DRACULA BY BRAM STOKER ADAPTED AND DIRECTED BY KIP WILLIAMS
PERFORMER
Zahra Newman
ADAPTER & DIRECTOR
Kip Williams
DESIGNER
Marg Horwell
LIGHTING DESIGNER
Nick Schlieper
COMPOSER
Clemence Williams
SOUND DESIGNER
Jessica Dunn
VIDEO DESIGNER
Craig Wilkinson
ASSISTANT VIDEO DIRECTOR
Benjamin Sheen
VIDEO EDITOR
Susie Henderson
ASSOCIATE DIRECTOR
Ian Michael
ASSISTANT DIRECTOR
Nicole Pingon
SOUND SYSTEMS DESIGNER
Hayley Forward
VIDEO SYSTEMS DESIGNER
Callum Walker
VOICE & TEXT COACH
Charmian Gradwell
PRODUCTION MANAGER
Elizabeth Jenkins
DEPUTY PRODUCTION
MANAGER
Julia Orlando
STAGE MANAGER
Sarah Smith
DEPUTY STAGE MANAGER
Jaymii Knierum
ASSISTANT STAGE MANAGER
Chloe Langdon
COSTUME COORDINATOR
Sam Perkins
WIG, HAIR & MAKE-UP SUPERVISOR
Lauren A. Proietti
BACKSTAGE WARDROBE SUPERVISOR
Simone Edwards
WARDROBE DAY MAINTENANCE
Catriona McCabe
LIGHTING SUPERVISOR
Jesse Greig
LIGHTING PROGRAMMER
Corinne Fish
HEAD LIGHTING TECHNICIAN
Amy Robertson
LIGHTING OPERATOR
Anastasia Mowen
DEPUTY SOUND SUPERVISOR
Luke Davis
SOUND OPERATOR
Zac Saric
MIC TECHNICIAN
Jessica Pizzinga
VIDEO SUPERVISOR
Michael Hedges
DEPUTY VIDEO SUPERVISOR
Charlie Kember
ASSISTANT VIDEO EDITOR
Jake Lodder
VISION SWITCHER
Rose Mulcare
FOCUS PULLER / SWING
STEADICAM OPERATOR
Josh Vellis
CAMERA OPERATORS
Sam Heesen
AndrĂŠ Morton
Lucy Parakhina
STAGING SUPERVISOR / HEAD MECHANIST
David Tongs
AUTOMATION SUPERVISOR
Kane Mott
AUTOMATION OPERATOR
Liam Kennedy
FLY OPERATOR
Bernard Gourlay
MECHANISTS
Sam Carr
Grant Finlay
Jhet Finlay
REHEARSAL PHOTOGRAPHER
Daniel Boud
2 HOURS, NO INTERVAL
THIS PLAY PREMIERED AT ROSLYN PACKER THEATRE, SYDNEY 6 JULY 2024
SUPPORTED BY STC ANGELS IN ASSOCIATION WITH THE DRACULA DONOR CIRCLE
ASSOCIATE PARTNER
Kip Williams and Zahra Newman
A MESSAGE FROM ANNE DUNN
I am delighted to welcome you to the premiere season of Dracula at Sydney Theatre Company. This much-anticipated production, adapted and directed by Kip Williams, marks a significant moment in the story of this Company. As we gather to experience Dracula, it is a time of reflection and celebration: Kip, who has been at the helm of the Company's artistic output for the past eight years, presents his final production as Artistic Director. Kipâs tenure has been marked by artistic and technological innovation, compelling storytelling, and a steadfast commitment to excellence. His contributions have profoundly impacted Sydney Theatre Company, enhancing our productions and captivating audiences with his distinctive approach and creativity.
Dracula exemplifies Kipâs exceptional skills. His ability to reimagine classic tales, his deep understanding of the mechanics of storytelling and his fabulous eye for beauty and detail. This production promises to be a captivating journey, blending gothic horror with contemporary themes and showcasing the talents of our creatives, production crews and, of course, the incredible Zahra Newman.
I extend my heartfelt congratulations to Kip on this significant production, the culmination of his Victorian Gothic cinetheatre trilogy that began with The Picture of Dorian Gray in 2020, Strange Case of Dr Jekyll & Mr Hyde in 2022 and now Dracula
Kipâs influence will resonate for years to come, inspiring future theatre-makers and audiences alike.
I want to thank our Government funding partners, Creative Australia and Create NSW, and our patrons, donors, and supporters for your ongoing commitment to Sydney Theatre Company. Your generosity and enthusiasm make it possible for us to bring outstanding theatre to life.
"Dracula exemplifies Kipâs exceptional skills. His ability to reimagine classic tales, his deep understanding of the mechanics of storytelling and his fabulous eye for beauty and detail."
Enjoy the magic of Dracula and we look forward to sharing Kipâs 2025 program, the last he will program for STC, with you when we launch it in September.
Thank you,
Anne Dunn Executive Director &
Co-CEO
Zahra Newman
SYNOPSIS
A danger lurks in the shadows. Whispers of a creature that is either ghost, demon, or something altogether more uncanny.
Young solicitor, Jonathan Harker, travels on business to Castle Dracula â a ruined battlement nestled deep in the wilderness. He has been sent to meet the mysterious Count, to arrange the purchase of an estate. Soon understanding he is in great danger, Jonathan attempts an escape. But the castle is a veritable prison, and he its prisoner.
At home, Jonathanâs soon-to-be wife, Mina Murray, grows uneasy at his long absence. Sheâs further troubled by a mysterious attack
on her friend, Lucy Westenra. Lucy is found chalkily pale and with two punctures in her neck. The figure responsible; clad in black, with red gleaming eyes.
Meanwhile, Dr Jack Seward, the warden of a nearby psychiatric hospital, becomes entranced by a new case: a strange patient with a fascinating danger to him, and a growing taste for blood.
Together they set out to find the author of their sorrows and stamp him out.
Nick Schlieper, Nicole Pingon, Marg Horwell and Kip Williams
DIRECTOR'S NOTE: KIP WILLIAMS
Dracula is the final part of a trilogy of works, which began with The Picture of Dorian Gray and continued with Strange Case of Dr Jekyll and Mr Hyde. Of these three gothic texts, Dracula is somewhat of an outlier. While Dorian and Jekyll and Hyde are both written with a narratorial voice in third person past tense, Dracula is an epistolary novel, and, as such, the relationship to both character and story is markedly different. The first two novels place the reader at a critical distance from character, inviting us to observe the characters from the outside. Dracula, with its emphasis on diary entries, often places the reader inside the private mind of the characters, in a space where these characters are not navigating how an external audience might view their thoughts. As such, this adaptation has generated a different relationship to camera and screen from its predecessors.
