Sworders Sporting Art, Wildlife and Dogs Wednesday 2 June 2021 by swordersfineart

Sporting Art, Wildlife and Dogs Wednesday 2 June 2021

FINE INTERIORS TUESDAY 29 & WEDNESDAY 30 JUNE fineinteriors@sworder.co.uk | 01279 817778 Marmaduke Cradock (1660-1716), Birds in an oriental park (detail), oil on canvas, 70 x 90cm, £5,000-7,000

SPORTING ART, WILDLIFE AND DOGS Live Online - Wednesday 2 June 2021 at 10am ORDER OF SALE Lots 1-81

Equestrian, Hunting and Polo

Lots 82-102

Racing

Lots 103-141

Taxidermy

Lots 142-191

Ornithological Art

Lots 192-285

Dogs

Lots 286-345

Wildlife incorporating Property from the Collection of Bryan Steele - Part VII (Lots 286-301)

VIEWING TIMES Due to current social distancing restrictions, we will be offering viewing by appointment only. You can book an appointment at www.sworder.co.uk/appointments/ One hour time slots will be available from: Sunday 30 May

10am - 1pm

Tuesday 1 June

9am - 5pm

ONLINE BIDDING Bid live at www.sworder.co.uk (0% surcharge)

FURTHER INFORMATION: Contact:

REMOVAL OF LOTS We operate a booking system for collections at www.sworder.co.uk/appointments. You must book your appointment 24 hours in advance, to ensure your items are ready when you arrive. Items will be available to collect from the day after the sale at our Stansted Auction Rooms. Please select ‘Collection’ as your appointment type when booking your collection time.

Jane Oakley

Luke Macdonald

Telephone: 01279 817778 Email: auctions@sworder.co.uk To obtain more images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk

EQUESTRIAN, HUNTING AND POLO 1-81

2 Lot 1 *William Evan Charles Morgan (1903-1979) A heavy horse in a landscape etching, signed and dated ‘William E C Morgan ‘31’ l.r. plate 24.8 x 34.7cm £100 - 150 William Evan Charles Morgan was born in London on 19 October 1903 and studied at Camberwell School of Art (1920-22), and at the Slade School of Fine Art, University College London (1922-24). In 1924, he was awarded the Prix de Rome Scholarship, enabling him to continue his studies in Italy. He subsequently worked primarily as an etcher and engraver.

Lot 2 S Cox (19th century) A bay hunter and a terrier in a stable signed on the bucket ‘S Cox/1851’ l.l., oil on canvas 63 x 76cm, unframed £200 - 300

Lot 3 English School, 19th century A bay hunter in a stable oil on board 44.5 x 60.5cm £200 - 300

Lot 4 Henry Frederick Lucas Lucas (1848-1943) ‘Stella’, a bay hunter in a stable signed ‘H. F. Lucas Lucas’, inscribed with title and dated 1882 l.r., oil on board 25 x 35cm £200 - 300

1-81 EQUESTRIAN, HUNTING AND POLO

5 Lot 5 Joshua Dighton (1831-1908) A grey horse in a loose box; and A bay horse in a landscape a pair, the first signed ‘Dighton 1858’ l.r., the second signed ‘Dighton’ l.l., pencil and watercolour 28 x 36cm (2) £450 - 550

Lot 6 *Frank L Geere (1931-1991) A dark bay in a stable; and a chestnut in a stable each signed and dated ‘F L Geere/85’ l.l., oil on canvas 41 x 50cm, together with another smaller study of a horse’s head by the same artist (3) £250 - 350

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EQUESTRIAN, HUNTING AND POLO 1-81

7 Lot 7 *Alfred Grenfell Haigh (1870-1963) Study of a dark bay hunter; ‘Billy’, a dark bay hunter signed ‘Alfred G Haigh’ l.l. 37 x 42cm and 24 x 24cm circular (2) £300 - 500

Lot 8 *Frances Mabel Hollams (1877-1963) A grey mare looking over her stable door signed ‘F.M.Hollams’ l.l., oil on board 33 x 23cm, in a maple frame £500 - 700

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Frances Mabel Hollams was noted for her individual technique of painting on to a wood panel, so that the grain of the wood is visible. Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO

Lot 9 Carlton Alfred Smith (1853-1946) ‘At the Stable Door’ - a young girl feeding a bay mare and her foal at a stable door signed and dated ‘Carlton. A. Smith 1885’ l.r., oil on canvas 75 x 50cm £4,000 - 6,000 Provenance: Property of the late Lady de Freece (Vesta Tilley) (1864-1952). The old label refers to David Messum, Beaconsfield, Buckinghamshire, where it was acquired by the vendor’s father.

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EQUESTRIAN, HUNTING AND POLO 1-81

11 Lot 10 ‘Designed by an Amateur’ (19th century) Bull Broke Loose colour engraving 39 x 56cm, unframed; and ‘Designed by an Amateur’ Westminster Pit colour engraving 37 x 52cm (2) £70 - 100

12 Lot 11 William Henry Charles Groome (1854-1913) ‘Leaving Salisbury’ signed ‘W H C Groome’ l.r., en grisaille 17 x 19.5cm £80 - 120

Lot 12 *Raoul Millais (1901-1999) Arabian horse with rider doing battle signed l.l., pen and ink 22.5 x 18cm £200 - 300

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO Lot 13 John Frederick Herring Jnr (1815-1907) A grey hunter in a farmyard with goats and chickens, a dovecote beyond signed indistinctly ‘J F Herring’ l.l., oil on canvas 39 x 39cm, framed as circular £500 - 700

Lot 14 Edward Smythe (1810-1899) A boy seated in a landscape with his grey horse signed ‘ER Smythe’ l.r., oil on canvas 46 x 66cm £600 - 800

Lot 15 *Peter Deighan (b.1941) Sadler’s Wells, the bay racehorse signed ‘DEIGHAN’ l.l., oil on canvas 49 x 59cm £200 - 300

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EQUESTRIAN, HUNTING AND POLO 1-81 Lot 16 English School, 20th century A rearing horse bronze with green patina on a marble base 23cm wide 13cm deep 25cm high including base £150 - 250

Lot 17 Hans Müller (Austrian, 1837-1937) Rearing horse bronze with brown patina, signed on the base, mounted on a marble base 36cm wide 44cm high including base £500 - 600

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Lot 18 *Bob Crutchley (b.1943) Horse Head bronze with brown patina, signed, edition 1/10 26cm wide 8cm deep 26cm high £800 - 1,200 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO

Lot 19 Christophe Fratin (French, 1801-1864) A mare and foal beside a chewed feed barrel, a bronze group, signed ‘Fratin’ to the barrel 37cm long 15cm deep 28.5cm high £2,500 - 3,500

Lot 20 Isidore Jules Bonheur (French, 1827-1901) Milkmaid and Cow bronze with brown patina, signed on base, with Peyrol foundry stamp on the side 23cm wide 14.5cm deep 19.5cm high £800 - 1,000

www.sworder.co.uk

EQUESTRIAN, HUNTING AND POLO 1-81

Lot 21 William Thomson (Canadian, 1926-1988) Chrome Horse Head stainless steel, unique 80cm wide 22cm deep 95cm high £800 - 1,200

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO

Lot 22 *Bob Crutchley (b.1943) ‘The Sentinel’ bronze, signed and numbered 1 from an edition of 4 80cm wide 110cm deep 215cm high £6,000 - 8,000

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EQUESTRIAN, HUNTING AND POLO 1-81 Lot 23 *Malcolm Coward (b.1948) A dark bay thoroughbred mare with her foal in pasture in sunshine signed ‘M Coward’ l.r., oil on canvas 39 x 45cm £300 - 400

23 Lot 24 *Malcolm Coward (b.1948) End of the Day signed ‘M Coward’ l.r., oil on canvas 46 x 61cm £600 - 800

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO

25 Lot 25 Anatoly Shapovalov (Ukrainian, b.1949) ‘Sunset by the river’ signed l.r., oil on canvas 74 x 108.5cm £700 - 900

Lot 26 Viktor Ivanov (Russian, b.1931) ‘Whirlwind chariot’, 1972 signed indistinctly l.r., oil on board 48 x 63cm £400 - 600

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EQUESTRIAN, HUNTING AND POLO 1-81 Lot 27 *Richard John Munro Dupont (1920-1977) Dartmoor ponies in the lee of a tor signed in pen l.l., oil on canvas 40 x 51cm £200 - 300 Richard Dupont was a pupil of Sir Alfred Munnings (1878-1959).

Lot 28 *Richard John Munro Dupont (1920-1977) A Dartmoor pony mare and foal in a moorland landscape signed ‘R J M Dupont’, oil on canvas 51 x 61cm £300 - 500

Lot 29 *Anton Lock (1893-1971) Study of horses signed and inscribed verso, oil on canvas board 29 x 38cm £150 - 250

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO Lot 30 *Frank Wright (1928-2016) Skewbald and piebald by a stream signed ‘Frank. Wright’ l.l., oil on canvas 61 x 71cm £300 - 400

30 Lot 31 Boris Sporykhin (Russian 1928-2020) A soldier holding a horse signed with initials and dated 1953 l.r., inscribed verso, oil on board 37 x 46cm £400 - 600

www.sworder.co.uk

EQUESTRIAN, HUNTING AND POLO 1-81

32 Lot 32 Attributed to Charles Dickinson Langley (1799-1873) A grey and pointer in a landscape oil on canvas 50.5 x 61cm £1,000 - 1,500 Lot 33 John Nost Sartorius (1759-1828) On the scent signed and dated ‘John Nost Sartorius pinxit 1798’ l.l., oil on canvas 91 x 127cm, unframed; A hunt in full cry signed and dated ‘J N Sartorius 1815’ l.r., oil on canvas 90.5 x 128cm, unframed, a pair (2) £4,000 - 6,000

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO

33 www.sworder.co.uk

EQUESTRIAN, HUNTING AND POLO 1-81

Lot 34 Edward Benjamin Herberte (fl.1857-1893) Before the meet; In full cry both signed and dated ‘EB Herberte/1881’ l.r., oil on canvas 40.5 x 61cm (2) £600 - 800

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO Lot 35 Attributed to Francis Calcraft Turner (1795-1846) Clearing a fence with a faller oil on panel 30 x 40cm £500 - 700

35 Lot 36 Robert Stone (1820-1870) The Chase; Taking the Fence a pair, both signed ‘Stone’ l.r., oil on panel 14 x 27cm (2) £600 - 800

36 www.sworder.co.uk

EQUESTRIAN, HUNTING AND POLO 1-81

Lot 37 George Wright (1860-1942) Drawing cover with huntsman on a grey signed ‘G. Wright’ l.r., oil on canvas 25.5 x 40.5cm £800 - 1,200

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO

Lot 38 George Wright (1860-1942) Huntsman and hounds pausing to talk to a gate man signed ‘G. Wright’ l.r., oil on canvas 18 x 23cm £800 - 1,200

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EQUESTRIAN, HUNTING AND POLO 1-81

39 part lot

40 Lot 39 John Leech (1817-1864) ‘Don’t move there, we shall clear you!’; and others A set of fourteen modern coloured hunting prints image 33 x 48cm (14) £300 - 400

41 part lot

Lot 40 Cecil Aldin (1970-1935) ‘Breaking Cover’; ‘The Hunt Supper’ two lithographs printed in colours, both signed and dated 1900 within the plate, from ‘The Fallowfield Hunt’ series 38.5 x 61cm; ‘The Meet at the Hare and Hounds’ lithograph printed in colours, signed within the plate, from the ‘Harefield Harriers’ series 37.5 x 60.5cm (3) £150 - 300

