Modern British & 20th Century Art Tuesday 20 April, 10am by swordersfineart

Modern British and 20th Century Art Tuesday 20 April 2021

Sporting Art, Wildlife & Dogs LIVE AUC TION WEDNESDAY 2 JUNE Inviting Entries

janeoakley@sworder.co.uk | 01279 817778 Peter Deighan (b.1941), Lioness, signed 'Deighan' l.l., oil on canvas, 61 x 76cm, £400-600

MODERN BRITISH AND 20TH CENTURY ART Live Online – Tuesday 20 April 2021 at 10am ORDER OF SALE 1-17 Great Bardfield Artists

18-86

Modern British and 20th Century Art

87-103

Curwen Print Study Centre Collection

104-308

Modern British, 20th Century and Contemporary Art

VIEWING TIMES Due to current social distancing restrictions, we will be offering viewing by appointment only. You can book an appointment at www.sworder.co.uk/appointments/ 30-minute time slots will be available from: Sunday 18 April 10am - 1pm Monday 19 April 9am - 5pm

ONLINE BIDDING Bid live at www.sworder.co.uk (0% surcharge)

MODERN BRITISH AND 20TH CENTURY ART – PART II Timed Auction online at www.sworder.co.uk Friday 9 April – Sunday 25 April

FURTHER INFORMATION Contact:

SWORDERS’ DELIVERY SERVICE Sworders offer a delivery service for item(s) purchased. If you wish to purchase a lot, we are able to provide a bespoke shipping cost based on the lot and delivery destination, anywhere in the world – please see our website where you can enter the necessary information to obtain a quote.

Amy Scanlon Specialist

Jane Oakley Specialist

Telephone: 01279 817778 Email: auctions@sworder.co.uk To obtain more images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk

THE

Sally Hunter & I a n Po s g a t e

COLLECTION

Gallery owner Sally Hunter came to Badgemore Grange - a Victorian home sited in a little over nine acres of land on the outskirts of Henley on Thames - in 1990 when she and owner Ian Posgate (19322017), an insurance underwriter at Lloyds of London, were married. Sally Hunter had run a gallery in St Ives in the early 70s, later taking over a gallery on Motcomb Street in Knightsbridge where she chose to specialise in Modern British art. “We bought the best examples of their type, but then artworks were affordable £1,500 was considered a lot of money to pay for a painting” she recalls. Furnishing Badgemore was a joy. “With a gallery in Knightsbridge, the business of arranging, hanging, and moving were part

of my stock in trade - it was just that the area to be filled at Badgemore was so much bigger.” From Margaret Thomas to Joan Warburton and Lucy Harwood, many of the pictures and artists are associated with East Anglia - a reflection perhaps of Sally’s early life in Suffolk (she was brought up in Woodbridge). Sworders are pleased to offer the entire contents of Badgemore Grange. The sale will be comprised of 450 lots of pictures, furniture and works of art which capture the style and taste of the owners. “It is a collection which we hugely enjoyed putting together and living with for many years.”

The Sally Hunter & Ian Posgate Collection, Badgemore Grange auction will take place on Tuesday 18 May, for more information about the sale please contact Jane Oakley janeoakley@sworder.co.uk | 01279 817778

IN THE FRAME AM Y S C A N LO N Although I’m sure we can all agree that the past year has been challenging in many ways, a positive side for me has been the number of wonderful pictures that our clients have entered for sale. With over 300 lots in this catalogue and a further 450 in our Part II Timed Online sale, Sworders’ April Modern British & 20th century art sales are set to be our best yet.

The department has seen rapid growth since our first sale in 2016, with a wide range of Modern British, 20th century and contemporary art now coming through the doors. We are especially keen to champion the Great Bardfield artists, our close proximity to the Essex village continuing to bring both vendors and buyers to Sworders each year, with prices remaining strong. One of the principal artists of the group, Edward Bawden is a firm favourite of mine, and I am pleased to say we have another great selection of his in this sale. Lot 1 is inspired by William Blake’s poem, ‘Tyger Tyger, burning bright,. In the forests of the night;. What immortal hand or eye,. Could frame thy fearful symmetry?’. I love how the strong lines of the linocut echo his verse, but also because this brings back fond memories of our inaugural Modern British Art sale where I first saw a copy of this.

There are so many works I have grown fond of whilst working on this sale, but lot 172 stands out for me. This portfolio contains 31 lithographs by artists including Mark Hearld, Stanley Jones, Bernard Dunstan, Mary Fedden and Bernard Cheese, which were all commissioned by Curwen Studio for their 50th anniversary. The way it is presented, with all the prints housed in one frame, is so much fun. With the option to quickly change which work is on display, you could easily have one for every day of the month!

Other highlights of the catalogue for me include the three works by Simon Bussy (lots 73-75). I think his use of pastel is beautiful; the bright yellow of the Hangnest is so striking that I would love to own it! We sold an oil painting of a Bird of Paradise by Bussy in 2018 that remains one of my most favourite pictures that I have handled at Sworders. Temporary ownership of beautiful paintings is one of the perks of my role and I feel fortunate to have had it hanging proudly above my desk, albeit briefly, until the lucky bidder secured it for £16,000.

JANE OAKLEY It is such a joy to work on this sale as it includes a fantastic category of prints, so we get to celebrate some remarkable printmaking. I was so pleased to see the CRW Nevinson, ‘Waterloo Bridge from a Savoy Window’ (lot 44), but a particular favourite of mine is the work of Gerald Brockhurst. He was one of the finest portrait artists of his generation, his works have a wonderful intensity; the subject often placed directly confronting the viewer with uncompromising frankness. His richly detailed surfaces are stunning, and this intensity is carried over into his etchings. We are lucky enough to have four in the sale. He was a self-taught engraver, developing a remarkable technique that creates a rich velvety depth, achieving a striking tonal contrast. Of his works in the sale, I think my favourite is ‘Dorette’ from 1932 (lot 47). It is a typical Brockhurst composition of a glamorous sitter, half-length placed before a landscape. She stares at us, with an unsmiling intensity. The smooth delicacy of her skin and features contrast to the plain woollen cardigan and the curls of her hair, drawing our gaze in a quite mesmerising way. The sitter was his young muse and mistress Kathleen Woodward, who he named ‘Dorette’, just as his friend Augustus John had done with his muse Dorelia.

I am delighted that we have an Alexander Archipenko in the sale (lot 65). Cubism and the avant-garde movements in Paris in the early 20th century have long been a particular interest of mine and he is a sculptor I have always admired. He was a member of the Section d’Or and, along with Picasso, the first artist to experiment with cubism in 3D. His sculptures and indeed some of his works on paper have gone on to sell for huge sums at auction, so I feel this is a great opportunity to own something really quite special by one of the great artists of the 20th century.

Two of my take-home pictures from the sale would be the Bridget Riley fragments (lots 118 and 117). I love Riley’s work, and this is just the period I would want to collect, when she was focused mainly on black and white compositions. Being printed on to Perspex gives them a real sharpness and a contemporary feel. Such a remarkable achievement when you consider they were created over 50 years ago.

SECTION TITLE GREAT BARDFIELD ARTISTS XX-XX 1-17

Artists’ village show at Great Bardfield, Essex, 1955. From the left are: Clifford Smith, John Aldridge ARA, Mrs John Crittall, Edward Bawden ARA, Marianne Straub, Michael Rothenstein, Walter Hoyle and George Chapman. They are standing outside Miss Straub’s cottage in which her woven textiles are displayed. Illustrated London News/Mary Evans Picture Library

1 Lot 1 *Edward Bawden RA (1903-1989) ‘Tyger! Tyger! burning bright in the forests of the night…’ linocut, signed, inscribed with title and numbered 17/50 in pencil 23.5 x 65cm £1,500 - 2,000

Lot 2 *Edward Bawden RA (1903-1989) ‘Floral Hall, Covent Garden’, 1965 linocut, artist’s proof, signed l.r., numbered 74/75 image 45.5 x 60.5cm £1,000 - 1,500

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1-17 GREAT BARDFIELD ARTISTS

Lot 3 *Edward Bawden RA (1903-1989) Rear of Beslyns Farm with a Friesian calf by a paddock rail signed and dated ‘Edward Bawden/1955’ l.r., watercolour and bodycolour 44.5 x 57cm £5,000 - 8,000

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GREAT BARDFIELD ARTISTS 1-17

4 Lot 4 *Edward Bawden RA (1903-1989) ‘Mr Wilkins Enlarges his House’, 1928 signed, dated and inscribed, pen and ink and collaged paper over pencil 17 x 17.5cm £600 - 800 Exhibited: Dulwich Picture Gallery, ‘Edward Bawden’, 2018, illustrated in the catalogue p.137.

The original artwork for ‘The Life and Adventures of Peter Wilkins’, 1928, p.66. Lot 5 *Edward Bawden RA (1903-1989) ‘Gulliver’s Travels’, 1965 signed and inscribed in pencil, pen and ink with pencil 23.5 x 16cm £500 - 700 The key line drawing for ‘Gulliver’s Travels’, facing p.3, published by the Folio Society.

Lot 6 *Edward Bawden RA (1903-1989) ‘Economy Committee’ pen and ink and collaged paper over pencil 24.5 x 26.5cm £800 - 1,200 Provenance: Shell Mex and BP Advertising Collection Sale, London 2003. Exhibited: Dulwich Picture Gallery, ‘Edward Bawden’, 2018, illustrated in the catalogue, p.134.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

1-17 GREAT BARDFIELD ARTISTS

Lot 7 *Edward Bawden RA (1903-1989) ‘Country House in Essex’ signed and dated 1938 l.r., inscribed with title on artist’s label verso, watercolour 44 x 57cm £6,000 - 8,000 Exhibited: Tate Gallery, 9 February 1994; Fine Art Society, ‘Edward Bawden Centenary’, 2003; Imperial War Museum, ‘Eric Ravilious: Imagined Realities’, October 2003-January 2004; Fry Art Gallery ‘Edward Bawden Seven Decades of Watercolours’, 2012; Fry Art Gallery, ‘Early Watercolours’, 2016. Illustrated: ‘The Lost Watercolours of Edward Bawden’, p.155.

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GREAT BARDFIELD ARTISTS 1-17 Lot 8 *Edward Bawden RA (1903-1989) British Empire Map, 1985 lithograph in colours on wove, signed in pencil sheet 55 x 75.5cm, unframed £300 - 500 Commissioned by the Wolfsonian Collection, Miami, Florida as a gift to approximately 400 guests at the opening of ‘Style of Empire - 1877-1947’ in 1985. This is a proof from the Stanley Jones Archive.

8 Lot 9 *Edward Bawden RA (1903-1989) ‘Dunkirk’ lithograph in colours, 1985, signed and inscribed in pencil with blind stamp for the Stanley Jones Archive sheet 55 x 76cm, unframed £400 - 600 Commissioned by the Hurtwood Press for their unrealised book ‘Edward Bawden: War Artist’ in an edition of 75. This is a proof from the Stanley Jones Archive.

9 Lot 10 *Edward Bawden RA (1903-1989) ‘Riviera’ wallpaper, 1929 87 x 54cm; ‘Trinity College Chapel’, The Oxford Almanack for 1957 lithograph 76 x 55cm (2) £200 - 300

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

1-17 GREAT BARDFIELD ARTISTS

11 Lot 11 *Edward Bawden RA (1903-1989) ‘When he came nigh to Sir Gareth he sank down on a swoon for gladness’; ‘King Arthur’ two linocuts, from ‘Le Morte d’Arthur’, 1981, both signed, inscribed with titles, and numbered 10/10 in pencil 23.5 x 29.5cm and 22.5 x 18cm (2) £400 - 600

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Lot 12 *Sheila Robinson (1925-1988) ‘Also Neighbours’ lithograph, signed, inscribed with title and dated 1967 in pencil, proof image 52.5 x 45.5cm £200 - 300

Lot 13 Tirzah Garwood (1908-1951) ‘Crocodile’ woodcut, numbered 170/500 in pencil 16.5 x 12.5cm £200 - 300

This print shows the vendor’s father, Mr Mark Brackenbury, talking to a lady outside Hill Cottage, Vine Street, Great Bardfield.

GREAT BARDFIELD ARTISTS 1-17

Lot 14 *John Aldridge RA (1905-1983) ‘The Place Farm Yard’ dated ‘16 Jan 56’ l.l., and inscribed with title on artist’s label verso, oil on board 26 x 35.5cm £2,000 - 3,000

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

1-17 GREAT BARDFIELD ARTISTS

Lot 15 *John Aldridge RA (1905-1983) Little Sampford, 1937 signed and indistinctly dated ‘Aldridge Nov..’ l.r., oil on board 33 x 43cm £2,000 - 3,000

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GREAT BARDFIELD ARTISTS 1-17

Lot 16 *John Aldridge RA (1905-1983) The Place House, Great Bardfield signed and dated ‘John Aldridge 60’ l.l., also dated ‘19/20 April 60’ verso, oil on board 26.5 x 35.5cm £1,500 - 2,000

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

1-17 GREAT BARDFIELD ARTISTS

Lot 17 *John Aldridge RA (1905-1983) Cottages on the Dunmow Road, Great Bardfield signed and dated ‘John Aldridge 57’ l.l., oil on board 25.5 x 35.5cm £2,000 - 3,000 Exhibited: Fry Art Gallery, Saffron Walden, September/October 1999, no. 22.

