2017年 TOAM and United Nation by TOAM Taiwan Ocean Artistic Museum

聯合國海洋大會海上絲綢之路促進世界海洋可持續發展

Maritime Silk Road Promotes the World’s Ocean Sustainable Development

聯合國海洋大會·分論壇 “海上絲綢之路促進世界海洋可持續發展” Mar it i m e Sil k Ro ad P rom o t es t h e Wor l d ’s O cean Sustainable Development 联合国总部纽约 2 0 17 年 6 月 6 日 Un it e d Nat ions He a d q ua r t e rs, Ne w York Jun e 6, 20 17

目录 CONTENTS

主

办

方

支持单位

国际信息发展组织 21 世纪丝绸之路研究院上海交通大学智慧道学堂国际海洋新经济研究中心上海水上旅游研究所

Part one 01

联合国海洋大会 • 分论坛

Maritime Silk Road Promotes the World’s Ocean Sustainable Development

组织介绍

Organization Profile

嘉宾介绍

Guest introduction

专家学者介绍

Experts and Scholars Introduction

立足海上丝绸之路为世界海洋的可持续发展建立伙伴关系中国“国鱼”大黄鱼与海上丝绸之路海上丝绸之路新载体——帆船赛事的时代契机 When Art becomes the language of the Ocean – It delivers power 海上丝绸之路背景下解决海事法律冲突并促进海洋可持续发展之研究

上海信崇资产管理有限公司福建省闵亿源工贸有限公司诺莱仕帆船俱乐部上海祺美文化发展有限公司

Leading

International Development Information

Organizer

Organization-DevNet

Supported

21st Century Silk Road Research Institute

Shanghai Jiaotong University Dao College

创建邮轮新航线·繁荣海上新丝路海洋旅游 & 创意思维

Chinese National Fish: Large Yellow Croaker and Maritime Silk Road New Carrier of Maritime Silk Road: Era Opportunity of Sailing Race When Art becomes the language of the Ocean – It delivers power Research on the Settlement of Maritime Law Conflict and Promote Sustainable Development of Ocean under the Background of Maritime Silk Road Create a new Cruise Route, Flourish the New Maritime Silk Road Marine Tourism & Creative Thinking

Part two 59

東方藝術紐約聯展

Oriental Art Exhibition in New York 2017

展览主题：拯救与希望的海洋——东方艺术的思考与呈现

ThemeMarine Crisis • Saving and Hope: Thinking and Presentation from the Oriental

林曦明张肇达李世恩郝方圆陶永华张顺川何炳钦刘浩峰

International New Marine Economy Research Center Shanghai Aquatic Tourism Research Institute Shanghai Xinchong Asset Management Co., Ltd. Fujian Minyiyuan Industry and Trade Co., Ltd.

林旭峰

Noahs(Shanghai)Sailing Club Shanghai Qimei Culture Development Co., Ltd.

Partnering for the Sustainable Development of World Ocean on the Basis of the Maritime Silk Road

113

特别鸣谢

Lin Ximing Mark Cheung Li Shien Atman One Tao Yonghua Zhang Shunchuan He Bingqin Liu Haofeng Leons Lin

Acknowledgements

Part one

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

论坛 Forum 联合国海洋大会 • 分论坛 “海上丝绸之路促进世界海洋可持续发展” Maritime Silk Road Promotes the World’s Ocean Sustainable Development

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

组织介绍 ORGANIZATION PROFILE 国际信息发展组织“International Development Information Organization”是经联合国经济及社会理事会决议通过，被授予特殊咨商地位的全球性非政府、非营利组织。在联合国框架目标的引领下，国际信息发展组织作为全球性国际组织一员，旨在促进发展中国家间和发达国家间的贸易往来，技术转让、经济合作和国际文化交流，鼓励发展中国家参与到区域及国际经济活动中。国际信息发展组织在美国纽约联合国总部设有常驻代表机构，目前在全球范围多个国家设有组织联络处，与当地政府企业主办、承办以及协办了各类国际性大型高峰会议以及商品博览展会。国际信息发展组织作为联合国非政府组织，每年应邀参加上百场联合国各高级别国际性会议，包括联合国大会主席支持并召开的大会、高级别政治论坛、发展合作论坛、年度部长级审查活动、民间团体会议以及各联合国实体组织的常务性会议和活动等。主题涵盖信息通讯技术、气候变化、妇女赋权、全球教育、人居环境、伙伴关系、青年参与、发展筹资等方面。如，2015 年 9 月 25 日，国际信息发展组织应邀出席联合国 70 周年大会暨可持续发展峰会，与来自 150 多个成员国的国家元首及联合国主要官员齐聚一堂，共同商议未来 15 年的可持续发展议程。左图原高国强局长和上海世博局局长洪浩正式签约参展 2010 年第 41 届上海世博会右图中国 2010 上海世博会国际信息发展网馆展区总代表高国强和馆长李世恩与国展局秘书长洛塞泰斯交流

国际信息发展组织的主要职能为：在联合国千年发展目标及 2030 年可持续发展目标框架下，倡导人类的可持续发展；通过提高社会弱势阶层的新能力，促进产生一种权利与机遇

Former General Director Gao Guoqiang and Shanghai Expo Bureau Director Hong Hao formally signed up to participate in the 41st 2010 Shanghai World Expo. Mr. Gao Guoqiang and Executive director of 2010 Expo, Mr. Li Shien with Mr. Loscertales, General Secretary of National Exhibitions Bureau

平等的文化；促进两性平等，赋予女性和青年权利以消除贫困并加强民主治理；通过信息通信技术的应用，增强企业竞争力，协助各部门发展，提高社会和环境问责制的公共意识；提高发展中国家与发达国家经济一体化水平；推动国际间建立合作伙伴网络关系，形成发展中国家为促进文化、经济及贸易发展的网络一体化社会；鼓励世界各地区的可持续发展。 2010 年，国际信息发展组织作为上海世博会参展的国际组织，在世博园区国际组织区域内拥有独立展馆，通过“馆中馆”的多种展示形式和各类论坛、100 多场互动活动，完美演绎“城市救援与和谐生活，国际交流合作一体化”的理念 , 并收到来自国际政要、中国各地政府、以及知名企业的高度赞誉。 2012 年 5 月国际信息发展组织以独立展馆的形式参加了由中国商务部和北京市政府共同主办的第一届中国（北京）国际服务贸易交易会，同时国际信息发展组织和中国商务部直属中国服务贸易协会达成长期战略合作伙伴关系，确定每年参加京交会，使国际信息发展组织又迈上了一个跨越式成长的新台阶。 2015 年 9 月 25 日，出席 2015 年联合国可持续发展峰会 IDIO’s participating in the United Nations Summit on Sustainable Development on September 25, 2015

联合国海洋大会分论坛

2015 年 12 月 16 日，出席信息社会世界峰会高级别会议 IDIO’s participating in the high-level meeting of World Summit on Information Society on December 16, 2015 2016 年 10 月 17 日，出席人居三大会，并在全体大会上发表演讲 IDIO’s participating in the Habitat III conference and delivering a speech on plenary meeting on October 17, 2016 图 5 图 6 2016 年 5 月 31 日，出席第 66 届联合国新闻部 / 非政府组织会议 IDIO’s participating in the 66th UN DPI/NGO Conference

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

International Development Information Organization (IDIO) is a Non-Governmental and Non-Profit Organization, with special consultative status with the United Nations Economic and Social Council. Under the framework of United Nations, as a member of international organizations, IDIO aims to promote trade exchanges, technology transfer, economic cooperation and cultural exchanges among developing and developed countries, and encourage developing countries to participate in regional and international economy activities. IDIO has set up a Representative Office in New York and has established many liaison offices in several countries around the world. Also, IDIO is rich in experiences of various international summits and exhibitions with local governments at home and abroad. As a United Nations affiliated NGO, IDIO would be invited to hundreds of United Nations High-level International conferences every year, including General Assembly convened by the President, High-Level Political Forum, Development Cooperation Forum, Annual Ministerial Review, Civil Society Conferences and regular conferences and events of United Nations entities. Topics cover ICT, climate change, women empowerment, global education, human settlement, partnership, youth engagement, financing for sustainable development. For example: on September 25, 2015, IDIO was invited to attend the 70th United Nations General Assembly and Sustainable Development Summit, gathered with more than 150 heads of states, main leaders of the United Nations and NGO representatives, to communicate and discuss the sustainable development agenda for the following 15 years.

The mission of International Development Information Organization： The mission of IDIO is to contribute to the human’s sustainable development under the framework of the United Nations Millennium Development Goals and Sustainable Development Goals; to promote a culture where rights would match opportunities through developing new skills of disadvantaged social groups; to promote gender equality and endow the female and youth with rights so as to wipe out poverty and exercise democratic governance; to strengthen corporations’ competitiveness, assist development of all parts and raise public consciousness about social and environmental accountability by the application of information and communication technology; to advance economic integration between developing countries and developed countries; to establish partner networks among corporations, and form an integrated network society for promoting economic development in developing countries; to encourage sustainable development all over the world. In 2010, as the participant international organization of 2010 Shanghai World Expo, IDIO run a standalone pavilion in the International Organizations Area. Through various ways of “pavilion-within-pavilion” and over 100 forums and interactive activities, IDIO illustrates the concept “Rescue City and Harmonious Living, Integration of International Exchange and Cooperation” well, which won high commendation from governments and enterprises at home and abroad. In May, 2012, IDIO with its stand-alone pavilion participated in the first International Development Information Organization-China (Beijing) International Fair for Trade in Services (CIFTIS), co-organized by China’s Ministry of Commerce and Beijing Municipal Government. Meanwhile, IDIO signed long-term strategic partnership with China Association of Trade in Services, which enables IDIO’s participation to the CIFTIS every year, thus the development of IDIO steps into a new stage.

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

嘉宾介绍 Guest introduction 李世恩

Li Shien

刘家富

Liu Jiafu

周可文

Zhou Kewen

徐强

Xuqiang

钱建荣

Qian Jianrong

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

刘家富

李世恩

LI SHIEN

嘉宾介绍

Gu es t I n t r od uction

LIU JIAFU

上海市人

在他的领导下，国际信息发展组织被联合国经济及社会理事会授予特殊咨商地位。积极参与联合国工作，组织

刘家富，男，1940 年生，1969 年毕业于上海水产学院渔业资源专业。农业技术推广研究员、中国国务院政府

国际信息发展组织主席

来自不同领域的会员、专家学者等走进联合国，如第 70 届联合国大会、信息社会世界峰会、第 66 届新闻部 /

特殊津贴专家。现任福建霞浦县闵亿源工贸有限公司技术顾问。曾任宁德市水产技术推广站站长和渔业协会会长、

非政府组织会议、人居三大会等等。

中国水产标准化技术委员会海养分技术委员会（SAC/TC156/SC2）委员、福建省渔业科技入户示范工程技术指

2007-2009 年，连续三年带领亚太地区的企业走进国际紧急救援采购大会，担任亚太馆负责人，为亚太地区

导专家组首席专家和省水产学会海养专业委员会副主任委员；现为中国渔业协会大黄鱼分会名誉会长、福建省

的企业及产品走进联合国开辟渠道。

水产学会海养专业委员会顾问、大黄鱼育种国家重点实验室技术顾问兼学术委员会委员、福建省国家级官井洋

2010 年上海世博会国际信息发展网馆担任展区总代表兼馆长，主要负责与中国中央政府，各地方政府，企业

大黄鱼原种场技术顾问、宁德师范学院客座教授。

间的合作沟通与交流，期间共组织、召开了 100 多场各类国际性高级别交流、研讨、合作活动。

在大黄鱼资源濒临枯竭之际，刘家富率团队在艰苦条件下攻克了这一洄游性中下层鱼类人工繁殖与育苗的历史

2012 年 -2014 年，与中国商务部共同主办中国北京国际服务贸易交易会（京交会），带领众多亚太地区中小

性技术难题，拯救与保护了大黄鱼资源；开展了人工养殖技术研究并实现产业化，构建了产业技术支撑体系，

企业参展。

形成了年育苗量约 20 亿尾、产量 16.55 万吨（2016 年）总产值超百亿元的中国最大规模的养殖海水鱼—大黄

President of International Development Information Organization & Chairman of Boards of Coordination

鱼产业，使其成为中国 8 大优势出口养殖水产品之一，约 30 万人直接或间接从业；让大黄鱼重上华人餐桌。院士专家鉴定该成果为国内外首创，居同类研究国际领先水平。该成果还应用于其他鱼类资源保护与开发，推动 President of International Development Information Organization & Chairman of Boards of Coordination Under his leadership, International Development Information Organization-DevNet has been granted as the special consultative status with the United Nations Economic and Social Council. From then on, he has been actively participating in the work of UN, organizing members and experts of various fields to the UN conferences and events, such as the 70th Session of the UN General Assembly at Headquarter of UN, New York, World Summit on the Information Society, 66th UN DPI/NGO Conference held in South Korea, the Habitat III which the representative from IDIO delivered a speech on the general assembly and so on. From 2007 to 2009, Li Shien with his team participated in the International AID + TRADE for 3 years in a row, and organized a lot of enterprises from Asia to a world stage. In 2010, Mr. Li Shien was selected as the General Representative and Director of International Development Information Organization Pavilion in Shanghai Expo, mainly in charge of communications and exchanges among Chinese Central Government, local governments and corporations. From 2012 to 2014, International Development Information Organization under the leadership of Mr. Li Shien has participated in the Beijing International Fair for Trade in Services for 3 years in a row.

