symbiosis designs ltd - selected works and projects by symbiosis designs ltd

Symbiosis a n d P h e n o m e nology M e m b e r s o f t h e team at Symbiosis subscribe to phenomenology in their thinking t o w a r d s a r c h i t e cture and equate the name Symbiosis with phenomenology. Edmund H u s s e r l e x p l a i n s“ the phenomenological r eduction reveals that there is a category w h i c h i s m o r e profound and more primitive than the notions of “ being”…., namely, t h e c a t e g o r y o f object of consciousness (or phenomenon)”. S ym b i o s i s , i n d ictionaries, means “a relat ionship of mutual benefit or dependence b e t w e e n d i f f e r ent species.” In architecture, and more so in total architecture, it is t h e “ m e a n i n g ” of the interdependence of objects, qualities and notions in their i n d i v i d u a l a n d cumulative assemblies. Our consciousness taps into the consciousn e s s o r s o u l o f objects and materials. The collective sum of objects amounts to the s p i r i t o f a p l a c e…. the emotive residue that remains true and profound, stemming t i m e l e s s l y f r o m deep understanding of “object of consciousness!“.

Contents

Ethic Mission and core values Our clients Methodology Attention to details Expertise Discourse Members

4 6 7 8 12 18 20 22

Selected projects Educational projects RSICA / Red Sea Institute of Cinematic Arts IAA / The International Academy - Amman IAA library

28 36 46

Hotels Wadi Philadelphia Hijar Nawabilisi complex Rakeen towers

50 60 64

Restaurants Blue fig cafeâ&#x20AC;&#x2122;

Office retail Abdoun fashion atrium Kawar Group office building headquarters Abu tawileh plaza II Techno Group office building Kurdi complex II Oasis 500 incubators

80 84 88 92 96 98

Banks Jordan Invest bank

104

Residential Abu samra residence Ayoubi residence Muhaisen residence

110 116 122

Health and wellness Vy complex

128

Masterplans King Hussein Business park Doha corniche master plan

142 146

Temporary structures and installations Petra booth Steel booth 7th circle public installation

152 154 156

Credits

158

[To continue to be the architectural firm amongst the most recognized for re-inventing the Total Design Environment]

“Good design is innovative Gives a product utility Is aesthetic Makes a product easy to understand Is unobtrusive Is honest Is long-lived Is consistent down to the smallest detail Protects the environment Good design is as little design as possible” Dieter Rams

Ethic Architecture is a symbiotic juxtaposition of endless sensitivities and sensibilities – an amalgamation of differing natures not unlike the reciprocal intertwining of the suggestive and the captive, the chaotic and the vivid, the mystical and the tangible, the musical and the silent, the rational and the poetic…all merged into a single opulent apparition, yet each retains its integrity – passionately orchestrated with a layman’s mind, heart and soul.

Core Values Symbiosis is synonymous with excellence. Paradigm shifts and hybrid investigations create unlimited potential for Total Architecture development. Intense creative investigations unravel phenomenology and phenomenology is the driving force behind continuous intense creativity. Every project must leave an enduring legacy.

[Our mission: To provide customized progressive identity solutions through phenomenology and Total Architecture]

Our Clients Clients who seek Symbiosis come forth adamant about dropping the typical. In their lives, they have achieved by embracing the more profound in their path. They are worldly individuals, well exposed, free thinkers who believe in the power of novelty and authenticity. They hold high respect for conceptual depths that often come with valuable and real leverage. They are intrinsically spellbound towards a new progressive reality, one that resonates elegantly in a timeless and individual insignia. The clients we seek understand and appreciate architecture as a medium to reveal, engage and treasure higher human values; individuals who express awareness of and sensibility towards our living environment and the significant impact of any project on both the physical and metaphysical attributes of its context. We cherish working with clients who seek design experience as an intrinsic investigation that fosters and embraces cultural enrichment; and clients who further believe in teamwork and multilateral efforts as the precondition to a spirit needed towards achieving further success. United in a mutually respectful manner with our clients, together, we thrive within an environment and dialogue that bridge personal values and ambitions to work values and to a final outcome of good fortune.

Up right: Ground floor plan Below right: Wall digram Up left: Initial sketch

Methodology At Symbiosis, architecture, at its most fundamental threshold, is an approach that utilizes holistic philosophy stemming from the field of phenomenology and the higher ideologies of transcendentalism applied to meaningful living in the built environment. It is an endless methodical interdisciplinary investigation, more like a madness or obsessive compulsive curiosity, towards challenging and shifting paradigms into a new landscape of built environments. Symbiosis is not about buildings alone, it is more inclusive as we tackle a comprehensive array of subjects that influence habitual living. Symbiosis borrows from the arts, literature and poetry, film, music, psychology and sociology, culture, economy, science and many other disciplines. We also draw from our intuitions, dreams, emotions, fantasies and sensibilities to evolve and fine-tune conceptual constructs balancing the rational with the emotional.

[“Form is the extension of content”] Robert Creeley

With each project we investigate the multitudes of daily narratives relative to many personalities [different usersâ&#x20AC;&#x2122; profiles] in their perceptual diversity and complexities. Our investigation is also about the exchanging narratives of the site, the neighborhood and the city beyond. Often, when the opportunity lends itself, we try to tackle difficult and intangible landscapes that aim to converse with the poetics of the human soul, the exuberance of his emotions and the ponderings of his mind. The process, many at times, is about engaging and possessing, yet with some, more about disengaging, retracting steps and doing nothing. The methodology is devised only to constantly challenge us in our aim towards better results with every project we undertake. In its design methodology; symbiosis explores both the built tangible environment and the un-built intangible in an effort aiming towards a more complete cohesion and harmony. We often propose visions for projects through hybrid-ing while, through experimentation in conceptual fusions or multi-layering, construct new living brands with entire functional models that result in creating fortunate equity. At Symbiosis every one, wholeheartedly, immerses himself into the project vision constantly trying to evolve, balance and refine in hope of realizing a meaningful architecture.

Attention to details At Symbiosis, external and internal detailing is tackled with passion and rigor. Details are considered early on during conceptualizing phase where the larger concept and the smallest detail feeds one another and ultimately become aligned in expression and meaning. Subscribing to phenomenology in design, the meaning of materials and their assembly plays a key role in our approach. Each material carries a quality and a spirit.

[Details are seen as the imprint of the intellectual culture of a building]

The selection of appropriate materials and the method of assembly dictate a resultant quality to spatial resonance. Often we select raw and rough materials and express primitive assemblies to appeal to primal grounding qualities. In other projects, where the building typology concept calls for it, we resort to modern use of steel, revealing assemblies and tectonics. Yet in some projects we take special care to conceal structure and assemblies to project seamlessness.

Above: glass box detail, meeting room, IAA Right: wood / stone detail, IAA

The subject is profoundly spirited in the same manner as approaching the larger initial concept. At Symbiosis there are more customized details than typical details. Details are seen as the imprint of the intellectual culture of a building. We are always seeking new materials and new assemblies more for the sake of individual expression and progress but without compromising the appropriateness of their spirit to the conceptual intent.

Above left: Noodasia restaurant entrance Center: canopy details Above right: canopy detail at Canyon hotel Below right: sign detail at Blue fig cafeâ&#x20AC;&#x2122;

[External and internal detailing is tackled with passion and rigor ]

In its design methodology; symbiosis explores both the built tangible environment and the un-built intangible in an effort aiming towards a more complete cohesion and harmony. We often propose visions for projects through hybrid-ing while, through experimentation in conceptual fusions or multi-layering, construct new living brands with entire functional models that result in creating fortunate equity. At Symbiosis every one, wholeheartedly, immerses himself into the project vision constantly trying to evolve, balance and refine in hope of realizing a meaningful architecture.