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SECTION MODERN TITLE BRITISH AND 20TH CENTURY ART XX-XX 18-86

Lot 18 *Ronald Ossory Dunlop RA (1894-1973) A figure by a house in a wooded landscape signed l.r., oil on board 21.5 x 26cm £250 - 350

Lot 19 Eric John Benson Riordon (Canadian, 1906-1948) ‘Morning Sun’ signed ‘Eric Riordon’ l.r., inscribed on a gallery label verso, oil on canvas 30.5 x 41cm £300 - 500

Lot 20 William George Robb (1872-1940) ‘Mill near Uckfield, Sussex’; An open sky with trees in a landscape two, both signed ‘ROBB’ l.r., oil on board 30 x 34cm and 26 x 34cm (2) £500 - 800 Provenance: The artist’s estate sale, Bonhams & Brooks, 20 March 2001, lots 66 and 84.

18-86 MODERN BRITISH AND 20TH CENTURY ART

Lot 21 *Jules René Hervé (French, 1887-1981) Figures around the pond, Jardin des Tuileries, Paris signed l.r., also signed verso, oil on canvas 60 x 73cm £1,200 - 1,800

Lot 22 *Jules René Hervé (French, 1887-1981) Figures in a cafe, Jardin des Tuileries, Paris signed l.l., also signed verso, oil on canvas 60 x 73cm £1,000 - 1,500

Lot 23 *Jules René Hervé (French, 1887-1981) Figures on a riverbank signed l.l., also signed verso, oil on canvas 74 x 60cm £600 - 800

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MODERN BRITISH AND 20TH CENTURY ART 18-86

24 Lot 24 *Raymond Leech (b.1949) Children playing on a beach signed l.l., oil on board 44 x 59cm £800 - 1,200 Lot 25 Spare lot Lot 26 Attributed to Paul Lecomte (French, 1842-1920) Along the quay oil on board 48.5 x 38cm £300 - 500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

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27 Lot 27 *James Durden (1878-1964) ‘In the Garden’ signed l.l., oil on canvas 78 x 105cm £2,000 - 3,000 Lot 28 *Pierre Bittar (French, b.1934) Flowers by a river landscape signed l.l., oil on canvas 56 x 47cm £700 - 1,000

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MODERN BRITISH AND 20TH CENTURY ART 18-86

29 Lot 29 Charles van Havermaet (fl.1895-1911) A gentleman at leisure signed l.l., mixed media 50 x 55cm £600 - 800 Lot 30 Annie Dora Symmons (b.1888) A young girl seated at a desk signed l.r. and stamped ‘E.S.K.’ verso, oil on canvas 69 x 51cm £300 - 500

Lot 31 *Hermione Hammond (1910-2005) A gentleman reading oil on board 26 x 39.5cm £250 - 350 Lot 32 *Claire Atwood (1866-1962) A man with a pipe and a seated dog signed and dated 1949 l.l., oil on canvas 61 x 51cm £300 - 400

32 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

18-86 MODERN BRITISH AND 20TH CENTURY ART Lot 33 English School, c.1920s Portrait of a man, seated in a white shirt with sleeve garter and braces inscribed ‘D.P.2.2.’ verso, oil on canvas 61 x 51cm £800 - 1,200

Lot 34 Honoré Cavaroc (French, 1846-1930) Portrait of a man, believed to be a reserve soldier from the 34th regiment signed and dated 1920 l.r., oil on canvas 56 x 46cm, unframed £300 - 500

Lot 35 Circle of Laura Knight Portrait of a young woman, head and shoulders oil on canvas 46 x 37cm £600 - 800

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MODERN BRITISH AND 20TH CENTURY ART 18-86 Lot 36 *Leon Underwood (1890-1975) A study of a head signed and dated 1922 l.r., pencil 29 x 24cm £500 - 700 Lot 37 *Augustus John OM RA (1878-1961) ‘The Serving Maid, Lucy’ etching, signed in pencil, limited edition 6/25, published by Chenil & Co., exhibited 1919 plate 21.2 x 16.7cm £500 - 800

38 Lot 38 *Augustus John OM RA (1878-1961) A Girl’s Head (G), 1919 etching, signed in pencil plate 17.2 x 13.5cm £300 - 500

Lot 39 *Sir Stanley Spencer CBE RA (1891-1959) Portrait of Caroline Pullan lithograph, signed, dated 55 and numbered 1/12 in pencil image 47 x 28cm £500 - 700

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

18-86 MODERN BRITISH AND 20TH CENTURY ART Lot 40 *Duncan Grant (1884-1978) Paul Roche Reclining signed and dated ‘D Grant ‘47’, pen and ink, pastel and charcoal on paper 45 x 38cm £2,000 - 3,000 Provenance: S otheby’s London, 1 March 1989, lot 75.

40 Lot 41 *Vanessa Bell (1879-1961) ‘Amaryllis’ eight lithographs, published by Millers of Lewes in 1945, from the set 18/250, signed in the plate sheet 44.5 x 35cm, unframed £200 - 300 Literature: T ony Bradshaw, ‘The Bloomsbury Artists: Prints and Book Design’, Scolar Press 1999, no. 13. Amaryllis Virginia Garnett (1943-1973) was Vanessa Bell’s first grandchild. The child’s mother, Angelica, was the daughter of Bell and Duncan Grant. A rift occurred between mother and daughter as a consequence of her marriage in 1942 to David Garnett. Garnett was 25 years older than Angelica and had been Duncan Grant’s former lover.

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MODERN BRITISH AND 20TH CENTURY ART 18-86 Lot 42 Samuel John Peploe (1871-1935) Portrait of a woman in a headscarf signed with initials l.r., pencil 17 x 17cm £1,500 - 2,000 Exhibited: The Scottish Gallery, 5-17 June 2000.

42 Lot 43 *Duncan Grant (1884-1978) A study for the cover of ‘Olivia’ by Olivia, the pseudonym of Dorothy Bussy (1865-1960) signed with initials c.r., pencil, pen and ink and blue washes 21 x 14.5cm £600 - 800 Dorothy Bussy was an English novelist and translator, close to the Bloomsbury Group. ‘Olivia’ is the only novel by Dorothy Bussy, it was published in 1949 by Hogarth Press, the publishing house founded by Leonard and Virginia Woolf. Bussy wrote it in French and signed her work with the pseudonym ‘Olivia’. Olivia had been the name of one of Dorothy’s sisters who died in infancy.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

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Lot 44 Christopher Richard Wynne Nevinson ARA (1889-1946) ‘Waterloo Bridge from a Savoy Window’ etching with drypoint, signed in pencil l.r. plate 27.5 x 35cm £7,000 - 10,000

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MODERN BRITISH AND 20TH CENTURY ART 18-86 Lot 45 *Gerald Leslie Brockhurst RA (1890-1978) ‘Jeunesse Dorée’ etching, proof, signed and dated 1942 l.r. in pencil plate 27 x 22cm £3,000 - 5,000

45 Lot 46 *Gerald Leslie Brockhurst RA (1890-1978) The Dancer etching, 1925, signed in pencil plate 23.5 x 13.5cm £300 - 500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

18-86 MODERN BRITISH AND 20TH CENTURY ART Lot 47 *Gerald Leslie Brockhurst RA (1890-1978) ‘Dorette’ etching on wove, 1932, signed in pencil l.r. plate 23 x 18.5cm £1,500 - 2,000

47 Lot 48 *Gerald Leslie Brockhurst RA (1890-1978) ‘Genevieve’ etching, 1922, signed in pencil l.r. plate 20 x 15cm £200 - 300

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MODERN BRITISH AND 20TH CENTURY ART 18-86 Lot 49 *Robert Sargent Austin RA (1895-1973) ‘Portrait (Noel Edwards)’ engraving, signed and dated 36 in pencil l.c. plate 22.5 x 19cm £400 - 600

Lot 50 *Edgar Holloway (1914-2008) Self Portrait No. 6 etching, signed in pencil plate 22.5 x 16cm £600 - 800

Lot 51 Frederick L. Griggs (1876-1938) Syde, 1935 etching, signed in pencil l.r. plate 12.8 x 11.5cm £250 - 350 Provenance: The Fine Art Society.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

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52 Lot 52 Robert Polhill Bevan (1865-1925) ‘Public house in St Johns Wood’, c.1910 signed with monogram l.l., crayon and watercolour 23 x 29cm £2,000 - 3,000 Provenance: R A Bevan Esq., the artist’s son. Exhibited: Southampton Art Gallery, Camden Town Group Exhibition, 1951, no.15; The Arts Council of Great Britain, ‘Drawings of the Camden Town Group’, 1962, no.10.

Lot 53 *Ursula Tyrwhitt (1878-1966) Still life of flowers in a vase, c.1913 pencil and watercolour 47 x 32cm £300 - 400 Provenance: T he Germaine Greer collection; a gift from the artist’s niece, 1979.

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MODERN BRITISH AND 20TH CENTURY ART 18-86

Lot 55 *Gordon Wesley (1925-2015) Backstage oil on canvas 71 x 92cm £500 - 700

Lot 54 Petr Krokhonyatkin (Russian, 1929-2018) Woman in a green cardigan signed and dated 1958 verso, oil on canvas 89 x 64cm £600 - 800

55 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

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56 Lot 56 *David Shepherd (1931-2017) ‘The Curio Shop, Shepherd Market, London’ signed and dated ‘55 l.r., oil on canvas 34 x 44cm £3,000 - 5,000

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Lot 57 Boris Sporykhin (Russian, 1928-2020) ‘Deep in conversation’ signed and dated 1954 l.r., oil on canvas 114 x 85cm £1,500 - 2,000

Lot 58 *Elemér Vass (Hungarian, 1887-1957) An interior signed l.r., oil on board 65 x 81cm £300 - 500

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59 Lot 59 *Ceri Richards (1903-1971) Untitled signed and dated ‘Ceri Richards/47’ in pencil l.r., pen and ink 30 x 45cm, unframed £1,000 - 1,500 Lot 60 *Cecil Collins (1908-1989) ‘The Traveller’ signed and dated 1935 u.l., gouache on green paper 26 x 19.5cm £600 - 800 Provenance: Austin Desmond Fine Art, London; a handwritten label verso states that this is from the collection of Julian Trevelyan.

Lot 61 *Conroy Maddox (1912-2005) ‘The Beasts’ signed u.l., also signed, inscribed with title and dated 1945 on backboard, pen and ink 32.5 x 26cm £800 - 1,200

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

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62 Lot 62 Florence Henri (American, 1893-1982) Composition signed ‘F Henri’ l.r., pencil, watercolour and collage 25.5 x 33cm £1,500 - 2,500 Exhibited: W ith Hanover Gallery, London, March 1967, cat no. 20, purchaser Mr A Mayor. Lot 63 *Joseph Lacasse (Belgian, 1894-1975) ‘Reflets’ signed and dated 1939 l.l., gouache 49 x 34cm £700 - 900 With a copy of a certificate of authenticity from the artist’s daughter, Francine Koob-Lacasse, June 2015. Lot 64 Circle of Olga Rozanova (Russian, 1882-1918) Abstract landscape inscribed l.l., pencil 33 x 26.5cm £300 - 500

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MODERN BRITISH AND 20TH CENTURY ART 18-86

Lot 65 Alexander Archipenko (Ukrainian/American, 1887-1964) Uralt, c.1947 signed l.l., pen and ink and crayon, with dedication verso ‘To Jenny from Alexander. In souvenir of her birthday 40th [sic]1957’ 30 x 21.5cm £15,000 - 20,000 Sold with a letter of authentication from the Archipenko Foundation. ‘Uralt’ will be included in the forthcoming catalogue raisonné of the drawings of Archipenko. One of the original cubists - Archipenko’s credentials at the vanguard of 20th century modernism are impeccable. Born in Kiev, Archipenko moved to Paris in 1908, which was then the epicentre of the European avant-garde. In 1912 he joined the Section d’Or, a group of painters, sculptors, poets and critics that included Picasso, Leger, Metzinger and Apollinaire amongst its members. He exhibited in the important Salon des Indépendants in 1911, which saw the cubists take over the hanging committee and caused public outrage. After Picasso, Archipenko was the first artist to experiment with cubism in three dimensions and his exploration of different colours and mediums within sculpture, and development of his sculpto-paintings, has left a lasting contribution to the development of modern art. The present work dates from c.1947 when he was settled in New York, where he lived until his death in 1964. ‘Uralt’, a German word meaning ‘ancient’ or ‘timeless’ is a typical example of Archipenko’s works on paper: an exploration of space and the relationship between objects, exploring intertwined, simplified sculptural female forms. Our thanks to Frances Archipenko Gray for her assistance in the cataloguing of this lot. Lot 66 Spare lot

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

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MODERN BRITISH AND 20TH CENTURY ART 18-86

67 Lot 67 Evgeni Chuikov (Ukrainian, 1924-2000) Garden flowers, 1959 signed l.l., inscribed verso, oil on board 94 x 77cm £500 - 700

68 Lot 68 Yakov Khaimov (Russian, 1914-1991) Sunny Forest, 1950s signed l.l., oil on canvas laid down on board 58 x 38cm £1,000 - 1,500

Lot 70 Boris Nakhalov (Russian, 1925-2008) ‘Still life with lilac’ signed in Cyrillic and dated ‘61 l.l., oil on board 70 x 80cm £300 - 500

Lot 69 Valeri Lednev (Russian, b.1940) Jukki Village, Russia signed and dated ‘89 l.r., inscribed verso, oil on canvas 49 x 71cm £400 - 600

Lot 71 Alexander Shevchuk (Ukrainian, b.1960) Lily Pond signed l.l., also signed and dated 2009 verso, oil on canvas 51 x 76cm £300 - 500

Provenance: Sally Hunter Fine Art.

