Fine Interiors Tuesday 14 & Wednesday 15 September 2021 by swordersfineart

FINE INTERIORS Tuesday 14 and Wednesday 15 September 2021

ORDER OF SALE D AY O N E T U E S D AY 1 4 S E P T E M B E R , 1 0 A M

VIEWING Due to current social distancing restrictions, we will be offering viewing by appointment only. You can book an appointment on our website. One hour time slots will be available from: Friday 10 September

9am-5pm

Saturday 11 September

10am-4pm

Lots 1-88

Furniture and Works of Art

Sunday 12 September

10am-1pm

Lots 89-101

Garden

Monday 13 September

9am-5pm

Lots 102-172

A Single-Owner Collection of Portrait Miniatures

Lots 173-307

Furniture and Works of Art

Lots 308-377

Silver

D AY T W O W E D N E S D AY 1 5 S E P T E M B E R , 1 0 A M Lots 378-507

Furniture and Works of Art

Lots 508-751

Old Master, British and Continental Pictures

R E M O VA L O F LO T S We continue to operate a booking system for collections in accordance with government guidelines. Please see our website for the latest advice and further information.

SWORDERS’ DELIVERY SER VICE We are able to provide a bespoke shipping cost based on the lot and delivery destination, anywhere in the world. Should you be successful in buying larger items, a specific shipping estimate will need to be requested after the sale using the link in your invoice email; this also includes all requests for international delivery.

C O N TA C T

James Pickup

Jane Oakley

Sarah Flynn

Alexander Hallett

Charlotte Lee-Finglas

Head of Department Fine Interiors

Head of Department Paintings

Head of Old Masters

Specialist

Sale Co-ordinator

T 01279 817778 E fineinteriors@sworder.co.uk

BIDDING ATTEND THE LIVE AUCTION We are delighted to welcome bidders back to the auction room, by appointment, to attend the live sale. To book your place to be at the saleroom in person, please visit www.sworder.co.uk/appointments ONLINE Bid live at www.sworder.co.uk (0% surcharge)

Day One Tuesday 14 September at 10am

FUR NITUR E AND WOR K S OF ART LOTS 1 -88

3 detail Lot 1 A pair of large French pottery vases, 20th century, one decorated in green, the other yellow, both with slip decoration, 40cm high, together with a large charger, 49cm diameter (3) £200 - 300 Lot 2 A large Continental painted wood coffee table, 20th century, but incorporating some period elements, the glass-covered top centred with an 18th-century landscape, within scrolling foliate detailed borders, raised on tapering square supports, 141cm wide 141cm deep 47cm high £600 - 800

Lot 3 A flatweave Aubusson design rug, late 20th century, with typical floral and foliate decoration on a pale green ground, 310 x 240cm £600 - 800

Lot 4 A Dutch marquetry cabinet on chest, 19th century, the upper section with a single glazed door opening to reveal shelves, over four graduated drawers on hairy paw feet, decorated all-over with foliate designs, 115cm wide 75cm deep 190cm high £1,200 - 1,800

Lot 5 A carved oak pilaster, 19th century, with blind fret carved decoration, 32cm wide 223cm high, together with a blind fret carved pine panel, 19th century, 92cm wide 58cm high (2) £300 - 500

1 - 88 FURNITURE AND WORKS OF ART Lot 6 Eight grand-tour-style relief panels, 20th century, French, each depicting a profile portrait bust of a classical figure painted in imitation hardstone decoration, 38 x 41cm approximately (8) £400 - 600 Lot 7 A small French Louis XVI-style settee, early 20th century, upholstered in off-white calico, raised on tapering fluted supports, 30cm wide 90cm deep 94cm high £300 - 500

Lot 8 A pair of French Louis XVI-style painted fauteuils, early 20th century, each upholstered in off-white calico and raised on tapering fluted supports, 70cm wide 70cm deep 94cm high (2) £400 - 600

9 Lot 9 A pair of Continental painted wood low tables, 20th century, but incorporating some period elements, each with a glass-covered top with scrolling foliate detail, raised on tapering square supports, 61cm wide 61cm deep 47cm high (2) £400 - 600 Lot 10 A painted oak larder cupboard, 20th century, the glazed upper section over a single drawer with cupboards beneath, the doors with printed roundels, 93cm wide 48cm deep 160cm high £400 - 600 Lot 11 A painted dummy board, 20th century, in the form of a basket of flowers, 51cm wide 78cm high £200 - 300

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FURNITURE AND WORKS OF ART 1 - 8 8

Lot 12 A pair of mahogany hall chairs, c.1770-1775, in the manner of Mayhew and Ince, each oval back painted with a crest, over open arms above a solid seat, raised on fluted tapering legs, 63cm wide 63cm deep 96cm high (2) £4,000 - 6,000 The crest shown on these chairs, a demi-bear Sable muzzled Or, and the motto ‘Festina Lente’ are believed to be those of the Barnard Family of Beverley, Yorkshire. It seems likely that these chairs demonstrate an early use of the Barnard crest by Leuyns Boldero Barnard following his inheritance of the estate of his great-uncle Henry Barnard of Beverly, and subsequent change of name and arms in 1769-1770. The estate inherited in 1769 by Leuyens Boldero was at East Hall in Beverley, the house was remodelled in the late 18th century and again almost immediately at the beginning of the 19th century when it was redesigned in the Gothic taste and renamed Cave Castle. The design of the arms of these chairs bears a striking resemblance to a set of four sold by Christie’s at the sale Linley Hall, Shropshire: ‘Property from The Collection of The Late Sir Jasper & Lady More’, March 2016, lot 74.

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

1 - 88 FURNITURE AND WORKS OF ART Lot 13 A black marble drumhead mantel clock, by James McCabe, mid to late 19th century, the twin train movement striking the hours and half hours on a bell fitted to the backplate engraved ‘James McCabe, London 2747, the silvered dial is engraved ‘James McCabe, Royal Exchange, London, 2747’, within beaded and flower head cast borders, the case is worked with scrolls on a stepped base, backplate 5¾in (14.5cm) dial 5¼in (13cm) case 12in high (30.5cm) £800 - 1,200 Lot 14 A George III-style walnut partners’ desk, late 19th century, the shaped rectangular top with an inset leather surface, above drawers to all four sides and two pairs of cupboard doors, all with Hobbs & Co. locks, raised on a plinth base, 153cm wide 106cm deep 78cm high £3,000 - 5,000

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FURNITURE AND WORKS OF ART 1 - 8 8

15 detail Lot 15 An octagonal walnut and specimen marble-topped table, mid-19th century, in the manner of Gillows of Lancaster, the slate top inset with Derbyshire hardstones, raised on a turned and carved column support terminating in four cabriole legs with scroll carved feet, 68cm diameter 70cm high £600 - 800 Lot 16 A pair of imitation rouge marble painted pine Tuscan columns, 19th century, the capitals with egg and dart moulded detail, on square bases, 31cm wide 31cm deep 225cm high (2) £500 - 800

Lot 17 A Regency brass inlaid rosewood mantel clock, by Barwise, London, the twin fusee movement with ringed pillars striking on a bell, the backplate engraved ‘Barwise, London’, the brass arched face inset with an enamel dial inscribed ‘Barwise, London’, below two enamel subsidiary dials, ‘Rise/Fall’ and ‘Strike/Silent’, dial 4¾in diameter (12cm) case 34cm high £700 - 1,000

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

1 - 88 FURNITURE AND WORKS OF ART

19 Lot 18 A near pair of mahogany wine coolers, c.1830-1835, by T&G Seddon, each of sarcophagus form, the hinged lid set with a lobed and foliate-moulded finial, above a panelled front and raised on bracket feet terminating in brass castors, both stamped to the interior rim, 97cm wide 59cm deep 67cm high (2) £3,000 - 5,000

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Lot 19 A pair of mahogany bow front bookcases, c.1920, in the George III style, each with a half-glazed and panelled door within reeded uprights, enclosing six shelves, on a plinth base, 174cm wide 33cm deep 200cm high (2) £1,800 - 2,500

FURNITURE AND WORKS OF ART 1 - 8 8

Lot 20 A pair of mahogany console tables, early 20th century, in the manner of Robert Adam, each of serpentine outline with a fluted frieze and tapering square supports set with oval paterae, each bearing a numbered ivorine label beneath and a stamped George V cypher to the back, 137cm wide 68cm deep 91cm high (2) £800 - 1,200 Lot 21 A George III mahogany caddy-top chest of drawers, having a brushing slide over four long graduated drawers with original brass handles and bracket feet, 84cm wide 46cm deep 79cm high £400 - 600

21 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

1 - 88 FURNITURE AND WORKS OF ART Lot 22 A George II mahogany silver table, the rectangular dished top on lappet turned pad foot legs, 61cm wide 45cm deep 68cm high £300 - 500 Lot 23 A pair of French Empire ormolu and bronze candelabra, 19th century, each with four sconces raised on scrolling arms, a figural support and circular to square plinth base, 66cm high (2) £2,000 - 3,000

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FURNITURE AND WORKS OF ART 1 - 8 8

Lot 24 A large mahogany serving table by Gillows of Lancaster, late 19th century, of serpentine outline, with all-over profusely-carved floral and foliate decoration, the raised back centred with the trophies of arms motif, above a gadroon-edged top and three frieze drawers, the central example stamped ‘GILLOW 17129’, raised on four paw-footed monopods with alternating lion and satyr masks, on a shaped plinth base, 266cm wide 76cm deep 166cm high £4,000 - 6,000

24 details

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

1 - 88 FURNITURE AND WORKS OF ART

Lot 25 A mahogany serving table by Gillows of Lancaster, late 19th century, of serpentine outline, with all-over profusely-carved floral and foliate decoration, with a raised back above a gadroon-edged top and a single frieze drawer, stamped ‘GILLOW 17128’, raised on twin lion monopod supports united by an undertier and a plinth base, 154cm wide 64cm deep 142cm high £3,000 - 5,000

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FURNITURE AND WORKS OF ART 1 - 8 8

Lot 26 A pair of painted folk art lions, late 19th/early 20th century, each cut in silhouette from steel and naturalistically painted, each mounted to a wooden block base, 39cm wide 22cm deep 37cm high (2) £300 - 400 Lot 27 After Isidore Bonheur, a bronze of a sleeping lion, 20th century, raised on a square plinth and a shaped marble plinth, signed to the reverse ‘Bonheur, Paris’, 35cm long 17cm high £300 - 500 Lot 28 A matched pair of cast iron doorstops, 19th century, each in the form of a lion rampant, raised on a stepped base, 37cm high approximately (2) £200 - 400

Lot 29 A large cast iron recumbent lion, 19th century, 69cm long 36cm high £200 - 300 Lot 30 A pair of cast lead lions after Antonio Canova, 20th century, 32cm wide 9cm deep 15cm high (2) £300 - 400 Lot 31 A pair of steel fire irons in the form of lions, early 20th century, each seated on their haunches, 35cm high (2) £300 - 500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

1 - 88 FURNITURE AND WORKS OF ART

Lot 32 A Victorian flame mahogany teapoy by Gillows of Lancaster, of tapering octagonal form, with carved acanthus and egg and dart detail to the edges, the hinged lid enclosing two lidded demilune divisions, the body raised on four elaborate scrolling supports united by an undertier, terminating in brass castors, stamped ‘GILLOWS 8472’ beneath, 50cm wide 50cm deep 75cm high £2,000 - 3,000 Lot 33 A George II mahogany triple fold-over demilune side table, opening to reveal a tea table/card table with counter wells and a well with two inkwells and an open tray, the glass inkwells with metal screw-on covers stamped ‘Parkins & Gotto, London’, raised on pad foot legs, 76cm wide 38cm deep 75cm high £400 - 600 Lot 34 A walnut cased bracket clock, 19th century, by Reid & Auld, the five-pillar movement with twin-chain fusee, strike/silent lever, striking the hours on a bell, the silvered dial and backplate inscribed ‘Reid & Auld Edinburgh 1305’, the dial also inscribed ‘Wilson & Co. Mooltan’ at the bottom, the case with scrollwork top, glazed side panels and oval pendulum viewing window, on a plinth base, 28cm wide 21.5cm deep 53cm high £1,000 - 1,500

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FURNITURE AND WORKS OF ART 1 - 8 8

Lot 35 A George III-style giltwood wall mirror, 19th century, the bevelled plate within a frame, surmounted by an urn, carved with scrolls and pendant flowering foliage, 57cm wide 103cm high £500 - 800 Lot 36 A George III serpentine mahogany chest of drawers, having a brushing slide over four long graduated drawers with original brass bail handles within canted, fluted corners, and ogee bracket feet, 89cm wide 58cm deep 91cm high £1,000 - 2,000

36 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

1 - 88 FURNITURE AND WORKS OF ART

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37 detail Lot 37 A large Persian runner, decorated with nine floral rosettes and birds on a dark blue ground, within a banded border, 640 x 110cm £1,000 - 2,000 Lot 38 A Persian wool Mahal carpet, c.1900, woven with floral motifs on a red field within a blue border, 412 x 313cm £800 - 1,200

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40 detail Lot 39 A Feraghan carpet, c.1880, North West Persia, with stylised floral motifs on a blue field within multiple borders, 417 x 311cm £800 - 1,200 Lot 40 A Persian wool carpet, mid-late 20th century, Tabriz, woven with large Shah Abbasi motifs on a red ground, 400 x 296cm £2,000 - 3,000

FURNITURE AND WORKS OF ART 1 - 8 8

Lot 41 A Regency-style giltwood convex mirror, 19th century, with ball decoration and a ribbed slip, 68cm diameter £400 - 600 Lot 42 A box of grand tour plaster intaglios, the beechwood box with a cover over four trays containing forty-eight oval intaglio plaques, the inside cover with a handwritten key in Italian, box 24cm long 15cm wide 11cm high £200 - 400 Lot 43 A Blue John bowl on stand, 19th century, of shallow form and mounted on a turned slate socle, 11cm high (2) £400 - 600

Lot 44 A Derbyshire salt-glazed pottery lion, 19th century, on a moulded plinth base, 43cm long 22cm high £200 - 300 Lot 44A A carved marble figure of the reclining Venus after Canova, 19th century, seated on a chaise lounge 32cm long 10cm deep 17cm high £300 - 400

44A

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1 - 88 FURNITURE AND WORKS OF ART

Wynn House Lot 45 A pair of carved and painted torchères, early 20th century, in the manner of Robert Adam, each with a glass shade over an urn-shaped faux reservoir, raised on three scrolling carved supports united by a platform base, 52cm wide 52cm deep 183cm high (2) £800 - 1,200 Provenance: The Music Room, Wynn House, St James’s, London. Lot 46 A set of six Italian grand tour ivory plaques, 19th century, depicting M Lepido, Caton, Cleopatra, M Anton, Bruto and Portia, each framed in three mounts containing two plaques, plaques 6 x 4cm overall 18 x 24cm (3) £800 - 1,200 Lot 47 Auguste-Maximilien Delafontaine (1813-1892), A gilt-bronze model of The Warwick Vase, late 19th century, impressed ‘Delafontaine’, with a gilt metal liner, 23cm high £800 - 1,200 The foundry was established in Paris in the late eighteenth century by Jean-Baptiste-Maximilien Delafontaine and, by 1870, is listed as being located at 10 rue de l’Université. The Delafontaine foundry produced decorative works of high quality and was one of the most renowned of all the Parisian foundries. The main competitor to the Barbedienne foundry, they cast works by some of the leading sculptors of the nineteenth century, including Antoine-Louis Bayre and Mathurin Moreau. Works by Delafontaine remain in the collection of the Louvre and other leading museums.

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Auguste-Maximilien Delafontaine, 1813-1892, was the grandson of the founder and was succeeded by his son Henri-Maximilien in 1884. The foundry closed its doors in 1905.

FURNITURE AND WORKS OF ART 1 - 8 8

48 Lot 48 A relief carved basalt panel or stele, probably 19th century, depicting a figure, possibly Antinous, in Ancient Egyptian costume, holding a staff with a cockerel head terminal, the panel set within an oak frame, 39cm wide 10cm deep 75cm high £2,000 - 4,000 Provenance: From the estate of the author Sir Henry Rider Haggard (1856-1925).

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

1 - 88 FURNITURE AND WORKS OF ART

Lot 49 A grained beech pedestal bowl, 19th century, decorated with a band of inlay and raised on a square plinth base, 24.5cm diameter 22cm high £300 - 500 Lot 50 After Michelangelo, Lorenzo de Medici, painted plaster, the figure seated on a shaped base, 18cm wide 21cm deep 43cm high £200 - 300

Lot 51 A pair of gilt and patinated bronze Townley vase table lamps, 20th century, each decorated in relief with a figural procession, raised on a polished slate base, 38cm high (2) £200 - 300 Lot 52 A pair of Egyptian-style bronze furniture mounts, early 19th century, 12cm high approximately (2) £300 - 500

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FURNITURE AND WORKS OF ART 1 - 8 8

54 Lot 53 A George III mahogany secretaire breakfront bookcase, early 19th century, the astragal glazed upper section over a central bank of drawers, flanked by further drawers with a cupboard beneath, raised on a plinth base, 208cm wide 54cm deep 242cm high £1,000 - 2,000

55 Lot 54 A long run of bound ‘Apollo’ magazines, cloth, 1942-June 1991, seventy-two volumes, a 1948 ‘Apollo’ annual, clothbound, twenty-seven ‘Apollo’ magazines, 1994-1995, and nine earlier ‘Apollo’ magazines, 1940-50s, all bound copies with a Leicester Museum bookplate, bound in original covers including advertisements (qty.) £200 - 400 Provenance: Leicester Museum Reference Library.

Lot 55 A long run of bound ‘The Burlington’ magazines, vols. 36-39 and 64-133, ninety-seven volumes, clothbound, vols. 64-102 with ornate gilt-tooled boards and spines, four vols. October 1912, December 1912, November 1912, June 1913, with plain boards, and loose magazines 1992-1995, vols. 30-39, largely including covers and advertisements, with ‘Alfred C Fryer’ bookplate, the remainder with Leicester Museum bookplate (qty.) £200 - 400 Provenance: Leicester Museum Reference Library.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

1 - 88 FURNITURE AND WORKS OF ART

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57 Lot 56 A rare antique Persian Laver carpet, c.1870, Kirman, finely woven throughout with dense scrolling floral and foliate motifs, the field centred with a multi-pointed lozenge, signed in Arabic to one of the borders, 655 x 376cm £4,000 - 6,000 The city of Kirman in North-East Persia has been the centre of fine rug-weaving since the 17th century and enjoyed a particular renaissance in the 19th century, when rug-weaving became more widespread. It was at this point that Kirman established itself as a centre of fine weaving in the Persian tradition. 19th century Kirman carpets, particularly those of the Laver group, are known for their technically superior weaves, delicate drawings and an incomparable range of varied colours. This is a wonderful early example of its type with remarkable quality and an array of harmonious colours. It is particularly rare to find one in such a large format.

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58 Lot 57 A George III mahogany Gainsborough armchair, late 18th century, upholstered in floral silk fabric and raised on square supports united by stretchers, 65cm wide 70cm deep 99cm high £1,200 - 1,800

Lot 58 A William IV mahogany sofa table, the drop-leaf top with broad rosewood crossbanding over two frieze drawers with beaded borders, turned supports, a turned stretcher and scrolled legs, 110cm wide minimum 69cm deep 73cm high £300 - 500

FURNITURE AND WORKS OF ART 1 - 8 8 Lot 59 A George III mahogany brass-bound wine cooler and stand, of hexagonal form with brass carrying handles, 40cm diameter 70cm high (2) £300 - 500 Lot 60 A George III mahogany stool, with a drop-in seat, on cabriole legs terminating in pad feet, 52cm wide 45cm deep 47cm high £200 - 400 Lot 61 A George III-style mahogany settee, c.1900, with a scrolling top rail and knee-carved cabriole supports, upholstered in striped velvet, 210cm wide 79cm deep 90cm high £400 - 600

Lot 62 A carved beech open armchair, c.1775, in the manner of Thomas Chippendale, with an oval padded back, padded arms and an overstuffed seat, the frame carved with beading and husks, the arm supports scrolled and moulded, 64cm wide 67cm deep 95cm high £200 - 400 Lot 62A A George III mahogany commode, of serpentine outline, the four graduated cockbeaded drawers set between blind fret-carved edges and raised on bracket feet £1,500 - 2,500

62A Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

1 - 88 FURNITURE AND WORKS OF ART

Lot 63 A mahogany cased bracket clock, by Thos. Hale, Sydney, the five-pillar movement with twin-chain fusees, striking the hours on a gong, the silvered dial with engraved spandrels and inscribed ‘Thos. Hale, Sydney’, the case with bevelled glass to top and sides and silvered brass bevel to the front door, over an ogee moulded base on shallow bun feet, 24.5cm wide 17.5cm deep 32.5cm high £1,500 - 2,000

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Thomas Hale (1814-1883) was born in Kent and emigrated to Australia. Records show that he was employed as a watchmaker and jeweller in Sydney from 1847. The following year he advertised his own business as goldsmith and watchmaker at 168 Elizabeth St. Sydney. By 1850 he was in King St., and in 1851 at 496 George St.

Lot 64 A cast iron stick or umbrella stand, 19th century, modelled in the form of a cherub wrestling a serpent, with a detachable drip tray, cast with registration mark to the reverse and numbered ‘57’, 81cm high £300 - 500 Lot 65 A red leather and studded deeds box, 18th century, with a ring handle to the lid, 36cm wide 22cm deep 15cm high £200 - 300

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Lot 66 A George III carved giltwood mirror, 18th century and later, the frame with scrolling acanthus detail, 70cm wide 95cm high £800 - 1,200 Lot 67 Scottish School (19th century), a head and shoulder portrait bust of Sir Walter Scott, carved alabaster, on a socle base, 53cm high £300 - 400 Lot 68 A Continental black and red marble plinth, late 19th/early 20th century, the shaped top above a sectional column, on a stepped base, 27cm wide 27cm deep 118cm high £300 - 500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

1 - 88 FURNITURE AND WORKS OF ART

Lot 69 A large George III-style brass hall lantern, 20th century, of cylindrical form with six lights and a clear glass shade, 37cm diameter 74cm high £300 - 500 Lot 70 A pair of George III satinwood and crossbanded pier cabinets, in the manner of Thomas Sheraton, each with a white marble top over a shaped front, with a single door opening to reveal shelves within, raised on short turned legs, the front and sides decorated with painted roundels depicting classical figures amongst scrolling foliate motifs, 75cm wide 30.5cm deep 89.5cm high (2) £2,000 - 4,000

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Lot 71 A George III-style carved giltwood wall mirror, 19th century, the frame enclosing a bevelled plate, carved with scrolls and flowering foliage, 56cm wide 104cm high £300 - 500

Lot 72 A George III brass-bound mahogany oval wine cooler, with a zinc liner and brass handles, the body of coopered construction, the stand with square tapering supports, 66.5cm wide 49cm deep 53cm high overall £300 - 500

Lot 73 A George III mahogany bachelor’s chest, the fold-over top above four long graduated drawers with original brass handles, within blind fret cut canted corners, on ogee bracket feet, 72cm wide 38.5cm deep 81cm high £1,500 - 2,500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

1 - 88 FURNITURE AND WORKS OF ART

Lot 74 A Regency-style gilt and painted pier mirror, 19th century and later, with anthemion moulded frieze over a rectangular plate flanked by spiralled pilasters, 67cm wide 99cm high £300 - 500

Lot 75 A George III mahogany side or serving table, raised on square chamfered legs, 131cm wide 54cm deep 81cm high £500 - 800

Lot 76 A George III Hepplewhite period mahogany card table, with a solid mahogany serpentine fold-over top, revealing a baize inset playing surface, on elegant moulded scrolled legs, 91cm wide 45cm deep 73cm high £500 - 800

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77 Lot 77 After Augustin Pajou, late 19th/early 20th century, a painted terracotta bust of Madame du Barry, inscribed to the reverse, on a waisted square socle, 50cm wide 30cm deep 68cm high £1,000 - 1,500

Lot 78 After Gian Lorenzo Bernini, Apollo and Daphne, a marble figure group, 33cm wide 17cm deep 68cm high £800 - 1,200

78 Lot 79 A George III strung and crossbanded satinwood Pembroke table, with a single frieze drawer, on square tapering legs, 72.5cm long 49cm wide minimum 74cm high £400 - 600

Lot 80 A pair of rococo wall mirrors, 18th century, each with gilt gesso work on a carved wood frame, with scroll and leafage form, ornate cresting and a plate insert, 82 x 40cm (2) £1,000 - 1,500

80 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

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Lot 81 A set of twelve mahogany dining chairs in the manner of Gillows, c.1900, each with a pierced and carved ribbon-tied back, overstuffed upholstered seat raised on a carved apron, and cabriole legs terminating in acanthus carved feet, 64cm wide 55cm deep 102cm high (12) £3,000 - 5,000 Lot 82 Spare lot

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Lot 83 An ebonised and parcel-gilt toleware wine cooler, 19th century, of oval shape, the lift-off lid with a foliate-cast finial, raised on four scrolling feet, 58cm wide 43cm deep 50cm high £300 - 500

Lot 84 A pair of black-lacquered reading lamp standards, c.1920, with gilt chinoiserie decoration, 167cm high (2) £300 - 400

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

1 - 88 FURNITURE AND WORKS OF ART Lot 85 A black and gilt mother-of-pearl inlaid papier mâché stationery box, by Richard Clay, first quarter of the 19th century, decorated all-over with chinoiserie scenes, the interior with five red card compartments within an ivory border, the base impressed ‘Clay, King St, COVT Garden’, 20.5cm wide 13cm high £200 - 300 The London manufactory titled ‘Clay, King Street, Covent Garden’ flourished c.1801-1822, was established by Henry Clay (d.1812) who styled himself ‘Japanner In Ordinary’ to King George III and George, Prince of Wales. However, he had established his patent for manufacturing tea trays, waiters, boxes, etc. in ‘high varnished paper’ or plasterboard in 1772 when working in Birmingham.

Lot 86 A set of four chinoiserie lacquered armchairs, early 20th century, each of stylised square shape, with a caned back, seat and arms, raised on chamfered square supports, the splat decorated with figures and pagodas in a mountainous landscape, with associated yellow velvet cushions, 67cm wide 70cm deep 101cm high (4) £3,000 - 5,000

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Lot 87 A pair of George III settees, each later painted grey by Sibyl Colefax, with traces of the original gilding beneath, the frames with moulded and beaded decoration, raised on turned tapering and fluted front legs and brass castors, with later floral silk upholstery, 183cm long 88cm deep 84cm high (2) £5,000 - 8,000 Lot 88 A pair of George III settees, each later painted grey by Sibyl Colefax, with traces of the original gilding beneath, the frames with moulded and beaded decoration, raised on turned tapering and fluted front legs and brass castors, with later floral silk upholstery, 198cm long 88cm deep 84cm high (2) £5,000 - 8,000 Provenance: T he property of the Trustees of the late 7th Marquess Townshend, Raynham Hall, Norfolk; almost certainly acquired by George, 1st Marquess Townshend (d.1807) Raynham Hall, Norfolk, and thence by descent to his son, George, 2nd Marquess Townshend (d.1811), recorded in an inventory of 1811, and thence by descent to Captain John Townshend RN, MP between 1847-55 and later, 4th Marquess Townshend (after 1856), and thence by descent to the 8th Marquess Townshend at Raynham Hall.

Literature: C Latham, ‘In English Homes’, vol III, London, 1909, pp 106, C Hussey, ‘Raynham Hall, Norfolk I, The Seat of the Marquess Townshend’, Country Life, 14 November 1925, p.747, fig. 11, C Hussey, ‘Raynham Hall II, Norfolk, The Seat of the Marquess Townshend’, Country Life, 21 November 1925, p.784, fig.5.