Lot 41 Thomas Sutherland (1785-1837) The Meeting, Kirby Gate; Full Cry, Whissendine Pasture; Breaking Cover, Billesdon Coplow; The Death, View of Kettleby coloured engravings each 34 x 83cm; and Cecil Aldin (1870-1935) The York and Ainsty, a hunt from Askham Bog; The Blackmore Vale, near Rodgrove coloured engraving 21 x 36cm (6) £30 - 40

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO Lot 42 Frederick C Lewis (1779-1856) after Henry Alken The Meet; Drawing Cover; Full Cry, Second Horses; The Death coloured engraving image 35 x 53cm (4) £200 - 300 Lots 43-46 Spare lots

42 Lot 47 After Dean Wolstenholme The Essex Hunt four coloured engravings, published by ‘D. Wolstenholme, 22 Chads Row, Grays Inn Road, May 1 1831’ image 57 x 76cm (4) £300 - 500

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EQUESTRIAN, HUNTING AND POLO 1-81

49 Lot 48 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘Pass Friend’ photolithograph printed in colours, signed in pencil l.l. sheet 37 x 48cm £400 - 500 Lot 49 *Charles Johnson Payne, called ‘Snaffles’ (1884-1967) ‘That Far, Far Away Echo, 1915-16’ photolithograph printed in colours, signed in pencil image 36.5 x 37.5cm £200 - 300

Lot 50 Henry Alken (1810-1894) after W P Hodges Beaufort Hunt, ‘Going out of Kennel’ aquatint 36.5 x 53.5cm £100 - 150 Provenance: The Tryon Gallery, London. Lot 51 *Robin Furness (b.1933) The Warwickshire, The Kill on Harrow Hill, Long Compton limited edition colour print, signed in pencil image 36 x 49.5cm, and The Hampton Hunt Series map of Foxhound Hunts of Great Britain colour print 66 x 48cm (2) £100 - 200

51 part lot

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO

53 Lot 52 Frances Algernon Stewart (1877-1945) The South Atherstone, near Bittersby signed ‘F A Stewart’ l.r., watercolour 23 x 70cm £1,000 - 1,500 Provenance: W ith The Tryon Gallery. Lot 53 English School, 19th century Moving Off; The Halt watercolour 16 x 30cm (2) £200 - 300 Lot 54 *Reginald Llewellyn Harvey (1888-1973) Boxing Day hunt signed ‘R L Harvey’ l.l., oil on canvas 40.5 x 50.5cm £250 - 350

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EQUESTRIAN, HUNTING AND POLO 1-81

part lot

Lot 55 Cecil Aldin (1870-1935) The Blackmore Vale, near Rodgrove; The York and Ainsty, a hunt from Askham Bog; The Warwickshire; The Belvoir; The Quorn; The Duke of Beaufort’s; The Meynell Hunt; The Fitzwilliam; The Cheshire Hounds; The Pytchley; The Vale of the White Horse, Critchley; The Devon and Somerset twelve photogravure prints, all signed in pencil l.l., published by ‘Richard Wyman & Co. Ltd., 16 Bedford Street, Strand, London, WC1’ each 20 x 34cm (12) £1,000 - 1,500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO

Lot 56 *Lionel Dalhousie Robertson Edwards (1878-1966) ‘Hindhunting at Sweetworthycombe’ signed ‘Lionel Edwards’ l.l., gouache 25 x 34cm £1,500 - 2,500 Provenance: Christie’s London, 28 May 1999, lot 144.

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EQUESTRIAN, HUNTING AND POLO 1-81 Lot 57 After Cecil Aldin ‘In the Open; ‘A Likely Spot’; ‘The First’ coloured lithograph image 29 x 61cm (3) £150 - 250 Lot 58 A mahogany whip stand, wall-mounted in the shape of a horseshoe with horseshoe nails 48 x 37.5cm approximately £100 - 150

57 part lot

Lot 59 A Cambridge Harriers’ evening tailcoat, with green-faced lapels by Strickland, George & Son, Saville Row, dated 4-12-57 with buttons by Pity & Co., another, by Conway Williams, Brook Street, London, with modern buttons, and another, with buttons by Firmin (3) £150 - 250

Lot 60 Vanity Fair prints by ‘Ape’ and ‘Spy’ The Quorn; Doggie; Bay; The Master of the Blankney (by Bede); Cottesmore (by Spy); Cattistock; A Masters’ Meet (Captain Park-Yates, The Earl of Lonsdale, Lord Willoughby de Broke, Mr P C Garth, Viscount Portman); Long Burns’ and Billy (Mr George Charles Fitzwilliam) nine Vanity Fair prints, published by ‘Vincent Brooks, Day & Son, Lith., July 12th 1884’ 36 x 22cm and 36 x 50cm (The Masters) (9) £300 - 500

60 part lot

61 part lot

Lot 61 English School, early 20th century A set of seven hunting scenes on round placemats six smaller - 20cm diameter one larger oval - 20.5 x 28cm (7) £200 - 300

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO Lot 62 *Neil Cawthorne (b.1936) Hunt Masters jumping a fence signed l.r., oil on canvas 61 x 91cm £600 - 800

62 Lot 63 *Neil Cawthorne (b.1936) ‘October Morning’, huntsman and kennel huntsman with hounds signed l.l., oil on canvas 51 x 71cm £500 - 700

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EQUESTRIAN, HUNTING AND POLO 1-81

64 Lot 64 *John Trickett (b.1952) Huntsman on a grey with hounds alongside signed ‘John Trickett’ l.r., oil on canvas 39 x 49cm £300 - 500

Lot 65 *Daniel Crane (b.1969) ‘A High Narrow One’, huntsmen crossing a gorge signed and dated 96, watercolour heightened with white 36 x 22cm £400 - 600

66 Lot 66 *John Gregory King (1929-2014) Huntsman taking a fence signed and dated ‘John King/96’ l.l., watercolour heightened with white 21 x 30cm £100 - 200

67 part lot Lot 67 B Fenning (19th century) ‘Returning from Hunting’; East Essex Foxhounds’ both inscribed as titled and signed and dated ‘53 and ‘52 respectively verso, watercolour and bodycolour 13 x 20cm, oval (2) £150 - 200

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO Lot 68 ** K. Zwick, 20th century A Huntsman and Hounds signed ‘K.Zwick’ l.r., oil on canvas 50.5 x 61cm £300 - 500

68 Lot 69 *Peter Deighan (b.1941) A Huntsman going out with hounds signed ‘Deighan’ l.l., oil on canvas 49 x 60cm £250 - 350

69 Lot 70 *John Gregory King (1929-2014) ‘Day in the Quorn, Muxlow Hill, Leicestershire 1990’ signed and dated ‘John King’/’1990’ l.r., oil on canvas 61 x 91cm £250 - 350 Provenance: C hristie’s London, 23 August 2006, lot 747.

70 www.sworder.co.uk

EQUESTRIAN, HUNTING AND POLO 1-81

Lot 71 Henry Alken Snr (1785-1851) Gentlemen and the Match watercolour 18 x 25cm £200 - 300 Lot 72 James Gillray (1756-1815) after Brownlow North Hounds in Full Cry; Coming in at the Death; Hounds Throwing Off; Hounds Finding engraving with printed colouring published by H Humphrey, London, April 8th, 1800 plate 27.5 x 38.5cm (4) £400 - 600 Lot 73 Burnand (Sir Francis) ‘The Fox’s Frolic or a Day with the Topsy Turvy Hunt’ Chromolithographic plates by Henry B Neilson (1 vol) £80 - 120

73 detail

72 part lot

Lot 74 Yerburgh, H B ‘McAdam’, Leaves from a Hunting Diary in Essex, published 1900 in red cloth bindings, Vols I & II, Babington, Lieut-Col., ‘Records of the Fife Fox-hounds’, published 1933 in a decorated red cloth binding, and Rush, J A, Seats in Essex, comprising views of the ‘Seats of the Noblemen and Gentry’, red cloth binding (4) £100 - 150 Lot 75 ‘British Sports and Sportsmen, Hunting’, compiled and edited by ‘The Sportsman’, published 1912 limited edition 343/1000, green cloth binding (1 vol.) £70 - 100

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

1-81 EQUESTRIAN, HUNTING AND POLO Lot 76 Valentina Grigoriyeva (Russian, 1904-2000) ‘Hunting trophy’, 1948 signed and dated 1998 l.r., oil on canvas 54 x 97cm £300 - 500

Lot 77 A vintage leather gun carrying case, c.1900, by ‘George H Daw, Gun & Rifle Manufacturer, 57 Threadneedle Street, London’, 106 x 23cm £80 - 120

Lot 78 Anatoly Shapovalov (Ukrainian, b.1949) ‘Good Catch’ signed l.r., oil on canvas 75 x 97cm £800 - 1,000

78 www.sworder.co.uk

EQUESTRIAN, HUNTING AND POLO 1-81

Lot 79 Joseph Cuvelier (French, 1833-1878) Polo player bronze with brown patina on a marble base, signed ‘J Cuvelier’, foundry mark ‘H Luppens & Co.’ 39cm wide 18cm deep 45cm high £1,000 - 1,500

Lot 80 Milo (20th century) Mounted Polo player bronze with brown patina, signed ‘Milo’, on a marble plinth 32.5cm wide 14cm deep 31cm high £300 - 500

Lot 81 English School, 20th century A polo triptych a set of three gouaches framed as one, each signed with initials ‘G.D.R.’, gouache 26 x 19.5cm each (3) £100 - 150

81 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

RACING 82-102

83 Lot 82 *Doris Zinkeisen (1898-1991) Elegant figures, horses and carriages a pair, pencil 18.5 x 30cm (2) £400 - 600 Lot 83 *Doris Zinkeisen (1898-1991) A jockey and mount beside some elegant figures signed with initials l.r., pencil 15.5 x 22cm £200 - 300

Lot 84 *Doris Zinkeisen (1898-1991) Figures in carriage and on horseback; Figures and carriages before a castle a pair, the first signed with initials l.r., pencil 18.5 x 31cm and 14 x 29.5cm (2) £400 - 600

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

82-102 RACING

85A

Lot 85 *Sarah Ponsonby (b.1943) ‘Over the Jump’ signed and dated ‘Sarah Ponsonby/1967’ l.l., oil on canvas 61.5 x 51cm £400 - 600 Lot 85A *Claire Eva Burton (b.1955) ‘Silks’ signed ‘Claire Eva Burton’ l.r., oil on board 51 x 63.5cm £300 - 500 Lot 86 *Peter Deighan (b.1941) A four horse race signed ‘DEIGHAN’ l.r., oil on canvas 61.5 x 92cm £400 - 600 Lot 87 George Soper RI (1870-1942) The race pencil 12.5 x 25.5cm £100 - 200

Provenance: F rom the Estate of George and Eileen Soper; with Chris Beetles.