71 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

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Lot 72 *Noel Laura Nisbet (1887-1956) ‘The Birth of Summer’ signed and dated 1941 l.r., oil on canvas 61 x 51cm £2,000 - 3,000

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MODERN BRITISH AND 20TH CENTURY ART 18-86 Lot 73 *Simon Bussy (French, 1870-1954) Bindweed signed l.r., pastel 20 x 18.5cm £1,000 - 1,500

73 Lot 74 *Simon Bussy (French, 1870-1954) A mountainous landscape with trees by a lake signed l.l., pastel 25 x 21cm £1,500 - 2,000

Lot 75 *Simon Bussy (French, 1870-1954) Hangnest signed l.l., pastel 31 x 24cm £2,500 - 3,500

Exhibited: Leicester Galleries, London, Exhibition of Works by Simon Bussy, February 1931, no.24, purchased by Lady Debenham.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

18-86 MODERN BRITISH AND 20TH CENTURY ART

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MODERN BRITISH AND 20TH CENTURY ART 18-86

76 Lot 76 *Laurence Stephen Lowry RA (1887-1976) ‘Sailing Boats’ offset lithograph in colours, signed in pencil l.r., published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blind stamp 29 x 34cm £2,000 - 3,000

Lot 77 *Laurence Stephen Lowry RA (1887-1976) ‘Woman with Beard’ offset lithograph in colours, with the Fine Art Trade Guild blind stamp, signed in pencil l.r. image 61 x 50cm £800 - 1,200

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18-86 MODERN BRITISH AND 20TH CENTURY ART

78 Lot 78 *Laurence Stephen Lowry RA (1887-1976) ‘Bloomsbury Square, June 1967’ lithograph on arches, signed in pencil and numbered 51/75 sheet 56 x 76cm £2,000 - 3,000

Lot 79 *Laurence Stephen Lowry RA (1887-1976) ‘Village on a Hill’ lithograph, signed and dated 1966 in pen l.l., numbered 40/75 in pencil l.r. sheet 97 x 64cm £1,500 - 2,000

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MODERN BRITISH AND 20TH CENTURY ART 18-86

80 Lot 80 *Laurence Stephen Lowry RA (1887-1976) ‘Man Holding Child’ offset lithograph in colours, signed in pencil l.r. image 45 x 70cm £500 - 800

Lot 81 *Laurence Stephen Lowry RA (1887-1976) ‘Industrial Scene’ offset lithograph in colours, signed in pencil l.r., published by Venture Prints Ltd., 1974, with the Fine Art Trade Guild blind stamp image 34 x 24cm £1,000 - 1,500

Provenance: The Royal Academy of Arts, London, print no.298.

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18-86 MODERN BRITISH AND 20TH CENTURY ART

82 Lot 82 *Laurence Stephen Lowry RA (1887-1976) ‘Meeting Point’ offset lithograph in colours, with the Fine Art Trade Guild blind stamp, signed in pencil l.r. 48 x 70.5cm £1,200 - 1,800

Lot 83 *Laurence Stephen Lowry RA (1887-1976) ‘Group of Children’ offset lithograph in colours, signed in pencil l.r., edition of 850, with the Fine Art Trade Guild blind stamp image 18 x 19.3cm £800 - 1,200

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MODERN BRITISH AND 20TH CENTURY ART 18-86

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18-86 MODERN BRITISH AND 20TH CENTURY ART

Lot 84 *Laurence Stephen Lowry RA (1887-1976) ‘An Industrial Town’ offset lithograph in colours, signed and numbered 362/500in pencil, published by Peinture, printed by J Lin Ltd. image 43.5 x 59.5cm £1,000 - 2,000

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Lot 85 *Laurence Stephen Lowry RA (1887-1976) ‘Britain at Play’ offset lithograph in colours, signed in pencil l.r., with the Fine Art Trade Guild blind stamp image 46.5 x 61cm £1,000 - 1,500

Lot 86 *Laurence Stephen Lowry RA (1887-1976) ‘Huddersfield’ offset lithograph in colours, signed in pencil, with the Fine Art Trade Guild blind stamp image 45 x 56.5cm £2,000 - 3,000

SECTION CURWEN TITLE PRINT STUDY CENTRE COLLECTION XX-XX 87-103

Lots 87-103 The Curwen Press was founded by the Reverend John Curwen in East London in 1863. Under the management of his grandson, Harold, a great revolution in 20th century British printmaking occurred, with the Press championing the work of artists such as Eric Ravilious, Edward Bawden and Paul Nash, and a host of illustrators, designers, painters and sculptors. A subsidiary of this was the Curwen Studio. Opened in November 1958 and led by master printmaker Stanley Jones MBE, the Studio grew its reputation internationally, and with it, the long list of artists whose work was produced in collaboration with the studio’s printmakers. In 2000, Stanley Jones and Sam Alper formed The Curwen Print Study Centre, with Lorraine Chitson as Centre Director. This operates as an educational charity offering printmaking courses from premises in Linton, Cambridgeshire. The Curwen Print Study Centre is now in need of new premises to allow both for an additional studio and space to display and store a large print archive, making it available to the public. £250,000 needs to be raised and we are pleased to offer the sale of lots 87-103 to help raise funds. Sworders’ Chairman, Guy Schooling, has been appointed ambassador of this fundraising project. www.curwenprintstudy.co.uk

87 Lot 87 *Stanley Jones MBE (b.1933) ‘Esklar 2’ lithograph printed in colours, signed, dated 2010 and numbered 8/20 in pencil 37 x 27cm £300 - 500 Provenance: C urwen Print Study Centre.

88 Lot 88 *Josef Herman RA (1911-2000) Horse riders lithograph in colours, signed and numbered 15/150 in pencil 61 x 51cm, unframed £100 - 150 Provenance: Curwen Print Study Centre.

87-103 CURWEN PRINT STUDY CENTRE COLLECTION

Lot 89 *Mary Fedden RA (1915-2012) Two Pears signed and dated ‘10 l.r., oil on canvas 35.5 x 45.5cm, unframed £8,000 - 12,000 Provenance: G ifted in person by Mary Fedden RA to Stanley Jones MBE and Lorraine Chitson in 2010 to raise future funds for the Curwen Print Study Centre. ‘Mary Fedden became involved in printmaking at the Curwen Studio through the influence of Julian Trevelyan, her husband who had gained experience of printmaking in his early career from time spent in Paris with S W Hayter, the well-known etcher and engraver. However, it was only when in London and both were commissioned to produce work by the Waddington Gallery in Cork St, that Mary made her appearance at the Curwen Studio and our association began. She was fascinated by the possibilities of zinc plate lithography and quickly learned how to collaborate with the printers in technical aspects of making her images, which were reflective of a style also present in her paintings. During these years, the images developed a freshness that marked them as some of her most characteristic lithographic prints. Over the many years of working together, we became close friends as well as Artist and Printmaker - a friendship which I valued.’ Stanley Jones MBE ‘Mary and Stanley sat together on a small settee in the studio, she holding his hand delighted to have her old friend with her. They reminisced about Julian and memories of Paris and times gone by. It was very special to have the opportunity to listen to their stories and share our news and plans for the future of the Study Centre. Mary then selected a painting (‘Two Pears’) that she wanted us to have so that we may use it to raise funds for development.’ Lorraine Chitson, Curwen Print Study Centre Director

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CURWEN PRINT STUDY CENTRE COLLECTION 87-103

We are grateful to Helen Bellany, wife of John Bellany RA, for her assistance in the cataloguing of the following five lots: Lot 90 *John Bellany RA (1942-2013) ‘The Eyemouth Disaster’ lithograph, signed and numbered 50/50 in pencil sheet 73.5 x 54cm, unframed £200 - 300

Lot 91 *John Bellany RA (1942-2013) ‘The Guardian’ lithograph, signed and numbered 45/50 in pencil 73.5 x 54cm, unframed £200 - 300

Provenance: C urwen Print Study Centre.

Provenance: Curwen Print Study Centre.

‘A young mother and her child are waiting with an older woman in the vain hope that their fishermen might still yet return. Behind them are the cliffs of Eyemouth and by the treacherous Hurcur rocks boats lie upturned and wrecked after the storm that has devastated the community and left many widows and fatherless children that day.’ Helen Bellany

‘A skate with all its human qualities watches over a young girl and affirms the pervading power of the rich culture and heritage of the fishing community into which she has been born. It is her life blood and will largely determine what her future holds.’ Helen Bellany

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87-103 CURWEN PRINT STUDY CENTRE COLLECTION

Lot 92 *John Bellany RA (1942-2013) ‘In the smokehouse’ lithograph, signed and numbered 44/50 in pencil 73.5 x 54cm, unframed £200 - 300

Lot 94 *John Bellany RA (1942-2013) Mother and child lithograph, signed and numbered 46/50 in pencil 73.5 x 54cm, unframed £200 - 300

Provenance: C urwen Print Study Centre.

Provenance: Curwen Print Study Centre.

‘With the haddock hanging up to be smoked behind her a fish gutter stands in deep contemplation exuding the profound spirituality that is imbued in the fishing fraternity.’ Helen Bellany

‘The mother with her child seems to symbolise the continuity of the proud family fishing tradition. The child being tenderly protected in her mother’s arms seems already to be growing into the certain role that awaits her.’ Helen Bellany

Lot 93 *John Bellany RA (1942-2013) ‘Crescent moon’ lithograph, signed and numbered 33/50 in pencil 73.5 x 54cm, unframed £200 - 300 Provenance: C urwen Print Study Centre. ‘There is a wistfulness and innocence in the young girl dreaming of someone important to her who may be out on the sea. She holds the icon of a fish, a symbol of Christianity.’ Helen Bellany www.sworder.co.uk

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CURWEN PRINT STUDY CENTRE COLLECTION 87-103 Lot 95 *Diana Armfield RA (b.1920) ‘Welsh sheep seen from the window’; ‘Sheep sheltering at Llwynhir’ two lithographs, signed and numbered 35/150 and 34/150 respectively in pencil 28.5 x 29cm and 25.5 x 32.5cm (2) £200 - 300 Provenance: Curwen Print Study Centre.

95 part lot

Lot 96 Keith Michell (Australian, 1926-2015) The Sonnets (Shakespeare) lithograph printed in colours, signed in pencil 62 x 50cm, unframed £100 - 150 Provenance: Curwen Print Study Centre. Lot 97 *John Mills (b.1933) Brian May lithograph in colours, signed by the artist and by Brian May, dated ‘07 and inscribed Curwen Archive 1/2 in pencil sheet 57.5 x 49cm, unframed £100 - 150 Lot 98 *Bernard Cheese (1925-2013) ‘On the Rocks’ lithograph in colours, signed, inscribed with title and 1/2 archive in pencil 40 x 52cm, unframed £150 - 250 Provenance: Curwen Print Study Centre. Lot 99 *John Mills (b.1933) ‘Rembrandt Regardent IV’ etching, signed, inscribed with title and numbered 10/25 in pencil 56.5 x 34cm, unframed £100 - 150 Provenance: Curwen Print Study Centre.

99 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

87-103 CURWEN PRINT STUDY CENTRE COLLECTION

100 part lot

101 Lot 100 Yoshishige Furukawa (Japanese, 1921-2008) ‘Poetry Series III’, 1999 ten lithographs in colours, signed in pencil 45 x 38.5cm, unframed (10) £400 - 600 Provenance: C urwen Print Study Centre. Lot 101 *Anthony Green RA (b.1939) and Mary Cozens Walker RA (b.1938) ‘A Ruby Wedding, 2002’ lithograph in colours, signed by both artists and numbered 105/150 in pencil 56 x 75cm, unframed £100 - 150

Lot 102 *Ben Johnson (b.1946) ‘Smithfield’ lithograph in colours, signed, inscribed with title, dated 1982 and numbered 9/160 in pencil 68 x 48cm £100 - 150

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Lot 103 *Alison Wilding (b.1948) ‘Starlings I’; ‘Starlings II’ two lithographs, both signed, one numbered 34/50, the other inscribed ‘Archive II’ in pencil 37 x 45cm, unframed (2) £300 - 500 Provenance: Curwen Print Study Centre.

