Problem Analysis
Architecture
WO CRA ODFTIN G
Communication
Aesthetics Sustainability
Draw
ing
Desi
gn
Taeho, Noh MA in Interior Architecture and Furniture Design, Oslo National Academy of the Arts, Oslo, Norway taeho.noh0617@gmail.com
CONTENTS
2011 YONSEI UNIVERSITY HOUSING AND INTERIOR DESIGN GRADUATION EXHIBITION SPONGE STUDENT HOUSING MAR. 2011 - JUN. 2011
CINEMATHEQUE SEOUL ART CINEMA 10th ANNIVERSARY PROJECT CINEMATHEQUE SEOUL ART CINEMA RENOVATION PROJECT MAR. 2012 - MAY. 2012
2011 CULTURAL & ARTS CENTRES DESIGN IDEA COMPETITION SCOOP & CONNECT NOV. 2011 - DEC. 2011
ADVACED STUDIO PROJECT FINDING SELF, DEFINING SPACE SEP. 2012 - OCT. 2012
2011 INTERNATIONAL IDEAS COMPETITION FOR BUSAN OPERA HOUSE BUSAN OPERA HOUSE IDEAS COMPETITION JUL. 2011 - AUG. 2011
ARTWORKS OTHER ART ACTIVITIES
DESIGNING ARCHITECTURAL FURNITURE JOINERY SYSTEM CONSTRUCTING ARCHITECTURAL FURNITURE FEB. 2015 - MAR. 2015
2011 Yonsei University Housing and Interior Design Graduation Exhibition - Sponge Student Housing Concept
POROSITY
SPONGE
ABSORPTION
SPACE FOR STUDENTS
Necessary Functions
Students’ Needs
We want a room without
We want a room of
noise and air pollutants
at least 15㎡ ~ 30㎡
from the city
garden
privacy
kitchen for commo use
digital lounge
fitness club
What should be solved through Architecutre?
DIVERSE NEEDS EXIST
communication space
We want some places where we can
We want lounges to make ourselves
make community with other residents
relaxed and talk with our friends
cafeteria
library & study room
living space
semi-public space
Unit Composition public space
Skin Design 1
dining
seminar room
public space
1. Noise from Broad Roads Near the Site
2. Commercial Buildings Around the Site
2
semi-public space staircase SITE
lift
40 M
private space
MASS UP
rest room
40 M
Site from the skyview
Function of Skin Compostition of the Cluster
- Function #1
4th floor - Garden, Public Space - Function #2 3rd floor - Housing, Semi-public Space, Community Space
2nd floor - Housing, Semi-public Space Filtering Stumuli
1st floor - Housing
Distinctive Sightseeing
- Function #3
- SUMMER
- WINTER
One cluster of the building consists of 4 stories and has not only combinations of residential unit but also a semi-public containing spaces which students need and public space like a garden, laundry space and seminar room. This 4 stories-cluster is a perfect composition for people living here and people can move to other spaces by using vertical circulation system in the building.
Compostition of Whole Building
SHADING
LIGHTING
Sun-space gathers heat by lighting. It transmits
a role, blocking the summer’s sunlight. It also divides
Summer wind blows from southside. Building has a sun-space, it is for
The skin does not prevent the lighting
the heat inside through windows. Thus, dwellers
the outside’s view and changes dull view to fun.
southside. Because of the sun-space, building’s southern facade has
in winter. Because of seasonal character,
feel comfortable by warmth. Also small windows in
almost whole window, and opposite side, northside has small windows
sunlight enter the inside through skin’s
northside are closed, it takes two roles ; preventing
for ventilation. It makes the ventilation effectively by seasonal wind.
hole. It makes dwellers more comfortable
seaonal wind, north wind and reducing heat loss.
Housing
Cluster #3
HEATING VENTILATION
Southside of the building is covered by skin; it takes
Semi-public space
Public Space
Skin on the Unit Housing 1. completely closed
3. opened half
2. opened partially
Housing
Cluster #2
Semi-public space
Public Space
Housing
Cluster #1
Semi-public space
Public Space
Lower Part :
Skin on the Semi-public Space
Public Space
4000
6550
4000
The basic cluster is repeated vertically three times and lower part of the building containing entrance of the building and lobby is two stories.Threrefore, total floor plans are composed of 14 stories from the ground level. 4900
2011 Yonsei University Housing and Interior Design Graduation Exhibition - Sponge Student Housing
Composition of Cluster 1
1
8
semi-public space
5500
6
9
5500
public space
7 2
2
2
2
2
2 2
1
4
5100
1
lift
2
2
2
5
2
1
4
9
1
4900
3
4
2 1
4900
4th floor
1
5
5
5000
6550 2
1
5000
23100
6550
5000
6550 5
4
3
1
2
5000
23100 3
6550 4
5
3rd floor plan
3rd floor
4th floor plan
1
1
3
1
1
5500
3
5500
1
1
3
5100
1 2
3
5100
1
20600
5
1
4 20600
private space rest room
2
2
5100
staircase
2nd floor 3
2
2
Composition of Unit Housing TYPE 1
TYPE 2
2nd floor MASS UP
2nd Floor
1st floor
1st Floor
UNIT HOUISNG
SEMI-PUBLIC SPACE
SEMINAR ROOM
GARDEN
1
1
3
5000
6550 5
1st floor plan
3
4
3
5
6550
4
3
1
4900
1
23100
5000
2
2
4
4900
5000
6550
2
3
1
1
5
2
1
5100
2
2
3
5100
2
3
1
1
4 2
20600
2
1
2 5100
2
5
2
2
2
20600
1
2
1
4
2
1st floor
3
2
5100
1
1
2
23100 3
5000
5
6550
4
5
2nd floor plan
1 2 3 4 5 6 7 8 9
housing rest room semi-public space staircase lift laundry library seminar room garden
Cinematheque Seoul Art Cinema Renovation Project
CINEMATHEQUE SEOUL ART CINEMA 10th ANNIVERSARY PROJECT PROJECT
: Cinematheque Seoul Art Cinema Renovation Project
DURATION
: MAR. 2012 - MAY. 2012
PROGRAM
: Theatre, Lobby, Corridor, Staircase
DESIGN PARTICIPATION
: Concept Proposal, Design Proposal, Image Working Construction Managing, CAD Drawing Works and etc. (project members : hye-sook yang and taeho noh)
‘Cinematheque Seoul Art Cinmea Renovation Project celebrated 10th anniversary in May, 2012. In celebration of its 10th year, the theatre planned to renovate its interior because of its old facilities. ’Arena Homme Plus’ , the global fashion magazine, took lead this project and wrote a a special feature on the magazine in May, and Kolon supported it financially with $ 20,000. The purpose of the project was to make more people recognize the existence of the theatre and design the space which visitors have things to enjoy and stay here by stimulating their memories.