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GAR DEN LOTS 89 -10 1

Lot 89 A copper weathervane by Karen Green, late 20th century, the Dove of Peace, with an olive branch in its beak, 61cm wide 80cm high £800 - 1,200 Lot 90 A copper weathervane by Karen Green, late 20th century, Diana the Huntress, the nude figure after the 1925 sculpture by Paul Manship, having just loosed an arrow, with a hound and directionals beneath, 57cm wide 65cm deep 207cm high £1,500 - 2,500 Lot 91 Spare lot

89 Lot 92 A painted dovecote, 20th century, set with turned pointed finials to the leaded roof, above eight sides, each with two domed apertures, 87cm wide 87cm deep 137cm high £200 - 400

Lot 93 A large painted zinc chateau birdcage, late 19th/early 20th century, French, of hexagonal pagoda form, surmounted by a pointed finial and raised on slender supports terminating in castors, 104cm wide 104cm deep 290cm high £500 - 700

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8 9 - 1 0 1 GARDEN

94 Lot 94 A composite stone fragment, 20th century, of a headless figure dressed in classical robes, 136cm high £400 - 600 Lot 95 A pair of large composite stone garden planters, 20th century, each of basket form, raised on paw feet and a shaped circular base, 100cm diameter 85cm high (2) £500 - 700

Provenance: M ercers’ Hall, The City of London. Lot 96 A set of three composite stone benches, 20th century, each rectangular top raised on acanthus-form supports, 114cm wide 40cm deep 47cm high (3) £300 - 500 Provenance: M ercers’ Hall, The City of London. Lot 97 A large weathered teak country house bench, 20th century, by R A Lister of Dursley, Gloucestershire, with a slatted back and seat, raised on square supports, stamped to one end, 245cm wide 60cm deep 96cm high £400 - 600

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GARDEN 8 9 - 1 0 1 Lot 98 A cast iron garden seat, late 19th century, with oak leaf, acorn, ivy and gothic tracery decorated ends, on rustic branch moulded legs, 140cm wide 63cm deep 72cm high £500 - 700 Lot 99 A Regency wrought iron garden seat, with double arched back and slatted seat, 120cm wide 55cm deep 97cm high £400 - 600 Lot 100 An Art Nouveau cast iron bench, late 19th century, flowing leaf scroll decoration to both ends, with weathered back and seat timbers, 145cm wide 57cm deep 92cm high £500 - 700

Lot 101 A large neoclassical composite stone fountainhead, probably 19th century, in the form of a mermaid prising open the jaws of a dolphin, on a rectangular base, 37cm wide 96cm long 120cm high £800 - 1,200 Provenance: Dinder House, Somerset.

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A SINGLE-OWNER COLLECTION OF PORTR AIT MINIATUR ES LOTS 10 2-1 72

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102-172 A SINGLE-OWNER COLLECTION OF PORTRAIT MINIATURES Lot 102 English School, 17th century Portrait of a gentleman with moustache and beard, wearing a crimson doublet trimmed with gold and a lace ruff miniature, oval 5.6 x 4.5cm £300 - 500 Lot 103 Matthew Snelling (fl.1644-1670) Portrait of a gentleman, facing right in a black doublet with gold buttons, white lawn collar with tassels, a black cloak, shoulder-length brown hair, beard and moustache signed and dated on the reverse ‘M:S fc Novembur, 1647’, miniature on vellum laid on card, with inscription and two hearts in watercolour to the reverse, oval 6.2 x 5cm, silver frame with spiral cresting and hanging loop £1,000 - 1,500 Provenance: S otheby’s London, 12 December 1966, lot 46; Christie’s London, 21 November 2000, lot 68. Lot 104 Alexander Cooper (1609-1660) Portrait of a nobleman, full face in slashed black doublet to reveal white, large lawn collar, wearing a blue sash, beard and moustache on vellum, oval 2.4 x 2.1cm £800 - 1,200 Provenance: C hristie’s London, 30 April 1996, lot 31. An inscription on the reverse of the miniature identifies the sitter as Prince Rupert, but the sitter bears more resemblance to the Winter King. Other very similar miniatures by Alexander Cooper are in the Bode Museum, Berlin.

Lot 105 English School, 17th century Portrait of a bearded gentleman in a red coat with white ruff miniature, oval 3.2 x 3cm, in a metal mount with hanging loop £300 - 500 Lot 106 English School, 17th century Portrait of Mary Killigrew, in a black and gold dress, white lace ruff and long gold necklace with diamonds, a pearl brooch in her hair, pearl earrings, and a pink flower at her breast inscribed on the reverse ‘Mary Wife of Peter Killigrew the First and mother of Sir Peter Killigrew the Last, Sister to the Duchess of Newcastle, as also of Lord Lucas, and of Sir Charles Lucas, Shott [sic] in Cold Blood by Sir Tho. Fairfax, on the Surrender of Colchester’, miniature, oval 5.2 x 4.4cm, in a gold mount, tested as approximately 18ct gold £700 - 1,000

Lot 108 David Loggan (1635-1692) Portrait of the 1st Earl of Shaftesbury (1621-1683) in robes, with lace jabot and long curled hair signed with initials and dated ‘DL/1676’ l.r., plumbago, oval 13 x 10cm, in a black frame £600 - 800 Exhibited: On loan to V&A Museum, 1900-1929 (old inscription to the reverse refers).

Mary Lucas was born c.1622 and married Sir Peter Killigrew in October 1625. Adriaen Hanneman painted Mary Lucas in 1636 and the portrait is part of the collection of the National Gallery of Victoria, Australia. Mary Lucas came from a family of Royalists and her brother, Sir Charles Lucas, was executed by firing squad in 1648 following the siege of Colchester. Her sister, Margaret Cavendish, Duchess of Newcastle, has received significant literary attention as she lived in exile as Queen Henrietta Maria’s lady-in-waiting at the court of Louis XIV, but is best remembered for her publications of poetry and philosophical writings. Lot 107 Charles Boit (Swedish, 1662-1727) George I, King of Great Britain, wearing an ermine-trimmed red cloak and ribbon of the Order of the Garter (1719) watercolour on vellum, oval 8.4 x 6.5cm £300 - 400

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Lot 109 Andreas Mussard (Swiss, fl.1724-1765) Portrait of a judge in red robes and full-bodied curled wig with photocopy inscription ‘Andreas Mussard pinxit 1735’ verso, miniature on ivory, oval 6 x 4.7cm, in a metal frame £200 - 300 Lot 110 Circle of Christian Friedrich Zincke (c.1685-1767) Portrait of a gentleman in a brown coat and a white cravat miniature, oval 4.8 x 4cm, in a gold mount, tested as approximately 18ct gold, with metal hanging loop £200 - 400 Lot 111 English School, 17th century Portrait miniature of a lady, her hair in ringlets, wearing a blue dress miniature, oval 5 x 4.2cm, in a gold frame, with pendant pearl drop £1,000 - 1,500 Lot 112 Circle of Peter Cross (d.1724) Portrait miniature of Lord Russell, wearing a long curled wig and russet cloak and stock miniature, oval 3 x 2.5cm, mounted in a gold frame, tested as approximately 9ct gold £300 - 500

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Lot 113 Jean Petitot the Elder (French, 1607-1691) Portrait of a gentleman wearing a suit of armour and white lace jabot miniature, oval 2.4 x 2.8cm, in a silver gilt and gold mount, tested as approximately 14ct gold, with hanging loop £300 - 400 Lot 114 English School, 18th century A portrait of William III (1650-1702) wearing a long brown wig, and holding a skull, a memento mori inscribed and dated ‘Ob. May 8 1701’ u.l., miniature, oval 2 x 1.6cm, in a gold frame, tested as approximately 18ct gold £200 - 300

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Lot 115 English School, 17th century Portrait miniature of Queen Anne as a young girl, in a lace-trimmed blue dress, her long dark hair in ringlets down her back miniature on vellum, oval, inscribed on the reverse ‘Anne Queen of England/ drawne when 14 years old’ 2 x 1.6cm, in a gold mount, tested as approximately 18ct gold with metal rings £200 - 300

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Lot 116 English School, mid-18th century Portrait of Robert Dodsley (1703-1764) poet, playwright and dramatist, holding a letter indistinctly monogrammed l.r., signed ‘F. Cotes’ and inscribed ‘Robert Dodsley, Poet, Dramatist and Artist’ on artist’s label verso, miniature on ivory 12.5 x 9.5cm £800 - 1,200 Lot 117 Abraham Seaman (fl.1724-1731) Portrait of a gentleman in a long grey curled wig, blue cloak and white stock enamel on copper, oval 4.5 x 3.7cm £300 - 500 Lot 118 Abraham Seaman (fl.1724-1731) Portrait of the Hon. Sackville Hamilton in a grey curled wig, brown coat, black waistcoat and white stock enamel on copper, oval 4.8 x 3.9cm £200 - 400

Lot 119 Noah Seaman (fl.1721-1741) Portrait of a gentleman wearing a royal blue coat, orange waistcoat with gold frogging, a frilled chemise and white stock enamel on copper, oval 4.3 x 3.5cm, in a gold mount, tested as approximately 18ct gold with 9ct gold fittings £300 - 500 Provenance: Bonhams, London, 23 May 2007, lot 30. Lot 120 Rupert Barber (fl.1736-1772) Portrait of a young gentleman, facing right, in a white shirt and purple cloak signed ‘R.’ l.r., enamel on copper, oval 4.5 x 3.7cm, in a gold mount, tested as approximately 18ct gold £400 - 600 Provenance: Christie’s, London, 21 November 2000, lot 4. Lot 121 Thomas Day (c.1732-1807?) Portrait of a gentleman in a grey curled wig and blue coat with white stock miniature on ivory, oval 4.2 x 3.5cm, in a gold bracelet mount, tested as approximately 9ct gold £300 - 400

Lot 122 Attributed to Christian Friedrich Zincke (1683/84-1767) Portrait of a gentleman in a full bottomed powdered wig, wearing a blue coat enamel on copper, oval 4.5 x 3.8cm, in a gold mount with scroll engraving and monogram to the reverse, tested as approximately 9ct and 18ct gold £300 - 500 Lot 123 English School, 18th century Portrait of a woman, her hair piled up in curls, and with curls around her shoulders, wearing a blue and gold dress and white lace fichu enamel on copper, oval 3.6 x 3.1cm, in a gold mount with a split pearl frame, tested as approximately 15ct gold £400 - 600 Lot 124 Christian Friedrich Zincke (German, 1683-1767) Portrait of a gentleman with powdered shoulder-length wig, wearing an olive jacket, c.1730 enamel on copper, oval 4.6 x 3.8cm, in a gold mount, tested as approximately 18ct gold £600 - 800

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Lot 125 Gustavus Hamilton (Irish, 1739-1775) Portrait of a gentleman wearing a lilac coat and matching waistcoat, a white cravat, with blue eyes and a powdered wig signed with initials ‘GH’ and dated ‘1758’ l.r., miniature on ivory, oval 3.2 x 2.7cm, in a papier mâché frame £600 - 800

Lot 130 Richard Crosse (1742-1810) Portrait miniature of a gentleman with powdered hair in a dark blue coat, with a green background, c.1780 watercolour oval 4.7 x 4cm, mounted in a gold clasp frame, tested as approximately 14ct gold £400 - 600

Provenance: C hristie’s and Hamilton Osborne King, Kilkenny Ireland, 7 October 1991, lot 407; Bonhams London, 22 February 2005, lot 79. Lot 126 James Ferguson (1710-1776) A pair of portraits of Lord and Lady Foley miniature, plumbago, the former inscribed ‘Thomas Lord Foley’ verso, oval 7.8 x 5.8cm (2) £400 - 600 Provenance: H ampden House, Buckinghamshire, 19 April 1939; Bonhams London, 21 November 2006, lot 45. Lot 127 James Ferguson (1710-1776) Portrait of a gentleman in a curled wig, buff coat and white stock; Portrait of a lady in a ribbon-trimmed dress, choker and mob cap a pair, miniature, plumbago each 6.2 x 5cm (2) £500 - 700 Lot 128 English School, c.1750 Portrait miniature of William Augustus, Duke of Cumberland (1721-1765), in a tricorn hat, wearing a blue coat with gold braid and red sash, holding a baton enamel on copper, circular 6.5 x 6.5cm £800 - 1,200 Lot 129 Attributed to Francis Sykes, mid-18th century Portrait of a gentleman called John, Baron Kingston, wearing a purple coat, white lace stock, and with his curled grey wig tied with a black ribbon frame engraved ‘John Ld Baron Kingston’ verso, enamel on copper, oval 3 x 3.5cm £200 - 300

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Lot 131 Luke Sullivan (1705-1771) Portrait of a Nobleman, said to be the Duke of Northumberland (1714-1786), facing right, in a white coat with gold frogging and epaulettes, wearing the sash of the Order of the Garter, powdered hair en queue signed ‘LS’ and dated ‘1762’, miniature on ivory 3.4 x 4.1cm, oval in a silver bracelet-clasped frame with foiled gem surround £300 - 400 The Duke of Northumberland married Elizabeth, Baroness Percy, only surviving child of the 7th Duke of Somerset. The Duke assumed the name and coat of arms of Percy by Act of Parliament in 1750. He was Lord Lieutenant of Ireland from 1763 to 1765. He was created Duke of Northumberland and Earl Percy on 22 October 1766 and further created Lord Lovaine, Baron of Alnwick on 28 January 1784. Lot 132 English School, c.1805 Portrait of a General officer in uniform miniature on ivory 7.1 x 5.7cm, oval, in a gold frame with blue enamel, plaited hair and vacant collets verso, tested as approximately 9ct gold £300 - 400 This is a portrait of a General officer of the period c.1805. His exact rank is determined by the arrangement of the buttons on his tunic and the chain pattern lace on the facings. The sitter’s buttons and lace are grouped in threes, as worn by a Lieutenant General. The curious black line across his brow looks to be an eye patch, albeit that the patch itself appears to be over the sitter’s right ear. This unusual arrangement may have been for reasons of both vanity and accuracy. We are grateful to Christopher Joll for his assistance with this catalogue entry.

Lot 133 George Place (Irish, c.1755-c.1805) Portrait of Colonel Hutchinson, wearing a red uniform with white trimmed facings, 1799 signed and dated ‘G Place/1799’ l.l., and inscribed ‘Colonel Hutchinson’ verso, miniature on card 9.8 x 7.8cm, oval £400 - 600 Provenance: Bonhams London, 2 July 2001, lot 129. Lot 134 Circle of John Smart (1741-1811) Portrait of a gentleman wearing a red coat, white waistcoat and stock, his grey wig curled and tied with a black ribbon miniature on ivory 3.8 x 3.1cm, oval, in a silver necklace clasp, set with a foiled gem border £200 - 400 Lot 135 Alexander Galloway (1794-1812) Portrait miniature of a gentleman wearing a powdered wig, and scarlet coat with blue collar and white waistcoat, c.1795 watercolour 5.8 x 4.7cm £400 - 600 Lot 136 Scottish School, 18th century Portrait of a Highland Officer, in a feathered tam-o’-shanter miniature on ivory oval 4.4 x 3.4cm, in an engraved gold mount with bright-cut decoration to the reverse, tested as approximately 18ct gold with 9ct gold fittings £300 - 500 This is a portrait of an officer in a Highland regiment of the period c.1805-1815, before the full feather bonnet was adopted. Assuming that the colours in the present portrait are accurate, the only Highland regiment to have buff facings and silver lace was the 71st Highland Regiment (Light Infantry), later the Highland Light Infantry. We are grateful to Christopher Joll for his assistance with this catalogue entry.

Provenance: B onhams London, 24 May 2006, lot 60.

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Lot 139 William Bate (c.1759-c.1845) Portrait of The Lady Elizabeth Hamilton as ‘Beatrice Cenci’ by Guido Reni (1575-1642) with long fair hair, wearing a white turban and gown signed ‘W Bate’ and signed and dated ‘W Bate/1838’ verso enamel on copper, oval 8 x 6cm, gold bezel, tested as approximately 9ct gold £300 - 500 Beatrice Cenci, a Roman noblewoman, plotted in 1598 with three family members to murder her abusive father, Count Francesco Cenci. He had been sent to prison for his abuse to her and her family, but released early because of his noble status. Feeling there was no other option, the family conspired to kill him. When the plot was discovered after his disappearance, the family were arrested. The much publicised trial in 1599 Rome gave rise to an enduring legend about her and she has become a symbol of defiance against the arrogance of the ruling class. She, along with her co-conspirators, was beheaded in 1599.

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Lot 140 Attributed to Sarah Malden, Countess of Essex (1761-1838) Edward Hyde, 1st Earl of Clarendon, Lord Chancellor to Charles II (1609-1674) signed ‘S Essex pinxt.’ and inscribed ‘Lord Chancellor Clarendon’ verso, enamel, oval 4 x 3.4cm £400 - 600

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In 1799, Sarah Malden’s husband was created the 5th Earl of Essex; prior to this date she had signed ‘SM’, but afterward signed ‘S Essex’ as in this miniature. Essex liked to copy from portraits, hence the subject of the 1st Earl of Clarendon pre-dates her own time. Lot 141 English School, 18th century Portrait of a gentleman in a curled grey wig, wearing a brown coat, green waistcoat and white lace stock, c.1760 enamel on copper, oval 4 x 3.4cm, in a silver mount £300 - 500

143 Lot 137 William Read (1780-1827) A pair of portraits, a Gentleman wearing a blue coat, his arm tucked inside his white waistcoat, his sleeves trimmed with lace, his hair worn en queue, seated, before a pillar; and a Lady, with powdered grey wig and pearls in her hair, wearing a pale blue dress with white bodice and black sash with white fichu each signed and dated ‘Read/1788’, miniature on ivory, oval 8.6 x 6.6cm (2) £400 - 600 Provenance: B onhams, London, 20 May 2009, lot 54.

Lot 138 Patrick McMoreland (1741-c.1809) Portrait of James Hudson, facing right in a blue coat, white waistcoat and cravat, powdered wig en queue signed with initials ‘PMc’ l.r., miniature on ivory, oval 4 x 3cm, gold fausse-montre frame with green glass surround with glazed reverse, tested as approximately 9ct gold £300 - 400 Provenance: Christies London, 21 November 2000, lot 131.

Lot 142 John Keyse Sherwin (1751-1790) Portrait of David Garrick, the actor (1717-1779) shown in profile, with powdered hair tied back with a black ribbon, wearing an olive coat inscribed ‘David Garrick by J K Sherwin’ verso miniature on ivory, oval 7 x 6cm, in a gold frame, verre églomisé border with gilt bezel, within a black frame, 19.8 x 18.5cm overall £600 - 800 Lot 143 Nathaniel Hone RA (Irish, 1718-1784) Portrait of a lady wearing a lace-trimmed blue dress and black velvet choker signed and dated with initials ‘NH/1763’ l.r., miniature on ivory overall 5.5 x 7.5cm, in a faux tortoiseshell and gilt frame £300 - 500

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150 Lot 144 John Edmund Halpin (Irish, b.1764) Portrait miniature of a gentleman wearing a buttoned black coat, white ruffled chemise and tied cravat, his hair worn en queue signed and dated ‘I.E.H./1780’, miniature on ivory, oval 6.1 x 4.8cm, in an engraved gold frame, reverse with blue glass border around empty aperture, tested as approximately 9ct gold £300 - 500 Provenance: Bonhams London, 27 April 2005, lot 68. Halpin was born in Dublin and studied under his father Patrick Halpin, F R West and J J Barralet. He moved to London to pursue a career as an actor, but when this failed, he returned to Dublin and worked as a successful miniaturist. Later in life, he moved back to London and continued painting miniatures. Lot 145 Sampson Towgood Roch (1758-1847) A gentleman wearing a brown coat, white waistcoat, red vest and frilled white cravat signed and dated ‘S. Roch/1793’, miniature on ivory, the reverse with plaited hair design and blue glass border, oval 6.3 x 5.4cm, in a gold frame, tested as approximately 9ct gold £500 - 700 Lot 146 English School, 18th century Portrait of a gentleman in a blue coat, with a red and gold waistcoat and white stock miniature on ivory, oval 4.5 x 3.3cm, in a gold frame fitted as a brooch, tested as approximately 9ct gold with metal fittings £400 - 600

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Lot 147 Attributed to Edward Nash (1778-1821) Portrait of Charles Pavins as a young boy holding a red shoe in his right hand, wearing a white dress and lace mob cap, with foliate background miniature on ivory, oval 6.8 x 5.4cm, in a split pearl border, tested as approximately 9ct gold, inside the frame a lock of hair in paper with the sitter’s name on £300 - 500 Provenance: Phillips London, 27 February 1985, lot 345; Sotheby’s Chester, 16-17 January 1990, lot 542; Christie’s London, 7th December 2004, lot 231.

Lot 150 Richard Crosse (1742-1810) Portrait miniature of a gentleman, powdered hair en queue, blue coat and lace-frilled stock watercolour on ivory, oval 3.2 x 2.8cm, in a gold bracelet clasp, tested as approximately 9ct gold £200 - 400 Provenance: Sotheby’s, 15 February 1995, lot 1634.

Lot 148 English School, 18th century Portrait of a young boy in a white lace shirt and red coat with gold buttons miniature on ivory, oval 3.4 x 3cm £300 - 500

Lot 151 English School, mid-18th century Portrait of a young woman wearing a white-bordered blue dress, hair worn up and adorned with pearls, with sepia landscape verso miniature on enamel, oval 1.1 x 1.4cm, overall 2.1 x 1.6cm, in a split pearl and gold frame, surmounted by a bow in pearls, tested as approximately 18ct gold £300 - 500

Lot 149 Gervase Jarvis Spencer (c.1715-1763) Portrait of Martin Folkes, wearing a red double-breasted jacket with lace collar, 1756 signed ‘G Spencer pinxit’ verso, inscribed and dated ‘Martin Folkes/Oct. 7th 1756’ verso, enamel on copper, oval 3 x 2.5cm, in a silver gilt mount £400 - 600

Provenance: Sotheby’s London, 28 April 1981, lot 93; Christie’s London, ‘The Gordon Collection of Portrait Miniatures’, 20 November 2007, lot 26.

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A SINGLE-OWNER COLLECTION OF PORTRAIT MINIATURES 102-172 Lot 152 Abraham Daniel (c.1760-1806) Portrait miniature of a young girl with red hair in ringlets down her back, tied with ribbons, wearing a gold and cream high-waisted dress watercolour on ivory, with a starburst hair back with a lock of hair set with split pearls, with a split pearl and blue glass, tested as approximately 9ct gold, oval 6.5 x 5cm £600 - 800 Lot 153 John Downman RA (1750-1824) Portrait of Philip Jackson of Rainton Hall, County Durham, c.1790 miniature on ivory, in a gold frame, the reverse with locks of hair tied with seed pearls on an opalescent ground within a split pearl border, tested as approximately 9ct gold, oval 7.5 x 5.5cm £800 - 1,200 Provenance: P hillips, London, 7 November 2001, lot 414; with Ellison Fine Art, 2002. Lot 154 English School, 18th century Portrait miniature of a young nobleman with powdered hair, wearing a blue coat with black lapels and white tied stock watercolour on ivory, oval 5.7 x 5.5cm, in a gold frame with a gem set surround of garnets and white gems in silver cut down collets, with initials ‘HH’ verso, with hanging loop, tested as approximately 9ct gold and silver £1,000 - 1,500

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Lot 155 Attributed to Thomas H. Hull (fl.1775-1827) Portrait of a young girl, in a white dress with blue ribbons, her hair in upswept ringlets signed with initials ‘T.H.’ l.l., miniature on ivory, oval 5.2 x 3.9cm, in a gold frame with brooch pin and hanging loop, tested as approximately 9ct gold £400 - 600 Lot 156 Jeremiah Meyer (1735-1789) Portrait of Miss Augusta Cheap, daughter of Thomas Cheap of Elvington, Yorkshire, c.1785 pencil with wash on ivory, oval 8.3 x 6.3cm £300 - 500 Lot 157 John Bogle (1746-1804) A lady, in a pale pink dress, with flowing locks, 1787 signed in initials ‘IB’ and dated ‘1787’ c.l., miniature on ivory, oval 4.5 x 3.4cm, in a gold brooch mount, tested as approximately 9ct gold £300 - 400 Provenance: Phillips, London, 11 June 2000, lot 250. Lot 158 John Bogle (1746-1804) Portrait of a Gentleman with grey curled hair, wearing a light brown covert coat and stock signed and dated ‘IB/1793’ c.r., miniature on ivory, oval 5.2 x 4cm, in a gold mount with entwined hair back, tested as approximately 9ct gold £300 - 400

Lot 159 John Donaldson (1737-1801) Portrait of a lady, her natural hair worn à la conseilleur, wearing a lace fichu and lace-trimmed gold and cream dress miniature on ivory, with an aquamarine enamel back with hair back enclosed by seed pearls, oval 5.5 x 4.5cm £400 - 600 Lot 160 Nathanial Plimer (1757-1822) Portrait of a young woman with long brown curled hair, wearing a lace-trimmed pink dress miniature on ivory oval 4.2 x 3.3cm, with gilt metal bezel and black lacquer frame £600 - 800 Lot 161 John Barry (fl.1784-1827) Portrait of a gentleman with a powdered curled wig, wearing a grey-green coat with blue and gold lapels and white stock miniature on ivory, silver-gilt frame with paste set border 5.4 x 4.1cm £400 - 600 Provenance: Albert Kende, Vienna, 35th Auction, 26 March 1917, lot 12; Sotheby’s, London, 17 May 1976, lot 118; Christie’s, London, 14 October 1998, Lot 39.

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Lot 162 Richard Bull (fl.1777-1809) Portrait of a young gentleman, facing right in a pale brown coat, with white waistcoat, pleated cravat and knotted stock, powdered hair signed and indistinctly dated l.r., miniature on ivory, oval 7.1 x 5cm, in a gilt metal mount with engraved gold bezel, tested as approximately 9ct gold £200 - 300 Provenance: C hristie’s London, 3 June 2003, lot 131. Lot 163 Samuel Cotes (1734-1818) Portrait of a young woman, wearing a green dress and pink stole with pearl earrings, her hair à la Grecque and adorned with pearls signed with initials ‘SC’ and dated ‘1779’ l.r., miniature on ivory oval 5.1 x 4cm, in a gold pendant mount with a split pearl border and split pearl set bale, and hinged back, tested as approximately 9ct gold £400 - 600 Provenance: C hristie’s London, 22 March 1988, lot 274. Lot 164 James Scouler (1741-1812) Portrait of a lady, her hair piled high in a cream turban, one curl over her shoulder, wearing a blue dress and a pearl brooch miniature on ivory, oval 3 x 2.6cm, in a gold frame, tested as approximately 9ct gold £400 - 600 Provenance: C hristie’s London, 8 March 1995, lot 39. Lot 165 English School, c.1825 Portrait of Elizabeth Barter aged 12 years miniature on ivory, oval 3.4 x 2.9cm, in a gold mount with hanging loop, the mount inscribed and dated ‘Elizabeth Barter/aged 12 years 1825’ verso, with hallmark to the front, 9ct gold, Birmingham 1894 £200 - 300

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Lot 166 Richard Collins (1755-1831) Portrait of Mr L F Cork, wearing a blue coat with black collar and gold buttons, 1802 signed and dated ‘Rich’d Collins pinxit/1802’ verso and inscribed ‘Principal painter in Enamel to his Majesty by the King’s special appointment’ verso, miniature on ivory, oval 7.3 x 6cm, in a gold frame with glazed reverse and brooch clasp, tested as approximately 9ct gold £400 - 600 Provenance: Bonhams London, 18 November 2003, lot 112. Richard Collins was appointed principal painter to King George III from 1789. Lot 167 John Turmeau (1777-1846) A young gentleman wearing a navy coat with black collar and white stock signed with initials ‘JT’ l.r., signed ‘J. Turmeau pinx’ and dated ‘1796/Liverpool’ verso, watercolour on ivory, oval 6.9 x 5.6cm, in a gilt metal frame £200 - 300 Provenance: Sotheby’s London, 11 October 1994, lot 86. Lot 168 Abraham Daniel (c.1750-1806) Portrait of a gentleman wearing a black coat and white stock miniature on ivory 7.3 x 6cm, in a gold mount, with a curled hair back set with seed pearls and iridescent enamel, tested as approximately 9ct gold £400 - 600 Lot 169 English School, 19th century Portrait of a gentleman wearing a blue coat with black velvet collar miniature on ivory, oval 7.8 x 6.3cm, in a yellow metal frame with hair design to the reverse and monogram in gilt £300 - 500

A SINGLE-OWNER COLLECTION OF PORTRAIT MINIATURES 102-172

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Lot 170 Mrs Anne Mee (c.1770-1851) Portrait of a Lady, left profile, wearing a white lace dress, with a white ribbon in her powdered hair miniature on ivory, oval 8.2 x 5.6cm, gilt-metal frame rub set with garnets and turquoises, and adorned with a bow £500 - 700 Provenance: Bonhams London, 25 November 2009, lot 175.