87 www.sworder.co.uk

RACING 82-102

88 part lot

89 Lot 88 *David Trundley (b.1949) Point to Point scenes at the Heythrop, Garthorpe, Dingley and Horseheath limited edition of 250 colour prints, each numbered and signed in pencil ‘David Trundley’ l.r. 22 x 30cm (4) £80 - 120

Lot 89 After Sir Alfred James Munnings Racehorses coloured print image 38 x 71cm £100 - 150

90 Lot 90 After Sir Alfred James Munnings ‘The Red Prince Mare’ colour lithograph print, published 1922, FATG blind stamp, signed in pencil 44 x 62cm £100 - 200

91 part lot 40

Lot 91 *Sir Alfred James Munnings, PRA (1878-1959) ‘Before the Start, Newmarket’ colour print image 38 x 62cm and two Cecil Aldin prints (3) £100 - 150 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

82-102 RACING Lot 92 J Harris after J F Herring Snr ‘The Flying Dutchman and Voltiguer Running The Great Match at York on 13th of May 1851’ hand-coloured engraving, published by Messrs. Fores 1851 image 57 x 83cm, and W Summers, after Henry Alken ‘Tattenham Corner’ hand-coloured engraved, published by J McQueen, 1871 63 x 94cm (2) £400 - 600

92 part lot Lot 93 Thomas Sutherland (1735-1837) after Henry Alken Epsom Races a pair, aquatint, published by S and J Fuller at their Sporting Gallery, 34 Rathbone Place 52 x 76cm, unframed (2) £150 - 250

93 part lot Lot 94 W Elliott (18th century) after T Smith Matchem and Trajan running at Newmarket engraving, published 1769 by J Boydell, London image 36 x 53cm £100 - 150

94 www.sworder.co.uk

RACING 82-102

95 Lot 95 Lt Col. Harold Duke Collison Morley (1877-1915) A Day at the Races a pair, both signed ‘H D Collison-Morley/1912’ l.r., watercolour 26 x 36cm (2) £200 - 300 Harold Duke Collison-Morley studied art at the Slade School and at the Académie Julian in Paris. A Lieutenant Colonel of The Buffs, the 19th London Regiment, he fell leading his men, after being wounded in the attack on Loos, 25 September 1915. Lot 96 Viktor Ivanov (Russian, b.1931) ‘After the race’, 1970 oil on board 72 x 67cm £400 - 600

96 Lot 97 *William Timym MBE (1902-1990) ‘Red Rum Spirit of the National’ signed and titled in the bronze and impressed ‘Aintree 27’, bronze on a mahogany plinth 30cm long overall 25.5cm high £400 - 600

Lot 98 A mahogany-framed wall mirror, 19th century, with a reverse glass steeplechasing scene, 48cm wide 62cm high £300 - 500

With a certificate confirming a special edition, this number 27, signed by the sculptor and J P V Hughes, Clerk of the Course.

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

82-102 RACING

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100 Lot 99 English School, 19th century Harden your heart; Knocked out a pair, watercolour each 16 x 23.5cm (2) £100 - 150 Lot 100 *Peter Deighan (b.1941) Cantering bay racehorse signed ‘DEIGHAN’ l.l., oil on canvas 39 x 49cm £300 - 500 Lot 101 English School, 19th century Study of a chestnut racehorse oil on canvas 26 x 34.6cm £300 - 500 Lot 102 French School, 20th century A Point-to-Point signed indistinctly ‘Louis ***’34’ l.r., watercolour 37 x 54cm £200 - 300

www.sworder.co.uk

102

TAXIDERMY 103-141

Lot 103 Taxidermy: brown trout (Salmo trutta) by Williams & Son, Dublin, mounted in a naturalistic setting of reeds and grasses, set above a pebbled riverbed, with plaque l.l.: ‘Brown Trout/weight 5LBS/MAY FLY/ FISHING/LOUGH DERG./1911/Mounted by William Dub…’ enclosed in a three-glass bow-fronted case, some damage to the right-hand side of the case 64.5cm wide 15.5cm deep 37cm high £300 - 400

103

Lot 104 Taxidermy: brown trout (Salmo trutta) by John Cooper & Sons, 28 Radnor Street, St Luke’s, London, EC, mounted in a naturalistic setting amidst reeds and grasses, against a pale blue painted backdrop, enclosed within a bow-fronted display case with verre églomisé border, taxidermist’s full paper trade label to interior 48.5cm wide 12.5cm deep 24cm high £400 - 500

104 Lot 105 Taxidermy: A brown trout (Salmo trutta) cast on board with frame, labelled on a plaque l.c.: ‘BROWN TROUT/WEIGHT 5LBS 14 1/2 OZ/CAUGHT BY C.H.M. ON FLY SHARDLOES/JULY 23RD 1960’ 37.5 x 78.5cm £250 - 350

105

103-141 TAXIDERMY Lot 106 Taxidermy: A large brown trout (Salmo trutta) attributed to P D Malloch of Perth, mounted against a painted background enclosed in a barrel glass case 83.4cm wide 12.5cm deep 35cm high £500 - 800

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Lot 107 Taxidermy: A trout (Salmo trutta) by H J Thomas, Leeds, mounted in a naturalistic setting of reeds and grasses above a sandy ground, encased in a bow-fronted single-glass case bearing applied gilt legend to the glass: ‘Trout 5lbs. 9ozs./ Caught by W. THORNTON at Catton on Swale. Aug.4th/31’ with taxidermist’s label u.r. 73.5cm wide 18cm deep 37cm high £300 - 500

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Lot 108 Taxidermy: large common bream (Abramis brama) by T Salkeld, Lancs, mounted in a naturalistic setting of grasses above a rocky ground enclosed in a five-glass wall-mounted case, inscribed: ‘BREAM CAUGHT LAKE BURWAINS, FOULRIDGE 6LBS 2OZS OCT 31 1964 BY T. BARTON.’, with taxidermist’s label verso 71cm wide 17.6cm deep 41cm high £300 - 400

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TAXIDERMY 103-141 Lot 109 Taxidermy: a cased Homer Roach by A W Gamage Ltd., Holborn, London, preserved and mounted in a naturalistic setting amidst reeds and grasses, set above a mossy riverbed, mounted against a pale blue painted backdrop, enclosed in a bow-fronted three-glass display case with verre églomisé border 48cm wide 14cm deep 28.5cm high £200 - 300

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Lot 110 Taxidermy: A roach (Rutilus rutilus) by E F Spicer FZS & Sons, Suffolk St. Birmingham, mounted in a naturalistic setting with a roach amidst reeds and grasses, set above a mossy riverbed, mounted against a pale blue painted backdrop, enclosed within an ebonised bow-fronted three-glass display case with verre églomisé border, inscribed on a pebble ‘Stowe Pool, Lichfield, June 22-1954’ 40.3cm wide 12cm deep 25cm high £200 - 300

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Lot 111 Taxidermy: A pair of chub (Squalius cephalus) by J Cooper, London, preserved and mounted in a naturalistic setting amidst reeds and grasses, against a pale blue painted backdrop, enclosed within an ebonised bow-fronted three-glass display case with verre églomisé border, bearing applied gilt legend to the front glass: ‘Chub 3lb 2oz & 3lb 3oz./Caught by R. Conquest, Glastonbury on Wye, 21st Sep. 1929’ 84cm wide 21cm deep 42cm high £1,000 - 1,500

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Lot 112 Six German roebuck deer antlers on carved oak shields 32cm high approximately (6) £150 - 200 Lot 113 Taxidermy: a Seika deer head antlers 67cm wide 112cm high approximately £200 - 300

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Lot 114 Taxidermy: a mounted roe deer head mounted on an oak shield 63cm high approximately £200 - 300

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Lot 115 Taxidermy: A headmounted Chinese water deer (Hydropotes inermis) 43cm high approximately £200 - 300

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TAXIDERMY 103-141

116 Lot 116 Taxidermy: a dog otter mask mounted on a wooden shield, inscribed ‘D.O.H. DOG OTTER. KILLED BELOW ‘OUTLANDS’/RIVER CAMEL. Aug.11th 1937./21 1/2Lbs. 2 Hrs.26 Minutes.’ on a plaque 24cm deep 28cm high £300 - 500

118 Lot 118 Taxidermy: a badger mask mounted on a wooden shield 25cm deep 28cm high £200 - 300

117 Lot 117 Taxidermy: a fox mask by P Spicer mounted on an oak shield 27cm deep 29cm high approximately £200 - 300

119 Lot 119 Taxidermy: a fox cub mounted in a medallion glass case 35cm wide 35cm deep 38cm high £450 - 550 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

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Lot 120 Taxidermy: woodcock (Scolopax rusticola) a pair, mounted on a rocky outcrop with ferns, enclosed in a five-glass wall case 54cm wide 15.5cm deep 44cm high £200 - 300

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Lot 121 Taxidermy: a woodcock (Scolopax rusticola) perched on a log, mounted on a wooden base 29cm wide approximately 23.5cm high £150 - 250

Lot 122 Taxidermy: A hanging Woodcock (Scolopax rusticola) in a convex oval framed display 52cm wide 9cm deep 61cm high £300 - 500

Lot 123 Taxidermy: A Woodcock (Scolopax rusticola) mounted perched on a rock before a painted background, enclosed in a five-glass wall mounted case 30cm wide 12.5cm deep 39.4cm high £100 - 150

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Lot 124 Taxidermy: a wigeon (Mareca penelope) in a medallion glass case, mounted on a snow-covered mossy ground, encased in a five-glass cabinet 43.2cm wide 34cm deep 34.5cm high £150 - 250

124 Lot 125 Taxidermy: a cock pheasant (Phasianus colchicus) mounted on a mossy ground with wheat husks and dry grasses, encased in a single-glass display case 87 cm wide 15cm deep 32cm high £250 - 350

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Lot 126 Taxidermy: pheasant, male (Phasianus colchicus) by James Gardner, mounted in a naturalistic setting of grasses, rocks and moss on a pebbled sandy ground, encased in a single-glass case, taxidermist’s paper trade label to interior lower right corner 84cm wide 17.5cm deep 53.5cm high £200 - 300

Lot 127 Taxidermy: two white pheasants (Phasianus colchicus) mounted in a naturalistic setting, enclosed in a single-glass display case 68cm wide 22cm deep 68cm high £300 - 500

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Lot 128 Taxidermy: rose-ringed parakeet (Psittacula krameri) and hybrid sun conure (Aratinga solstitialis) mounted perched on tree stumps on an earth base under a glass dome 32cm wide 20.5cm deep 50cm high £250 - 350 Lot 129 Taxidermy: golden oriole, male (Oriolus oriolus) mounted perched on a mossy branch with wheat husks under a glass dome 21cm diameter 33cm high £250 - 350 Lot 130 Taxidermy: golden oriole, male (Oriolus oriolus) mounted in a naturalistic setting on a mossy tree stump with wheat husks, a mossy and soil groundwork, under a glass dome 22cm diameter 33cm high £250 - 350

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Lot 131 Taxidermy: a jay (Garrulus glandarius) mounted perched on a log 30cm high £80 - 120 Lot 132 Taxidermy: a hoopoe (Upupa epops) mounted on a mossy tree stump in a three-glass display case 27.5cm wide 17.5cm deep 36cm high £100 - 200 Lot 133 Taxidermy: a goldeneye (Bucephala clangula) mounted in flight with splash water effect, encased in a gilt ebonised four-glass case with clawed feet 51cm wide 36cm deep 51cm high £280 - 350

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Lot 134 Taxidermy: a laughing kookaburra (Dacelo novaeguineae) mounted on a tree stump on a mossy ground, under a glass dome 40cm wide 20.5cm deep 41cm high £350 - 450

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103-141 TAXIDERMY Lot 135 Taxidermy: osprey (Pandion haliaetus) 19th century, mounted perched on a log on a circular wooden base, uncased 32cm diameter approximately 52cm high £300 - 400

Lot 136 Taxidermy: crested caracara (Caracara cheriway) mounted perched on a tree stump on soil-covered groundwork, under a glass dome 51cm wide 25cm deep 61cm high £350 - 450

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137 Lot 137 Taxidermy: barn owl (Tyto alba) mounted on a fence post with ferns on a mossy ground, under a glass dome 28cm diameter 46.5cm high £250 - 350

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138 Lot 138 Taxidermy: Indian scops owl (Otus bakkamoena) adult and young, each mounted perched on tree stumps, above a sandy ground with hay and fungii, in a two-glass case with a gilt border 43.5cm wide 37.5cm deep 61cm high £200 - 300

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Lot 139 Taxidermy: crested serpent eagle (Spilornis cheela) mounted in a natural setting of tall grasses and ferns, enclosed in a three-glass display case 56cm wide 24.5cm deep 69.5cm high £400 - 500

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Lot 140 Taxidermy: peregrine falcon (Falco peregrinus) by J A Cole, Castle Meadow, Norwich, mounted in a naturalistic setting, perched on a tree branch in long grasses and ferns on a sandy base, enclosed in a single-glass display case 37.5cm wide 24.5cm deep 55.5cm high £250 - 350

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103-141 TAXIDERMY

Lot 141 Taxidermy: a pair of peregrine falcons (Falco peregrinus) each mounted perched on a tree stump in a naturalistic setting of grasses, within a Victorian four-glass case 53cm wide 20.5cm deep 86cm high £800 - 1,200

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Lot 142 English School, 19th century Fighting cocks oil on panel 26.8 x 32cm £150 - 200

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Lot 143 A Van Berg (Dutch, 20th century) Hanging game a pair, signed ‘A Van Berg’ l.r., oil on board 59 x 28cm (2) £150 - 250

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Lot 144 A carved wooden decoy curlew, 20th century, with painted decoration, 55cm wide 16cm deep 31cm high £200 - 300 Lot 145 Embroidery, c.1920 grouse 41.5 x 54cm £100 - 150 Lot 146 After Johannes Gerardus Keulemans Twelve coloured plates from ‘History of Birds of New Zealand’, published 1888/9 by Sir Walter Buller image 27.5 x 23.4cm, unframed £250 - 350 Lot 147 Spare lot

146

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ORNITHOLOGICAL ART 142-191

Lot 148 *Philip Rickman (1891-1982) ‘Autumn’ - a pheasant signed ‘Philip Rickman’ l.l., inscribed with title on old label verso, watercolour 18 x 28cm £300 - 500 Provenance: Arthur Greatorex, London.