Site
Space Programs of Nakwon Market Complex
Insa-dong
Sidewalk
Sidewalk
Nakwon Market Complex
Pagoda Park
5F - Performance Art Theatre 4F - Cinematheque Seoul Art Cinema Silver theatre South Korea
Seoul, South Korea Nakwondong, Jongnogu, Seoul, South Korea
3F - Nakwon Music Instruments Market & Office 2F - Nakwon Music Instruments Market
The site is Nakwon market complex which is postitioned in Nakwondong, Seoul, South Korea. The characteristics of the site is that this place is the oldest region in Seoul and the centre of modernization. First, Seoul has been a capital of Korea since Joesun Dynasty(the last
1F - Road & Parking Lots
dynasty before South Korea), so there are many palaces and old towns near the site. Furthermore, various kinds of cultural infra-structures are concentrated around the site. Besides, since the modernization of South Korea progressed radically around the site, Nakwondong
B1 - Nakwon Underground Market
has gained a unique feature, having characteristcs of both classical and modern society. Nakwon market complex has a meaning as a beginning of the modern society in South Korea and it is postitioned in the centre of the cultural surroundings such as Insa-dong, the road of fine art, the palace of Joesun Dynasty and Nakwon music instruments marekt(the biggest music market in South Korea). Considering these things, visitors would be surely people who are intersted deeply in culture.
History of Nakwon Market Complex
By screening the movies such as <E.T.>, <The Godfather>, <Ghost Bastards> in 1980s, ‘Hollywood Theatre’ became well -known as a central theatre in South Korea.
‘The Korean Association of Cinematheque’ was founded in 25th, January, 2002 and ‘Cinematheque Seould Art Cinema’ opened at Nakwon Complex in 10th, May, 2002.
‘Hollywood Theatre’ was established in 21th, August, 1967
1960
1970
1980
Thanks to bowling boom in 1970’s, ‘Nakwon Bowling Alley’ got famous. Furthermore, Nakwon musical instrument market was the biggest market with over 200 shops in South Korea.
The building was constructed as a second multi-purpose building in 1967 in South Korea
Concept
2000
1990
Transcribe The space can accomodate people’s desire to record their ideas and feelings about their memory
MEMORY
Recreate
Share
The theatre is not only a functional space, but also a place which recreates visitors memory so that it can lead people to enjoy the space.
Visitors have a desire to share their thoughts and feelings about what they watch at the theatre. The theatre can provide them with this space
2020
‘Hollywood Theatre’ separated one theatre into 3 multiplexs and one of three theatres was run as a korean film exclusive theatre to support korean film industry in 1997
‘Cinematheque Seoul Art Cinema’ is celebrating its 10th anniversary in 2012.
Mood Board
Stimulate People are interested in strong and impactful images which stimulate their unconscious sense of culture
2010
Cinematheque Seoul Art Cinema Renovation Project
Design Process - Staircase Concept - Transcribe
Design Process - Facade Concept - Stimulate
3 Concept Developments for Staircase The present facade of Nakwon market complex looks like a giant wall with gray color. - Concept Development #1 - Collage Wall
The only element organizing the facade is the name of the building and movie poster playing now. Thus, it can make people stuffy and cramped while they walk around this street. Not only to solve this problem but also to celebrate 10th anniversary of ‘Cinematheque Seoul Art Cinema’, the facade will be decorated with artist’s artworks attaching on the glass panel so that it can be changed periodically. The main theme of artworks is music and movie which represent space programs of Nakwon market complex. Eventually, these artworks can stimulate unconscious memories of music and movie
- Concept Development #2 - Media Wall
that pedestrians and visitors have and make them visit here the inside arbitrarily .
Signing System - Option 1 by Yu-seob Jung
The staircase to the theatre is designed as an archive for the actors and directors who love ‘Cinematheque Seoul Art Cinema’. The purpose of this space is to transcribe the meaning of the ‘movie’ for eternity and emphasize the theatre by renovating the space. The actors and movie directors will choose their favorite films and write down their reason why they like the films. Furthermore, these works will be designed as artworks by graphic designers to revitalize this space.
- Option 2 by 275c
3200
3200
32900 16100
8400
800
800
8400
SEOUL ART CINEMA 6000
SEOUL ART CINEMA - Option 1 by Yu-seob Jung
- Concept Development #3 - Classical Interactive Wall
Front Side with the Sign and Facade Design by 275c
- Option 2 by Yu-seob Jung
Installation Method of Collage Wall
- Option 3 by 275c
Sample Artworks by 275c
7000
23500 11000
11000
9T
all eW
ret
nc
Co
ch
Bir
od
wo
Ply
ork
tw
Ar
6500
The artworks are designed by a graphic designer, 275c. These images are organized with movie images which are selected by movie actors and directors who are related with ‘Cinematheque Seoul Art Cinema’ and celebrating 10th anniversary of
Designer’s artworks are installed on the left and right part of the facade and sign is installed on the west entrance of
the theatre. Furthermore, actors and directors leave comments on the artworks.
the building. The both artworks show image of the music market and film which Nakwon complex market represents.
Section View of the Building
- Facade Design Sample #1 - 7M x 11M glass panel
- Facade Design Sample #2 - 7M x 16M glass panel
Corridor to the theatres
4th Floor
Nakwon Music Instruments Market
3rd Floor
Nakwon Music Instruments Market
2nd Floor
- Perspective view of the samples
2nd floor
Design Process - Corridor Concept - Recreate
3rd floor
4th floor #1
4th floor #2
Design Process - Lobby Concept - Share
3 Details of Corridor
Ah, he is Waclaw Sierpinski!
Tile Artwork Bronze Frame Mondrian - Composition II in Red, Blue, and Yellow
Tile from Via Emlilia(Spain) Color - Gilalo Tile from Via Emlilia(Spain) Color - Blue
Face
3 primary colors - Red, Blue and Yellow
‘Cinematheque movement’ started at the beginning of the 20th century in Europe. Thus, the concept of this space is designed with the ethos of the age which this movement brought about. Mondrian’s basic idea was that there are universal essentials which penetrate through all things within what we see and the essentials are ultimately in balance with harmony. Therefore, he tried to put the essential elements within everything into his artworks. Through simplifying everything, Mondrian left only three primary colors, red, blue, and black and white with the lines crossing at right angles like an example above. The lobby also is applied with these basic modelings, lines, faces, and basic colors.
Red Carpet Material - Advanced Generation Polypropylene
Tile Wall of London Underground
UP
Available Space for Member’s Lounge UP
2700
This red part of the floor plan is present position of the member’s A
4800
A’
3800
Red Carpet
Lobby UP
3300
Vintage tiles of European 20th century can make visitors experience mood of the age and unforgetable feeling they have not had in their country before.
UP
The corridor to the theatre is designed to recreate visitors’ memories.This space consists of spatial components which stimulate people’smemories hidden under their unconsiousness. The space is renovatedwith architectural characteristics at the beginning of 20th centuryand tile artworks will recreate images movie fans bear in their mind.
Line
Mondrian : Line, Face and Colours
UP
it is available to arrange new furnitures not only at the inside of UP
2700
A
A’
lounge. The size is qualified to 4800 mm x 3800 mm. However,
a new member’s lounge but also in front of the member’s lounge.