Left: detail of stair and railing at Noodasia restaurant Above left: detail for the steel staircase, Abu Samra house Above right: main stairs, Abu Samra house Below: Staircase, Invest Bank

Expertise Symbiosis offers the following services on building typologies ranging from Mixed-use Project Master Plans, Resorts, Multiple Residential, Mixed Commercial, Retail, Hospitality, Educational and Health, to Interior, Furniture and other Products: Research and Project Case Study Analysis Site and Zoning Analysis Project Facilities Programming Project Feasibility and Budget Analysis Concept Design Submittals Design Development Submittals Construction Documents Submittals Quantity Surveying Submittals Tender Documents Submittals Tender Negotiations and Awarding Construction Supervision 3D Modeling Branding and Graphic Design

Above: detailed drawings for some furniture pieces, Noodasia restaurant

[“Architecture, … more than any form of art, should be considered as three-dimensional philosophy.”] Berthold Imbetkin

Above: physical model, Kawar tower proposal, Abdali district Below: physical model, Theater Square, Abdali district

Discourse While locking each project within familiar realms as a necessary grounding methodology, flights towards the emotionally and intellectually profound necessitate continuous departures from the familiar. At Symbiosis, projects are tackled through conscious and deliberate balancing of dualities, often absolute opposites. While timeless authentic paradigms are preserved, others transcend towards alternative shifts. While some complexities are smoothed, others are often intensified. Staging environments through dualities holds evocation suspended. Symbiosis is a passionate and tenacious investigation in phenomenology and place making - often silent places with hidden evocations. Symbiosis office culture preserves a unique â&#x20AC;&#x153;think out of the boxâ&#x20AC;? studio/workshop approach in the initial design stages of all projects, protecting and maintaining progressive design output. Professional staff follows a set, rigorous technical methodology that allows each design to morph from concept to 3D dynamically and in a competitive time-frame; and from design development to building documents in highest standards often unveiling new assemblies. Schedules and resources are planned for all projects to ultimately stay on target while offering clients buildings that genuinely balance functional, financial, intellectual, emotional and aesthetical values. Symbiosisâ&#x20AC;&#x2122;s integrity is entrenched with a continuous dialogue with the vanguard. As one foot is often standing in the enchanted, familiar and real, the other is always negotiating dynamism and the unreal only trying to push our own envelopes.

Master plan study model

[“Architecture is fantasy made of precision”] Gio Ponti

[A balance between liberal endeavors and methodical processes is entrenched in the ideology of every symbiosis member]

Members Symbiosis is a reflection of the ethics and passion of its members, a lifelong pledge of labor of love towards an exceptional career in real and worthwhile architecture. The firm prides itself in its passionate team and the culture that roams in the office environment. A balance between liberal endeavors and methodical processes with extensive quality checks is entrenched in the ideology of every symbiosis member. Symbiosis is empowered with a team whose expertise covers different disciplines. Built-in into the organizational structure both spirited young talent and senior expertise covering all technical specialties including technical detailing, material specification, faรงade and skin design, structural modeling, technical monitoring, value engineering and quality assurance for supervision. Committed to expanding the envelope in the profession, Symbiosis continues to grow through the credibility of its culture and members as one intertwined entity.

Above: recieving the first Dubai Cityscape Award 2002

Khalid Nahhas Founding partner l director Senior architect Ramiz Ayoub Partner l senior architect Jawad Hamdan Partner l senior architect

Nida’a Tayyem Project manager Faiha Khazna Katbi Senior project architect

Lina Asad Senior project architect

Nisreen Al Far Project manager Dima Bilbaisi Project architect

Rawan Kakish Architect - lead designer

Dina Haddadin Architect - lead designer

Mariam Al Lala Architect

Abdel-Qader Tarabieh Architect - lead designer

Katrina Najjar Project architect

Onur lambaz Architect - lead designer

Firas Rhaibeh Project architect

Rasem Kamal Architect

Widyan Al Khaldi Architect

Zeid Kakish Architect

Rami Naffa’ Architect

Mohammad Al Kalbani Draftsperson

Wafa’a Al Zubidi Draftsperson

Amira Qattawi Project architect

Tawfiq Shahed Supervision unit manager

Rami Abu Mogly Resident engineer

Sami Saffory Resident engineer

Noura Al Amâ&#x20AC;&#x2122;ari Human resources Riham Al Nimat Resident engineer

Firas Al Rawi Site architect

Alaa Al Deen Khalifeh Surveyor

Mai Abu Nasra Site Secretary

Asâ&#x20AC;&#x2122;ad Abdalla Site supervisor

Mahmoud Monwer IT administrator

Mohammad Mitwalli Office boy

Tamer Rashad Office Boy

Hasan Al Hawamdeh Site supervisor

khalid Dabbas Liaison officer

Fadia Mahmoud Office adminstrator

URBAN C A R P E T C O N T I N U I T Y T E M P O R A RY S PAC E S EXPOSITIONS PAV I L I O N S M O L D I N G EARTH LANDS C A P E S TAG E F O R E V E N T S A F F O R DA B L E COMMUNAL TANGI B I L I T Y URBAN LINK MASTER PLAN RESPECTING CONTEX E N V I R O NMENT PUBLIC T H E M E F U T U R E E X PA N S I O N Z E R O S T R AT E GY REDEFINITION S O C IALITY HUMA N I T Y LANDMARKS C O M F O RTA B L E A M B I E N C E COEXISTENCE EDGES

STRETCHING WARMNESS

EDUCATIONAL OPEN SPACES ACCES S I B I L I T Y EMERGENCE SENSITIVITY S U S TA I N A B I L I T Y AUTON O M O U S AND INDEPENDENT I N D I V I D UA L OR SOCIETY BANKS C U LT U R E HERITAGE TRENDY HOTEL S AT T R AC T I V E I N T E R AC T I V E R E C R E AT I O N A L R E S TAU R A N T S W O R K LIVE O F F I C E RETAIL CREATIVITY SMART L I V I N G R E S I D E N T I A L V I RT UA L I T Y S M A RT C I T C O N T E P R A RY R E VO LU T I O N A RY HEALTH AND WELLNESS

RSICA Red Sea Institute of Cinematic Arts Aqaba, Jordan 30,000 sq.m 2006

Perception and creativity;

A collaboration with USC - University of Sothern California School of Cinematic Arts and The Royal Film Commission

The RSICA Film Park Complex is an answer to a Film Culture Initiative within the overall creative economies that would specifically promote film education and host film production & film festivals. The School buildings’ “formative gesture” that comprises stage sets, editing suites, sound stage, classrooms, theaters, library, faculty studios, faculty residence and a café are positioned on site mostly as synergetic forms that descend into and ascend from the earth.

Above: longitudinal section Below: ground floor plan

[Working with and expanding â&#x20AC;&#x153;emotional intuitive spaceâ&#x20AC;?] The negative space maintains integrity by claiming the larger share of the site as expansive arid landscape interrupted by two subterranean oases. The school buildings fuse unto one another and further connect through links to the other two functions; The Film/Spa Resort Hotel that includes a Film Museum and The Public Cinemas which, together, compound the capacity for film viewing during events.

RSICA is designed as a didactic building environment that intuitively teaches students much about spatial movement, different light conditions, shadows, traveling sound, visual layering and several related film making compositional considerations. The building is mostly built, indoor and outdoor, with pigmented concrete that is left natural and raw with the imprints of the wooden formwork. Some internal spaces are articulated with wooden planks as a softening strategy that also resolves acoustical challenges. The cafĂŠ, which is the primary social hot spot where students and faculty spend many hours brainstorming, hovers freely above the campus capturing panoramic views of Aqaba as well as visually emulating the equivalence of a film camera panning arm in its dynamic swing over scenes.

Above: study sketches for hovering cafe mass Below: elevations / section of hovering mass

Above: physical model showing the roaming spaces Below: study physical model, hovering mass

Above: the cafe; roaming roof Below: perforated skin details in the administration building

Above: main approach Center: view from school entance Below: hotel pool

IAA The International Academy - Amman Amman, Jordan 35,000 sq. m 2006

[Intrinsically didactic environment that holds emotional equity, identity and intuitive purpose] The IAA is a new fresh perspective on the educational built environment. It is a leap forward from a utilitarian building type to an intrinsically didactic environment which holds emotional equity, identity and intuitive purpose beyond the text books and the internal classrooms.

[“Architecture is to masonry what poetry is to literature.”] Anon Age related themes that complement education are integrated in the gardens of this community-village configuration of buildings. Themes begin with laughter and kinder-ship gardens and end with introspective moon watching and the profundity of legacy gardens. At the gates, four giant sculptures stand within a designed garden representing the core values of the school. Deep red cherry trees are planted sporadically to offer shading for the stone benches beneath as well as visually demark the start of the “garden village”. The administrative building, at the school gate, offers a colorful art gallery in its initial entrance zone appeasing the typical overwhelming institutional feel most schools project.