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Lot 149 *Berrisford Hill (b.1930) Pheasants in undergrowth signed ‘Berrisford Hill’ l.r., oil on canvas 53.5 x 76cm £200 - 300

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Lot 150 *John Cox (1952-2014) Pheasant bronze 71cm wide 15cm deep 49cm high £600 - 800

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Lot 151 *William Hollywood (1923-2007) Pheasants in flight signed ‘Wm Hollywood’ l.l., oil on canvas 51 x 76cm £1,000 - 1,500

Lot 152 20th century Pheasant bronze with brown patina 46cm wide 12cm deep 23cm high £400 - 600

152 www.sworder.co.uk

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Lot 153 *John Trickett (b.1952) Mallard coming in at sunset signed ‘John Trickett’ l.l., oil on board 39 x 49cm £300 - 500

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Lot 154 *Philip Rickman (1892-1982) Mallards moved by redshank signed ‘Philip Rickman’ l.c., watercolour and bodycolour 47.5 x 60cm £400 - 600

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Lot 155 *Philip Rickman (1891-1982) Mallard on the Solway Firth signed ‘Philip Rickman’ l.c., watercolour 37 x 51cm £400 - 600

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142-191 ORNITHOLOGICAL ART

Lot 156 John Frederick Herring Snr (1795-1865) A mallard drake with two white ducks and their ducklings signed ‘J F Herring Sen./1852’ l.r., oil on board 25 x 30cm £3,000 - 5,000

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ORNITHOLOGICAL ART 142-191

Lot 157 *Mark Chester (b.1960) ‘Winter Covey’ signed ‘Mark Chester’ l.r., signed and inscribed with title verso, oil on canvas 20 x 20.5cm £150 - 200

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Lot 158 *Mark Chester (b.1960) ‘Breaking Cover’ signed ‘Mark Chester’ l.r., signed and inscribed with title verso, oil on canvas 30.5 x 40.5cm £250 - 350

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Lot 159 *Mark Chester (b.1960) ‘Winter Flight’ signed l.r., signed and inscribed with title verso, oil on canvas 30.5 x 40.5cm £250 - 350

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142-191 ORNITHOLOGICAL ART

Lot 160 *John Trickett (b.1952) Black Game signed ‘John Trickett’ l.r., oil on canvas 76 x 61cm £500 - 700

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Lot 161 *Philip Rickman (1892-1982) Woodcock in the snow signed with initials and dated ‘1937’ l.r., bodycolour 11 x 17.5cm £200 - 300

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Lot 162 *Ben Hoskyns (b.1963) Partridge in flight signed ‘Ben Hoskyns’ l.r., watercolour 20 x 28cm £200 - 300

162 www.sworder.co.uk

ORNITHOLOGICAL ART 142-191

Lot 163 20th century Running goose bronze with brown patina 73cm wide 22cm deep 44.5cm high £1,200 - 1,500

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Lot 164 *Simon Griffiths (contemporary) Red Kite stoneware, unique 106cm long 51cm wide £1,200 - 1,800

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Lot 165 Swan brass and wood on a marble plinth 82cm long 79cm wide 43cm high £2,000 - 3,000

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166 Lot 166 *Mark Chester (b.1960) ‘Resting Kingfisher’ signed ‘Mark Chester’ l.r., signed and inscribed with title verso, oil on canvas 25.5 x 20.5cm £125 - 175

Lot 167 Raymond Harris-Ching (New Zealander, b.1939) ‘The Great Auk imagined off Eldey Island’ offset lithograph in colours, signed ‘Raymond Ching’ and numbered 5/400 in pencil sheet 33.5 x 51cm, unframed £100 - 150

Lot 168 Nadezhda Stupina (Russian, b.1967) ‘Swans’, 2008 signed l.r., oil on canvas 77.5 x 98.5cm £700 - 900

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142-191 ORNITHOLOGICAL ART

Lot 169 *Jerry S Waide (b.1948) A heron by the side of a river in winter signed ‘J S Waide’ and dated ‘97 l.l., oil on board 46 x 61cm £200 - 300

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170 Lot 170 *Federico Gemma SWLA (Italian, contemporary) Night Heron Studies signed ‘Federico Gemma’ and dated 2004 l.r., inscribed l.l., watercolour and pencil 22.5 x 28.5cm £200 - 300 Provenance: T he Mall Gallery.

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171 Lot 171 A Vienna cold-painted bronze Marabou stork, in the manner of Franz Bergman, stamped ‘Geshutz’, 16.5cm high £150 - 250

ORNITHOLOGICAL ART 142-191

Lot 172 *Chloe Victoria (contemporary) Kingfisher painted bronze, indistinctly signed on the base 19cm high £500 - 800

Lot 173 *Nick Bibby (b.1960) Kingfisher a green, blue and brown patinated bronze, signed, dated ‘92’ and numbered 8/9, impressed mark to base 17.5cm diameter £1,500 - 1,800

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Lot 174 *Nick Bibby (b.1960) A Wren bronze with brown and green patina, signed ‘Nick Bibby’ and numbered 12/12 and ‘PE’ 26.5cm high £400 - 600 Lot 175 Spare lot

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177 Lot 176 *Chloe Victoria (contemporary) Owl with flapping wings bronze with green/brown patina, indistinctly signed and numbered 3/48 on the base 17.8cm high £500 - 800 Lot 177 *Andrew Roache (contemporary) Barn Owl bronze, signed ‘AP/1’ 68cm wide 32cm deep 65cm high £4,000 - 6,000 Lot 178 *Jerry S Waide (b.1948) A tawny owl sitting in a bare tree signed ‘J S Waide’ and dated ‘96 l.r., oil on board 51 x 41cm £200 - 300

178 www.sworder.co.uk

ORNITHOLOGICAL ART 142-191 Lot 179 Philip A Ashley (20th century) Bullfinches; Blackbird; Songthrush; and another all signed, watercolour and bodycolour 60 x 47cm, unframed (4) £200 - 300

Lot 180 Neville William Cayley (Australian, 1886-1950) Kookaburra on a fence with a snake pencil and watercolour 25.5 x 20cm £300 - 500

179 part lot Lot 181 *Sir Peter Markham Scott (1909-1989) ‘Male Brush Turkey Alectura lathami’, 1983 signed, inscribed and dated as titled, watercolour and pen and ink 12 x 14.3cm, unframed £80 - 120

Lot 182 Emmanuel Frémiet (French, 1828-1910) Ostrich bronze with brown patina, signed on the ground on a polished black marble base 28cm wide approximately 22cm deep 35cm high £200 - 300

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183 Lot 183 *David Meredith (b.1973) Smooth Eagle Bust bronze 11cm wide 14cm deep 33cm high £900 - 1,000 Lot 184 19th century Figure of an eagle chick Black Forest carving on an ebony plinth base 20cm wide 15cm deep 23.5cm high £150 - 200 Lot 185 20th century Eagle bronze on a marble base, signed 15cm wide 14cm deep 30.5cm high £400 - 600

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Lot 186 *John Cox (1952-2014) Buzzard bronze 100cm wide 35cm deep 50cm high £1,200 - 1,600

186 Lot 187 *Colin Kellam (b.1942) Vulture stoneware 32cm wide 31cm deep 70cm high £600 - 800

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Lot 188 *Pierre-Paul Jouve (French, 1878-1973) Vulture enhanced lithographic print image 30 x 23cm £200 - 300

188 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

142-191 ORNITHOLOGICAL ART

Lot 189 *John Cyril Harrison (1898-1985) Female Montagu’s Harrier signed ‘J. C. Harrison’ l.r., watercolour 43 x 58cm £500 - 800

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Lot 190 S F Biddulph, c.1902 Eagles with a duck signed and dated ‘S.F.Biddulph/16.4.02’ l.r. pencil and watercolour 71 x 50.5cm £600 - 800

190 www.sworder.co.uk

ORNITHOLOGICAL ART 142-191

Lot 191 ‘In Flight’ bronze 25cm wide 15cm deep 148cm high £4,000 - 6,000

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DOGS

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DOGS 192-285

Lot 192 Colin Graeme Roe (1858-1910) Spaniels Flushing a Mallard; A Spaniel in a Landscape both signed and dated ‘Colin Graeme ‘92’ l.r., and l.l., respectively, oil on canvas both 37.5 x 30cm (2) £600 - 800

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192-285 DOGS

Lot 193 *John Trickett (b.1952) A liver and white springer spaniel flushing pheasant signed ‘John Trickett’ l.r., oil on canvas 48 x 74cm £1,200 - 1,800

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DOGS 192-285 Lot 194 English School, 19th century Two King Charles spaniels and a terrier in a landscape oil on canvas, in a faux tortoiseshell frame 50.5 x 60.5cm £200 - 300

Lot 195 English School, 19th/20th century A standing King Charles spaniel oil on canvas 30.5 x 40.5cm £200 - 300

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Lot 196 English School, 19th century Two King Charles spaniels in a landscape; and a companion, a pair, oil on canvas 20.5 x 25.5cm (2) £200 - 300

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196 part lot

Lot 197 After Sir Edwin Landseer RA ‘Dash’, a study of a spaniel an over-painted print 17 x 16cm £100 - 150

197 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

192-285 DOGS Lot 198 Richard Ansdell RA (1815-1885) Study of a Dachshund with a rabbit signed with initials and dated ‘72 l.l., oil on board laid on panel 28.5 x 23cm £800 - 1,200 Lot 199 Manner of Frank Paton Terriers Ratting oil on canvas 25 x 30cm £250 - 350 Lot 200 English School, 19th century A pair of terriers oil on canvas laid down 36.5 x 31.5cm £150 - 250

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203 Lot 201 Maud Howells (19th century) Study of a Maltese Terrier signed ‘Maud Howells’ l.l., watercolour 38 x 29cm £100 - 200

204 Lot 202 *Harry Goffey (1871-1951) ‘The Passenger’ etching, signed ‘H Goffey’ l.r., and inscribed as titled l.l. 27 x 19.5cm £150 - 200

Lot 203 After Cecil Aldin three prints of terriers lithograph image 20 x 15cm (3) £80 - 120

Lot 204 Cecil Aldin (1870-1935) Sleeping West Highland White puppy signed with initials ‘CA’ l.l., bodycolour 16 x 19cm £200 - 300

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192-285 DOGS Lot 205 Florence Jay (fl.1905-1920) Study of ‘Clunie’, a Scottie signed ‘Florence Jay’ l.r., and inscribed u.r. with title, oil on canvas 45 x 34cm £500 - 700

Lot 206 *Marjorie Cox (1915-2003) Champion Gaystock Lottie of Conrosa, a Boston terrier signed ‘Marjorie Cox’ l.r., pastel 44 x 32cm £100 - 150

Lot 207 Reuben Ward Binks (1880-1950) Champion ‘Tweedside Red Type’, a Border terrier inscribed l.l., signed ‘R Ward Binks/1923’ l.r., watercolour 25 x 20cm, unframed £200 - 300

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Lot 208 J W Colley (19th century) ‘Long Odds’ and ‘Short Odds’ a pair, both signed ‘J W Colley’ l.r., watercolour 17 x 24cm (2) £100 - 200 Lot 209 English School, 20th century Study of a Wheaten terrier indistinctly signed ‘Robin Mukherjee?’ l.r., oil on canvas 46 x 35.5cm, unframed £200 - 300

Lot 210 Henry Crowther (1905-1939) Study of ‘Keynsham Scoutmaster’, a wire-haired fox terrier by a lake signed ‘H Crowther’ l.l., oil on canvas 29 x 37cm £200 - 300 Lot 211 George Paice (1854-1925) Study of ‘Goat’, a soft-coated wheaten terrier, the dog of Edward Cazenove signed ‘G Paice ‘97’ l.r., oil on board 21 x 30cm £300 - 500 Provenance: Edward Cazenove and by descent.

