PAGE 2 • February 2020
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TABLE HOPPING
Now P l ay i n g by BRIAN MILLER
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2019
As buzz began to build around 1917 earlier in the year, admittedly, my excitement was limited. We have, after all, seen so many war films over the years, that I figured that it would just be another bloody tale of brotherhood and loss. Digging deeper, however, I learned that the film, directed by Sam Mendes (AMERICAN BEAUTY, SKYFALL) was presenting the Beef on a Weck story as if it were one continuous shot. I was VOTED BEST BURGER in NYS by: enamored by Alejandro Gonzalez Inarritu’s BIRDMAN for utilizing this tactic, and I couldn’t fathom how it would be possible to employ this technique on the battlefield. Nominated for 10 Academy Awards, 1917 isn’t just the best movie of 2019, it is pure movie magic. I can’t remember the last time I spent so much time mulling the artistic accomplishment of a film in the days that followed my initial 238 Harrison St. • Syracuse, NY 13202 viewing. While this type of proclamation doesn’t necessarily translate to mainstream success, the truth of the matter is, 1917 is as 315-426-9672 • www.ALENANGUSPUB.com engaging of a war film that has ever been created. The one-shot technique isn’t merely a quirky gimmick to get audience members into the seats, it puts you in the trenches, and sprinting across the battlefields. Though films like HACKSAW RIDGE were shocking in GIFT CARDS AVAILABLE their unrelenting brutality, 1917 emits an authenticity that I haven’t seen since Spielberg’s D-Day invasion in SAVING PRIVATE RYAN. As Lance Corporal Schofield (George MacKay) and Lance Corporal Blake (Dean-Charles Chapman) attempt to stop an allied battalion from marching their way into a deadly ambush, they meticulously weave their way throughout multiple complex locations. Each one of these scenes are striking in their individuality, but even more impressive when viewed as a collection of sequences that flow seamlessly together to build an unforgettable narrative. From 2/14......8-Traxx
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