Above: view for the school main gate Below: the administration drop-off

Above: site plan Below: secondary school building, moon garden

[â&#x20AC;?Architecture is fantasy made of precisionsâ&#x20AC;?] Gio Ponti

Above: main meeting room Center: administration first floor plan Below: administration front elevation

The cafeteria and theatre building, like the gymnasium building, are mostly pushed below grade to ensure the scale of all buildings respect one another and the homogeneous quality of the larger complex. The building offers external large steps and landings that can be used as practice outdoor theatre, while the indoor theatre is designed to seat over 450 person and is a simple, warm and elegant environment with high acoustical integrity. All walls and ceilings are cladded with the same wooden panels to reduce visual distraction leaving the stage as the primary visual calling.

Center: theatre building longitudinal section Below: view for the theatre

All buildings through their forms, materials, and natural light project dual expressions; old heritage vernacular at one end and modern progressive at the other extreme. The stone, as a primary material, is used in two different languages, cut roughly and assembled densely to reflect the vernacular expression; while on the other reciprocal opposite, stone is cut sharply and laid out seamlessly to reflect modernity in unison with the more current steel shading louvers installed at the furthest edge of the same faรงades.

Above: hovering garden - classroom Center: primary first floor plan Below: primary school court

[All buildings through their forms, materials, and natural light project dual expressions ]

View inside the cafeteria

Above: wind tower detailed plans Below: wind tower detailed section

All buildingsâ&#x20AC;&#x2122; skylines unite in expression through their wind catching towers. The towers, not only ground the buildings with their visual weight, but they also contribute to the rigor of rhythmic play needed in such expansive internal spaces and environment. The wind towers are the insignia of the IAA. While they pay respect to the environment by utilizing passive energy, they are also a new architectural reinterpretation of the traditional tower expressed in a solemn manner unique to the school. The stone projects a sense of longevity and timelessness, while the wooden louvers give warmth and subtle articulation needed to express sophistication and attention to detail as spirits the school stands for. Internally, the wind towers present interruptions with offerings of natural light, natural breeze and water fountains â&#x20AC;&#x201C; pleasant demarcations which are along the expansive internal circulation.

Above: view for the wind catchers from the roof Below: wind catcher prototype

IAA library Amman, Jordan 4,200 sq. m 2004

[hovering glass structure held in flux with a gesture towards the magical and imaginative] The library building emerged out of a necessary garden meant to provide students with a fundamental epiphany shedding enabling foresight and inviting them to contribute to humanity. â&#x20AC;&#x153;Legacy Gardenâ&#x20AC;? is a vast reflective pool with a river stone bed flooded with water only on the special occasion of graduation day. Sculptural representations of men and women of great accomplishment, such as Ibin Rushd, Einstein, Gandhi, ... dwell in the pool as a solid human legacy forest. Graduates obtain the privilege of walking amongst the sculptures and unto a floating platform in the water to gather, as a class and to cherish the moment of their own accomplishment in an extremely dramatic setting.

The pool, is designed to capture the shadows and reflection of the sculptures, often perceived as souls, as well as to capture the mirror image of the flying glass library above, with its brightness representing enlightenment, an image appropriate for the occasion. The library is also designed with two extreme dualities, a grounded stone building that houses the book stacks; and a hovering glass structure held in flux with a gesture towards the magical and imaginative.

URBAN C A R P E T C O N T I N U I T Y T E M P O R A RY S PAC E S EXPOSITIONS PAV I L I O N S M O L D I N G EARTH STRETCHING LANDS C A P E S TAG E F O R E V E N T S A F F O R DA B L E COMMUNAL TANGI B I L I T Y URBAN LINK MASTER PLAN RESPECTING CONTEX E N V I R O NMENT WARMNESS PUBLIC T H E M E F U T U R E E X PA N S I O N Z E R O S T R AT E GY REDEFINITION S O C IALITY HUMA N I T Y LANDMARKS C O M F O RTA B L E A M B I E N C E COEXISTENCE EDGES ACCES S I B I L I T Y EMERGENCE SENSITIVITY S U S TA I N A B I L I T Y E D U C AT I O N A L O P E N SPACES AUTON O M O U S AND INDEPENDENT I N D I V I D UA L OR SOCIETY BANKS C U LT U R E HERITAGE TRENDY

H OTELS

SMART L I V I N G

AT T R AC T I V E I N T E R AC T I V E R E C R E AT I O N A L R E S TAU R A N T S W O R K L I V E O F F I C E RETAIL CREATIVITY R E S I D E N T I A L V I RT UA L I T Y S M A RT C I T C O N T E P R A RY R E VO LU T I O N A RY HEALTH AND WELLNESS

Wadi Philadelphia Amman, Jordan 69,000 sq.m 2010

The site for Wadi Philadelphia is perhaps historically, the most valuable location within the center of the city of Amman. The city has historically emerged from this very spot. The design plan is not only a direct solution to the clientâ&#x20AC;&#x2122;s facilities program, but is also intended to balance and rejuvenate the existing city center bringing eastern and western city dwellers together to revive the area. At the core of the architectural concept is a blending of the old,

and existing profound elements at site, with the new as a resonating continuum. Beyond orienting the project components towards highlights of stunning archaeological icons and engaging the city center as a humming urbanity filled with events, the concept is a proposition that celebrates profound phenomenological weave.

The first two issues of Exploring the Edge presented a search for a genius loci within the context of Jordan. In neither case was this search expressed through the too-common emphasis of connecting to conceptions of a past heritage, which often ends up caricaturing and de-contextualizing the architectural heritage of a previous era. Instead, architects Sahel al-Hiyari and Hani Imam Hussaini examined current construction materials and practices predominant in Jordan. They worked with what may be identified as a â&#x20AC;&#x2DC;contemporary conventional semiindustrial vernacular,â&#x20AC;&#x2122; but redefined and developed it into a higher level of architectural expression.

[... the concept is a proposition that celebrates profound phenomenological weave...] 51

The concept is a juxtaposition of a larger park, an open museum, a public market and a hotel. The park celebrates nature, whereas the open plazas in the form of subterranean carvings for open events solidify culture. The heritage public market celebrates the tactile and rituals of Jordon, while the sensual hotel offers warmth and memory. The sunken market and the plazas are scaled as large openings to qualify as a continuation of the scale of the overall descending valley. Wide steps offer effective inviting functional and visual access to the sunken market. By submerging the market and parking into the ground the roofs become a green offering for both urban users as well as an environmental â&#x20AC;&#x153;fifthâ&#x20AC;? faĂ§ade to the overlooking hillside neighborhoods.

Above: the souq promenade Below: sunken market

Above: isometric view Below: theater plaza

Wadi Philadelphia The Hotel 41,000 sq.m

The hotel towers are expressed through simple orthogonal geometry so not to overpower the historical site. Their vertical randomly scaled screening skin is meant to emulate the intrigue semi-transparent veil projects. It is designed as a sequence of experiences integrating uncluttered expansive spaces; natural light and views; monolithic scale next to intimate ones; and the use of two primary materials, one perceived as heavy and grounding while the other as light and floating. The hotel is spirited in the same manner as a national gallerymuseum, celebrating exhibits and artifacts as part and parcel of its very theme.

Left: hotel view from the theater plaza Below left: spa floor and rooms floor plan Below right: roof top restaurant floor plan

The hotel lobby is a series of double and triple volumes over an expansive horizontal plan designed as an island floating on a reflecting pool. Lit glass crystal elements orient the visitor to the above key functions while large openings reveal the primary functions on the below floors. The walls are designed in the same spirit as ones often finds in ruins, free standing remnants with deep accents of intriguing shadows. On the higher floors there are many offerings, the most dramatic is the spa and health facilities on the top floors of the lower tower, where treatment rooms are within a larger glass crystal floating over treatment pools.

Above: reception crystal vs museum walls Below: lounge cafe crystal hovering over the seating lounge

Above: treatment rooms hovering on top of the treatment pools Below: turkish bath/ treatment pool cave

The internal environment of the rooms stands as a true representation of how the architecture and the interior design of a building can live in harmony as one qualitative entity. The unconventional square shaped bedroom with spa-like bathrooms and soaking tubs, created a unique and expansive sense of comfort and mimicked the sensuality of a sanctuary. Also, the light beige and white color, made all elements; including finishing materials and furnishing, blend as one neutral homogeneous scheme. While the outer skin veils and softens the incoming natural light and adds a sense of mystique to the views of the surrounding heritage market and ancient sites.