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Lot 212 Early 20th century cast iron boot scraper in the shape of a Scottie dog, 43cm wide 4cm deep 64cm high £600 - 800

Lot 213 A show collar for a toy breed, nickel collar, silver chain and swivel £200 - 300

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Lot 214 Five small collar dog collars, 19th century, in silver, nickel and metal, the smallest one with bells and a padlock, one inscribed ‘G Aubry/Rue de Augle/Garenne des Colombes’, one inscribed ‘J Ormrod Esq./Halliwell Lodge/Bolton’ (5) £100 - 150 Lot 215 A brass bulldog collar, inscribed ‘Leveugle/Victor’, decorated with small mastiff heads, in five sections £200 - 300

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Lot 216 English and French School (19th century), five large nickel, metal and leather dog collars, some studded, some of link construction, most with rings for nameplates, the smallest inscribed ‘Thos. Tod Esq./15 Coates Crescent’ in brass, one inscribed ‘Edmond Cantin/Intendance’ (5) £200 - 300

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Lot 217 A set of six greyhound silver and enamel coffee spoons with individual greyhound heads, cased hallmarked Northern Goldsmiths’ Co., Birmingham, dated between 1929-1931 £200 - 300

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Lot 218 *Sally Arnup (1930-2015) Pekingese head bronze, signed and numbered 2/10, on a marble base 22 x 30cm £200 - 300

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Lot 219 French, 19th century A Cavalier King Charles spaniel playing with a kitten bronze, on a marble base 13.5cm wide 8cm high including marble base £70 - 100 Lot 220 Dog with duck bronze on various stones 50cm wide 17cm deep 47cm high £400 - 600

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Lot 221 August Nicholas Cain (French, 1822-1894) Lumineu and Séduisant, a pair of hunting hounds bronze with brown patina, inscribed, signed on the side and with the Susse Frères foundry seal 25cm wide 32cm deep 42cm high £1,500 - 2,000 Lot 222 After Agathon Léonard A terrier ratting, with three rats signed lower centre ‘A Leonard’, bronze with brown patina and traces of gilt, mainly to the rats 19cm wide 14cm high £150 - 250

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Lot 223 An Austrian cold-painted bronze figure of a golden cocker spaniel, stamped ‘Austria’, 18cm wide 12cm high £500 - 700

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Lot 224 Peggy Alexander (contemporary) a Cambridge Harriers champion hound figure painted terracotta, signed and dated 1983 15.5cm high, and a second champion hound figure signed and dated 1986 15.5cm high (2) £100 - 150

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Lot 225 A collection of six Austrian cold-painted bronze dogs, a white West Highland, 6.5cm high, a Sealyham, 4cm high, a working long leg terrier, 6cm high, a Norfolk terrier (unpainted) 5cm high, a miniature dachshund, 4cm high, and a cocker spaniel, 5.5cm high (6) £400 - 600 Lot 226 A cold-painted bronze figure of a borzoi, 24cm wide 15cm high £500 - 700

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Lot 227 *Frederick J Haycock (b.1948) Study of hounds signed ‘Frederick J Haycock’ l.r., oil on canvas 33 x 43cm £1,200 - 1,800 Lot 228 English School, 20th century Bassett hound signed on the left hind leg with initials ‘GA’, painted clay-fired ceramic 44cm long 23cm high £40 - 60

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Lot 229 Vincent de Vos (Belgian, 1829-1875) Circus dogs and monkeys resting signed ‘V de Vos’ l.l., oil on panel 21 x 28cm £200 - 300 A larger version of the composition was sold at the Hôtel de Ventes Horta, Portugal: Tableaux, Bijoux, Mobilier et Objets d’Art, Monday, 22 March 2021, lot 174, size 47 x 61cm (sold for 2000 Euros), but the poodle in the front is white and not black.

Lot 230 Vinar Knyjov (Russian, 1930-2005) ‘Portrait of a dog’, 1954; ‘Horse’, 1954 oil on board 28 x 20.5cm and 26.4 x 17.5cm (2) £100 - 150

Lot 231 *Debbie Gillingham (b.1965) A trio of hounds signed ‘Debbie Gillingham’ l.r., pastel 44 x 62cm £300 - 500

231

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192-285 DOGS

Lot 232 Manner of Diego Velasquez Study of a hound oil on canvas 24 x 31cm £150 - 250

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Lot 233 Cuthbert Bradley (1861-1943) Hound study, Peterborough champion, 1937 signed and dated ‘Cuthbert Bradley/July 1937’ l.r., bodycolour 15.5 x 19.5cm £200 - 300

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Lot 234 Indian Company School A hound keeper with two sighthounds gouache on mica 12.5 x 16cm £100 - 150 Provenance: T he collection of Major Richmond Keith Molesworth Battye (1905-1958). Major Keith Battye left the army in 1938 and joined the Indian Political Service. He was posted to the North-West Frontier, working in Gilgit and Chitral, where he was called upon to adjudicate between different tribal chiefs in the area.

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DOGS 192-285

Lot 235 *John Trickett (b.1952) A Staffordshire bull terrier in woodland signed ‘John Trickett’ l.r., oil on canvas 59 x 74cm £1,000 - 1,500

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Lot 236 *John Trickett (b.1952) An English Bull Terrier in woodland signed ‘John Trickett’ l.r., oil on canvas 59 x 74cm £1,200 - 1,800 Lot 237 William Ford (19th century) Study of a bull terrier signed on the reverse ‘W B Ford 1886’, a miniature in enamel and gilt 2cm diameter £200 - 300

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DOGS 192-285 Lot 238 English School, 19th century Study of a black and tan Manchester terrier oil on board 20 x 30cm £150 - 250 Lot 239 After Pierre-Jules Mène A crop-eared terrier bronze with brown patina 12cm wide 12cm high together with a further bronze of a Manchester terrier on a marble base (2) £200 - 300

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Lot 240 Francis Calcraft Turner (1782-1846) A bull terrier with her puppies in a farmyard signed ‘F. C. Turner’ l.c., oil on panel 21 x 25.5cm £400 - 600 Lot 241 French School, c.1880 a desk thermometer, with a bull terrier at the top and a dachshund below bronze 15 x 10cm £70 - 100

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241 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

192-285 DOGS Lot 242 Frederick Gornik of Vienna (Austrian, 1877-1943) A standing retriever a bronze inkwell, no liner 29cm wide 15cm high £200 - 300

Lot 243 *Andrew Haslen (b.1953) Golden retriever studies signed and dated ‘Andrew Haslen ‘87’ l.r., pencil and watercolour 28 x 41cm £100 - 150

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Lot 244 English School, 20th century A standing retriever wearing a studded collar bronze with brown patina 24cm wide 16.5cm high £80 - 120

Lot 245 *** Ingall, 20th century Studies of an English Setter, two sheets framed as one signed ‘INGALL’, pastel overall size 50.5 x 33cm £100 - 150

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DOGS 192-285 Lot 246 *Lucy Dawson (‘Mac’) (1870-1954) A golden retriever in profile, sitting, looking up; Study of a Bulldog two, both signed ‘Mac’ and inscribed, the first also inscribed with title verso, coloured chalks and gouache on buff paper 30.5 x 25.5cm (2) £200 - 300 Illustrated: Lucy Dawson, ‘Dogs as I See Them’, pub. Grosset & Dunlap, 1937.

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247 Lot 247 *John Trickett (b.1952) Golden labrador resting oil on canvas 59 x 74cm £400 - 600

248 Lot 248 *Julie Ann Bull (contemporary) ‘Blue Velvet’, a black Labrador signed ‘Julie Ann Bull’ l.r., also signed, inscribed with title and dated 2021 on stretcher, oil on canvas 51 x 41cm £500 - 700

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192-285 DOGS

Lot 249 *John Trickett (b.1952) A black labrador flushing a pheasant signed ‘John Trickett’ l.r., oil on canvas 49 x 39cm £700 - 1,000

Lot 250 *John Trickett (b.1952) A black labrador retrieving a pheasant signed ‘John Trickett’ l.l., oil on canvas 34 x 44cm £300 - 500

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DOGS 192-285

251 Lot 251 John A Bowen, c.1962 ‘Field Trial Champion Flashaway Eve’ signed and dated ‘JOHN A. BOWEN 1962’ l.l., and inscribed as titled l.r., with label verso reading ‘English setter Flashaway Eve, b.28.5.54, d.4.12.64, sire FTCH Sharnberry Whitestone, dam FTCH Seguntium Blackear, bred, owned and handled by Col AS Balding, winner of 26 field trial awards, oil on canvas 30 x 40cm; together with a further study of an English setter on point, dam of the above Flashaway Eve, titled ‘FTCH Seguntum Black Ear’, pastel with label verso reading ‘English setter, field trial champion Seguntium Blackear, sire Irish FTCH Flash of Glebe, dam Pride of Galey, owned by Col AS Balding’ 32.5 x 45cm (2) £500 - 700

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253 Lot 252 English School, 19th century Moorland landscape with a brace of English setters on point oil on canvas 30.5 x 50.5cm £150 - 250 Lot 253 *** Reeves, 19th/20th century Setters with a mallard on a riverbank signed ‘Reeves’ l.r., oil on canvas 72.4 x 91cm £400 - 600

254 part lot

Lot 254 Maud Earl (British-American, 1864-1943) Flatcoat; Flatcoat in grasses both signed ‘Maud Earl’, photogravure 31 x 37cm (2) £100 - 200 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

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Lot 255 Arthur Wardle (1864-1949) Study of an English setter coloured chalks, pencil and pastel on grey paper 27 x 44cm £200 - 300 Provenance: B ears label for the Tryon Gallery, including the Malcolm Innes Gallery, detailing the picture to have come from the Sotheby’s sale of the Artist’s Studio on 23.11.1994. Lot 256 English School, 19th century A Welsh springer spaniel and an English springer spaniel in a barn oil on canvas 24 x 30cm £200 - 300

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Lot 257 After Christophe Fratin a bronze of a setter with game, signed ‘Fratin’, stamped ‘A VETU’ on the base 37cm wide 16.5cm deep 23cm high £300 - 500 Lot 258 *Hippolyte Peyrol (French, 1856-1959) A setter signed lower left ‘H Peyrol’, bronze with brown patina, placed on a separate wooden base with dedication 39cm wide 22cm high, excluding base £200 - 300

