has been restrengthened through the addition of new feet and the multifunctional bed feature restored.

847

A Rajasthani merchant’s box This beautiful hand-painted merchant’s box originates from Rajasthan, a region famed for its tradition of bright, hand-painted furniture.

Lot 847 A Rajasthani merchant’s box, 19th century, decorated all-over in polychrome, the front with two dancing figures, 42cm wide 26cm deep 20cm high £400 - 600

Believed to date back to the 19th century, the time-worn paint on this box has been brought back to life through replacing worn gesso and careful retouching and repainting. This box, which would have originally been used to store valuables on a stall or inside a shop, would now make a beautiful decorative piece for the home.

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

8 4 2 - 8 5 4 Salvage Hunters: The Restorers

A pair of large specimen cabinet cupboards This Victorian specimen cabinet would have once stood in a museum or private collection, housing a variety of insects, animals or plants. Now reimagined for the modern home as a pair of practical cupboard units, the original internal drawer fronts have been used to face the doors, which open to reveal practical storage within.

Lot 848 A pair of large specimen cabinet cupboards, Victorian and later, each with faux drawers enclosing cupboards within, on a plinth base, 129cm wide 45cm deep 159cm high (2) £1,000 - 2,000

Lot 849 A Victorian pine and cast iron mill trolley coffee table, 19th century and later, 135cm wide 80cm deep 40cm high £500 - 800 Lot 850 Spare lot

848

A Victorian pine and cast iron mill trolley coffee table This former Victorian mill trolley is a truly functional and characterful piece for the home. Made of pine and cast iron, it has been reimagined as a stylish, industrialinspired coffee table.

849

Featuring a glass panel insert, it showcases the original cast iron wheel and chassis, making for a real statement piece. The trolley was discovered in a Yorkshire barn and is thought to come from a cotton, wool or iron mill in the Harrogate area.

A pair of François Carré ‘Sunburst’ garden chairs This elegant pair of François Carré ‘Sunburst’ garden chairs will transport you back to the French café society of the 1930s. This model of chair was commissioned by celebrated architect and designer Le Corbusier for the Carlos de Beistegui penthouse on the Champs-Élysées in Paris. These chairs feature their original white paint and patina, while damaged metalwork on the seat, back and frame has been recreated with sprung steel, ready to bask in the sun once more.

Lot 851 A pair of François Carré ‘Sunburst’ garden chairs, 20th century, each with s white painted iron frame, 53cm wide 70cm deep 90cm high (2) £200 - 400

851

259

Salvage Hunters: The Restorers 8 4 2 - 8 5 4

A mahogany and brass-bound campaign chest This mahogany campaign chest, believed to be from the 19th century, features an original painted inscription that reads ‘Chest of drawers mahogany in 2 pieces’. Throughout the Georgian and Victorian periods, campaign chests were used by British military officers to transport their belongings. These chests typically dismantled into two or more sections for easy transportation. The original mahogany wood of this example has been stained and French polished, with damaged wood replaced. The chest and drawers have been strengthened with new legs, brass plating and handles added, ready to stand proud once more.

Lot 853 A Maria Theresa-style chandelier, 20th century, with twenty lights raised on scrolling arms and festooned in cut-glass drops, 90cm high 70cm wide £800 - 1,200

853

A Maria Theresa-style chandelier This dazzling Maria Theresa chandelier is believed to date back to the 1930s. Distinguished by their gilded metal frame faced with cut crystal glass, these chandeliers have long been associated with royal glamour and sophistication. In 1743, Maria Theresa was crowned Queen of Bohemia – a region famed for its crystal manufacturing – and this breathtaking new style of chandelier was created in her honour.

852 Lot 852 A mahogany and brass-bound campaign chest, 19th century, in two sections, the rectangular top above an arrangement of six drawers with recessed brass handles, raised on short turned feet, 92cm wide 45cm deep 105cm high £1,000 - 1,500

The original frame has been reshaped and regilded, while missing glass has been replaced and rewired into a decorative pattern, ready for this opulent chandelier to shine bright once more.