Above: skin study Below: detail for skin treatment

Above: typical room view Center left: typical room plan Center right: suite room plan Below: typical room view with curtains open

Hijar Al-Nawabilsi Complex Amman, Jordan 50,000 sq.m

2007

The project has two main components bridging two sites; a retail strip on one lot and a hotel on the other lot both bridged by a roof sky entertainment spine.The retail wing is designed as a simple linear and vertical double loaded strip of retail shops on several levels. The upper levels scoop shoppers off the street through several street entries with an animated escalator. The sky entertainment spine also meets the upper street level with large open facades framing the colorful social environment within while overlooking the street life; hovering at the other end over the hotel sky pool and the city view beyond.

Left: sky retail Above: sky retail floor plan Below: lobby floor plan

Above: pedestrian promenade next to retail shops Center: retail canyon Below: sky retail view from upper street

The hotel is designed to attract young urban business executives and stylistic individuals who appreciate a designed boutique experience. The lobby building literally hovers over a reflective pool within a void below a lifted mass, horizontally framing a dramatic panoramic view of the city. The plans are simple and rational, developed with minimal lines and a spirit of minimalism. A vast modern art garden is designed as center focal stage to all three masses riding the overall site adding to the visual theme of the stylistic project.

Above: hotel lobby Below: sectional elevations

Rakeen Towers Amman, Jordan 90,000 sq.m 2008

[ An urban haven ; With a distant soft calling Its lit heart hovers in the sky The site of which heals like the moon]

The Rakeen project is a thorough investigation and facilities programming development towards a modern urban lifestyle complex that revolves around wellness and healthy living. It incorporates a hybrid of mixed-uses all reinvented with wellness in mind. It includes a natural and organic food center, elaborate wellness facilities such as a spa and sports center, a wellness hotel and wellness restaurant outlets, Zen spirited gardens, spacious luxury residential units designed as spas and an office block rich with natural light, views and optimal ventilation. It is designed with a perimeter threshold as a protected urban island that unravels a natural heaven paradigm at its heart. It is meant to offer a rural resort experience within the heart of urbanity. A building designed with enchantment as a primary quality.

Above: tower massing Center: site plan Below: study physical models

[An enchanted place With offerings belonging to essence itself]

Left: faรงade detail study Right: elevations

The Sanctum An urban haven With a distant soft calling Its lit heart hovers in the sky The site of which heals like the moon A far place yet only a step across Humble unpretentious like a monk Whose lines and complexion only barely turn and sway And from within his sole gentle silences stem An enchanted place With offerings belonging to essence itself Where water of life floats high above like shimmering spirits And the high sky touches its very ground with blessings An urban haven Where distracted souls are eased Where raging eagles become butterflies Where wild fire transcend to a candle light Salient, sailing and At ease

Above: the entrance experience Below: spa interior

Blue Fig Amman, Jordan 2,400 sq.m 1997

The Blue Fig design holds the honorary privilege of being the only recipient of the very first Dubai Cityscape Architectural Award for Sxcellence in 2002

The Blue Fig is a social theatre of a building staging internal scenes/ social theatrics while being panned during approach. The building is expressed with both extreme evocative materials and forms. At one extreme heavy, thick, grounded walls and on the other end light, transparent, in-flux steel and glass forms. Blue Fig is inherently a soulful place exchanging a flow of authenticities, be it light, shadows or rustic and natural materials.

[Out beyond the idea of right thinking and wrong thinking is a field... i will meet you there ...] Rumi

Left: street elevation Right: side elevation

Above: west elevation Center: south elevation Below: physical study model

[We shape our buildings; thereafter they shape us] Winston Churchill

The Blue Fig design holds the honorary privilege of being the only recipient of the very first Dubai Cityscape architectural award for excellence in 2002. The building was recognized for its total architecture and for its positive social and cultural impact on the city of Amman.

Above: physical model Below: site plan

The building primary material use opted away from the typical white stone with its glare and utilized the warmer terracotta earth tone concrete and plaster on both indoor and outdoor surfaces to primarily ground and compress areas to create intimate spaces. The steel and glass is utilized to express expanded space, whether in opening up horizontally towards views or thrusting vertically to create double and triple volumes. All guard rails utilized the remains of steel re-enforcement bars as part of its assembly and in an effort to both reduce cost and waste as well as maintain a sense of rawness and authenticity of material expression. In the same effort, most other materials such as floor tiling, wooden floors, light fixtures and duct works were hand custom made locally through utilizing small scale cottage industry fabricators.

Above: steel roof assembly Below: triple volume entry

The building places many human rituals in focal point culminating in a rich array of visual theatrics. The service kitchen is placed centre stage and remains open. The coffee bar is placed by the entrance and is almost pulled out of the building to be seen from the street. The beverage bar is a focal point to the upper floor. Nooks and deep openings in walls were articulated to feature art work and artifacts as inherent objects of the building and its meaning.

Above: main entrance and coffee bar Below: walls as canvas at night

L I V E OFFICE R E VO LU T I O N A RY

R E TA I L

CREATIVITY HEALTH AND WELLNESS

Abdoun fashion atrium Amman, Jordan 10,000 sq.m 2008

[the Plinth vs. the Flamboyant; static grounded vs. dynamic eccentric]

Besides creating a negative urban space that provides a quality communal venue, the design carves physical permeability and fluidity to the site context as well as frames the best surrounding views. Abdoun Shopping Atrium is an Avant-garde product that holds fashion retail at its highest end.

Above left: plans Above right: physical model Below right: physical model

The relationship between fashion and architecture was the main paradigm through which the project was cut-out. The dualities in fashion and in architecture inspired the dialogue between two well-crafted components that form this project; the Plinth vs. the Flamboyant Component: the static, grounded confident whispering individuality vs. the high energy dynamic, flamboyant and fluid common one. Both forms were generated as an experimentation of the form, material, and a faรงade narrative.

Above: collapsed zinc skin envelope Left: building under construction Right: mock-up skin sample

Kawar office building headquarters Amman, Jordan 18,700 sq.m 2010

[to give a rational functional plan, a captivating intrigue and a unique expression]

The Kawar office building is a construct of a new innovative material assembled to give a very rational functional plan a captivating intrigue and a unique expression to the Kawar family brand. The plan of the building emanates from a very solid central core to an outer perimeter translucent concrete edge articulated with modulated openings that appear random yet in a very simplistic manner ground the building. Further out another belt of light steel and clear glass perimeter offices projects outwards beyond the heavy mass.

Left: main approach view Above left: collapsed components Below left: cross section Below right: atrium view

Above: boardroom view at executive floor Below: typical floor lobby view

During the day, the inner offices gain soft translucent work light while catching glimpses of outer views. At night, the inner lights give a soft humming quality to the translucent earth color concrete making the building a modern lantern that can be seen from a far distance. The plan is a simple rational one that aligns material of conceptual expression, flexible open work space, structure and electromechanical optimal solutions to a common workable module. Experientially, the light quality which emenates from the translucent concrete transcends as an evocative spirited form for both inside users and external spectators, however with constraint and subtlety of mass breaking away from the overly muscled geometric forms of the surrounding context.

Above right: executive roof floor plan Center right: typical floor plan Below left: roof terrace view Below right: executive office view

Abu Tawileh plaza II Amman, Jordan 26,500 sq.m 2009

[A visual tension between two forms... articulated geometries of balance to achieve a settling synergy]

[a] inner skin composed of fiber cement, example of fenestrations in a chaotic order, achieving a playful yet studied effect.

The project is distinctly demarked with a crystal sky retail store above a simplistic backdrop office building block and a frontal hovering, dynamically skewed, vertical anchor retail store. One form is articulated with modern progressive glass and fiber cement linear panel cladding, the other with internal wooden shutters behind clear glass to further polarize the visual tension between the two forms while articulating geometries of balance to achieve a settling synergy.

[b] outer skin, consists of clear glass, same grid concept but slightly tilted, creating a beautiful imagery, day and night.