Lot 171 Books relating to portrait miniatures, including: Bayne-Powell, (R.), ‘Catalogue of Portrait Miniatures in the Fitzwilliam Museum, Cambridge, 1985, Foster, (J.J.), ‘Samuel Cooper & the English Miniature Painters of the 17th Century’, 1914-16 Long, (B.), ‘British Miniaturists Working Between 1520 & 1860’, 1929, together with six others (9) £100 - 150

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102-172 A SINGLE-OWNER COLLECTION OF PORTRAIT MINIATURES

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Lot 172 John Sanders Jnr (1750-1825) Portrait miniatures, double-sided, of a Gentleman and Lady: he, wearing blue coat, peach-coloured waistcoat and white cravat, his hair powdered and worn en queue; she, wearing a blue dress with pointed white collar, lace underslip and scarf, a blue bandeau in her hair both signed and dated ‘J Sanders/1790’ in a gold frame, he within plaited hair belt and outer border of blue enamel set with gold-mounted split pearls; she within a gold-mounted plaited hair border and outer border set with split pearls, the whole within a later gold brooch clasp frame with blue enamel crossed ribbons, tested as approximately 15ct gold with 9ct gold pin, the reverse engraved ‘Sir Belford Hinton Wilson KCB and of his Wife Catherine Randolph. Father & Mother of General Sir Robert Wilson & Grand Father & Mother of [sic]’, miniature on ivory, oval he: 4.6 x 3.8cm she: 4.5 x 3.5cm, overall: 7.8 x 6.7cm (2) £1,500 - 2,000 Provenance: C hristie’s London, sale, 21 November 1967, lot 24; Bonhams London, sale, 17 November 2004, lot 47. Literature: Daphne Foskett, ‘A Dictionary of British Miniature Painters’, 1972, vol. I, p.490, ill. vol. II, pl.316, no.792. The later frame describes the sitters as Sir Belford Hinton Wilson KCB (1804-1858) and his wife Catherine (née Randolph). Sir Belford Hinton Wilson, friend and supporter of the Peruvian liberator Simón Bolívar was not born until 1804 (making him an impossible candidate for a portrait dated 1790), it would appear that the later frame refers to a different miniature.

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FUR NITUR E AND WOR K S OF ART LOTS 17 3-307

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Lot 173 A pair of grand tour bronze busts of Antinous as Dionysus and Ariadne, 19th century, each raised on an integral socle, 22cm high (2) £400 - 600

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Lot 174 A French grand tour gilt metal casket, 19th century, of oval form engraved with scrolling foliage, with a rococo cast knop, and set with painted ivory roundels of architectural landmarks, 15cm wide 13cm deep 11.5cm high £400 - 600 Lot 175 A large pier mirror, 19th century, with gilt and an ebonised frieze depicting classical figures over a rectangular mirror plate, flanked by reeded pilaster columns, 104cm wide 128cm high £600 - 800 Lot 176 A rustic workbench/side table, 20th century, the paint-spattered top raised on chunky square legs united by an undertier, 150cm wide 54cm deep 76cm high £300 - 500

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Lot 177 A folk art pull-along horse, early 19th century, French, ponyskin on a wooden former, fitted with a leather harness and raised on a wheeled carriage, 35cm long 14cm wide 33cm high £400 - 600 Lot 178 A small French wall collection box, the raised back inset with a mirrored panel over-decorated with foliate carvings, 22cm wide 12cm deep 21cm high, a walnut tea caddy in the form of a bureau, 19th century, with strung and crossbanded decoration, 12cm wide 9cm deep 12cm high, an oak glove box, 27cm wide 13cm deep 11cm high, together with a papier mâché box, decorated with flowers (4) £200 - 400

Lot 178A A collection of miniature books, book boxes and related items, predominantly 20th century, to include a Huntley & Palmers biscuit tin, 16.5cm wide 12cm deep 16cm high, together with an oak shelf, 70cm wide 16cm deep 51cm high (qty.) £400 - 600 Lot 179 A pair of pottery ewers, early 20th century, French, each with a slender neck with applied sprigged decoration, 42cm high (2) £200 - 300 Lot 180 An oak column, 19th century, with carved Ionic capital and a square stepped base, 18cm wide 18cm deep 114cm high £200 - 400

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173 - 307 FURNITURE AND WORKS OF ART Lot 181 A plaster roundel depicting Demeter, 20th century, within a moulded frame, 45cm wide 58cm high £200 - 300 Lot 182 A blue-painted cupboard, 19th century, with twin-panelled doors opening to reveal shelves within on a plinth base, 123cm wide 37cm deep 80cm high £400 - 600 Lot 183 A Dhurrie flatweave rug, mid-20th century, the pale blue ground decorated with geometric motifs, within a pink border woven with stylised foliate detail, 351 x 261cm £1,000 - 1,500 Lot 184 An Irish folk art doll’s house, 20th century, with a pitched roof and polychrome painted decoration, 44cm wide 33cm deep 43cm high £200 - 300

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Lot 185 A French faience model birdcage, 19th century, the pierced pagoda top above a ‘C’ scroll and leaf-decorated cage, with a bird on a pine perch inside, all on scroll feet, 25.5cm wide 20cm deep 39cm high £700 - 900 Lot 186 A Chinese painted low occasional table, early 20th century, raised on turned supports with stretchers, stylised fretwork to either end, 134cm wide 34cm deep 32cm high £250 - 350

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Lot 187 A faux bois cast iron corner stick stand, 19th century, with cast iron drip tray, 44cm wide 69cm high £200 - 300 Lot 188 A mahogany adjustable easel, early 20th century, with a ratcheted action, 100cm wide 180cm high £500 - 700

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189 Lot 189 A German steel knife, early 19th century, the boxwood handle intricately carved with vignettes of an ostensorium and a chalice on an altar, inscribed ‘Den 19 Februarius Anno 1813’, the conical handle with three recesses, two with captive balls, 28cm long, and a Flemish or German boxwood knife hasp, late 16th century, carved in relief with six stations of the cross, titled ‘Avontmael’, ‘iudas Singe’, ‘Gesselinge’, ‘Cruyssinghe’, 9.5cm long (2) £300 - 500 Lot 190 Five Dutch and German steel knives, 17th to 20th centuries, the finials of the wooden handles variously carved with lions (2), pairs of horses (2), bird of piety, one dated 1827, one 1905, 23.5 to 31.5cm long (5) £150 - 250

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190 Lot 191 A steel knife and fork, 18th century, possibly Dutch East Indies, both with engraved date ‘ANNO 1765’, the handles inlaid with brass and mother-of-pearl, the knife blade with cutler’s mark, 21 and 24.5cm long (2) £200 - 400 Lot 192 Cutlery items, comprising: twelve early knives including medieval, Elizabethan, 17th and 18th century examples, ten forks, including with two, three and four tines, wood, bone and piqué work handles, a stiletto with stained horn handle, a Continental folding knife with carved wood figure handle, and a leather two-part sheath punched with heart and flower decoration and dated ‘1775’, 15 to 26.5cm long (25) £150 - 200

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FURNITURE AND WORKS OF ART 1 7 3 - 3 0 7 Lot 193 A Victorian pine country house kitchen table, the plank top with a moulded edge, raised on turned baluster supports terminating in large brass castors, 202cm long 101cm wide 75cm high £400 - 600 Lot 194 A Persian wool rug, late 20th century, Isfahan, the pale field centred with a shaped medallion and woven with scrolling Shah Abbasi motifs, within a similarly decorated red border, 276 x 186cm £400 - 600 Lot 195 A Queen Anne walnut and oak chest of drawers, early 18th century and later, having three short over three long drawers and raised on bun feet, 98cm wide 53cm deep 88cm high £600 - 800

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Lot 196 A French ormolu clock garniture, late 19th century, the waisted rococo clock case well-cast with scrolls, floral swags, shells and musical trophies, on an integral base, the enamel dial supporting a French drum movement stamped ‘A.O. Hougin 7257’, striking the hours and half hours on a bell, together with conforming twin-branch candelabra, clock 33cm high dial 7.5cm diameter candelabra 25cm high (3) £500 - 1,000

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Lot 198 A painted pine decoy duck, 20th century, 40cm long 19cm wide 20cm high £200 - 300

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Lot 199 A French oak occasional table, 19th century, the octagonal top raised on a turned, faceted and carved tripod support, 37.5cm wide 34cm deep 64cm high £200 - 300 Lot 200 A Louis Philippe simulated rosewood library armchair, French, with buttoned and studded leather upholstery, scrolling open arms, and raised on turned front supports terminating in brass castors, 60cm wide 77cm deep 93cm high £200 - 400

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Lot 201 A Caucasian Karabagh runner, 20th century, the field decorated with four geometric medallions, on a red and blue ground, 377 x 133cm £800 - 1,200 Lot 202 A Regency gilt pier mirror, 19th century, with a painted reverse glass panel of a church over a rectangular plate, flanked by turned pilaster supports, 37cm wide 75cm high £300 - 500

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173 - 307 FURNITURE AND WORKS OF ART

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Lot 203 A pair of bronze figural candlesticks, 19th century, French, each with a classical figure holding a twin-handled urn, decorated with fruiting vine, raised on a grey marble base with gilt metal mount, 42cm high (2) £500 - 700

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Lot 204 A French marble-topped occasional table, 19th century, the top raised on three column supports united by an undertier, 42cm diameter 56cm high £200 - 300

Lot 205 A pair of naive pictures of seated figures, early 19th century, possibly Persian, each painted on a papier mâché panel, 10 x 28cm approximately (2) £200 - 400

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Lot 206 Two Continental Art Nouveau stands, late 19th/early 20th century, each inset with mirrored panels and applied fret cut decoration, largest 26cm wide 26cm deep 94cm high (2) £200 - 400 Lot 207 A narrow oak chest of drawers, 18th century, with panelled sides and fitted with two over three drawers, each with brass handles, and raised on style feet, 80cm wide 51cm deep 96cm high £600 - 800 Lot 208 A small George IV gilt overmantel mirror, the moulded frame set with rosettes and rope twist mouldings around a triple plate, 108cm wide 47cm high £300 - 500 Lot 209 A Northern European painted pine armoire, 19th century, in two sections, the domed top above a pair of panelled doors, set between canted edges, on a plinth base, painted all-over in bright polychrome colours, the frieze with an inscription, and dated ‘1806’, 190cm wide 60cm deep 182cm high £500 - 800

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173 - 307 FURNITURE AND WORKS OF ART

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Lot 210 A pair of French Louis Philippe mahogany armchairs, the arms with carved swan-head supports, raised on tapering square legs, 66cm wide 66cm deep 96cm high (2) £400 - 600 Lot 211 A large Louis XVI gilt-bronze cartel clock, having a convex enamel dial inscribed ‘Louis Montjoye, Aaria’, supporting a French drum movement striking on a bell, the case crest with a sunburst over a cherub seated in a carriage drawn by two doves, scrolling foliage and a seated nude and cherub, 120cm high dial 21.5cm diameter £3,000 - 5,000 Louis Montjoye (1728-c.1815) As an horological expert, Montjoye’s name is often associated with some of the finest Louis XVI clocks. The son of Jacques and Marie-Madeleine née Langlois, he was apprenticed to Michel Mathurin Guery in 1736. In 1748 he was received as a Paris maitre at which date he moved from Quai Pelletier to rue Dauphine; 1758 saw him established at rue de la Vieille Draperie and 1772 at rue Galande. He lived well into old age and died c.1815 at Jouy-le-Chatel; his sons Louis II (d. before 1783) and Joseph-Bernard (d. after 1817) were both watch-case makers. Much of Montjoye’s work was supplied to the marchands-merciers, especially Pierre-Simon La Hoguette and Dominiqu Daguerre, and through them was acquired by such figures as the duc de Richelieu, the duchess de Mazarin, the marquise de Montesquiou, the comte de Vaudreuil and the Maergravine von Baden. Today examples of his work can be found among important collections including the Rijksmuseum in Amsterdam, Sahringen Museum Baden-Baden, the Huntington Collection San Marineo, California, and the Philadelphia Museum of Art.

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FURNITURE AND WORKS OF ART 1 7 3 - 3 0 7 Lot 212 A pair of French Louis XV-style stools, late 19th century, one painted and one gilt, each with a shaped rectangular seat and carved rococo detail, raised on cabriole legs, 70cm wide 52cm deep 47cm high (2) £300 - 500

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Lot 213 A French Louis XVI-style painted double bed, 20th century, the headboard with ribbon-tied decoration, with fluted columns surmounted by urn finials, 153cm wide 209cm long 135cm high £300 - 500 Provenance: Eastington Hall, Upton-upon-Severn, Worcestershire. Lot 213A A pair of malachite obelisks, of recent manufacture, each with a floral and foliate metal mount and raised on foliate decorated bun feet, 9cm wide 9cm deep 52cm high (2) £800 - 1,200 Lot 214 A pair of French Louis XV-style painted bedside tables, of recent manufacture, each wavy square top inset with mirrored glass, above a cupboard door, raised on cabriole supports united by an undertier, with all-over parcel-gilt detail, 42cm wide 42cm deep 76cm high (2) £400 - 600

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Lot 215 An ebonised and embossed brass wall mirror, 19th/20th century, Dutch, the shaped crest decorated with scrolling foliage, over a bevelled plate with mirrored slips and banded foliate frame, 69cm wide 111cm high £300 - 500

Lot 216 A Victorian brass skeleton clock, the single fusee movement striking the hours on a bell, on a stepped marble base, under a glass dome, clock 43cm high dome 49cm high £400 - 600

Lot 217 Morris Lievesley (d.1847) a terracotta model of Captain Thomas Coram, seated and holding a seal in his right hand, inscribed to the reverse ‘Morris Lievesley Sculpsit’ and further inscribed indistinctly and with old paper collection label applied to the base 30cm wide 25cm deep 35cm high £200 - 300

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218 Lot 218 A French provincial kitchen prep table, 19th century, the stained sycamore plank top with cleated ends, above deep drawers to each end and a short drawer to one side, raised on tapering square supports, 209cm wide 89cm deep 77cm high £600 - 800

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219 Lot 219 A Bettinsoli Tarccisio 20g o/u ejector shotgun for steel shot, 30in barrels, figured walnut Prince of Wales stock, with recoil pad, with Bettinsoli case and slip £600 - 800 Lot 220 A French Louis Philippe mahogany fauteuil de bureau, of tub shape, with scrolling foliate detailed arms and legs, upholstered in buttoned and studded green leather, stamped ‘LEMAIRE’ to the underside, 60cm wide 60cm deep 83cm high £1,200 - 1,800

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Lot 221 A Louis XVI walnut commode, late 18th century, with three graduated drawers, each with brass mouldings and ring handles, flanked by fluted pilasters, raised on turned fluted legs, 129cm wide 55cm deep 85cm high £600 - 800 Lot 222 A brass club fender, 20th century, with green deep-buttoned leather seats, 166cm wide 54cm deep 52cm high £400 - 600 Lot 223 A Persian wool rug, late 20th century, Kerman, the field centred with a shaped medallion within dense scrolling flowers and foliage, 280 x 183cm £400 - 600

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227 Lot 224 An English brass carriage clock, by Morris, Tobias & Levitt, the watch movement inscribed with maker’s name, London No 1160 Patent, with detachable movement cover, 13cm high £200 - 300

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Lot 225 An English brass cased carriage clock, by Harding, Smith & Co. Pall Mall, the case with all-over engraved decoration, the movement striking the hours on a bell, and with repeat mechanism, the rear keyholes with sliding dust shutter, inscribed verso ‘Harding, Smith & Co., Pall Mall, London’ and with regulation and strike/silent facilities and oval platform escapement, 16cm high approximately to top of fixed handle £400 - 600

Lot 227 A French brass and enamel cased carriage clock, the dial, front and sides with champlevé enamel work, the gorge case with all-over engraved decoration, the movement striking the half hours on a gong, with repeat mechanism, inscribed ‘15937’ in three separate places, 18.5cm to top of handle £400 - 600 Lot 228 An oval brass strut clock, 19th century, of Cole type, the silvered dial and case with all-over engraving, 14cm high, in a red leather hinged case £200 - 400

Lot 226 A French brass cased carriage clock, the dial, front and sides painted in enamels with cherubs, birds and figures in landscapes, the gorge case with all-over engraved decoration, the movement striking the half hours on a gong and with repeat mechanism, stamped ‘B’ in a circle on backplate, 17cm high to top of handle £400 - 500 This mark is often found on carriage clocks and has been associated with Jules Brunelot.

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173 - 307 FURNITURE AND WORKS OF ART

Lot 229 A walnut display cabinet, 19th century, Dutch, the shaped cornice carved with ‘C’ scrolls over two astragal glazed doors, a bombé drawer, a shaped apron and lion’s paw front feet, the sides with shaped glazed panels, 213cm wide 40cm deep 251cm high £1,000 - 2,000 Lot 230 An Aesthetic Movement walnut and marquetry-inlaid cabinet, c.1900, decorated all-over with flowers and foliage, birds and dogs, centred with a single door and drawer set between various galleried shelves, above a fretwork detailed frieze and raised on a cupboard base, 99cm wide 36cm deep 171cm high £200 - 400 Lot 231 A pair of club armchairs, of recent manufacture, each upholstered in burgundy leather, and raised on square tapering legs terminating in brass castors, 78cm wide 75cm deep 82cm high (2) £500 - 800 Lot 232 A Tekke Bokhara carpet, early 20th century, with four rows of seven linked medallions, 440 x 336cm £600 - 800 Lot 233 A rosewood and parquetry games table, 19th century, French, the fold-over top opening to reveal a baize playing surface, the single drawer containing a backgammon board, all raised on square tapering legs, 75cm wide 51cm deep 75cm high £500 - 700 Lot 234 An American ‘Tabard Inn Library’ ebonised oak revolving bookcase, c.1902, of architectural form with a gabled roof above various compartments, shelves, carved heraldic shields and book titles, the frieze carved ‘The Tabard Inn, The Best Reading Rooms in the United States are the Homes of the American People’, 68.5cm wide 68.5cm deep 193cm high £2,000 - 3,000

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FURNITURE AND WORKS OF ART 1 7 3 - 3 0 7 Lot 235 A George III draughtsman’s set, in a fitted shagreen case bearing a paper label ‘Wm Harris, Optician, No 17 Holborn, London’, the fitted case containing nine instruments including an ivory folding rule, 30cm, a protractor and a parallel ruler, two instruments missing, case 8cm wide 17cm high £300 - 500 Lot 236 A French brass draughtsman’s set, 18th century, by ‘Sautout-Choizy a Paris’, the fitted mahogany case with three fitted trays containing measuring and drawing instruments, with engraved details, the bottom tier with three compartments with sliding covers, case 24cm long £500 - 800 Lot 237 A cased table telescope and folding stand, early 19th century, by Rothwell, Manchester, the three draw telescope with a mahogany sleeve engraved ‘Rothwell, Manchester’, on a folding brass tripod stand, housed in a fitted mahogany case, telescope 85cm long maximum box 33cm long £200 - 400

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Lot 238 A camera lucida, c.1900, by Boucart of Paris, engraved ‘Boucart, Coustrt, Quai de L’horologe, 35, Paris’, in a fitted case similarly inscribed in gilt, case 26.5cm long (2) £150 - 250 The camera lucida was patented by William Hyde Wollaston in 1806. The optical principles were established 200 years earlier by Johannes Kepler, but never developed. The term camera lucida, Latin for ‘well-lit room’, as opposed to camera obscura, ‘dark room’, is Wollaston’s. The device is a drawing aid allowing optical superimposition of the subject viewed on the surface upon which the artist is drawing. It was used by the aeronautic and graphic departments of armies and museums.

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Lot 240 A George III-style inlaid satinwood miniature chest of drawers, 20th century, in the Georgian style, the serpentine top and sides inlaid with baskets of flowers, the drawer fronts with feather banding, oak-lined, flanked by chain-link inlaid chamfered panels, and raised on bracket feet, 39.5cm wide 23cm deep 35cm high £300 - 500

240 Lot 239 A Dutch mahogany and marquetry-inlaid secretaire or escritoire, late 18th/early 19th century, with all-over floral and foliate decoration, the waisted upper frieze drawer above a fall front, enclosing a baize-lined writing surface and a fitted interior, above three long drawers and a base drawer, raised on bun feet, 105.5cm wide 50cm deep 156cm high £800 - 1,200

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Lot 241 A Continental mahogany apprentice bureau, probably 19th century, the cylinder front opening to reveal drawers, and a pull-out slide, over two shaped bombé drawers, each with cast and gilt pierced escutcheons and handles, with a shaped apron, 48.5cm wide 28.5cm deep 34.5cm high £300 - 500 Lot 242 Carl Theodor Wegener (German, 1862-1935), a boy with a monkey, bronze, on a red-brown marble pedestal, signed ‘Wegener. 94. H. Gladenbeck & Sohn’, 34cm high £200 - 300 Lot 243 A cobalt blue porcelain and gilt-bronze table lamp, mounted in the manner of Sèvres, modelled with bacchanalian marks either side and festooned in foliate swags, the urn with a gilt decorated coat of arms, marked to the underside with Sèvres mark and dated letter ‘M’ 1775, 46cm high £200 - 400

FURNITURE AND WORKS OF ART 1 7 3 - 3 0 7 Lot 244 An Italian parquetry inlaid writing table, c.1800, Lombardy, the rectangular top inset with a two-panelled design within multiple crossbanded borders, over two drawers and on square tapering legs, all with conforming decoration, 114cm wide 66cm deep 80cm high £1,500 - 2,000

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173 - 307 FURNITURE AND WORKS OF ART Lot 247 A Dutch marquetry bombé chest, late 18th century, the shaped serpentine top inlaid with a bouquet of flowers, with birds and butterflies, over four drawers, each with pierced and gilt escutcheons, the sides inlaid with vases of flowers, raised on claw and ball feet, centred with a shaped and carved apron, 98.5cm wide 52.5cm deep 85.5cm high £500 - 700 Lot 248 A Persian silk carpet, late 20th century, Isfahan, the field finely woven with scrolling floral and foliate motifs interspersed with animals and mythical beasts, within multiple borders, 376 x 230cm £2,000 - 3,000 Lot 249 A Victorian mahogany stick barometer, by Cary of London, the silvered register engraved ‘Cary, Strand, London’, below a carved frieze and over a silvered thermometer and turned reservoir cover, 94cm high £300 - 500

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FURNITURE AND WORKS OF ART 1 7 3 - 3 0 7 Lot 250 A Victorian walnut country house document box, the top with a brass handle and an ivory plaque inscribed ‘Bills & Letters’, the two front doors opening to reveal six pigeonholes similarly inscribed ‘Letters Answered’, ‘Bills Paid’, ‘Invitations’, ‘Letters Unanswered’, ‘Bills Unpaid’ and ‘Memorandums’, 31.5cm wide 26cm deep 21.5cm high £200 - 400 Lot 251 A boxwood and ivory flute, early 19th century, by ‘Potter, London’, in three sections, each stamped ‘Potter, London’, 66cm long £200 - 300

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Lot 252 Spare lot Lot 253 A French Louis XV-style kingwood and parquetry bonheur-du-jour, late 19th century, the shaped and raised top section with five drawers around a central pigeonhole, over a fold-out writing surface which encloses a writing inset and two tambour-topped recesses, this over three frieze drawers and angular scrolled supports, the whole with gilt-bronze mounts, edges and sabots, 75cm wide 45cm deep 95cm high £1,000 - 1,500 Lot 254 A Persian wool carpet, mid-20th century, Tabriz, the pale field woven with scrolling floral and foliate Shah Abbasi detail, within stepped blue and red borders, 424 x 346cm £1,200 - 1,800 Lot 255 A pair of Continental marquetry-inlaid étagères, 19th century, each oval platform with a gilt-metal edge, set between four turned and splayed beech supports with urn finials, 40cm wide 32cm deep 88cm high (2) £200 - 300

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173 - 307 FURNITURE AND WORKS OF ART Lot 256 A marine Wunderkammer display, 20th century, to include small crabs, shells and stones under a glass dome, on an ebonised base, 24cm diameter 37cm high £200 - 300

Lot 257 A pair of Flight, Barr & Barr vases, early 19th century, the cylindrical bodies each painted with a panel of seashells within a gilt border on a deep red ground and raised on three gilt paw feet and a triform base, painted and impressed marks, 9.5cm high, and a Chamberlains Worcester inkwell, early 19th century, the cylindrical body painted with a titled and gilt-reserved panel of ‘Windsor’ on a pale yellow ground, 5.5cm high (3) £200 - 300

Lot 258 A shell-covered box, 20th century, the hinged lid enclosing a paper-lined interior, 64cm wide 38cm deep 24cm high £200 - 300

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173 - 307 FURNITURE AND WORKS OF ART

259 Lot 259 A French Empire mahogany and parcel-gilt stool, early 19th century, of waisted square shape, the top upholstered in hessian with studded detail above the frieze, carved to two sides with foliate detail, raised on tapering square supports terminating in paw feet, 73cm wide 73cm deep 40cm high £300 - 500

Lot 260 A Persian kilim flatweave rug, 20th century, woven with polychrome geometric bands, 180 x 100cm £200 - 300

260 detail Lot 261 A large gilt-framed overmantel mirror, in the rococo manner, with scroll and swept frame, burnished gilt leaf carved crest and capital mouldings, 215cm wide 136cm high £400 - 600 Provenance: George Douglas Hume, by whom acquired in Italy; and by descent.