了中国“以大黄鱼等多种类为代表的第 4 次海水养殖浪潮”，为中国海水养殖业发展作出了具里程碑意义的贡献，刘家富因而被业界称为“中国大黄鱼之父”。 Majored in fishery resources, Liu Jiafu was graduated from Shanghai Fisheries University in 1969. He is granted as the experts of Special government allowances of the State Council, and now is the technical consultant of Fujian MINYIYUAN Industry and Trade Co., Ltd. He was once engaged as the Research Professor of Fisheries Technical Extension Station of Ningde, Honorary Chairman of Large Yellow Croaker Branch of China Fisheries Association, Member of Academic Committee of State Key Laboratory of Large Yellow Croaker Breeding, Technology Consultant of National Original Breeding Farm of Large Yellow Croker in Fujian and Guest Professor of Ningde Normal University. On the occasion that the large yellow croaker were to be exhausted, Li Jiafu with his team conquered the historical technological problem of artificial breeding and seedling of migratory lower-middle-class fish in difficult conditions, thus saving and protecting the resource of large yellow croaker. He develops the artificial breeding technical research and establishes industry technology supporting system. Now the large yellow croaker industry has become the largest breeding marine fish industry in China with yearly seedling quantity of about 2 billion, gross yield of about 165.5 thousand tons(2016) and total output over ten billion yuan, which has prompted 300 thousand jobs directly and indirectly. Academician and experts identify this achievement to be the pioneering project in China and ranks the advanced level internationally. With a wide application to the protection and development of other fish resources, the achievement promotes the Fourth Waves of Mariculture with the large yellow croaker as the representative, which is a landmark contribution to the Chinese marine aquaculture industry's development. And Liu Jiafu is therefore called the "Father of Large Yellow Croaker" in China.

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

Gu es t I n t r od uction

徐强

周可文

ZHOU KEWEN

嘉宾介绍

XU QIANG

自 1995-2017 止，曾徒步中国 9 个省，并游历过 40 多个国家，期间参加多项户外运动（登山和越野、帆船、

国际信息发展组织

策展上海艺术博览会、上海国际艺术节、国际陶瓷博览会、丁绍光艺术大展、日本国宝展、东京都美术馆国际

漂流等）

副秘书长

书画交流大展、世界非物质文化遗产龙泉青瓷大展、景德镇瓷艺大师精品展、世界文化大会、世界诗人大会、

2012-2017 诺莱仕帆船俱乐部创始人，开启中国职业大帆船序幕，期间多次带领团队参加国际帆船赛事，如“中

上海交通大学智慧道学堂

中国首届诺贝尔论坛等多项国际艺术大展及文化项目。

国杯”帆船赛、“劳力士”杯澳大利亚，悉尼之霍巴特帆船赛，并积极拓展诺莱仕海外俱乐部

创始人 / 特聘教授

目前，正在积极与中国舟山政府沟通，建设中国海上丝绸之路特色小镇

世界文化大会执行主席国际艺术策展人

From 1995 to 2017, Zhou Kewen kept on hiking around 9 provinces in China and travelled around 40 countries, during which I participated in various outdoor sports, such as mountaineering, cross-country, sailing, rafting and so on. From 2012, he joined the NOAHS Group and co-founded the NOAHS Sailing Club, thus opening the prologue of Chinese professional big sailing. Under his leadership, NOAHS Sailing Club has been participating in several international sailing races such as China Cup, Rolex Cup Hobart Sailing Race, Australia and so on. He also pays much attention on developing overseas clubs of NOAHS, such as the Australia Club. For now, he is in charge of project Chinese Maritime Silk Road Characteristic Town and in the process of government negotiation.

Deputy Secretary General, International Development Information OrganizationDevNet Founder/ Distinguished Professor, Shanghai Jiaotong University Dao College Executive Chairman, World Conference on Culture General curator of international arts

Professor Xu has organized several international art exhibition and cultural projects such as Shanghai Art Fair, Shanghai International Festival of Arts, International Ceramic Fair, Ding Shaoguang Arts Exhibition, National Treasure Exhibition of Japan, International Painting and Calligraphy Exchange Exhibition of Tokyo Metropolitan Art Museum, World Intangible Cultural Heritage Longquan Celadon Exhibition, Jingdezhen Porcelain Masters’ Artwork Exhibition, World Conference on Culture, World Conference of Poets, China’s First Nobel Forum and so on.

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

1989 年上海华东政法大学法律系毕业，1993 年取得律师资格，1995 年 8 月份取得律师执业证书，从事专职律

陈科引

钱建荣

QIAN JIANRONGQIAN

嘉宾介绍

Gu es t I n t r od uction

CHEN K EY I N

师工作。

学历: 中国医学科学院清华大学 – 北京协和医学院外科硕士（神经外科）

2007 年 6 月成为上海市大公律师事务所合伙人。

北京大学医学部临床医学系

钱建荣律师在公司法、期货、金融、房地产、建筑工程、知识产权、企业并购、刑事、民事等法律专业领域造诣很深。

奥克兰大学医学科学系

钱建荣律师在国际上享有盛誉，是国际信息发展组织成员，从事国际诉讼、仲裁等和相关法律事务，也从事国际间的交往、合作、项目开发、贸易等相关法律和商务事务。

经历：三福艺术空间有限公司负责人

In 1989, he graduated from East China University of Political Science and Law. In 1993, he got the qualification of lawyer and in August 1995, he was awarded the certificate to practice and then became a full-time attorney. In June, 2007, Qian Jianrong joined Shanghai Dagong Law Firm as a company partner. He is expert in corporation law as well as laws of futures, finance, real estate, constructional engineering, intellectual property, mergers and acquisitions, criminal and civil affairs. As a member of International Development Information Organization, he also enjoys a good reputation internationally. He is experienced in international litigation, arbitration and other legal affairs and also sets foot in legal affairs and business affairs about international exchange, cooperation, project developing, trade and so on.

纽西兰青年协会代表奥克兰市青年委员会

Education Background: Peking Union Medical College Hospital – Master of Neurosurgery Peking University – Health Science Centre – Bachelor of Medicine Auckland University – Grafton Campus- Medical Science Experiences: CEO, Sameone International Art Group Co. Ltd. Representative of UN Youth New Zealand Member of Auckland City Youth Council

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

专家学者介绍

余佑权

专家学者介绍 Experts and Scholars Introduction 余佑权

Yu Youquan

朱渊澄

Zhu Yuancheng

张家驹

Zhang Jiaju

Ex p er t s a nd S ch ol a rs I ntrod uction

YU YO U Q UA N

1956 年 02 月——1957 年 07 月就读于南京航空学院 1957 年 09 月——1961 年 07 月就读于大连海运学院 1961 年 09 月——1978 年 10 月工作于上海长江航运公司 1978 年 11 月——1996 年 08 月任教于上海海运学院（今上海海事大学）至退休 1996 年 09 月——2004 年 05 月任交通部中交企协水路客运旅游委员会常务副会长《水路客运旅游》杂志主编 2004 年 06 月——至今

任上海水上旅游研究所长

获奖主要论文： 1. “以浦东新港区的开辟，促进新上海的建设” 2. “上海黄浦江观光游览产业发展研究” 3. “上海港货运战略研究” ..... 主持水上旅游研究 20 多项战略咨询、可行性研究等。 From February, 1956 to July, 1957, studied in Nanjing University of Aeronautics and Astronautics; From September, 1957 to July, 1961, studied in Dalian Maritime University From September, 1961 to October, 1978, worked in Shanghai Yangtze River Shipping Company From November, 1978 to August, 1996, worked at Shanghai Maritime University as a professor until retirement From September, 1996 to May, 2004, engaged as the Executive vice president of Waterway Passenger Transport and Tourism Committee of China Association of Communication Enterprise Management and Chief Editor of Waterway Passenger Transport and Tourism From June, 2004 till now, appointed as the Chief Director of Shanghai Aquatic Tourism Research Institute Published Thesis: 1. To Promote the Construction of New Shanghai with the Opening up of Pudong New Area 2. Research on the Development of Sightseeing Industry of Huangpu River in Shanghai 3. Research on Freight Strategy of Shanghai Port

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

张家驹

朱渊澄

ZHU Y UA N C H E N G

专家学者介绍

Ex p er t s a nd S ch ol a rs I ntrod uction

ZHANG JIAJU

1960 年，毕业于西安交通大学机械系，留校任教三年。

1961.9 ～ 1974.12：福建 6765 部队特务连报务主任、政治指导员；

1963 年，调回上海，历任教师、上海重型机器厂教育科副科长、上海市工人文化宫副主任、企业策划经理。

1975.1 ～ 2002.5：上海汽车工业集团总公司纪委、监察室副主任；

1997 年，退休于上海锦江（国际）购物中心。

2003.5 ～ 2015.5：上海市海外经济技术促进会副秘书长。

1997 年初，因参与中国古代机械史课题研究，被同济大学聘为兼职副教授。 2004 年，加盟上海水上旅游研究所，参与完成《上海十六铺综合改造项目功能开发研究》、《上海 - 舟山旅游业互动发展研究》等课题。 2006 年元月，在新浪网开出“七旬翁的博客”；随后在上海三联书店、上海交大出版社出版了《七旬翁的博客集》《七旬翁的博客集 2》《海宝 & 三毛话上海》《老年幸福：研究与实践》等著作。 2016 年，在文汇出版社《出海口》诗文库出版中篇小说《1958 爱情故事》和《创意旅游与游记写作》，十年内撰写出版累计 6 本书。 From 1960, graduated from Xi’an Jiaotong University and worked in the University as a teacher for 3 years. In 1963, back to Shanghai and successively worked as teacher, deputy chief of Department of Teacher Education of Shanghai Heavy Machine Plant, deputy chief of Shanghai Workers Cultural Palace, enterprise planning manager. In 1997, worked in Shanghai Jinjiang (International) Shopping Center till retirement In the early 1997, engaged as the Adjunct Associate Professor of Tongji University with the research project of Chinese Ancient History of Machinery In 2004, joined in the Shanghai Aquatic Tourism Research Institute and participated in the research projects of Functional Development of Shanghai Shiliupu’s Comprehensive Renovation and Interactive Development Research on Tourism of Shanghai and Zhoushan, etc. From January, 2006, created his own blog, and published several writings in Shanghai Sumerian Press and Shanghai Jiaotong University Press, such as his blog sets, Haibao & Sanmao Talk about Shanghai, Old Age Happiness: Research and Practice, etc. In 2016, published his novellas Love Story 1958 and Creative Tourism and Travel Literature Writing in Marine Outfall Poetry Library of Wenhui Press

September, 1961~December, 1974, chief operator and political instructor of Fujian 6765 Army； January, 1975~May, 2002, deputy director of Disciplinary Committee and inspection office of Shanghai Automotive Industry Corporation; May, 2003~May, 2015, deputy secretary general of Shanghai Foreign Economy and Technology Promotion Association.