4th Floor Plan
Member’s Lounge - Concept 1
Red Carpet functions as a greeting people with high dignity. People can feel that they visit very special space and they are treated highly inside the theatre.
00
3
Luis Bunuel’s Film ‘Cet Obscur Objet du Desir’
The member’s lounge is the space which fulfills residents’ various requirements. It will make this space as an essence of ‘Cinematheque Seoul Art Cinema’
3
2
48
0 80
Site
4
Frame for Member’s Lounge
Space for Members to Have a Rest and Talking about Movie
5
6
Member’s Lounge - Required Programs NOTICE
an original image of movie selected by art directors
pixelating the film image with Adobe Photoshop (size 6)
a completed tile artwork worked with 10mm x 10mm tiles which sincere movie fans can recognize the
of ‘Cinematheque Seoul Art Cinema’ which are consi-
origianl movie image from this reorganized work
derably meaningful and important in the history of film.
Ticket Box
Section View of the Corridor
Storage
Notice Board
Space for Conversation
Drawings of Lobby
1
2
3
4th floor
Interior Sketch with Furniture
2
3
Office for Ticket box and Task
Magnetic Notice Board
Drawings of Furniture for Member’s Lounge
Displaying Shelf on Frame
1
Furnitures to Store Their books and Films
Draft Sketch of Frame
Cinematheque Seoul Art Cinema Renovation Project
Final - Staircase Concept - Transcribe
Final - Corridor Concept - Recreate Before Renovation
Before Renovation
After Renovation - 3rd Floor 1
After Tile Construction 3rd floor #1
2nd floor #2
3rd floor #2
4th floor w/c(m)
7500
2nd floor #1
w/c(w)
DN UP
7300
7300
After Renovation - 2nd Floor
7300
7300
3rd Floor Plan
After Renovation - 4th Floor
1
1
1
Completed Tile Artworks
2
1
Final View of Corridor
2
3
4
7500
1. Edward Sedgwick, The Cameraman, 1928 1
7300
7300
7300
7300
7300
4
5. Sergio Leone, The Good, The Bad, and The Ugly, 1966
2
1UP
7300 7300
3
4. Chang-ho Bae, Whale Hunting, 1984
5
DN
3
4
UP
2
UP
2
3. Jean-Luc- Godard, Pierrot Goes Wild, 1965 7300 4th Floor Plan
1
1
2. Luis Bunuel, Cet Obscur Objet du Desir, 1977
UP
3750
DN UP
7300
7300
7300
2nd Floor Plan
7300
7300
4th Floor Plan
Final - Lobby Concept - Share
- Magnetic Board
- Ticket Box
Before Renovation
45
0 380
50
2400
- Frame Detail
- Shelf
birch wood steel frame opaque glass
Frame Design 4550 50 250
50
450
450
50
1150
3800 50
50 250
1150
50
450
50
50
450
50
1900
1100 50
2400
1150 50
1300
3. shelves 2
150
30 0
0
600 300
1230
1300
5. chest
Final Arrangement of Completed Furniture
6. shelf 1. chest with shelves
Space for Sharing
providing people with place they can have conversation
Tolix Chair The Model A chair has become an icon of industrial esthetics. It’s unfailing popularity since 1934 has enabled to enter the Collections of the Vitra Design Museum, MOMA and the Pompidou Center. This mythical chair, crafted of sheet metal, has been assured by «it’s fool-proof solidity, it’s unequalled lightness, it’s easy maintenance» advantages of which can be included «inexpensive».
2. shelves 1
3. shelves 2
2400
1230
1230
0
40
50
4. shelves 3
5. chest
6. shelf
50
0
2. shelves 1
1250
850
50
90
1230
1. chest with shelves
50
50
1150
0
32
1900
2400
50
50
00
00
50
1150
800
850
15 12
450
50 50 200
50
2400
50
0
32
4. shelves 3
50
Completed Member’s Lounge 0
32
700
50
Right Side
Furniture Design
0
1250
200
1150
Front Side
32
3800 50
50
50 50 200
50
50
Left Side
2011 Cultural & Arts Centres Design Idea Competition
2011 CULTURAL & ARTS CENTRES DESIGN IDEA COMPETITION PROJECT
: Sinchon Performance Art Centre ‘SCOOP & CONNECT’ PROJECT
DURATION
: NOV. 2011 - DEC. 2011
PROGRAM
: Art Centre, Community Facilities
DESIGN PARTICIPATION
: Concept Proposal, Design Proposal of Floor Plans, Program Zoning, Finalizing Floor Plans, CAD Drawing Works (project members : taeho noh, young-joo kim, joo-young choi)
Sinchon is filled with too many commercial facilities and shops even though it is known as one of the most popular university towns in South Korea. For this reason, university students who have to lead diverse and free cultures cannot play a leading role to form cultural stream since they have been swept by cultures of older generations. According to this, the culture of university students cannot develop well and has been just vested in another part of the commercialization. Thus, the necessity for students to satisfy their own cultural needs is getting much bigger than before these days.
Background
Site Analysis What kinds of culuture do Korean students have ?
Even though Sinchon has been a shelter for university students for a long time, there is almost no university campus culture around Sinchon for now. Since Sinchon has been commercialized g? kin drin severely these days, it is hard to find a place for students to fulfill their cultural needs. The main cultures do-minated between students these day in university towns in Korea are drinking alcohol or disporting at clubs. However, these activities cannot be seen positive to people and university students seem to be subordinate to commercialization. The place which can contains what students want is very necessary to make changes of their activities and cultures which are solidified by commercialization.
enjoying concert? bbing?
clu
There is no special culture for students....
University Railroad Commercial Area N Site
That earth-berm is definetly The element which intensifies this phenomenon of blocking communication commercialization of Sinchon deeply is a railroad between Sinchon and the university! crossing Sinchon street. This exists as an obstacle blocking communication be-tween universities and Sinchon. This project is to suggest a space not only fulfilling students’ free and diverse cultural needs but also solving complex problems Sinchon has owing to the railroad by renovating this place which is a dead space cutting off students from the main street
Concept
university
Site Analysis
university
earth-berm
Sinchon
Sinchon
BLOCKING
SCOOP
Mass Study
CONNECT
Sketches
STEP0_exists as an obstacle for now
STEP3_makes better use of the space through verticality
STEP1_creates a new space by scooping
STEP4_connects with surroundings by twisting the direction
STEP2_retards pedestrians’ circulation by changing directivity
STEP5_completed
Plan Diagrams
3rd Floor
2nd Floor
1st Floor
Underground Level
View of Railroad
View around the site
2011 Cultural & Arts Centres Design Idea Competition
Section Diagram
STUDY RM.
OFFICE
LOUNGE
study room
E ANC GALLERY
RM ERFO
outdoor performance stage
OUTDOOR P
MA
IN
BRIDGE
EA TR
E
ENTERTAINMENT LOBBY
BACKSTAGE
green room
TH
gallery
rehearsal stage
lounge bar
lobby
main theatre
Main Flexible Theatre
Program Zoning theatre public space private space for staffs Yonsei University stairs & lift Even though public spaces and private spaces for staffs are very rest room
close together,there is a door which functions to restrict visitorsâ&#x20AC;&#x2122; access from public spaces so that employees here can concentrate on their tasks and maintain their privacy.