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262 Lot 262 A pair of large pearlware lions, early 19th century, each standing with a front paw resting on a globe, the plinth bases with moulded, stiff leaf borders, 31cm long 25cm high (2) £300 - 500 Lot 263 A near pair of Indian octagonal teak occasional tables, early 20th century, Hoshiarpur, each top inlaid with bone and ivory in foliate patterns, with ebony banding and a bevelled edge, both with arabesque aprons of different designs, and raised on a collapsible base, 62cm wide 62cm deep 64cm high (2) £300 - 500

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264 Lot 264 A French Louis XVI-style painted canape, 20th century, of curved shape, the top rail with ribbon and stick decoration, above acanthus-carved arms, with a double serpentine apron raised on tapering fluted supports, upholstered in hessian with a striped herringbone squab cushion, 170cm wide 80cm deep 88cm high £800 - 1,200 Lot 265 A studded leather chest, 19th century and later, Spanish, of rectangular shape, with all-over scrolling foliate decoration, set with twin carry handles and raised on bun feet, 114cm wide 45cm deep 53cm high £300 - 500 Lot 266 A collection of kilim-upholstered footstools, 20th century, comprising a pair of triangular examples, 33cm wide 33cm deep 22cm high, and three oval examples with beech frames (5) £400 - 600

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Lot 267 A cut-crystal twelve-light ‘Zenith’ chandelier by Baccarat, late 20th/early 21st century, each scrolling branch with a bell-shaped sconce and lobed drip tray, suspending various prism drops, with further scrolling and festoon detail throughout, 80cm diameter 115cm high £2,000 - 3,000

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Lot 268 A pair of Chinese ebonised and parcel-gilt bamboo posts, 20th century, each inscribed with an ancestral dedication, surrounded by butterflies, gourds and other auspicious motifs, 19.5cm wide 238cm high (2) £300 - 500 Lot 269 A Chinese polychrome painted wooden house god or attendant, 20th century, the figure standing on an oval base, the enclosed rear panel containing votives, 33cm wide 25cm deep 74cm high £300 - 500 Lot 270 A pair of French Empire-style patinated and gilt-bronze candlestick lamps, each with a guilloché-cast sconce above a fluted column, with an acanthus detailed capital and raised on paw supports and a triform base, of recent manufacture, each with a pleated blue silk shade, 31cm diameter 56cm high (2) £400 - 600

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Lot 271 A pair of bronze finials, 19th century, in the form of crowns, 11cm high (2) £200 - 400 Lot 272 A mahogany side cabinet, mid-19th century and later, the shaped rectangular marble top above a pair of drawers and cupboard doors set with arched fielded panels. between writhen-twisted columns, with brushing slides to each side, on bun feet, 145cm wide 61cm deep 93cm high £500 - 700

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173 - 307 FURNITURE AND WORKS OF ART

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274 Lot 273 A rectangular mirror by OKA, of recent manufacture, the bevelled plate within an ebonised and parcel-gilt frame, 84cm wide 117cm high £200 - 300 Provenance: Eastington Hall, Upton-upon-Severn, Worcestershire. Lot 274 A pair of Chinese-style ebonised softwood armchairs, each with a horseshoe back above a wide panelled seat, raised on stretchered supports, 69cm wide 59cm deep 103cm high (2) £300 - 500

275 Lot 275 A pair of Maison Jansen-type occasional tables, each brass frame on reeded column legs united by ‘X’ stretchers, 61.5cm wide 6.15cm deep 41.5cm high (2) £800 - 1,200 Lot 276 A North-West Persian kilim rug, c.1920, woven with various geometrically decorated bands, 380 x 175cm £1,500 - 2,500 Lot 277 A painted artist’s studio ladder, 20th century, French, 50cm wide 117cm deep 165cm high £250 - 350

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Lot 278 After the antique, a massive plaster bust after Zeus of Otricoli, 20th century, 99cm high £400 - 600 Lot 279 A pair of Continental painted and parcel-gilt fauteuils, in the 18th century taste, of generous proportions, each oval back with a floral surmount, raised on tapering turned supports, upholstered in crimson fabric, 71cm wide 71cm deep 110cm high (2) £300 - 500 Lot 280 A cast iron and brass triptych cheval mirror, c.1900-1910, American, with scrolling foliate detail and raised on lion supports, 165cm wide 20cm deep 195cm high £800 - 1,200 Lot 281 A brass club fender, early 20th century, with green leather-upholstered seats to each corner, raised on column supports, 160cm wide 52cm deep 50cm high £400 - 600

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173 - 307 FURNITURE AND WORKS OF ART

282 Lot 282 A pair of ornately carved giltwood stands, late 19th century, each with a black-veined marble top, on a triform base deeply carved with ‘C’ scrolls, stylised foliage and flowers, 43cm diameter 64cm wide (2) £1,000 - 2,000

Lot 283 A Persian wool rug, late 19th/early 20th century, Shiraz, decorated all-over with geometric motifs, the woven with stylised flora and fauna, on a red and blue ground, 220 x 130cm £300 - 500 Provenance: Eastington Hall, Upton-upon-Severn, Worcestershire.

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Lot 284 A small painted wooden chest, 19th century, French, converted from a wine cooler, the hinged lid enclosing a zinc liner, inscribed to the front ‘Rende-Vous Chasse’, on bracket feet, with lion mask handles to each side, 79cm wide 40cm deep 45cm high £300 - 500

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285 part lot

Lot 285 A set of eighty-eight small conical wine glasses, of recent manufacture, fifty-three 13cm high, twenty-nine 14cm high (88) £300 - 500

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Lot 287 A Victorian Minton majolica game dish and cover, of oval form, the cover embellished with dead game in relief, on a basket form base, 36cm wide 22cm deep 17cm high (2) £400 - 600

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Lot 286 A set of eighteen Longchamp majolica oyster plates, 20th century, each with shell and basketweave mouldings, 24cm diameter (18) £200 - 300

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Lot 288 A pair of Edward VII glass wine coolers, each of tapering form, set with twin handles and a circular base, bearing the royal cypher, purportedly from one of the royal yachts, 26cm wide 18cm high (2) £300 - 500

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289 part lot Lot 289 A German porcelain part dinner service by KPM, c.1890, Berlin, comprising: a large twin-handled oval platter, 2 graduated smaller platters, a tureen and cover with a putto finial, a sauce boat and spoon, 12 dinner plates, 5 soup plates, 6 dessert plates, and 6 side plates, each piece hand-painted with butterflies and floral sprays, within an ozier-moulded border, with a gilt rim, large platter 50cm long (36) £1,800 - 2,200

Lot 290 A large blonde oak refectory table, 20th century, the plank top with cleated ends and sides, raised on two chamfered square columns with outswept feet, 350cm long 120cm wide 75cm high £1,000 - 1,500

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Lot 291 A large Dutch-style gilt-framed wall mirror, 20th century, in the neoclassical manner, with profusely carved acanthus leaf and scroll cresting, a bevelled central plate and marginal plates to gadroon moulded lower border, 137cm wide 10cm deep 232cm high £600 - 800 Provenance: G reat Barford House, Great Barford, Bedfordshire. Lot 292 An armchair in the manner of Howard & Sons, of recent manufacture, by Nina Campbell, upholstered in foliate-decorated red and cream fabric with fringed detail, raised on turned front supports and brass castors, 80cm wide 98cm deep 90cm high £400 - 600 Lot 293 Two pairs of lined and interlined curtains by Nina Campbell, of recent manufacture, with red and cream foliate decoration, 188cm wide 230cm long, with valances and tiebacks (10) £200 - 400

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296 Lot 294 A pair of French oak window seats, early 20th century, the pale tops with panelled detail, raised on tapering square supports united by stretchers, 180cm long 45cm deep 45cm high (2) £1,000 - 1,500 Lot 295 A Persian carpet, early-mid 20th century, Isfahan, with a foliate bird design to a central orange field, enclosed by a pale border, 350 x 245cm £400 - 600 Lot 296 A German polished steel strongbox, 19th century, of rectangular form with applied roundels, the top section forming a combination locking system, fitted pair of loop carrying handles, 26.5cm wide 16.5cm deep 19cm high £400 - 600

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297 Lot 297 A pair of French bronze candlesticks, 19th century, each fluted column on a stepped circular base with acanthus and beadwork decoration, 14cm diameter of base 27cm high (2) £150 - 200 Lot 298 A George II burr elm and rosewood crossbanded kneehole desk, the top with re-entrant corners, over a long frieze drawer and six short drawers around a central kneehole door, on bracket feet, the sides with brass carrying handles, 85.5cm wide 48cm deep 76cm high £500 - 800

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Lot 299 A Victorian walnut Daw’s-type reclining armchair, with scrolling arms and cabriole legs, upholstered in red silk, 70cm wide 90cm deep 117cm high £1,000 - 2,000 Lot 300 A pair of giltwood girandoles, 18th century, Northern European, each cartouche-shaped mirror plate within a foliate scrolled border over two scrolled arms, 45cm wide 14cm deep 71cm high (2) £400 - 600 Lot 301 A French Napoleon III ormolu and glass cave à liqueur, 19th century, opening to reveal a fitted interior with sixteen glasses and four decanters, one decanter with a Bacarrat paper label to the underside, all on cast paw feet, 37cm wide 30cm deep 29cm high £600 - 800

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Lot 302 A Regency mahogany side cabinet, the panelled doors, with integral reeded pilasters, enclosing adjustable shelves, on turned feet, 110cm wide 49.5cm deep 99cm high £400 - 600

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306 detail Lot 303 A Persian wool rug, 20th century, Kashan, the field woven with a central shaped medallion, within scrolling dense scrolling floral and foliate motifs and variously decorated borders, on a red and blue ground, 205 x 133cm £600 - 800 Lot 304 A Persian wool carpet, early-mid 20th century, Heriz, the field woven with bold geometric motifs, within a foliate decorated border, on a red and blue ground, 385 x 272cm £700 - 900

Lot 305 A Persian wool carpet, mid-20th century, Kashan, the field centred with a shaped medallion within a border of saz leaves, within densely scrolling floral and foliate motifs and a bold Shah Abbasi-decorated border, on a pale ground, 446 x 338cm £2,500 - 3,500

Lot 306 A Persian wool runner, 20th century, Kirman, with a pale field and orange border intersected with vases of flowers, 435 x 103cm £800 - 1,200 Lot 307 A large Persian Bidjar carpet, late 19th century, decorated with stylised foliate designs on a dark blue ground, within the multiple-banded border, on a blue ground, 700 x 420cm approximately £3,000 - 5,000

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SILVER LOTS 30 8-377

Lot 308 A Charles I silver seal-top spoon, possibly by William Limpanny (mark distorted), London 1626, applied with a fluted scroll and gadroon seal top, the fig-shaped bowl with later gilding to the front, 16cm long, 0.99ozt £200 - 300

Lot 315 A pair of Charles I seal-top spoons, by Daniel Cary, London 1692, each with a fig-shaped bowl, tapering faceted stem, and applied fluted and scroll baluster finial, 16.5cm long, 2.9ozt (2) £1,000 - 1,500

Lot 309 An early 17th century unascribed seal-top spoon, struck once on one stem and once in the bowl with a five foil or five petal-shaped punch, with a fig-shaped bowl and a large gilt fluted and baluster finial, 17.5cm long, weight 1.6ozt £600 - 800

Lot 316 A William III silver trefid spoon, by Lawrence Coles, London 1697, with plain rat-tail to the back of the bowl, stem engraved on the reverse ‘E*B’ with star above and below, 19.9cm, 1.9ozt £300 - 500

For a similar mark see Jackson’s Silver and Gold Marks of England, Scotland and Ireland, Ian Pickford ed., p.525. Lot 310 A Charles I silver seal top spoon, by IF, London 16__, with a fig-shaped bowl, the stem applied with a large fluted and baluster knop finial, the matrix engraved with contemporary initials ‘EB’, 17.5cm long, 1.9ozt £1,000 - 1,200 Lot 311 A William and Mary silver trefid spoon, by Lawrence Coles, London 1689, with a rat-tail bowl, the reverse of one stem engraved ‘EW’ with star above and below, 19.5cm long, 1.6ozt £400 - 500 Lot 312 A late 17th century silver trefid spoon, by Jeremy Johnson, date letter worn c.1675, with ribbed rat-tail, back of the stem engraved ‘E*W’, 19.2cm long, 1.8ozt £300 - 400 Lot 313 A late 17th century silver trefid spoon, by William Scarlett, date letter worn c.1690, with a ribbed rat-tail to the bowl, the back of the stem engraved ‘M*B’, 19cm long, 1.4ozt £300 - 400

Lot 317 A William III silver trefid spoon, by Lawrence Coles, London 1695, of typical design with ribbed rat-tail, engraved on the back of the stem ‘E*B’, 18.2cm long, 1.1ozt £200 - 300 Lot 318 A William III silver trefid spoon, by William Petley, London 1699, with a ribbed and beaded rat-tail, engraved ‘R*P’, over ‘R*E’, over ‘1678’, 19cm long, 1.25ozt £200 - 300 Lot 319 A Queen Anne Scottish silver dog nose table or soup spoon, by Alexander Kincaid, Edinburgh 1711, Assay Master E Penson, with a plain rat-tail back, the stem engraved with contemporary initials ‘IA’ over ‘EB’, 18.7cm long, 1.6ozt £150 - 200 Lot 320 A George III silver trefid spoon, maker’s mark worn, London 1727, possibly re-shaped, of conventional form, 16.5cm long, 0.9ozt £200 - 250

Lot 314 A Charles II silver trefid spoon, overstruck with Stephen Coleman’s mark, London 1677, of conventional design with plain rat-tail, back of the stem engraved ‘W*H’ over ‘W*A’ over the front year 1677, 18.5cm long, 1.4ozt £300 - 500

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Lot 321 A George I silver two-handled cup, by Thomas Carr (I), London 1716, of conventional form with reeded handles and raised on a spread foot, later engraved with script initials, 14cm high, 11.75ozt £200 - 300

Lot 324 A Queen Anne Britannia standard silver alms badge, by Benjamin Pyne, London 1708, the oval badge depicting a portrait bust of a gentleman flanked by the initials ‘E H’ beneath an engraved crest, 11cm high, 1.9ozt £500 - 700

Lot 322 A 17th century-style silver cup, by Henry Holland, London 1871, chased with three scrolling cartouches, each surrounding a figural scene, inscribed to the base ‘Copied from a cup bearing date 1644, Feb 22nd 1872 Presented to T.L.W by E. & L.L.’ surrounding a central crest, 14.2cm high, 6.7ozt £300 - 500

Lot 325 A large George IV silver heart-shaped pendant, by James Dixon & Son, Sheffield 1830, with heavily embossed pictorial decoration of two shepherds with their flock, with presentation verse ‘to E. Bill’ verso, 6.5cm wide 7.5cm high £200 - 300

Lot 323 A Scandinavian silver marriage bowl or écuelle, mid-17th century, stamped with a device for either a town or a maker’s mark (possibly entwined circles), one shallow hemispherical bowl applied with plain caryatid-capped scroll handles, and raised on three pomegranate feet, the edge of the bowl having a fine thread/reeded border, each side engraved ‘C A S = K I D’ over ‘1660’, and ‘I C P’ in a shield-shaped cartouche over ‘1656’, flanked by ‘I C P’ ‘K I D’ over ‘1656’, 21cm handle to handle, 8.5cm high, 11.20ozt £800 - 1,200

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308-377 SILVER

Lot 326 A William and Mary silver tankard, by Robert Cooper, London 1694, of plain conventional form, the flat and slightly domed cover topped with a later scrollwork thumbpiece, 20.5cm high, 34.45ozt £1,800 - 2,200 Lot 327 A George II provincial silver mug, by John Langlands (I), Newcastle 1752, of plain conventional form with an applied reeded girdle, terminating in a flared base, later engraved with script initials below a crest, 15cm high, 17.35ozt £400 - 500 Lot 328 A Queen Anne West Country silver mug, by Richard Freeman, Exeter 1710, of tapering form, with scroll handle, original scratch weight to base, 9.1cm high, 4.6ozt £1,500 - 2,000 Lot 329 A George II provincial silver mug, by John Langlands, Newcastle 1757/58, of tapering form, with engraved crest and cypher, beside a scrolled handle, with original scratch weight and initials to base, 9cm high, 5.8ozt £300 - 400

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Lot 330 A Scottish George III silver three-piece tea set, by William Marshall, Edinburgh 1817, consisting of a teapot, sugar basin and a milk jug, each with a gadrooned rim and scrolling acanthus handles, raised on ball feet, teapot 15cm high, 41ozt £400 - 600 Lot 331 A George III silver swing-handled sugar basket, maker’s mark ‘R S’, probably Robert Sharp, London 1795, the shape of the punch is in an oval-shaped punch and not a cusped punch that is recorded in Jacksons, of shaped oval form with reeded handle and border, engraved with a bright band and vacant cartouches, worn, the base engraved underneath ‘Fountain County’, 12.7cm long, 8.5cm wide, 9.2cm high, together with a pair of antique silver bright-cut engraved sugar tongs, by Hester Bateman, stamped with lion passant and maker’s mark, 14cm long 6.1ozt (2) £300 - 500 ‘Fountain County’ could relate to the Fountain County which lies in the western part of the USA state of Indiana, east of the Wabash river. The state was granted statehood in 1816. The county was named after James Fontaine of Kentucky, who was killed at Harmers defeat (modern day for Wayne) on 22 October 1790 during the Northwest Indian War. Lot 332 A Victorian silver teapot in the George III style, by E Hutton, London 1884, of oval form with convex sections, engraved/decorated with an upper and lower band of dotted wrigglework, also engraved with two vacant fern leaf cartouches, with ebony handle and finial, 16cm high, 18.18ozt total weight £250 - 350

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308-377 SILVER

Lot 333 A silver cow cream jug, late 19th/early 20th century, stamped with pseudo 18th century Dutch marks, realistically modelled with a curled tail and applied fly-hinged cover, engraved underneath ‘HSNA, from his great grandparents, Simms & Anne Reeves on the 62nd Anniversary of their wedding 30/10/1916’, 14cm long, 9cm high, 5.3ozt £200 - 300

Lot 336 A Victorian silver teapot with ivory insulators, by D & C Houlle, London 1866, of compressed hemispherical form, decorated all-over with lozenge motifs, centred by a mullet, engraved with a crest on either side in a round cartouche, 13.5cm high, total weight 15.8ozt £200 - 300

Lot 334 A George III silver shell butter dish, by Henry Green, London 1794, 12.5cm wide 14.5cm deep, together with another George III silver shell-shaped butter dish, maker’s mark ‘I H’ or ‘H I’, London 1788, both of similar design with part-reeded border, each raised on two periwinkle supports and each engraved with a crest, 6.5ozt (2) £200 - 300

Lot 337 A French silver part-canteen, by Émile Puiforcat, with engraved initials, comprising: 23 dinner forks, 14 without initials, 10 dessert forks, 8 without initials, 27 dinner forks, steel blades, impressed ‘Puiforcat’, 33 dinner knives, 11 dessert spoons, 25 dessert knives, 3 fish knives, 6 fish knives and forks with cast white metal handles, 12 plated fruit knives, forks 85ozt approximately (150) £800 - 1,200

Lot 335 A William IV silver seven-bar toast rack, by Robinson, Edkins & Aston, Birmingham 1836, of rectangular form with a reeded border, a shell and scroll central handle and raised on four ornate feet, 15.5cm wide, 11cm high, 12.9ozt £150 - 250

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Lot 338 A set of four George IV silver candlesticks, by John Watson & Son, Sheffield 1824, each with scrolled and stiff leaf decoration, the base engraved with a crest, each with a removable drip pan and loaded base, 21.5cm high (4) £800 - 1,200 Lot 339 A cased pair of George IV silver gilt grape scissors, by Charles Rawlings, London 1824, finely cast with fruit and foliage, 18cm long, 4.7ozt £200 - 300

Lot 341 A pair of George III silver candlesticks, John & Thomas Settle, Sheffield 1818, each with all-over gadrooned decoration, a removable sconce above a twisted column and a spreading circular loaded base, 11.5cm diameter 15cm high (2) £200 - 300

Lot 342 A pair of silver sauce boats, by James Dixon and Sons, Sheffield, 1930 of plain oval bellied form with gadroon borders, raised on three shell-capped, stepped hoof feet, flying scroll handles, 17.2cm long, 20.95ozt (2) £200 - 300 Lot 343 A set of three George III silver condiment casters, by Thomas Daniel, London 1780, each of plain baluster form with fine rope twist decoration, the pierced and engraved pull-off covers applied with writhen finials, largest 15.5cm high, 10.5ozt (3) £200 - 300

Lot 340 A Victorian ram’s horn table snuff mull, with silver-plated mounts, the hinged lid with beaded detail, raised on a stag-form monopod, 23cm wide 30cm deep 20cm high £200 - 400

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308-377 SILVER

Lot 344 A pair of Victorian miniature silver candlesticks, by Henry Wilkinson & Co., Sheffield 1844, in 18th century style, with detachable drip pans, 14cm high, and a George III Scottish miniature silver chamberstick, by AE, Edinburgh 1781, with detachable sconce, the conical snuffer not marked and possibly a replacement, bearing the Yule family crest and motto ‘Numine et Virtute’, 5cm high, 2.6ozt (3) £350 - 450

Lot 345 A set of three George III silver butter dishes, by Stephen Adams (I), London 1760, of conventional shell form, 15cm wide, 8ozt (3) £400 - 600

Lot 346 A pair of silver-plated candlesticks, by Hukin & Heath, no. 8433, each with three sconces and a textured base, 27cm high (2) £200 - 300

Lot 347 A pair of William lV silver decanter coasters, by K.G & Co., Sheffield 1832, of Gothic arch and leaf design, the ring-turned wooden bases with crested silver insets, 15cm diameter, 6cm high (2) £300 - 400 Yule family crest of a stalk of wheat, bladed. ‘K.G. & Co’. may well be for Kirkby Gregory. James Kirkby was in partnership with Gregory & Co. of Carver Street, Sheffield.

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Lot 348 A Victorian silver breakfast teapot, by Messrs Barnards, London 1840, of bellied oblong form with various gadrooned borders, a leaf-capped handle and spout, and raised on four ball feet, engraved with a crest, the handle with ivory insulators, 21cm long, 12.1ozt £250 - 350

Lot 349 A Victorian silver hot water jug with ivory insulators, by John Samuel Hunt, London 1854, the plain baluster body embossed with swirling convolvulus within a scroll-capped handle, shell and scroll borders, a domed cover applied with a cast floral finial, and incuse stamped on the base Hunt & Roskell, late Storr & Mortimer, 20.2cm high, 19.9ozt £300 - 500

Lot 350 An Edwardian silver pedestal urn, by Goldsmiths’ and Silversmiths’ Co. Ltd., London 1903, with gilt interior, 28cm wide, 44.6ozt £500 - 700 Lot 351 A George III four-piece silver tea service, by Thomas Wallis, London 1808 and 1809, each with part-fluted decoration, teapot 28cm wide, 61.2ozt (4) £800 - 1,200

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Lot 352 A George II silver tea canister, by Christian Hillan, London 1738, of ogee form, decorated with floral swags to a chased background, raised on a domed foot with leaf border, 14cm high 10ozt £800 - 1,200

Lot 353 A late Victorian silver bonbon dish, by Gibson & Langman, London 1895, retailed by the Goldsmiths’ & Silversmiths’ Company, 112 Regent Street, of oval bellied form, the sides pierced and embossed with husk swags draped over roundels, applied with a bead scroll border and raised on four shell-shaped bracket feet, 18.5cm long, 9.75ozt £180 - 220

Lot 354 A set of four Victorian silver salt cellars, by SG, Birmingham 1862, the shell-shaped bowls each raised on three dolphin feet, 6.5cm wide, 4.5ozt (4) £150 - 200

Lot 355 A pair of Victorian silver combination candlestick tazzas, by Creswick & Co., Sheffield 1850, each with a removable pierced bowl and a cranberry glass liner, over a pierced foliate stem and a circular foot with a scrolled border and chased floral decoration, the sconce with stiff-leaf decoration and removable drip pan, tazzas 18.5cm high candlesticks 16.2cm high 27.3ozt (4) £800 - 1,200

Limited information is available surrounding Christian Hillan, who first entered his mark on 20 April 1736. Believed to be either German or Scandinavian, it is thought that he had a connection to his contemporary Paul de Lamerie.

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Lot 356 A pair of Victorian silver bonbon dishes, by George Fox (II), London (date letter worn), each of oval form with pierced vertical slats and embossed husk swags dropped over vacant roundels, raised on a spread oval base, 20cm long, 15.9ozt (2) £150 - 200

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Lot 357 The Paul Revere Liberty Bowl, by Times Newspapers Ltd., London 1975, number 19, from an edition of 1776, produced to commemorate the bicentenary of the American War of Independence, being a replica of the original by Paul Revere, complete with presentation box, registration certificate and a letter from The Times, 22 June,1976, 28cm diameter, 42ozt approximately £400 - 600 Lot 358 An Italian 800 grade silver fruit bowl, decorated with fruit to a stippled ground and gilt interior, 22cm square, together with a matched rectangular example, 24cm wide,19cm deep total 44.4ozt (2) £500 - 700

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Lot 359 A large Italian 800 grade silver twin-handled punch bowl, second quarter 20th century, with repoussé fruit and vine decoration, vine leaf handles and domed foot, 48cm wide 32cm deep 39cm high, together with a matched stand, with repoussé decorated border, 61cm wide 42.5cm deep total 192.6ozt (2) £2,000 - 3,000

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Lot 360 A William IV silver-gilt West of England Insurance Company fireman’s badge, by Philip Venner Firmin, London, 1836, the pierced central cartouche decorated with the figure of King Alfred to the centre, numbered ‘1’ beneath and encompassed by an oval banner reading ‘West of England Insurance Company’, the back fitted with four suspension loops, 11.5cm wide 14.5cm high £300 - 500 Lot 361 A George IV silver London Assurance fireman’s badge, by Joseph Jennens & Co., Birmingham 1830, the oval badge with central Britannia motif, numbered ‘34’ below, encompassed by ‘London Assurance’ legend, the back fitted one suspension, 7.5cm wide 9cm high £300 - 500

From the end of the 17th century, insurance companies began to form their own fire brigades to be called upon to fight fires and to protect and salvage items from the buildings that they insured, or those that they didn’t in return for a fee to be paid later. These firemen needed to be identified as employees of the company, so were clothed in colourful costumes and given badges of silver or silver-gilt to be worn on the sleeve, like those of the Thames Watermen, where many of the firemen were first employed. So important was the job of these men that they were exempt from conscription into the Navy after an Act of Parliament in 1707. Unlike fire insurance marks - which were metal plaques placed on to every building that was insured by a given company - firemen’s badges were never made in large numbers, as each brigade would have been limited in number to no more than thirty men. This, along with the abuses of daily wear, explains why so few have survived. For further information, refer to Brian Henham and Brian Sharp, ‘Badges of Extinction, The 18th and 19th Century Badges of Insurance Office Firemen’, London: Quiller Press, 1989.

Provenance: Christie’s. Lot 362 A silver Guardian Assurance fireman’s badge, London 1922, the oval badge with a central cast figure of Athene holding a spear and an olive branch aloft, the back fitted four suspension loops, 8.5cm wide 9cm high £200 - 300 Lot 363 A silver-plated copper Free Waterman badge, the circular plaque numbered ‘5556’ with a cross motif above and two dolphins with a shield between, inscribed ‘Free Waterman at the Command of our Superiors’, 12cm diameter £200 - 300

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Lot 364 A silver-plated copper Free Waterman badge, the circular plaque numbered ‘6063’, with a cross above and two dolphins with a shield below, inscribed ‘Free Waterman at command of our superiors’, 12cm diameter £200 - 300

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Provenance: C hristie’s, 21 May 1997, lot 77. Lot 365 A silver-gilt Fire Office fireman’s badge, by Hester Bateman, London 1776, the oval central motif of ‘Hand in Hand Fire Office’ depicting clasped hands with a crown surmount and numbered ‘4’, 14cm wide 15cm high £800 - 1,200 Provenance: C hristie’s, ‘Important English and Continental Silver, Objects of Vertu and Enamels from The Mullens Collection’, 18 May 1988, lot 330, with Christie’s receipt.

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Lot 366 A George III silver Sun Fire Office fireman’s arm badge, by Robert and David Hennell, London 1795, the central circular sun motif surmounted by the legend ‘Sun Fire Office’, with the number ‘17’ below, the back fitted four suspension loops, 15cm wide 19cm high £500 - 700

Lot 367 A George IV silver Royal Exchange Assurance fireman’s arm badge, by Rebecca Eames and Edward Barnard, London 1823, number 33, the badge with a depiction of the Royal Exchange below a coronet and cast inscription ‘Royal Exchange Assurance 1720’, 15.5cm high, 9.2ozt £300 - 500

Provenance: C hristie’s, ‘The Royal & Sun Alliance Collection’, 19 May 2005.