In Dorian and Jekyll, the camera was an extension of the ever-observing audience/ public that watches as the actor/character curates their performance of self, allowing us to actively discern how much they are revealing or concealing. In Dracula the relationship to camera is more confessional, private and conspiratorial. It takes us into the unconscious and private musings of a character, letting us witness their inner dialogue and intimate perspective, in turn, inviting us to discern not only how honest
they are being with those around them, but also how honest they are being with themselves. The screen, then, becomes less a place for the public performance of self to be made manifest, and instead a psychological canvas that grants access to the subjective images of the unconscious. A place where a character can be consumed into their memory or their subconscious and then spat out by it, pressured and pursued by it. And so, as this story begins, Harkerâs journey to Draculaâs castle is much less one of literal landscape and geography (indeed these references are all but gone), and more one of crossing or transgressing psychological boundaries as we enter his mind, its desires and how he fears them.
"In Dracula the relationship to camera is more confessional, private and conspiratorial."
One key aspect of this adaptation that makes Dracula similar to its sibling works is the storytelling form it deploys. For all the use of contemporary technology in these works, it is a very ancient form of storytelling that motors them â that of an actor coming directly to an audience to tell them a story. The actor will undergo a certain theatrical and digital transmogrification throughout as they shift from character to character, but the
audience stays connected to that storyteller in every single moment of the work in an unbroken act of story sharing. In Dracula, the choice of having one actor perform all the roles stems from our exploration of the idea of the âmonster withinâ, the notion that the monsters we create are often a manifestation of a fear of something that actually exists within us. Much of Stokerâs story is driven by the tension between fear and desire, a tension that is present throughout the entire novel, though perhaps is most obviously expressed in the erotic first encounter with the trio of vampire brides. Having one performer play all the roles generates a form that, amongst other ideas, allows our vampire to emerge from within each character at any given moment. In a telling of this story that is interested in entering into the unconscious, our vampire is one that exists most presently in the psychological landscape. As for the way our telling of this story and its ideas unfold, I shall leave that for you to discover in the watching.
The actor at the centre of this work is one in possession of the greatest of gifts, both in acting and theatre-making â Zahra Newman. It is beyond inspiring to work with Zahra, and it has been a privilege to collaborate with her on this work and, indeed, on so many special pieces together over the last decade of our careers. Itâs also a joy and privilege to be working with such an incredible creative
"I love this company so dearly and my time leading it has been the honour of a lifetime."
team and crew on this show, so many of whom Iâve worked with across not only this trilogy, but also my entire time at Sydney Theatre Company. It is a bittersweet moment to be launching Dracula into the world. On one hand, this production celebrates the culmination of the hard work, dedication and talent of so many fantastic Australian arts workers; artists, production crews and workshops, producers, administrators, frontof-house, box office staff, and beyond. On the other hand, this is the final production I will make during my tenure as Artistic Director. I love this company so dearly and my time leading it has been the honour of a lifetime. While my connection with and passion for STC will continue, this production acts as somewhat of a punctuation mark to one significant chapter. And so I take this opportunity to express my deepest thanks to everyone that I have had the great privilege to work with during my time at STC, to all those who have supported what we do on so many levels, and to you, our audience, who I will forever be indebted to for your love of sharing stories in our theatres.
AndrĂŠ Morton
KIP WILLIAMS Adapter & Director
Kip Williams is the Artistic Director and Co-CEO of Sydney Theatre Company.
While at STC he has adapted and directed Strange Case of Dr Jekyll and Mr Hyde, which also toured to Perth Festival and Adelaide Festival, and The Picture of Dorian Gray, which toured to Adelaide Festival, Arts Centre Melbourne as part of RISING Festival, and Auckland Arts Festival, presented by Michael Cassel Group. The Picture of Dorian Gray then went on to play a season at the Theatre Royal Haymarket in Londonâs West End, presented by Michael Cassel Group and Kindred Partners, where it won two Olivier Awards.
For STC he also directed On the Beach, The Tempest, Julius Caesar, Playing Beatie Bow, Lord of the Flies, Cat on a Hot Tin Roof, A Cheery Soul, The Harp in the South: Part One and Part Two, The Resistible Rise of Arturo Ui, Three Sisters, Cloud Nine, Chimerica, A Midsummer Nightâs Dream, All My Sons, The Golden Age, Love and Information (a co-production with Malthouse), Suddenly Last Summer, Children of the Sun, Macbeth, Romeo and Juliet and Under Milk Wood.
For Melbourne Theatre Company, Kip adapted and directed August Strindbergâs Miss Julie. For Sydney Chamber Opera, he directed An Index of Metals, The Lighthouse,
the double bill Ich Habe Genug and Nunc Dimittis, and a gender-flipped production of The Rape of Lucretia with Elizabeth Gadsby (a co-production with Victorian Opera and Dark Mofo). For Malthouse Helium and US-A-UM he directed an all-female production of Lord of the Flies, for Tamarama Rock Surfers he directed Fallout at the Old Fitz Theatre, and for the Sydney Writersâ Festival he directed 1001 Nights. For the 18th Biennale of Sydney he directed Through The Gates (also for Sydney Chamber Opera). For Princeton Theatre, New Jersey, he directed Fifth of July, for National Theatre, Melbourne, he directed One For the Road, and for NIDA he directed productions of Lord of the Flies and Samuel Beckettâs Not I.
Kip directed the short films B, Bee & Mee and Walk, as well as music videos for Guineafowl, including âLittle Fingersâ and âBotanistâ, which was listed in ABCâs RAGE 50 list of the top music videos for 2009. In 2015, Kip won the Helpmann Award for Best Direction of a Play for his STC production of Suddenly Last Summer. In 2016, his production of Miss Julie won the Green Room Awards for Best Production, Best Direction, and Best Digital Media Design and Integration. He also won the 2018 Sydney Theatre Award for Best Director for The Harp in the South: Part One and Part Two, which also won Best Production and Best New Work. At the 2021 Sydney Theatre Awards, Kip won Best Direction of a Mainstage Production for The Picture of Dorian Gray which also won Best Mainstage Production. At the 2022 Sydney Theatre Awards, Kip won Best Direction of a Mainstage Production for Strange Case of Dr Jekyll and Mr Hyde. At the 40th Annual Green Room Awards Kip won the Award for Outstanding Direction for The Picture of Dorian Gray. He has completed a Master of Dramatic Art in Directing at NIDA and a Bachelor of Arts (Media & Communication) at University of Sydney. Kip sat on NIDAâs Board of Directors (2016 â 2023).