Back of house behind the main theatre makes up the lack of public space which is at the bottom of the outdoor auditorium back of house lounge
study rooms & seminar rooms offices
3rd floor back of house
public gallery
END STAGE
FLAT FLOOR
THRUST STAGE
back of house
lobby
2nd floor
public bridge
outdoor theatre
1st floor main theatre lobby
back of house
cafeteria
underground level
Yonsei University
The Main Flexible Theatre will be designed for avantgarde and experimental theatre performances. As such the technical equipment in this room this room will require a considerable degree of flexibility to enable the space to be utilised to its full potential. All equipment will be state of the art. To allow the maximum artistic value for this space, the design is seen as a simple, large, single room in which a number of towers interlock to form an endless variety of performance spaces. These can be traditional end stage or thrust to totally free form. The design will show a predominantly rectangular form
Students can use this public bridge to pass through the earth-berm.They can get to Sinchon through this tunnel or access to the theatre.
This space is restricted only to staffs at the theatre. Circulation system here leads staffs and actors to rehearsal rooms or offices
Changchun Church
addressing an open stage with traditional flytower.Elevators in the auditorium floor will allow the quick creation of fashion catwalks and thrust stages using the geometry of seating units. The seating units can be stored below the auditorium creating a complete flat floor space for banquet or exhibition. The towers would move on air-castor technology for maximum flexibility and combined with a series of wagons with fixed seating will provide excellent artistic spaces for experimental and traditional theatre. 2 levels of audience will sit on top of abase unit containing retractable seating units. The roof of the towers will form technical platforms for performance equipment. The seating towers would be accompanied with stair towers and links to thecontinuous galleries for audience access.
TRAIN +9.0m green rm.
green rm.
study rm.
study rm.
bridge
lounge
+6.0m
gallery
auditorium stage rehearsal room
public bridge cafeteria
main flexible theater
main stage
back of house
+3.0m +0.0m -3.0m
Finding Space, Defining Self - Nohouse Studio
ADVANCED STUDIO PROJECT PROJECT
: Finding Space, Defining Self - Nohouse Studio
DURATION
: SEP. 2012 - OCT. 2012
PROGRAM
: Architecture Design Office
DESIGN PARTICIPATION
: Personal Work
This project is to introduce my own design studio on the limited area of 15m x 15m including required programs such as a foyer, conference room, library, pantry, work spaces and etc. The building of the project should be no more thant 200㎡.There are requirements for the project to introduce my own design philosophy, and arrange an atrium, and a garden. The purpose of the project is to show my idea freely by designing my own studio from mass design to materials. Thus, contents of the project show not only my architectural expression and building but also a font for text, studio logo, my own color and sample images. This portfolio consists of these contents to find space and define myself.
Logo OFFICE NAME : NOHOUSE STUDIO
The basic floor plan follows the shape of the logo which has a circular structure with one hole at the centre. The main characteristic of this shape has a circular circulation system revolving around the hole which can be a courtyard.
NECESSITY TO MINIMIZE IMPACT ON NATURE
CIRCULAR STRUCTURE
high-densification of metropolis and new building constructions and reconstructed building followed by new town development are actively in progress in South Korea. In this process, consideration to minimize impact on environment to protect human and nature is needed before development
Logo
CIRCULAR STRUCTURE
PERMANENCY, CONTINUITY
SUSTAINABILITY, ECO-FRIENDLY
Continuity and permanency can be translated as substainalbe and eco-frienldy meaning at the architectural context.
I extract metaphysical meanings, continuity and permanency, from the circular structure of the logo. the circulation system which people can freely roam around the interior eternally can be translated as meanings of continuity.
As the logo means substainability, NOHOUSE Design Studio willrepresent the eco-friendly architecture.
CONTINUITY & PERMANENCY
SUSTAINABLE & ECO-FRIENDLY
This logo is oriented from alphabet ‘N’ which is an initial of my last name, ‘NOH’. I combined two ‘N’s , general lower case one and the other which is rotated 180°. The completed logo is seen as a circular structure which can be translated with the meaning of permanency and continuity. Developing this meaning as an architectural context, it is said that the design studio has a goal to build buildings which can put stesses on sustainability and eco-friendly elements as the most imperative things. In addition, the colors of logo are composed with only black and white and it strongly emphasize the simplicity
Mass Study tran
ass
nt m
re spa
solid m
ass The logo of ‘Nohouse Studio’ will be the motif of designing the office. The shape of the logo is the basic floor plan and the void at the centre can be a courtyard. To make a space for the office, the basic floor plan will be extruded to the height of 2 stories building. Even though this mass would be an enough space for the office as it is, the mass will be divided into two parts, a western part and eastern part, and they will be contrasted in the way of presenting a transparent material and solid mass fully covered with the recycled glass material and minimal openings.
LOGO
ARRANGE
EXTRUDE
Colour
CONTRAST TWO MASSES
Material
Colours of Minimalism As we can see the simplicity from the logo, basic colours for designing studio will be very simple colours, black and white. This colour selection is to weigh more on plainness and simplicity than flamboyance or extravagance. It can be defined as minimalism limiting excessive expression and leaving only what has to be left.
BLACK
WHITE
Thus, I want to limit the color variation into grayscale as much as I can.
The facades of the volumes will be clad with vitreous-ceramic slabs made from recycled glass with additives and sintered at a temperature of roughly 1,000℃. With an energy comsumption well below that required for the production of glass, this process allows the manufacture of equally hard, easy-to-clean, translucent and opaque products. After polishing, a sense of depth is achieved that is not possible with glass. Depending on the incidence of light, changesoccur in the coloration and the overall appearance of the facade, thus accentuating the sculptural effect of the volumes. To conclude, this recycled material achieve not only minimizing the consumption of energy but also introducing unique appearances of the building around surroudings with maintaining the concept of minimalism.
6 1
1
20 mm vitreous-ceramic facade cladding rear ventilation / 80mm fixings with anchor pieces moisture-repellent covering, coloured, to
2
120 mm mineral-wool thermal insulation 300 mm reinforced concrete wall 2
20 / 120 mm vitreous-ceramic cover strip
3
15 mm single glazing
4
double glazing in
5
90 mm artificial-stone walling
4
3
aluminum frame
6 100 mm gypsum plasterboard dry lining
5
Museum in Essen by David Chipperfield
Mood Board for Floor Plan Concept
Rough Sketch of 2nd Floor Plan
Rough Sketch of 1st Floor Plan Site
Floor Plan 14,700
14,700
SITE : 723-18, YEOKSAM-DONG, GANGNAMGU, SEOUL 26,822
REST ROOM
REST ROOM LIBRARY
12,714
COPY ROOM
23,223
3,600
ATRIUM
3,600
14,500
PANTRY & REST AREA
14,500
CONFERENCE ROOM
WAITING AREA
Planimetric Map Scale 1:200
NUMBER
FORMULA
AREA
26.822 X 12.714
341.02
23.223 X 3.6
83.6
(3.6 X 3.6) / 2
6.48
TOTAL
RECEPTION
VOID
OFFICE
EXHIBITION AREA
431.1
SITE
ENTRANCE
1st Floor Scale 1:100
2nd Floor Scale 1:100
Basically, 1st floor is the public space which is for visitors and clients. For this reason, the reception is put on very near to the entrance to welcome visitors and they will be introduced to exhibition area and waiting area. Each space is divided by floor leveling between spaces which conduct different functions. This can make people recognize that they experience different spaces inside the circular office.