Provenance: Christie’s 18 March 1987, lot 274. Lot 368 A Victorian silver Royal Exchange Assurance fireman’s badge, by Charles Reily & George Storer, London 1844, of oval form with an architectural motif surmounted by a crown, inscribed ‘Royal Exchange Assurance 1720’, fitted three suspension loops to the back, 8cm wide 10.5cm high £200 - 300

Lot 369 A Victorian silver Sun Fire Office fireman’s badge, by Goldsmiths’ Alliance, London 1891, the circular badge with a central sun motif, the border inscribed ‘Sun Fire Office Messenger No. 1’, the back fitted four suspension loops, 7cm diameter £300 - 500 Provenance: Christie’s. Lot 370 A silver plate on copper Free Waterman fireman’s badge, the circular plaque numbered ‘6269’ with a cross motif above and two dolphins with a shield below, inscribed ‘Free Waterman at the Command of our Superiors’, 12cm diameter £200 - 300 Lot 371 A silver Guardian Assurance fireman’s badge, by G Fowle, London 1925, the oval badge with a central cast figure of Athene holding a spear and an olive branch aloft, the back fitted four suspension loops, 8.5cm wide 9cm high £200 - 300

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Lot 372 A George III silver gilt Atlas Company fireman’s arm badge, London 1808, the central Atlas motif with the legend ‘Atlas Comp’ and numbered ‘2’ below, fitted four suspension loops to back, 11cm wide 16cm high £300 - 500 Provenance: C hristie’s South Kensington, ‘The Royal Exchange Collection of Firemen’s Badges’, 26 June 2001, lot 35.

Lot 373 A George III silver gilt Royal Exchange Assurance fireman’s arm badge, by Rebecca Emes and Edward Barnard, London, 1823 the circular badge with a crown surmount above an architectural motif inscribed ‘Royal Assurance 1720’ and numbered ‘7’, the back fitted three suspension loops, 12.5cm wide 15.5cm high £200 - 300

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Lot 374 A George III silver London Assurance Fireman’s arm badge, by Robert and David Hennell, London 1801, the oval badge with a central Britannia motif inscribed ‘London Assurance’ and numbered ‘33’, 14.5cm wide 17.5cm high £400 - 600

Lot 375 A George III silver gilt Sun Fire Office fireman’s arm badge, by Hester Bateman, London 1765, the central sun motif below the legend ‘Sun Fire Office’, and above the applied number ‘4’, the back fitted three suspensions loops, 14.5cm wide 18cm high £1,000 - 1,500

Provenance: Christie’s, The Royal & Sun Alliance Collection, 19 May 2005.

Provenance: C hristie’s, ‘The Royal & Sun Alliance Collection’, 19 May 2005.

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Lot 376 A cased George III silver pass for the Westminster Fire Office, indistinct hallmarks, of circular form with a central portcullis motif, a Fire Office below, inscribed verso ‘Mr Thomas Cadby Director 1794 & 1795’, 4.2cm diameter together with a second inscribed ‘Mr John Brown, Director, 1801 & 1802’, 4.2cm diameter, uncased (2) £300 - 400 Lot 377 An original alabaster model for fire marks of the Sheffield Fire Office, the circular plaque with crossed arrows central motif encompassed by the legend ‘Sheffield Fire Office’ within a rope twist border, 27cm diameter £200 - 300 Illustrated: B rian Wright, ‘The British Fire Mark, 1680-1879’, p.405.

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FUR NITUR E AND WOR K S OF ART LOTS 37 8-507

Lot 378 An oak four-poster bed, 17th century and later, with a panelled back, moulded top, with leaf carved cornice, the foot supports with carved square pillars, with carved cup and cover columns, 165cm wide 263cm long £1,500 - 2,000 Lot 379 A Suzani wall hanging, made in five strips and embroidered with a series of circles and flower heads, 258 x 197cm £800 - 1,200

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Lot 380 An Italian carved cedarwood and penwork cassone, probably 16th century, the front panel with figures flanking two panels of galleons, each below a coat of arms, centred with cherubs holding a cartouche, the lid interior with two panels of galleons under sail and oar, flanked with figures, within a floral-scrolled border and a partially-hatched ground, 116.5cm wide 48.5cm deep 45cm high £700 - 900

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Lot 381 A George II-style mahogany and parcel-gilt wall lantern, 20th century, with a mirrored interior and floral-detailed moulding, housing a converted brass candlestick, 31cm wide 20cm deep 66cm high (2) £300 - 500

Lot 382 Three cases of preserved butterflies, early 20th century, predominantly African specimens, each 40cm wide approximately 6cm deep 26cm high (3) £200 - 300

Lot 383 An oak candle stand, early 18th century, with a turned top on cruciform base, 26cm diameter 69cm high £300 - 500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

378 - 507 FURNITURE AND WORKS OF ART

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385 Lot 384 A gilt brass girandole wall mirror, 19th century, the frame cast with oak leaves and acorns around an oval plate, and fitted with three scrolling branches, 35cm wide 46cm high £200 - 300

Lot 386 A cassone, 17th or 18th century, possibly chestnut, the front decorated with foliate carved panels, raised on short carved feet, 138cm wide 50cm deep 70cm high £400 - 600

Lot 385 A Gothic Revival carved alabaster triptych, 19th century, the centre panel carved with the pious pelican, enclosed by Gothic tracery, 95cm wide 58.5cm high, the side panels with a carved cartouche enclosed with Gothic tracery, 70cm wide 58.5cm high £400 - 600

Lot 387 A European wool carpet of Arts & Crafts design, c.1920, the field woven with foliate scrolls, on a pale green ground, 387 x 296cm £800 - 1,200

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Lot 388 A pair of Sèvres-style vases and covers, c.1880, each painted with an oval panel after François Boucher and a floral panel verso, each within a ‘jewelled’ border on a bleu céleste ground and within moulded, painted and gilt borders below ram’s mask handles, one vase bears a paper label to the rim reading ‘Very magnificent pair of fine old Blue de Roi jewelled Sevres vases, beautifully painted from designs after Bouchet [sic], purchased from the collection of the Duke of Buckingham, at Stowe’, interlocking ‘L’ mark, 25cm high (4) £1,000 - 2,000 There were two sales of the contents of Stowe House, Christie’s in 1848 and a 19-day sale conducted by Jackson Stopps & Staff in July 1921; it is likely these vases were purchased at the latter. Lot 389 A walnut and feather-banded cabinet on chest, 18th century and later, the upper section with a cushion-moulded frieze drawer above a pair of doors, enclosing an interior fitted with cupboards, drawers and pigeonholes, over two short and three long drawers on bracket feet, 103cm wide 50cm deep 169cm high £1,500 - 2,000

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Lot 390 A large brass ten-branch ceiling light, 20th century, of circular form with a heavy turned and moulded column and circular rim, decorated with applied cast husk and foliate mouldings, ten scroll branches and hanging sconces, cut-glass shades and brass hanging chain, 95cm wide 80cm high £400 - 600 Provenance: G reat Barford House, Great Barford, Bedfordshire. Lot 391 A graduated set of four bell-shaped brass candlesticks, late 16th century, Ottoman Turkey, the largest one signed to the base, each base 24cm diameter the largest 42.5cm high (4) £1,000 - 1,500

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392 detail 393 Lot 392 A needlepoint rug, late 20th century, but in the 19th-century English taste, the field decorated with floral and foliate motifs in shaped medallions, 284 x 184cm £700 - 900 Lot 393 A ‘tramp art’ wall-hanging cabinet, late 19th/early 20th century, French, with all-over chip-carved decoration, the pointed top above a single door enclosing three shelves, 55cm wide 20cm deep 87cm high £300 - 500

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Lot 394 A Swiss Black Forest carved lindenwood figure of a fox, late 19th/early 20th century, of anthropomorphic form, in a curate robe, kneeling and holding a brass book, 20cm wide 26cm deep 31cm high £800 - 1,200 Lot 395 A carved wood reliquary figure of St Denis the Martyr, with remnants of polychrome paint, with a glazed compartment below the saint’s head containing a relic, 26.5cm high £400 - 600

395 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

378 - 507 FURNITURE AND WORKS OF ART

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Lot 396 A pair of Irish mahogany open armchairs, 18th century and later, in the Chippendale taste, each with an acanthus-carved top rail centred with a shell, a scrolling pierced splat and open arms, raised on knee-carved cabriole supports, terminating in claw and ball feet united by turned stretchers, with later needlepoint-upholstered drop-in seats, 62cm wide 62cm deep 95cm high (2) £800 - 1,200 Lot 397 A burr elm side table, early 19th century, with three drawers on square tapering legs, 74cm wide 41cm deep 73cm high £200 - 300 Lot 398 A large carved Black Forest wall-hanging cuckoo clock, the detachable top with a stag’s head and two rifles, over hare and pheasant trophies, the dial with a French hunting horn surround, a shooting bag hanging beneath, with a short wooden pendulum and a pair of pine cone weights, 66cm wide 98cm high £1,500 - 2,000 Similar models appear in a catalogue issued by Peter Trauffer of Luzern and St. Moritz, c.1910.

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Lot 399 A matched set of eight hand-coloured engraved botanical prints, taken from various (probably 19th-century) books, each in a thick gilt-heightened frame, 38 x 32cm (8) £200 - 300 Lot 400 An oak tabletop cabinet, 18th century, the glazed sliding door opening to reveal pigeonholes within, over a single drawer, 47cm high 37cm deep 60cm high £300 - 500

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402 Lot 401 A pair of miniature glass scent bottles, 19th century, together with funnel, housed within a leather case with foliate decoration, the case 6.5cm wide 2.5cm deep 7cm high (4) £200 - 300

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Lot 402 An oak cupboard, 17th century, of joined construction, the plank top above panelled front and sides, set with two small central cupboard doors with iron hinges, 91cm wide 56cm deep 91cm high £800 - 1,200 Provenance: Eastington Hall, Upton-upon-Severn, Worcestershire.

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405 Lot 403 A pair of Elizabethan period andirons, each with a basket top, applied scrolls, central two-leaf flower, four spit rests and cranked back supports, 109cm high (2) £600 - 800 Lot 404 A pair of ebonised and parcel-gilt mirrors, of recent manufacture, each with a foliate decorated pediment and a bevelled plate, 77cm wide 112cm high (2) £300 - 500

Lot 405 A pair of verdigris candlestick lamps, 20th century, each knopped stem above a spreading circular base, 12cm diameter 35cm high (2) £200 - 400 Lot 406 An oak wainscot armchair, 17th century, with a carved top rail, over a central carved panel, with shaped arms, the moulded seat and frame on turned supports, with a velvet squab cushion, 59cm wide 62cm deep 111cm high, seat 41.5cm high £300 - 500

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Lot 407 Seven various silkwork pictures, early 19th century, comprising birds and flowers, each within a gilt frame, 32 x 29cm approximately (7) £300 - 500

Lot 408 A pair of verdigris candlestick lamps, 20th century, each of faceted form, with a knopped stem above a spreading base, with a pleated silk shade, 20cm wide 47cm high (2) £200 - 400

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Lot 409 A small oak coffer, 17th century and later, the top with chip carved ends, above a panelled front and sides with carved guilloché decoration, on stile supports, 98cm wide 46cm deep 59cm high £300 - 500

Lot 410 A Victorian ebonised barley twist armchair, with a silk-upholstered back, seat and arms, with urn finials and ball terminals, raised on stretchered supports terminating in peg feet, 61cm wide 61cm deep 123cm high £300 - 500

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Lot 411 A Derby porcelain plaque, by George Hancock, a still life subject of floral blooms and fruit, signed verso ‘G Hancock’, 20 x 20cm, in a glazed mahogany frame £400 - 600 Lot 412 A pair of Derby painted porcelain plaques, c.1840, decorated with still life floral blooms in vases, 21 x 16cm, in gilt gesso glazed frames (2) £600 - 800 Lot 413 A Derby-type porcelain plaque, attributed to Horatio Steele, painted with a still life study of floral blooms and fruit, with manuscript label verso ‘…by Horatio Steele 1840’, 24 x 21cm, in a modern mount and frame £300 - 500

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414 Lot 414 An oak chest of drawers, late 17th/early 18th century, the rectangular top above four graduated panelled drawers, raised on bracket feet, 92cm wide 54cm deep 88cm high £300 - 500 Provenance: Eastington Hall, Upton-upon-Severn, Worcestershire.

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Lot 415 A George III fruitwood and elm high comb back Windsor chair, c.1800, Thames Valley, the pierced splat centred with a wheel motif, raised on single ring-turned legs united by an H-stretcher, 60cm wide 60cm deep 115cm high £600 - 800 Literature: B Cotton, ‘The English Regional Chair’, 1990, p.48. Cotton illustrates a similar example, TV25, and describes it as a ‘transitional’ piece, with its features being an amalgamation of 18th and 19th-century styles.

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Lot 416 An ebonised and parcel-gilt harpsichord case, 19th century and later, reputedly by Colefax & Fowler, with all-over chinoiserie decoration, with a red-painted and later fitted interior, raised on turned supports united by stretchers, 151cm wide 56cm deep 97cm high £400 - 600

Lot 417 A large oak refectory table, 20th century, the top with cleated ends over shaped end supports united by a stretcher 240cm long 80cm deep 72cm high £600 - 800 Lot 418 A large Victorian glass country house flower vase, with a wavy rim and bulbous foot, 29cm diameter 60cm high £200 - 300

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378 - 507 FURNITURE AND WORKS OF ART

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421 detail Lot 419 A pair of cast brass door porters, 19th century, each with a foliate-cast body raised on a hairy paw foot, 11cm wide 9cm deep 39cm high (2) £200 - 300

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Lot 420 A Cantagalli della Robbia style plaque, c.1900, depicting the Annunciation, stamped with maker’s mark to the reverse, within a white painted frame plaque 40 x 42cm, within a white painted frame £300 - 500

422 Lot 421 A West Persian wool rug, 20th century, probably Malayer, the field woven with Herati motifs, within a geometrically-decorated border, on a red ground, 290 x 155cm £500 - 700 Provenance: Eastington Hall, Upton-upon-Severn, Worcestershire.

Lot 422 A carved wooden hurdy-gurdy stock head, 18th century, in the form of a bust of a woman with a feathered headdress, the sides and front carved with stars and shells, 17.5cm high £200 - 400 Provenance: P urchased W E Hill & Sons.

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Lot 423 A collection of seventeen enamel wine labels, mid 18th century and later, of cartouche and escutcheon form, with black lettering on a white ground decorated with flowers, including ‘Lisbon’, ‘Vin du Rhin’, ‘Pando’ and other titles, 7.5cm wide 5.5cm high (17) £300 - 500

Lot 425 A rare Battersea enamel wine label, mid-18th century, in the manner of Simon Francois Ravenet, of escutcheon form, with a monochrome scene of two cherubs beside a barrel, titled ‘Lisbon’, 7.2cm wide £300 - 500

Lot 424 A George III enamel wine label, late 18th century, of heart shape and inscribed in gilt on a blue ground ‘Rum’, 6cm x 6cm together with a further wine label, of escutcheon form inscribed ‘Claret’ in black on a white ground, 7cm x 5cm (2) £200 - 400

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Provenance: Christie’s, May 1987, lot 85. Lot 426 A rare Battersea enamel wine label, 18th century, in the manner of Simon Francois Ravenet, of escutcheon form, with a monochrome scene of two cupids embracing, titled ‘Rhenish’, 7.2cm wide £600 - 800 Provenance: Sotheby’s, ‘Silver, Objects of Vertu and Portrait Miniatures’, 26 November 1992, lot 330.

Lot 427 A rare Battersea enamel wine label, 18th century, in the manner of Simon Francois Ravenet, of escutcheon form, with a monochrome scene of two cupids standing beside four barrels and a table, titled ‘Hock’, 6.5cm wide £600 - 800 Literature: For a similar label, see J Salter, ‘Wine Labels, 1730-2003’, Antique Collectors’ Club in association with the Wine Label Circle, 2004.

Lot 428 A rare Battersea enamel wine label, 18th century, in the manner of Simon Francois Ravenet, of escutcheon form, with a monochrome scene of two cupids with laundry, titled ‘Mountain’, 7.2cm wide £300 - 500 Lot 429 A pair of English enamel condiment bottles, 18th century, Staffordshire, each decorated with floral sprays on a white ground, one labelled ‘Oyl’ the other ‘Vinegar’, 17.5cm high (2) £300 - 400

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

378 - 507 FURNITURE AND WORKS OF ART Lot 430 A rectangular enamel plaque, mid to late 18th century, Battersea, printed depicting Perseus rescuing Andromeda from the serpent, within a gilt frame, 11.5cm wide 10.5cm high £300 - 500 Provenance: C hristie’s, ‘Fine English Enamels - The Property of Lady Mullens’, 18 March 1987, lot 450.

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Lot 431 An oval enamel box lid, mid-18th century, decorated with a monochrome hunting scene and inscribed ‘Er Beckett’s Lid’ within a green border, 5cm wide 4cm high, together with a marbled enamel patch box, 5cm diameter (2) £150 - 200 Lot 432 A pair of enamel candlesticks, 18th century, Staffordshire, each decorated with floral sprays on a white ground, raised on a square domed base, with removable drip pan, 25cm high (2) £300 - 500 Lot 433 An enamel and gilt metal bodkin case, 18th century, decorated within en grisaille roundels with cavorting putti, garlands and swags against a burgundy ground, 12.5cm long £200 - 300

Lot 434 An Anti-Gallican Society enamel badge, c.1740-1760, probably Battersea, the oval plaque depicting the arms of the Society featuring St George on horseback spearing the Royal Arms of France beneath Britannia, and flanked by a lion rampant and a grey double-headed eagle above the motto ‘For Our Country’, within a scrolling gilt metal frame, 10.5cm high £400 - 600 The Anti-Gallican Society was formed around 1745 in opposition to the influx of French goods then coming into England, and the pervasive cultural influence of France. One of the early Grand Presidents of the Society was Stephen Theodore Janssen, proprietor of the Battersea Enamel Works in London. It is likely these medallions were first produced at Battersea and continued in Birmingham after 1756 following the failure of Janssen’s venture.

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Lot 435 An enamel calendar plaque by Anthony Tregent, c.1759, Battersea, entitled ‘A New Year’s Gift for 1759’ and further inscribed with calendar and notes for the year, signed ‘by Anth Tregent in Denmark Street’ and with a red one penny duty stamp to the bottom right-hand corner, set within a gilt metal frame, 10cm wide 12cm high £400 - 600 Provenance: C hristie’s, ‘Fine English Enamels - The Property of Lady Mullens’, 18 March 1987, lot 407.

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Lot 436 A shaped enamel plaque, mid to late 18th century, Battersea, of lobed form and printed in purple monochrome with a scene after Simon François Ravenet, 12.5cm wide 9.5cm high £300 - 500 Provenance: Christie’s, ‘Fine English Enamels - The Property of Lady Mullens’, 18 March 1987, lot 444.

Lot 437 An English enamel plaque, mid-18th century, depicting a naval bombardment of a port, in a gilt metal frame, 9cm wide 7.5cm high £300 - 500 Provenance: Christie’s, ‘Enamels from the Mullens Collection’, 18 May 1988, lot 11.

Lot 438 A rectangular English enamel erotic plaque, mid-18th century, Staffordshire, depicting a lady lying on a daybed being attended to by a clergyman, within a gilt frame, 9cm wide 5.5cm high £800 - 1,200

Lot 439 An English enamel miniature portrait medallion, mid-18th century, possibly Queen Charlotte depicted half-length in a blue and pink dress, within a scrolling puce border and a gilt metal frame, an old label to the reverse ‘From Jas. A. Lewis & Son, Inc 57 East 57th Street New York, N.Y.’, 7cm wide 10cm high £400 - 600

438 Lot 440 A pair of oval moulded pottery plaques, c.1790, in the manner of William Pratt, each with a profile portrait bust decorated in blue and brown glaze, 26cm high approximately (2) £300 - 400

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378 - 507 FURNITURE AND WORKS OF ART

Lot 441 A green patinated copper weathervane, 20th century, in the form of a galleon, 138cm wide 135cm high £300 - 500 Lot 442 Spare lot Lot 443 A George III strung and inlaid mahogany candle box, the bracket with a heart-shaped aperture, the front inlaid with a parquetry lozenge within a strung border, 45cm high £200 - 300 Lot 444 A George III oak side table, the plank top with cleated ends, above a single frieze drawer, raised on stretchered square supports, 78cm wide 54cm deep 71cm high £200 - 300 Provenance: E astington Hall, Upton-upon-Severn, Worcestershire.

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Lot 445 A Persian carpet, with linked central medallions and stylised birds within multiple borders, 237 x 305cm £200 - 300

Lot 446 A copper copper, 19th century, of cylindrical form with a flattened rim, 56cm diameter 45cm high £200 - 300

Lot 447 A matched set of eight spindle back dining chairs, 19th century, with rush seats, six singles and two carvers, 55cm wide 50cm deep 108cm high (8) £300 - 500

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Lot 448 An oak double gateleg table, 18th century and later, the drop-leaf oval top raised on turned stretchered supports, terminating in peg feet, 159cm wide when extended 159cm deep 73cm high £500 - 700

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378 - 507 FURNITURE AND WORKS OF ART

449 detail Lot 449 A Caucasian Soumac rug, 20th century, with geometric decoration to the field, within a wide border, 195 x 126cm £300 - 500

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Lot 450 A George III mahogany longcase clock, c.1770, the dial signed ‘Lassel, Park’, eight-day striking movement, an arched brass and silvered dial with moon phase and date, the hood with swan neck break-arch pediment, two wood ball and spike finials and verre églomisé panels, the trunk with a shaped top long door, to a panelled and staged base, on ogee bracket feet, 56cm wide 28cm deep 228cm high £500 - 700

Lot 451 20th Century School, study of an African gentleman, bronze, signed, 22cm wide 32cm high £300 - 400

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Lot 452 A George II feather strung and crossbanded walnut bureau, the slope with a reading slip enclosing a stepped interior and well, over two short and two long drawers and double ‘D’ moulding on bracket feet, 77cm wide 47cm deep 99cm high £500 - 800

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Lot 453 A Victorian turned wooden truncheon, mid-19th century, painted in gilt with a crown over a ‘VR’ cypher and inscribed ‘Brinkworth’, 42cm long £200 - 400

Lot 455 A William IV painted wooden truncheon, early to mid 19th century, decorated in yellow and blue and inscribed ‘WR IV’ over a crown, 44cm long £200 - 400

Lot 457 A William IV painted wooden truncheon, early to mid 19th century, decorated in red, blue and gilt, and inscribed ‘WR IV’ and ‘SCB’, 48cm long £250 - 350

Lot 454 A Victorian Scottish truncheon, mid-19th century, Edinburgh, painted with the city arms and inscribed ‘Dis. 5. No 62’ over a crown and ‘VR’ cypher, 46cm long £150 - 250

Lot 456 A Victorian ‘Police’ painted wooden truncheon, mid to late 19th century, by Field, decorated in blue and red with ‘VR’ cypher beneath a crown and inscribed ‘Police’ within a red roundel, stamped with maker’s mark to the end, 45cm long £200 - 300

Lot 458 A Victorian painted boxwood truncheon, mid-19th century, decorated with a coat of arms beneath a coronet, above a green and red Celtic knot adorned with acorns and oak leaves, stamped with maker’s mark to the end, 47cm long £400 - 600

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378 - 507 FURNITURE AND WORKS OF ART Lot 459 A large pottery jug, 19th century, painted with flowers to one side and figures beside a cottage to the other, inscribed ‘Wellington’ above trophies of arms, 29cm diameter 32cm high £200 - 300 Lot 460 An iron armour breastplate, first half of the 17th century, with applied mount and four buckles, 47cm high £300 - 500 Lot 461 A North-West Persian wool runner, c.1900-1910, the field woven with repeating geometric motifs, on a red ground, 426 x 113cm £1,000 - 1,500

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Lot 462 A modern ‘Burlington’ sofa, c.2007, by Howard Chairs Ltd., upholstered in red velvet, with an overstuffed back and deep seat, raised on tapering square front supports, with an applied paper label to the underside, 220cm wide 103cm deep 85cm high £1,000 - 2,000

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Lot 463 An oak coffer, 17th century, the four-panelled top over a three-panelled front, carved with stylised tulips and flowers within chequer inlaid borders below a carved top rail, 128cm wide 55cm deep 63cm high £300 - 600 Lot 464 A North-West Persian runner, c.1900-1910, the blue field woven with repeating geometric flowers within various borders, 343 x 133cm £600 - 800

465 detail

Lot 465 A Marasali rug, 20th century, Caucasus, the red field woven with repeating geometric motifs, 164 x 121cm £700 - 900 Lot 466 A Persian Dabir rug, early 20th century, Kashan, woven with dense Shah Abbasi motifs, on a blue ground, 218 x 138cm £600 - 800

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378 - 507 FURNITURE AND WORKS OF ART

Lot 467 A pair of gilt-bronze candlestick lamps, in the 19th century taste but of recent manufacture, the knopped tapering column raised on a foliate-cast circular foot, each with a pleated silk shade, 31cm diameter 54cm high (2) £400 - 600

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Lot 468 A Regency buttoned-leather upholstered library armchair, with studded detail, raised on ring-turned mahogany front supports terminating in castors, 68cm wide 68cm deep 88cm high £300 - 500

Lot 469 A carved giltwood rectangular mirror, 19th century, the swept frame with foliate-moulded detail, 103cm wide 151cm high £400 - 600

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Lot 470 A Victorian caned campaign daybed, mid-19th century, with adjustable seat and raised on turned detachable legs with ceramic castors, 174cm long 55cm deep 34cm high £300 - 500

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Lot 471 A South-East Asian carved and polychrome painted wooden horse, 20th century, rearing on its hind legs and standing on a shaped base, the whole carved with floral and foliate decoration, 183cm wide 44cm deep 202cm high £800 - 1,200

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Lot 472 An oak refectory table, 18th century, Spanish, the plank top on shaped end supports linked by scrolled wrought iron stretchers, 236cm long 77cm wide 74cm high £1,000 - 2,000

Lot 473 A Turkish Oushak carpet, c.1920, West Anatolia, of full pile, the field woven with stylised floral motifs, 280 x 215cm £1,000 - 1,500

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378 - 507 FURNITURE AND WORKS OF ART

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Lot 474 A Swedish Gustavian painted commode, 19th century, the rectangular top with a moulded edge, above three cockbeaded drawers set between pilasters with mask detail, raised on tapering square supports, 105cm wide 49cm deep 91cm high £300 - 500

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Lot 475 A fruitwood convex shaving mirror, 19th century, raised on a turned support and circular spreading base, 44cm high, together with a second similar mahogany mirror shaving, 46cm high (2) £200 - 400

Lot 476 A Victorian mahogany luggage rack, raised on turned baluster supports terminating in peg feet, 76cm wide 42cm deep 46cm high £300 - 500

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Lot 477 Frank Mason Good (1839-1928), ‘Selected Photographs of the Nile and its Scenery Including some of its Most Ancient & Interesting Temples’. Published by A Shapcott, 50 Rathbone Place, London, octavo landscape, containing 20 lithographic photographs, each numbered and with printed title, including Cairo (3), Pyramids (3), Nile boats (1) Thebes, Karnak (4) Sehayl (1), Philae (3) and Nubia (5), images 10 x 18cm approximately album 19.5 x 29cm approximately £2,500 - 3,000 Lot 478 A Spanish fruitwood folding screen, 20th century, each of the five leaves with reeded and bobbin-turned decoration, each leaf 41cm wide £300 - 500 Lot 479 An Anglo-Chinese hardwood occasional table, 19th century, the oval top inset with a veined marble panel, with a beaded rim above a foliate detailed frieze, raised on a reeded and acanthus-carved column, with a tripartite base terminating in scrolling supports, 59cm wide 36cm deep 70cm high £300 - 500