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DOGS 192-285 Lot 259 *John Trickett (b.1952) Study of a Gordon Setter signed ‘John Trickett’ l.r., oil on canvas 75 x 60cm £600 - 800 Lot 260 Henry Crowther (1905-1939) Study of a Gordon setter signed ‘H Crowther/1914’ l.l., oil on canvas 29 x 37cm £200 - 300 Lot 261 Miss K C Brown (fl.1937-1962) ‘Champion Precept of Tarvey’, a Dobermann Pinscher signed and dated ‘KC Brown 1960’ l.r., watercolour, body colour, pencil, pen and ink 52.5 x 77.5cm together with numerous dog show prize-winning certificates, including Crufts 1955 ‘First Prize in Breed’ and Crufts 1955 Kennel Club Challenge Certificate for the dog ‘is of such outstanding merit as to be worthy of the title of champion’, also a Kennel Club labelled box containing leads and nail clippers (qty.) £300 - 500

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261 part lot

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192-285 DOGS Lot 262 Lucy Waller (1856-1908) Study of a mastiff signed ‘L Waller’ verso, oil on terracotta, circular 29 x 29cm £150 - 250 Lot 263 Paul Édouard Dreux (French, 1855-1947) A French bulldog signed u.r. ‘P Dreux’, bronze, on a marble base 6cm wide 11.5cm high including base £150 - 250

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Lot 264 Jules Contant (French, 1822-1885) French bulldogs in an interior, one drinking from a bowl signed ‘Jules Contant’ u.l., oil on canvas 32 x 26cm, unframed £100 - 200

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Lot 265 Alfred Wheeler (1851-1932) Study of Mr Sam Woodiwiss’s Champion ‘Blackberry’, a bulldog, b.1893 at the Sedgemore Kennels oil on board 20 x 19cm £100 - 200

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DOGS 192-285 Lot 266 *Violet Thorne Seckham (1865-1966) A white rough collie signed and dated 1918, l.l., oil on canvas 87 x 91.5cm £500 - 800

Lot 267 Lying Dogs carved wood, plinths not included approximately: 78cm wide 40cm deep 20cm high (2) £4,000 - 6,000

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267

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192-285 DOGS

Lot 268 Heywood Hardy (1842-1933) ‘In the Rose Garden’ signed ‘Heywood Hardy’ and dated 1897 l.l. oil on canvas 42 x 55cm £5,000 - 7,000

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DOGS 192-285

269 Lot 269 Cecil Aldin (1870-1935) Study of a sleeping lurcher pencil 15.5 x 10.5cm £200 - 300 Provenance: T rumpington Gallery.

270 Lot 270 White greyhound ceramic, unique 53cm wide 33cm deep (front on) 92cm high £600 - 800

Lot 271 English School, 19th century Greyhound beside the day’s bag and a hunting horn in a tree stump 23cm wide 13.5cm deep 23.5cm high £250 - 350

271 Lot 272 English School, early 20th century As sick as a dog; Just the tonic the first indistinctly signed ‘F Adescombe’ l.l., oil on canvas 20.5 x 15cm, in bird’s-eye maple frames (2) £400 - 600

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275 Lot 273 Frank Prosser (1895-1950) ‘Rip’ signed and dated ‘F Prosser/1942’ l.l. and titled l.r., pastel 37x 37cm £100 - 150 Lot 274 N Caldwell (19th century) A Bernese mountain dog outside his kennel signed ‘N Caldwell/1911’ l.r., oil on canvas 90 x 39cm £150 - 250

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Lot 275 *Carolyn Alexander (b.1948) ‘Timworth Edward’, study of a greyhound signed and dated ‘Carolyn Alexander 1984’ l.r., and inscribed ‘Timworth Edward/winner of the Waterloo cup 1981’, oil on board 40 x 60cm £400 - 600 Provenance: The property of Dame Margot Smith, past Speaker of the House of Commons. Lot 276 *James Osborne (1940-1992) An Irish wolfhound signed and dated ‘1973/James Osborne’ on the base, bronze with brown patina 24cm wide 20cm high including marble base £300 - 500

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DOGS 192-285

Lot 277 *Lucy Dawson (‘Mac’) (1870-1954) Study of a chow chow signed ‘Lucy Dawson’ l.r. and titled l.c., pastel 22.5 x 26cm £200 - 300

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Lot 278 *Stella Crofts (1898-1964) Study of a borzoi, lying down pastel 25 x 37cm £100 - 150 Lot 279 Reuben Ward Binks (1880-1950) Study of a chow signed indistinctly l.r., watercolour 29 x 24cm £200 - 300

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Lot 280 F Berger (French, 19th century) A sleeping Papillon signed l.r. ‘F Berger’, bronze, oval, with foundry inscription for Montagutelli, Paris 20cm wide 18cm deep 10cm high £150 - 250

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192-285 DOGS

Lot 281 Maud Earl (British-American, 1864-1943) Black Chow and a rough Collie signed ‘Maud Earl’ l.r., oil on canvas 97 x 138cm £2,000 - 3,000

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Lot 282 French School, c.1880 Two lion-cut French poodles bronze, the smaller with glass eyes 19.5cm wide 12.5cm high, and 9cm wide 7.5cm high (2) £150 - 250 Lot 283 Spare lot

Lot 284 Jules Moigniez (French, 1835-1894) Deerhound surprised by a tortoise signed ‘J Moigniez’ l.r., bronze, on a brass base 30cm wide 25cm high £200 - 300

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Lot 285 *Bob Crutchley (b.1943) Sitting dog bronze with green patina, signed 20cm wide 7cm deep 20cm high £600 - 800

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THE BRYAN STEELE COLLECTION 286-301

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287

Lot 286 Herbert Thomas Dicksee RE (1862-1942) ‘The Dying Lion’, recumbent lion at dusk, with vultures and wild dogs nearby etching, signed in pencil, watercolour of this subject sold by us with the title ‘The Old King’ lot 353 on 25 June 2019 image 25.4 x 47cm £250 - 350 Provenance: P urchased from the daughter’s art dealer. Exhibited: Royal Academy 1887, number 1444 (after his contemporaneous large oil painting exhibit 349, Royal Academy 1888). This is a rare early etching, that launched his career as a wildlife painter and etcher. See lots 287 and 288 for development proofs of this subject.

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Lot 287 Herbert Thomas Dicksee RE (1862-1942) ‘The Dying Lion’ etching, first-state printer’s development proof plate 29 x 49cm, unframed £150 - 250 Provenance: P urchased from the daughter’s art dealer. Lot 288 Herbert Thomas Dicksee RE (1862-1942) ‘The Dying Lion’ etching, second-state printer’s development proof plate 29 x 49cm, unframed £150 - 250 Provenance: P urchased from the daughter’s art dealer. Lot 289 Herbert Thomas Dicksee RE (1862-1942) ‘Head of a Lioness’, portrait, side-face, looking right to left early original etching on paper, signed in pencil image 12.6 x 16.4cm £250 - 350 Exhibited: T he Society of Painter Etchers, 1895.

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THE BRYAN STEELE COLLECTION 286-301

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291 Lot 290 Herbert Thomas Dicksee RE (1862-1942) ‘His Royal Highness’, portrait of a lion, full face early etching on paper, signed in pencil, rare (circa 1892), not published (as a signed artist proof) plate 28 x 20cm £150 - 250 Provenance: Purchased from his grandson’s widow.

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Lot 291 Herbert Thomas Dicksee RE (1862-1942) ‘Tiger Resting’, alert tiger, crouching down on a rocky hillside etching, signed in pencil image 23 x 28cm £150 - 250 Exhibited: Royal Academy, no. 1185, 1928. Lot 292 Herbert Thomas Dicksee RE (1862-1942) ‘Study of a Tiger Eating’ etching, signed in pencil, artist’s proof, edition of 100, published by Frost and Reed 1916, with blindstamp, no other state, plate destroyed image 18.8 x 45.2cm £150 - 250 After his own painting, exhibit number 259, the Royal Academy 1916. Lot 293 Herbert Thomas Dicksee RE (1862-1942) ‘Roused’, lion (standing), lioness (crouching) on alert early etching, signed in pencil, presentation proof: pencil annotation ‘to F Goulding’ (eminent printer), published by the Fine Art Society, London 1890, edition of 100 image 49.5 x 69.8cm £150 - 250

293

Exhibited: Royal Academy, 1890, no.1620. Provenance: Purchased from his grandson’s art dealer.

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286-301 THE BRYAN STEELE COLLECTION

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Lot 294 Herbert Thomas Dicksee RE (1862-1942) ‘The Monarch Of The Desert’ recumbent lion on the rocky shoreline of a desert lake rare early etching on vellum, signed in pencil, edition of 200, published by C E Clifford & Co., London, 1893 image 47 x 76cm £250 - 350 Exhibited: Royal Academy 1893, no. 1399. Provenance: Y eaton Peverey Hall. Lot 295 Herbert Thomas Dicksee RE (1862-1942) Study of a Tiger stone lithograph on paper, signed ‘HD’ lower left image 21 x 36cm £250 - 350 Rare. Not published. Provenance: F rom the artist’s studio, purchased direct from a descendant. Lot 296 Herbert Thomas Dicksee RE (1862-1942) ‘Dandie Pup’, portrait of a Dandie Dinmont terrier pup, sitting etching, signed in pencil, edition of 150, no other state, published by Frost & Reed 1927, FATG blindstamp image 24.8 x 35.5cm £150 - 250

296

Provenance: P urchased from his grandson’s art dealer. Model for this picture was ‘Charles Edward Pilkington’ (‘Charles Edward’ for short - a Dandie belonging to the artist’s daughter Dorothy Sylvia). The dog died prematurely of distemper. Lot 297 Herbert Thomas Dicksee RE (1862-1942) ‘My Lady Sleeps’, the artist’s daughter Dorothy Sylvia (born 1901) asleep against a mastiff etching on vellum, signed in pencil, edition of 300, no other state, plate destroyed, published by Frost & Reed 1905, with blindstamp image 24.2 x 49.6cm £300 - 400

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THE BRYAN STEELE COLLECTION 286-301

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Lot 298 Herbert Thomas Dicksee RE (1862-1942) ‘Hard Times’, King Charles spaniel laying down, patiently waiting dry point etching on vellum, signed in pencil, edition of 350, no other state, plate destroyed, published by Frost & Reed 1917 image 22.8 x 35cm £200 - 300 Provenance: P urchased from the grandson’s art dealer. Lot 299 Herbert Thomas Dicksee RE (1862-1942) ‘Where’s Master?’ King Edward’s favourite dog, Caesar, a rough-haired terrier longing for its master following the King’s death in 1910, 2 January 1911 etching on vellum, signed in pencil, with remarque in bottom margin, edition of 300, Queen Alexandra graciously accepted the Dedication of this Etching when it was published by Frost & Reed image 36.2 x 56cm £150 - 250 Exhibited: Royal Academy 1911, no.1422.

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Lot 300 Herbert Thomas Dicksee RE (1862-1942) ‘The Viking’s Daughter ‘, with her attentive Irish wolfhound, looking longingly out to sea on a windswept day etching on vellum, signed in pencil, edition of 300, published by Arthur Tooth & Sons, London, 1909, with blindstamp image 48.9 x 60.8cm £200 - 300 Exhibited: 1371, Royal Academy, 1910. The model was a young Gladys Cooper, before she found considerable fame as an actress. Lot 301 Herbert Thomas Dicksee RE (1862-1942) ‘The First Night From Home’, puppy sleeping soundly etching on vellum, signed in pencil, edition of 250, plate destroyed, no other state, published by The Fine Art Society, London, 1901, with blindstamp image 21 x 30cm £150 - 250

Royal Collection Trust item ref 500116 - Sandringham House.