Lot 854 A leather armchair, 19th century, with a tooled and painted leather back and seat over open arms, the legs united by an ‘X’ stretcher, 64cm wide 60cm deep 118cm high £400 - 600

A leather armchair Thought to date from the 19th century, this exquisite leather chair features beautifully carved walnut arms and legs, and a highly intricate gold-paint design. Based on an earlier Continental specification from the 1700s, the original embossed leather has been gently repaired, strengthened and fed, and the paint retouched using water-based leather paints. This grand chair is now ready to grace the floors of any home.

854

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 264

Cold War

Erotica

London Underground

Horror

Marilyn Monroe Space Travel

Arcade Machines

Tarot

Modernism

Folk Art

Glamour

Doctor Who

Pop Art

Mermaids

Monsters Unusual Signs

Arts & Crafts I Art Deco I Modern Design

Magic

Neon Signs

OUT OF THE ORDINARY Political History Sculpture

Witchcraft

Post Mortem Russian Art

Palmistry Film Posters

Photography

Vogue

Aeronautica

Tribal Art

TUESDAY 25 JANUARY 2022

TUESDAY 15 FEBRUARY 2022

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markwilkinson@sworder.co.uk

William De Morgan (1839-1917), The Archangel St Michael, a rare stained glass panel, c.1870, £80,000-120,000

Fossils

Fairground Art

Taxidermy

Medical History

Circus

Contemporary Art

Motoring Art Macabre

FINE INTERIORS Now Consigning For March 2022

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INDEX OF ARTISTS A Albertinelli, Mariotto Aldoshin, Vladimir Armfield, Edward

467 509, 510, 608 538

B Baines, Henry Baldry, Harry Barry, John *Baudoin, Jean-Franck Baur, Bob Beck, David *Beer, Andrew Beerstraten, Jan Abrahamsz Biffin, Sarah Bogdani, Jacob Bogle, John Boit, Charles Bristow, Edmund British School, 20th century Brown, John Lewis Burdin, Vladimir

561, 562 459 426, 428 605 493 442 539-542 548 502 465 414 372 526 597 485 512

C C..., T... Caffieri, Hector Callcott, Sir Augustus Wall Carwardine, Penelope Cherednichenko, Anna Chuikov, Evgeni Continental School, 19th century Continental School, 20th century *Coombs, Peter Cooper, Abraham Cooper, Thomas Sidney Cosway, Richard *Coward, Malcolm Cox, Garstin Cox, Marjorie Crane, Walter Crosse, Richard Crosse, Peter

488 574 476 380, 408 543, 599 504, 505 441, 456 598 600-602 474 524, 525 416, 421 530 590 537 471 376 366, 443

D da Cortona, Pietro Daniel, Abraham de Belleroche, Count Albert de Bock, Theophile de Geer, Ignatius de la Hyre, Laurent de Leftwich-Dodge, William Demarne, Jean-Louis Demenko, Anatoli Dicksee, Herbert Thomas Dixon, William Dixon, Charles Dobbin, John Dubasty, Adolphe Henri Dutch School, early 17th century Dutch School, 17th century Dutch School, 18th century

470 425 491 564 379 464 593 550 496 513-522 430 395 558 446 353 354 440

E Edridge, Henry 400 *Eekhoff, Uriel 507 English School, 1627 352 English School, 1664 357 English School, 17th century 355, 360, 363, 365 English School, c.1730 375, 381 English School, c.1740 386 English School, c.1770 402, 405 English School, early 18th century 361, 370, 371, 448 English School, mid-18th century 378, 399, 411, 415 English School, late 18th century 407, 445, 556 English School, 18th century 368, 377, 387, 390, 391, 396-398, 401, 413, 422, 423 English School, c.1800 419

English School, early 19th century English School, mid-19th century English School, 19th century English Naive School, 19th century Essex, William F Farinati, Paolo *Fearnley, Alan Ferguson, James Fidler, Harry Fisher, John Flemish School, mid-17th century Flemish School, 18th century Flemwell, George Jackson Forster, Thomas Forster, Mary Fortin, R... Fortuny, Mariano *Franck-Baudoin, Jean French School, c.1700 French School, 18th century

429, 432, 433 577 457 589 359 469 592 383 545, 546 552 437 551 490 367 486 409 477 604, 606 356 392, 553

G Gatin, Sergei Zakharovich German School, 18th century Girard, Alexandre Goddard, J... Gos, Albert H Gow, J... F... M...