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

立足海上丝绸之路为世界海洋的可持续发展建立伙伴关系 Partnering for the Sustainable Development of World Ocean on the Basis of the Maritime Silk Road 国际信息发展组织李世恩 Li Shien, International Development Information Organization 女士们、先生们：大家好！我是国际信息发展组织主席李世恩，首先我谨代表国际信息发展组织向在座各位的莅临表示感谢，同时感谢联合国有关团队

“

的邀请以及批准，感谢所有共同参与的专家学者、参会代表以及工作人员的辛苦付出，才让我们今天有幸站在这里为大家献上一场关

中国 2010 上海世博会国际信息发展网馆展区总代表高国强和馆长李世恩与国展局秘书长洛塞泰斯交流

”

于“海上丝绸之路促进世界海洋可持续发展”的分论坛。国际信息发展组织是获得了联合国经济及社会理事会特殊咨商地位的非政府组织，在 2010 年上海世博会期间，通过组织“国际信息发展网馆”，向中国以及全世界宣传了千年发展目标的理念以及成果。近年来，在多次参与联合国的工作中，我们深化了对联合国工作的理解，更深刻的体会到非政府组织参与国际事务特别是落实可持续发展目标的职责与重要作用。非常感谢大会联合主席——斐济政府和瑞典政府对民间社会团体的大力邀请，以及大会对民间社会团体广泛参与进行的创新以及多样化的安排，例如自愿承诺、行动呼吁、分论坛和展览等，让民间社会有更多的机会参与可持续发展目标的落实中。海上丝绸之路是古代中国与世界其他地区进行经济文化交流交往的海上通道。2000 多年前，一条以中国徐闻港、合浦港等港口为起

China 2010 Shanghai World Expo International Information Development Pavilion Pavilion General Representative Gao Guoqiang and curator Li Shien and the State Council SecretaryGeneral Loscai Tesi exchange

点的海上丝绸之路成就了世界性的贸易网络。海丝之路从中国东南沿海，经过中南半岛和南海诸国，穿过印度洋，进入红海，抵达东非和欧洲，并推动了沿线各国的共同发展。它不仅是东西方文化、经贸交流的重要纽带，也已成为人类历史活动的重要载体。进入二十一世纪，海上丝绸之路是构建和平，创造和谐环境的战略举措，这将让“和平合作、开放包容、互学互鉴、互利共赢”的海上丝绸之路的精髓得以延续。“海上丝绸之路促进世界海洋可持续发展” 旨在聚集海上丝绸之路沿线国家海洋领域的各方力量：政府部门、民间机构、企业家、学术科研机构等，构建新伙伴关系，创造更大的合作机遇，实现更多的共同利益，为世界海洋的可持续发展做出贡献，为人类的可持续发展目标的实现奉献自己的力量。

“

国际信息发展组织拟每年召开可持续发展海洋大会，邀请来自海洋事业领域的国内外组织、协会、专家、学者、金融机构、慈善机构等，

2010 年 10 月中央军委副主席许其亮观看国际信息发 October 2010 Xu Qiliang, Vice Chairman of the Central Military 展网馆馆长李世恩陪同 Commission, accompanied by Li Shien, Director of the International Information Development Network

”

共同探讨海洋可持续发展的课题，内容涵盖海洋渔业、海洋生物技术、海洋造船、海洋运输、海藻利用、海洋能源、海洋环保、海洋通讯电子、海上救捞、海洋法、海洋与气候变化、海上休闲及运动等海洋相关产业国际热点议题，促进国际合作项目的引进和科研成果的转化。作为非政府组织，我们还将积极联合海洋丝路沿线国家的民间社会团体，共同构建伙伴关系，加强信息的互通，资源共享。通过会议搭建的平台和号召作用，为可持续发展目标 14 的在区域范围及世界范围内的实现添砖加瓦。

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

Ladies and Gentlemen,

IDIO intends to organize the ocean sustainable development event yearly. The event will invite organizations, associations,

Good morning! I am Li Shien, president of International Development Information Organization. On behalf of the whole

experts, scholars, financial institutions and charitable institutions from home and abroad to discuss the hot issues related to

organization and in my own name, I’d like to thank you all for your presence here today. I also want to extend my sincere

ocean sustainable development, covering marine fishery, marine biotechnology, marine shipbuilding, marine transportation,

gratitude to the United Nations for your invitation and approval and to all the experts and representatives as well as stuff for

seaweed production, marine energy, ocean protection, marine communication electronic system, maritime rescue, maritime

your hard work, which enable us to present the side event “Maritime Silk Road Promotes the World’s Ocean Sustainable

law, ocean and climate change, offshore leisure & sports, and to promote the introduction of international cooperation projects

Development” right here right now.

and the transformation of scientific research achievements.

International Development Information Organization-DevNet is a non-government organization of special consultative status

As a NGO, we will also establish partnership actively with civil societies along the Maritime Silk Road and then strengthen the

with United Nations Economic and Social Council. During the 2010 Shanghai Expo, with a stand-alone pavilion, IDIO delivered

information exchange and resource sharing. Through the platform and appealing role of the conference, we will contribute our

the concept and achievements of Millennium Development Goals to all over the world. Recently, in the participating of the work

part to the regional and world’s implementation of SDG14.

of UN, we have deepened our understanding toward UN and also the responsibility and important role of civil societies in the international affairs and especially the implementation of Sustainable Development Goals. We sincerely appreciate the invitation to civil societies from co-chairs of the conference: Fiji Government and Sweden Government and innovation in the ways of civil society participation, such as voluntary commitment, all for action, side event, exhibition, etc., which enables civil societies to have more opportunities in the implementation of Sustainable Development Goals. Maritime Silk Road is the sea-lane that ancient China carries on economic and cultural exchange with the rest of the world. 2000 years ago, a maritime silk road started from Xuwen port and Hepu port has fostered a world trade net. Maritime Silk Road travels from southeast coast of China, goes through Indo-China Peninsula and states in South Sea, crosses the Indian Ocean and enters into the Red Sea, arrives in East Africa and Europe, which promotes the common development of countries along the road. The Maritime Silk Road is not only an important link for the cultural, economic and trade exchange and communication between the east and west, and also an important media of human activity. By entering into the 21st Century, Maritime Silk Road is the strategy to build up peace and create a harmonious environment, which will continue the quintessence of Maritime Silk Road: peace and cooperation, openness and inclusiveness, mutual learning and mutual benefit. “Maritime Silk Road Promotes World’s Ocean Sustainable Development” aims to gather the power in the ocean field along the maritime silk road: governments, civil societies, private sectors, academic and research institutions and so on, to foster new partnership, to create more cooperative opportunities, to realize more common interests, thus contributing to the sustainable development of world ocean and implementation of the SDGs.

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

中国“国鱼”大黄鱼与海上丝绸之路 Chinese National Fish: Large Yellow Croaker and Maritime Silk Road 刘家富福建省闵亿源工贸公司宁德市水产技术推广站、大黄鱼育种国家重点实验室 Liu Jiafu, Fisheries Technical Extension Station of Ningde, Academic Committee of State Key Laboratory of Large Yellow Croaker Breeding

摘要：本文综述了中国大黄鱼的资源波动与产业变迁，以及资源保护与开发研究历程给海上丝绸之路沿线人们的启示。关键词：中国大黄鱼资源保护海上丝绸之路 Abstract: This paper summarizes the fluctuation and industrial transformation of large yellow croaker of China and analyzes the inspirations to people along the Maritime Silk Road given by the research experiences on resources protection and development. Key words: China, Large Yellow Croaker, Resource protection, Maritime Silk Road

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

大黄鱼作为我国最大养殖规模的海水鱼和 8 大优势出口养殖水产品之一，承载着中华民族传统文化，借助现代冷链物流技术，通过世

商品鱼养殖周期提供了关键技术；首次开展了大黄鱼标志放流和增殖放流。终以 104 万尾大黄鱼全人

界华人友谊纽带和海上丝绸之路，输往世界五洲四海，成为世人餐桌上的美味佳肴。我还希望通过大黄鱼资源变动与产业置换的事实

工批量育苗，完成了“七五计划”期间重大科技攻关项目。

给人以启示：海洋生物资源亟需保护；一旦濒临枯竭，就要研究其人工增殖技术予以拯救与恢复；还可研发其养殖技术以满足人类需求。

◎“八五计划”期间的养殖技术深化研究（1991-1995 年）：面对早期试养大黄鱼生长慢、被认为无养殖开发前景。作者从个别试养鱼两年长至 500g 现象中看到生长潜力，提出了“瞄准养殖技术开发，

1、大黄鱼的经济价值及在海洋生态与渔业中的地位 ◎ 经济价值：大黄鱼 Larimichthys crocea (Richardson,1846)，隶属于硬骨鱼纲 Osteichthyes、鲈形目 Perciformes、石首鱼科 Sciaenidae、黄鱼属 Larimichthys。其体金黄、唇桔红，在民间象征财富和吉祥；其肉瓣状、质细嫩、色洁白、味鲜美、富营养，我国先民在 1700 年前就已捕捞并成传统美食，其饮食文化底蕴深厚。据测定，大黄鱼可食部分约占鱼体重 64％。每 100g 鱼肉含热量 363.7kj，蛋白质 17.4g，脂肪 2.2g，还富含人体必需的多种维生素与微量元素。民间素以大黄鱼作为馈送亲朋好友的佳品，尤其在传统的端午节。以大黄鱼为原料烹饪的清煮、清炖、红烧、滑片、油煎、油炸、生炒，以及糟菜黄鱼、咸菜黄鱼等风味各异的鲜食菜肴达 50 多道；尚可加工成不同品味的鱼鲞、盐渍鱼、糟鱼等。其卵巢、鳔、胃囊、肝脏可加工调味食品；其耳石、鳔、精巢、肝脏可入药。 ◎在海洋生态与渔业中的地位：大黄鱼作为我国“国鱼”，曾是土著的 31 种石首鱼科中群体最大的种，在海洋鱼类区系中举足轻重；

创立闽东大黄鱼养殖支柱产业”建议，福建省人大促成原水产厅和科委，立项开展大黄鱼养殖技术深化研究并获重大进展；接着成立试验场作为中间试验基地，先后获大黄鱼网箱、土池批量养殖及多季人工育苗成功，并指导养殖户试养大黄鱼获丰收，为养殖产业化奠定了基础。

◎“九五计划”期间的养殖技术产业化（1996-2000 年）：1996 年福建省兴起大黄鱼养殖热，亟待解决养殖网箱与池塘布局、规模化养殖技术、种质保持、健康苗种繁育、鱼病防控等产业技术问题。原福建省科委和水产厅于 1997 年 8 月联合出台《关于“依靠科技进步，促进大黄鱼养殖产业化”的意见》及其《实施方案》；组建了省大黄鱼养殖产业化技术服务队，并以原宁德地区水产技术推广试验场为服务基地；编撰教材，先后举办了全国、全省及有关县的大黄鱼养殖技术培训班，一些专家应

同时还居传统的海洋“四大”主捕对象（大黄鱼、小黄鱼、带鱼、墨鱼）之首，上世纪 70 年代前全国平均年捕捞量约 12 万吨，在太

邀赴浙江、广东和江苏等省开展大黄鱼养殖技术讲座和现场指导；原福建省科委和水产厅联合下达了

平洋西部和我国海洋渔业中均占重要地位。江苏的吕泗洋、浙江的岱衢洋、大目洋、猫头洋与福建的官井洋、东引等均是我国著名大

一批大黄鱼养殖产业化科技项目；农业部也下达了相关的“中华农业科教基金”和“丰收计划”项目。

黄鱼渔场。由于上世纪 70 ～ 80 年代“机动大围网”歼灭性围捕，自然资源濒临枯竭，上述大黄鱼渔场先后形不成渔汛。

大黄鱼养殖技术的突破，推动了我国“以大黄鱼等多种类为代表的第 4 次海水养殖浪潮”（杨纪明， 2001）。

2、大黄鱼人工增养殖技术研发历程为恢复大黄鱼资源，福建省在 1985 年设立“官井洋大黄鱼繁殖保护区”，并组织科技人员历经至今跨越 7 个“五年计划”计 32 年的大黄鱼人工增养殖技术研发历程。

◎“十五计划”期间开始的产业支撑体系构建和产业升级（2001 年至今）：构建了支撑体系的产业才是稳定的产业，10 多年来，我们初步构建了包括产业规划、标准化、原良种繁育、养殖技术与鱼病防控、环境监测与产品检测、产品加工与冷链物流、品牌与专利保护、技术培训、产业信息、行业协会等 10 大工程组成的产业支撑体系，并在产业发展中完善与提升，直至转型升级。