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WILDLIFE 302-345

Lot 302 Braying stags two, bronze 45cm wide 24cm deep 47cm high, and 52cm wide 24cm deep 52cm high (2) £1,200 - 1,800

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302-345 WILDLIFE

Lot 303 *John Cox (1952-2014) A pair of red deer stags bronze with a variegated red-brown patination 260cm long 110cm high, and 234cm long 107cm high (2) £15,000 - 20,000 Lot 304 Spare lot

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WILDLIFE 302-345 Lot 305 *Jeremy Paul (b.1954) ‘Frosty Challenge - Red Deer’ signed ‘Jeremy Paul’ l.r. and inscribed verso, oil on board 37.5 x 55cm £300 - 500

305 Lot 306 *John Trickett (b.1952) ‘Red Deer - Evening on the Hill’ signed ‘John Trickett’ l.l., oil on board 29 x 38cm £200 - 300

306 Lot 307 Rafel Mikhaylov (Russian, b.1936) ‘Cow’, 1956 signed l.r., oil on canvas 39 x 45cm £250 - 300

307 114

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302-345 WILDLIFE

Lot 308 *Paul Jenkins (b.1949) Walking fox bronze, 16 of 22 69cm wide 26cm deep 47cm high £1,200 - 1,800

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Lot 309 *Linda Frances (contemporary) Fox chasing goose bronze 34cm wide 6cm deep 9cm high £180 - 320

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Lot 310 A chicken and fox bronze on an onyx plinth 70cm wide 19cm deep 32cm high £800 - 1,200

310 www.sworder.co.uk

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WILDLIFE 302-345

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Lot 311 Boxing Hares bronze 39cm wide 18cm deep 46cm high £600 - 800

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Lot 312 *John Cox (1952-2014) Moon Gazer bronze 20cm wide 28cm deep 44cm high £500 - 700

Lot 313 *John Cox (1952-2014) Lying hare bronze, foundry stamped 75cm wide 36cm high £600 - 800

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302-345 WILDLIFE

Lot 314 *John Cox (1952-2014) Boxing hares bronze with foundry stamp 70cm wide 72cm high £800 - 1,200

Lot 315 *Linda Frances (contemporary) Hare Head bronze, edition of 58 14cm wide 16cm deep 39cm high £400 - 600

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Lot 316 20th century Lying Hare bronze with brown patina 31cm wide 26cm deep 24cm high £200 - 300

315 www.sworder.co.uk

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Lot 317 Archibald Thorburn (1860-1935) A mountain hare signed ‘A Thorburn’ l.l., watercolour 19.5 x 22.5 cm £800 - 1,000 Lot 318 *Mark Chester (b.1960) ‘Winter Hare’ signed ‘Mark Chester’ l.r., also signed and inscribed with title verso, oil on board 28 x 20.5cm £150 - 250

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Lot 320 *Rosalie Johnson (b.1933) ‘Prize catch’, an otter holding a fish bronze with brown patina, signed, inscribed and numbered ‘Rosalie Johnson 2/50 @’ underneath 25.5cm wide 12cm high £300 - 500

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Lot 319 *Linda Frances (contemporary) Running hares bronze, signed edition 7 of 125 34cm wide 10cm deep 20cm high £600 - 800

320 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

302-345 WILDLIFE Lot 321 *Nigel Hemming (b.1957) Study of an otter with a salmon on a waterfall signed ‘Nigel Hemming’ l.r., oil on canvas 29 x 24cm £400 - 600 Lot 322 Arthur Bevan Collier (1832-1908) The Tamar at Carthamartha, fisherman on a shingle bank oil on canvas 61 x 92cm £300 - 500

Lot 323 Charles George Lewis (1808-1880) after Sir Edwin Landseer RA ‘Otters and Salmon’ mezzotint engraving with hand-colouring, signed ‘...Landseer’ in pencil l.l., with Printsellers’ Association blind stamp plate 55.7x 87cm £150 - 250 Lot 324 A pair of contemporary carved bookends, modelled as an otter, the stained body incised ‘SR’, on beech plinths, 36cm wide 18.5cm high (2) £150 - 250

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Lot 325 *Nick Bibby (b.1960) A Field Mouse bronze with brown patina, signed ‘BIBBY’ and inscribed ‘AC’ and impressed ‘PE’ 12cm high £250 - 350

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325

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WILDLIFE 302-345

Lot 326 *Peter Deighan (b.1941) Lioness signed ‘Deighan’ l.l. oil on canvas 61 x 76cm £400 - 600

326

327 part lot Lot 327 *Peter Deighan (b.1941) Lion cub; Lion and Lioness both signed ‘DEIGHAN’ l.l., oil on canvas 26 x 30cm and 41 x 51cm, both unframed (2) £250 - 350 120

328 Lot 328 Fred Thomas Smith (c.1899) ‘A happy family’, lion, lioness and cubs amongst rocks signed and dated ‘Fred Thomas Smith. 1899’ l.l., oil on canvas 30 x 37.5cm £300 - 500 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 132

302-345 WILDLIFE

Lot 329 A marble sculpture early 20th century, in the form of a prowling lioness with traces of an earlier plaque to the base 42cm wide 18cm deep 32cm high £300 - 400

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Lot 330 After Paul-Édouard Delabrièrre A lion and lioness gilt-bronze, signed by the lioness’s paw ‘E Delabriere’ 70cm wide 36cm high £500 - 600

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Lot 331 Guy Debe (French, 20th century) An Art Deco panther bronze on a marble and onyx base 60cm wide 28cm high £250 - 350

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WILDLIFE 302-345 Lot 332 *Tony Forrest (b.1961) Tiger and cub in grasses; Cape buffalo in a savannah landscape; Roused elephants in a savannah landscape each signed, oil on canvas 25 x 50cm (3) £500 - 800

332 Lot 333 *Adrian C Rigby (b.1962) ‘Bengal Tiger’ signed and titled and inscribed verso, gouache 22.5 x 33.75cm £300 - 500

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302-345 WILDLIFE Lot 334 *Stephen Park (b.1962) A tiger lying on a rock beneath a tree signed ‘Stephen Park’ l.r., oil on canvas 50.5 x 76cm £600 - 800

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Lot 335 *Peter Deighan (b.1941) Study of a leopard in a tree signed ‘DEIGHAN’ l.r., oil on canvas 50 x 60cm £200 - 300

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Lot 336 *Peter Deighan (b.1941) A cheetah and her cubs signed ‘DEIGHAN’ l.r., oil on canvas 51 x 61cm £200 - 300

336 www.sworder.co.uk

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WILDLIFE 302-345

Lot 337 *Julie Ann Bull (contemporary) ‘Natural Tapestry’ signed ‘Julie Ann Bull’ l.r., also signed, inscribed with title and dated 2021 on stretcher, oil on canvas 60 x 85.5cm £800 - 1,200

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302-345 WILDLIFE

Lot 338 *Julie Ann Bull (contemporary) ‘Bengal Cubs’ signed ‘Julie Ann Bull’ l.r., also signed, inscribed with title and dated 2021 on stretcher, oil on canvas 51 x 41cm £500 - 700

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WILDLIFE 302-345 Lot 339 *Peter Deighan (b.1941) Zebras with a foal in a landscape signed ‘Deighan’ l.r., oil on canvas 50 x 75cm £300 - 500

339 Lot 340 *Paul B Dixon (b.1956) A kudu herd with two males fighting signed and dated ‘97 l.r. 73 x 107cm £600 - 800

340 Lot 341 *Peter Deighan (b.1941) Elephant and calf with cattle egrets, Kenya signed ‘Deighan’ l.l., oil on canvas 49 x 59cm £200 - 300

341

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302-345 WILDLIFE Lot 342 Pip McGarry (b.1955) ‘A Tall Order, study of a Maasai Giraffe’ signed and dated ‘Pip McGarry, 2017’ l.r., inscribed with title l.l., pencil 59 x 26.5cm £800 - 1,200 To be sold for the benefit of Marwell Zoological Park, Hampshire. Pip McGarry is established as one of Europe’s leading wildlife artists and has been the official ‘Artist in Residence’ at Marwell Wildlife in Hampshire for over twenty years. In 2004, he was the subject of a popular seven-part Meridian Television series ‘A Brush With The Wild’, presented by Anneka Rice, in which he taught a number of celebrities how to paint wildlife. He has organised and led over thirty safaris to Kenya, Tanzania and Botswana. The proceeds from this sale will be donated to Marwell Wildlife to assist their important work with endangered species.

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WILDLIFE 302-345

Lot 343 *Terry Owen Matthews (b.1931) A bronze rhino, on a wood plinth signed and dated 1987, numbered 2/10 on a wooden base 47cm wide 29.5cm high £600 - 800

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Lot 344 *Terry Owen Matthews (b.1931) a bronze group of four elephants, signed ‘T. O. Matthews’, dated ‘85’ and numbered 6/10 54.5cm wide £400 - 600

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302-345 WILDLIFE

Lot 345 *Nick Bibby (b.1960) Hippopotamus bronze with brown patina, signed ‘N Bibby’ and numbered 1/12, and ‘PE’ on the plinth 41cm wide 31.5cm high £1,500 - 2,000

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Fine Wine & Spirits FRIDAY 11 - SUNDAY 20 JUNE

paulfox@sworder.co.uk | 01279 817778 130

INDEX OF ARTISTS A Aldin, Cecil 40, 55, 57, 203, 204, 269 Alexander, Peggy 224 *Alexander, Carolyn 275 Alken, Henry 50 Alken Snr, Henry 71 Ansdell, Richard 198 *Arnup, Sally 218 Ashley, Philip A 179

F Fenning, B Ford, William *Forrest, Tony *Frances, Linda Fratin, Christophe Frémiet, Emmanuel French School, c.1880 French School, 20th century *Furness, Robin

B Berger, F *Bibby, Nick Biddulph,, S F Binks, Reuben Ward Bonet Bonheur, Isidore Jules Bowen, John A Bradley, Cuthbert Brown, Miss K C *Bull, Julie Ann *Burton, Claire Eva

G *Geere, Frank L *Gemma, Federico *Gillingham, Debbie Gillray, James *Goffey, Harry Gornik of Vienna, Frederick *Griffiths, Simon Grigoriyeva, Valentina Groome, William Henry Charles

6 170 231 72 202 242 164 76 11

H *Haigh, Alfred Grenfell Hardy, Heywood Harris, J Harris-Ching, Raymond *Harrison, John Cyril *Harvey, Reginald Llewellyn *Haslen, Andrew *Haycock, Frederick J *Hemming, Nigel Herberte, Edward Benjamin Herring Jnr, John Frederick Herring Snr, John Frederick *Hill, Berrisford *Hollams, Frances Mabel *Hollywood, William *Hoskyns, Ben Howells, Maud

7 268 92 167 189 54 243 227 321 34 13 156 149 8 151 162 201

280 173, 174, 325, 345 190 207, 279 219 20 251 233 261 248, 337, 338 85A

C Cain, August Nicholas 221 Caldwell, N 274 *Cawthorne, Neil 62, 63 Cayley, Neville William 180 *Chester, Mark 157-159, 166, 318 Colley, J W 208 Collier, Arthur Bevan 322 Contant, Jules 264 *Coward, Malcolm 23, 24 *Cox, John 150, 186, 303, 312-314 *Cox, Marjorie 206 Cox, S 2 *Crane, Daniel 65 *Crofts, Stella 278 Crowther, Henry 210, 260 *Crutchley, Bob 18, 22, 285 Cuvelier, Joseph 79 D *Dawson, Lucy 246, 277 de Vos, Vincent 229 Debe, Guy 331 *Deighan, Peter 15, 69, 86, 100, 326, 327, 335, 336, 339, 341 Delabrièrre, Paul-Édouard 330 Dicksee, Herbert Thomas 286-301 Dighton, Joshua 5 *Dixon, Paul B 340 Dreux, Paul Édouard 263 *Dupont, Richard John Munro 27, 28 E Earl, Maud 254, 281 *Edwards, Lionel Dalhousie Robertson 56 Elliott, W 94 English School, 19th century 3, 53, 99, 101, 142, 194, 196, 200, 238, 252, 256, 271 English School, 19th/20th century 195 English School, early 20th century 272 English School, 20th century 16, 61, 81, 209, 228, 244