REST AREA & PANTRY
WAITING AREA
2nd floor functions as a private space which means this space is for the employees.Thus, there is a place for employees to have a rest like pantry and a working area.Western part of the building is covered with glass curtain wall so that it can infowthe sunlight actively. Eastern part of the building is the main working area which consists of copy room and working stations. Even though the eastern facade is covered with solid wall, the courtyard at the centre can function to inflow sunlight.
OFFICE
EXHIBITION AREA
RECEPTION
COPY ROOM
LIBRARY
CONFERENCE ROOM
WEST SECTION
EAST SECTION VIEW OF NOHOUSE STUDIO FROM SOUTH
VIEW OF NOHOUSE STUDIO FROM EAST
VIEW OF ENTRANCE
VIEW OF RECEPTION
VIEW OF WAITING AREA1
VIEW OF CONFERENCE ROOM
VIEW OF WAITING AREA2
VIEW OF PANTRY
2011 International Ideas Competition for Busan Opera House
2011 INTERNATIONAL IDEAS COMPETITION FOR BUSAN OPERA HOUSE Project
: Busan Opera House International Ideas Competition
Duration
: JUL. 2011 - AUG. 2011
Program
: Opera House, Multi-Purpose Theatre, Waterfront Walk, Convenient Facilities
Design Participation : Design Proposal of Floor Plans, Program Zoning of Back of House, Finalizing Floor Plans, CAD Drawing Works (AZPA in Chage : alejandro zaera polo, maider llaguno Design Team : pep wennberg, taeho noh, yejin kim)
The purpose of 2011 Busan Opera House International Competition is to build a facility which can accomodate extensive art activities and accesible to citizens on the global scale and installations. New Busan Opera House will be the landamrk of Busan which supports the city to be a global and sightseeing city. Furthermore, this project will suggest a structural solution not only to produce a physical presence capableto collect and communicate the city’s cultural legacy but also to satisfy practical issues which is driven by these kinds of “iconic” buildings
Site Analysis
China
Unde
rgrou
nd Wa
y
Choryang Subway Station
Downtown Life Zone Public Affairs
Unde
rgro
Dong District
und
Way
Downtown Life Zone
Marine Cultural Zone
National Territory Administration in Busan
Korea
Current Downtown
Coastal passenger terminal
Collective Energy Facilities Choryang-dong Office
Commercial and Office Area Korea Land & Housing Corporation Multi Seaport District Jung-ang Road
Japan
Busan
International passenger terminal
Chung-jang Road
Busan Station Busan Subway Station Multi-transit Center
JasungDae pier
Youngju Elevated way
Marine Culture District
Screen Image, Exhibition district
Busan, South Korea
View of North Port, Busan
Busan is the second largest city in South Korea. This city has flat ground surrounded by mountains along the eastern and southern coastlines. Along the northwest, Nakdong river, the longest river in South Korea, creates a border for Busan. With the exception of the west having a wide area of flat and gentle ground around the lower parts of the Nakdong River, all other areas are mountanous. This provides a relatively small area of flat ground in relation to the population resulting in a lot of residents being in hilly district.
Busan Station Busan Seaport Corporation
Competition Site
Jung District
International Ferry Terminal
Commerce and Business District
Busan Coastal Ferry Terminal
IT ∙ Media ∙ Exhibition District Urban District Complex
Multi-purpose Port District
Competition Site
Jung-ang dong Subway Station
Maritime Culture District
Multi City Centre District
Port Facility District
North Port Plan(tentative)
The north port has the Busan KTX Train Station which is poised to link the European and Asiancontinents as it is perfectly situated on the south eastern coastal tourism beltway. On its 2020 Busan City Urban Plan, the Minister of Construction and Transportation approved the north port as an excellent area for develop-
Yong-du Mountain Park
ment potential. The basic direction for redevelopment is to build up the global landmark by establishing various kinds of functions in the northern seaport. According to the planned land use of the North Port,
Nampo-dong Subway Station Busan Lotte World
Busan - North Port
the competition site is defined as the maritime culture district. The district is 137,640㎡ and the competition site is 34,938㎡. The district is currently under land reformation construction and it will be completed at the beginning of 2014.
Iconic Building - Detachment between Function and Iconography
Structure - Catenary Surface
Minimizing unnecessary Void
POCHE POCHE OPERA
LOBBY
BACK OF HOUSE
LOBBY
OPERA
Interesting Expression
Proper to Acoustic Performance POCHE
POCHE
BACK OF HOUSE STOCKHOLM OPERA HOUSE
KAUFMAN CENTRE, NEW YORK
POCHE
BACK OF HOUSE
OPERA
LOBBY
POCHE Advantages of Catenary Structure for Opera House
BACK OF HOUSE OPERA
LOBBY
OPERA LOBBY
In this proposal for the future Busan Opera, it has aimed to retrieve consistency between the iconographic and the functional by re-
BACK OF HOUSE
ducing the poche space by adopting a structural solution for the roofs that will be at once functional and expressive : Opera venues
SYDNEY OPERA HOUSE
OPERA GARNIER, PARIS
have to span large voids in order to host very large audiences. The structural solution for the problem is to use bidirectional catenary structures that will be able to bridge between the walls that contain the venues with a minimum amount of material working tension. This
The new Busan Opera will become a crucial element in the regeneration of the Busan Harbor. The future Busan Opera sits
textile roofing technology is one that has been used often in large
precisely at the centre of the old Harbor and is an unique opportunity to construct a platform dedicated to the city’s urban
scale temporary structures, such as circus tents and marquees,
life and the expression of its public. The Busan Opera will need to produce a physical presence capable to collect and
but it is also a technology that has developed its own lineage within the history of modern architecture : Saarinen’s Yale Ice Rink and
communicate the city’s cultural legacy. However, this monumental concern should not overpower the functional and
Dulles Airport, Tange’s Yoyogi stadioum, Siza’s Portuguese Pavillion
technical aspects of the project. Particularly at the time when the global quest for “iconic” buildings has driven many
Circus Tent
in Lisbon are all precedents of this structral strategy.