◎“六五计划”后期的人工育苗初试（1985 年）：利用官井洋内湾性大黄鱼产卵场稀少的临产亲鱼，抢在大黄鱼产卵群体完全消失之前进行了人工育苗初试。克服了天然临产亲鱼难于寻觅和捕上后极易死亡的难题，首获海上人工授精、室内育苗成功，首次育出了平

3、我国大黄鱼产业进展

均全长 21.9mm 鱼苗 7343 尾，以构建大黄鱼全人工育苗基础亲鱼群体。为缩短研究周期，还突破了野生大黄鱼保活、驯养与亲鱼培育

◎为资源增殖和养殖业提供原良种支撑：大黄鱼人工繁殖成功 30 年来，闽浙两省计约增殖放流大黄

技术，为建立基础亲鱼群体另辟蹊径。 ◎“七五计划”期间的科技攻关（1986-1990 年）：实施“大黄鱼人工繁殖与育苗技术研究”项目，首创了批量采捕天然桡足类作为

鱼苗种 3 亿尾，拯救与保护了大黄鱼物种，并为规模化增殖放流、全面恢复大黄鱼天然资源，准备了苗种条件。有关部门下达了一批有关大黄鱼的原良种场、现代渔业种业示范场、遗传育种中心、育种国家重点实验室等建设项目，初步构架了原良种繁育工程框架。

鱼苗饵料，解决了高度不饱和脂肪酸缺乏症引起的批量死亡；首创催产大黄鱼亲鱼丁香酚麻醉技术，减少了“应激反应”引起的死亡；

◎ 确立了大黄鱼在我国海水鱼养殖业中地位：我国现养殖海水鱼 70 多种，2012 年全国总产量

首创了大黄鱼这一中下层洄游性鱼类亲鱼培育和催产的人工繁殖核心技术；首创了大黄鱼亲鱼室内增温培育技术，为提早育苗、缩短

1,028,399 吨，占当年世界养殖海水鱼总产量 5,551,905 吨的 18.52%。其中大黄鱼产量 95,118 吨，

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

占全国养殖海水鱼总产量 9.25%；2014 年起，养殖大黄鱼产量已超过我国历史上自

◎ 产品加工与冷链工程初具规模：随着大黄鱼贸易的拓展，许多企业新建了水产冷冻加工厂，自主开发大黄鱼 “三去”条冻等产品及

然资源最好的上世纪 70 年代前平均 12 万吨的年捕捞量，并已成为我国最大规模的养

超级市场，并为下脚料深加工提供了原料；主产区宁德市 20 多家企业修建了 0.2 ～ 5.0 吨不同规模、计约 20 万吨的冷链系统，提高

殖海水鱼（表 1、2）。大黄鱼优势养殖区域主要在福建省，产量占全国的 80% 以上，

了大黄鱼规模养殖和市场的调节能力。

主养区宁德市约占全国 70%。

◎ 构建了多元化的产业信息工程：主产区宁德市渔业协会运营的大黄鱼产业信息平台除了 2001 年创办的《闽东海洋与渔业科技信息》

◎大黄鱼企业渐具实力：闽浙两省大黄鱼企业 200 多家，其中养殖与加工各占一半。在主产区宁德市近 100 家加工企业中，省级产业化重点龙头企业 26 家；国家级重点

德市金盛水产有限公司于 2012 年尝试大黄鱼“电子商务”，2014 年销售额近 500 万元，2016 年同京东电商合作，突破 5000 万元。

龙头企业 1 家。有力支撑了大黄鱼产业。

◎大黄鱼品牌建设已上台阶

2014年

2016年海水鱼类别

产量（吨）

占比（%）

产量（吨）

占比（%）

全国养殖海水鱼总产量

1,189,66

100.00

1,307,628

100.00

1、大黄鱼

127,917

10.75

148,616

11.37

2、鲆鲽类

126,397

10.62

131,837

10.08

3、鲈鱼

113,803

9.57

122,542

9.37

4、石斑类

88,130

7.41

100,006

7.65

5、眼斑拟石首鱼

69,940

5.88

71,697

5.48

年评估，“宁德大黄鱼”公共品牌价值达 13.24 亿元；2016 年获注“中国驰名商标”。

产量（吨）

占比（%）

1,348,000

100.00

1、大黄鱼

165,514

12.28

2、鲈鱼

139,000

10.31

3、鲆鲽类

118,000

8.75

4、石斑类

108,000

8.01

5、鲷类

74,000

5.49

全国养殖海水鱼总产量

其中

还被列为“福建省十大渔业品牌”之首。经中国农业品牌研究中心（浙江大学）2015

2014年

海水鱼类别

1. 公共品牌影响力逐年扩大：2005 年主产区宁德市获注“宁德大黄鱼”地理标志； 2012 年获注“证明商标”；2014 年获评“福建省著名商标”和“福建省十佳地理标志”，

和“官井洋海洋与渔业网”等外，2015 年还开通了“掌上黄鱼网”（APP），让每年 10 多万吨养殖大黄鱼顺利进入国内外市场。宁

2014 ～ 2016 年中国前 5 位养殖海水鱼产量统计表

中国海水鱼及大黄鱼养殖产量统计

国先进民间组织”称号；2014 年成立了全国性的中国渔业协会大黄鱼分会，许多高等院校、科研院所、相关企业加入，大大增强了行

四、大黄鱼与海上丝绸之路

名商标”38 件、“中国驰名商标”8 件；浙江省也获注了“御龙”、“下大陈”、“白养殖海水鱼总产量(吨)

与政府的桥梁、协调行业关系、规范行业行为、开展市场调研与行业服务、促进产业健康发展等方面做了大量工作，曾被民政部授予“全

业协会活力，推动了我国大黄鱼产业发展。

表1

2. 企业的品牌数量与质量逐年提升：宁德市各企业注册大黄鱼商标约 60 件，其中省“著

◎ 行业协会推动了我国大黄鱼产业发展：2003 年在主产区成立了宁德市大黄鱼协会，后扩展为宁德市渔业协会。它作为大黄鱼业界

养殖大黄鱼产量 ( 吨 )

养殖大黄鱼占比 ( % )

◎ 黄鱼连着海上丝绸之路沿线海外华人的情感与乡愁：大黄鱼作为中国特有的地方性海洋鱼类和“国鱼”，承载着沉甸甸的中华传统

龙屿”、“小岛人家”、“南麂岛”等大黄鱼品牌，有的还获注省著名商标。这提高

年份

了我国养殖大黄鱼知名度。

2001

494,725

41191

8.33

渔业文化和饮食文化。每一位久居海上丝绸之路沿线的海外华人同胞，当他见到、吃到大黄鱼时，就会不由自主地勾起儿时的回忆：

◎为大黄鱼标准化打下了良好基础：制定有关大黄鱼的省地方标准 4 项、行业标准 6

2002

560,404

40638

7.25

项、国家标准 1 项；加强了海域环境监测与产品检测、鱼病防控实验室、原良种场，

每当青蛙鸣叫、楝花盛开的立夏到夏至季节，就是捕捞官井洋大黄鱼时节，一筐筐金灿灿的新鲜大黄鱼在渔村的码头、街巷集市摆开，

2003

519,157

58,684

11.30

以及科技队伍等标准化基层科技能力建设。宁德市在渔业科技入户示范工程的《大黄

2004

582,566

67,353

11.56

鱼标准化网箱养殖技术示范》基础上，正实施环保型塑胶渔排现代渔业项目，进一步

2005

658,928

69,641

10.57

方的祖国、故乡、亲人的深切怀念和不尽“乡愁”。

开展网箱的小改大、浅改深，推动大黄鱼养殖标准化。

2006

715,275

69,833

9.76

◎ 大黄鱼向海上丝绸之路沿线国际友人传播了中华文化和友谊：大黄鱼作为我国 8 大优势出口养殖水产品之一，沿着海上丝绸之路，

◎技术创新为大黄鱼产业持续发展提供了强劲动力

2007

688,563

61,844

8.98

2008

747,504

65,977

8.83

2009

767,938

66,021

8.60

2010

808,171

85,808

10.62

◎ 中国大黄鱼承载着太多的海洋物种保护的教训与启示：一方面，昔日 4 大渔业之首的大黄鱼，由于人类的贪婪、无度滥捕造成资源

2011

964,189

80,212

8.32

枯竭，给世人的教训刻骨铭心；另一方面，能把资源濒临枯竭的大黄鱼发展成为中国最大规模的养殖海水鱼产业，这对拯救和保护其

2012

1,028,399

95,118

9.25

2013

1,123,576

105,230

9.37

人可管理 10 ～ 20 口 , 每口养鱼 30 ～ 50 吨、100 ～ 200 吨。且水流通畅、鱼病少、

2014

1,189,667

127,917

10.75

肉质风味改善，提高了养殖产量、价值和效率。

2015

1,307,628

148,616

11.37

参靠文献：

2016

1,348,000

165514

12.28

1. 朱元鼎 , 罗云林 , 伍汉霖 . 中国石首鱼类分类系统的研究和新属新种的叙述 . 上海 : 上海科学技术出版社 ,1963.

1、大黄鱼育苗水平呈新高：经技术创新，全长 40mm 大黄鱼苗出苗量已达 1 万尾 / 3

m ；世纪初全市 400 多家育苗场年育 5 ～ 6 亿尾，现约 100 家年育 20 多亿尾，其苗种成本为养殖海水鱼中最低。 2、大黄鱼养殖产量与效率显著提高：经网箱改造，现每口网箱面积扩大到数百㎡、上千㎡；深度提高到 7 ～ 8m、10 多 m；养殖水体扩大百倍，水面单产增长数倍，数

◎ 多种养殖模式形成了大黄鱼产品的差异化格局：目前，传统的框架式浮动网箱为普通百姓提供了约占大黄鱼总产量 90% 的廉价大宗产品，还为其他养殖模式提供了大规格鱼种；池塘、围网、港叉网拦、湾外深水大网箱等多种模式和改大、改深后的部分网箱，为特殊人群提供了约占大黄鱼总产量 10% 的高品位、高价格产品。

叫卖声不绝于耳；几家烟囱冒起了青烟，更有西家院里飘来清蒸大黄鱼清香；东家窗户冒出红烧大黄鱼醇香。促使他控制不住地对远

出口到韩国、东南亚、美洲、欧洲、澳洲、非洲以及港澳台地区。大黄鱼是一种有文化、有故事的珍贵食用鱼，侨外华人与当地国际友人，在品尝了大黄鱼美食的同时，也传播了悠久的中华文化，传播了中外友谊。

他资源濒临枯竭的海洋物种，均有积极的借鉴意义。

2. 张澄茂 . 福建省官井洋大黄鱼资源现状及放流效果评析 . 见水生生物增殖放流专题研讨会论文集 . 北京 :2008：204 ～ 210. 3. 杨纪明 . 关于我国第 4 次海水养殖浪潮的初思 . 海洋科学 ,2001,25(1):47 ～ 50.

表2

4. 刘家富 , 翁忠钗 , 唐晓刚等 . 官井洋大黄鱼标志放流技术与放流标志鱼早期生态习性的初步研究 . 海洋科学 ,1994(5):53 ～ 58. 5. 刘家富 . 养殖大黄鱼一年两次性成熟发育特征的研究 . 集美大学学报 ( 自然科学版 ),2004,9(3):200 ～ 204. 6. 刘家富 , 韩坤煌 . 我国大黄鱼产业的发展现状与对策 . 福建水产 ,2011,33(5):4 ～ 8. 7. 陈飞 , 吴常文 . 浙江省大黄鱼养殖产业现状及发展对策 . 浙江海洋学院学报 ( 自然科学版 ),2011,30(3):259 ～ 263.