ZAHRA NEWMAN Performer
Sydney Theatre Company: Fences, A Raisin in the Sun, Julius Caesar, Cat on a Hot Tin Roof, Love and Information (with Malthouse).
Other Theatre: STCSA: Lady Day at Emersonâs Bar and Grill (with Belvoir and MTC). GWB: Girl From the North Country. Watchtower Productions: The Book of Mormon
Sydney Symphony Orchestra: Funny Girl. Belvoir: Random, The Blind Giant is Dancing, Ivanov, Private Lives, The Government Inspector (with Malthouse). MTC: Miss Julie, The Effect, The Mountaintop, The Cherry Orchard, Menagerie, Clybourne Park, Richard III, The Drowsy Chaperone, Rockabye. Malthouse: The Hate Race, Wake in Fright. Bell Shakespeare: As You Like It. Hayes Theatre Company: Well Behaved Women Film: Addition, Thirteen Lives, Long Story Short, I Met a Girl, Truth TV: Austin, Erotic Stories, Pieces of Her, Spreadsheet, Rosehaven, Neighbours, Diary of An Uber Driver, Sisters, Wentworth, Childhoodâs End, Bleak, Rush. Radio: The Hate Race Awards: AACTA Award for Best New Talent, Sydney Theatre Award (The Book of Mormon), Green Room Award (Random). Training: VCA.
MARG HORWELL
Designer
Sydney Theatre Company: Strange Case of Dr Jekyll and Mr Hyde, The Picture of Dorian Gray, Avalanche - A Love Story (with Barbican Theatre), How To Rule The World. As Costume Designer: The Resistible Rise of Arturo Ui, Lord of The Flies. Other Theatre: Alexander Zeldin Company/The National Theatre London: The Confessions. MTC: Bernhardt/Hamlet, Escaped Alone/ What If If Only, The Truth, The House of Bernarda Alba, Birdland, Peddling, Cock, Constellations, Marlin, The Dream Life of Butterflies, The Water Carriers, Circle Mirror Transformation. Malthouse Theatre: Because The Night, Blasted, Melancholia, Caravan, The Testament of Mary, The Real and Imagined History of the Elephant Man, Revolt She Said. Revolt Again, I Am a Miracle, Edward II, The Good Person of Szechuan. Theater Basel: Unsere Kleine Stadt. Performing Lines: Anthem. Circa: Leviathan. Chunky Move: Common Ground. Dee & Cornelius: Love, Big Heart, SHIT, Savages. Angus Cerini Doubletap: Save For Crying, Resplendence, Wretch, Chapters from the Pandemic. Sisters Grimm: Lilith The Jungle Girl, La Traviata, Summertime in the Garden of Eden. Bell Shakespeare: The Lovers. Opera: Oper Am Rhein Dusseldorf: The Dead City. English National Opera: Salome. Opera Queensland: La Voix Humane/The Call, The Marriage of Figaro, The Sopranos. Victorian Opera: Lorelei, The Happy End. Awards: 2024 Olivier Award for Best Costume Design (The Picture of Dorian Gray, West End season with Michael Cassel Group and Kindred Partners), 13 Green Room Awards and three Sydney Theatre Awards for her work in Theatre and Opera.
NICK SCHLIEPER
Lighting Designer
Sydney Theatre Company: includes Into the Shimmering World, The Tempest, Strange Case of Dr Jekyll & Mr Hyde, The Picture of Dorian Gray, Playing Beatie Bow, Wonnangatta, The Harp in the South: Part One and Part Two, Saint Joan, The Resistible Rise of Arturo Ui, Three Sisters, Chimerica, The Present, Macbeth, Waiting for Godot, The Maids, Gross und Klein, Uncle Vanya, Hedda Gabler (2006 & 1986), A Streetcar Named Desire, The War of the Roses. As Set and Lighting Designer: Endgame, Face to Face, Baal (with Malthouse), Death and the Maiden (with MTC). Other Theatre: MTC: As You Like It, Twelfth Night, Macbeth, Richard III, Hamlet, The Visit, The Tempest. As Set and Lighting Designer: MTC: Photograph 51, North by Northwest. Malthouse: Set and Lighting Design for Pompeii L.A. Belvoir: Opening Night, Packer and Sons, Ghosts, Twelfth Night, Measure for Measure and Set and Lighting Design for Once in Royal Davidâs City, Scenes from the Climate Era. Musicals: includes Love Never Dies (Australia, Tokyo, Hamburg, USA), Priscilla Queen of the Desert (Australia, West End, Broadway). Other overseas theatre includes productions for The Royal Shakespeare Co, the State Theatre companies of Bavaria and Hamburg, Schillertheater Berlin, Theatr Clwyd Wales and the National Theatre of Norway. Opera: many productions for Opera Australia including Elixir of Love, Tannhäuser, Trovatore, Falstaff. Salzburg Festival: The Greek Passion, Lear, MĂŠdĂŠe. Hamburg State Opera: Billy Budd, A Midsummer Nightâs Dream. Bavarian State Opera: The Devils of Loudun. SOSA: Wagnerâs Ring Cycle. Awards: 6 Green Room Awards, 7 Sydney Theatre Awards for Best Lighting
(Chimerica, The Serpentâs Teeth, The War of the Roses, Baal, Strange Case of Dr Jekyll & Mr Hyde) and Best Set Design (Baal, Endgame), and 5 Helpmann Awards (Bennelong, Bush, The War of the Roses, Love Never Dies, Rosencrantz and Guildenstern Are Dead).
CLEMENCE WILLIAMS Composer
Sydney Theatre Company: Strange Case of Dr Jekyll and Mr Hyde, A Cheery Soul. As Composer & Sound Designer: Into the Shimmering World, The Tenant of Wildfell Hall, Blithe Spirit, Death of a Salesman, Grand Horizons, Playing Beatie Bow, The Picture of Dorian Gray, Banging Denmark, Lethal Indifference, Oil. As Associate Director: Fun Home (with MTC). As Assistant Director: Saint Joan. Other Theatre: MTC: Heisenberg, Torch the Place, Arbus and West. Bell Shakespeare: Romeo and Juliet. Belvoir: The Wolves. Ensemble: A View from the Bridge. Old Fitz: Chorus, A View from the Bridge, Wind in the Underground, Paper Doll, The Wolves. KXT: A Girl is a Half-Formed Thing. Old 505: Little Borders. New Theatre: Chapel Perilous. Periscope Productions: Lemons Lemons Lemons Lemons Lemons. As Director: Sydney Chamber Opera: earth.voice. body, Breaking Glass (Commute, The Invisible Bird). NIDA/Sydney Conservatorium: The Magic Flute. Red Line: Chorus. Seymour Centre: Unfinished Works. New Theatre: The Cherry Orchard. KXT: Transience. Edinburgh Fringe: Chamber Pot Opera. PACT: The Threepenny Opera JackRabbit Theatre: FINDR. As Assistant Director: Sydney Chamber Opera: La Passion de Simone, Notes from Underground. Sydney Conservatorium: La Calisto. Film: Last Night, Noli Me Tangere. Awards:
2021 APRA AM-COS Art Music Award for Best Live Performance (Commute). Training: Sydney Conservatorium, NIDA.
JESSICA DUNN Sound Designer
Sydney Theatre Company: On the Beach. As Composer & Sound Designer: Chalkface (with STCSA). As Programmer: The Tempest, Julius Caesar. As Associate Sound Designer: Wonnangatta. As Composerâs Assistant: The Harp in the South: Part One and Part Two. Other Theatre: Griffin Theatre Company: Blaque Showgirls, A is for Apple, Is There Something Wrong with that Lady?. Legs on the Wall: Trestle, Beetle, The Lovers. KXT: Girl in A School Uniform Walks into a Bar. Tasmanian Theatre Company: The Mares (with 10 Days on the Island). Ensemble Theatre Company: Photograph 51, Alone It Stands. Siren Theatre Co: CAMP (with Sydney World Pride). As Associate Sound Designer: Belvoir: Counting and Cracking. As Performing Musical Director: Belvoir: Barbara and the Camp Dogs (2017 and 2019 seasons). As Musician: LWA/Sydney Opera House: SIX The Musical Positions: Artistic Director of Sirens Big Band. Awards: 2020 APRA Arts Music Award for Best Performance (Bridge of Dreams). Training: Sydney Conservatorium of Music.
CRAIG WILKINSON Video Designer
Sydney Theatre Company: Fantastic Mr Fox (shake & stir theatre co. production presented by Sydney Theatre Company) Other Theatre: shake & stir theatre co: James and the Giant Peach, Frankenstein, Fourthcoming, Fantastic Mr Fox, A Christmas Carol, Green Dayâs American Idiot (2017, 2018 national tour), Wuthering Heights (2014, 2016 national tour), 1984 (2012, 2014 national tour). Queensland Theatre/Brisbane Festival/QPAC: Boy Swallows Universe. Queensland Theatre: First Casualty, The Mountaintop, Gasp!. David Venn Enterprises: Cruel Intentions: The 90s Musical. Prospero Arts / QPAC: Singinâ In The Rain â In Concert Broadway Entertainment Group: Dein Perryâs Tap Dogs. CiRCA / Aardman Animation: Shaun The Sheepâs Circus Show. Counterpilot: Avoidable Perils. The Good Room/ Brisbane Festival: Letâs Be Friends Furever, Iâve Been Meaning To Ask You. La Boite Theatre: Prize Fighter, Pale Blue Dot. Black Honey Company/La Boite Theatre Company/Campbelltown Arts Centre: One The Bear. Polytoxic: Snapshot. HHO Events for the Canberra Centenary: Seven Sisters Songline. Leah Shelton: Terror Australis. Aerial Angels Australia / Ocean Park Hong Kong: Viva Spectacular, Cyber Illusion Spectacular As Associate Designer: TEG Dainty: Jim Steinmanâs Bat Out of Hell (Australian and New Zealand Tour). Positions: Creative Director, optikal bloc; Accredited Member, Australian Production Design Guild. Awards: Australian Production Design Guild â Video Design for a Live Performance or Event Award for First Casualty, Boy Swallows Universe, Avoidable Perils;
Matilda Award â Video Design for Boy Swallows Universe, Roald Dahlâs Fantastic Mr Fox, A Christmas Carol; Adelaide Fringe â John Chataway Innovation Award Terror Australis; Matilda Award â Gold Matilda, Body of Work Pale Blue Dot, The Mountaintop, Wuthering Heights, Gasp!, 1984
BENJAMIN SHEEN
Assistant Video Director
Sydney Theatre Company: As Assistant Director: A Cheery Soul. As Steadicam Operator: The Picture of Dorian Gray, Strange Case of Dr Jekyll and Mr Hyde Positions: Performance Studies Coordinator for National Institute of Circus Arts, NICA (2021-2022). Awards: Mike Walsh Fellowship 2019 Training: NIDA (MFA Directing) Pronouns: He/Him
SUSIE HENDERSON
Video Editor
Sydney Theatre Company: Strange Case of Dr Jekyll and Mr Hyde As Video Designer: Julia, The Lifespan of a Fact As Video Systems and Content Designer: The Wharf Revue: Good Night and Good Luck Other Theatre: As Video Designer: Critical Stages: Black Sun Blood Moon. Griffin Theatre Company: Wherever She Wanders. Blush Opera: Chop Chef. BONTOM: Homesick. As Video Systems and Content Designer: Belvoir: Stop Girl As Video
Associate: House of Sand: That Was Friday. The Australian Ballet: Sylvia. Training: NIDA.
HAYLEY FORWARD
Sound Systems Designer
Sydney Theatre Company: As Sound Realiser: The Visitors (with Moogahlin Performing Arts), The Picture of Dorian Gray Other Theatre: As Sound Consultant: Michael Cassel Group: The Picture of Dorian Gray (2023/2024). Visual Arts: As Sound Designer: Ocean Space, Venice: Answer To The Call (for Taloi Havini), ACCA Meatus (with Frances Barret). Training: WAAPA. Pronouns: She/Her.