103 part lot

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SECTION MODERN TITLE BRITISH, 20TH CENTURY AND XX-XX 104-308 CONTEMPORARY ART

Lot 104 *Envin Cremona (Maltese-British, 1919-1987) A procession signed and dated 73 l.l., mixed media 64 x 52cm £4,000 - 6,000

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Lot 105 *Envin Cremona (Maltese-British, 1919-1987) Prayers signed and dated 74 l.l., mixed media on paper 63 x 50.5cm £4,000 - 6,000

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

Lot 106 *Envin Cremona (Maltese-British, 1919-1987) Dark sun signed and dated 74 l.r., mixed media 63 x 50cm £4,000 - 6,000 www.sworder.co.uk

MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308

Lot 107 *John Piper CH (1903-1992) Foliate Head tapestry 144 x 153cm £1,500 - 2,000

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Lot 108 *John Piper CH (1903-1992) ‘Foliate Heads I’ screenprint in colours, signed l.r., numbered 55/75 l.l. 58 x 76cm £600 - 800

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Lot 109 *John Piper CH (1903-1992) Bending nude dated ‘29.iii.71’ l.r., crayon and ink 22 x 34cm £500 - 700

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

110 Lot 110 *John Piper CH (1903-1992) ‘Long Melford Church’ (Levinson:336) lithograph in colours, Curwen Studio, 1982, signed and numbered 275/275 in pencil sheet 56 x 77.5cm, unframed £800 - 1,200

Lot 111 *John Piper CH (1903-1992) ‘Babingley - Sepia Variation’ (Levinson: 371) screenprint, Kelpra Studio, 1984, signed and numbered 16/50 in pencil 44 x 60cm £400 - 600

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Lot 112 *Keith Vaughan (1912-1977) ‘The Walled Garden’ lithograph in colours, artist’s proof, signed l.r. and inscribed l.l. image 43 x 52cm £800 - 1,200

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Lot 113 *Julian Trevelyan RA (1910-1988) ‘Wings of a Dove’ etching with colour, 1997, signed, inscribed with title and numbered 4/50 in pencil plate 29.5 x 24cm £300 - 500

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Lot 114 *Julian Trevelyan RA (1910-1988) ‘The Plough’ lithograph in colours, artist’s proof, signed and inscribed with title in pencil 49 x 62cm £400 - 600

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

Lot 115 *Dame Elisabeth Frink CH RA (1930-1993) ‘Tiger’ (Wiseman: 130) etching and aquatint in colours, 1985, signed and numbered artist’s proof 5/10 in pencil, printed by Kelpra Studio, London, published by Waddington Graphics, London image 27 x 27cm £700 - 900

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Lot 116 *Dame Elisabeth Frink CH RA (1930-1993) ‘Running Man’ etching and aquatint on wove, signed l.r. and numbered 80/100 l.l., printed by Kelpra Studios 1986, with blind stamp plate 21.5 x 19.5cm £400 - 600

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308

Lot 117 *Bridget Riley CH (b.1931) ‘Fragment 3’ screenprint on perspex, signed and dated ‘65 l.l., from an edition of 75 with 4 artist’s proofs 59 x 78cm £15,000 - 20,000 From the series of 7 ‘Fragments’, published by the Robert Fraser Gallery. Bridget Riley came to prominence in the early 60s with her experiments in Op Art - abstract art that created an optical illusion. Sometimes using colour, Op Art tricked the eye, creating the deception of warping, vibrating or flashing. At this period of her career, Riley was mainly working in black and white, which created the very strong and now iconic images synonymous with the 60s. The series of ‘Fragments’ were published in an edition of 75. In the exhibition catalogue at the Robert Fraser Gallery, Riley explained: ‘During the preparatory work for a painting, I may make images which are tangential to the problems posed by the particular painting. Some of these images I return to and develop later, others remain as fragments of a theme. These prints are a selection of such fragments in my folios and cover a period from 1962-1965’. Printed on the back of a clear perspex sheet, the brilliant white background was then printed over the top. Riley was experimenting with new, modern materials and the result is very sharp and bold.

Bridget Riley - early 1960s Ida Kar/Mary Evans Picture Library

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308

Lot 118 *Bridget Riley CH (b.1931) ‘Fragment 5’ screenprint on perspex, signed and dated ‘65 l.l., from an edition of 75 60 x 78.5cm £15,000 - 20,000

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

Lot 119 *Bridget Riley CH (b.1931) ‘Coloured Greys 1’ screenprint in colours, signed, inscribed ‘Coloured Greys’, dated ‘72 and numbered 44/125 in pencil sheet 74.5 x 69cm £3,000 - 5,000

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308 Lot 120 *Paula Rego RA (Portuguese-British, b.1935) ‘Baa Baa Black Sheep’, from Nursery Rhymes etching and aquatint, 1989, signed and inscribed ‘A/P’ in pencil, an artist’s proof aside from the edition of 50, there were 14 artist’s proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 32.5 x 21.5cm £500 - 800 Provenance: T he Germaine Greer collection.

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Lot 121 *Paula Rego RA (Portuguese-British, b.1935) ‘Three Blind Mice I’, from Nursery Rhymes etching and aquatint, 1989, signed in pencil and inscribed ‘A/P’, an artist’s proof aside from the edition of 50, there were 14 artist’s proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 22.5 x 21.5cm £500 - 800 Provenance: T he Germaine Greer collection. Lot 122 *Paula Rego RA (Portuguese-British, b.1935) ‘Three Blind Mice II’, from Nursery Rhymes etching and aquatint, 1989, signed and inscribed ‘A/P’ in pencil, an artist’s proof aside from the edition of 50, there were 14 artist’s proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 21 x 22.5cm £500 - 800

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Lot 123 *Paula Rego RA (Portuguese-British, b.1935) ‘Little Miss Muffet’, from Nursery Rhymes etching and aquatint, 1989, signed and inscribed ‘Proof’ in pencil, a proof aside from the edition of 50, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 22.5 x 21.5cm £500 - 800 Provenance: The Germaine Greer collection. Lot 124 *Paula Rego RA (Portuguese-British, b.1935) ‘Little Miss Muffet III’, from Nursery Rhymes etching and aquatint, 1989, signed and inscribed ‘A/P’ in pencil, an artist’s proof aside from the edition of 50, there were 14 artist’s proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 23 x 21.5cm £500 - 800 Provenance: The Germaine Greer collection.

Provenance: T he Germaine Greer collection.

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART Lot 125 *Paula Rego RA (Portuguese-British, b.1935) ‘Hey, Diddle, Diddle’, from Nursery Rhymes etching and aquatint, 1989, signed and inscribed ‘Proof’ in pencil, a proof aside from the edition of 50, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 32.5 x 21.5cm £500 - 800 Provenance: The Germaine Greer collection.

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125 Lot 126 *Paula Rego RA (Portuguese-British, b.1935) ‘Mary, Mary, Quite Contrary II’, from Nursery Rhymes etching and aquatint, 1989, signed and inscribed ‘A/P’ in pencil, an artist’s proof aside from the edition of 50, there were 14 artist’s proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 21.5 x 23cm £500 - 800 Provenance: The Germaine Greer collection.

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Lot 127 *Paula Rego RA (Portuguese-British, b.1935) ‘How many miles to Babylon?’, from Nursery Rhymes etching and aquatint, 1989, signed and inscribed ‘A/P’ in pencil, an artist’s proof aside from the edition of 50, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 32.5 x 21.5cm £500 - 800

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Lot 128 *Paula Rego RA (Portuguese-British, b.1935) ‘The Unicorn Artist’ lithograph in colours, printer’s proof 5/9, signed in pencil 85 x 61cm, unframed £500 - 700 Provenance: Acquired by the present owner directly from the Curwen Studio.

Provenance: T he Germaine Greer collection.

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308

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Lot 129 *Richard Eurich RA (1903-1992) ‘Sevenstones lightship, Penzance’ signed and dated ‘37 l.l., torn artist’s label verso, oil on canvas 41 x 51cm £4,000 - 6,000 Provenance: Mrs Hay, January 1944.

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

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Lot 130 *Richard Eurich RA (1903-1992) ‘Hole in the Wall’ signed l.l., also signed and inscribed with title verso, oil on board 30 x 62cm £8,000 - 12,000

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308

Lot 131 *John Northcote Nash RA (1893-1977) A still life of flowers in a vase, by a window signed with monogram l.r., pencil and watercolour, with pencil annotations 56 x 38.5cm £2,000 - 3,000

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Lot 132 *David Tindle RA (b.1932) Still life signed, inscribed and dated ‘Florence ‘97’ verso, egg tempera on board 30 x 24cm £400 - 600

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

133 Lot 133 *Ruskin Spear RA (1911-1990) Woman and cat signed l.r., oil on board 61 x 56cm £1,000 - 1,500 Exhibited: Royal Academy, London, Summer Exhibition, 1987. Lot 134 *Carel Weight RA (1908-1997) Couple signed u.l., oil on board 16 x 23.5cm £400 - 600

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308

135 Lot 135 *Fred Uhlman (1901-1985) ‘The Lead Mine’ signed and dated ‘68 l.r., inscribed with title on label verso, oil on canvas 61 x 91cm £1,000 - 1,500 Lot 136 *Ken Howard RA (b.1932) ‘Towards Sennen Cove’ signed l.r., also signed and inscribed with title verso, oil on canvas board 19.5 x 24cm £500 - 700

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

Lot 137 *Ken Howard RA (b.1932) The Artist’s Studio signed l.r., oil on canvas 115 x 102cm £7,000 - 9,000

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308 Lot 138 *Ken Howard RA (b.1932) Wet Day, San Marco, Venice signed l.r., oil on canvas board 30 x 25cm £800 - 1,200

Lot 139 *Ken Howard RA (b.1932) Isle of Wight signed l.r., oil on canvas board 24 x 19cm £500 - 800

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139 Lot 140 *Roger de Grey PRA (1918-1995) Provence landscape oil on canvas 112 x 112cm £1,500 - 2,500

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

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Lot 141 *Fred Cuming RA (b.1930) Hastings Beach signed l.l., oil on board 25.5 x 31cm £1,000 - 1,500

Lot 142 *Fred Cuming RA (b.1930) ‘Camber, Christmas Afternoon’ signed l.l., inscribed verso, oil on board 21 x 31cm £700 - 1,000

Provenance: W ith Abbott and Holder, London.

Provenance: With New Grafton Gallery, London, 1995.

143 Lot 143 *Austin Moseley (1930-2013) Sunset over a town signed with initials l.r., oil on canvas 16 x 13.5cm £400 - 600

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Lot 144 *Austin Moseley (1930-2013) ‘A walk in the fog’ signed with initials l.r, oil on canvas board 20 x 15.5cm £1,000 - 1,500

144 Austin Moseley was born in Staffordshire in 1930 and lived his whole life in the West Midlands. His work shows his close connection with the small communities of the Black Country. There is a light-hearted affection to the characters in his paintings who are often shown in the early morning or late evening. His work can also be recognised by his use of paint applied thickly with a palette knife to add texture and a slight abstraction of the subject matter. Mosley was a member of the Royal Birmingham Society of Artists and he also exhibited at the Royal Institute of Painters in Oil. 73

MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308

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146 Lot 145 *Tessa Newcomb (b.1955) Evening Stillness signed with initials and dated ‘99 l.r., oil on board 61 x 122cm £1,500 - 2,500 Provenance: W ith Messum’s, London. Literature: ‘Artists at Walberswick: East Anglian Interludes 1880-2000’, front cover image and page 130.

Lot 146 *Henry Collins (1910-1984) Seascape with figure signed and dated 57 l.l., oil on canvas laid down on board 46 x 107cm £400 - 600

Lot 147 *Mary Fedden RA (1915-2012) Picnic watercolour 57.5 x 39cm £4,000 - 6,000 Provenance: Acquired by the present owner directly from the Curwen Studio. This watercolour was the inspiration for the lithograph ‘Picnic’ printed by Curwen Studio in 1999.

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

147 www.sworder.co.uk

MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308 Lot 148 *Simon Palmer (b.1956) ‘Causeway between Two Territories’ signed and inscribed with title in pencil, watercolour and gouache 39 x 42cm £800 - 1,200

Lot 149 *Kathleen Hale (1898-2000) Boatyard, Norwich signed l.l., watercolour 37 x 54cm £400 - 600 Provenance: The artist’s estate.

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Lot 150 Tommy Thomson (20th century) An open landscape, said to be Wivenhoe, Essex signed and dated ‘39 l.r., oil on canvas 51 x 61cm £500 - 800 Provenance: Bought from the artist in the 1960s.