494 444 458 557 565 482

H Hamilton, Gustavus Harris, John *Harrison, John Cyril Heffner, Karl Hegg, Maria Teresa Hemy, Charles Napier Henderson, Charles Cooper Herring, John Frederick Hone, Horace Hone, Nathaniel Hoskins, John Hudson, Thomas Hulk, Abraham Hulsbergh, Henry Hungarian School, 20th century Hunter, George Sherwood

384 554 544 563 503 583 527 528 434 394 358 453 573 555 595 566

J Jonson, Cornelis

364

K Kidd, William

484

L Lance, George *Ledward, Gilbert Lens, Bernard II Lens, Bernard III Lidderdale, Charles Sillem Lunevski, Vladimir M Marinova, Anna McDougal, John *McLeod, Juliet Monamy, Peter Monjo, Francisco Hernandez Muttoni, Pietro

500 460 362 369 454 511, 607 463 587 529 568 596 438

N Nattier, Jean-Marc

451, 452

P Paillou Jnr, Peter Palin, William Mainwaring *Payne, Charles Johnson Peel, James Pinwell, George John Plimer, Nathaniel

431 588 531-536 578 483 418, 427

Pocock, Nicholas Poole, James Pourbus, Frans, the Younger Pritchett, Edward

570 576 436 572

R Raphael Ramazanov, Renat Robertson, Walter Romney, George Roussoff, Aleksandr Nikolaev Rozsay, Emil Russian School, 20th century

466, 468 492 406 449 575 582 495

S Sandby, Paul Sanders Jnr, John Schalcken, Godfried Scouler, James Seaman, Noah Shelley, Samuel Shvab, Vladimir Sichkov, Valeri Singleton, William Smart, John Smart, T... Smythe, Lionel Percy Snyders, Frans Spencer, Gervase Spicer, Henry Stannard, Eloise Harriet Stannard, Henry John Sylvester Stannard, Theresa Sylvester Steer, Philip Wilson Stone, Frank Storck, Abraham Sullivan, Luke

481 417 447 382 373 393, 424 506 461, 462 389, 404 420 478 559 499 410 385, 412 501 586 585 584 480 567 403

T Teniers, David, the Younger Turner, William, of Oxford

473 475

U Unterberger, Franz Richard

569

V van der Mijn, Herman van Diest, Adriaen van Mierevelt, Michiel van Ostade, Adriaen van Rijn, Rembrandt Verboeckhoven, Eugene Vickers, Alfred H von Volkmann, Hans Richard

498 547 435 472 439 549 579, 580 591

W Wade, Robert Waite, Edward Wilkins Watts, George Frederic Weinmann, Johann Wilhelm Williams, H... Wilson, ... Winterbottom, Austin Worlidge, Thomas Wünnenberg, Carl

388 487 450 497 581 571 594 374 479

Z Zharov, Mikhail Zobel, Benjamin Zon, Jacques

508 523 489

Lots marked with a ‘*’ may attract the Artist’s Resale royalty charge at the rate of 4% of the hammer price. This royalty, where applicable, will be charged to the purchaser.

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GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty. Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

Circle of David Cox in our opinion a work from the period of the artist and showing his influence.

The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt. A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750.

Follower of David Cox in our opinion a work executed in the style of David Cox After David Cox in our opinion a copy of any date after a work by the artist

All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing.

Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist

Condition reports are not included in the descriptions.

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right? Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more. This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale. How are resale royalties calculated? The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate. The royalty is worked out according to a sliding scale from 4% to 0.25%. Hammer Price

Royalty

From 0 to €50,000

From €50,000.01 to €200,000

From €200,000.01 to €350,000

From €350,000.01 to €500,000

0.5%

Exceeding €500,000

Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom. Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs. Are all sales of artwork covered? The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met: • • • •

the artwork is a copyright protected work of graphic or plastic art; it is sold for more than €1000; it is sold in the secondary market with the involvement of an art market professional (e.g. auction house); and it is sold in the UK or another country in the European Economic Area (EEA).