of these capital projects towards an increasing detachment between the expression of function and the iconic expressions, it is important to pose this question when addressing a project of this scale. Opera projects have traditionally suffered this division between the object and its “mask” : from the Paris Opera through the Sydney opera, to Oslo and Guangzhou, we have seen a progressive detachment between functional and the iconographic envelopes, with the production of very substantial areas of poche space in the projects. Those useless volumes are the register of such detachment. David S.Ingalls Rink, Yale University (Eero Saarinen)
Washington D.C. Dulles Airport (Eero Saarinen)
Tokyo YoYogi Stadium (Kenzo Tanke)
Portuguese Pavilion at 98’ Expo ( Alvaro Siza)
2011 International Ideas Competition for Busan Opera House
Structural Concept
Minimizing the Structure, Acting as an Acoustic
Structure - Structure Diagram
The structural concept for the Busan Opera Complex is aimed to engage its structural performance with an iconographic one,
31.59 m
15.10 m 23.20 m
32,00 m
avoiding the duplication of the functional shell and the “iconographic” that is common to so many public projects today. By
21.80 m
21,00 m 35.70 m 34,5 m
using a structural system - the catenary- which mini-mizes the structure and acts also as an acousitc form towards the inside,
25.73 m
20,29 m
while producing an expressive form that resonates with the culture of Busan, we are aiming to return to a holistic strategy of consistency between the different aspects of the design. A catenary is fundamentally a structural device to cover a large space without intermediate supports with a minimum of material. It is therefore an ideal structural method to cover large spaces, like the ones we have to provide for the Opera Theater and its stage with overhead machinery. But most importantly, it produces an image which is resonant with the ocean surface that is so close to the heart of the Busan culture. The geometry of the catenary surfaces covering the bulk of the building’s mass offers an unexpected interest by producing a geometrical pattern not dissimilar with the surface of the ocean during storm. But it is not only the surface of the sea that comes to our mind : perhaps it is a
Catenary Structure Loading System
reminiscence of the mountains that surround Busan. Or may be a traditional Korean Village and the pattern of Hanok roofs
Ocean Surface
31.59 m
15.10 m 23.20 m
32,00 m
21.80 m
21,00 m 35.70 m 34,5 m 25.73 m
20,29 m
Catenary Sections (East-West) Cable and Steel Plate Structural Detail
Korean Mountains
31.59 m
15.10 m 23.20 m
32,00 m
21.80 m
21,00 m 35.70 m 34,5 m 25.73 m
20,29 m
Catenary Sections (North-South)
It is the simultaneous performance of the catenary geometry, both on an iconographic, a functional anda constructive level that makes this a unique project with the possibility to embody Busan’s spirit
Hanok Village : House Roofs
Structure - External Envelope
Tiling Village : House Roofs
Material Study Steel Rainscreen Paving Slabs Insulation
Solid Timber Blocking 30 x 250 Steel Tension Catenary Section at 6m Centres
Clamping Bracket 32m Diameter High Tensile Cables at 3m Centres
The envelope comprises of a series of intersecting catenary surfaces, which enclose the spaces of the theares buildings below. The catenary structures form a geometrical shell to span the large distances of the venues with a minimum material expense and
Wooden Planks
Steel Grid Shell
Glass Membranes
maximum expressive effect. The structure of theroof consists of catenary-shaped beams at 6m centres, composed of pairs of curve-
The gently curving grid of the steel gridshell,
Three layers of wooden planks will cover steel
The vertical enclosures will be made with large
clearly visible from within the foyer and ancillary
members and support the thermal, acoustic
glass membrans, which will make the building
stress skins and an inner polystrene core which acts as an insulating matrial as well as structural infill material. This clad-ding surface
spaces inside the building, provides an interes-
insulation layers, the waterproofing and a tita-
flexible and provide a seamless transition bet-
supports a layer of solid concrete labs 50mm thick providing an acoustic barrier to the outside and serving as ballast against wind up lift.
ting insight into how the roof works structurally
nium shingle rainscreen with astonishing effects.
ween inside and outside, making the building
profiled flat plates connected by timber blocks at regular intervals. The lower edges of these plates are tied by solid rods running perpendicularly to them at 3m centres. The beams support a cladding surface which consists of composite panels with two timber
readily accessible to the public
Structure - Diagram of Structure
1 - Casting of Foundation
2 - Erection of Walls, Tilted Columns and Primary Cables
3 - Installation of Primary Catenary Beams
4 - Installation Tiles Rods
5 - Roofing Rainscreen Metal Cladding
Planning
Roof Geometry
Loading Bay
Wall Structure
+4.50
Recording Studio Auditorium Small Theatre Auditorium
x
Drop-off/Pick-up
+2.50
Back of House Sky Restaurant
Busan Opera House
Foyer +2.50
Promenade
Public Plaza Outdoor Auditorium
+6.50
The proposal is to locate the back of house facilities towards the vehicular access road and the front of house facilities toward the southern tip of the
Pedestrian Bridge
island, looking towards the sea. The foyer will extend both on ground level
Outdoor Auditorium
+2.50 Pedestrains flows
Back of House
+6.70, and at +2.50 towards the east and the west of the island, with some
Stage Tap
convention, exhibition facilities and retail that connect to the perimetric public
Restaurant
path. A vehicular drop-off /pick-up zone has been placed to the west of the
Retail
Vehicles flows Service flows
Promenade
building, for taxis and cars.Pedestrian visitors to the building will access from the bridge or from the perimetral path via the retail area at level +2.50.