CALLUM WALKER
Video Systems Designer
Sydney Theatre Company: The Picture of Dorian Gray (2024 West End presented by Michael Cassel Group), Murielâs Wedding (2019 National Tour with Global Creatures). Musical Theatre: Michael Cassel Group: &Juliet. Opera Australia: Sunset Boulevard (with GWB Entertainment), Miss Saigon. Theatre Royal: Jagged Little Pill. Ambassador Theatre Group: 9 to 5. Australian Ballet: Anna Karenina, An American in Paris (with GWB Entertainment). Television: La Brea, Fires. Other: As Systems/ Integrations Engineer: Rising Festival: Shadow Spirit
IAN MICHAEL Associate Director
Ian Michael is a Wilman Noongar man. Sydney Theatre Company: The Picture of Dorian Gray, The President (with The Gate Theatre), The Seagull, Strange Case of Dr Jekyll and Mr Hyde. As Director: Stolen, Constellations. As Assistant Director: The 7 Stages of Grieving As Actor: The Tempest (as Understudy), City of Gold (with Black Swan State Theatre Company). Other Theatre: As Director: Black Swan State Theatre Company: The Bleeding Tree, The Blue Room Theatre: The Bleeding Tree. As Associate Director: Black Swan State Theatre Company: The Cherry Orchard. As Assistant Director: Black Swan State Theatre Company: Skylab (with Yirra Yakin). As Actor: Griffin Theatre Company: Blaque Showgirls Black Swan State Theatre Company: Cloudstreet, Our Town, Let the Right One In. Malthouse Theatre: Cloudstreet, Blak Cabaret. Yirra Yaakin: The Noongar Shakespeare Project. MTC: The Kid. She Said Theatre: HART. Ilbijerri Theatre Company: Flashblaks, Northwest of Nowhere. Sydney Festival: Yellamundie First Peoples Playwriting Festival. Film: Wirnitj, Where are the Warriors. Positions: Resident Director (current), Richard Wherrett Fellow (2022-2023) at Sydney Theatre Company, Curator at Black Swan State Theatre Company: Maali Festival, Artistic Associate at Black Swan State Theatre Company (2021). Resident Artist at Black Swan State Theatre Company (2018â2021), Besen Family Artist Program: Malthouse Theatre (2017). Awards: 2023 Sydney Theatre Awards: Best Direction of a Mainstage Play for Constellations (Nom.) and Best Production (Nom.), 2022 Sydney Theatre Awards: Best Performer in a Supporting Role in a Mainstage
Production for City of Gold (Nom.), 2022 The Nick Enright Prize for Playwriting for York (Finalist), 2022 PAWA Awards: Outstanding Direction of an Independent Production and Best Independent Production for The Bleeding Tree, 2021 The Blue Room Awards: Award for Direction, Members Choice for The Bleeding Tree, 2019 and 2017 PAWA Awards: Best Actor (Nom.). 2019 CHASS Australia Prize for a Future Leader. 2019 Western Australian of the Year - Youth (Finalist). 2016 Best Emerging Artist Adelaide Fringe. 2016 Best Production (Independent) Green Room Awards (Nom. â HART). 2013 and 2015 Most Outstanding Indigenous Performer Melbourne Fringe (HART and Laika and Wills).
NICOLE PINGON
Assistant Director
Sydney Theatre Company: Into the Shimmering World, Oil. Other Theatre: As Director/Co-Director: Little Eggs Collective/Belvoir 25A: Moon Rabbit Rising. Blush Opera/ Riverside Theatres Parramatta: Chop Chef. Blush Opera/Bondi Festival: Songs of the Sirens. Shopfront/ Bondi Festival: Spider In My Soup. Shopfront: Mums Tell Dad Jokes Too, Organs!. As Associate Director: CDP: The Smeds and the Smoos As Assistant Director: Belvoir: Miss Peony çĄä¸šĺ°ĺ§, Opening Night. Shopfront/Monkey Baa: The Lies We Were Told. kwento: Ate Lovia Podcast: SBS Audio: Bad Taste (Sound Designer). Positions: Shopfront CALD Advisory PanelChair. Other: Temporary Position/ Phoenix Central Park: De-Choiring. Pronouns: She/They.
CHARMIAN GRADWELL Voice & Text Coach
Sydney Theatre Company: The President, Into the Shimmering World, A Fool in Love, The Seagull, The Importance of Being Earnest, Constellations, Do not go gentle..., Fences, The Tempest, The Lifespan of a Fact, Strange Case of Dr Jekyll and Mr Hyde, Fun Home (with MTC), The Beauty Queen of Leenane, Mary Stuart, Accidental Death of an Anarchist, The Harp in the South: Part One and Part Two, The Long Forgotten Dream, Saint Joan, Blackie Blackie Brown (with Malthouse Theatre), Still Point Turning, The Resistible Rise of Arturo Ui, Lethal Indifference, Top Girls, Dinner, The Father (with MTC), Black is the New White, Talk, Chimerica, A Flea in Her Ear, All My Sons, Disgraced, Hay Fever, Arcadia, The Golden Age, King Lear, The Present, Suddenly Last Summer, After Dinner, The Long Way Home, Travelling North, Machinal, Waiting for Godot, Romeo and Juliet, Rosencrantz and Guildenstern are Dead, Storm Boy (with Barking Gecko), The Maids, Mrs Warrenâs Profession, Sex with Strangers, Under Milk Wood, Gross und Klein, Bloodland, In the Next Room (or The Vibrator Play), Uncle Vanya, A Streetcar Named Desire, The War of the Roses, Tot Mom As Director: The Comedy of Errors. Other Theatre: As Voice & Text Coach: QT: Triple X (with Sydney Theatre Company). Royal Shakespeare Company: The Taming of the Shrew, Julius Caesar, The Tempest, The Canterbury Tales (tour), A Winterâs Tale, Pericles, Days of Significance, Macbeth, Macbett, The Penelopiad, Noughts and Crosses, The Comedies London Season, Twelfth Night, A Midsummer Nightâs Dream, The London Gunpowder Season, Romeo and Juliet, Comedy of Errors As Dialect
Coach: Musicals: Murielâs Wedding: The Musical (with Global Creatures), Aladdin, Assassins, The Lion King, Mary Poppins, The Tap Brothers, Xanadu the Musical As Director/ Trainer: A year with Space 2000 in Kaduna, Nigeria. Film: As Dialect Coach: Elvis, Peter Rabbit 2, Thor: Ragnarok, Pirates of the Caribbean: Dead Men Tell No Tales, Reaching for the Moon, Truth, Ginger & Rosa Other: Voice trainer for London School of Puppetry. Member of London Shakespeare Workout, which brings Shakespeare into UK prisons. Training: Central School of Speech and Drama.
J ONATHAN HARKERâS JOURNAL
OUR DONOR COMMUNITY
Thank you STC Angels for your unwavering commitment to our work.
Anita Belgiorno-Nettis AM & Luca Belgiorno-Nettis AM
Jane & Andrew Clifford
Alan Joyce AC & Shane Lloyd
Gretel Packer AM
Rebel Penfold-Russell OAM
Ruth Ritchie
Rosie Williams & John Grill AO
Thank you to the following community of supporters. Your generosity makes our work possible.