149 Lot 151 *Donald McIntyre (1923-2009) ‘River Wharfe’ signed with initials l.l., inscribed with title verso, acrylic on board 18.5 x 28.5cm £1,000 - 1,500

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Lot 152 *Donald McIntyre (1923-2009) Seatown Street, Cullen signed with initials l.l., oil on board 53 x 59cm £1,500 - 2,000

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308

Lot 153 *Nettie Firman (contemporary) Southern Right Whale Tail bronze resin, signed with monogram, dated 2019 in numerals and numbered edition 2/7 86cm high £700 - 900

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Lot 154 *Heinz Henghes (German, 1906-1975) Two heads carved sandstone panel 56 x 70cm £300 - 500

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

Lot 155 *Agnès Racine (French, 1926-2002) La chienne de bistrot, 1986 bronze, unique 17cm high, 63cm long £1,500 - 2,000

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Lot 156 *Agnès Racine (French, 1926-2002) Promenade de la vielle dame, 1980s bronze, 2 of an edition of 7 31cm high £500 - 700

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308

157 Lot 157 *Lynn Chadwick RA (1914-2003) ‘Figure II’ lithograph, signed and dated 66 l.r. and numbered 36/50 l.l. sheet 81.5 x 59.5cm, unframed £250 - 350

158 Lot 158 *Lynn Chadwick RA (1914-2003) ‘Figure III’ lithograph, signed and dated 66 l.r., numbered 7/50 l.l. sheet 82 x 62cm, unframed £250 - 350

160 Lot 159 *Elizabeth Magill (Irish, b.1959) ‘Thornbird’ lithograph in colours, 2006, from a set of ten lithographs, signed and numbered 18/45 in pencil sheet 60 x 83.5cm £600 - 800

Lot 160 *Dame Elizabeth Blackadder RA RSA (b.1931) ‘Orchidaceae’ etching, signed and numbered 1/30 in pencil sheet 69.5 x 49cm, unframed £300 - 500

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART Lot 161 * Dame Elizabeth Blackadder RA RSA (b.1931) ‘Still life with Iris’ etching and aquatint in colours, signed and numbered 60/75 in pencil sheet 53.5 x 70.5cm, unframed £500 - 700 Lot 162 * Dame Elizabeth Blackadder RA RSA (b.1931) ‘Lily’ etching, 1999, HC, with blind stamp sheet 25 x 20cm, unframed £300 - 500 The print was made to accompany the special edition of Duncan Macmillan’s book. It was included with the book in a slipcase in an edition of 100; this print is annotated ‘HC’ by the artist and was printed aside from the edition. Lot 163 * Dame Elizabeth Blackadder RA RSA (b.1931) ‘Orchidaceae Coelogyne Cristata’ etching in colours, signed and numbered 36/40 in pencil sheet 53 x 56cm, unframed £300 - 500

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308 Lot 164 Edward Wadsworth ARA (1889-1949) Imaginary Harbour lithograph in colours, signed in pencil under mount l.r. 46.5 x 62.5cm £400 - 600 Lot 165 *Mark Hearld (b.1974) ‘British Art at the Tate’ lithograph in colours, signed in pencil and numbered 2010 l.r., numbered 48/75 l.l., printed by Curwen Press image 69 x 94cm £200 - 300

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Lot 166 *Wendy Bray (20th century) ‘Umbrellas 1951’ lithograph in colours, printer’s proof 1/4, signed and inscribed in pencil sheet 47 x 63.5cm, unframed £200 - 300 Provenance: Acquired by the present owner directly from the Curwen Studio. Lot 167 *Wendy Bray (20th century) ‘Bottles 1951’ lithograph in colours, printer’s proof 4/4, signed and inscribed in pencil 38.5 x 48cm, unframed £200 - 300 Provenance: Acquired by the present owner directly from the Curwen Studio.

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167 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART Lot 168 *William Edward Greengrass (1892-1971) ‘Abbotsbury Swannery’, 1934 linocut, signed in pencil and numbered 11/50 l.l. image 23.8 x 24.7cm £2,000 - 3,000

168 Lot 169 *William Edward Greengrass (1892-1971) ‘Dandelions’ linocut, signed, numbered 3/10 and dated 1936 u.l. image 24.7 x 20.2cm £1,000 - 1,500

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170 part lot

Lot 170 *Tessa Newcomb (b.1955) ‘Incidents I’ the suite of nine etchings, signed with initials and numbered 24/75 in pencil, printed and published by Curwen Studio, to include: Front cover - Rowing the dog; Passing traffic; February; Reading the paper; Horse looking out; Sharing an umbrella; Big Dog; Couple at sea; Walking the dog sheet 23.5 x 18.5cm, unframed (9) £500 - 700

Lot 171 Tessa Newcomb (b.1955) ‘Incidents II’ the suite of nine etchings, signed with initials and numbered 26/75 in pencil, printed and published by Curwen Studio, to include: Front cover - Eating chocolate out of her hand bag; My coffees finished (sic); The fishman; Waiting for the bus; The fishwoman; Woman hit by man’s shadow; To the lighthouse; Station girl; The rose sheet 23.5 x 18.5cm, unframed (9) £500 - 700

Provenance: A cquired by the present owner directly from the Curwen Studio.

Provenance: Acquired by the present owner directly from the Curwen Studio.

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART Lot 172 The Curwen Studio 50th Anniversary Portfolio the suite of thirty-one lithographs printed in colours, edition 27/50, includes: 1. Mark Hearld, Anniversary; 2. Stanley Jones, Umbra; 3. Colin Wilkin, Byway & Bicycle; 4. Carry Akroyd, Something Fenny; 5. Robert Scott Simon, High Octave; 6. Tim Wood, Coast; 7. Mary Dalton, Pea Pods; 8. Thomas Martin, Radial 1; 9. Bernard Dunstan, Early Morning; 10. Noel Myles, Suffolk Hops; 11. Jenny Roland, Salt of the Universe; 12. Sargy Mann, Seated Girl; 13. Luke Elwes, Prayer; 14. Stephen Walter, Road Signs no. 2, 2009; 15. Mary Fedden, Fourteen; 16. Rosie Corcoran, Hunted; 17. Michael Papworth, Tournesol; 18. Virginia Powell, Pond; 19. Darryl Nantais, Evolution; 20. Wilf Roberts, ‘Bwlch’; 21. Claudia Williams, Beach; 22. Glynis Mills, Unicorn; 23. Angie Lewin, Autumn; 24. Bernard Cheese, Green Apples; 25. Hen Coleman, ‘disencharted by the day, the land set out to sea’; 26. Sheila Ingham, Narragansett R.I; 27. Mike Hawkins, D40 x6E; 28. Roger Phillippo, Red Sail; 29. Kate Dicker, Toy Racers; 30. Diana Armfield, Full Field of Sunflowers, South of France; 31. Dale Devereux Barker, Perfect Finish commissioned, printed and published by Curwen Studio 2008-2009 25.5 x 31cm each (31) £2,000 - 3,000 This set of prints is stored in a presentation frame with the option to choose which print is on display. Provenance: A cquired by the present owner directly from the Curwen Studio.

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173 Lot 173 *Gordon House (1934-2004) ‘Eel Eye’; ‘Green Mantle’; ‘Lost Valley’; ‘Beggar’; ‘Joy Rider’; ‘Quarry Dwelling’ six screenprints in colours, 1995, all signed, dated and inscribed with titles in pencil, each with stamped number from an edition of 40, all with artist’s stamp, on 300gsm Snowdon cartridge paper, the full sheet printed to the edges each sheet 49.5 x 46.5cm, all unframed (6) £500 - 700 Lot 174 *Mark Francis (b.1962) ‘Black Sun’ aquatint in colours, signed and dated ‘91 in pencil 62 x 62cm £500 - 800

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Lot 175 *Wilhelmina Barns-Graham (1912-2004) ‘November I’ screenprint in colours, from Earth Series 1, archive II, signed and inscribed in pencil 55 x 65cm, unframed £600 - 800 Provenance: Acquired by the present owner directly from the Curwen Studio.

175 Lot 176 *Wilhelmina Barns-Graham (1912-2004) ‘November II’ screenprint in colours, from Earth Series 1, archive proof I, signed and dated ‘91 in pencil l.r. 55 x 76cm, unframed £600 - 800 Provenance: A cquired by the present owner directly from the Curwen Studio.

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Lot 177 *Wilhelmina Barns-Graham (1912-2004) ‘Orange and red on pink’ screenprint in colours, from Earth Series 1, archive proof, signed and inscribed in pencil 76 x 48.5cm, unframed £600 - 800 Provenance: Acquired by the present owner directly from the Curwen Studio.

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Lot 178 *Patrick Caulfield RA (1936-2005) ‘Red and White Still Life’ offset lithograph, 1964, signed and numbered 33/100, said to be with Robert Elkon Gallery rubber stamp with exhibition details verso 41.5 x 55cm £1,000 - 1,500 Lot 179 *Allen Jones RA (b.1937) ‘The Forest’ lithograph in colours, 1988, signed, dated and numbered 8/60 in pencil, from ‘The Islands’ series of six coloured lithographs, published by Waddington Graphics, London, on wove paper, the full sheet printed to the edges sheet 75 x 106cm £300 - 500

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

180 Lot 180 *Sir Terry Frost RA (1915-2003) Untitled etching and aquatint, artist’s proof IV, signed and dated ‘84 in pencil image 33 x 24.5cm £300 - 500 Lot 181 *Sir Terry Frost RA (1915-2003) Camberwell Green aquatint in colours, signed, dated ‘03 and numbered 184/275 in pencil plate 32 x 37cm £500 - 700

Lot 182 *Sir Terry Frost RA (1915-2003) ‘Five in the Afternoon’, 1987 screenprint, signed and dated 87 l.r., numbered 3/50, printed by Hugh Stoneman and Alan Cox, with blind stamps sheet 76.5 x 55.5cm, unframed £500 - 800 Lot 183 *Sir Terry Frost RA (1915-2003) ‘Trembath Blues’ (Kemp 208) silkscreen print in colours, on Velin Arches 300gsm paper, 2000, signed, dated and numbered 220/300 in pencil, printed by Advanced Graphics, London, published by Advanced Graphics and the Royal Academy of Arts, London full sheet printed to the edges 23.5 x 28.5cm with accompanying hardback book ‘Terry Frost: Six Decades’ at the RA, the final text page also signed and numbered 220/300 in pencil (2) £500 - 700

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185 Lot 184 *Sue Fitzgerald (contemporary) ‘Pineapple Still Life’ signed l.l., acrylic on paper 41 x 56cm £400 - 600

Lot 185 *Sue Fitzgerald (contemporary) ‘Conference Pears’ signed l.l., acrylic on paper 31 x 40cm £300 - 500

Lot 186 *John Lowrie Morrison (‘Jolomo’) (b.1948) ‘Winter Evening, Mull’ signed l.r., also signed and titled verso, oil on canvas 15 x 15cm £400 - 600

186 Lot 187 *Derek Inwood (1925-2012) Memories of Great Yarmouth signed l.r., oil on canvas 90 x 121cm £300 - 500

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

188 Lot 188 *Eardley Knollys (1902-1992) Cork Tree signed l.r., oil on canvas 64 x 77cm £800 - 1,200 Provenance: M essum’s Fine Art, London.

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Lot 189 *Hugh McIntyre (Scottish, b.1943) ‘Morning d’Ajuda’ signed and dated ‘94 l.r., oil on canvas 51 x 51cm £300 - 500

Lot 190 *Padraig MacMiadhachain (Irish, 1929-2017) ‘Returning’ signed l.r., also signed, inscribed with title and ‘St Ives’ and dated 1995 verso, oil on canvas 26 x 31cm £300 - 500

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191 Lot 191 *Patrick Hayman (1915-1988) ‘Friends togeather (and apart)’ (sic) signed, inscribed and dated 1985 verso, also inscribed ‘To Oliver’ and dated September 1986 verso, oil on paper 22.5 x 30.5cm £400 - 600

Lot 192 *Patrick Hayman (1915-1988) Wellington Harbour, New Zealand signed l.l., inscribed verso, oil on board 36 x 45cm £600 - 800

Lot 193 *Josef Herman RA (1911-2000) Going Home dated ‘17.4.76’ l.l., pen and ink and watercolour 19 x 24.5cm £400 - 600

Provenance: A gift to the current owner by the artist in 1986.

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193 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART Lot 194 Attributed to Alexander Drevin (Latvian-Russian, 1889-1938) View from a Window oil on canvas 82 x 69cm £4,000 - 6,000

Lot 195 *Markey Robinson (1918-1999) A figure in a village gouache 20 x 38cm £600 - 800

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308 Lots 196-202 Domy Reiter-Soffer’s professional achievements include dance, drama, music, sculpture and painting. He completed his artistic education at the Yossi Stern Art Academy, Jerusalem, and the Royal Danish School of Art. His work is said to be influenced by Francis Bacon and director, novelist and painter, John Paddy Carstairs. He has held 22 one-man shows in England, Denmark, Holland, the USA, Canada and Israel, as well as showing in the Royal Academy’s Summer Exhibition.

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Lot 196 Domy Reiter-Soffer (Israeli, b.1948) Boats signed l.r., oil on board 45 x 80cm £600 - 800

Lot 198 Domy Reiter-Soffer (Israeli, b.1948) ‘Georgia on my mind’ signed l.r., oil on board 56 x 46cm £600 - 800

Lot 200 Domy Reiter-Soffer (Israeli, b.1948) Black and green figures signed l.r., watercolour 73 x 46cm £400 - 600

Lot 197 Domy Reiter-Soffer (Israeli, b.1948) Figures and Faces signed l.r., oil on board 62 x 91cm £750 - 900

Lot 199 Domy Reiter-Soffer (Israeli, b.1948) Red Figures signed l.l., watercolour 65 x 50cm £400 - 600

Lot 201 Domy Reiter-Soffer (Israeli, b.1948) ‘Dances with Wolves’ signed l.l., mixed media on paper 40 x 29.5cm £400 - 600

Lot 202 Domy Reiter-Soffer (Israeli, b.1948) ‘Disco One’; ‘Disco Two’ a pair, both signed, dated 1976 on labels verso, watercolour on grey paper 54 x 23.5cm (2) £400 - 600

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308 Lot 203 *Paule Vézelay (1892-1984) ‘Flying form’ signed and dated 1963 l.r., pastel and charcoal 36 x 41cm £600 - 800 Provenance: The Germaine Greer collection; with England & Co, 1993. Germaine Greer met Vezelay when she was making a programme about the artist for the South Bank Show, this aired in 1984.