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

海上丝绸之路新载体——帆船赛事的时代契机 New Carrier of Maritime Silk Road: Era Opportunity of Sailing Race 周可文诺莱仕帆船俱乐部 CEO Zhou Kewen, CEO of Noahs（Shanghai）Sailing Club

摘要：海上丝绸之路是古代中国与世界其他地区进行经济文化交流交往的海上通道。它不仅是东西方文化、经贸交流的重要纽带，也已成为人类历史活动的重要载体。中国是最早利用海洋、保护海洋的国家，航海与航海文化的发展几乎贯穿了中华文明史。在海洋经济快速发展的今天，用传统航海文化引领航海业的发展，显然已跟不上时代的步伐。在传统文化精髓之上，亟需融合现代文化元素，赋予航海文化更多深远的时代意义。如何唤起海上丝绸之路经济带上所关联国家以及民众的认同感是我们今后需要研究的新课题。

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

帆船运动的历史悠久，最早竞技记载是公元前 70 年。现在，开拓国际性的帆船赛事已成为二十一世纪海上丝绸之路的重要载体，具有划时代的意义，是牵动中国与世界各国的重要友谊纽带，也是促进世界和平与发展的“和平信使”。现代帆船运动所带来的经济效应、社会效应，是传统帆船无法企及的。我们呼吁发起一年一度的国际帆船赛，为海上丝绸之路经济带国家带来一场航海盛宴。帆船赛事一经开启，由沿线各国派出赛队参与其中。赛事期间可开展经济、商贸、文化、旅游等主题论坛，此举有助于中国与其他国家在港口航运、海洋能源、经济贸易、科技创新、生态环境、人文交流等领域开展全方位合作，同时将大大拓展各国经济发展战略空间，促进区域繁荣，对推动全球经济发展具有重要意义。这一新载体将会为中国经济持续稳定发展提供有力支撑，并最终促进沿线国家共同繁荣，实现互利共赢。 Abstract: Maritime Silk Road is the sea-lane that ancient China carries on economic and cultural exchange with the rest of the world. It is not only an important link for the cultural, economic and trade exchange and communication between the east and west, and also a significant media of human activity. China is the first countries to use ocean and protect ocean. Development of navigation and marine culture has been almost penetrated in the history of Chinese civilization. Currently, in the rapid development of ocean economy, traditional marine history apparently cannot keep up the pace of the times and even guide the development of seafaring. On the basis of traditional cultural quintessence, modern cultural element should be combined to endow the marine culture more profound significance of era. How to evoke the identification of countries and people along the Maritime Silk Road is the new subject that needs to be discussed and studied in the future. With a long history, the earliest sailing race was recorded in 70 BC. Now, international sailing race has become an important carrier of 21st Maritime Silk Road with historical significance, which is an important friendship tie for China and the rest of the world and also Messenger of Peace to promote peace and development of the world. The economic and social effect that modern sailing race brings is not the traditional sailing can reach. We call for initiating a yearly international sailing regatta to represent countries along the Maritime Silk Road a sailing feast. Once the sailing race opens, racing teams from different countries will participate together. During the race, forums on economy, business and trade, culture, tourism, etc can be carried out, which is helpful for China to develop all-round cooperation with countries along the Maritime Silk Road on ports and shipping, marine energy resources, economy and trade, science and technology innovation, ecological environment, cultural and educational exchanges and so on. At the same time, the sailing race will expand the economic development strategy of different countries, facilitate the regional prosperity and is of great significance to promote the development of world economy. The new carrier will provide powerful support for the sustainable economic development of China and promote the mutual prosperity of countries along the Maritime Silk Road, thus to realize mutual benefit and win-win result.

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

前言：2000 多年前，亚欧大陆上勤劳勇敢的人们探索出无数条连接亚欧非几大文明的贸易和人文交流通路，而后世人将其统称为“丝

2008 国际奥运会在北京盛大开幕。怀着“同一个世界，同一个梦想”理念，204 个成员国（地区）的运动员在第 29 届奥运会共同构

绸之路”。在唐代初期，中国对外主要通道是陆上丝绸之路，由于战乱、政治变革，经济中心转移等历史原因，陆上丝绸之路逐渐被

建了最大的外交舞台。其中有 80 多位外国政要来到北京出席奥运会开幕式和相关活动，中国国家领导人与各国政要分别进行了 70 多

海上丝绸之路取而代之，成为中外贸易交流的主要通道。海上通道在隋唐时运送的主要大宗货物仍是丝绸，后来世人便将这条连接东西方的海上航路称之为“海上丝绸之路”。

一、21 世纪海上丝绸之路的历史契机 ◎ 文脉传承中国是最早利用海洋、保护海洋的国家之一，航海与航海文化的发展几乎贯穿了中华文明史。然而四百多年来的“禁海”制度，以几次海洋战争造成的百年耻辱，使中华民族的海洋文化几经没落，淡化了海权意识，随着中国经济的快速发展，实现中华民族之伟大复兴是全世界华人的共同愿望。十五世纪开始，西班牙、葡萄牙人率先进行全球性海上扩张活动，特别是地理大发现，开启了大航海时代后，开辟了世界性海洋贸易新时代。西欧商人的海上扩张，改变了传统海上丝绸之路以和平贸易为基调的特性，商业活动常常伴随着战争硝烟和武装暴力。而中国建设海洋强国要靠坚持和平、发展，维护海洋秩序和平稳定来实现。近些年来民众对航海、海洋、蓝色国土等方面的认知不断加深，民族自信心和自豪感不断增强，然而建设过程中也出现了南海问题和东海问题，海洋资源纷争给建设海洋强国带来新的思考。 ◎ 国家制定的“21 世纪海上丝绸之路”战略国家“海上丝绸之路”战略的实施，把文化建设推向了一个全新的高度，航海事业的发展和航海文化的建设也正值新的历史机遇期。经中央批准同意，文化部与福建省人民政府联合主办的“海上丝绸之路国际艺术节”永久落户福建泉州、广州举办的“千年羊城与海上丝路——广州海上丝路文化活动季”、宁波举办中国航海日。从航海家翟墨，单人不靠岸环球第一人的郭川，到文化学者尔冬强，这些在文化界、帆船圈的领军人物纷纷选择帆船作为交通工具，重走海上丝绸之路。从政府到民间组织都在积极响应，为海上丝绸之路建设献策献力。但也往往因为是单一事件，缺少沿线国家的互动和文化认同和难形成持续影响力而略显美中不足。

二、2015 年起中国体育产业发展迅猛 ◎ 体育是一种和平外交现代奥林匹克的运动的发起人皮埃尔·德·顾拜旦 Pierre de Coubertin 先生曾在《体育颂》中歌颂道：“啊，体育，你就是和平！你在各民族间建立愉快的联系。”由此可见体育自诞生以来就与和平、正义、休战站在同一战线。在现代国家关系中，运动员被称为“微笑的大使”“穿运动服的外交家”, 为各国牵线搭桥，对促进国家之间政治、文化、经济交流亦起到举足轻重的作用。 1971 年 3 月，中国乒乓球队参加在日本名古屋举行的第 31 届世界乒乓球锦标赛。这一被称为“小球转动大球”的“乒乓外交”，不仅是中国体育重返国际体坛的历史性时刻，更重要的是它在很大程度上加强了中国与其他国家之间的外交关系。

场的会见，开展了富有成效的“奥运外交”。体育盛会向来是展示综合实力、结交同盟的良好机会，一场成功的体育盛会既体现了中国人民崇尚“和平、友谊、进步”的体育精神，也树立了和平发展中的中国开放、文明、友好、和谐的新形象。

◎ 中国体育产业的潜在价值随着国民经济的日益增长，工业化、城镇化进程的加快，人们在体育、健康、娱乐、休闲等方面的需求的迅速提升。“全民健身”、“健康中国”的健康生活理念为体育产业的发展带来新的契机。体育产业的经济价值正在被持续放大 , 未来几年将会是我国体育产业高速发展的黄金时期。不同于以往的”为国争光””强身健体”的动因 , 这一次的体育热潮中 , 体育的社会价值、经济价值、民生价值等观念都发生了巨大的改变。打造完整产业链，通过版权赛事的播出带动下游延伸产品。在国家“海洋强国”发展战略的不断推动下，水上运动项目开始在大众生活中普及，我国的水上运动产业正处于前所未有的大好环境。从目前发达国家的体育产业情况来看，以职业联赛为代表的竞赛表演是体育产业的核心，随着国外赛事资源在国内落地，国外先进的人才及管理模式也将会随之引进。培育自主品牌赛事，打造具有中国特色的赛事 IP，开发具有国际影响力的体育衍生产品，无疑能让中国体育产业受益良多。形成完整产业链，由国内发起的国际赛事极具含金量，因为它不仅仅是一个高端赛事，更是在营造一个产业生态圈。” 2016 年国家体育总局、国家发展改革委、工业和信息化部财政部、国土资源部、住房城乡建设部、交通运输部、水利部、国家旅游局几部委联合发布《水上运动产业发展规划》，鼓励完善水上运动赛事体系和积极打造水上运动品牌赛事。通过实施水上运动精品赛事提升计划，打造一批具有国家影响力、国际知名品牌的赛事活动，有了政府的推动、社会资本的参与 , 中国体育产业以及水上运动产业的发展必将迎来具有历史意义的“红利期”。

三、新思路下的海上新丝路 ◎ 航海新思路在海洋经济的快速发展的今天，用传统航海文化引领航海业的发展，显然已跟不上时代的步伐，今天的世界格局让我们很难再开着航空母舰去缔结和平友谊。航海文化的现代意义，需要结合新时代新，用新时代的语言来表述，构建新媒体时代的航海文化构架的新思路，即让中国大众以喜闻乐见的形式融入航海文化中，如何唤起海上丝绸之路经济带上所关联国家以及民众的认同感是我们需要研究的新课题。 ◎ 海上丝绸之路的新载体——现代大帆船作为古海上丝绸之路最重要的载体之一中式古帆船，回顾中国航海史，郑和船队下西洋用的宝船宽 18 丈，长 44 丈，换算成现在的载重量，在 2500-3000 吨之间。从船型上看，郑和宝船应该是擅长远洋航行的尖底福船，这种海船底部尖，上面宽，“上平如衡，下侧如刃”，

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Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

适合乘风破浪。相比中式古典帆船，现代帆船则采用了阿拉伯人的三角帆使其可以逆风行驶，可以不受季候风的影响能自由航海，单体船底因设置了龙骨，在风浪中行驶能自行扶正，近代则改进了新型造船材料，增加了通讯导航设备，使其更科学、安全、便捷、高速、舒适，这已经成为帆船发展的一种趋势。当前中国航海文化的关注点仍围绕着历史，倾向于对“郑和下西洋”等历史事件的解读，却缺少对于航海运动的认知，创新意识与航海文化的衍生力还相对薄弱，同样现代帆船运动所带来的经济效应、社会效应，是传统中式帆船无法企及的。现代帆船既是一种交通工具也是一种体育器械，帆船运动既是一种生活方式也是一项体育赛事。帆船运动的历史悠久，最早竞技记载是公元前 70 年，古罗马诗人维基尔在叙事诗《伊尼特》中详细地描述了特洛伊到意大利的一次帆船竞赛，并描述了比赛结束后优胜者和参加者的获奖情况。帆船运动中，运动员依靠自然风力作用于船帆上，驾驶船只前进，是一项集竞技、娱乐、观赏、环保、探险于一体的体育运动项目。它具有较高的观赏性，备受人们喜爱。现代帆船运动已经成为世界沿海国家和地区最为普及而喜闻乐见的体育活动之一，也是各国人民进行体育文化交流的重要工具。帆船驾驭者身处于一个气象、水文、洋流变幻莫测的恶劣环境中，需面对智能与体力的双重考验。毋庸置疑，经常从事帆船运动既能增强体质，又可磨砺意志。

四、大国航海梦综前所叙，受到中西方推崇的帆船运动是积极健康的生活方式的体现，顺应了和平、环保、发展的新时代命题。帆船赛事传承了中国海上丝绸之路的精髓，响应了国家可持续发展战略的号召。同时也满足了国家外交战略的诉求。开拓国际性的帆船赛事已成为二十一世纪海上丝绸之路的重要载体，它具有划时代的意义，它是牵动中国与世界各国的重要友谊纽带，也是促进世界和平与发展的“和平信使”。我们呼吁发起一年一度的国际帆船赛（例如从中国上海到意大利威尼斯，赛程涵盖；西班牙、意大利、摩纳哥、土耳其、埃及、阿布扎比、孟买、斯里兰卡、泰国、新加坡、马来西亚、文莱、印尼、中国香港、中国），为海上丝绸之路经济带所关联的国家带来一场航海盛宴，也是世界航海人一年一度的赛事总结。一支装备精良大帆船赛队，除了拥有娴熟的航能技能、文明的举止外。他还应该肩负另一种光荣的使命，像海军一样出使沿岸国家，作为流动的领土来展现大国风范。它是一个盛世年代海洋国家财富的象征，软实力的完美体现，也是一个国家对海洋自然资源的尊重，对由中国发起海上丝绸之路“共建”“共享”的态度。帆船赛事一经开启，由沿线各个国家派出赛队将参与其中。赛事期间可开展经济、商贸、文化、旅游等主题论坛，此举有助于中国与其他国家在港口航运、海洋能源、经济贸易、科技创新、生态环境、人文交流等领域开展全方位合作，同时将大大拓展中国经济发展战略空间，促进区域繁荣，对推动全球经济发展具有重要意义。这一新载体将会为中国经济持续稳定发展提供有力支撑，并最终促进沿线国家共同繁荣，实现互利共赢。