Left: facede physical model detail Above right: over all massing, physical model Center: skin treatment Below right: massing study

Both forms sit on an urban tray platform activated as a cultural plaza â&#x20AC;&#x201C; a tribute to the urban landscape. The building is an innovative attempt at greatly increasing the retail space percentage beyond the typical yields on the same street, while invigorating the additional retail space with experiential vantages that will ensure the preserved and further enhanced urban street presence .

Above: view from the urban tray Below: massing concept model

Above: typical floor plan Center: plaza floor plan Below: longitudinal section

Techno Group office building Amman, Jordan 12,000 sq.m 2011

Fisrt prize winner in The Techno Group competition 2011

[The austerity of the exterior is balanced by the softness of the floating and humming wooden clouds on the inside]

The building massing concept created a negative space that would be a certain interruption to the continuous street frontal faĂ§ades; hence a specific and differentiated visual field is announced where the void becomes a captive. The negative field is the primary focal point staging majestic trees. Through the buildingâ&#x20AC;&#x2122;s homogenous material expression, the steel structural skin is also a grounding continuum and an assurance of rigor, visual noise reduction and simplicity. The austerity of the building exterior is quickly balanced by the softness of the floating and humming wooden clouds on the inside. The visitorâ&#x20AC;&#x2122;s path is treated as a celebratory narrative or scenographic revelation of the contents and values of the client. The building interior is constructed to offer pure and simple working halls that balance light and shade and drive at reducing visual noise, offering pensive spaces and very synergetic working environment.

Above: phase one of the project Below: site plan

[The negative field is the primary focal point staging majestic trees]

Above: the garden Below: approach at entrance

The building concept brings all building elements into a rigorous concealed framework. Redundancies are collapsed into single expression tidy within the structural skin and floor assembly reducing unnecessary articulations. Its seamless assembly stands representative of a sophisticated design and fabrication industry, that of the client. A unique resonating form along with a captive void and prevailing balances were the sought after expression.

Above: the executive floor Center left: conceptual construction details Center right: cross section Below: entrance lobby

Kurdi complex II Amman, Jordan 4,350 sq.m 2007

[The physical and visual transparency with the multi-level plaza, create a setting for social staging and interaction]

The Kurdi project is a mixed-use retail offices and a hospitality cultural node, situated as an "island" surrounded by four streets. The physical and visual transparency of the project, coupled with the multi-level plaza around the project, create a setting for social staging and interaction. The building is simple in form, and articulated through the careful use of contrasting materials, from expansive surfaces of rustic concrete to simple, restrained steel detailing, projecting subtlety and unpretentiousness.

Above: view from the outdoor stair Center: site plan - longitudinal section Below: concept formation - model illustration

Oasis 500 incubators Amman, Jordan 4,200 sq.m 2010

[It is a dialogue between two polarities in contrasting tension]

There are many aspects in our lives, especially in our future creations, that cannot be accessed by basic senses â&#x20AC;&#x201C; smell, sight, touch, audio â&#x20AC;&#x201C; or even thinking, especially when we are primarily surrounded by the conventional and mundane. Metaphors, triggered by perpetually morphing suggestive space, liberate our intuitive minds and transcend them into an expansive vast mindspace, empowering quantum leaps and creations of new paradigms. The proposed addition to the existing structure is a liberated open-ended space, reclaiming an intuitive space within rational offices and conference rooms layout, hence impelling distinctive innovation and conception; hence incubating.

Above: the intuitive space Center: ground floor plan Below: plan concept formation

Above: the intuitive space Below: cross section

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It is a dialogue between two polarities in contrasting tension; an environment necessary for the creative act which involves at one end fluid thinking, and on the other end the methodical and rational state. The design intent was to transform the internal courtyard into a landscape of folds and continuous geometries that articulate the life and the interactive functions embedded between the folding surfaces. All surfaces were designed as a sequence of geometric subdivisions and transformations applied to the grid of equilateral triangles. The emerging space between these surfaces manifests in the increased continuity despite its envelope fragmentation.

The dynamic playful character of the surfaces extends from the floor to the wall to the ceiling, creating an unconventional space. Also, many of the spatial relationships located at the central space were a direct abstract mapping of the folding geometry. As a result, the choreography of surfaces and the functions within became interwoven as one integrated biomorphic entity.

Above: conference room prototype Below: the meditation garden

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STRETCHING WARMNESS

AUTON O M O U S AND INDEPENDENT I N D I V I D UA L OR SOCIETY BANKS C U LT U R E HERITAGE TRENDY HOTEL S AT T R AC T I V E I N T E R AC T I V E R E C R E AT I O N A L R E S TAU R A N T S W O R K LIVE O F F I C E RETAIL CREATIVITY SMART L I V I N G R E S I D E N T I A L V I RT UA L I T Y S M A RT C I T C O N T E P R A RY R E VO LU T I O N A RY HEALTH AND WELLNESS

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Invest Bank Amman, Jordan 1,000 sq.m 2009

[“KNOW, THEN, WHATEVER CHEERFUL AND SERENE SUPPORTS THE MINDS ...”] John Armstrong

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The intent of the concept design for the Invest Bank projects was to overcome the traditional negative perceptions which associated with institutional, bureaucratic and stuffy environment as well as being a dreaded chore, not a destination for a pleasant experience, and to make a leap forward into a new pleasant culture of banking experience. The new brand environment promotes a young and progressive, clean cut, energetic, efficient, innovative and creative, approachable and socially responsible banking.

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[â&#x20AC;&#x153;It can propel people towards Social Emancipationâ&#x20AC;?] Salvador Dali

The concept is a new hybrid borrowing experiential tactics from three other typologies. Distinct materials associated with the three typologies carry many meanings by subliminal experiential association. Those very meanings constituted the residual quality intended for the bank.

The space between the bank hall and back of house

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From the art gallery, the minimal, bright and uplifting spatial manifestations were brought to play. Intimacy, distinctiveness and innovativeness were borrowed from themed boutique hotels; while harmony, serenity, congeniality and sensual ambiguity were borrowed from wellness sanctuaries. Intertwining all these qualities, the bank became a modern pleasant experience that eliminated clutter and visual noise and also made the bank friendly, approachable and distinctively innovative in its many clean details, simple lines in addition to custom detailed material assemblies.

Above: detachment of the glass faรงade from the existing structural system Below: costumer service crystals

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RESIDENTIAL

V I RT UA L I T Y S M A RT C I T C O N T E P R A RY

R E VO LU T I O N A RY HEALTH AND WELLNESS

Abu Samra residence Dabuq, Amman 1,300 sq.m 2005

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The project was nominated for The Aga Khan Award 2010

The architectural forms of the house, primarily consist of two sets of cubic masses linked by a corridor (the gallery). The use of forms expresses, on the conceptual level, an element of reductionism, as with the expansive plastered surfaces and simple rectangular cutout windows. The southern part of these two compositions of masses extends the axis of the corridor, while the northern one is rotated from it at an angle, partly to break the longitudinal extension of the house, and partly to maximize the views of the surrounding landscapes available to this northern mass.

Above: ground floor plan Below: view from the back garden

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The design expresses a duality that combines two and three dimensional compositions, with planar arrangements competing with three dimensional masses. The weight of the masses is especially apparent when the mass of one of the house corners is freed with a recessed window, thus revealing the considerable thickness of the exterior walls of the house

[The use of forms expresses, on the conceptual level, an element of reductionism]

Above: physical model Center: longitudinal section Below: side elevation

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Above: the guest area Below: the gallery axis

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Night view for the large corner window

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Above left: a window viewing the reflecting pool Above right: a punch within the house volume Below: steel and wood stair detail

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Ayoubi residence Mahis, Jordan 850 sq.m 2010

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[Outer facade materials are assembled to retract out of way linking inside and outside as one field]

The Ayoubi residence is a byproduct of a best fit between an inspiring but difficult steep site, simplified structure, conceptually grouped electromechanical services, maximum inward and outward permeability, strict use of minimal materials and also a respect for the power of the orthogonal module. Outer faรงade materials are assembled to dynamically retract out of way linking inside and outside, as one field. To allow for a completely open plan, all services were tucked inside an internal vertical form, as the plinth that anchors the house to site.