I Indian Company School Ingall, *** Ivanov, Viktor

67 237 332 309, 315, 319 19, 257 182 241, 282 102 51

234 245 26, 96

J Jay, Florence *Jenkins, Paul *Johnson, Rosalie *Jouve, Pierre-Paul K *Kellam, Colin Keulemans, Johannes Gerardus *King, John Gregory Knyjov, Vinar

205 308 320 188 187 146 66, 70 230

L Landseer, Sir Edwin Langley, Charles Dickinson Leech, John Léonard, Agathon Lewis, Frederick C Lewis, Charles George *Lock, Anton Lucas, Henry Frederick Lucas M *Matthews, Terry Owen McGarry, Pip Mène, Pierre-Jules *Meredith, David Mikhaylov, Rafel *Millais, Raoul

197 32 39 222 42 323 29 4 343, 344 342 239 183 307 12

Milo Moigniez, Jules *Morgan, William Evan Charles Morley, Lt Col. Harold Duke Collison Müller, Hans Munnings, Sir Alfred James O *Osborne, James

80 284 1 95 17 89-91 276

P Paice, George 211 *Park, Stephen 334 Paton, Frank 199 *Paul, Jeremy 305 *Payne, Charles Johnson called ‘Snaffles’ 48, 49 *Peyrol, Hippolyte 258 *Ponsonby, Sarah 85 Prosser, Frank 273 R Reeves, *** *Rickman, Philip *Rigby, Adrian C Roache, Andrew Roe, Colin Graeme S Sartorius, John Nost *Scott, Sir Peter Markham *Seckham, Violet Thorne Shapovalov, Anatoly Smith, Carlton Alfred Smith, Fred Thomas Smythe, Edward Soper, George Sporykhin, Boris Stewart, Frances Algernon Stone, Robert Stupina, Nadezhda Sutherland, Thomas

253 148, 154, 155, 161 333 177 192 33 181 266 25, 78 9 328 14 87 31 52 36 168 41, 93

T Thomson, William 21 Thorburn, Archibald 317 *Timym, William 97 *Trickett, John 64, 153, 160, 193, 235, 236, 247, 249, 250, 259, 306 *Trundley, David 88 Turner, Francis Calcraft 35, 240 V Van Berg, A Velasquez, Diego *Victoria, Chloe

143 232 172, 176

W *Waide, Jerry S Waller, Lucy Wardle, Arthur Wheeler, Alfred Wolstenholme, Dean Wright, George *Wright, Frank

169, 178 262 255 265 47 37, 38 30

Z *Zinkeisen, Doris Zwick, K

82-84 68

Lots marked with a ‘*’ may attract the Artist’s Resale royalty charge at the rate of 4% of the hammer price. This royalty, where applicable, will be charged to the purchaser. 131

GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty. Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

Circle of David Cox in our opinion a work from the period of the artist and showing his influence.

The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt.

Follower of David Cox in our opinion a work executed in the style of David Cox After David Cox in our opinion a copy of any date after a work by the artist Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist

A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750. All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing. Condition reports are not included in the descriptions.

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right? Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more. This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale. How are resale royalties calculated? The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate. The royalty is worked out according to a sliding scale from 4% to 0.25%.

Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom. Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs.

From 0 to €50,000

From €50,000.01 to €200,000

Are all sales of artwork covered? The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met:

From €200,000.01 to €350,000

•

Hammer Price

From €350,000.01 to €500,000 Exceeding €500,000

Royalty

0.5% 0.25%

What is the qualifying threshold? An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

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What nationality must an artist be to qualify? The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA:

• • •

the artwork is a copyright protected work of graphic or plastic art; it is sold for more than €1000; it is sold in the secondary market with the involvement of an art market professional (e.g. auction house); and it is sold in the UK or another country in the European Economic Area (EEA).

This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

TERMS AND CONDITIONS 1. INFORMATION FOR BUYERS Introduction The following notes are intended to assist Bidders and Buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Terms and Conditions and any notices that are displayed in our salerooms or announced by the Auctioneer at the auction. Our Terms and Conditions are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Terms and Conditions that you do not fully understand. Please make sure that you read our Terms of Sale carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. Methods of payment Lots must be paid for before they are collected or shipped. For those attending the auction we ask that Lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our Website, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000. Usually any cheques will need to be cleared before you can take the Goods away. Collection and storage All Lots should be paid for and collected by 5pm on the Friday following the sale. Commission Bidders should check the success of their bids and arrange payment, and collection or shipping within this time. For our specialist auctions please refer to the collection and storage requirements detailed in the catalogue and on our Website, which specifies the applicable fees. For our Homes and Interiors auctions, items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 (plus VAT) for administration and £2 (plus VAT) per lot per day. Agency As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the Goods is with the Seller, not with us as Auctioneer. Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the sale Price. The lower estimate may represent the Reserve Price (the minimum Price for which a Lot may be sold) and will not be below the Reserve Price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot. They are not definitive. Buyer’s Premium The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these Premiums (see below). VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the Buyer on the Hammer Price and the Buyer’s Premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that Lot. Lots which do not have either of the above symbols have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the Premium is not recoverable as input tax. Shipping Costs are liable for VAT and are payable by the Buyer. Inspection of Goods by the Buyer As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have ample opportunity to inspect the Goods. You must inspect and investigate Lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of Lots set out in the Terms of Sale at clause 12.4. Condition reports We may be able to assist Buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending Buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale. Shipping of Goods We offer a delivery service for Lots purchased. Estimates for Shipping Costs for smaller items can be calculated pre-sale on our website under each Lot and are based on value, size and your chosen UK destination. For items purchased the actual cost can be added to your account and paid online after the sale. If you purchase multiple Lots from the same auction, we will combine packaging/deliveries to reduce the Shipping Costs. For lots for which Shipping Costs cannot be automatically calculated, such as furniture, you can obtain a bespoke Shipping Cost from our website to any destination in the world either in advance of the sale or after you have purchased.

Electrical goods These are sold as ‘antiques’ only. If you buy electrical Goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them. Export of Goods If you intend to export Goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing Goods of that character e.g. because the Goods contain prohibited materials such as ivory. Bidding Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a Commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Commission bidding You may leave Commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyers’ Premium and/or any applicable VAT). We will execute Commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical Commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving Commission bids online via our Website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute Commission bids received after this time. Telephone bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value Lots. Please note that this service is for Lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason. Online bidding Any Lots purchased via a live online bidding service will be subject to an additional Commission charge on the Hammer Price payable by the Bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% while bidding via Sworders Website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. These charges will be payable to us on top of the Hammer Price and our Buyer’s Commission.

IMPORTANT NOTICES Removal of Lots All Lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove Lots remaining after this time into safe storage, for which a charge will be made. Electrical Goods All electrical Goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical Goods certified safe must be re-Commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-Commissioned. Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling. Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial Buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

Estimates of Shipping Costs on our website are based on the low estimate, whilst the actual cost is based on Hammer Price.

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2. TERMS OF SALE Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. These Terms of Sale relate to auctions conducted by an Auctioneer only. We have separate terms for online only auctions. 1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a Commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition. 3.3 If you instruct us in writing, we may execute Commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your Commission bid, unless our failure to do so is unreasonable. Where two or more Commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

‘Auctioneer’

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised Auctioneer, as appropriate;

‘Bidder’

means a person who places a bid for Goods at our auction;

‘Buyer’

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

‘Commission’

means the Commission that we charge you on the sale of the Goods as set out in Clause 5 below;

‘Consumer’

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

‘Consumer Contracts Regulations’

means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

‘Deliberate Forgery’

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

‘FCA’

means the Financial Conduct Authority;

‘Goods’

means the Goods that have been consigned to us for sale at our auction;

‘Hammer Price’

means the level of the highest bid for a Lot accepted by the Auctioneer;

‘Premium’

means the Premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

‘Price’

means the total of the Hammer Price, Premium, Shipping Costs (if applicable) and any applicable VAT;

‘Proceeds’

means the Price less the Commission, the Premium, Shipping Costs, any expenses incurred to your account and any applicable VAT;

‘Reserve’

means the minimum Price at which the Goods may be sold;

‘Seller’

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

‘Shipping Costs’

means the charges applied to the shipping of all Goods purchased, should the Buyer ask for the Auctioneer’s shipping agent to deliver the Goods (if applicable);

‘Terms of Consignment’

means these Terms of Consignment;

‘Terms of Sale’

means the Terms of Sale for Bidders or Buyers at our auctions;

‘Trader’

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the Trader’s name or on the Trader’s behalf (such as an agent and/or the Auctioneer);

‘VAT’

means any value added tax or equivalent sales tax; and

‘Website’

means our Website available at www.sworder.co.uk.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue. 2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may re-offer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

2.3 The Price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

2.4 The arrangements for collection or delivery of the Goods as set out in Clauses 8 and 9.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

4. The purchase price As Buyer, you will pay:

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

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a. the Hammer Price; b. a premium of 25% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price, Premium and Shipping Costs (if applicable) due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further information. 5.2 We will charge VAT at the current rate at the date of the auction. 6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the Auctioneer records the winning Lot in the sale book accepting the highest bid for the Lot at auction, unless due diligence information required by the Auctioneer under the Money Laundering Regulations 2019 in accordance with their internal procedure remains outstanding, in which case the contract will be formed when that information is accepted by the Auctioneer as complete. 6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may at our discretion provide the Seller with information or assistance in relation to that claim. 6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the total amount due in any way that we agree to accept payment. 7.1.3 pay in full the Shipping Costs prior to the Goods being shipped, should you agree to the Auctioneer’s shipping agent delivering the Goods. 7.2 If you owe us any money, we may use any payment made by you to repay these debts. 8. Title and collection of purchases 8.1 Once you have paid us in full the total amount due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it. 8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction, or such later date as is specified in the printed catalogue or on our Website. 8.3 If you agree to the Auctioneer delivering the Goods, only when the full Shipping Costs have been paid will the Goods be dispatched. We reserve the right that some Lots will not be suitable for an automated shipping estimate and will require bespoke quotes from the shipping agent. 8.4 Should you decide to use the delivery service, you thereby agree to allow the Auctioneer to share relevant personal data that we hold with the shipping agent in order to allow effective communication between the shipping agent and you, and to enable delivery. 8.5 If you do not collect the Lot within the time period under Clause 8.2, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.6 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.7 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the Proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling Commission at our standard rates on any such resale of the Lot.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the Price you should have paid for the Lot and the Price we sell it for as well as the charges outlined in Clause 8.7). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the total amount due, including Shipping Costs where applicable; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us. 9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale. 10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our employees’ or our agents’ negligence. 11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the Lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct. 11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the total amount due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below. 11.3 Please note that many of the Lots that you may bid on at our auction are second-hand. 11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots. 11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot). 12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling Price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. 12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed. 13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within thirty days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects. 13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or recorded delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient. 15.3 Notices must be sent: 15.3.1 by hand or registered post; a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or recorded delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient). 15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our Website.

13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

13.3 If you have sold the Lot to another person, we will only be liable to refund the Price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale. 14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. 14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Terms and Conditions. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law. 15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. 17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts. These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers

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