TAI-LI LEE
PORTFOLIO
INFRASTRUCTURE SIGN DESIGN Despite one hundred and eighty pounds of biological compounds, what else am I made of? A soul that deviates from the metaphysics? Or souls that schizophrenize? But what is a Soul? Is it a mystically and metaphysically charged entity? Or is it just another body relatively transparent to us? Nor absolute question neither answer exist. However, some paths or selections do relatively weigh more than the other: Neither soul nor sign is singular and constant: they initiate, mutate, and wither in a continuous yet non-linear manner. If Sign is a bracket [ ] , a temporal capture of the perceivable yet incomprehensible reality, than Design will probably a trajectory that is defined by { [ ], [ ], [ ], .....} So to myself; instead of being included in an spatial-temporal fixation, I want to be included in an exclusion that floods constantly into the other. Instead of being signed by glories, comforts, and rewards. I want to be signed and designed limitlessly, and look for souls that aren’t available and bodies that aren’t embodied.
BIO EXPERIENCE 1987 - Born in Taiwan. 2005 - East Los Angeles Community College 2008 - AIA California 2 x 8 Exhibition 3 rd Prize 2008 - AIA Los Angeles Chapter 1:2 Student Competition 1st Prize 2008 - KJMU Competition Entry 2008 - Pratt Institute 2008 - Arch 101 Critic: Adam Dayem 2009 - Arch 202 Critic: Enrique Limon 2009 - Better House Competition Entry 2009 - Arch 302 Critic: Lonn Comb 2009 - Arch 301 Partner: Greg Schielder Critic: Dave Pigram 2009 - Crisisfronts: Days and Nights, HK:SZ Biennale Organizer: Michael Chen + Jason Lee 2010 - P.S.1 Lux Nova Easton + Combs 2010 - High Bridge Competition Entry 2010 - Arch 401 Critics: Karl Chu 2010 - Dingbat 2.0 Competition Entry 2010 - Cable 8 Competition Entry 2010 - Arch 402 Partner: Scott Segal Critics: Ajmal Aqtash + Richard Sarrach 2010 - Arcadia Conference: Selected Student Presentation 2010 - Crisisfronts Research Studio Partner: Hiram Rodriguez Critics: Michael Chen + Jason Lee 2011 - Crisisfronts Studio Partner: Hiram Rodriguez Critics: Michael Chen + Jason Lee 2011 - Japanese Shelter Competition Entry 2011 - Urban SOS Competition Entry 2011 - Why Tall Competition Entry
ENVIRONMENT
TECHNOLOGHY
URBANISM MAPPING SOCIAL FORMALISM DECONSTRUCTION
TOPOLOGY
GENERATIVE BODY MODULARITY
STRUCTURE MATERIALITY
PROGRAM PARAMETRIC
to Shaft
a
Major Volume in Proximity to Cable Line / with Elevator Shaft population 1
population 3
population 5
population 7
population 9
population 15
population 25
population 35
n1
n2 e1
b2
e2
b1
Major Parking Garages
Extruding Server Volume According to Air Exposure
Lobby in Proximity to Mechanic Volume
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ǣ ƪ
水
舟屋
ǣ ƪ Ƥ
ǣ ƪ
舟屋
Ƥ
水
Units Variation
Extending Programs
Exterior Circulation Envelope
Reducing Wind Load/Turbulence
m/s
m/s
1.20+
1.20+
1.10
1.10
1.00
1.00
0.90
0.90
0.80
0.80
0.70
0.70
0.60
0.60
0.50
0.50
0.40
0.40
0.30
0.30
0.20
0.20
20ft
70ft
m/s
m/s
1.20+
1.20+
1.10
1.10
1.00
1.00
0.90
0.90
0.80
0.80
0.70
0.70
0.60
0.60
0.50
0.50
0.40
0.40
0.30
0.30
0.20
0.20
150ft
320ft
N
Original Structural Frames
Slabs
Extended Structural Frames
Extended Slabs
Stair Component
Landscape
A B
A B
Section A - A
Section B - B
Original Framings
B
B
Vertical-Primary Structure
Substructure
Section A - A
Ceiling Panel
Slump Glass Panel
Stair Component
A
A Section B - B
䃉
ᷣ⯽⟜ 㫉⯽⟜ 彎℔⭌ 暣㡗 㦻㡗 梸⺛ 梚㕁
section Level 4
Level 3
ℍ⎋ ᷕ庠䶂
䃉旸⺞Ỡ 㓭⭖
⊿
䚠Ḻ忋䳸
a
b c d d
f e
b
d
b
e
V.1
V.2
c
f
d
aqueduct
movement of water + need of urbanization
highway + railroad
movement of vehicals + need of commodities
nodes for skin
determined by asymmetrical projection points control views and density of light penetration
south-east orientation
skin members are south-east parellel to avoid direct heating from summer
administration/office art section art workshop/classroom
ersity ave
auditorium/theater performancing art studio sedgwick ave
career development c multi-purposed space manhattan depot pl appr
gallery
even distribution over gallery denser zone intersecting under bridge volume
A A B A DC
C D A B A
A B A DC
C D A B A C D A B A
C D A B A
A B A DC A B A DC A
C D A B A D C D A B B AA B A C A E CA E E CA E A
D C D B A C D
E E D CA B E E AD B B CA A B D A B E E C CA B D E D E D CA D E D A D E E D A D D E DB AC D E E B A C D B A A C B B A EB E A BA C D E E
B A B A C D A B A DC A
E E CA B E A A E B A BC A E C D B E C A E E D CA E D A E D D D DB D B A C D B A B B A B A BA D E
D B A B D C D B A C D
D
C
C D A B A D B C D AA B B AA B A C A E CA E E CA E A
A
A E A C E C E
A D B A DC E A A B A E DC B A A C E A D C B E D
A
B D A B A B B D D D D
E A
E AC E E A C B E A C E
A D B DC E A A B A E DC A C A E A D C B E D B B A A B D C
A E A C E C E B A B A A C B D A B A DC A
in
Roof Landscape Dwelling Level 2
Dwelling Level 1
Landscape Path
Elevator Stair
East Elevation Auditorium/Office Entrance/Security Office Auditorium Gallery/Mail Room Grand St
Cafeteria/Office Main Entrance/Security Office
Steuben St
L
Render B
Render A
Detail Section C
Ground Level Floor Plan
Second Level Floor Plan
Fourth Level Floor Plan
First Level Floor Plan
Third Level Floor Plan
Ƥ
Ƥ
Ƥ Ƥ
G train Station
e
d
c
f
a
b
Valve Open
Valve Open
Summer Solar Heating
Valve Close
Valve Close
Valve Close
Winter Solar Heating
a
b
Latitudinal Section W - E
Meditation / Rest
Changing / Warm Up
Practice / Fight