Above: view from the infinity pool Below: site plan

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Above: floor plans Center: longitudinal elevations Below: longitudinal section

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The plan adhered to a strict structural modular system that liberates the facades and aligns functional rooms

on both the upper and lower levels. The three primary materials are all natural and proposed as appropriate to the rural setting. Articulated to address transparency, translucency and screening. The galvanized steel cladding covered the internal anchoring box, which also thrusts above the larger house form to accommodate a nice roof top home office and a panoramic sun deck. The main outer envelope is a rough, natural concrete, balancing the meticulously detailed galvanized steel. Qualitatively, the narrative through the villa, from the point of arrival, through the spaces and out again, is one that focuses on minimal visual clutter conducive to a pensive state. This is aided by a calming water reflective pool, a natural garden on both ends of the house and an elongated horizon pool towards the arid countryside.

Above left: the concrete envelope Above right: guest area double volume Below right: the master bedroom

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Second design proposal for the Ayoubi residence

The project is a minimalistic intervention to a natural site next to a forest reservation with a powerful quaint presence. The intent was to reduce the footprint of the residence to a bare minimum while compensating that by going vertically. The outer faรงades are made of natural dyed concrete to blend with the color of the earth on site. The openings in the faรงades are articulated to frame specific outer views, as preconceived paintings that include isolated views of the sky. The plan is a rational module that is repeated on each floor for structural alignment and functional clarity. The top floor houses the main master bedroom within a glass structure, which retreats from the outer concrete walls and their openings, creating an open terrace with a quaint reflective pool that pulls the sky down within the internal space.

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[Minimalistic intervention to a natural site next to forest reservation with powerful quaint presence]

Above: roof pool Center: floor plans - elevations Below: office double volume

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Muhaisen residence Dabuq, Amman 821 sq.m 2008

[Casualness and sophistication are evidently intertwined in a symphony]

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The entire house is a processional narrative directed through a casual geometric disposition of forms, walls and spaces amounting, in their total and single perceptual expression, as a recluse that unpeels its own self. Departing from the orthogonal plan, this house offers incidental discoveries of the in-between spaces, housing unconventional shadows, landscape elements and art installations. The structure is further spirited away from the polished urban to dwell with a primarily rural and rustic rough stone in addition to imprinted raw concrete surfaces. Both casualness and sophistication are evidently intertwined in a symphony.

Physical study model for the project

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Above: ground floor plan Center: south elevation Below: section

Above: main approach Below : house enclosure

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S M A RT C I T

C O N T E P R A RY

R E VO LU T I O N A RY

HEALTH AN D W E L L N E S S

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Vy complex Amman, Jordan 8,500 sq.m 2004

[Externally, the building expresses its typology and is read as a gym complex, with an Insignia of Vigor]

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Vy Complex is the largest, most comprehensive and most progressive sport facility in the Middle East. Conceptually the spaces and their configuration build up on the notion of energy and well-being, enforced through several internal dynamics such as exchange of the natural light and scenographic visual connections, many of which reveal kinetic movements.

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[The overriding sensory perception within Vy is that of invigoration]

The building includes the main gym halls, workout studios (five group studios), semi Olympic pool, semi Olympics flying running track, climbing wall, squash courts, bath and changing rooms, spa, beauty center, Juice bar, Restaurant (250 seats), different retail shops and all support functions including an administrative, laundry, maintenance, security and parking facilities. The overriding sensory perception within Vy complex is that of invigoration. The halls at Vy were intially designed as social spaces that were developed to accommodate sport events and not the other way around. The visual conversation within and between the halls took great consideration to ensure inspiring vantage points while visually panning during exercise.

Physical model for the project

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Above: first floor plan Center: longitudinal section Below: front elevation

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Left: main entrance Right: reception counter

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Above: looking over squash courts Below: main gym halls

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Above: semi olympics flying running track Center left: running track roof plan Center right: running track section Below: running track structural study

Externally, the building expresses its typology and is unmistakably read as a gym complex. The upper level 200 meters steel structure running track roams through many of the halls that overlooks many activities and continues outdoor flying over external spaces and views. Many of the internal activities and motion are also framed as clear visual perspectives inward towards the heart of the building on each faรงade, while kept bright through the utilization of large areas of skylights.

Above: running track steel structure Below: running track flying over external spaces

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Above left: Vy restaurant; juice bar Above right: Vy ice; icecream shop Below: Vy chi; beauty center, spa

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URBAN C A R P E T C O N T I N U I T Y T E MP O R A RY S PAC E S LANDS C A P E S TAG E F O R E V E N T S A F F O R DA B L E

EXPOSITIONS COMMUNAL

PAV I L I O N S

M O L D I N G EARTH

STRETCHING

TANGI B I L I T Y URBAN LINK MASTERPLANS RESPECTING CONTEX E N V I R ONMENT WARMNESS PUBLIC T H E M E F U T U R E E X PA N S I O N Z E R O S T R AT E GY REDEFINITION S O C IALITY HUMA N I T Y LANDMARKS C O M F O RTA B L E A M B I E N C E COEXISTENCE EDGES ACCES S I B I L I T Y EMERGENCE SENSITIVITY S U S TA I N A B I L I T Y E D U C AT I O N A L O P E N SPACES AUTON O M O U S AND INDEPENDENT I N D I V I D UA L OR SOCIETY BANKS C U LT U R E HERITAGE TRENDY HOTEL S AT T R AC T I V E I N T E R AC T I V E R E C R E AT I O N A L R E S TAU R A N T S W O R K LIVE O F F I C E RETAIL CREATIVITY SMART L I V I N G R E S I D E N T I A L V I RT UA L I T Y S M A RT C I T C O N T E P R A RY R E VO LU T I O N A RY HEALTH AND WELLNESS

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King Hussein Business Park Amman, Jordan 3,570,000 sq.m

2010

[The Business Park District is intended to stimulate the imagination and to promote healthy creative living and working atmosphere]

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The project was dreamt of as a comprehensive living lifecycle program that combines residential, wellness, entertainment, cultural, tourism, recreational and educational beyond the requested business theme park. The design intent was to transform the district into a neighborhood where a user finds all his living needs as if he is living in a larger cosmopolitan city with many offerings. The Project was further developed to include districts within the overall master plan, each with an anchor project standing as an iconic stem cell for further growth. Each project took on a dynamic architectural expression, honestly representing the core of its use. Building typologies were challenged to become new hybrids with combinations of uses, promoting a new lifestyle living.

Left: general masterplan Above: park weave Below: conventional center

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Above : urban design treatment Below: view for a public square

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The entire plan is conceived within a vision for a park that balances its urbanity. The park became the stage unto which the building projects overlooked. In some sub-districts the park-scape was stretched deeply into areas where buildings lift up to yield for it at the base. A central retail entertainment spine edges the park and becomes an extension of it as its green roofs meanders and weaves into the park offering a new urban landscape expression. The entire plan is interconnected and designed mostly around the pedestrian and his needs while resolving traffic flow throughout. Linear parks link all districts and connect the central park to the outer perimeter green belt. Residing in the Business Park District is intended to stimulate the imagination and to promote healthy creative living and working atmosphere.

Above: multiple residential area Below: single family house area

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Doha Corniche Development Doha, Qatar N/A 2009

A joint venture with Jean Micheal Wilmotte & Associés S.A. - Paris, France

Doha North Shore Zone, envisioned as a primarily natural sandy beach, is an extension of the desert coming into the city from the North. It is literally an “Open Ecological Museum” whose quaintness balances the bustle of the immediate urbanity of the tower area. In this zone, the buildings reverse their traditional selves and become nodal green parks reminiscent of oases and a humanly sustainable functionality unique to Doha and Qatar – celebrating the environmental and human ecology.

[The buildings reverse their traditional selves and become nodal green parks reminiscent of oases ] 146

Above : overall masterplan Below: duty free village masterplan

desert hotel

corniche plaza

sky strip

wellness hotel

Some buildings are positioned close to the road and hover on pylons to offer a clear view out to the sea beneath them as well as shaded public space. Other buildings sit on edge stitching both land and sea as an experience similar to the case in the aquarium building. Others split apart horizontally framing the soothing horizon line, while yet others sit as islands in the sea offering unique visual experience. Functions vary from a Recycling Museum, Birds Life Museum, Desert Ecology Museum, and an Aquarium to buildings that celebrate human cultural ecology such as an International Calligraphy Museum, Children Museum and Natural Fabrics Museum. All buildings will be designed as public garden follies where visitors can interact in shaded areas, water features, art-scape and localized themed landscape. The green folly experiment should creatively evolve into many unique building typologies merging imperative parking space with socially, culturally, financially and environmentally sustainable aesthetic urban fabric.