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Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

When Art becomes the language of the Ocean – It delivers power Alf Ke-Yin Chen

We are in an age of explosive media where continuing understanding the power of Ocean is minimal. Whether our country is close to the Ocean nor distant away from the Ocean, it is essential to understand and maintain a healthy relationship with the environment. Our current relationship with the Ocean are complicated, nowadays, our role are more like a conqueror that we take part of the ocean as one of our possessions, and we destroy and leave when resources were depleted. We never appreciate Ocean as possible reusable resources, and we always treat the ocean as “it” rather as a life supplier. In the positive side, we can see environmentalist organizations put endless effort in rising awareness to the public, both in preventing destroying the ocean and every living creatures within it. Unfortunately, that is never enough, the destruction continues, and can continues further, similar as historic recurrence. Limited understanding of the ocean depends upon our educational system, it is not a set of compulsory program, and differs in various countries, thus most students do not and cannot appreciate what the ocean has offered to maintain our survival. The Ocean problem is never just whether we can have fish on a plate, it is a matter when oxygen becomes a depleted resources, that the diversity has minimized, that it is become less habitable. Not many people realise that 60% of the oxygen is supplied by the ocean, and that the algae living the ocean that is supplying the oxygen is dying dramatically. Risk factors against the Ocean are multifactorial, and by solving one aspect of problem cannot stop the domino effect, the end side of the domino effect can leave us at survival crisis. Unlimited massacre, repeated pollution, emission of excessive carbon dioxide, has changed the environmental chemistry and ecosystem that more potential threat can occur and many more crisis are unable to anticipate. As bible mentioned, Revelation chapter 16: 3 “The second angel poured out his bowl on the sea, and it turned into blood like that of a dead person, and every living thing in the sea died.” .Prevention is at least, the current state what we can do to assist.

（whaling is illegal in Denmark, the annual hunt, known as the grindadráp, is allowed in the Faroe Islands）

So what can we do? Let us identify the layers of possible actions. •How Art raises public awareness •How Art glue government and environmentalist •How Art helps fish habitat •How Art expose threatening message •How Art helps to revalue the species

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Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

1.How Art raises public awareness Art is like a glue that not just sticks the idea together, but it also strengthens it. Curator orchestra the artworks into stunning exhibition to raise public awareness with no limitations, and audience can be ranged from students to the salesman at work. Greenpeace is always successful in converting stunning artwork into a media virus thread that also influence in international worldwide, this successful art campaign creates can ultimately create a win-win equation, using very less resources to create a very thrilling exposure worldwide. “Sharks and Humanity”, a global art exhibition by Parksview China is another successful example in drawing huge attention to people to deliver idea of banning audience from eating sharks fin. Parksview not just promoted the artists into a global scale, but also helps wildaid organization in market for more donations as well as increase value in artworks. Despite there are currently many successful exhibition and artworks that draws public attentions. However, the frequency of media exposure needs still not enough. People and citizens are continuing randomly bombarded with so many information such that the idea saving the ocean strategy often hard to reach. One way to resolve this problem is by holding more exhibitions and artists, and increase the frequency in global exhibitions in every art gallery and museums.

2.How Art glue government and environmentalist Environmentalist recognizes the importance of protecting the nature and why marine ecosystem should be protected and valued, sometimes so does many business companies. Most common threats to our ocean include offshore oil drilling, plastic pollution and over fishery, yet most often public awareness is crucial to help the problem resurfaced, and allow government to interfere before too late. Sometimes the government passively rely on environmental authorities to receive full picture behind every business plans, if no authorities involve, then this may hinders effective judgement. Art doesn’t require a thousand word to address an issue, it may require mere a piece of artwork to fully drag attention to the media, if successful, even can be reported into international media. This allows the environmentalist to help the public into debate on environmental topics, and sometimes, this often provides alternative option that could benefit both parties. Exhibition can help public and the government to maintain certain level of alertness, which can accelerates the process in every future decision making. This prevents the government to make any hasty decision, and comfortable and reliable image to the public. A government supported exhibition can also act as a catalyst to assist the citizens to fully aware the strategy that the government is aiming.

(2016.dec.21st Gov. Jerry Brown has asked President Barack Obama to permanently end new offshore oil drilling)

(Shark & Humanity Exhibition in Beijing by Parkview Green, August 20th 2015)

(May 12th 2017, Art Installation by Greenpeace Philippines)

3.How Art helps fish habitat The diversity of the fish decreases and less home are available for fish to grow. The decrement of the diversity is due to the decrease in coral reef population. Our Ocean continually absorb CO2 produced by human, and as the concentration of CO2 increases, this leads to increment in ocean acidity, this chemical reaction will then inhibit the formation the calcium carbonate which is essential for the growth of corals reef and shell dependent organism. Now there is an increasing use of artificial reef that create another alternative home for fish to grow. The advantages of the artificial reef is that it will not fragile when acidity increases, the habitable effect can be permanent, and it also helps the ocean to restore its multi-diversify stage. This raises a new question, should we continue to place new artificial reef into the ocean, how can we improve it to a next level? Yes, we should continuing place new and fresh artificial reef, and every unit of artificial reef can definitely benefit the growth of fish population. With the cooperation with marine biologist, we may accelerate the replenish process by placing the artificial reef at the correct spot. The substitution of artificial reef into art works, not just help the habitat to grow, this also creates a new business model for recreational divers and benefit the economical business growth of that costal region.

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Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

4.How Art exposes threatening message The crisis that we are face each year are continuing to evolve, from global warming, to increment of oceanic acidity, from over-fishing to vanished coral reefs, and now the rising concern increase level of ocean population in plastics. On May 5th 2017, Stephen Hawking even predicted that human needs to evacuate the Earth within 100 years for later survival, as human having continuing to use up most of valuable resources due to exponential population growth. “If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.” Sun Tzu. The Art of War In order to become a good problem solver, we need to know what our crisis is. By educate and recognize every crisis we are facing, we can use a variety forms of exhibition to identify the problems (with assists from different fields of profession), and curators as well as different professions need to continually upgrade so that we can help the public to realise how fragility of the ocean. Therefore, a routine global exhibition along with advanced technology and possible solution to problems we are facing is necessary. Funds from each country may be limited, but with the help of every individual on the planet, with small donations, presentable exhibition is achievable. A variety of possible exhibition may include “over-fishery, pollution, coral reef, climate change, decrease in fish diversity, offshore oil drilling, protection of ecosystem etc”. These can be exhibit globally and can utilize the United Nation’s platform for gather effective information worldwide.

(MUSA Underwater Museum of Art, Cancun, Mexico. The Underwater Art Museum is a magical place off the coast of Cancun, which aims to protect the area’s coral reef, in style. Underwater there are more than 400 works of art from Jason Taylor deCaires resting peacefully between fish and marine vegetation)

(Megachasmidae, Dulvy et al. (2014) predicted, based on its body size and depth distribution, that the Megamouth Shark had a high likelihood of being threatened with an elevated risk of extinction if it was subjected to significant fisheries.)

(Manta birostris, vulnerable under IUCN list,The main threat to both Manta species is fishing, whether targeted or incidental. Manta rays are currently killed or captured by a variety of methods including harpooning, netting and trawling. These rays are easy to target because of their large size, slow swimming speed, aggregative behaviour, predictable habitat use, and lack of human avoidance.)

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Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

5. How Art helps to revalue the species Over-fishery, increase frequency the use of gill, increase demands of consumption of food supply, more non-economical fish will also be effected from the bycatch. For Example, rare species (classified under IUCN International Union for Conservation of Nature and Natural Resources.) such as Megachasmidae (mega mouth shark), and Manta birostris (Manta rays). Most often when these bycatch occurred, if no researchers or scientists are interested for further use, normally these rare species will be wasted and dismembered. Unlike animals with fur, there is also a problem of displaying underwater species to the public, they are either put inside the tank full of formalin or turned into dried fish. Our enterprise can properly preserve the species into original artwork, they will be repainted by the artists, and can be presented without the use of formalin, this allow the artwork to be touched and have closer understanding. Currently our social enterprise TOAM, gathered 70,000 fish, and over 3000 species (source were 100% bycatch). Our aim is to rediscover the value of these rare species, and let the public understand the declining diversity and how we can put effort into environmental protection. Through global exhibition, our social enterprise strategically hold continuous exhibition to Singapore, United States San Francisco and China. In Conclusion, Art is a very useful tool to help us rediscover and understand what crisis our ocean is facing. The curators can glue artists and environmentalists and orchestra the artworks into memorable exhibition to convey powerful messages. Government supported exhibitions along with different fields of professions can catalyse the problem-solving process. A further stunning idea of substitute artificial reef to art is another creative business model of joining diving tourism and habitat restoration together. The crisis that we are face are continuing to evolve every decade, thus acceleration in cooperation in every field is essential and the intensity and frequency of spreading messages need to continue. Lastly, TOAM welcomes every profession who are interested in global exhibition, we hope through the assistance of the platform from United Nations, there are endless opportunities that we can strive to achieve to assist our planet, Ocean survival is our survival.

(Arapaima gigas, river fish, classify as a living fossil, classify as data deficient under IUCN)

(Galeocerdo cuvier, Tiger shark, classify as near threatened under IUCN, Tiger Sharks are taken as bycatch in a variety of fisheries including tuna and swordfish longline fisheries)

1. Hammershark, “Complete Artwork” 2. TOAM Art Studio 3. Repaint the “Art Specimen” 4. A Complete Baby Shark Art Specimen 5. Shark’s teeth 6. Creating an artwork using specimen 7. Model version of a baby hammershark 8. Art Publications

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Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

海上丝绸之路背景下解决海事法律冲突并促进海洋可持续发展之研究 Research on the Settlement of Maritime Law Conflict and Promote Sustainable Development of Ocean under the Background of Maritime Silk Road 钱建荣上海大公律师事务所 Qian Jianrong Shanghai Dagong Law Firm

摘要：在 21 世纪海上丝绸之路的背景下，从海运贸易角度来看，由于沿线国家存在着海事法律冲突并且缺失配套的区域性统一海商实体法以及海事国际司法制度，所以海上丝绸之路的海洋建设就面临着法律风险与挑战。从区域经济一体化、法律一体化的角度来看，在完善中国与沿线各国间法律协调机制的基础上，针对涉外海事关系法律适用问题提出创立区域性统一国际司法典以及构建区域性统一海商法律体系的对策尤为重要。沿线各国应当通过区域对话、多层级与多渠道的沟通磋商方式充分发挥双、多边法律协调功能，同时密切加强国家立法机构之间的友好往来，支持不同国家法治智库之间的联合研究。海事法律冲突解决机制的构建，还将反过来促进海上丝绸之路沿线国家间的互利与共赢，推动区域经济朝联合国倡导的海洋可持续发展的目标方向发展。 Abstract: Under the background of 21st Centaury Maritime Silk Road, from the perspective of seaborne trade, the construction of Maritime Silk Road still faces legal risks and challenges because there exists conflicts of maritime laws among different countries and lacks of regional unified maritime substantive law and international judicial institution about maritime affairs. From the perspective of regional economic integration and legal integration, it is of great significance to put forward the counter plan of creating regional unified judicial standard and establishing regional unified maritime system law aiming at the foreign-related maritime laws application issues on the basis of improving the legal coordinated mechanism between China and countries along the Maritime Silk Road. Countries along the Maritime Silk Road should make full use of bilateral and multilateral legal coordination through regional dialogue as well as multi-level and multi-channel communication and consultation. At the same time, governments should strengthen friendly exchange between national legislative institutions and support joint researches of legal think tanks of different countries. The establishment of settlement mechanism of maritime legal conflicts will in return promote the mutual benefit for countries along the Maritime Silk Road and help the regional blue economy to develop under the framework of sustainable development goals of the United Nations.