2011 International Ideas Competition for Busan Opera House
Floor Plan
0
0’
2
1
6m
11m
3
20m
5
4
35m
21m
6
32m
1
32m
2
3
20m
4
35m
5
6
32m
21m
156m
32m
140m A
MEDIUM LARGE DRESISING DRESISING ROOM ROOM
TOUR MANAGER
QUICK CHANGE ROOM
STORAGE
MEDIUM DRESS DRESISING ROOM ROOM
QUICK CHANGE ROOM
SHOWER ROOM(W)
ROSTA RESERVE
SOUND WORKSHOP
ROLLED-UP AREA
LIGHTING WORKSHOP
LARGE DRESSING ROOM
SCENE PROJECTION ROOM AUDIO RACK ROOM
INSTRUMENT STORE
B
B
BALLET REHEARSAL ROOM ORCHESTRA REHEARSAL ROOM
VOID ABOVE SHARED MONTAGE
VOID ABOVE FULL-SIZED REHEARSAL ROOM
C SHOWER ROOM(M)
ROOM FOR SMALL ARTICLE
SHOWER ROOM(W)
122m
MAIN STAGE
22m
122m
22m
MAIN STAGE
CHAIR STORE
WARDROBE WARDROBE MAINTENANCE
FULL-SIZED REHEARSAL ROOM
REAR STAGE
KITCHEN
PIANO STORE
SPACE FOR SPACE FOR LIGHT FACILITIES ACOUSTIC FACILITIES
PAINTING WORKSHOP SHARED MONTAGE
CANTEEN PANTRY
C EMERGENCY CONTROL ROOM
FIRST AID
METAL WORKSHOP
ORCHESTRA LIBRARY
BALLET BALLETBALLETBALLETBALLETBALLETBALLET BALLET CHORUS BALLET CONDUCTOR’S CHANGE CHANGE CHANGE CHANGE CHANGE CHANGE CHANGECHANGE STORAGE MASTER MASTER ROOM ROOM ROOM ROOM ROOM ROOMROOMROOM ROOM
WC(M) WC(W)
BROAD EQUIP. ROOM
WIG ROOM WIG MAINTENANCE ROOM
A
BALLET WARM-UP ROOM
COMM. RACK ROOM
ORCHESTRA STORE
LAUNDRY
ASSEMBLY ASSEMBLY SEWING CUTTING ROOM ROOM AREA 1 AREA 2
MEDIUM DRESS DRESISING ROOM ROOM
LARGE DRESSING ROOM
PERFORMER’S LOUNGE
WC(M) WC(M)
LARGE DRESSING ROOM
23m
WC(W)
MEDIUM RIGGING/ DRESISINGDRAPE ROOM ROOM MEDIUM DRESISINGDRESSER’S ROOM ROOM
DRESS ROOM DRESS ROOM DRESS ROOM DRESS ROOM
SHOWER ROOM(M)
MEDIUM DRESSING DRESSING DRESSING DRESSING ROOM ROOMROOM ROOM
23m
WC(M)
MEDIUM DRESSING ROOM MEDIUM DRESSING ROOM
GREEN ROOM
WOOD WORKSHOP
MEDIUM DRESISING ROOM
BOYS CHANGE/ LEADER’S DRESSING DRESSING DRESSING DRESSING DRESSING DRESSING DRESSING DRESSING DRESSING DRESSING DRESSING DRESSING DRESSING SHOWER/ CHANGE ROOMROOM ROOM ROOM ROOM ROOM ROOM ROOM ROOM ROOM ROOM ROOM ROOM TOILET ROOM
15m
STAGE SUPERVISOR
MEDIUM DRESSING ROOM
GIRLS CHANGE/ SHOWER/ TOILET
15m
TECHNICAL BACK OF STAGE SECURITY’SSTAGE ORCHESTRA DIRECTOR’S MANAGER OFFICE ROOM MANAGERMANAGER ROOM
+5.5M
MEDIUM DRESISING ROOM
D
D
12m D’ UNDERSTAGE
UNDERSTAGE
UNDERSTAGE
GREEN ROOM
QUICK CHANGE ROOM
36m
12m
AUDITORIUM AUDITORIUM
RECORDING STUDIO
D’’
12m
CONVENTION HALL & BAUNQUET HALL
SIDE STAGE
MAIN STAGE
E
SIDE STAGE
E +17.3m
10m
MAIN STAGE
RETAIL E’ 26m
16m
+4.5M F
FLEXIBLE THEARE
MAIN STAGE
F
UNDERGROUND FLOOR PLAN
EXHIBITION AREA
SMALL THEATRE
1
2
3
20m
4
34m
6
5 32m
21m
FIRST FLOOR PLAN 1
32m
2 35m
5
4
3
20m
6
32m
21m
32m
140m
WC(M)
VISITING CREW ROOM
COMPANY OFFICE
A
15m
OFFICE FOR PRESENTATION
STAFF’S LOUNGE
WC(M) WC(W)
OFFICE FOR TOURING ORCHESTRA COMPANY ENGINEER
CREW ROOM
15m
CLOAK ROOM
WC(W)
TICKET OFFICE
140m
A MARKETING& ORCHESTRA DEVELOPMENT MUSIC OFFICE
ENGINEER’S MUSIC OFFICE STAFF
VOID ABOVE WOOD WORKSHOP
B
B
VOID ABOVE PAINTING WORKSHOP
VOID ABOVE BALLET REHEARSAL ROOM
+6.7M
VOID ABOVE ORCHESTRA REHEARSAL ROOM
23m
VOID ABOVE FULL-SIZED REHEARSAL ROOM
VOID ABOVE SHARED MONTAGE
23m
FOYER
VOID ABOVE METAL WORKSHOP
PLANT ROOM
C
C
OFFICE FOR OFFICE FOR NON-PERMANENT NON-PERMANENT MANAGER FOR MANAGER FOR PRODUCTION/STAGE PLAYER GROUP
SHOWER ROOM(M)
SHOWER ROOM(W)
122m
122m
MAIN STAGE
SKY RESTAURANT
VOID ABOVE MAIN STAGE
PLANT ROOM
22m
22m
MAIN STAGE
MAIN STAGE
D
D +17.3m
MAIN STAGE OPERA HOUSE
FLEXIBLE THEATRE
VOID ABOVE RECORDING STUIDIO
36m
36m
AUDITORIUM AUDITORIUM
SMALL THEATRE
E
+11.5m
E
25m
26m
GROUND FLOOR PLAN The proposal for the Busan Opera Complex is conceived as world class facility based on established and proven principles
F
of theatre, sightline, acoustical and technical design. This allows much scope for constructive innovation and the development
F
THIRD FLOOR PLAN
of the interior form, but the design does not compromise on function, or the viewing and listening conditions for the audience.
FOURTH FLOOR PLAN
Theatres - Opera House, Studio Theatre, Flexible Theatre FOYER VIEW
+ 46.8 M
+ 35.0 M
PLANT ROOM (+ 21.5 M )
RECORDING STUDIO (+ 15.5 M )
+ 21.5 M
+ 15.5 M BACK OF HOUSE
OPERA THEATRE SIDE STAGE (+ 5,5 M )
SHARED MONTAGE (+ 5.5 M )
STAGE (+ 5.5 M )
+ 11.0 M Auditorium
FOYER ) ) (+ 6.7 M
LOADING BAY
PUBLIC PROMENADE
OPEN AUDITORIUM
RETAIL (+ 2.5 M)
STORAGE
+ 5.5 M + 2.5 M + 0.0 M - 4.5 M
15M
23M
A A
22M
B
12M
C
24M
D
Studio Theatre The studio theatre is designed as a simple rectangular room with short galleries at the sides. Like the other performance spaces it inhabits the performance box with access to the upper balcony from within the box. The room is divided vertically with 2 gallerires; the first with audiences access and the second for flexible theatre installations. The conventional ceiling is replaced with a grid of access bridges for production lighting.
13M
EE
D’
FE’
+ 47.1 M
Adaptable Theatre + 34.7M
The Adaptable Theatre will be designed for avantgarde and experimental theatre performances. As suchthe technical equipment in this room will require a considerable degree of flexibility to enable the space to be utilised to its full potential. All equipments will be state of the art. To allow the maximum artistic value for this space, the design is seen as a simple, large, single room in which a number of towers interlock to form an endless variety of performance spaces. These can be traditional end stage or thrust to totally free form.