203 Lot 204 Anatoli Kaplan (Russian, 1902-1980) Jewish pedlar signed and dated 1969 l.r., pastel 28.5 x 39cm £400 - 600

204 Lot 205 Avinash Chandra (Indian, 1931-1991) Untitled signed and dated 1963 l.r., watercolour and ink 33 x 27.5cm £400 - 600

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART Lot 206 *Bernard Dunstan RA (1920-2017) ‘Blue Room, St Remy’ signed with initials l.l., inscribed with title and dated 8.9.90 verso, oil on board, painted oval 31 x 37.5cm £800 - 1,200 Provenance: B rian Sinfield, Grafton House Gallery, Burford. Lot 207 *Bernard Dunstan RA (1920-2017) ‘Nude Sprawling’ signed with initials l.l., pastel 19 x 26.5cm £300 - 500 Provenance: N ew Grafton Gallery, London; Chris Beetles Gallery, London, 2003.

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Lot 208 *Edward Piper (1938-1990) Reclining nude in a kimono watercolour 60.5 x 44.5cm £300 - 500

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Lot 209 *Edward Piper (1938-1990) Nude with flowers mixed media on paper 37 x 49.5cm £300 - 500

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210 Lot 210 *Gabriel Summers (b.1962) French Boudoir signed and dated ‘19 l.l., also signed and dated ‘Sept/ Oct 19’ on label verso, oil on board 62 x 42cm £400 - 500

Lot 211 *Gabriel Summers (b.1962) The Bluebird signed and dated ‘14 l.l., also signed and dated May/July 14 verso, oil on board 82 x 66cm £400 - 600

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Lot 212 *Gabriel Summers (b.1962) The Three Graces signed and dated ‘14 l.l., also signed and dated June ‘14 verso, oil on canvas 71 x 91cm £300 - 400

Lot 213 *Gabriel Summers (b.1962) Venus, 2020 signed and dated ‘20 on label verso, oil on board 49 x 58cm £300 - 400

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

214 Lot 214 Valeri Shishkin (Russian, b.1961) Strawberries and cream signed l.r., inscribed and dated 2020 verso, oil on canvas 90 x 120cm £700 - 900

215 Lot 215 Yuli Sheinis (Ukrainian, b.1935) The Love Letter signed l.r., oil on canvas 75 x 51cm £500 - 700

216 Lot 216 Aydemir Saidov (Russian, b.1979) Forest Nymph signed l.r., inscribed and dated 2012 verso, oil on canvas 80 x 85cm £600 - 800

Lot 217 Anatoliy Demenko (Ukranian, contemporary) ‘We are all friends here’ signed l.r., inscribed verso, oil on canvas 45 x 64cm £500 - 700

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218 Lot 218 Marina Marina (Russian, b.1970) Girl with Sea Shells signed and dated ‘09 l.l., oil on canvas 110 x 150cm £1,500 - 2,000

Lot 219 Valeri Shishkin (Russian, b.1961) Still life and model signed l.r., also signed, inscribed and dated 2019 verso, oil on canvas 60 x 150cm £800 - 1,000

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

220 Lot 220 Aydemir Saidov (Russian, b.1979) Dreaming on the Sofa signed l.l., inscribed and dated 2018 verso, oil on canvas 55 x 105cm £3,000 - 5,000

Lot 221 Serge Marshenikov (Russian, b.1971) ‘Sutra’ signed l.r., inscribed and dated 2006 verso, oil on canvas 60 x 105cm £6,000 - 8,000

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222 Lot 222 *Sheree Valentine Daines (b.1959) Nude in an armchair signed l.r., oil on board 39 x 34cm £800 - 1,200

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Lot 223 *Jeremy Barlow (b.1945) ‘R. Michelon, St Julien, Gironde’ signed l.r., oil on board 77 x 63cm £500 - 800 Provenance: Llewellyn Alexander Fine Paintings, London.

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Lot 224 Fabian Perez (Argentinian, b.1967) ‘For a Better Life, Red’ hand-embellished giclée print, signed and numbered 103/195 46 x 58.5cm £400 - 600

Lot 225 *Annabel Gosling (b.1942) A sunlit garden signed l.l., oil on canvas 102 x 77cm £300 - 500

With certificate of authenticity verso.

225 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

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Lot 226 Anna Marinova (Russian, b.1983) ‘Expectation’ signed l.r., oil on canvas 60 x 50cm £1,000 - 1,500 Lot 227 *Geoffrey Humphries (b.1945) ‘Girl in the Black Dress’ signed ‘Humphries’ l.l., inscribed ‘Miss Lisa Adams/New Orleans’ verso, oil on canvas 100.5 x 70.5cm £600 - 800 Lot 228 Anatoly Shapovalov (Ukrainian, b.1949) The Ballet Class signed l.r., oil on canvas 105 x 65cm £700 - 900

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308 LOTS 229-235 ‘My earliest ambition was to work in a post office. Or to join a circus that would accept clumsy acrobats, and had a nice elephant or two. I think now I would have liked to have been a dancer or a gardener or a dog trainer. But I like painting pictures just fine. I have been fortunate enough to work with some fantastic publishers so that my pictures are widely distributed as cards, posters, limited edition prints, mugs, calendars, stationery. It is always an absolute thrill for me to wander into a small shop in an unknown town and see one of my cards, or walk into a bed and breakfast and see a Mr Mustard poster on the wall. I never tire of that. I’m the one who tidies the card racks and has my photograph taken next to window displays, or in doctors’ waiting rooms, next to my work like a big kid. It’s marvellous.’ Sam Toft samtoft.co.uk

230 Lot 229 *Sam Toft (b.1964) ‘Walking with Horace’ mixed media 48 x 39cm £1,200 - 1,800 Provenance: With John Noott Galleries, Worcestershire.

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Lot 230 *Sam Toft (b.1964) ‘May be a hurricane brewing, Doris’ signed l.r., inscribed l.l., mixed media 15 x 21cm £500 - 700 Provenance: With John Noott Galleries, Worcestershire.

231 Lot 231 *Sam Toft (b.1964) ‘Searching for Doris’ signed l.r., mixed media 28.5 x 82cm £1,500 - 2,000 Provenance: W ith John Noott Galleries, Worcestershire.

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Lot 232 *Sam Toft (b.1964) ‘A little dip’ signed l.l., mixed media 28.5 x 38.5cm £800 - 1,200

Lot 233 *Sam Toft (b.1964) ‘Mr Mustard, I presume’ signed l.r., mixed media 15 x 15cm £800 - 1,200

Provenance: W ith John Noott Galleries, Worcestershire.

Provenance: With John Noott Galleries, Worcestershire.

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Lot 234 *Sam Toft (b.1964) ‘It is a long way home, Doris (Zanzibar)’ signed l.r., mixed media 30.5 x 40cm £800 - 1,200

Lot 235 *Sam Toft (b.1964) ‘Dancing with Doris’ signed l.r., mixed media 19.5 x 19.5cm £800 - 1,200

Provenance: W ith John Noott Galleries, Worcestershire.

Provenance: With John Noott Galleries, Worcestershire.

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308 Lot 236 *Peter Denmark (1950-2014) Untitled signed and dated 1986 l.l. and also verso, oil on canvas 71 x 71cm, unframed £300 - 500

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Lot 237 *Peter Denmark (1950-2014) Sitting in the park signed and dated 1990 verso, acrylic on canvas 151 x 153cm, unframed £400 - 600

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Lot 238 *Peter Denmark (1950-2014) Untitled dated ‘89 l.r., oil on canvas 36 x 34cm £200 - 300

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART Lot 239 *Peter Denmark (1950-2014) Landscape signed and dated 2001 verso, oil on canvas 47 x 88cm £300 - 500 Lot 240 *Peter Denmark (1950-2014) Untitled acrylic on canvas 41 x 51cm, unframed £250 - 350

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Lot 241 *Peter Denmark (1950-2014) Untitled acrylic on canvas 41 x 51cm, unframed £250 - 350 Lot 242 *Peter Denmark (1950-2014) Abstract Landscape signed and dated 2002 verso, acrylic on canvas 60 x 89cm £300 - 500

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308 Lot 243 Kudditji Kngwarreye (Australian, c.1923-2017) ‘My Country’, 2009 acrylic on canvas 180 x 48cm £400 - 600 Lot 244 *Nicola Stäglich (German, b.1970) Abstract signed and dated 2014 verso, oil on canvas 93 x 68cm £500 - 700 Lot 245 *Frank Beanland (1936-2019) ‘Vertuoso Piece’ (sic) signed, inscribed with title and ‘To Bob with best wishes’ and dated 9th Feb 96 verso, oil on board 68 x 69cm; and another, ‘Chevron, (green and violet)’ signed and inscribed with title verso, oil on board 68 x 69cm (2) £300 - 500

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243 Lot 246 *Nettie Firman (contemporary) Wood Enigma painted wood on perspex 60 x 45cm £500 - 700 Lot 247 Chief Zacheus Olowonubi Oloruntoba (Nigerian, 1934-2014) ‘My Village is Money and Protection’ (Prt-2) handwoven panel 50 x 51cm £300 - 500 A prominent African artist known for his colourful herbal-dyed, cotton-cord tapestries depicting African life. He showed in Lagos, Nigeria and in London. His US representative, Dorothy Rogers of Dorothy Rogers Fine Art, Santa Fe, staged many one-man exhibits including 1999 and 2000 at the Wichita Center for the Arts, Kansas. Rogers curated a major exhibit for the Bruce Museum, Greenwich, Conn. in 2002. The Museum of Modern Art, New York, chose a work from this exhibit for their permanent collection. His work is also in the collections of Queen Elizabeth II, David Rockefeller and Muhammad Ali.

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247 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

Lot 248 Barbara McGivern (Canadian, 1945-2019) ‘Chair with Fruit (Cézanne)’ (from the Barnes Collection) signed and inscribed verso, oil and acrylic on canvas 122 x 152.5cm £300 - 500

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Lot 249 Barbara McGivern (Canadian, 1945-2019) ‘Sizzler in Red’ signed and inscribed verso, oil and acrylic and gold leaf 120 x 120cm £300 - 500

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Lot 250 Barbara McGivern (Canadian, 1945-2019) ‘On the rocks’ signed and inscribed verso, oil, acrylic and gold leaf on canvas 107 x 107cm, unframed £300 - 500

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Lot 251 *Michael Canney (1923-1999) ‘Casole d’Elsa’ mixed media on card 8 x 15.5cm £1,500 - 2,000

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Lot 252 *Michael Canney (1923-1999) ‘Casole d’Elsa’ mixed media on card 8 x 15.5cm £1,500 - 2,000

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Lot 253 *Celia Paul (b.1959) My Mother and Frank (1990) oil on copper 55.9 x 45.7cm £4,000 - 6,000 Provenance: W ith Marlborough Fine Art, London.

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308 Lot 254 *Sir Antony Gormley (b.1950) Figure studies signed and dated ‘87 in pencil verso, black chalk and oil paint and linseed oil on paper 28 x 38cm £2,000 - 3,000

254 Lot 255 *David Hockney RA (b.1937) ‘Beautiful and White Flowers’ etching and aquatint, signed, dated ‘66 and numbered 46/75 in pencil plate 34.5 x 22.5cm £2,000 - 3,000

Lot 256 *Francis Bacon (1909-1992) ‘Study from the Human Body’ lithograph in colours 1981, on wove, signed in pencil l.r., numbered XXIV/XXV, printed by Arts Litho, Paris with their blind stamp, published by Éditions de la Difference, Paris sheet 44.5 x 33cm £4,000 - 6,000 Literature: Bruni Sabatier, ‘Francis Bacon, The Graphic Work no.28’.

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Lot 257 *Mick Rooney RA (b.1944) ‘Walking in the Rain’ inscribed with title, oil on board 35 x 29cm, in an elaborately painted frame (66 x 55cm framed size) £600 - 800 Provenance: The vendor’s father, Deryck Healey, was a tutor at the Royal College of Art and encouraged Mick Rooney when he was a young artist. It was at Deryck Healey’s suggestion that Rooney painted the frame.

257 Lot 258 Renat Ramazanov (Russian, b.1978) ‘Making Marmalade’ signed l.r., inscribed and dated 2012 verso, oil on canvas 70 x 127cm £500 - 700

258 Lot 259 *Simon Casson (b.1965) ‘Venus and Adonis’ signed, inscribed with title and ‘Royal Academy School’ and dated 1994 verso, oil on canvas 158 x 220cm £500 - 800 Provenance: With Long & Ryle, London. Simon Casson was born in York and raised in Zambia. He studied at Exeter College of Art and Design, Central Saint Martins and the Royal Academy Schools in London. He has exhibited in the UK, USA, Canada and China.

259

114

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

260 Lot 260 *Sir Peter Blake RA (b.1932) ‘Parade’ screenprint in colours, signed l.r., inscribed l.c. and numbered 149/175 image 60.5 x 45cm £500 - 700 Provenance: P urchased in a charity sale for the Museum of Childhood, V&A.