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

2013 年 9 月，中国国家主席习近平在出席亚太经济合作组织（APEC）领导人非正式会议期间提出中国愿与东盟加强海上合作、共同

沿线各国应当通过区域对话、多层级与多渠道的沟通磋商方式充分发挥双、多边法律协调功能，同时密切加强国家立法机构之间的友

建设 21 世纪海上丝绸之路的倡议。十八届三中全会通过的《中共中央关于全面深化改革若干重大问题的决定》明确将推进海上丝绸之

好往来，支持不同国家法治智库之间的联合研究。海事法律冲突解决机制的构建，还将反过来促进海上丝绸之路沿线国家间的互利与

路的建设作为扩大我国内陆沿边开放的重要举措。2014 年中国人大和政协两会期间，中国李克强总理在《政府工作报告》中也将“抓

共赢，推动区域经济朝联合国倡导的海洋可持续发展的目标方向发展。

紧规划建设一带一路、拓展国际经济技术合作新空间”作为重点工作。同年 11 月，APEC 峰会在北京召开，会议以“共建面向未来的亚太伙伴关系”为主题，中国政府借此契机阐述我国对于推进亚太地区互联互通与一带一路建设的主张。2015 年 3 月 28 日，中国发改委、中国外交部与商务部联合发布了《推动共建丝绸之路经济带和 21 世纪海上丝绸之路的愿景与行动》，表明海上丝绸之路的建设问题已然上升至国家战略层面，并且被纳入到顶层设计之中。建设 21 世纪海上丝绸之路是深化中国与亚非欧各个国家地区间合作、打造命运共同体的重要战略构想。在 21 世纪海上丝绸之路的背景下，从海运贸易角度来看，由于沿线国家存在着海事法律冲突并且缺失配套的区域性统一海商实体法以及海事国际司法制度，所以海上丝绸之路的海洋建设就面临着法律风险与挑战。从区域经济一体化、法律一体化的角度来看，在完善中国与沿线各国间法律协调机制的基础上，针对涉外海事关系法律适用问题提出创立区域性统一国际司法典以及构建区域性统一海商法律体系的对策尤为重要。法律冲突，又称法律抵触，指对同一涉外民事法律关系因所各国民法规定不同且都有可能对它进行管辖而发生的法律适用上的冲突。在航运中船舶是运输工具，来往于各国港口之间，运输法律关系涉及不同国家的法律。而各国间的法律和经济制度、文化、以及司法实践有较大差异，因此就某一海事法律关系究竟适用何国法律、怎样适用法律对于争议的妥善解决具有关键性意义。因此，可从推动区域经济一体化与法律一体化的视角出发，重视和完善沿线各国之间的法律协调机制，在改进各国国内冲突法规范、加入或倡导制定海事海商领域实体法公约、创设统一国际私法典以及构建区域性统一海商法律体系等方面做出有益尝试。创立区域性统一国际私法典、构建区域性统一海商法律体系。

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

创建邮轮新航线·繁荣海上新丝路 Create a new Cruise Route, Flourish the New Maritime Silk Road 上海水上旅游研究所余佑权 Yu Youquan, Shanghai Aquatic Tourism Research Institute

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

摘要：欣闻联合国召开世界海洋可持续发展大会，我们为此感到兴奋鼓舞，期望大会取得辉煌成果，引领全人类共同建设和平的海洋、友谊的海洋…… 达到海洋可持续发展目的，其有效方法之一就是大力推广普及海洋旅游活动，创建更多的邮轮新航线，吸引更多的旅游新客源，特别是广大青少年。随着一带一路进入不同海区，邮轮航区分布应有所扩展，发掘和反映当地民族文化，让世界各地不同的人类文明互相包容交流，合作发展—— 这也是新型海上丝绸之路的最大特色之一。大规模创建海上邮轮新航线从而促进海洋可持续发展，应从全球的高度和广度上来探讨和解决这些基础性的问题，这里我们提出些看法和建议，以期引起相关组织机构和领导人的注意重视。一、设计建造适宜不同航线的邮轮船型。二、港口应欢迎邮轮光临，并以此为荣。三、充分利用岛礁，以新科技建立人工岛礁。四、建立联合国邮轮组织，实行“四统一”制度。五、继续发扬“蓝绶带（Blue Ribbon）”精神。六、积极培养人才，使邮轮产业合理有序发展。

Abstract: It is a great pleasure to be invited to the Ocean Conference in the United Nations Headquarters, New York. We hope that the conference will achieve brilliant results and guide the whole world to construct the ocean of peace and friendship. To reach the goal of ocean sustainable development, one of the efficient methods is to popularize marine tourism activities and create more new cruise routes, thus to attract more customers, especially the youth. With the Belt and Road Initiative entering into different sea area, the distribution of cruise area should also be expanded. At the same time, together with the exploration of local ethnic culture, different human civilizations of different countries and regions will communicate with each other and realize mutual cooperation, which is also one of the biggest characteristics of new Maritime Silk Road. To promote sustainable development of ocean from the perspective of creation of new cruise route, it should be discussed and settled from the high level of the world. Here are some ideas and suggestions to be put forward to arouse attentions from relevant organizations and leaders. 1. to design and construct cruise ships which can adapt to different ship routes; 2. to open ports to cruises; 3. to make full use of islands and construct artificial islands with high technologies; 4. to establish a UN cruise organization and realize a system of 4 unifications; 5. to carry forward the spirit of Blue Ribbon; 6. to cultivate talents and realize reasonable and orderly development of cruise industry.

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

二、港口应欢迎邮轮光临，并以此为荣。众所周知，地球表面 70% 以上是水，而人类文明活动 70% 都是在江河湖海的沿岸沿线进行的，更不用说人体结构成分 70% 都是水——

现代港口以货物吞吐量，以集装箱（货柜）进出多少为其考核指标，这是不够的。港口基本功能之一是停靠旅客船舶，正是客船带来

因此人与水连在一起天经地义，人们必须依赖海洋、利用海洋、驾驭海洋。其中，最美妙最奇特最有效的办法之一，就是开展邮轮旅游活动，

了码头的热闹、商业的繁荣，带动百业兴旺发达。火车站、飞机场也是这样。港口是门户、是窗口，邮轮带来了旅客，也把港口当地

从而享受海洋带给我们的乐趣，充分领略大自然的恩赐。

的信息带往世界各地。近 20 年来，中国沿海许多港口非常重视邮轮码头建设，有的更成为城市地标，蔚为壮观，如上海港吴淞的“东

广义的海上旅游活动已经存在几千年，当时利用风帆就可以漂洋过海，地中海、阿拉伯海都有许多历史记载和传说。中国明朝（1405 年）

方之睛”，海南省三亚的“凤凰岛”，他们都欢迎世界各地邮轮的到来，不断突破到港邮轮总次数、总人数的记录……

的郑和船队七下西（南）洋，更是开启了巨型帆船海上丝绸之路的先河。其后的哥伦布“新大陆”远航，麦哲伦“新航路”创举等等，都印证了海上旅行的必要性和科学性。应当说正是有了这些历史沉淀，才积累了今天的科学文明。换句话说，没有当年的海上丝绸之

三、充分利用岛礁，以新科技建立人工岛礁。

路活动，就不会有今日繁华的五湖四海三大洋的人类社会。

海洋中为数不多的岛礁是难得的资源，除了水下有矿藏油气和大量海洋动植物外，它更是海上观光休闲疗养风景点，是海上交通标志，

现代意义上的海上旅游是装备了蒸汽机、内燃机、汽轮机等大型先进发动机的邮轮出现后而随之出现的。这些邮轮犹如海上皇宫酒店，

是海洋生活、生态、生产的庇护所。因此，海洋旅游常把岛礁旅游作为重点内容之一。我们要爱护岛礁，利用岛礁，创建人工新型岛礁，

以其豪华舒适而受到人们的青睐。比较出名的有“泰坦尼克（Titanic）”，四万多总吨；“玛丽皇后（Queen Mary）”，八万多总吨；

推动海洋可持续发展。今后以大量污染为代价的填土石方建岛方式再不可行了，取而代之的是中国人发明的“组合模块平台”建立人工岛，

“玛丽皇后二世（Queen Mary II）”，十五万多总吨；“海洋魅力（Allure of the Sea）”，二十二万多总吨……从中我们大致可看

这种新建岛礁必将有力促进海洋旅游发展。

出两种发展趋势，一是邮轮建造越来越庞大，其总吨体积甚至呈数倍增长，据说五十万总吨的邮轮已在设计建造中；二是邮轮航线主要分布在经济较发达而又风光明媚的北大西洋和地中海、加勒比海沿岸地区，只是近几十年来邮轮开始驶向东方，我们中国沿海港口

四、建立联合国邮轮组织，实行“四统一”制度。

都陆续出现了豪华邮轮身影，随之港口建设也有了华丽转身，进入“一带一路”行列……

全球邮轮大发展既是必然趋势，也应当是联合国的责任之一，因为邮轮旅游体现的就是和平友谊，就是各种文明的包容交流。有了这

根据不完全统计，目前世界上较有规模的邮轮公司仅 20 家，开辟了 26 条航线，保持行驶 134 艘邮轮，可供邮轮停靠上下游客的港口

种共识，可以共同组织邮轮专业机构，可以是学术性的、协商性的，甚至是行政性的，如同国际气象组织一般。真正要使海上新丝路

106 个，每年接待长短不同航线共计不到 700 万人次。这些数字对近 70 亿人口的地球大家庭来说，显然是太不相称了，对绝大多数

繁荣起来必须研究实行“四统一”制度，即统一航线规划，统一法律制度，统一服务标准，统一市场实价。

人而言乘坐邮轮只是个奢望，似乎少有条件去实现这一梦想。然而，我们认为要达到海洋可持续发展目的，其有效方法之一就是大力推广普及海洋旅游活动，创建更多的邮轮新航线，吸引更多的

五、奖励先进，继续发扬“蓝绶带（Blue Ribbon）”精神。

旅游新客源，特别是广大青少年。其实海上旅游可以非常丰富多彩，除了常规的观光、休闲、度假游之外，还可进行海上疗养、蜜月、

一般多年前，北大西洋航线上为鼓励邮轮的设计建造和行驶，设立了专为邮轮披戴的“蓝绶带”奖励办法，有力地刺激了这一产业的

垂钓、潜水游等等，有条件的甚至可开展极地探险游、深海观鲸游、以及突出海洋题材的文化摄影诗歌创作游之类。为此，邮轮航区

发展。如今一带一路兴起，海洋需可持续发展，邮轮要有计划逐步增长，也应该设置一个奖励项目，对优秀的邮轮要给予宣传表扬，

分布应有所扩展，随着一带一路进入不同海区，发掘和反映当地民族文化，让世界各地不同的人类文明互相包容交流，合作发展——

对在这方面有突出贡献的都应鼓励支持。如果联合国有一个全球邮轮组织，采取这种措施是很有利的，最终将会使各色邮轮百花争艳，

这也是新型海上丝绸之路的最大特色之一。

五彩缤纷登场。

必须强调的是，大规模创建海上邮轮新航线从而促进海洋可持续发展，应从全球（联合国）的高度和广度上来探讨和解决这些基础性的问题，这里我们提出些看法和建议，以期引起相关组织机构和领导人的注意重视。

六、积极培养人才，使邮轮产业合理有序发展。以邮轮为核心的海上旅游产业也是一项系统工程，需要各环节的有机支持配合才能获得最佳效果，需要有船舶、港口、市场、金融、

一、设计建造适宜不同航线的邮轮船型。

物流等各届精英人士的通力合作，更需研究不断变化着的世界政治经济形势。为适应这项迫切需求，上海海事大学已成立亚洲邮轮学院。

开展海洋旅游邮轮是关键；但并非邮轮越大越好，也不是越快越好，而是决定于邮轮行驶航线，即航道状况、港口码头水深、自然和

同理，联合国的瑞典马尔默国际海事大学可否也有类似的学科专业，培养一带一路上亟需的邮轮人才，从而培育邮轮产业健康、合理、

经济条件等等。目前，发展中国家的许多港口往往是很好的旅游目的地，亟待开辟邮轮航线；可是现状是大船去不了，一般小船又太

有序发展。

落后。这就需要通盘考虑，从开始研究规划就要重视船型问题。现今中国已在设计建造世界先进豪华邮轮，但并不攀比超大型、超豪华，

总之，人类需要和平友谊的海洋，海洋应得到可持续发展，而海洋邮轮旅游是最佳发展纽带之一。让郑和开拓海洋的精神，乘着现代

只在 13 万总吨、吃水 10 米左右，可以适应绝大多数停靠邮轮的港口……

邮轮科技继续在世界前进潮流中飞奔驰骋吧！

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

海洋旅游 & 创意思维 Marine Tourism & Creative Thinking 上海市创意产业协会朱渊澄 Zhu Yuancheng, Shanghai Creative Industry Association