0.25%

What is the qualifying threshold? An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

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What nationality must an artist be to qualify? The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA:

This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

TERMS AND CONDITIONS 1. INFORMATION FOR BUYERS Introduction The following notes are intended to assist Bidders and Buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Terms and Conditions and any notices that are displayed in our salerooms or announced by the Auctioneer at the auction. Our Terms and Conditions are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Terms and Conditions that you do not fully understand. Please make sure that you read our Terms of Sale carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. Methods of payment Lots must be paid for before they are collected or shipped. For those attending the auction we ask that Lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our Website, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000. Usually any cheques will need to be cleared before you can take the Goods away. Collection and storage All Lots should be paid for and collected by 5pm on the Friday following the sale. Commission Bidders should check the success of their bids and arrange payment, and collection or shipping within this time. For our specialist auctions please refer to the collection and storage requirements detailed in the catalogue and on our Website, which specifies the applicable fees. For our Homes and Interiors auctions, items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 (plus VAT) for administration and £2 (plus VAT) per lot per day. Agency As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the Goods is with the Seller, not with us as Auctioneer. Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the sale Price. The lower estimate may represent the Reserve Price (the minimum Price for which a Lot may be sold) and will not be below the Reserve Price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot. They are not definitive. Buyer’s Premium The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these Premiums (see below). VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the Buyer on the Hammer Price and the Buyer’s Premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that Lot. Lots which do not have either of the above symbols have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the Premium is not recoverable as input tax. Shipping Costs are liable for VAT and are payable by the Buyer. Inspection of Goods by the Buyer As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have ample opportunity to inspect the Goods. You must inspect and investigate Lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of Lots set out in the Terms of Sale at clause 12.4. Condition reports We may be able to assist Buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending Buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale. Shipping of Goods We offer a delivery service for Lots purchased. Estimates for Shipping Costs for smaller items can be calculated pre-sale on our website under each Lot and are based on value, size and your chosen UK destination. For items purchased the actual cost can be added to your account and paid online after the sale. If you purchase multiple Lots from the same auction, we will combine packaging/deliveries to reduce the Shipping Costs. For lots for which Shipping Costs cannot be automatically calculated, such as furniture, you can obtain a bespoke Shipping Cost from our website to any destination in the world either in advance of the sale or after you have purchased. Estimates of Shipping Costs on our website are based on the low estimate, whilst the actual cost is based on Hammer Price. www.sworder.co.uk

Electrical goods These are sold as ‘antiques’ only. If you buy electrical Goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them. Export of Goods If you intend to export Goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing Goods of that character e.g. because the Goods contain prohibited materials such as ivory. Bidding Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a Commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Commission bidding You may leave Commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyers’ Premium and/or any applicable VAT). We will execute Commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical Commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving Commission bids online via our Website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute Commission bids received after this time. Telephone bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value Lots. Please note that this service is for Lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason. Online bidding Any Lots purchased via a live online bidding service will be subject to an additional Commission charge on the Hammer Price payable by the Bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% while bidding via Sworders Website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. These charges will be payable to us on top of the Hammer Price and our Buyer’s Commission.

IMPORTANT NOTICES Removal of Lots All Lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove Lots remaining after this time into safe storage, for which a charge will be made. Electrical Goods All electrical Goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical Goods certified safe must be re-Commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-Commissioned. Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling. Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial Buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

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TERMS OF SALE Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. These Terms of Sale relate to auctions conducted by an Auctioneer only. We have separate terms for online only auctions. 1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a Commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition. 3.3 If you instruct us in writing, we may execute Commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your Commission bid, unless our failure to do so is unreasonable. Where two or more Commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

‘Auctioneer’

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised Auctioneer, as appropriate;

‘Bidder’

means a person who places a bid for Goods at our auction;

‘Buyer’

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

‘Commission’

means the Commission that we charge you on the sale of the Goods as set out in Clause 5 below;

‘Consumer’

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

‘Consumer Contracts Regulations’

means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

‘Deliberate Forgery’

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

‘FCA’

means the Financial Conduct Authority;

‘Goods’

means the Goods that have been consigned to us for sale at our auction;