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479 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

378 - 507 FURNITURE AND WORKS OF ART

480 Lot 480 A Simon Gate for Orrefors ‘Javanese Dancer’ glass vase, c.1940, of fluted ovoid form, engraved to the underside ‘Orrefors, S Gate, 2235 RA8’, 24.5cm high £400 - 600 Lot 481 A French Egyptian Revival ormolu mantel clock, early 19th century, the silvered dial set with Roman numerals, the movement striking on a bell, with an indistinct maker’s stamp, the case surmounted by a seated female figure, supported by a pair of caryatids, with all-over floral and foliate detail, 38cm wide 17cm deep 45cm high £700 - 1,000

482 Lot 482 An Indian Mughal-style sandstone architectural panel, 20th century, depicting a bird of prey, with stylised decoration, within a geometric border, 54cm wide 70cm high £200 - 300

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483 Lot 483 *Philip Blacker (b.1949), a warrior on a rearing horse, bronze, signed and dated ‘82, numbered 4/9, on an oval base, 43cm wide 24cm deep 41cm high £700 - 900

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Lot 484 A pair of Indian teak planter’s chairs, late 19th/early 20th century, each with geometric rattan upholstery and raised on turned baluster front supports, 75cm wide 128cm deep 100cm high (2) £1,200 - 1,800

Lot 485 An armchair in the manner of Howard & Sons, early 20th century, attributed to Heal’s of London, upholstered in oatmeal fabric, raised on square baluster front supports terminating in brass castors, with a loose seat cushion, 82cm wide 102cm deep 90cm high £400 - 600

Lot 486 A pair of Continental mahogany open armchairs, early 20th century, each with a curved back and seat upholstered with studded leather, raised on tapering square supports, 60cm wide 60cm deep 75cm high (2) £500 - 800

Lot 487 A Regency rosewood and parcel-gilt overmantel mirror, with lion mask appliqués and cast brass paw feet, 110cm wide 73cm high £400 - 600

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487 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

378 - 507 FURNITURE AND WORKS OF ART

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Lot 488 A George IV mahogany extending dining table, the moulded rectangular top with two additional leaves, raised on reeded supports terminating in ceramic castors, 243cm long 122cm wide 73cm high (3) £500 - 700

Lot 489 A matched set of eight Anglo-Indian Regency-style teak dining chairs, 20th century, comprising two elbow chairs and six single examples, each with a curved rail above a pierced splat, with a drop-in caned seat and raised on reeded baluster supports, the elbow chairs 62cm wide 54cm deep 88cm high (8) £400 - 600

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FURNITURE AND WORKS OF ART 3 7 8 - 5 0 7 Lot 490 A kilim flatweave rug, 20th century, woven with geometric motifs, on a red ground, 290 x 150cm £200 - 400 Lot 491 A pair of Swedish Gustavian-style painted demilune side tables, 19th century and later, each decorated with neoclassical scrolls, on tapering square legs 112cm wide 56cm deep 74cm high (2) £800 - 1,200 Lot 492 A Florentine-style pietra dura and specimen marble tabletop, of recent manufacture, with radiating lozenge decoration, inlaid with various marble and hardstone specimens, raised on an earlier Northern European mahogany base, with a writhen twist column and four scrolling carved supports, 100cm diameter 74cm high £2,000 - 3,000

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378 - 507 FURNITURE AND WORKS OF ART

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Lot 493 A cast and painted metal head of Buddha, 20th century, 40cm high £300 - 500 Lot 494 A full head tiger skin rug, early 20th century, with claws and lining, 176cm long £150 - 250 Lot 495 A Regency Egyptian Revival copper and brass samovar, c.1810, the lid with a sphinx knop, raised on slender reeded supports united by a platform base adorned with a further sphinx and on ball feet, 35cm wide 34cm deep 44cm high £400 - 600

Lot 496 An Anglo-Indian antler writing slope, late 19th century, Vizagapatam, one hinged lid enclosing a leather-lined surface within an engraved ivory border, the other a stationery compartment, 39cm wide 30cm deep 13cm high £300 - 500 Lot 497 A pair of simulated mahogany pedestals, late 20th century, in the George III style, each raised on hairy paw feet, 40cm wide 40cm deep 39cm high (2) £300 - 500

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498 Lot 498 A Regency-style mahogany caned bergère, early 20th century, the caned back, arms and seat on square tapering legs terminating in brass castors, fitted with two buttoned leather cushions, 62cm wide 70cm deep 92cm high £300 - 500

500 Lot 499 A mango tree slice section, mounted with a silver plaque inscribed ‘Section of the Mango Tree under which Stanley met Livingstone in 1871 sent from Ujiji to General Higgins in 1931’, 21cm wide 13cm high £800 - 1,200

Lot 500 Four Indian portrait miniatures, c.1900, watercolour on card, mounted in a single frame, largest 5.5cm high smallest 3.5cm high, and three miniature portraits, mounted on paper, inscribed ‘The Bagrum… King of Dheli & B… Singh’, each 1cm high paper mount 6 x 4cm (7) £200 - 400

499 ‘Dr Livingstone, I presume’ - a Slice of the History of Empire For further details on this lot, please visit our website.

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378 - 507 FURNITURE AND WORKS OF ART Lot 501 A Turkish pottery aquamanile in the form of a lion, 19th century, Canakkale, decorated in cream and green glaze, 21cm long 23.5cm high £400 - 600

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Lot 502 A Turkish pottery aquamanile in the form of a horse, 19th century, Canakkale, decorated in yellow and brown glaze, 21cm long 21cm high £400 - 600

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503 Lot 503 A Swedish Gustavian painted bureau bookcase, late 18th/early 19th century, the moulded cornice above a pair of panelled doors, the base with a fall front above two further doors, on short bracket feet, with all-over reeded decoration, 99cm wide 60cm deep 216cm high £400 - 600

504 Lot 504 An Anglo-Chinese hardwood birdcage-action tripod table, late 19th/early 20th century, the circular top with an inset rouge marble surface, with a reticulated foliate-decorated frieze, raised on a relief-carved baluster column, the base with lion head and acanthus decoration, terminating in claw and ball feet, 60cm diameter 73cm high £800 - 1,200 Lot 505 Spare lot

Lot 506 A Persian wool rug, early 20th century, Tabriz, the beige field woven with large Shah Abbasi motifs, 333 x 232cm £400 - 600 Lot 507 Mughal School, 18th century, pen and ink and gouache with gilt highlights, depicting a couple embracing, seated within a garden and within a banded and inscribed border, the surround with textured and painted inset panels within a dense foliate ground, 49 x 38cm £300 - 500

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378 - 507 FURNITURE AND WORKS OF ART

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Lot 508 Abraham van Diepenbeeck (Flemish, 1596-1675) Dominicans at the Foot of the Cross pen and ink with brown and grey wash, squared up in red, on buff paper 34 x 24cm £1,000 - 1,500 Provenance: Private collection, Vienna. The present squared up drawing is a first sketch for Deepenbeeck’s masterpiece, ‘Dominicans at the Foot of the Cross’, now in the Louvre, preceding the more elaborate design also now in the Louvre, which Deepenbeeck painted en grisaille on panel.

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We thank Dr Bert Schepers of the Rubenianum, Antwerp, for confirming the attribution to Abraham van Diepenbeeck.

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

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Lot 509 Bolognese School, early 17th century The Angel of the Annunciation appearing to the Virgin Mary red chalk approximately 26 x 20.5cm, irregular £400 - 600 Provenance: J ohn Malcolm; thence to his son-in-law, Alfred Gathorne-Hardy; to his son Geoffrey Gathorne-Hardy; thence to his nephew, Bob Gathorne-Hardy; and by descent. The Hon. Robert Gathorne-Hardy (1902-1973), known to all as ‘Bob’, was an English writer, botanist and horticulturalist. His uncle, Geoffrey Gathorne-Hardy, inherited a well-known art collection from his aunt’s family, through the great Victorian art collector John Malcolm, much of which is now in the National Collection. Robert Gathorne-Hardy kept some of the Old Master drawings from the Malcolm Collection, which were sold soon after his death at Sotheby’s as the Gathorne-Hardy Collection in 1973. Lot 510 German School, 17th century The Descent from the Cross bears Albrecht Dürer monogram l.l., pen and brown ink 29 x 21cm £300 - 500 Provenance: F olly Mill, Thaxted, Essex. Lot 511 North Italian School, 17th century The Holy Family with Saint Catherine of Siena oil on canvas 61 x 76cm £800 - 1,200

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511 Lot 512 Roman School, 18th century The Madonna and Child with Saint Augustine and Saint Barbara pencil, black chalk and washes heightened with white, arched top 44 x 25cm £300 - 400

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Lot 513 After Titian The Mystic Marriage of Saint Catherine oil on canvas 38 x 52cm, unframed £300 - 400 The original composition, which is in the Royal Collection, is now thought to be by Titian’s younger brother Francesco di Gregorio Vecellio. Lot 514 After Raphael The Madonna della Sedia oil on metal circular, diameter 7cm £200 - 300

515

A copy of the painting in the Palazzo Pitti, Florence.

Lot 515 Lorenzo Falcinelli Antoniani, after Pietro Lorenzetti Madonna and Child with St Francis and St John the Evangelist inscribed and dated 1823 on old label verso, tempera 25 x 50cm £400 - 600 A copy of the fresco in the Lower Basilica of St Francis in Assisi. Lot 516 After Bartolome Esteban Murillo The Holy Family oil on canvas 70 x 66.5cm £500 - 700 A copy of the painting in the Louvre, Paris.

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES Lot 517 After Giovanni Batista Pittoni Christ giving the keys to Paradise to Saint Peter oil on canvas 79 x 43cm £400 - 600 A copy of the painting in the Louvre, Paris. Lot 518 Manner of Sir Anthony van Dyck Christ crowned with thorns oil on canvas 109 x 84cm, unframed £400 - 600 The composition is loosely based on the painting by Van Dyck in the Prado, Madrid. Lot 519 Continental School, 19th century The Hall of Constantine in the Vatican, with the Battle of the Milvian Bridge by Guilio Romano and Vision of the Cross by the assistants of Raphael watercolour 36 x 56.5cm £300 - 500

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Lot 520 After William Etty Judith and Holofernes traces of a signature on torn label verso, with the artist’s address ‘15 Fassett Square, Dalston’, oil on canvas 95.5 x 125.5cm £400 - 600 The original painting forms the centre part of a triptych and was purchased in 1829 by the Scottish Academy, who then commissioned the two wings. Lot 521 Domenico Scotti (Italian, b.1780) Study of a Roman soldier with a seated man holding a mallet signed and dated ‘Domenico Scotti invenit 1808’ centre, pen and ink 33.5 x 47.5cm £300 - 400

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Lot 522 French School, 19th century The Judgement of Paris oil on canvas laid down on panel 41.5 x 50cm £300 - 400

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Lot 523 Attributed to Michelangelo Maestri (Italian, 1741-1812) A centauride abducting a maenad gouache 30.5 x 39cm £300 - 400

Lot 524 Attributed to Andries Cornelis Lens (Flemish, 1739-1822) Cimon and Iphigenia oil on canvas 91 x 116cm £1,500 - 2,000

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

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Lot 525 After Titian Flora oil on canvas 78 x 63cm £400 - 600 A copy of the painting in the Uffizi Galleries, Florence.

Lot 526 English School, 19th century Portrait of Mary, Queen of Scots, bust length, in a pearl headdress and red dress with white ruff oil on canvas 55 x 44.5cm, unframed £300 - 400

Lot 527 English School, early 17th century Portrait of a girl, half length, in a red and white lace trimmed dress oil on panel 39 x 31cm £800 - 1,200

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Lot 528 Salvator Rosa (Italian, 1615-1673) Self-portrait of the artist etching, signed with initials ‘SR’ in the plate 16 x 12cm £400 - 600 Lot 529 After Gerrit Dou ‘The Old School Master’ oil on canvas 32 x 25cm £300 - 500 Lot 530 English School, mid-17th century Portrait of the Reverend John Riland (1619-1673), half length, in clerical robes and holding a prayer book oil on canvas, painted oval 77 x 66.5cm £400 - 600 Lot 531 Spare lot Lot 532 English School, c.1670 Portrait of John Riland (1657-1720) as a young boy, full length, in a white dress holding a beribboned hat in one hand and a prayer book in the other oil on canvas 123 x 86cm, in an unusual giltwood frame carved with overlapping leaves £3,000 - 5,000

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

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Lot 533 Scottish School, late 17th century Portrait of Sir Alexander Erskine of Cambo, 2nd Baronet of Cambo, Lord Lyon, King at Arms (1663-1729), full length, in armour and holding a baton, a group of militia beyond inscribed ‘Sir Alexander Erskine of Cambo/ Baronet Lord Lyon/King at Arms’, oil on canvas 120 x 82cm £2,000 - 3,000

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES Lot 534 After Sir Peter Lely Portrait of Charles Stewart, 3rd Duke of Richmond, bust length, in the robes of the Order of the Garter oil on canvas, painted oval 76 x 64cm £1,500 - 2,000

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Lot 535 Follower of Sir Peter Lely Portrait of King Charles II, half length, in armour, wearing the badge of the Order of the Garter oil on canvas 76.5 x 63.5cm £600 - 800 Lot 536 Spare lot

Lot 537 Italian School, 17th century A young man with a basket of fish oil on canvas 106 x 86cm £1,000 - 1,500

Lot 538 Circle of Henri Gascars (1635-1701) Portrait of a young gentleman, half length, in a red and white doublet and blue mantle oil on canvas 73 x 61.5cm, oval £1,000 - 1,500

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

Lot 539 Circle of William Aikman (Scottish, 1682-1731) Portrait of a young lady, said to be Susanna Montgomerie, Countess of Eglinton, half length, in a blue dress and red wrap oil on canvas, painted oval 61.5 x 56cm, in a frame surmounted by the coronet of a Countess £1,000 - 1,500

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541 Lot 540 Circle of Thomas Hudson (1701-1779) Portrait of a gentleman, said to be Charles Erskine, Lord Alva, head and shoulders, in a brown coat oil on canvas, painted oval 74 x 61cm £800 - 1,200

Lot 541 Circle of Michael Dahl (1659-1743) Portrait of a gentleman, said to be John Riland (1690-1765), bust length, in a white stock and brown mantle oil on canvas, painted oval 78 x 65cm £800 - 1,200

The sitter may be Charles Erskine, Lord Tinwald (1680-1763), who was painted as an older man by Allan Ramsay.

Lot 542 Willem van Mieris (Dutch, 1662-1747) Portrait of a young gentleman, head and shoulders indistinctly signed and dated ‘W Van Mieris F. 1707’ l.r., oil on copper 9.5 x 7.5cm, oval £2,000 - 3,000 Lot 543 English School, mid-18th century Portrait of a lady, bust length, in a blue and white lacetrimmed dress, matching choker, pink jacket and diamond earrings oil on canvas 35 x 44.5cm £300 - 500

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

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Lot 544 Circle of Enoch Seeman (1694-1744) Portrait of a lady, said to be Elizabeth Ashby (1692-1781), wife of John Freeman of Wellingborough, Northants, half length, in a white dress with pearls in her hair oil on canvas 72 x 60cm £800 - 1,200

Lot 545 Circle of Jonathan Richardson (1667-1745) Portrait of a lady, half length, in a gold dress and blue wrap oil on canvas, painted oval 74.5 x 63cm £500 - 700

Lot 546 Circle of Charles Philips (1708-1747) Portrait of a lady, half length, wearing a blue dress oil on canvas, painted oval 76 x 63cm £800 - 1,200

Lot 547 Circle of Thomas Hickey (1741-1824) Portrait of a lady, half length, in a white dress and bonnet, holding a volume of poetry oil on canvas 76 x 63cm £500 - 800

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OLD MASTER, BRITISH AND CONTINENTAL PICTURES 508 - 751 Lot 548 Tilly Kettle (1735-1786) Portrait of a lady with pearls in her hair, in a cream dress and red cloak, holding a basket of flowers oil on canvas 80 x 62cm £3,000 - 5,000

Lot 549 Irish School, 18th century Portrait of Mrs Vandeleur and her daughter in a landscape at Kilrush, County Clare, Ireland oil on canvas 126 x 100cm £4,000 - 6,000

Provenance: L ees Court, Sheldwich Lees, Faversham, Kent.

Provenance: Gift of Mr C Messmore; Lees Court, Sheldwich Lees, Faversham, Kent.

We are grateful to Hugh Belsey for his help with this catalogue entry.

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

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Lot 550 English School, mid-18th century Portrait of a young gentleman, half length, in a brown coat and holding a quill pen oil on canvas, painted oval 76 x 63cm £400 - 600

Lot 551 English School, c.1760 Portrait of Richard Bisse Riland (1732-1790), rector of Sutton Coldfield, half length, in clerical robes, holding a book oil on canvas 91 x 71cm £300 - 400

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Lot 552 French School, 18th century Portrait of Jean Jacques Brandt of Chaux De Fonds, Neuchatel, half length seated, in a black coat and holding a quill pen; Portrait of his wife Susanne Marie, née de L’Eplantenier, half length seated, in a brown dress, white lace bonnet and holding a pink rose a pair, oil on canvas 79 x 66cm (2) £400 - 600

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Lot 553 English School, late 18th century Portrait of the Reverend Carrington Garrick, Vicar of Hendon, half length, in clerical robes and holding a book oil on canvas 76 x 53cm, in a George III giltwood frame £500 - 700 Provenance: Catharine Payne Garrick; And thence by descent.

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

Lot 554 Attributed to Lemuel Francis Abbott (1760-1803) Portrait of John Perkins of Barclay and Perkins, half length, in a dark blue coat and white stock, his left hand resting on a book oil on canvas 77 x 63.5cm £2,000 - 3,000

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Barclay Perkins & Co. was founded in 1781 after John Perkins and Robert Barclay acquired the Anchor Brewery in Southwark which had been established in 1616. By 1809, it had become the largest brewery in the world, producing 260,000 barrels of porter a year. It began brewing ale in 1834 and continued at the Anchor site until the early 1970s.

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Lot 555 Richard Cosway RA (1742-1821) Mother and child pencil 20 x 16.5cm £300 - 500 Provenance: Bonhams, ‘Fine Portrait Miniatures’, 17 November 2004, lot 72.

Lot 556 Manner of Jean-Baptiste Greuze Portrait of a young girl, bust length, in a mob cap pastel 37 x 26cm £600 - 800

Lot 557 French School, early 19th century Portrait of a young officer, half length, in a uniform of the Hussars oil on canvas 64 x 51cm £800 - 1,200

Lot 558 English School, early 19th century Portrait of a British Light Dragoon Officer of the period 1800-1815 watercolour 14 x 9.5cm, in a gilt frame surmounted by ribbons £400 - 600 The Regiment portrayed is the 8th Light Dragoons whose coats were blue, facings (collar and cuffs) were scarlet and whose lace was gold. The 8th Light Dragoons later became the 8th King’s Royal Irish Hussars. We are grateful to Christopher Joll for his assistance with this cataloguing.

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

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Lot 559 J… Wheeler (early 19th century) Portrait of the Reverend Thomas Schreiber (1794-1873), Rector of Bradwell-juxta-Mare, Essex, half length, in a black coat and white stock, standing by a column miniature on ivory 11 x 8.3cm £300 - 500

Lot 560 John Bridges (fl.1818-1854) Portrait of a young gentleman, thought to be Mr Blakemore, full length seated, in a library holding a book oil on canvas 64 x 51cm £600 - 800

Lot 561 English School, 1832 Portrait of William Kirkpatrick Riland Bedford (1826-1905) and Charles John Riland Bedford, half length, reading a book inscribed with sitters’ names and dated 1832 on an old label verso, oil on board 25.5 x 20cm £300 - 400

Lot 562 English School, early 19th century Portrait of Miss Sophia Williams, full length, wearing a white dress and playing the harp oil on canvas 195 x 148cm £800 - 1,200 Sophia Williams was Almoner of HRH Princess Augusta, Founder of the Princess Helena College, Hitchin, Hertfordshire. The school was formed in 1820, for the daughters of Anglican clergy and officers who had served during the Napoleonic Wars.

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562

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OLD MASTER, BRITISH AND CONTINENTAL PICTURES 508 - 751 Lot 563 English School, c.1830 Portrait of a lady, thought to be HRH Princess Augusta Sophia, three-quarter length seated, in a red dress and feathered hat, holding a scroll oil on canvas 127 x 102cm, in a heavy gilt frame £600 - 800 Lot 564 Spare lot

565

Lot 565 Emma Eleanor Kendrick (1788-1871) Portrait of Miss Harriet Walker, youngest daughter of General Sir George Walker KCB, half length seated, in a cream dress miniature 13 x 10cm £400 - 600 Lot 566 John Linnell (1792-1882) A baby seated signed ‘J Linnell’ l.l., inscribed ‘J L April 1822’ l.r., pencil 12.5 x 9.5cm £300 - 500 Provenance: A gnew’s, London; Sotheby’s, ‘Important British Drawings, Watercolours and Portrait Miniatures’, 6 June 2007, lot 172.

563

567 Lot 567 Austrian School, mid-19th century Portrait of a young gentleman, said to be the uncle of Cardinal Piffl, Archbishop of Vienna, half length, in a blue coat and yellow waistcoat oil on canvas 58 x 47cm £300 - 400

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569

Lot 568 English School, 19th century Portrait of an Officer of the London Rifle Brigade, c.1870 oil on panel 20 x 15cm £300 - 500 The subject wears an ‘imperial’ or goatee beard. This would not be permitted in British Regular units, but Volunteers were not so constrained.

Lot 569 John Hanson Walker (1844-1933) Portrait of William A Compton Salmond, bust length in a white smock signed ‘J Hanson Walker/’94’ u.r., inscribed ‘Portrait William A Compton Salmond February 1894’ verso, oil on canvas 45.5 x 35cm £300 - 500

We are grateful to Christopher Joll for his assistance with this catalogue entry.

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

Lot 570 Follower of Pierre Gobert Portrait of a lady, said to be Félicité de Noailles, Duchesse d’Estrées, three-quarter length seated, dressed as a shepherdess and holding a book oil on canvas 103 x 83cm, oval £1,000 - 1,500

570

Lot 571 Charles Sillem Lidderdale (1831-1895) Faraway thoughts signed with monogram l.l., oil on canvas 61 x 51cm £2,000 - 3,000

571

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Lot 572 Austrian School, c.1900 Portrait of Maria Rosenberg (1891-1984), granddaughter of Ernestine Spitzer, three-quarter length, in a blue dress dated 1895 l.r., pastel 98 x 70cm £2,000 - 3,000

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Lot 573 Julius Schmid (Austrian, 1854-1935) Portrait of a boy, said to be Augustus Mayer, three-quarter length, seated, in a sailor suit oil on canvas 90 x 68cm, in a Florentine carved giltwood frame £2,000 - 3,000

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

Lot 574 *Frank Owen Salisbury (1874-1962) Portrait of a lady, three-quarter length seated, in a grey dress and holding a book signed ‘Frank O Salisbury’ l.l., oil on canvas 102 x 76.5cm, together with the bracelet worn by the sitter, a gold Edwardian gate bracelet set with turquoise cabochons and split pearls, marked 9ct (2) £1,000 - 1,500

575

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574

Lot 575 Fülöp Szenes (Hungarian, 1863-1944) Portrait of a woman, three-quarter length, standing on a balcony and holding a fan signed ‘Szenes’ l.r., oil on canvas 109 x 86cm £600 - 800

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OLD MASTER, BRITISH AND CONTINENTAL PICTURES 508 - 751 Lot 576 Vera Cummings (New Zealand, 1891-1949) Portrait of a Maori signed ‘V Cummings’ l.r., oil on canvas 30.5 x 23cm £1,500 - 2,000

576

Lot 577 G... Zangzanar(?), (20th century) Portrait of a young man, half length seated, in a dark suit and bow tie indistinctly signed u.r., oil on canvas 82 x 55.5cm £500 - 800

Lot 578 *Richard Stone (b.1951) A portrait of HRH Princess Alice, Duchess of Gloucester, three-quarter length seated, by a table with a vase of yellow roses signed ‘Richard Stone’ l.l., oil on canvas 60 x 49cm £300 - 500 Richard Stone records that the portrait was painted from sittings at Barnwell Manor, Northamptonshire.

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578 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

579

580 Lot 579 Manner of David Teniers the Younger The interior of a barn with a woman peeling vegetables oil on canvas 49 x 67cm £300 - 400 Lot 580 After Jean-Antoine Watteau ‘Peaceful Love’ oil on panel 16 x 24.5cm £300 - 500

581

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Lot 581 German School, early 19th century Travellers with a pony and hound crossing a river bears signature ‘Philipp Hackert’ l.l., gouache 22 x 18cm £300 - 400

583 Lot 582 Johannes Eckstein (German, 1736-1817) Eight studies of hands and feet, five studies of architectural detail, and another of a mechanical structure three signed, pen and ink and grey washes various sizes, largest 18.5 x 14cm, in five mounts (5) £300 - 400 Lot 583 Circle of William Etty (1787-1849) Study of a seated male nude from the back, and study of a flag iris oil on board 61 x 46cm £600 - 800

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OLD MASTER, BRITISH AND CONTINENTAL PICTURES 508 - 751 Lot 584 Alexandr Zolotykh (Russian, b.1960) after Gabriel Metsu ‘Breakfast’ signed in Cyrillic l.r., also signed in Cyrillic and dated 1985 verso, oil on canvas 59 x 48cm £250 - 300 A copy of the painting in the Hermitage Museum, Saint Petersburg.

Lot 585 Thomas Rowlandson (1756-1827) The Ballad Singers pen and ink and watercolour 15.5 x 11.5cm £400 - 600 Provenance: Christie’s, 28 November 2000, lot 84.

584

585 Lot 586 French School, late 18th/early 19th century A fête champêtre – a design for a tapestry oil on canvas 55 x 68cm, unframed £300 - 400

Lot 587 Follower of David Allan A Highland wedding, the first depicting bride and groom with well-wishers, the other depicting celebrations with dancing a pair, bearing signatures P Sandby and D Allan and dated 1792, pen and ink and watercolour 38 x 55cm, in original gilt gesso frames (2) £300 - 400

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587

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES Lot 588 Adolphe Monticelli (French, 1824-1886) A group of figures by a waterfall in a forest glade signed ‘A Monticelli’ l.r., oil on canvas 81 x 65cm, unframed £1,000 - 1,500 A slightly larger painting of the same composition by Monticelli was sold in May 2015 by Eric Pillon Enchères, Versailles.

Lot 589 Joseph Hornung (Swiss, 1792-1870) The runaways signed ‘J Hornung’ verso, oil on panel 113 x 74cm £500 - 800 Provenance: C hristie’s, ‘Interiors’, 19 August 2014, lot 3.