261 Lot 261 *David Lock (b.1970) ‘She’s so Fake’ signed, inscribed with title and dated Goldsmith’s College June ‘01 verso, mixed media on canvas 228 x 179cm £1,000 - 1,500

Lot 262 *Gary Hume (b.1962) ‘Kate’ screenprint, a Habitat Limited Edition, signed, inscribed, dated ‘97 and numbered 86/90 in pencil 76 x 56cm £300 - 500

Lot 263 Jonas Wood (American, b.1977) ‘Large Shelf Still Life Poster’, 2017 offset lithograph in colours on wove, published by Voorlinden Museum sheet 59.5 x 59.5cm, unframed £400 - 600

262

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263

115

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264

265 Lot 264 *Tracey Emin RA (b.1963) ‘Closed’ etching on Somerset soft white paper, signed, inscribed with title, dated 2013 and numbered 164/200 in pencil 36.5 x 38cm, unframed £500 - 700

Lot 265 *Gavin Turk (b.1967) ‘Knob’ screenprint in colours, a Habitat Limited Edition, signed, dated 1997 and numbered 22/70 in pencil sheet 69 x 94cm £250 - 350

266 Lot 266 *Claire Woods (b.1972) Kiss screenprint in colours, a Habitat Limited Edition, signed and numbered 96/100 61 x 61cm £300 - 500

Lot 267 *Damien Hirst (b.1965) ‘Fruitful’ 2020 laminated giclée print on aluminium composite panel, edition of 3308 39 x 39cm £600 - 800

267

116

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

268

Lot 268 *Patrick Hughes (b.1939) Cloudy signed and dated ‘19 l.r., mixed media and collage on card 28 x 35.5cm, unframed £1,000 - 1,500

Lot 269 *Patrick Hughes (b.1939) ‘Greybow’ screenprint, signed, inscribed and numbered 14/18 in pencil sheet 42 x 29.5cm, unframed £300 - 500

269

Lot 270 *Damien Hirst (b.1965) Forever, 2020 laminated giclée print on aluminium composite panel, edition of 2573 39 x 39cm £600 - 800

270

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308

271 Lot 271 *Joe Tilson RA (b.1928) ‘Conjunction, Swallowtail, Sasso’ screenprint with woodblock in colours, 1996, signed, dated and numbered 14/45 in pencil, on wove, the full sheet printed to the edges sheet 55 x 75cm £300 - 400 Provenance: T he Germaine Greer collection.

272 Lot 274 *Paul Catherall (b.1967) ‘Goldfinger III’ lithograph printed in colours, printer’s proof, signed, inscribed with title and dated 2011 in pencil 96 x 72cm, unframed £400 - 600

Lot 272 *Benjamin Senior (b.1982) ‘Ball Games’ lithograph in colours on 300gsm Somerset Velvet wove, printed by Coriander Studio, published by Counter Editions, London, signed, dated 2019 and numbered from the edition of 100 in pencil sheet 76 x 60cm, unframed £300 - 500

Provenance: Acquired by the present owner directly from the Curwen Studio.

Lot 273 *Martin Creed (b.1968) Work No. 3370 screenprint in colours with hand-applied glitter on 410gsm Somerset Tub wove, signed, inscribed with title, dated 2019, and numbered from the edition of 125 in pencil, published by Counted Studio, Margate sheet 76 x 60cm, unframed £500 - 700

273

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274 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

276 Lot 275 After Andy Warhol Lincoln Center Ticket screenprint in colours 114 x 61cm £1,000 - 1,500

Lot 277 After Andy Warhol ‘Marilyn’ published by Sunday B Morning 91 x 91cm £300 - 500

Lot 276 Andy Warhol (American, 1928-1987) ‘After the Party’ screenprint in colours, numbered 468/1000 in pencil, with ‘The Estate of Andy Warhol’ stamp and initials ‘T.J.H’ in pencil verso sheet 55 x 77cm, unframed £5,000 - 8,000

275

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277

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Lot 278 Bob Dylan (American, b.1941) ‘Three Chairs’, from the ‘Drawn Blank’ series, 2009 giclée print in colours on Hahnemüle paper, signed and numbered 229/295 in pencil, published by Washington Green & Buffalo Artworks, printed by GTZ Fine Art Editions, New York image 54 x 40cm £1,000 - 1,500

278

Lot 279 Bob Dylan (American, b.1941) ‘Truck’ giclée print in colours, signed and numbered 132/295 in pencil image 80.5 x 61cm £2,000 - 3,000

Lot 280 Bob Dylan (American, b.1941) ‘Woman in Red Lion Pub’, Portfolio (2008), from the ‘Drawn Blank’ series giclée print in colours on Hahnemüle paper, signed and numbered 220/295 in pencil, published by Washington Green & Buffalo Artworks, printed by GTZ Fine Art Editions, New York image 53.5 x 40.8cm (4) £5,000 - 8,000

279

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With certificates of authenticity.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

280

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308 Lot 281 Keith Haring (American, 1958-1990) Pink Montreux, 1983 screenprint 100 x 70cm, unframed £250 - 350

Lot 282 Keith Haring (American, 1958-1990) Yellow Montreux, 1983 screenprint 100 x 70cm, unframed £250 - 350

281

282

Lot 283 Keith Haring (American, 1958-1990) Green Montreux, 1983 screenprint 100 x 70cm, unframed £250 - 350

283 122

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

284 Lot 284 *Stik (b.1979) Holding hands - red, orange, yellow, blue, teal five offset lithographs in colours, 2020, all signed in pen, all with a central horizontal and vertical fold crease as issued 50 x 50cm, unframed (5) £1,000 - 1,500 Sold with one copy of ‘Hackney Today’ newspaper, 21 September 2020, in which they were distributed. Lot 285 *Trademark (Mark Wardel, b.1957) ‘Man Mix’ signed l.r., also signed and inscribed verso, acrylic on canvas 127 x 102cm, unframed £500 - 800 Lot 286 *Julian Opie (b.1958) Woman taking off man’s shirt screenprint in colours, edition 5, 2003 sheet 100 x 60cm, unframed £400 - 600

285

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286

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287 Lot 287 *Paul Karslake (1958-2020) ‘Dark Father’ signed and dated ‘15 l.l., oil and acrylic on canvas 76 x 102cm £600 - 800 Lot 288 *Sara Pope (b.1973) ‘The absence of light’ screenprint in colours, signed and numbered 14/18 in pencil sheet 41.5 x 29.5cm, unframed £300 - 500

288

124

289

Lot 289 *Pure Evil (b.1968) Sylvette David ‘I have loved the stars too fondly to be fearful of the night’ Screenprint with glow-in-the-dark ink, signed, doodled and numbered 24/40 in pencil, with Print Club London blind stamp 70 x 50cm £250 - 350

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

Lot 290 Katharina Fritsch (German, b.1956) ‘Totenkopf’ (Skull) porcelain 20.5 x 15 x 26cm £4,000 - 6,000

Katharina Fritsch was born in 1956 in Essen, Germany and is currently a Professor of Sculpture at Kunstakademie, Dusseldorf. Her sculptures and installations often use familiar objects in a way that creates a jarring and uncanny effect. In this respect, she has been likened to Marcel Duchamp. Fritsch’s work is inspired by subjects including Christianity, art history and folklore. Noted works include Rattenkönig (Rat King), a giant circle of black polyester rats, included in the Venice Biennale in 1999, and Hahn (Cock), a 4.7 metre high bright blue cockerel displayed on London’s Trafalgar Square Fourth Plinth from July 2013 to January 2015.

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308 Lot 291 *Joe Tilson RA (b.1928) ‘Rainbow Grill’ screenprint in colours, signed, inscribed with title, dated 1965 and numbered 24/70 in pencil image 77 x 76cm £600 - 800 Lot 292 *Mark Francis (b.1962) Untitled aquatint in colours, signed and dated ‘92 in pencil 63 x 63cm £500 - 700 Lot 293 *Charming Baker (b.1964) ‘Britain in Colour’ archival inkjet with hand punched circles, signed and numbered 15/18 in pencil, with blind stamps sheet 42 x 29.8cm, unframed £300 - 500 Lot 294 Swoon (American, b.1977) ‘Monica’ signed in pencil on the heel of the figure, mixed media, coffee stain, acrylic gouache and linoleum block print with stitching on mylar 219 x 169.5cm £4,000 - 6,000

291

292

126

293

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

294

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308 Lot 295 *Lucian Freud OM CH (1922-2011) ‘Wanted, Portrait of Francis Bacon’, 2001 poster printed in black and red 85 x 60cm £500 - 700 In 1988, Freud’s portrait of Francis Bacon was stolen from a Lucian Freud retrospective at the Neue Nationalgalerie in Berlin. Freud created a ‘Wanted’ poster featuring plain lettering, a black and white image of the stolen work and a generous reward. Only 2500 were printed and posted around Berlin in 2001. It is not known now how many survive. Following the interest in one in Sworders’ October 2020 sale, we are pleased to offer another example. This lot is sold together with a copy of the press statement and page of the Daily Telegraph from the launch of the appeal on Friday 22 June 2001.

295

296

Lot 296 *Harland Miller (b.1964) York, So Good They Named It Once’ giclée print in colours on wove, produced by York Art Gallery, 2020 sheet 84 x 55.5cm, unframed £600 - 800

Lot 297 Ed Ruscha (American, b.1937) ‘EE-NUF!’ offset lithograph in colours, 2020, signed in felt tip pen sheet 82 x 58.5cm, unframed £300 - 500

297

128

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 136

104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

298 Lot 298 *Mr Doodle (b.1994) ‘Heartland’ screenprint in colours on wove, from an edition of 300, signed, numbered and dated 2020 in pencil sheet size 90 x 48cm £2,500 - 3,500

Lot 299 *Banksy (b.1974) ‘Visit Historic Palestine’ poster with ‘The Walled Off Hotel’ blind stamp sheet 59.5 x 42cm, unframed together with a Banksy Souvenir key fob (2) £2,000 - 3,000

299

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299

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MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART 104-308 Lot 300 Yoshimoto Nara (Japanese, b.1959) ‘Butterbur’, 2020 poster, offset lithograph, printed by Dallas contemporary sheet 61 x 45.5cm, unframed £300 - 500

Lot 301 Yoshitomo Nara (Japanese, b.1959) ‘Banging the Drum’ offset lithograph 69 x 43.5cm £300 - 500

300

301 Lot 302 KAWS (American b.1974) Blanket (Red), 2019 100% cashmere blanket in colours, from the edition of 85, published by Studio Voltaire, made in Scotland overall 130 x 180cm £1,200 - 1,500

302

Lot 303 Yayoi Kusama (Japanese, b.1929) Pumpkin, 2016 two painted cast resin in yellow and red, with original boxes as issued, stamped with artist’s name to base, published by Benesse Holdings, Inc., Naoshima, Japan, produced by Kusama Studio, Japan each 12.7 x 12.7 x 10.6cm, boxed (2) £700 - 900

303

130

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104-308 MODERN BRITISH, 20TH CENTURY AND CONTEMPORARY ART

Lot 304 *George Cosmin aka BASM (b.1987) ‘Change the world’ inscribed with title and dated 2020 verso in pen, with BASM red stencil verso, spray-paint and stencil on canvas 91.5 x 61.5cm, unframed £1,500 - 2,000

304

Lot 305 *After Banksy Faites le Mur, 2010 poster, offset lithograph in colours, French version, for the artist’s documentary ‘Exit Through the Gift Shop’, folded as issued sheet 157.6 x 115.2cm, unframed £500 - 700

305

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Lot 306 After Jeff Koons Purple Rabbit zinc alloy, Editions Studio, edition number 418/500 28cm high £700 - 900 Sold with a certificate of authenticity from Editions Studio.

Lot 307 After Jeff Koons Balloon Dog (orange) cold cast resin, Editions Studio, edition number 319/999 30 x 30 x 12cm £600 - 800 Sold with a certificate of authenticity from Editions Studio.

306

307

Lot 308 After Jeff Koons Pink Rabbit zinc alloy, Editions Studio, edition number 403/500 28cm high £700 - 900 Sold with a certificate of authenticity from Editions Studio.

308

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MODERN BRITISH & 20TH CENTURY ART PART II TIMED ONLINE AUC TION FRIDAY 9 - SUNDAY 25 APRIL

William Crozier (1930-2011), 'Labyrinth', etching and aquatint, 69 x 90cm, £400-600

A further 450 lots of Modern British, 20th Century and Contemporary Art

amyscanlon@sworder.co.uk | 01279 817778

LITHOGRAPHIC FEVER BRITAIN’S MID-CENTURY PRINT BOOM 29 May - 31 October Fry Art Gallery Too | 9b Museum Street | Saffron Walden | Essex | CB10 1BN

For more information contact the Fry Art Gallery | 01799 513779 | info@fryartgallery.org www.fryartgallery.org Proudly sponsored by Sworders Fine Art Auctioneers