‘Hammer Price’

means the level of the highest bid for a Lot accepted by the Auctioneer;

‘Premium’

means the Premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

‘Price’

means the total of the Hammer Price, Premium, Shipping Costs (if applicable) and any applicable VAT;

‘Proceeds’

means the Price less the Commission, the Premium, Shipping Costs, any expenses incurred to your account and any applicable VAT;

‘Reserve’

means the minimum Price at which the Goods may be sold;

‘Seller’

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

‘Shipping Costs’

means the charges applied to the shipping of all Goods purchased, should the Buyer ask for the Auctioneer’s shipping agent to deliver the Goods (if applicable);

‘Terms of Consignment’

means these Terms of Consignment;

‘Terms of Sale’

means the Terms of Sale for Bidders or Buyers at our auctions;

‘Trader’

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the Trader’s name or on the Trader’s behalf (such as an agent and/or the Auctioneer);

‘VAT’

means any value added tax or equivalent sales tax; and

‘Website’

means our Website available at www.sworder.co.uk.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue. 2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may re-offer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

2.3 The Price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

2.4 The arrangements for collection or delivery of the Goods as set out in Clauses 8 and 9.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

4. The purchase price As Buyer, you will pay:

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

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a. the Hammer Price; b. a premium of 25% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price, Premium and Shipping Costs (if applicable) due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further information. 5.2 We will charge VAT at the current rate at the date of the auction. 6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the Auctioneer records the winning Lot in the sale book accepting the highest bid for the Lot at auction, unless due diligence information required by the Auctioneer under the Money Laundering Regulations 2019 in accordance with their internal procedure remains outstanding, in which case the contract will be formed when that information is accepted by the Auctioneer as complete. 6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may at our discretion provide the Seller with information or assistance in relation to that claim. 6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the total amount due in any way that we agree to accept payment. 7.1.3 pay in full the Shipping Costs prior to the Goods being shipped, should you agree to the Auctioneer’s shipping agent delivering the Goods. 7.2 If you owe us any money, we may use any payment made by you to repay these debts. 8. Title and collection of purchases 8.1 Once you have paid us in full the total amount due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it. 8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction, or such later date as is specified in the printed catalogue or on our Website. 8.3 If you agree to the Auctioneer delivering the Goods, only when the full Shipping Costs have been paid will the Goods be dispatched. We reserve the right that some Lots will not be suitable for an automated shipping estimate and will require bespoke quotes from the shipping agent. 8.4 Should you decide to use the delivery service, you thereby agree to allow the Auctioneer to share relevant personal data that we hold with the shipping agent in order to allow effective communication between the shipping agent and you, and to enable delivery. 8.5 If you do not collect the Lot within the time period under Clause 8.2, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.6 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.7 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the Proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling Commission at our standard rates on any such resale of the Lot.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the Price you should have paid for the Lot and the Price we sell it for as well as the charges outlined in Clause 8.7). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the total amount due, including Shipping Costs where applicable;

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot). 12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling Price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. 12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within thirty days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our employees’ or our agents’ negligence.

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the Lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct. 11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the total amount due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below. 11.3 Please note that many of the Lots that you may bid on at our auction are second-hand. 11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots. 11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

www.sworder.co.uk

13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2. 13.3 If you have sold the Lot to another person, we will only be liable to refund the Price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale. 14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. 14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Terms and Conditions. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law. 15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or recorded delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient. 15.3 Notices must be sent: 15.3.1 by hand or registered post; a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or recorded delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient). 15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message. 16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our Website. 17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person. 17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale. 17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. 17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts. These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers

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Sworders Fine Interiors 14 & 15 December 2021

Articles inside

Lots marked * will be subject to an additional fee - please see ARR details on

5cm wide 30cm deep 45cm high

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT

Lot A mahogany hall stand,

Lot A pair of petrified tree fragments,

Lot A silk rug,

Lot A near pair of leather fire buckets,

Lot A collection of wooden fids,

Lot A Persian wool carpet,

Lot An Indian bronze vase,

Lot A William IV rosewood gentleman’s library armchair,

Lot A small yew wine table,