Above right: duty free village - south shore Below right: sky strip over looking the desert hotel to the right

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The South Shore Zone 9, stands as an airport gate area to the city. The profound event building with rich memorable experiences and dramatic visual gesture that capture the senses of visitors in the first and final hours of their visit to the city.It is proposed that Dohaâ&#x20AC;&#x2122;s airport district will be the site for the largest and most enterprising duty free shop in the world â&#x20AC;&#x201C; a lucrative and rewarding one kilometer stretch green building that redefines what is traditionally a strict indoor commercial exchange.

The main building is an elevated green linear form that yields to the quaint continuity of the relationship of majestic desert to the soothing sea. The elevated structure is both a parking building on one level and a shopping strip on the upper most level, both engulfed within an inter active steel and green screen skin with permeable quality that offers outward views.

Above right: wellness hotel Center: environment museum Below: corniche view

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Aquarium space

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URBAN C A R P E T C O N T I N U I T Y TE M P O R A RY S T R U C T U R E S A N D I N S TA L L AT I O N S EXPOSITIONS PAVILIO N S M O L D I N G E A RT H S T R E TC H I N G L A N D S C A P E S TAG E F O R E V E N T S A F F O R DABLE COMMUNAL TANGI B I L I T Y URBAN LINK MASTER PLAN RESPECTING CONTEX E N V I R O NMENT WARMNESS PUBLIC T H E M E F U T U R E E X PA N S I O N Z E R O S T R AT E GY REDEFINITION S O C IALITY HUMA N I T Y LANDMARKS C O M F O RTA B L E A M B I E N C E COEXISTENCE EDGES ACCES S I B I L I T Y EMERGENCE SENSITIVITY S U S TA I N A B I L I T Y E D U C AT I O N A L O P E N SPACES AUTON O M O U S AND INDEPENDENT I N D I V I D UA L OR SOCIETY BANKS C U LT U R E HERITAGE TRENDY HOTEL S AT T R AC T I V E I N T E R AC T I V E R E C R E AT I O N A L R E S TAU R A N T S W O R K L I V E O F F I C E R E TAIL CREATIVITY SMART L I V I N G R E S I D E N T I A L V I RT UA L I T Y S M A RT C I T C O N T E P R A RY R E VO LU T I O N A RY HEALTH AND WELLNESS

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Petra Exhibition booth Dubai, UAE 65 sq.m 2004

The Petra exhibition booth is a design that can be assembled and dissembled for use in several exhibits. The client wanted to dramatically express what one can do with steel as a structure and in particular the extent of its strength in cantilever projection. Steel at Symbiosis is viewed, in essence, as a malleable liquid that can be sculpted into free form. The structure, following organic rational, can be visually traced from base all the way to lighter projecting elements. The remaining cladding materials are products promoted by the company as finishing and were used in assemblies demonstrating their nature, including the extremities of their performance capacities. The entire booth is a folly that one can experience ascending and descending while exploring different progressive assemblies including standing at the tip of the six meter cantilever loft. Above: site plan Below: side elevation

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Steel Booth Amman, Jordan 80 sq.m 2009

[...materials and assemblies true and honest to their behavioral assembly process]

The booth is a representation of the fabrication capabilities of a prominent steel manufacturer. The structure was designed to stand vertically visible within exhibitions to lure visitors in its direction. The lower level is cleared of all clutter to allow a staircase to impose its invitational presence unto the second floor. All samples and creative drawings were exhibited within the floor plane. On the upper level a silo is constructed, however turned horizontally to become a digital gallery with rhythmic screens further telling the story of the host. A meeting room is also constructed as an extension of the assembly of the overall structural frame tectonic hierarchy. The boothâ&#x20AC;&#x2122;s primary gesture is to express materials and assemblies true and honest to their behavioral assembly process.

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Above left : LCD screensâ&#x20AC;&#x2122; view inside the silo Below left : stairs view towards upper level Above : detailed views Center: conceptual layers, elevations and sections Below: general view

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7th Circle public installation Amman, Jordan 2009

[a soulful resonance that is artistically profound and neither imposing nor invisible] 156

The 7th circle, being the first roundabout gateway encounter once reaching the city arriving from the airport highway road, can perhaps be argued as the most important circle in Amman. Symbiosis was commissioned to reinvent the entire intersection to elevate its quality to a highly dignified state and erect a monument that would stand as an icon for Jordanâ&#x20AC;&#x2122;s ten inspirational and fundamental living values declared by His Majesty the King. The structure stands 16 meters high and is layered with the Arabic Kofi calligraphy words in different scales and through a composition that balances artistic, ambiguous composition with rational legibility and structural build-ability. The crux of the gesture was to achieve a soulful resonance that is also artistically profound and neither imposing nor invisible.

Above left: detail photo of elevation Above right: installation plan Center: calligraphy composition on faces Below: 3D site

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RSICA / Red Sea Institute of Cinematic Arts

IAA Library

Location: Aqaba, Jordan Client: The Red Sea Institute of Cinematic Arts Land Area: 26,500 sq.m Built-up Area: 30,000 sq.m Project year: 2006 Project Team: Khalid Nahhas, Ramiz Ayoub, Lina Asad, Faiha Khazna Katbi, Dina Haddadin, Onur Lambaz.

Location: Amman, Jordan Client: IAA Built-up Area: 4,200 sq.m Project year: 2006 Project team: Khalid Nahhas, Hussam Aldibes, Jawad Hamdan.

Associate Consultants: Structural Eng: Omega Consulting Engineers Electrical Eng: Spectrum Mep. Mechanical Eng: Spectrum Mep.

IAA The International Academy - Amman

Location: Amman, Jordan Client: IAA Land Area: 105,000 sq.m Built-up Area: 35,000 sq.m Project year: 2006 Project team: Khalid Nahhas, Ramiz Ayoub, Randa Abu Rayyan, Khaled Shannak, Nisreen Al-Far, Nidaa Tayyem, Jawad Hamdan, Lina Asad, Faiha Khazna Katbi, Onur Lambaz, Amira Qattawi, Ramiz Abu Mahfouz, Katrina Najjar, Abdel-Qader Tarabieh, Widyan Al- Khaldi. Associate Consultants: Structural Eng: Dimco Electrical Eng: Spectrum Mep. Mechanical Eng: Spectrum Mep. Surveyors: The Arab Surveyors Landscape: Asma Allawi

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Associate Consultants: Structural Eng: Dimco Electrical Eng: Spectrum Mep. Mechanical Eng: Spectrum Mep. Surveyors: The Arab Surveyors

Wadi Philadelphia Location: Amman, Jordan Client: wadi philadelphia Land Area: 22,000 sq.m Built-up Area: 70,500 sq.m Project year: 2010 Project team: Khalid Nahhas, Ramiz Ayoub, Nisreen AL-Far, Dina Haddadin, Firas Rhaibeh, Rawan Kakish, Mariam Ellala.

Hejar Al Nawabilsi Complex

Abdoun fashion atrium

Location: Amman, Jordan Client: Mr. Ala' Halweh Land Area: 25,200 sq.m Built-up Area: 50,000 sq.m Project year: 2007 Project Team: Khalid Nahhas, Ramiz Ayoub, Abdel-Qader Tarabieh, Rami Naffa, Nadin Al Jarrah, Emad salameh, Rawan Kakish.

Location: Amman, Jordan Client: Al - Izdihar Investment company Land Area: 2,200 sq.m Built-up Area: 9,250 sq.m Project year: 2008 Project team: Khalid Nahhas, Ramiz Ayoub, Nidaa Tayyem, Firas Rhaibeh, Amira Qattawi, Nadin Othman, Ala’ Zreikat, Rami Naffa, Mona Jabaji Associate Consultants: Structural Eng: International Designers Engineers, Consultant & Projects Managers Electrical Eng: Spectrum Mep. Mechanical Eng: Spectrum Mep. Surveyors: Union Office G. Surveying

Rakeen Towers

Kawar office building headquarters

Location: Amman, Jordan

Location: Amman, Jordan Client: Kawar Group Land Area: 1,560 sq.m Built-up Area: 18,700 sq.m Project year: 2010 Project Team: Khalid Nahhas, Ramiz Ayoub, Nidaa Tayyem, Lina Asad, Ala’ Zreikat.