+ 20.0M + 17.3M + 15.5M
PROJECTION ROOM
BACK OF HOUSE
FLEXIBLE THEATRE MAIN STAGE (+ 5.5 M )
PUBLIC PROMENADE
FOYER (+ 6.7 M )
+ 6.7M + 5.5 M
RETAIL ( + 2.5 M )
+ 2.5 M
STORAGE (- 4.5 M )
+ 0.0 M - 4.5 M
AREA SCHEDULE +47.2M
SKY RESTAURANT (+ 22M ) + 22M
RECORDING STUDIO (+ 17.3M )
+ 17.3M
DROP - OFF (+ 6.7M ) PUBLIC PROMENADE
FOYER 7m m ) (+ 6.7M
MULTI - PURPOSE THEATRE
SMALL THEATRE
LOBBY ( + 6.7M )
OPERA HOUSE
RETAIL (+ 2.5M )
+ 6.7M PUBLIC PROMENADE
RETAIL (+ 2.5M ) )
STORAGE (- 2.2M )
+ 2.5M + 0.0M - 4.5M
TRAP ROOM (- 9.5M )
12M
1
34M
2
21M
3
32M
4
21M
5
6
Public Lobby / Convention / Exhibition Auditoria Multipurpose Studio Theatre Opera Recording Studio Scenic Machinery Multipurpose Studio Theatre Opera Staff Rooms Offices / Administration Technical Facilities / Maintenance Rehearsal Rooms Back of House Storage Back of HOuse Community Plant Rooms Retail Circulation
4100
1600 4370 9571
Total
36916 ㎡
15M A
500
2000 2060
23M B
23M
12M D
C
11M
11M
11M
D’’
D’
8M
E
E’
F
1250 500 1580
+ 46.7 M
Opera House 400 130
+ 27.8 M
PLANT ROOM
+ 18.6 M
1230 2725 1390 760
+ 16.8 M + 15.5 M
2750
MAIN STAGE (+ 5.5 M )
REAR STAGE ( + 5.5 M )
AUDITORIUM CONTROL ROOM
BACK OF HOUSE
LOBBY (+ 6.7 M )
BAR
+ 11.0 M
PUBLIC PROMENADE OPEN AUDITORIUM
RETAIL (+ 2.5 M )
ORCHESTRA PIT
15M A
23M B
+ 0.0M - 4.5M
22M C
+ 6.7 M + 5.5 M + 2.5 M
STORAGE TRAP ROOM (- 9.5 M )
7M D
29M D’
11M E
In planning the stage configurations the paramount consideration is the ease of operation for performance. The new Opera Theatre in Busan will have the functional and traditional advantages of the wagon stage coupled with state of the art technology which has particular importance for touring productions visiting conventional houses. The stages form a cruciform plan with one full and one half side near cruciform plan allows for full stage sets to be present from the beginning of the performance.
5M E’
F
Theatres - Variations of Flexible Theatre INTERIOR OF OPERA HOUSE 1
INTERIOR OF OPERA HOUSE 2
END STAGE
1112 seats
TRASVERSE
The design will show a predominantly rectangular form, addressing an open stage with traditional flytower, elevators in the auditorium floor will allow the quick creation of fashion catwalks and thrust stages using the geometry of seating units. The seating units can be stored below the auditorium creating a complete flat floor space for banquet or exhibition.
THRUST STAGE
388 seats
664 seats
FLAT FLOOR
THEATRE IN THE ROUND
554 seats
224 seats
Extra Works
Extra Works PROJECT
: Drawings, Personal Artworks, Publications
DURATION
: FEB.2012 - NOW
These artworks are my drawings to improve my drawing skill to be a good designer. I drew still life, picture, images and also copied mastersâ&#x20AC;&#x2122; artwork to study how to use colors. I tried to use various kinds of materials such as pencil, marker,oil pastel, and so on to find my best tool. I took part in Soo-kyung Atelier 8th Exhibition with my creative work on 12th-18th, Nov, 2012
Drawing Artworks
apple, pencil, 18 Feb. 2012 bear doll, pencil, 24 Feb. 2012
miranda, pencil, 7 Apr. 2012
Nude Croquis
kids in the truck, pencil, 16 Jun. 2012
an actress, pencil, 10 Mar. 2012
landscape drawing, pen, 8 May 2012
zeebra, pencil, 28 Jul. 2012
polar bears, pencil, 28 Jul. 2012
church, chinese ink, 2 Jun 2012
my town, pencil, 9 Jun. 2012
The Land of Apartment, chinese ink, 9 Jun. 2012
Extra Works
Oil Pastel Works
Creative Works
drawing still life, charcoal, 20 Jul. 2012
The Alley in My Town, pastel, 7. 23 Jun. 2012
Urban Complexity, acrylic paint, pencil, 10 Aug. 2012
My Heart is Filled with You, oil pastel, 12 Oct. 2012
Making Architectural Furniture Joinery Systems
Designing Architectural Furniture Joinery Systems PROJECT
: Designing Architectural Furniture Joinery Systems
DURATION
: FEB. 2015
PROGRAM
: Wood Crafting
DESIGN PARTICIPATION
: Personal Projects
The project is one of the practical experiments of joinery systems for the maser project at Oslo National Academy of the Arts. The aim is to design joints without using any type of adhesives. By designing a variety of these joineries with simple ideas, more complex objects are expected to be designed based on knowledge and know-hows from practices. The values obtained from the practices are playfulness to work with â&#x20AC;&#x2DC;formâ&#x20AC;&#x2122; and accuracy needed to build good joineries for bigger-scaled objects.
material : pine
Constructing Architectural Furniture
CONSTRUCTING ARCHITECTURAL FURNITURE PROJECT
: Constructing Architectural Furniture
DURATION
: FEB. 2015 - MAR. 2015
PROGRAM
: Furniture Design
DESIGN PARTICIPATION
: Personal Project
The project is developed from experiments of simple joinery systems. The aim is to construct structures with functions by using the joinery systems which is personally developed previously. The first object designed is a structure for a small shelf. It is missing two plates that can be put on top and bottom parts of the stucture. This structure is using only one way of joining and can be extended by repeating this joinery system. The other is a structure for a table which used many different types of joining beams together. This is also missing a plate on the top to show how the structure looks like. The characteristics of both objects are possilbe to be assembled and disassembled so that they can be put everywhere users want and they are spaceefficient when they are stored.
Choreography project - Urban Voyeurism
CHOREOGRAPHY PROJECT PROJECT
: Urban Voyeurism
DURATION
: FEB. 2014 - MAR. 2014
PROGRAMS
: Space Design, Choreography, Performance
DESIGN PARTICIPATION
: Space Design, Space Construction, Choreography Design, Performance (project members : taeho noh, charlotte kristiansen heidi jenssen, richard deleyos, sara kaspersen)
The project is a colloboration with a choreograhper, dancers, and us, interior designers. Throughout the course, We, from three different field, share our knowledge, how we percieve a ceratin space and how we react to it. For the final project, We settle several rules we have to follow while perfoming, in a space we all together design. We design the space made of paper, which represent a city as a metapor which is vulnerable and susceptilbe to people outside the boudary. It means people living in the city are always observed by others around themselves and are interacting with them in a certain rule they make.
URBAN VOYEUR - in to paper city -
what can you feel in the city? how do yo react to the city in your every life? how do you interact with peopel inside the city?
Manual for performers
1)
3)
2)
x 3 times
5)
4)
6)
SL
AP
7)
8)
10)
Manual for audience
!!!
9)