Lot 590 Follower of Francis Wheatley Waiting for the boats to return oil on canvas 54 x 46cm £300 - 400

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589

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590

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591 Lot 591 Federico Mazzotta (Italian, 1839-1897) An interior with two children and their sleeping grandmother signed ‘Mazzotta’ l.r., inscribed with title ‘La Nonna Vigila’ and ‘inventario 21672’ on a torn label verso, oil on canvas 63 x 90cm £1,000 - 1,500

Lot 592 E… Mann (19th century) Feeding the rabbits signed ‘E Mann’ l.r., oil on canvas 45.5 x 61cm £400 - 600

592 Lot 593 Follower of Alexander Carse A landlord’s threats oil on panel 33 x 41cm £300 - 400

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

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595

Lot 594 Pancraz Koerle (German, 1823-1875) A private moment signed ‘P Koerle/Munchen ‘60’ l.r., oil on canvas 42.5 x 36cm £600 - 800

Lot 595 Jonathan Pratt (1835-1911) The faggot-gatherer signed and dated ‘J Pratt/1867’ l.l., oil on board, arched top 26 x 31cm £300 - 500

Lot 596 Bolognese School, 18th century The death of Cleopatra oil on copper 28.5 x 39.5cm £300 - 500 Lots 597-599 Spare lots

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596

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600

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Lot 600 Circle of Henri Theodore Fantin Latour (French, 1836-1904) A young woman reading watercolour and bodycolour; verso, a seated nude on a rock with a child pencil; and two others, of two young women on a river bank, and a river landscape with a figure in a punt watercolour and bodycolour each 12 x 9.5cm, framed as one, with a photocopy in the top right mount £400 - 600

Lot 601 Samuel Palmer (1805-1881) ‘The Vine’, 1852 etching, fourth state of four sheet 59.2 x 43cm, plate 30 x 21.5cm £400 - 600 Literature: Raymond Lister, ‘Catalogue Raisonné of the Works of Samuel Palmer’, Cambridge, 1988, p.241. no. E5 iv/IV.

Lot 602 Karl Fischer-Koystrand (Austrian, 1861-1918) ‘Die Brautenleute’ signed ‘C Fischer-Koystrand’ and inscribed ‘Wien 1916’ l.r., watercolour 25.5 x 37cm £300 - 400

602

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603 Lot 603 Eleanor Fortescue-Brickdale (1872-1945) ‘The King’s daughter is led away to be given to the Dragon’ signed ‘E F Brickdale’ l.l., inscribed as titled below, watercolour and bodycolour over pencil 27 x 34cm £2,000 - 3,000

Lot 604 Eleanor Fortescue-Brickdale (1872-1945) Madonna and Child with angels signed with initials ‘EFB’ l.r., watercolour 23 x 32cm £1,500 - 2,500

604

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Lot 605 George Hall Neale (1863-1940) Two ladies resting on a sand dune signed ‘G Hall Neale’ and dated ‘92 l.r., oil on board 22.5 x 30cm £400 - 600

Lot 606 Continental School, 19th century The secret pool oil on panel 37 x 46cm £300 - 500

607 Lot 607 English School, 1897 The Dream signed and inscribed l.r. ‘Study TW ‘97’, oil on board 29 x 39cm £300 - 400

Lot 608 Pierre-Auguste Renoir (French, 1841-1919) ‘La Pierre au trois croquis’ (Delteil 41) lithograph, from ‘L’Album des Douze Lithographies Originales de Pierre-Auguste Renoir’, 1904, published by Ambroise Vollard 1919 24 x 32cm £1,000 - 1,500

608

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

Lot 609 *John Sanderson Wells (1872-1955) A Sunday promenade signed ‘J Sanderson Wells’ l.l., oil on panel 33 x 24.5cm £300 - 400 Lot 610 Spare lot

609

Lot 611 Arturo Petrocelli (Italian, 1856-1926) Musical Interlude signed ‘Petrocelli’ l.r., oil on canvas 26 x 55cm £400 - 600

611

Lot 612 Alfredo Florez Gonzales (Spanish, 19th/20th century) A lady in a white mantilla; A lady in a black mantilla with red flowers a pair, both signed ‘Florez/1906’ l.l., oil on panel 27.5 x 15.5cm (2) £300 - 500

612

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OLD MASTER, BRITISH AND CONTINENTAL PICTURES 508 - 751 Lot 613 Flemish School, 18th century An allegorical subject with nymphs, putti and dogs a design for a fan, gouache on paper laid down on panel (split in two) overall 24 x 43cm, unframed £300 - 400 Provenance: From a private London collection.

Lot 615 François Charette-Duval (1807-1895) A still life of flowers in a blue and white vase on a stone ledge signed and dated ‘F Charette 1840’ l.r., oil on panel 48.5 x 39.5cm £500 - 700

Lot 614 A set of fourteen Dubois & Bernard coloured lithographic prints, depicting table centrepieces, c.1874 25.5 x 18.5cm, each in a modern reeded blue and gilt frame (14) £500 - 700 Provenance: Purchased from the Trowbridge Gallery in 1994 for £3,200.

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES Lot 616 Alfred Rouby (French, 1849-1909) Chrysanthemums in a blue vase signed ‘A Rouby’ u.r., oil on canvas 55 x 38cm, unframed £300 - 500 Lot 617 Ivan Bobrikov (Russian, b.1948) Still life of a vase of flowers two, both signed with initials in Cyrillic l.r., both signed, inscribed in Cyrillic and dated 1991 and ‘92 verso, oil on canvas 80 x 44cm and 80 x 47.5cm (2) £400 - 600

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Lot 618 *Cecil Kennedy (1905-1997) Still life of Christmas roses in a glass vase on a ledge signed ‘Cecil Kennedy’ l.r., oil on canvas 30.5 x 25.5cm £3,000 - 5,000

618

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OLD MASTER, BRITISH AND CONTINENTAL PICTURES 508 - 751 Lot 619 Oliver Clare (1853-1927) Still lifes of fruit a pair, both signed ‘Oliver Clare’ l.r., oil on board 21.5 x 17.5cm (2) £600 - 800 Lot 620 Vincent Clare (1855-1930) Still life of greengages, plums and raspberries signed ‘Vincent Clare’ l.r., oil on canvas 22 x 27cm £300 - 500

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Lot 621 English School, 19th century Still life of grapes and plums oil on canvas 31 x 40cm £300 - 500 Lot 622 English School, 19th century Still life of fruit on a stone ledge, a landscape beyond oil on canvas 68.5 x 52cm, in a carved frame £300 - 500

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Lot 623 O… S… (early 20th century) A still life of a basket of strawberries, onions, apples, oranges and a candlestick signed with initials ‘OS’ and dated ‘10 l.r., oil on canvas 51 x 76.5cm £300 - 400 Lot 624 Valeri Shishkin (Russian, b.1961) Still life of a cabbage signed in Cyrillic l.r., also signed, inscribed in Cyrillic and dated 2018 verso, oil on canvas 40 x 60cm £400 - 600

623

624 Lot 625 Valeri Shishkin (Russian, b.1961) Still life with mandarins signed in Cyrillic l.r., also signed, inscribed in Cyrillic and dated 2020 verso, oil on canvas 40 x 80cm £500 - 700

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

626

627

628 Lot 626 Attributed to Benjamin Blake (1757-1830) A dead hare oil on canvas 85 x 61cm £300 - 500 Lot 627 Attributed to Benjamin Blake (1757-1830) A game larder oil on canvas 61 x 51cm £300 - 500

Lot 628 François Nicholas Martinet (French, 1725-1804) Hibou, des Terres Magellaniques; Le Calube de la Nouvelle Guinee; La Corneille three engravings with hand-colouring 23 x 19cm (3) £300 - 400 Lot 629 Hans Volkert (German, 1878-1940) An Ardennes heavy horse with horseman and plough etching, signed in pencil plate 21 x 30.5cm, unframed £300 - 400

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630

Lot 630 J... Quinton (19th century) A bay hunter with a white terrier in a stable; A grey hunter in a stable a pair, oil on canvas 46 x 61cm (2) £300 - 500

Lot 632 Joseph Bishop Pratt (1854-1910) after Sir Edwin Landseer RA (1802-1873) The Godolphin Arabian engraving, signed ‘Joseph B Pratt’ in pencil 88 x 107cm, in a parcel-gilt and oak frame £300 - 400

Lot 631 Attributed to Sir David Wilkie RA (1786-1841) Study of a camel with inscription ‘Sir David Wilkie’ l.r., pencil 14.5 x 11.5cm £300 - 400

Lot 633 Thomas Sidney Cooper RA (1803-1902) Cattle resting in an open landscape signed ‘T S Cooper’ and dated 1844 l.l., watercolour 34 x 42.5cm £300 - 500

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

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Lot 634 English Naïve School, 19th century Three pointers in a garden, with a cat on the fence oil on canvas 43.5 x 53cm £300 - 500 Lot 635 English School, late 19th century Portrait of a terrier wearing a spotted ruff oil on canvas 61.5 x 50.5cm £500 - 700 Lot 636 Maud Earl (British-American, 1864-1943) Study of a Black Chow and a Rough Collie signed ‘Maud Earl’ l.r., oil on canvas 97 x 138cm £1,000 - 1,500 Provenance: F rom a Suffolk country house. Lot 637 Natasha Kissuk (Russian, 20th century) ‘Happy cats’ signed in Cyrillic l.r. and verso, oil on canvas 48 x 67cm £200 - 300

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OLD MASTER, BRITISH AND CONTINENTAL PICTURES 508 - 751 Lot 638 English School, late 19th century Study of a pair of Bernese Mountain Dogs oil on canvas, framed as an oval 82 x 60cm £300 - 400 Lot 639 John McQueen Moyes (Scottish, 1888-1948) Study of Rough Collies in a Highland landscape signed ‘J McQueen Moyes/1930’ l.l., oil on canvas 49 x 74cm £300 - 400

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Lot 640 *William Andrew Beer (1862-1954) ‘Toreador’, a racing pigeon signed ‘Andrew Beer’ l.r., inscribed l.c., oil on board 30.5 x 40cm; and another racing pigeon signed ‘Andrew Beer’ l.r., oil on board 30.5 x 40.5cm (2) £600 - 800 Lot 641 *William Andrew Beer (1862-1954) ‘Red Cheq Hen’, a racing pigeon signed ‘Andrew Beer’ l.l., inscribed with racing history l.c., oil on canvas 30.5 x 40.5cm, unframed; and another unnamed racing pigeon by the same hand signed ‘W A Beer’ l.l., oil on canvas 30.5 x 40.5cm, unframed (2) £600 - 800 Lot 642 *William Andrew Beer (1862-1954) ‘All Alone’, a racing pigeon signed ‘Andrew Beer’ l.l., inscribed with racing history l.c., oil and gouache on board 29.5 x 36.5cm; ‘Rainford Royal Ruby’, a racing pigeon signed ‘Andrew Beer’ l.r., inscribed with racing history l.c., oil on canvas 30 x 49.5cm (2) £600 - 800

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

643

645 Lot 643 German School, 19th century A female goatherd with oxen and a hay cart indistinctly signed with initials l.r., oil on canvas 23 x 31cm £400 - 600

644 Lot 644 *Lionel Dalhousie Robertson Edwards (1878-1966) Deer in a wooded landscape signed ‘Lionel Edwards’ and dated ‘28 l.r., watercolour and bodycolour 49 x 34cm £500 - 700

Lot 645 English Provincial School, 19th century Study of the head of a chestnut horse oil on canvas 45 x 55cm, unframed £250 - 350

Lot 646 *George Edward Lodge (1860-1954) Grey partridge in the snow signed ‘G E Lodge’ l.r., oil on board 24 x 43cm £1,000 - 1,500

646

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Lot 647 George Denholm Armour (1864-1949) A bay hunter, standing by a haystack signed ‘G D Armour’ l.l., oil on canvas 69 x 83cm £1,000 - 1,500 Lot 648 George Denholm Armour (1864-1949) A bay hunter in a stable signed ‘G D Armour’ and inscribed ‘to Mrs Alexander, 1901’ l.l., black and white chalks and coloured washes 36.5 x 31cm £250 - 350 Lot 649 *Reginald Llewellyn Harvey (1888-1973) The Pony Club in Scotland, 1959 signed ‘R L Harvey’ l.l., inscribed with title on stretcher verso, oil on canvas 35.5 x 45.5cm £300 - 500 Lot 650 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘Roadsters -’Ammer ‘Ammer ‘Ammer on the ‘ard ‘igh road’ coloured print image 33 x 75.5cm £200 - 300

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

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Lot 651 *Malcolm Coward (b.1948) Horses grazing signed ‘M Coward’ l.r., pastel on brown paper 38 x 73cm £300 - 400 Lot 652 Sally Hynard (20th century) ‘Beauty of the Show’ signed ‘Sally Hynard’ l.r., pencil and wash 25 x 12cm £300 - 500 Lot 653 Sally Hynard (20th century) ‘The Match’ signed ‘Sally Hynard’ l.l., pencil and wash 22 x 37cm £300 - 500 Lot 654 Sally Hynard (20th century) Two fox cubs in the snow signed ‘Sally Hynard’ l.r., watercolour 26 x 38cm £300 - 500

654

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PART IX (penultimate) SALE OF ETCHINGS BY HER BERT THOMAS DICK SEE R E (1862-1942) FROM THE COLLECTION OF BRYAN STEELE LOTS 655-663

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES Lot 655 Herbert Thomas Dicksee RE (1862-1942) ‘Solitude’, a lion drinking by the side of a waterhole original etching on vellum, signed artist proof, edition of 100, after his own watercolour, published by Frost & Reed 1895 image 38 x 59.7cm £100 - 200 Provenance: P urchased from the artist’s grandson; The Bryan Steele Collection. Exhibited: As exhibited at the Royal Academy, 1895, number 1289. Lot 656 Herbert Thomas Dicksee RE (1862-1942) Three-quarter portrait of a lion’s head original etching on paper, signed artist proof, rare (not published) image 15 x 14.1cm £100 - 200 Provenance: P urchased from the artist’s grandson/ widow; The Bryan Steele Collection.

658

Lot 657 Herbert Thomas Dicksee RE (1862-1942) ‘Lion Drinking’, lion crouching by the side of a lake original etching on paper, signed artist proof c.1890, as exhibited Royal Academy 1891, number 1581 image 17.8 x 25cm; ‘The Challenge’, a lion standing on the side of a large lake original etching on paper, signed artist proof c.1892 image 15.8 x 24.2cm; ‘Marauders’, Lion and lioness crouching behind rocks, about to attack original etching on paper, signed artist proof published by The Fine Art Society, London 1890, as exhibited Royal Academy 1894, number 1361 image 16.2 x 25.3cm (3) £100 - 200 Provenance: T he Bryan Steele Collection. Artist’s proofs of ‘The Challenge’ are rare because the publishers of ‘The Portfolio’ annual were only obliged to supply a few to this artist/etcher for his signature and retention (unsigned prints were incorporated in ‘The Portfolio’ to emphasise the quality of the art annual. Lot 658 Herbert Thomas Dicksee RE (1862-1942) ‘Leopard and Jungle Fowl’ original etching on paper, signed artist proof, edition of 125 (no other state), published by Frost & Reed 1920, with blind stamps, plate destroyed image 20 x 43cm £100 - 200

659

Provenance: T he Bryan Steele Collection. Lot 659 Herbert Thomas Dicksee RE (1862-1942) ‘Footsteps’, two terriers eagerly anticipating an arrival original etching on vellum, signed artist proof, edition of 325, published by Frost & Reed 1926, with blind stamps image 35.5 x 54.7cm £100 - 200 Provenance: T he Bryan Steele Collection. Lot 660 Herbert Thomas Dicksee RE (1862-1942) ‘Hope’, two Cairn terriers, one seated the other lying down, both waiting patiently original etching on paper, signed artist proof, edition of 325, published by Frost & Reed 1929, with blind stamps plate 28.5 x 41.7cm £100 - 200 Provenance: T he Bryan Steele Collection.

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OLD MASTER, BRITISH AND CONTINENTAL PICTURES 508 - 751 Lot 661 Herbert Thomas Dicksee RE (1862-1942) ‘The Death of General Gordon, Khartoum, January 26th 1885’ (after the painting by George W Joy exhibited at the Royal Academy 1894) original etching on vellum, signed artist proof (also co-signed by George W Joy), edition of 300, published by Frost & Reed 1897, remarque of Gordon’s sword resting on his Bible (bottom margin), as exhibited at the Royal Academy 1896, number 1445 image 44 x 32.1cm; ‘Hercules wrestling with Death for the body of Alcestis’ (after the painting by Sir Frederic Leighton PRA) original etching on vellum, signed artist proof, small number published by Burlington Gallery, London 1885 (originally intended to be a book illustration - project abandoned), as exhibited at The Fine Art Society, London, July 1901, number 33 image 41.2 x 32.2cm, in matching frames (2) £100 - 200 Provenance: Purchased from the artist’s daughter’s art dealer; The Bryan Steele Collection.

661 Lot 662 Herbert Thomas Dicksee RE (1862-1942) The Argos Hill Postmill, near Heathfield, Sussex 1930 original etching on paper, signed artist proof, ‘HD 1930’ within image l.r., not published, detailing includes a barn plus the fantail that was later blown off in a gale image 34.5 x 38.1cm Note: One of only 50 postmills remaining in England. Currently being preserved and restored; ‘The Edge of the Wood’ original etching on ‘FJ Head & Co’ watermarked paper, unsigned printer’s proof, ‘HD 1927’ in image l.r., the signed artist proof edition was of 60, published by Frost & Reed 1927, no other state image 43 x 30.5cm, in matching frames (2) £100 - 200 Provenance: From the artist’s daughter’s art dealer (Argos Hill Postmill only); The Bryan Steele Collection.

662

663 Lot 663 Herbert Thomas Dicksee RE (1862-1942) ‘Parting Ways’, early morning rural scene of a young farm labourer with horses going off to work for the day original etching on vellum, signed artist proof, edition of 300, published by Frost & Reed 1906 image 46.4 x 69.8cm;

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‘The Road to the Village’, a young woman driving cows and calves along a village road original etching on vellum, signed artist’s proof, edition of 300, published by Frost & Reed 1909, with blind stamp, as exhibited at the Royal Academy 1910, number 1335 image 31.3 x 49.2cm (2) £100 - 200 Provenance: The Bryan Steele Collection. Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES Lot 664 Manner of Joos de Momper Skating by a village on a frozen river oil on copper 27.5 x 39cm £300 - 500 Lot 665 Follower of Cornelis Huysmans A mountainous landscape with travellers resting by a lake, a cottage and a boat beyond oil on canvas 49 x 61cm £300 - 400 Lot 666 Follower of Franz Edmund Weirotter (Austrian, 1733-1771) A coastal scene with figures, boats and a ruined tower; A landscape with resting figures, a horse and a pillar a pair, both bearing signature ‘Veirotter’, oil on panel 15.5 x 21.5cm, irregular (2) £300 - 500 Lot 667 Italian School, 18th century Views of Naples: the old city walls at the Porta Capuana; the church in Piazza del Carmine; the Castel Nuovo from the harbour; the Torretta di Chiaja on the Riva di Chiaja; Vesuvius from the Scuola di Virgilio at Posilipo; the church of La Madonna del Portosalvo six, sepia each 9 x 12cm, framed as one £300 - 500

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We are grateful to Guy de Lotbiniere for identifying the locations of the watercolours.

667 Lot 668 George Hawkins (1819-1852) after James Bunstone Bunning (1802-1863) ‘Isometric View of Proposed Improvements in the Neighbourhood of Smithfield’ chromolithograph, published by King Lithographers, College Hill 46 x 65.5cm, unframed £300 - 400 James Bunning was architect of the City of London from 1843 until his death in 1863. Lot 669 Spare lot

668

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670

671 Lot 670 John White Abbott (1763-1851) Fordland - a woodland scene with a bridge over a stream inscribed ‘Fordland, June 5 1841’ l.l., pen and ink and grey washes 27 x 21.3cm £300 - 400 Lot 671 Edward Williams (1782-1855) A river landscape with figures in a punt near a windmill signed with initials on the punt, oil on canvas 51 x 61cm £600 - 800

672

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Lot 672 James Stark (1794-1859) Epping Forest, with figures amongst trees oil on canvas 61 x 50.5cm £2,000 - 3,000

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

673 Lot 673 William Shayer (1787-1879) A gypsy encampment in the New Forest signed ‘Wm Shayer Sen’ l.l., oil on canvas 77.5 x 105cm £4,000 - 6,000

Lot 674 Ludwig Neubert (German, 1846-1892) A landscape with a windmill and farm buildings signed ‘Neubert’ l.l., oil on panel 16 x 31cm, in a gold slip £300 - 500

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675 Lot 675 Henry Shayer (1825-1894) and Charles Shayer (1826-1914) A harvest scene indistinctly signed ‘H & C Shayer’ and dated 1855 l.l., oil on canvas 61 x 92cm £2,000 - 3,000

Lot 676 Eduard Peithner Ritter von Lichtenfels (Austrian, 1833-1913) A mountainous landscape with a figure and cattle near a stream signed ‘Lichtenfels’ and dated 1910 l.r., oil on canvas board 52 x 67cm £400 - 600

676

200

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES Lot 677 Follower of Philip Reinagle Fishermen by a rocky pool with traces of a signature and dated 1838 l.l., oil on canvas 63 x 76cm £400 - 600

Lot 678 John Frederick Tennant (1796-1872) Fishing in a river signed ‘J Tennant 1832’ l.r., oil on canvas 51 x 76cm £800 - 1,200

Lot 679 Joseph Stannard (1797-1830) Figures before a boat house signed with initials l.l., oil on panel 48 x 38cm, unframed £600 - 800 Exhibited: Norwich Castle Museum, ‘Loan Exhibition of Paintings and Drawings by members of the Stannard Family of Norwich’, August and September 1934.

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679

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Lot 680 James Nasmyth (1808-1890) ‘Near Loch Katrine’ inscribed, signed and dated ‘195 Near Loch Katrine/ James Nasmyth April 10 1888’ verso, oil on panel 24.5 x 33cm £300 - 500

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Lot 681 Sam Bough RSA (1822-1878) An extensive landscape with sheep grazing in the foreground, storm clouds overhead signed with initials l.r., watercolour and bodycolour 30 x 43cm £300 - 500

Lot 682 George Cole (1810-1883) A river landscape at sunset with cattle resting in the foreground and a sailing barge by a jetty signed ‘G Cole’ and dated 1874 l.r., oil on canvas 83 x 119cm £1,500 - 2,000

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES Lot 683 Flemish School, early 19th century An extensive river landscape with figures and cattle oil on canvas 49 x 84cm £300 - 500

Lot 684 Spare lot Lot 685 English School, 19th century Old buildings near Tunbridge Wells, Kent indistinctly signed l.l., oil on canvas 30.5 x 43.5cm £300 - 500

683

Lot 686 Samuel Bough RSA (1822-1878) Study of a butterbur and a pollarded willow oil on canvas 31 x 41cm £800 - 1,200 Provenance: C hristie’s, ‘British Pictures 1500-1850 and Victorian Pictures’, 11 June 2004, lot 123.

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687 Lot 687 Henri-Joseph Harpignies (French, 1819-1916) A horse and cart by a cottage on an open road signed ‘H J Harpignies’ and dated ‘83 l.r., oil on canvas board 26 x 41cm £500 - 700

689

Lot 688 Jean Émile Renié (French, 1835-1910) Cattle watering signed ‘Jean Emile Renie’ l.l., oil on panel 32 x 44cm £300 - 500

690 Lot 689 Joseph Thors (Dutch, 1835-1884) A river landscape with a boat in the foreground, a figure working by cottages beyond signed ‘J Thors’ l.r., oil on board 30.5 x 45.5cm £300 - 500 Lot 690 Joseph Thors (1835-1884) A landscape with a figure on a mule on a deserted lane oil on panel 33 x 57cm £400 - 600 Lot 691 C… Riviere (Belgian, 19th century) A capriccio river landscape with ruins, farm buildings and a bridge signed and dated ‘C,les Riviere 1854 Bx’ l.r., oil on canvas 73 x 92cm £300 - 500

691

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

692 Lot 692 Jules Achille Noel (French, 1815-1881) A river landscape with a figure in a boat among reeds signed ‘Jules Noel’ and dated 1857 l.r., oil on panel 28.5 x 41cm £500 - 700

694 Lot 694 Charles Kingsley (19th century) A cottage at dusk signed ‘Charles Kingsley’ l.r., oil on canvas 40 x 60cm £400 - 600 Provenance: From a Kent country house.

Lot 693 Spare lot

By family repute, the present painting is by Charles Kingsley (1819-1875), author of ‘The Water Babies’.

695 Lot 695 English School, mid-19th century A view of the village of Chislehurst, Kent, with figures, sheep and dogs by a pond signed with monogram JHB(?) and inscribed ‘The village of Chesilhurst [sic], Kent’ on stretcher verso, oil on canvas 59 x 83cm £500 - 700 Lot 696 Spare lot Lot 697 Henry Louyot (French, 1863-1940) A view on the River Doubs, France, with figures in a boat and a chateau on a hill signed ‘H Louyot’ and dated ‘84 l.l., oil on canvas 100 x 81cm, in a fine original gilt gesso frame £1,000 - 1,500

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697

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698

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Lot 698 *Sir Frank Branwyn RA RWS (1867-1956) Shepherds and sheep among haystacks indistinctly signed, watercolour 38 x 46cm, unframed £300 - 500 Provenance: Private collection, London. Lot 699 Henry John Sylvester Stannard (1870-1951) A river landscape with distant harvesters signed ‘Sylvester Stannard’ l.l., watercolour 36.5 x 52.5cm £400 - 600

Lot 701 Henry Cooper (19th/20th century) An extensive wooded landscape with chidren on a country lane signed ‘Henry Cooper’ l.r., oil on canvas 50.5 x 76.5cm £300 - 500 Lot 702 Charles E Shaw (19th century) A busy street scene before ‘The Swan with Two Necks’ pub, Preston, Lancashire signed ‘C E Shaw’ and dated 1879 l.r., oil on canvas 61.5 x 51cm £400 - 600

Lot 700 Henry John Sylvester Stannard (1870-1951) A cottage in a landscape, with two children standing outside, holding a rabbit watercolour and bodycolour 35.5 x 53cm £400 - 600

702

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES Lot 703 Yuliy Yulevich Klever (Russian, 1850-1924) A wooded lake by moonlight with a bridge and classical sculpture signed ‘J V Klever’ and indistinctly dated l.r., oil on canvas 69 x 102cm £3,000 - 5,000

703 Lot 704 Konstantin Titov (Russian, 1913-1997) Figures working in a field signed in Cyrillic l.r., oil on board 23 x 30cm £200 - 300 Provenance: E astington Hall, Upton-on-Severn, Worcestershire.