,Client: Mr. Khaled Urabi/Rakeen Land Area: 6,700 sq.m Built-up Area: 90,000 sq.m Project year: 2008 Project team: Khalid Nahhas, Ramiz Ayoub, Faiha Khazna Katbi, Dima Bilbaisi, Rawan Kakish, Zeid Kakish

Associate Consultants: Structural Eng: International Designers Engineers, Consultant & Projects Managers Electrical Eng: Spectrum Mep. Mechanical Eng: Spectrum Mep. Surveyors: Universal Survey Office.

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Abu Tawileh plaza II

Kurdi complex II

Location: Amman, Jordan Client: Mr. Qais Abu Tawileh Land Area: 3,700 sq.m Built-up Area: 26,500 sq.m Project year: 2007 Project Team: Kalid Nahhas, Ramiz Ayoub, Nidaa Tayyem, Lina Asad, Ala’ Zreikat.

Location: Amman, Jordan Client: Mr. Deeb Al-Kurdi Land Area: 1,650 sq.m Built-up Area: 4,350 sq.m Project year: 2007 Project team: Khalid Nahhas, Ramiz Ayoub, Nidaa Tayyem, Amira Qattawi, Abdel-Qader Tarabieh, Katrina Najjar, Rami Naffa, Ala’ Zreikat. Associate Consultants: Structural Eng: International Designers Engineers, Electrical Eng: Al-Ahli office Mechanical Eng: Al-Ahli office Surveyors: Ibrahim Elyan Office for Surveying

Techno Group office building

Oasis 500 incubators

Location: Amman, Jordan Client: Techno Group Land Area: 2,000 sq.m Built-up Area: 12,000 sq.m Project year: 2011 Project Team: Khalid Nahhas, Ramiz Ayoub, Abed Al-Qader Tarabieh, Rasem Kamal, Rami Naffa.

Location: Amman, Jordan Client: Oasis 500 Built-up Area: 4,200 sq.m Project year: 2010 Project Team: Khalid Nahhas, Ramiz Ayoub, Abdel-Qader Tarabieh, Dima Bilbaisi, Rasem Kamal.

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Jordan Invest bank

Ayoubi residence

Location: Amman, Jordan Client: Jordan Investment Finance Bank Built-up Area: 1,000 sq.m Project year: 2008 Project Team: Khalid Nahhas, Ramiz Ayoub, Nisreen Al-Far, Faiha Khazna Katbi, Firas Rhaibeh, Rawan Kakish, Widyan Al- Khaldi, Mariam Ellala, Zaid Kakish.

Location: Mahis, Jordan Client: Mr. Basil Al-Ayoubi Land Area: 5,400 sq.m Built-up Area: 850 sq.m Project year: 2010 Project team:Khalid Nahhas, Ramiz Ayoub, Nidaa Tayyem, Faiha Khazna Katbi, Abdel-Qader Tarabieh, Rasem kamal.

Associate Consultants: Structural Eng: International Designers Engineers, Electrical Eng: Spectrum Mep. Mechanical Eng: Spectrum Mep.

Associate Consultants: Structural Eng: International Designers Engineers Consultant & Projects Managers Electrical Eng: Spectrum Mep. Mechanical Eng: Spectrum Mep. Surveyors: Union Office G. Surveying

Abu Samra residence

Muhaisen residence

Location: Amman, Jordan Client: Mr. Ma’rouf Abu Samra Land Area: 4,500 sq.m Built-up Area: 1,300 sq.m Project year: 2005 Project Team: Khalid Nahhas, Nisreen AL-Far, Ra’ed Sawalha, Daed Musa.

Location: Amman, Jordan Client: Al-Shareefa Rajeha Land Area: 1,260 sq.m Built-up Area: 820 sq.m Project year: 2008 Project team: Khalid Nahhas, Ramiz Ayoub, Nidaa Tayyem, Dina Haddadin, Ala’ Zreikat.

Associate Consultants: Structural Eng: Marwan Ghanem Electrical Eng: Issa Hamdan Mechanical Eng: Khalid Sarahneh Interior designer: Fadi Faragallah Landscape: Lara Zureikat

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Blue fig cafe’

King Hussein Business Park

Location: Amman, Jordan Client: International Coffee Gardens Co. Land Area: 940 sq.m Built-up Area: 2,400 sq.m Project year: 1997 Project Team: Khalid Nahhas, Randa Abu Rayyan.

Location: Amman, Jordan Client: Amman Municipality Land Area: 587,000 sq.m Built-up Area: 3,560,000 sq.m Project year: 2010 Project Team: Khalid Nahhas, Ramiz Ayoub, Dina Haddadin, Abdel-Qader Tarabieh, Dima Bilbaisi, Rami Naffa, Mariam Ellala, Rasem Kamal, Zeid Kakish, Khaled Sedki.

Associate Consultants: Structural Eng: Modern Consultant Electrical Eng: Abbas & Kaffaf Mechanical Eng: Abbas & Kaffaf

Vy Complex

Doha Corniche Development

Location: Amman, Jordan Client: Gravity Athletic Investment Company – Vy Land Area: 6,000 sq.m Built-up Area: 8,000 sq.m Project year: 2004 Project Team: Khalid Nahhas, Jawad Hamdan, Ra’ed Sawalha, Lina Asa’d, Amira Qattawi.

Location: Doha, Qatar Client: Government of Qatar, National Council for Culture, Arts, and Heritage Land Area: 7.5 Km Long Built-up Area: N/A Project year: 2009 Project Team: Khalid Nahhas, Ramiz Ayoub, Lina Asad, Abdel-Qader Tarabieh, Onur Lambaz, Ala’ Zreikat, Mona Jabaji. (joint venture with Wilmotte & Associés S.A., Paris)

Associate Consultants: Structural Eng: Marwan Ghanem, Khobaib jallad Electrical Eng: Ma’en Al-Karmi Mechanical Eng: Issam Abu Farha, Wael Nasrallah Landscape: Lara Zureikat

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Petra booth

7th circle public installation

Location: Dubai, UAE Client: Petra Aluminum Built-up Area: 50 sq.m. Project year: 2005 Project Team: Khalid Nahhas, Lina Asad

Location: Amman, Jordan Client: Amman municipality Built-up Area: N/A Project year: 2009 Project Team:Khalid Nahhas, Ramiz Ayoub, Nidaa Tayyem, Lina Asad, Dina Haddadin, Onur Lambaz

Steel booth Location: Amman, Jordan Client: Steel Building Company ltd. Built-up Area: 80 sq. m Project year: 2009 Project Team: Khalid Nahhas, Ramiz Ayoub, Lina Asad, Mona Jabaji.

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Photographers Arnaldo Genitrini Zooey Braun Osman Akuz Ghassan Aqel Rasem Kamal

All works by Symbiosis designs ltd., Amman, Jordan. Used by permission. All rights reserved. Unless otherwise, noted all photos: Courtesy of Symbiosis designs ltd Book designed by Symbiosis designs Printed by National Press 2011, Jordan

p.o.box 143292 amman 11814 jordan 67 abdel raheem alhaj mohâ&#x20AC;&#x2122;d st. sweifieh tel 962 6 5820347 fax 962 6 5813592 email admin@symbiosisdesign.com www.symbiosisdesign.com

Certificate JO11/2172

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Sy m b i o s i s D e s igns ltd. is an award winning consultancy firm known for its design ex c e l l e n c e a n d alternative innovative buildings. It was founded by the senior archi t e c t K h a l i d N ahhas in 1991.Nahhas received a bachelor ’s degree in Geographic a n d E c o n o m i c Planning from the University of Victoria in 1985, and a graduate d e g r e e i n A r c hitecture from the Univers ity of British Columbia in 1989. He has b e e n p r a c t i c i n g architecture since 1989, beginning his professional career in Van co u v e r, a t S p aceworks architects. In 2002, Nahhas received the first Dubai-based C i t y s c a p e Yo u ng Architect Award. Sy m b i o s i s D e signs ltd. has built a reputation for imaginative and appropriate a r c h i t e c t u r a l solutions. The firm’s innovative design approach, methodology and o f f i c e c u l t u r e preserve a unique “think out of the box” studio/workshop approach t h r o u g h o u t a l l design stages of all projects, protecting and maintaining progres s i v e c r e a t i v i t y in the design output.