FOUNDATION DIRECTORS
Anita Belgiorno-Nettis AM (Chair), Michele Brooks, Frances Ingham, Justin Miller AM , Tim Minchin AM ,
Heather Mitchell AM , Gretel Packer AM , Helen
Thomson, Jane Vicars, Mia Wasikowska, Hugo Weaving AO, Karel Wheen, Rosie Williams, Peggy Yeoh
MAIN STAGE
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EDUCATION & COMMUNITY
Supporting Patrons
Education Donor Circle, Rowena Danziger AM , Packer Family Foundation, Vaux Family Education &Â Learning Foundation
INTERNATIONAL TOURING
Lead Donors
Gretel Packer AM , Will & Jane Vicars, Rosie Williams &Â John Grill AO
Supporting Patrons
Anita Belgiorno-Nettis AM & Luca Belgiorno-Nettis AM , David Fite, W & A Johnson
COMPANY
Lead Donors
Crown Resorts Foundation, Libby & John Fairfax, Packer Family Foundation
Supporting Patrons
James & Hayley Baillie, Deb & John Balderstone, Anita Belgiorno-Nettis AM & Luca Belgiorno-Nettis AM , Mark Coulter & Dr Adam Bayes, Ian Darling AO & Min Darling, Denton Family Foundation, W & A Johnson, The Kerridge Foundation, Maple-Brown Family Foundation Ltd, The Neilson Foundation, Mark & Louise Nelson, Gretel Packer AM , David Paradice AO, James Pegum, The Petre Foundation, Rebel PenfoldRussell OAM , Sally & Geoffrey White, Rosie Williams & John Grill AO
CHAIRâS COUNCIL
Ann Johnson (Chair) & Warwick Johnson, Frances Allan & Ian Narev, Jillian Broadbent AC , Mark Burrows AO, Andrew Cameron AM & Cathy Cameron, Robert Cameron AO & Paula Cameron, Bella & Tim Church, Anne & David Craig, Ian Darling AO & Min Darling, Heather Doig & Rob Koczkar, David Gonski AC & Orli Wargon OAM , Sandra Levy AO, Tony Llewellyn-Jones, Peter Mason AM & Kate Mason, Gretel Packer AM , Paul Robertson AO & Lenore
Robertson AM , Anne & John Rumpler, Richard Shemesian, Greg Schneider & Gabbi Phillips, Tony Scotford, Antony Spanbrook & Chris Yeo, Vaux Family Education & Learning Foundation
Thank you to our donors at all levels. You support a bright future for STC.
$10,000-$19,999
Colin & Richard Adams, Phil & Beverley Birnbaum, David Z. Burger Foundation, Dr Michelle Deaker, Edward Federman, Wendy Gavin, Megan Grace & Brighton Grace, The Hilmer Family Endowment, Victoria Holthouse, Mountain Air Foundation, Rosy Seaton & Seumas Dawes, Louise Taggart & Peter Homel, The Late Shirley Warland, Ivan & Karel Wheen, James & Clytie Williams, Kim Williams AM & Catherine Dovey, Yim Family Foundation, Anonymous
$5,000-$9,999
Wayne Adams in memory of Liz O'Neill OAM , Baker & Bevan Bequest, Walter Barda, Andrew & Natalie Best, Sandra Bourke, Dr Sharron Brown, Dr Andrew Buchanan, Mitchell Butel, Nerida Caesar, Wayne Cahill, Doherty Swinhoe Family Foundation, Camilla Drover, The Australian Children's Trust, Richard & Jane Freudenstein, Deborah & David Friedlander, Anne Galbraith, Jinnie & Ross Gavin, Michelle Guthrie, Meredith Hellicar, Sally Herman OAM , I Kallinikos, Anna Katzmann, Zach Kitschke, Virginia Leitch, Sara McKerihan, Sam Meers AO, Susie Moore, Sheridan Lee, John & Maureen Murray, Natasha Nankivell, Christopher Nicolosi, Amy Payten, Caroline Perkins, Tony & Kaye Purnell, Jonquil Ritter, Anne Schofield AM , Rita Thakur, Susan & Ian Thomas, Christine Thomson, Gai Wales, Annie & Graham Williams, Kip Williams, Boh Yeng & Peter Hunt, Prof John Yiannikas, Anonymous (4)
$2,000-$4,999
Pam Anson, Philip Bacon AO, Berg Family Foundation, Ellen Borda, Phil Breaden, Gerard Byrne & Donna O'Sullivan, Hon J C Campbell KC & Mrs Campbell, JT Clark, Angela Compton, Dr Bishnu Dutta & Ms Jayati Dutta, Terry Fahy, Sandra Forbes, Hon Ben Franklin MLC , Liz Gibson, Tony Gill, Marguerite Gregan & Billy Bennett, Priscilla Guest, Cheryl Hatch, Linda Herd, The Alexandra & Lloyd Martin Family Foundation, The McBriarty
LIFE PATRONS
Frances Allan & Ian Narev, Mr Giorgio Armani, Anita Belgiorno-Nettis AM & Luca Belgiorno-Nettis AM , The Caledonia Foundation, Crown Resorts Foundation, Ian Darling AO & Min Darling, Catherine Dovey & Kim Williams AM , Vincent Fairfax Family Foundation, David Fite, Stephen Fitzgerald AO & Julie Fitzgerald, Girgensohn Foundation, David Gonski AC & Orli Wargon OAM , John & Frances Ingham Foundation, W & A Johnson, Mark & Anne Lazberger, Danita R. Lowes, Minderoo Foundation, Simon Mordant AO & Catriona Mordant AM , Cameron & Ilse OâReilly, Origin Foundation, Packer Family Foundation, Gretel Packer AM , Mrs Roslyn Packer AC , The Paradice Family Foundation, The Petre Foundation, Anne Schofield AM , Shiâs Family Foundation, Mr Andrew Stuart, Upton Blanchett Family, Carla Zampatti AC , Anonymous
Family, In Memory of Helen McFadyen, Tim & Sarah Minchin, Alexis & Dominic Patterson, Dr. Judy Ranka, Mark Scott, John & Christina Stitt, Georgie Stromland, Sydney Theatre Company Pier Group, Wendy TrevorJones, Victoria Waldock, Marvin West, Anonymous (7)
$1,000-$1,999