704

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Lot 705 F… Goossens (19th/20th century) Cattle in an orchard at springtime with blossom signed ‘F Goossens’ l.l., oil on canvas 44 x 48cm, unframed £300 - 400

Lot 706 Tibor Szontagh (Hungarian, 1873-1930) A cottage with chickens; A cottage with ducks two, both signed ‘Szontagh’ l.r., oil on canvas 59.5 x 79.5cm and 59 x 79.5cm (2) £300 - 500

Lot 707 *Gudrun Sibbons (German-British, b.1925) A village scene with elegant figures by a horse and carriage signed ‘Gudrun Sibbons’ l.r., oil on canvas 42 x 51cm £300 - 400

Lot 708 *David Alison (1882-1955) Cornstooks signed ‘David Alison’ l.r., oil on board 31 x 41cm £250 - 350 Lot 709 Spare lot

705

708

706

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711

710

Lot 710 Caleb Robert Stanley (1795-1868) Amiens - a street scene with numerous figures on a bridge signed ‘C R Stanley’ l.l., oil on canvas 76 x 61cm £1,000 - 1,500 Exhibited: R oyal Academy, 1860. Lot 711 Henri Schäfer (1815-1873) A market scene in a continental town signed ‘H Schafer’ l.l., oil on canvas 54 x 43cm £300 - 500

712

Lot 712 Circle of Alfred Montague (1832-1883) A Continental town with a boat on a canal oil on canvas 45.5 x 36.5cm £300 - 500 Lot 713 Auguste von Siegen (Austrian, b.1850) A riverside town with sailing barges signed l.r. ‘Aug. Siegen’, oil on panel 32 x 53cm, unframed £300 - 400

713

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

714 part lot

Lot 714 Edwin William Sandys (late 19th century) Twenty-eight drawings of Dinan, including the Château du Chalonge, the Cathedral, Rue du Jerznal, Château de la Duchesse-Anne, Monastere des Cordeliers, Château de la Belliere and others some inscribed and dated 1883 and 1884, pencil, across twenty sheets largest 22 x 14.5cm, mounted (20) £300 - 400

Lot 715 William Callow RWS (1812-1908) The Theatre of Marcellus, Rome signed ‘W Callow’ l.c., inscribed ‘Teatro Marcellus Roma, May 15 1876’ l.r., pencil, watercolour and gouache 34.5 x 25.5cm £400 - 600

715

716

Lot 716 Jose Ramon Garnelo y Alda (Spanish, 1867-1944) The Temple of Athena Nike, Athens signed and inscribed ‘Atenas Mayo 1911/recuerdo del Templo/ della Victoria/J Garnelo y Alda’ l.r., oil on canvas 143 x 96cm £1,000 - 1,500

Lot 717 Edward Henry Holder (1847-1922) Victoria Falls oil on board 32 x 44cm £300 - 500

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718

Lot 718 Manner of Johan Richter The Grand Canal, Venice, with gondolas and a barge by the Salute oil on canvas laid on panel 44.5 x 61cm £300 - 500

721

Lot 721 Alberto Terrini (19th century) La Santa Maria della Salute, Venice signed ‘Terrini’ l.r., oil on canvas 31 x 41cm £400 - 600

Lot 719 Attributed to Alfred Pollentine (1836-1890) The Grand Canal, Venice a pair, oil on canvas 50.5 x 76cm (2) £400 - 600 Lot 720 Alfred Pollentine (1836-1890) The Grand Canal, Venice signed ‘A Pollentine’ and dated ‘81 l.r., oil on canvas 53.5 x 43.5cm £800 - 1,200

719

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720 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES Lot 722 Abraham Hulk (Dutch, 1813-1897) Fishing boats in an estuary signed ‘A Hulk’ l.l., oil on board 25.5 x 36cm £300 - 500 Lot 723 Attributed to Peter Monamy (1681-1749) Fishing boats by the shore and a merchantman firing the evening gun oil on canvas 31.5 x 32cm £500 - 800

722

724

Lot 724 F Herink (Karl Kaufmann) (1843-1905) A European town view signed ‘F Herink’ l.r., oil on canvas 32 x 53cm, unframed £300 - 500 F Herink is a pseudonym for the Austrian artist Karl Kaufmann. Lot 725 English School, c.1840 Study of HMS ‘Spider’ and HMS ‘Rose’ at anchor in Guanabara Bay, off Rio de Janeiro watercolour 24 x 30cm, unframed £400 - 600

723

725

Lot 726 John James Chalon (1778-1854) A view of Saint Michael’s Mount with fishermen in the foreground and others loading fish on to a cart signed ‘J J Chalon’ l.l., oil on canvas 52 x 67cm £800 - 1,200

726

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OLD MASTER, BRITISH AND CONTINENTAL PICTURES 508 - 751 Lot 727 Salvatore Petruolo (Italian, 1857-1946) Bringing in the lobster pots signed ‘S Petruolo’ and inscribed and dated ‘1917 Napoli’ l.r., watercolour 16 x 23.5cm, mounted £300 - 500

727

729

Lot 728 Anglo-Chinese School, 19th century Cantonese scenes of ships in a harbour a pair, oil on silk 28 x 30cm (2) £300 - 500 Lot 729 John Wilson (19th century) Shipping off the coast signed and dated ‘John Wilson/1875’ l.l., oil on canvas 30.5 x 50.5cm, unframed £300 - 500 Lot 730 Follower of Clarkson Stanfield A view of Dover Castle and town with a group of figures picnicking in the foreground; and another view of a southern coastal town with figures resting and promenading a pair, both bearing signature, one inscribed ‘Dover Castle’, watercolour and bodycolour over pencil 44 x 73cm (2) £400 - 600

728

Lot 731 Follower of Clarkson Stanfield Shipping in a swell near a quayside bears signature l.l., oil on canvas 51 x 74cm £300 - 500

730

Lot 732 English School, 19th century Shipping off a coastline indistinctly signed l.l., oil on canvas 33 x 48cm £300 - 500

731

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732

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

733 Lot 733 Albert Ernest Markes (1865-1901) A Cape liner in a storm; Shipping in a port two, both signed ‘Albert’ l.l., watercolour 65 x 53cm and 34 x 52cm (2) £300 - 500

Lot 734 William Meadows (fl.1870-1895) Figures on a jetty with fishing boats returning signed ‘W Meadows’ l.r., oil on canvas 36 x 56cm £300 - 400

734 Lot 735 Édouard Adam (French, 1847-1929) The steamship ‘Cheltonian’ in heavy seas off the coast signed ‘Ed. Adam’ and dated 1913 l.r., oil on canvas 60 x 92cm £500 - 800

735

736 Lot 736 *Frank Henry Mason (1875-1965) ‘Shortening sail for a pilot, Beachy Head’; ‘Entering the Solent off the Needles’ a pair, both signed ‘Frank H Mason’ l.l., both inscribed verso, oil on canvas board both 25 x 30cm (2) £500 - 800 Exhibited: N R Omell, ‘Marine Paintings by British Artists of the 18th and 19th Century’, no.14. Lot 737 *Henry Scott (1911-2005) A clipper under full sail in open seas signed ‘Henry Scott’ l.l., oil on canvas 51 x 76cm £1,500 - 2,500

737

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738

740 Lot 738 *Jean-Franck Baudoin (French, 1870-1961) The sand dunes signed ‘J F Baudoin’ l.l., oil on canvas 38.3 x 55.3cm £400 - 600 Provenance: Petley Fine Art, London. Lot 739 *Jean-Franck Baudoin (French, 1870-1961) Jardins du Château de Versailles signed ‘J F Baudoin’ l.l., oil on canvas 54.6 x 65.4cm £1,000 - 1,500 Lot 740 *Jean-Franck Baudoin (French, 1870-1961) ‘Une Journée Calme, Herblay’ signed ‘Jean Franck Baudoin’ l.r., oil on canvas 46.3 x 61cm £400 - 600 Provenance: Petley Fine Art, London.

739 Lot 741 Andrei Potapenko (Ukrainian, 1925-2011) ‘Edge of the forest’ indistinctly signed l.r., also inscribed in Cyrillic and dated 1958 verso, oil on canvas 50 x 70cm £300 - 500

741

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508 - 751 OLD MASTER, BRITISH AND CONTINENTAL PICTURES

742 Lot 742 Vitali Petrovski (Ukrainian, b.1975) ‘The night sky in Kyiv’ signed in Cyrillic and dated 2001 l.r., also signed, inscribed in Cyrillic and dated verso, oil on canvas 50 x 65cm £300 - 500

743 Lot 743 Vitali Petrovski (Ukrainian, b.1975) Village at dusk signed in Cyrillic and dated ‘87 l.r., also signed, inscribed in Cyrillic and dated verso, oil on canvas 54 x 69cm £300 - 500

744 Lot 744 Oleg Leonov (Russian, b.1959) ‘By the mirror’ signed with initials in Cyrillic and dated ‘91 l.r., inscribed in Cyrillic and dated verso, oil on canvas 53 x 42cm £300 - 500

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745 Lot 745 *Jean-Franck Baudoin (French, 1870-1961) ‘Fleurs, Jaunes et Roses’ signed ‘Jean Franck Baudoin’ l.r., oil on canvas 45.6 x 56cm £800 - 1,200 Provenance: Petley Fine Art, London.

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OLD MASTER, BRITISH AND CONTINENTAL PICTURES 508 - 751 Lot 746 A collection of reference works relating to German Art and German Expressionism, Tomi Ungerer, ‘Slow Agony’, Diogenes 1983, translated from the French by Gurenda Stephens, ‘Adventures in Art’, Harry N Abrams, Maher & Holzschneider, ‘Fritz Long 1877-1961’, Theiss Verlay, 1992, Andrea Firmenich, ‘Heinrich Campendonk 1889-1957’, Verlay Aurel Bongers Recklinghausen 1989 (24) £150 - 250 Provenance: Leicester Museum Reference Library.

746 part lot

747 part lot

Lot 747 Books and catalogues relating to 20th century British Art, including: Louise Collis, ‘A Private View of Stanley Spencer’, Heinemann 1972, Andrew Lambirth, ‘David Trees’, The Studio, 2015, Bertrand Delanoe, ‘Peter Doig’, Musée d’Art Moderne, Paris 2008, Tom Cross, ‘Painting the Warmth of the Sun, St Ives Artists 1939-1975’, Butterworth Press 1984, Elizabeth Rothenstein, ‘Stanley Spencer’, Phaidon, 1945 (40) £100 - 200 Provenance: Leicester Museum Reference Library.

748 part lot

749 part lot

Lot 748 Books and catalogues relating to German Art, including: Paul Vogt, ‘Christian Rohlfs’, 1967, ‘Im Garten van Max Liebermann’, Gerhard Wietek, ‘Karl Schmidt-Rotloff’, Wienand, 2010, Edit: Alfred H Barr Jnr, ‘Fantastic Art, Dada, Surrealism’, MOMA, New York, 1936 (21) £100 - 200

Lot 749 Books and catalogues relating to Walter Sickert and James Abbott McNeill Whistler, Wendy Baron, ‘Sickert’, Phaidon 1973, Lillian Browse, ‘Sickert’, Rupert Hart-Davis 1960, Edited by Osbert Sitwell, ‘A Free House, The Writings of Walter Richard Sickert’, Macmillan & Co. Ltd., 1947, cloth, James Laver, ‘Whistler’, Faber & Faber, 1930, Francis Spalding, ‘Whistler’, Phaidon, 1979 (16) £100 - 200 Provenance: Leicester Museum Reference Library. Lot 750 Books and catalogues relating to J M W Turner, including: A J Finberg, ‘The Life of J M W Turner’, Second edition 1961, cloth, Andrew Wilton, ‘Turner Abroad’, British Museum 1982, Eric Shanes, ‘Turner’s Rivers, Harbours and Coasts’, Breslich & Foss, 1981 (qty.) £100 - 200 Provenance: Leicester Museum Reference Library. Lot 751 Books relating to German Art and Expressionism, including: ‘Max Pechstein’, Hirmer, 2017, ‘Fritz Schwarz-Waldegg’, ‘Wilhelm Morgner’, Hatje, 1991, Erwin Mitsch, ‘The Art of Egon Schiele’, Phaidon, 1975 (30) £100 - 200 Provenance: Leicester Museum Reference Library.

Provenance: Leicester Museum Reference Library.

750 part lot

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751 part lot Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 220

Fine Russian Art & Antiques from the Renowned London Gallery WEDNESDAY 1 DECEMBER 2021

alexanderhallett@sworder.co.uk | 01279 817778

MO D E RN CONTEMPORARY ART

Julian Trevelyan RA (1910-1988), Clifton Suspension Bridge oil on canvas, 77 x 91.5cm £8,000-12,000

TUESDAY 5 OCTOBER 2021 amyscanlon@sworder.co.uk | 01279 817778

INDEX OF ARTISTS A Abbott, Lemuel Francis 554 Abbott, John White 670 Adam, Édouard 735 Aikman, William 539 *Alison, David 708 Allan, David 587 Anglo-Chinese School, 19th century 728 Antoniani, Lorenzo Falcinelli 515 Armour, George Denholm 647, 648 Austrian School, mid-19th century 567 Austrian School, c.1900 572 B Barber, Rupert 120 Barry, John 161 Bate, William 139 *Baudoin, Jean-Franck 738-740, 745 *Beer, William Andrew 640-642 Blake, Benjamin 626, 627 Bobrikov, Ivan 617 Bogle, John 157, 158 Boit, Charles 107 Bolognese School, early 17th century 509 Bolognese School, 18th century 597 Bough, Sam 681 Bough, Samuel 686 *Branwyn, Sir Frank 698 Bridges, John 560 Bull, Richard 162 C Callow, William 715 Carse, Alexander 593 Chalon, John James 726 Charette-Duval, François 615 Clare, Oliver 619 Clare, Vincent 620 Cole, George 682 Collins, Richard 166 Continental School, 19th century 519, 606 Cooper, Alexander 104 Cooper, Thomas Sidney 633 Cooper, Henry 701 Cosway, Richard 555 Cotes, Francis 116 Cotes, Samuel 163 *Coward, Malcolm 651 Cross, Peter 112 Crosse, Richard 130, 150 Cummings, Vera 576 D Dahl, Michael Daniel, Abraham Day, Thomas de Momper, Joos Dicksee, Herbert Thomas Donaldson, John Dou, Gerrit Downman, John

541 152, 168 121 664 655-663 159 529 153

E Earl, Maud 636 Eckstein, Johannes 582 *Edwards, Lionel Dalhousie Robertson 644 English School, early 17th century 527 English School, mid-17th century 530 English School, c.1670 532 English School, 17th century 102, 105, 106, 111, 115 English School, c.1750 128

English School, mid-18th century 151, 543, 550 English School, c.1760 551 English School, 18th century 114, 123, 141, 146, 148, 154, 164 English School, late 18th century 553 English School, early 19th century 132, 558, 562 English School, c.1825 165 English School, c.1830 563 English School, 1832 561 English School, c.1840 725 English School, mid-19th century 695 English School, 1897 607 English School, 19th century 169, 526, 568, 621, 622, 685, 732 English School, late 19th century 635, 638 English Naïve School, 19th century 634 English Provincial School, 19th century 645 Etty, William 520, 583 F Ferguson, James 126, 127 Fischer-Koystrand, Karl 602 Flemish School, 18th century 613 Flemish School, early 19th century 683 Fortescue-Brickdale, Eleanor 603, 604 French School, 18th century 552 French School, late 18th/early 19th century 586 French School, early 19th century 557 French School, 19th century 522 G Galloway, Alexander 135 Gascars, Henri 538 German School, 17th century 510 German School, 19th century 643 German School, early 19th century 581 Gobert, Pierre 570 Gonzales, Alfredo Florez 612 Goossens, F... 705 Greuze, Jean-Baptiste 556 H Halpin, John Edmund 144 Hamilton, Gustavus 125 Harpignies, Henri-Joseph 687 *Harvey, Reginald Llewellyn 649 Hawkins, George 668 Herink, F 724 Hickey, Thomas 547 Holder, Edward Henry 717 Hone, Nathaniel 143 Hornung, Joseph 589 Hudson, Thomas 540 Hulk, Abraham 722 Hull, Thomas H 155 Huysmans, Cornelis 665 Hynard, Sally 652-654 I Irish School, 18th century Italian School, 17th century Italian School, 18th century

549 537 667

K Kendrick, Emma Eleanor *Kennedy, Cecil Kettle, Tilly Kingsley, Charles Kissuk, Natasha Klever, Yuliy Yulevich

565 618 548 694 637 703

Koerle, Pancraz

594

L Latour, Henri Theodore Fantin Lely, Sir Peter 534, Lens, Andries Cornelis Leonov, Oleg Lidderdale, Charles Sillem Linnell, John *Lodge, George Edward Loggan, David Louyot, Henry

600 535 524 744 571 566 646 108 697

M Maestri, Michelangelo 523 Malden, Sarah, Countess of Essex 140 Mann, E... 592 Markes, Albert Ernest 733 Martinet, François Nicholas 628 *Mason, Frank Henry 736 Mazzotta, Federico 591 McMoreland, Patrick 138 Meadows, William 734 Mee, Mrs Anne 170 Meyer, Jeremiah 156 Monamy, Peter 723 Montague, Alfred 712 Monticelli, Adolphe 588 Moyes, John McQueen 639 Mughal School 507 Murillo, Bartolome Esteban 516 Mussard, Andreas 109 N Nash, Edward 147 Nasmyth, James 680 Neale, George Hall 605 Neubert, Ludwig 674 Noel, Jules Achille 692 North Italian School, 17th century 511 P Palmer, Samuel 601 *Payne, Charles Johnson, called ‘Snaffles’ 650 Petitot the Elder, Jean 113 Petrocelli, Arturo 611 Petrovski, Vitali 742, 743 Petruolo, Salvatore 727 Philips, Charles 546 Pittoni, Giovanni Batista 517 Place, George 133 Plimer, Nathaniel 160 Pollentine, Alfred 719 Pollentine, Alfred 720 Potapenko, Andrei 741 Pratt, Jonathan 595 Pratt, Joseph Bishop 632 Q Quinton, J

630

R Raphael Read, William Reinagle, Philip Renié, Jean Émile Renoir, Pierre Auguste Richardson, Jonathan Richter, Johan Riviere, C... Roch, Sampson Towgood Roman School, 18th century Rosa, Salvator Rouby, Alfred Rowlandson, Thomas

514 137 677 688 608 545 718 691 145 512 528 616 585

S S..., O... 623 *Salisbury, Frank Owen 574 Sanders Jnr, John 172 Sandys, Edwin William 714 Schäfer, Henri 711 Schmid, Julius 573 *Scott, Henry 737 Scotti, Domenico 521 Scottish School, 18th century 136 Scottish School, late 17th century 533 Seaman, Abraham 117, 118 Seaman, Noah 119 Seeman, Enoch 544 Shaw, Charles E 702 Shayer, William 673 Shayer, Henry 675 Sherwin, John Keyse 142 Shishkin, Valeri 624, 625 *Sibbons, Gudrun 707 Smart, John 134 Snelling, Matthew 103 Spencer, Gervase Jarvis 149 Stanfield, Clarkson 730, 731 Stanley, Caleb Robert 710 Stannard, Joseph 679 Stannard, Henry John Sylvester 699, 700 Stark, James 672 *Stone, Richard 578 Sullivan, Luke 131 Sykes, Francis 129 Szenes, Fülöp 575 Szontagh, Tibor 706 T Teniers the Younger, David Tennant, John Frederick Terrini, Alberto Thors, Joseph 689, Titian 513, Titov, Konstantin Turmeau, John

579 678 721 690 525 704 167

V van Diepenbeeck, Abraham 508 van Dyck, Sir Anthony 518 van Mieris, Willem 542 Volkert, Hans 629 von Lichtenfels, Eduard Peithner Ritter 676 von Siegen, Auguste 713 W Walker, John Hanson Watteau, Jean-Antoine Weirotter, Franz Edmund *Wells, John Sanderson Wheatley, Francis Wheeler, J... Wilkie, Sir David Williams, Edward Wilson, John

569 580 666 609 590 559 631 671 729

Y y Alda, Jose Ramon Garnelo

716

Z Zangzanar(?), G 577 Zincke, Christian Friedrich 110, 122, 124 Zolotykh, Alexandr 584

Lots marked with a ‘*’ may attract the Artist’s Resale royalty charge at the rate of 4% of the hammer price. This royalty, where applicable, will be charged to the purchaser.

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GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty. Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

Circle of David Cox in our opinion a work from the period of the artist and showing his influence.

The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt. A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750.

Follower of David Cox in our opinion a work executed in the style of David Cox After David Cox in our opinion a copy of any date after a work by the artist

All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing.

Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist

Condition reports are not included in the descriptions.

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right? Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more. This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale. How are resale royalties calculated? The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate. The royalty is worked out according to a sliding scale from 4% to 0.25%. Hammer Price

Royalty

From 0 to €50,000

From €50,000.01 to €200,000

From €200,000.01 to €350,000

From €350,000.01 to €500,000

0.5%

Exceeding €500,000

Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom. Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs. Are all sales of artwork covered? The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met: • • • •

the artwork is a copyright protected work of graphic or plastic art; it is sold for more than €1000; it is sold in the secondary market with the involvement of an art market professional (e.g. auction house); and it is sold in the UK or another country in the European Economic Area (EEA).

0.25%

What is the qualifying threshold? An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

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What nationality must an artist be to qualify? The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA:

This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

TERMS AND CONDITIONS 1. INFORMATION FOR BUYERS Introduction The following notes are intended to assist Bidders and Buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Terms and Conditions and any notices that are displayed in our salerooms or announced by the Auctioneer at the auction. Our Terms and Conditions are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Terms and Conditions that you do not fully understand. Please make sure that you read our Terms of Sale carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. Methods of payment Lots must be paid for before they are collected or shipped. For those attending the auction we ask that Lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our Website, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000. Usually any cheques will need to be cleared before you can take the Goods away. Collection and storage All Lots should be paid for and collected by 5pm on the Friday following the sale. Commission Bidders should check the success of their bids and arrange payment, and collection or shipping within this time. For our specialist auctions please refer to the collection and storage requirements detailed in the catalogue and on our Website, which specifies the applicable fees. For our Homes and Interiors auctions, items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 (plus VAT) for administration and £2 (plus VAT) per lot per day. Agency As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the Goods is with the Seller, not with us as Auctioneer. Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the sale Price. The lower estimate may represent the Reserve Price (the minimum Price for which a Lot may be sold) and will not be below the Reserve Price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot. They are not definitive. Buyer’s Premium The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these Premiums (see below). VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the Buyer on the Hammer Price and the Buyer’s Premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that Lot. Lots which do not have either of the above symbols have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the Premium is not recoverable as input tax. Shipping Costs are liable for VAT and are payable by the Buyer. Inspection of Goods by the Buyer As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have ample opportunity to inspect the Goods. You must inspect and investigate Lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of Lots set out in the Terms of Sale at clause 12.4. Condition reports We may be able to assist Buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending Buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale. Shipping of Goods We offer a delivery service for Lots purchased. Estimates for Shipping Costs for smaller items can be calculated pre-sale on our website under each Lot and are based on value, size and your chosen UK destination. For items purchased the actual cost can be added to your account and paid online after the sale. If you purchase multiple Lots from the same auction, we will combine packaging/deliveries to reduce the Shipping Costs. For lots for which Shipping Costs cannot be automatically calculated, such as furniture, you can obtain a bespoke Shipping Cost from our website to any destination in the world either in advance of the sale or after you have purchased. Estimates of Shipping Costs on our website are based on the low estimate, whilst the actual cost is based on Hammer Price. www.sworder.co.uk

Electrical goods These are sold as ‘antiques’ only. If you buy electrical Goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them. Export of Goods If you intend to export Goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing Goods of that character e.g. because the Goods contain prohibited materials such as ivory. Bidding Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a Commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Commission bidding You may leave Commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyers’ Premium and/or any applicable VAT). We will execute Commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical Commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving Commission bids online via our Website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute Commission bids received after this time. Telephone bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value Lots. Please note that this service is for Lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason. Online bidding Any Lots purchased via a live online bidding service will be subject to an additional Commission charge on the Hammer Price payable by the Bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% while bidding via Sworders Website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. These charges will be payable to us on top of the Hammer Price and our Buyer’s Commission.

IMPORTANT NOTICES Removal of Lots All Lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove Lots remaining after this time into safe storage, for which a charge will be made. Electrical Goods All electrical Goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical Goods certified safe must be re-Commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-Commissioned. Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling. Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial Buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

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TERMS OF SALE Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. These Terms of Sale relate to auctions conducted by an Auctioneer only. We have separate terms for online only auctions. 1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a Commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition. 3.3 If you instruct us in writing, we may execute Commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your Commission bid, unless our failure to do so is unreasonable. Where two or more Commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

‘Auctioneer’

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised Auctioneer, as appropriate;

‘Bidder’

means a person who places a bid for Goods at our auction;

‘Buyer’

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

‘Commission’

means the Commission that we charge you on the sale of the Goods as set out in Clause 5 below;

‘Consumer’

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

‘Consumer Contracts Regulations’

means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

‘Deliberate Forgery’

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

‘FCA’

means the Financial Conduct Authority;

‘Goods’

means the Goods that have been consigned to us for sale at our auction;

‘Hammer Price’

means the level of the highest bid for a Lot accepted by the Auctioneer;

‘Premium’

means the Premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

‘Price’

means the total of the Hammer Price, Premium, Shipping Costs (if applicable) and any applicable VAT;

‘Proceeds’

means the Price less the Commission, the Premium, Shipping Costs, any expenses incurred to your account and any applicable VAT;

‘Reserve’

means the minimum Price at which the Goods may be sold;

‘Seller’

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

‘Shipping Costs’

means the charges applied to the shipping of all Goods purchased, should the Buyer ask for the Auctioneer’s shipping agent to deliver the Goods (if applicable);

‘Terms of Consignment’

means these Terms of Consignment;

‘Terms of Sale’

means the Terms of Sale for Bidders or Buyers at our auctions;

‘Trader’

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the Trader’s name or on the Trader’s behalf (such as an agent and/or the Auctioneer);

‘VAT’

means any value added tax or equivalent sales tax; and

‘Website’

means our Website available at www.sworder.co.uk.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue. 2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may re-offer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

2.3 The Price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

2.4 The arrangements for collection or delivery of the Goods as set out in Clauses 8 and 9.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

4. The purchase price As Buyer, you will pay:

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

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a. the Hammer Price; b. a premium of 25% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price, Premium and Shipping Costs (if applicable) due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further information. 5.2 We will charge VAT at the current rate at the date of the auction. 6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the Auctioneer records the winning Lot in the sale book accepting the highest bid for the Lot at auction, unless due diligence information required by the Auctioneer under the Money Laundering Regulations 2019 in accordance with their internal procedure remains outstanding, in which case the contract will be formed when that information is accepted by the Auctioneer as complete. 6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may at our discretion provide the Seller with information or assistance in relation to that claim. 6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the total amount due in any way that we agree to accept payment. 7.1.3 pay in full the Shipping Costs prior to the Goods being shipped, should you agree to the Auctioneer’s shipping agent delivering the Goods. 7.2 If you owe us any money, we may use any payment made by you to repay these debts. 8. Title and collection of purchases 8.1 Once you have paid us in full the total amount due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it. 8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction, or such later date as is specified in the printed catalogue or on our Website. 8.3 If you agree to the Auctioneer delivering the Goods, only when the full Shipping Costs have been paid will the Goods be dispatched. We reserve the right that some Lots will not be suitable for an automated shipping estimate and will require bespoke quotes from the shipping agent. 8.4 Should you decide to use the delivery service, you thereby agree to allow the Auctioneer to share relevant personal data that we hold with the shipping agent in order to allow effective communication between the shipping agent and you, and to enable delivery. 8.5 If you do not collect the Lot within the time period under Clause 8.2, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.6 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.7 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the Proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling Commission at our standard rates on any such resale of the Lot.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the Price you should have paid for the Lot and the Price we sell it for as well as the charges outlined in Clause 8.7). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the total amount due, including Shipping Costs where applicable;

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot). 12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling Price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. 12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within thirty days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our employees’ or our agents’ negligence.

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the Lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct. 11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the total amount due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below. 11.3 Please note that many of the Lots that you may bid on at our auction are second-hand. 11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots. 11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

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13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2. 13.3 If you have sold the Lot to another person, we will only be liable to refund the Price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale. 14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. 14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Terms and Conditions. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law. 15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or recorded delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient. 15.3 Notices must be sent: 15.3.1 by hand or registered post; a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or recorded delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient). 15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message. 16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our Website. 17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person. 17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale. 17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. 17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts. These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers

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Fine Interiors Tuesday 14 & Wednesday 15 September 2021

Articles inside

Lot A George III mahogany caddy-top chest of drawers,

Lot A Regency brass inlaid rosewood mantel clock,

Lot A pair of imitation rouge marble painted pine Tuscan columns,

Lot A pair of mahogany hall chairs,

Lot An octagonal walnut and specimen marble-topped table,