INDEX OF ARTISTS A

*Aldridge, John

14-17

*Emin, Tracey

Archipenko, Alexander

English School, c.1920s

*Armfield, Diana

*Eurich, Richard

*Atwood, Claire

*Evil, Pure

264 33 129, 130 289

*Bacon, Francis

256

*Fedden, Mary

89, 147

*Baker, Charming

293

*Firman, Nettie

153, 246

299, 305

*Fitzgerald, Sue

184, 185

*Francis, Mark

174, 292

*Freud, Lucian

295

*Banksy *Barlow, Jeremy

223

*Barns-Graham, Wilhelmina 175-177 *Bawden, Edward

1-11

*Beanland, Frank

245

*Bell, Vanessa

*Bellany, John

90-94

Bevan, Robert Polhill *Bittar, Pierre *Blackadder, Elizabeth *Bray, Wendy

*Fritsch, Katharina *Frost, Sir Terry G

Garwood, Tirzah

260 166, 167

290 180-183

Furukawa, Yoshishige

52 160-163

*Blake, Sir Peter

*Frink, Dame Elisabeth 115, 116

100 13

*Gormley, Sir Antony

254

*Gosling, Annabel *Grant, Duncan

225 40, 43

*Brockhurst, Gerald Leslie 45-48

*Green, Anthony

*Bussy, Simon

*Greengrass, William Edward

73-75

C *Canney, Michael

251, 252

Griggs, Frederick L

*Casson, Simon

259

*Catherall, Paul

274

*Hale, Kathleen

*Caulfield, Patrick

178

*Hammond, Hermione

Cavaroc, Honoré

*Chadwick, Lynn

157, 158

Chandra, Avinash

205

*Cheese, Bernard

101 168, 169 51 149 31

Haring, Keith

281-283

*Hayman, Patrick

191, 192

*Hearld, Mark

165

*Henghes, Heinz

154

Chuikov, Evgeni

Henri, Florence

*Collins, Cecil

*Herman, Josef

88, 193

*Collins, Henry

146

*Cosmin, George, aka BASM 304 *Creed, Martin

273

*Cremona, Envin

104-106

*Cuming, Fred

141, 142

Curwen Studio, The

172

*Hervé, Jules René *Hirst, Damien

21-23 267, 270

*Hockney, David

255

*Holloway, Edgar

*House, Gordon

173

*Howard, Ken

136-139

*Hughes, Patrick

268, 269

*Daines, Sheree Valentine

222

*Hume, Gary

262

*de Grey, Roger

140

*Humphries, Geoffrey

227

Demenko, Anatoliy

217

*Denmark, Peter

236-242

*Doodle, Mr

298

Drevin, Alexander

194

*Dunlop, Ronald Ossory *Dunstan, Bernard *Durden, James Dylan, Bob

I *Inwood, Derek J *John, Augustus

206, 207

*Johnson, Ben

*Jones, Stanley

278-280

187

*Jones, Allen

37, 38 102 87 179

K Kaplan, Anatoli 204 *Karslake, Paul 287 KAWS 302 Khaimov, Yakov 68 Kngwarreye, Kudditji 243 Knight, Laura 35 *Knollys, Eardley 188 Koons, Jeff 306-308 Krokhonyatkin, Petr 54 Kusama, Yayoi 303 L *Lacasse, Joseph 63 Lecomte, Paul 26 Lednev, Valeri 69 *Leech, Raymond 24 *Lock, David 261 *Lowry, Laurence Stephen 76-86 M *MacMiadhachain, Padraig 190 *Maddox, Conroy 61 *Magill, Elizabeth 159 Mann, Alexander 25 Marina, Marina 218 Marinova, Anna 226 Marshenikov, Serge 221 McGivern, Barbara 248-250 *McIntyre, Donald 151, 152 *McIntyre, Hugh 189 Michell, Keith 96 *Miller, Harland 296 *Mills, John 97, 99 *Morrison, John Lowrie 186 *Moseley, Austin 143, 144 N Nakhalov, Boris 70 Nara, Yoshimoto 300, 301 *Nash, John Northcote 131 Nevinson, Christopher Richard Wynne 44 *Newcomb, Tessa 145, 170, 171 *Nisbet, Noel Laura 72

R *Racine, Agnès 155, 156 Ramazanov, Renat 258 *Rego, Paula 120-128 Reiter-Soffer, Domy 196-202 *Richards, Ceri 59 *Riley, Bridget 117-119 Riordon, Eric John Benson 19 Robb, William George 20 *Robinson, Sheila 12 *Robinson, Markey 195 *Rooney, Mick 257 Rozanova, Olga 64 Ruscha, Ed 297 S Saidov, Aydemir 216, 220 *Sargent, Robert Austin 49 *Senior, Benjamin 272 Shapovalov, Anatoly 228 Sheinis, Yuli 215 *Shepherd, David 56 Shevchuk, Alexander 71 Shishkin, Valeri 214, 219 *Spear, Ruskin 133 *Spencer, Stanley 39 Sporykhin, Boris 57 *Stäglich, Nicola 244 *Stik 284 Swoon 294 *Summers, Gabriel 210-213 Symmons, Annie Dora 30 T Thomson, Tommy 150 *Tilson, Joe 271, 291 *Tindle, David 132 *Toft, Sam 229-235 *Trademark (Mark Wardel) 285 *Trevelyan, Julian 113, 114 *Turk, Gavin 265 *Tyrwhitt, Ursula 53 U *Uhlman, Fred *Underwood, Leon

135 36

O Oloruntoba, Chief Zacheus Olowonubi 247 *Opie, Julian 286

V van Havermaet, Charles *Vass, Elemér *Vaughan, Keith *Vézelay, Paule

29 58 112 203

P *Palmer, Simon *Paul, Celia Peploe, Samuel John Perez, Fabian *Piper, John *Piper, Edward *Pope, Sara

W Wadsworth, Edward Warhol, Andy *Weight, Carel *Wesley, Gordon *Wilding, Alison Wood, Jonas *Woods, Claire

148 253 42 224 107-111 208, 209 288

164 275-277 134 55 103 263 266

Lots marked with a ‘*’ may attract the Artist’s Resale royalty charge at the rate of 4% of the hammer price. This royalty, where applicable, will be charged to the purchaser. 135

GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty. Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

Circle of David Cox in our opinion a work from the period of the artist and showing his influence.

The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt.

Follower of David Cox in our opinion a work executed in the style of David Cox After David Cox in our opinion a copy of any date after a work by the artist Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist

A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750. All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing. Condition reports are not included in the descriptions.

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right? Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more. This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale. How are resale royalties calculated? The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate. The royalty is worked out according to a sliding scale from 4% to 0.25%.

Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom. Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs.

From 0 to €50,000

From €50,000.01 to €200,000

Are all sales of artwork covered? The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met:

From €200,000.01 to €350,000

•

Hammer Price

From €350,000.01 to €500,000 Exceeding €500,000

Royalty

0.5% 0.25%

What is the qualifying threshold? An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

136

What nationality must an artist be to qualify? The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA:

• • •

the artwork is a copyright protected work of graphic or plastic art; it is sold for more than €1000; it is sold in the secondary market with the involvement of an art market professional (e.g. auction house); and it is sold in the UK or another country in the European Economic Area (EEA).

This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

TERMS AND CONDITIONS 1. INFORMATION FOR BUYERS Introduction The following notes are intended to assist Bidders and Buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Terms and Conditions and any notices that are displayed in our salerooms or announced by the Auctioneer at the auction. Our Terms and Conditions are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Terms and Conditions that you do not fully understand. Please make sure that you read our Terms of Sale carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. Methods of payment Lots must be paid for before they are collected or shipped. For those attending the auction we ask that Lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our Website, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000. Usually any cheques will need to be cleared before you can take the Goods away. Collection and storage All Lots should be paid for and collected by 5pm on the Friday following the sale. Commission Bidders should check the success of their bids and arrange payment, and collection or shipping within this time. For our specialist auctions please refer to the collection and storage requirements detailed in the catalogue and on our Website, which specifies the applicable fees. For our Homes and Interiors auctions, items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 (plus VAT) for administration and £2 (plus VAT) per lot per day. Agency As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the Goods is with the Seller, not with us as Auctioneer. Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the sale Price. The lower estimate may represent the Reserve Price (the minimum Price for which a Lot may be sold) and will not be below the Reserve Price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot. They are not definitive. Buyer’s Premium The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these Premiums (see below). VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the Buyer on the Hammer Price and the Buyer’s Premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that Lot. Lots which do not have either of the above symbols have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the Premium is not recoverable as input tax. Shipping Costs are liable for VAT and are payable by the Buyer. Inspection of Goods by the Buyer As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have ample opportunity to inspect the Goods. You must inspect and investigate Lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of Lots set out in the Terms of Sale at clause 12.4. Condition reports We may be able to assist Buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending Buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale. Shipping of Goods We offer a delivery service for Lots purchased. Estimates for Shipping Costs for smaller items can be calculated pre-sale on our website under each Lot and are based on value, size and your chosen UK destination. For items purchased the actual cost can be added to your account and paid online after the sale. If you purchase multiple Lots from the same auction, we will combine packaging/deliveries to reduce the Shipping Costs. For lots for which Shipping Costs cannot be automatically calculated, such as furniture, you can obtain a bespoke Shipping Cost from our website to any destination in the world either in advance of the sale or after you have purchased.

Electrical goods These are sold as ‘antiques’ only. If you buy electrical Goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them. Export of Goods If you intend to export Goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing Goods of that character e.g. because the Goods contain prohibited materials such as ivory. Bidding Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a Commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Commission bidding You may leave Commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyers’ Premium and/or any applicable VAT). We will execute Commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical Commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving Commission bids online via our Website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute Commission bids received after this time. Telephone bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value Lots. Please note that this service is for Lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason. Online bidding Any Lots purchased via a live online bidding service will be subject to an additional Commission charge on the Hammer Price payable by the Bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% while bidding via Sworders Website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. These charges will be payable to us on top of the Hammer Price and our Buyer’s Commission.

IMPORTANT NOTICES Removal of Lots All Lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove Lots remaining after this time into safe storage, for which a charge will be made. Electrical Goods All electrical Goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical Goods certified safe must be re-Commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-Commissioned. Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling. Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial Buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

Estimates of Shipping Costs on our website are based on the low estimate, whilst the actual cost is based on Hammer Price.

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2. TERMS OF SALE Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. These Terms of Sale relate to auctions conducted by an Auctioneer only. We have separate terms for online only auctions. 1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a Commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition. 3.3 If you instruct us in writing, we may execute Commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your Commission bid, unless our failure to do so is unreasonable. Where two or more Commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

‘Auctioneer’

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised Auctioneer, as appropriate;

‘Bidder’

means a person who places a bid for Goods at our auction;

‘Buyer’

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

‘Commission’

means the Commission that we charge you on the sale of the Goods as set out in Clause 5 below;

‘Consumer’

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

‘Consumer Contracts Regulations’

means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

‘Deliberate Forgery’

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

‘FCA’

means the Financial Conduct Authority;

‘Goods’

means the Goods that have been consigned to us for sale at our auction;

‘Hammer Price’

means the level of the highest bid for a Lot accepted by the Auctioneer;

‘Premium’

means the Premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

‘Price’

means the total of the Hammer Price, Premium, Shipping Costs (if applicable) and any applicable VAT;

‘Proceeds’

means the Price less the Commission, the Premium, Shipping Costs, any expenses incurred to your account and any applicable VAT;

‘Reserve’

means the minimum Price at which the Goods may be sold;

‘Seller’

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

‘Shipping Costs’

means the charges applied to the shipping of all Goods purchased, should the Buyer ask for the Auctioneer’s shipping agent to deliver the Goods (if applicable);

‘Terms of Consignment’

means these Terms of Consignment;

‘Terms of Sale’

means the Terms of Sale for Bidders or Buyers at our auctions;

‘Trader’

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the Trader’s name or on the Trader’s behalf (such as an agent and/or the Auctioneer);

‘VAT’

means any value added tax or equivalent sales tax; and

‘Website’

means our Website available at www.sworder.co.uk.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue. 2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may re-offer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

2.3 The Price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

2.4 The arrangements for collection or delivery of the Goods as set out in Clauses 8 and 9.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

4. The purchase price As Buyer, you will pay:

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

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a. the Hammer Price; b. a premium of 25% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price, Premium and Shipping Costs (if applicable) due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further information. 5.2 We will charge VAT at the current rate at the date of the auction. 6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the Auctioneer records the winning Lot in the sale book accepting the highest bid for the Lot at auction, unless due diligence information required by the Auctioneer under the Money Laundering Regulations 2019 in accordance with their internal procedure remains outstanding, in which case the contract will be formed when that information is accepted by the Auctioneer as complete. 6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may at our discretion provide the Seller with information or assistance in relation to that claim. 6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the total amount due in any way that we agree to accept payment. 7.1.3 pay in full the Shipping Costs prior to the Goods being shipped, should you agree to the Auctioneer’s shipping agent delivering the Goods. 7.2 If you owe us any money, we may use any payment made by you to repay these debts. 8. Title and collection of purchases 8.1 Once you have paid us in full the total amount due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it. 8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction, or such later date as is specified in the printed catalogue or on our Website. 8.3 If you agree to the Auctioneer delivering the Goods, only when the full Shipping Costs have been paid will the Goods be dispatched. We reserve the right that some Lots will not be suitable for an automated shipping estimate and will require bespoke quotes from the shipping agent. 8.4 Should you decide to use the delivery service, you thereby agree to allow the Auctioneer to share relevant personal data that we hold with the shipping agent in order to allow effective communication between the shipping agent and you, and to enable delivery. 8.5 If you do not collect the Lot within the time period under Clause 8.2, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.6 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.7 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the Proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling Commission at our standard rates on any such resale of the Lot.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the Price you should have paid for the Lot and the Price we sell it for as well as the charges outlined in Clause 8.7). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the total amount due, including Shipping Costs where applicable; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us. 9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale. 10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our employees’ or our agents’ negligence. 11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the Lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct. 11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the total amount due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below. 11.3 Please note that many of the Lots that you may bid on at our auction are second-hand. 11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots. 11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot). 12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling Price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. 12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed. 13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within thirty days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects. 13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or recorded delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient. 15.3 Notices must be sent: 15.3.1 by hand or registered post; a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or recorded delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient). 15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our Website.

13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

13.3 If you have sold the Lot to another person, we will only be liable to refund the Price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale. 14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. 14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Terms and Conditions. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law. 15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. 17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts. These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers

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