Michael Adena & Joanne Daly, Victor Baskir, Susan Bennett, Stephen & Annabelle Burley, Anthony & Bronny Carroll, Joseph Catanzariti AM , Simone Clow, Nick & Carol Dettmann, Eve Draper, Lou & Peter Duerden, Diane & John Dunlop, Dana Dupere, Suellen Enestrom, Valmae Freilich, Sharon Goldschmidt, Geoffrey Graham, Dr Anna Gray, Ginny & Leslie Green, Chris & Gina Grubb, Sophie Guest, Lisa Hamilton & Rob White, Louise Hamshere, Margaret R Hawkins, Donald Hector & Sandra Ollington, Andreas & Danielle Heidbrink, Jennifer Hershon, M. Horne, Dr George Jacobs, Dr Theresa Jacques, Julia Jane Pty Limited, Lesro Pty Ltd, Cheryl Lo, Anne Loveridge, Lyon Family, Michele Marquet, Ruth McColl AO SC , Rob & Rosemary McCullough, Dr Stephen McNamara, Fiona Merritt, Phillip Mitchelhill, Cynthia Nadai, Marion Nicholas, Sue O'Keefe in memory of Lynda Shearer, Ruth Olip, The Paradice Family Foundation, Greg Peirce, Christina Pender, Julia Pucci, Raffi Qasabian & John Wynter, Anne Rein & Rod Gilmour, Robin Rodgers, Diana Semmonds, Emine Sermet, Mr Andrew Stuart, Josie & Graeme Thompson, Sue Thomson, Daniela Torsh, Suzanne & Ross Tzannes AM , Tony Williams, Richard Willis & Janet Abernethy, Julia Wokes, Anonymous (21)
FIRSTACT
Eleanor Ansley & Ash Mills, Fokschaner Family, Kirsty Hinner, Alexandra Humphrey Cifuentes, Katherine Magnus, Edward McMahon, Joel Watkins, Anonymous
SOULMATES
Colin & Richard Adams, Andrew Benson, Mitchell Bourke, Rob Brookman AM , The Late Stephen Center, Sarah Cruickshank, Jayati Dutta, Terry M Fahy, The Late Nancy Fairfax OBE , The Late Denise Robyn Fairservice, The Late Ronald Falk, Jennifer Fulton, Ros Gestier, Girgensohn Foundation, The Late Diane Patricia Hague, Louise Hamshere, Dorothy Hoddinott AO, The Late Isabelle Joseph, Iphygenia Kallinikos, The Late Denis Stanley Klein, Wolf Krueger, Peter Louw, The McBriarty Family, DiAnne McDonald, Justin Miller AM , Christopher John Nicolosi, Mr Mark Neilsen & Mr Tim Trollip, Jonquil & John Ritter, Trudie Anne Rogers, Emine Sermet, Lynette Shelley, William Turbet, The Late Shirley Warland, Boh Yeng & Peter Hunt, Anonymous (16)
Donations to the STC Foundation are recognised for 12 months from the date of donation. Donations of $100 and above are recognised on our website. This listing is current as at 05 June 2024
Board of Directors
Ann Johnson (Chair), Anita BelgiornoNettis AM, Brooke Boney, Sarah Constable, Mark Coulter, David Craig, Anne Dunn, Heather Mitchell AM, David Paradice AO, Annette Shun Wah, Kip Williams
Executive
Artistic Director & Co-CEO Kip Williams
Executive Director & Co-CEO Anne Dunn
Executive Assistants
Batsheva Abrahams, Poppy Tidswell
Artistic
Director, New Work & Artistic
Development Paige Rattray
Casting Director Michael Topple
Casting Associate Jocelyn OâBrien
Senior Producer Ben White
Associate Producers
Zoe OâFlanagan, Alice Hatton
Company Manager Sarah Stait
Acting Company Manager Minka Stevens
Artistic Administrator/Assistant
Company Manager Nicola Stavar
New Work Development Producer
Jonathan Ware
Resident Directors
Kenneth Moraleda, Ian Michael
Patrick White Playwrights Fellow
Joanna Murray-Smith
Dramaturg Jules Orcullo
STC Writers Under Commission
Andrew Bovell, Glace Chase, Wesley Enoch, Jane Harrison, Kim Ho, Tom Holloway, Emme Hoy, Nakkiah Lui, Nathan Maynard, Joanna Murray Smith, Kate Mulvany, Eryn Jean Norvill & Emma Valente, S. Shakthidharan, Meyne Wyatt
Watershed Writers Grace Chapple, Abbie-lee Lewis, Emmanuelle Mattana, Gary Paramanathan, Daley Rangi
Finance & Administration
Director, Finance & Governance
Penny Scaiff
Human Resources Manager
Bettina Sammut
Human Resources Coordinator
Amelia Engel
People & Safety Advisor Mary Moon
Acting Accountant Helen Ban
Acting Assistant Accountant
Klara Harvey
Payroll Assistant Carina Mision
Archivist Judith Seeff
Receptionist Elisabeth Tuilekutu
Marketing
Director, Marketing Sophie Withers
Marketing Manager, Strategy
Meera Gooley
Acting Marketing Manager, Strategy
Stephanie Maxwell
Marketing Manager, Content
Patrick Carey
Marketing Coordinator, Content
Rebecca Duke
Marketing Specialist, Paid
Rebecca Warrand
Marketing Specialist, CRM & Audience
Fiona Moody
Marketing Assistant Courtney Henson
Graphic Designer Joanna Shuen
PR & Media Relations
Public Relations Manager Helene Fox
Senior Publicist Georgia Fox
Customer Experience
Director, Customer Experience
Heath Wilder
Ticketing Manager Bonnie Pares-Carr
Ticketing Specialists Tomoko Tamura
Public Programs & Ticketing
Specialist Jess Zlotnick
Insights & Analytics Manager Louise Davidson
Application and Database
Administrator Aista Adhikari
Business Data Analyst Dominic Ball
Customer Services Manager
Alison Cooper
Wharf Theatre Box Office Manager
Jo Jenkins
Roslyn Packer Theatre Box Office
Manager Dominic Scarf
Customer Service Supervisors
Jodie, Jonathan, Lauren, Lily, Lisa, Lucy, Nancy, Sheanna
Customer Service Representatives
Amy, Chloe, Chris, Georgie, Kate, Lisa, Mary, Quinn, Tara, Tom
House Services Manager
Edward Whitmarsh-Knight
Deputy House Services Manager
Milan Monk
House Manager Callum Bright
Casual House Managers Andrea Beaumont, Erin Bruce, Jen Batman,
Jessie Lancaster, Alison Lee Rubie, Estevan Martin, Rafael Barroso, Myles Horton
Philanthropy
Director, External Relations & Private
Giving Danielle Heidbrink
Head of Partnerships Miranda Purnell
Head of Philanthropy Tom Tansey
Senior Manager, Major & Planned
Giving Rebecca Warren
Individual Giving Manager Sally Crawford
Donor Communications and Campaign
Manager Lina Stein
Donor Engagement Manager
Christina Blanco
Major Gifts & SoulMates Coordinator
Mitchell Bourke
Annual Giving Executive Richard Cox
Philanthropy Administrator Tamika
Paul
Operations & Public Programs
Chief Operating Officer Caroline Spence
Venue Manager Ben Stern
Venue & Events Specialist
Kendra Murphy
Head of Public Programs & Engagement Tory Loudon
Creative Learning Program Manager
Kaylee Hazell
School Drama Program Associates
Professor Robyn Ewing AM, John Nicholas Saunders
Teaching Artists Michelle Robin
Anderson, Tegan Arazny, Bronwyn Batchelor, Neville Williams Boney, Margie Breen, Victoria Campbell, Branden Christine, Katrina Douglas, Robyn Ewing, Kaylee Hazell, Estevan
Martin, Suzannah McDonald, Vaishanavi Suryaprakash, Jennifer
White, Linden Wilkinson, Kate Worsley, Kelly Young
Building Facilities Manager Barry Carr
Stage Door Attendant Errol Robertson
Casual Stage Door Attendants
Geoffrey Murray, Maurice Zancanaro
Technical and Production
Director, Technical and Production
James Wheeler
Head of Technical Operations
Andrew Richards
Head of Production Joe Fletcher
Technical & Production Administrator
Hannah Waters
Workshop Manager Mark Rowley
Production Managers Elizabeth Jenkins, Ryan Garreffa, Alexandra Moon
Deputy Production Manager
Julia Orlando
Head of Stage Management Roxzan Bowes
Resident Stage Manager Sarah Smith
Stage Manager, Swing Sophia Morgan
Lighting Manager Andrew Tompkins
Lighting Supervisors Jesse Greig, Tim McNaught, Amy Robertson
Lighting Workshop Technician Filip Wyker
Sound & Video Manager Ben Lightowlers
Sound & Video Supervisors Ben Andrews, Hayley Forward, Luke Davis, Michael Hedges
Sound & Video Technician Peter Hunt
Staging Manager Chris Fleming
Staging/Fly Supervisor Zachary White
Set Construction Manager Boaz Shemesh
Deputy Head of Set Construction
Ashley Watts
Senior Set Constructor Joseph Gleeson
Set Constructors Alex Casalini, Tim Hill
Draftspeople Andrew Powell, Dallas Winspear
Logistics Manager Julian Duxson
Logistics Supervisor Hamish Bell
MR Driver Michael Apoifis
Props Manager Emily Adinolfi
Deputy Head of Props Jason Lowe
Props Supervisor Leandro Sanchez
Scenic Art Manager Neil Mallard
Deputy Head of Scenic Art Ron Thiessen
Scenic Artist Emily Borghi
Driver/Buyer Ashley Trotter
Costume Manager Scott Fisher
Costume Coordinator Sam Perkins
Costumier Mary Anne Lawler
Costume Stores Coordinator
Hazel Fisher
Wig, Make-Up & Wardrobe Supervisor
Lauren A. Proietti
Program
Program Editors Patrick Carey, Rebecca Duke
Production Acknowledgements
Shoes John Fluevog
Wigmaking Kylie Clarke
STC Casual and Seasonal Staff
Costume Charlie Aplin, Nicole Artsetos, Patricia Barker, Alicia Brown, Nyok Kim Chang, Simone Edwards, Roslyn Keam, Catriona McCabe, Mathilde Montredon, Marie-Lyne Morant, Kia Snell, Ellen Parrett, Catherine Rennie.
Front of House Lucy Bassant, Andrea Beaumont, Aimee Bosco, Annie Brockenhuus-Schack, Kate Bubalo, Stephen Byrnes, Talia ClementsOliveiro, Lesley Colborne, Margaret Collinson, Sonia Fabbro, Annabel Fraser, Larry Fazzalari, Alexandra Gooley, Harry Harvey, Nic Hiatt, Lily Horton, Shannon Johnson, Ondine Karpinellison, Grainne King, Jessie Lancaster, Crawford Lees, Michael Medcalf, Ezara Norton, Marianna Rahn Martinez, Anthony Sandler, Hanna Sandler, Alexandra Simpson, Christine Suter, Finn Stewart, Tyran Stig, Adriane White, Samuel Carr, Harrison Mills, Jacqueline Nagy, Harrison OâShanesy Lighting McClane Catterall, Corinne Fish, Jemima Flett, Annabel Fraser, Ethan Hamill, Travis Kecek, Cameron Menzies, Anastasia Mowen, Matthew Quince, Mali Tauro-Cesca, Sam Scott, Andrew Williams
Logistics Chris Colla, Eric Dole, Jack Gordon, Chris Hearn, Rory Hill, David Lee, Jaccamo Mullen, Jack RobertsField
Props Isabell de Laurentis
Scenic Chris Hearn, James Jones, Gawaa Lundaa
Set Construction Reuben Alexander, Kallan Crosbie, Jack Gordon, Darren Tilley
Sound & Video Oliver Beard, Thomas Bensley, Steven Coyle, Zoe Davis, Charlie Kember, Chloe Langdon, Rose Mulcare, Stephen Potter, Zac Saric, Benjamin Sheen, Cameron Smith, Samuel Steinle, David Trumpmanis, Joshua Vellis
Staging Anthony Arnold, Samuel Carr, Grant Finlay, Jhet Finlay, Ashley
Lyons, Scott Milander, Kane Mott, Andrew Murray, Ulisses Palla, Nathan Seymour, John Shedden, David Tongs, Nathan Williams
Stage Management Tim Burns, Katie Hankin, Brooke Kiss, Stephanie Storr, Zoe Davis, Jaymii Knierum, Sean Proude, Sybilla Wajon, Chloe Langdon, Tanya Leach
Oral Historian for STC Archivesâ Oral History Project Dr Margaret Leask
STC is a member of Live Performance Australia and the Confederation of Australian State Theatres.
Auditors KPMG
Legal Representatives Allens
STC Overseas Representatives Thompson Turner Productions (New York)
STC Doctors Holdsworth House
OUR PARTNERS
Sydney Theatre Company celebrates the support of our valued Partners.
For further information on partnership opportunities please contact Miranda Purnell, mpurnell@sydneytheatre.com.au
Sydney Theatre Company is assisted by the Australian Government through the Australia Council, its arts funding and advisory body
Sydney Theatre Company is supported by the NSW Government through Create NSW
City
AndrĂŠ Morton, Zahra Newman and Sam Heesen
Zahra Newman
QMS proudly supports this Out of the Ordinary production of
DRACULA
By Bram Stoker
Adapted and Directed by Kip
Williams
proud partner of