摘要：海洋旅游是以海洋为旅游场所，以探险、观光、娱乐、运动、疗养为目的的旅游活动形式。海洋面积辽阔，开发潜力很大。海洋旅游资源包含有两大类：自然类和人文类。从旅游的角度来看，自然景观需要挖掘历史与文化的内涵去包装宣传；人文景观不但需要整合历史与文化资源，只要可能，还应该整合最新的科技手段、信息等各类资源，融合到海洋旅游所需要的一个个领域中去。自然景观的宣传，人文景观的构思和创作，都需要运用创意思维的各种手段，才能很好地完成，并达到期望的效果。本文主要从创意思维的角度，分析了福建霞浦海上旅游小镇的开发思路，同时为海洋旅游的创新开发提出想法和建议。各类资源和海洋文化的组合创新，提供了无限的视角和想象世界。结合科技创新和文化创意，中国的海洋旅游将实现长足发展。

Abstract: Marine tourism is based on the ocean as its tourist destination and is for the purpose of exploration, sightseeing, recreation, exercise and recuperation. With the vast sea area, ocean has a great potential for development. Marine tourism can be divided into two parts: natural resources and social resources. From the perspective of tourism, natural landscapes still depend on its historical and cultural connotation for publicity; human landscapes should not only integrate with its historical and cultural connotation, but also should combine with the latest scientific and technological means as well as all kinds of information. The publicity of natural landscapes as well as the designation and creation of human landscapes both should utilize means of creative thinking to achieve desired effects. This article analyzes the development idea of the maritime tourism town in Xiapu, Fujian from the perspective of creative thinking, and put forward ideas and suggestions for innovative development of marine tourism. The innovation of combination of resources and marine culture provides an infinite sight and imaginary world. With the combination of technology innovation and cultural creation, the marine tourism of China will achieve a long-term development.

联合国海洋大会分论坛

Maritime Silk R oad Promotes th e Wor ld’s O c ea n S u s t a i n a ble D evelo p m en t

创意思维的特征由海洋旅游想到了创意、创新和创意思维

4、海上大黄鱼观光区：就近选择海上成网箱规模的养殖鱼排，对其进行必要的改造，展示从鱼苗到成鱼生产过程，使大黄鱼排具有较

创意其实就是创新的意识；意识领先，才有创新的行为（见孙福良专著《创意产业基础理论研究》）。创意作为一种思维方式，必然

我们看到，在霞浦海洋旅游小镇开发思路中，已经运用了创意思维中的前两条：多维化整合各类资源；传承和创新文化遗产。实际上，

会有它自己的特征。既然我们大家都已认定，创意无所不在，创意没有边界，那么，创意思维的普遍特征，必然能够涵盖所有的领域，

只要稍加组织和引导，创意思维中的后两条也不难做到。

包括海洋，也包括我们创意旅游领域在内。

引领和培育市场：在逐步建设旅游目的地霞浦海洋旅游小镇的同时，用创新的意识做好相关的旅游产品 (1 日、2 日、3 日游 )。还有

厉无畏先生的著作《创意改变中国》中，首次提出关于创意旅游的理论阐述，我发现，用于判定创意旅游的四个特征，其实是带有普

很重要的一点，就是做好营销策划工作。而营销策划，对很多局限于资源导向的景区景点而言，要么做的不够到位，要么根本就不予重视。

遍意义的，完全可以阐明创意思维的特征。即：

是否做好“引领和培育市场”的工作，经济效益当然是完全不同的。

1. 对各类资源的多维化整合

拓展和延伸产业链：按照 “吃住行游娱购”旅游六要素考虑，带动宾馆、餐饮、交通、娱乐、商品零售业的增长。值得提醒的是，有

2. 对文化遗产的传承和创新

没有开发自己更深层次的旅游纪念品？有没有更宏大、更独特的文化创意构思？产业链拓展、延伸够了吗？

高观光价值，让游人充分领略海上养殖的内在魅力。

3. 对市场潮流的引领和培育 4. 对相关产业链的拓展和延伸

海洋旅游创意的空间

海洋旅游是以海洋为旅游场所，以探险、观光、娱乐、运动、疗养为目的的旅游活动形式。海洋面积辽阔，开发潜力很大。海洋旅游

海洋旅游创意的空间，想要多大就有多大。海洋旅游具有与陆地迥然不同的趣味，游客可在滨海或海上观看日出日落，开展划船、海水浴，

资源包含有两大类：自然类和人文类。从旅游的角度来看，自然景观需要挖掘历史与文化的内涵去包装宣传；人文景观不但需要整合

以及各种体育和探险项目，如游泳、潜水、冲浪、钓鱼、驰帆、赛艇等。游船是海洋旅游的主要交通工具。当今世界拥有数百艘豪华型游船，

历史与文化资源，只要可能，还应该整合最新的科技手段、信息等各类资源，融合到海洋旅游所需要的一个个领域中去。自然景观的

不仅可为游客提供食宿，而且具有各种服务项目和娱乐设施。

宣传，人文景观的构思和创作，都需要运用创意思维的各种手段，才能很好地完成，并达到期望的效果。

各类资源和海洋文化的组合创新，提供了无限的视角和想象世界。海洋旅游产品千篇一律、相互雷同的问题，理论上讲是不存在的，关键是要找到合适的人才，提供新的创意。

海洋旅游创意的实例闽浙边贸区域霞浦县的霞浦海洋旅游小镇开发思路

“建设海洋强国”的概念已经深入人心，海洋经济已成为拉动中国国民经济发展的有力引擎。建设海洋强国，要在开发海洋、利用海洋、

位于闽浙边贸区域的霞浦县三沙镇陇头湾，距霞浦县域 12 公里，距三沙镇区及三沙港 10 公里，地处三沙高速出口处，毗邻水门机场。

已经掌握的数据获知，2015 年，我国海洋旅游业全年收入 10874 亿元，比上年增长 11.4%；全世界 40 个大知名旅游目的地中有 37 个

正在构思中的霞浦海洋旅游小镇，已经考虑把自然资源和民俗文化资源，通过创意，转化为旅游产品和资本。例如：

是沿海国家或地区，沿海 37 个国家的旅游总收入占全球旅游总收入的 81%。

1、霞浦海域面积大，港口、海湾、小岛小礁众多，形成了独特美丽的海域景观，可以以霞浦现有海上光影点为基础，加强各摄影点的

厉无畏先生曾经写道：科技创新和文化创意是推动产业创新的两大引擎，是提升产业附加值和竞争力、世界经济增长的“车之双轮，

建设，设立光影旅游观光区，组织观光旅游。

鸟之双翼”。

2、在东山村选址建设畲族文化风情园。畲族人民在长期的历史进程中创造了富有本民族特色的文化，形成了独具特色的民俗风情。畲

海洋旅游的创意，也需要这两个轮子或者一对翅膀。中国的海洋旅游，必须也应该大力发展，迎头赶上！

族民间文学艺术璀璨夺目，包括歌谣、故事、音乐、舞蹈等，特别是畲族民歌独树一帜，是畲族文化中最具代表性的部分，在全国民族文学发展史上占有十分突出的地位。以祖宗崇拜和多神崇拜为特征的宗教文化，是畲族文化的重要特征之一。引人关注的还有畲族的医药学和畲族武术。畲族医药专科性强，具有特殊的传艺方式、独特的疾病观和治疗方法；畲族武术是在吸取南少林精华的基础上融汇而成，具有步稳势烈，发力短、猛、狠，攻守严谨，进攻多用指法、掌法等特色。 3、现有的东山村曾是习主席亲临关心过的扶贫村。可以利用村庄现有的条件进行打造，逐步投资建设一个美丽的新乡村，对比扶贫前与扶贫后村庄建设的鲜明特色，树立扶贫示范村的典范。

保护海洋、管控海洋方面拥有强大的综合实力，在这些方面，发展海洋旅游都能起到重要而独特的积极作用。

东方艺术 2017 纽约联展

Oriental A r t Ex hi bi t i o n i n N ew Y o r k 201 7

東方藝術 O

紐約聯展 E

Part two

艺术 Art 东方艺术 2017 纽约联展 Oriental Art Exhibition in New York 2017

东方艺术 2017 纽约联展

Oriental A r t Ex hi bi t i o n i n N ew Y o r k 201 7

艺术名家 Masters of Art 林曦明

Lin Ximing

张肇达

Mark Cheung

李世恩

Li Shien

郝方圆

Atman One

陶永华

Tao Yonghua

张顺川

Zhang Shunchuan

刘浩峰

Liu Haofeng

林旭峰

Leons Lin

联合国海洋大会分论坛

东方艺术纽约联展 Maritime Silk 2017 R oad Promotes Oriental th e Wor A rld’s t ExO hicbi eatni oSnuisnt aNi new a ble Y o rDkevelo 201 7p m en t

展览主题：海洋危机·拯救与希望——东方艺术的思考与呈现 Theme Marine Crisis • Saving and Hope: Thinking and Presentation from the Oriental

海洋是人类共同家园，保护海洋、保护生态，保持海洋的可持续发展是每个地球公民的责任和使命，本次展览将围绕“展览主题：海洋危机·拯救与希望的海洋——东方艺术的思考与呈现”主题进行相关的艺术创作和富有中国哲学、东方元素的美丽呈现。蓝色的哀愁 —— 蓝色的海洋在哭泣。当今地球海洋遭受人类非理性行为的破坏性征服，受到了严重的污染，生态环境急剧恶化，极大的影响了人类生存和发展的空间。海洋面临挑战，我们将往何处去？美丽与希望 —— 人类在思考，并采取共同行动，尤其东方“天人合一”的自然观，指引人类应与海洋和谐共处，探讨可持续发展的行动纲领，有力举措，重塑海洋的美丽和希望。展览期间还将同时举办张肇达，郝方圆的艺术专场。以富含东方意蕴和当代元素的艺术语言，创意地表达大展主题。融汇东西，创新艺术。策展人：徐强

Description: Ocean is the common homeland of human beings. To save our ocean, protect the ecosystem and maintain the sustainable development of ocean are the responsibility and mission of every single citizen on the earth. Focused on the theme “Marine Crisis • Saving and Hope: Thinking and Presentation from the Oriental”, the exhibition will carry on relevant art creation and demonstrate the Chinese philosophy and oriental elements. Blue Sadness --- the Blue Ocean is Crying. Suffering from the destructive conquering of mankind’s irrational behavior, the current ocean has been seriously polluted and the ecological environment has been rapidly deteriorated, which severely affects the survival and development space of human beings. The ocean is suffering from the challenge, and where shall we go? Charm and Hope --- the mankind is thinking and taking common actions. Especially, the theory that man is an integral part of nature guides the man to live harmoniously with nature, to discuss program of actions of sustainable development and powerful measures, thus to remodel the charms and hope of the ocean. The exhibition will also host the art department of zhang zhaoda, hao fangyuan. To express the theme of the exhibition creatively with an artistic language rich in Oriental meaning and contemporary elements. The art of melting, the art of innovation. Curator：Xu Qiang

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艺术名家 Masters of Art

N：林曦明 N:Lin Ximing

林曦明 1925 年生，原名正熙，号乌牛，浙江永嘉人。擅山水、花鸟、人物、走兽，所作兼取文人画、民间画以及西画的特点，林曦明先生师从王个簃先生研习书画，广泛学习石涛、八大、吴昌硕、齐白石、黄宾虹的作品，同时研究现代绘画。他的画笔墨酣畅淋漓，变化多端，用色明丽雅致、流光溢彩，构图虚实相间、简约疏朗，既恪守文人画的传统，又注重吸收西方的和现代的表现技法，充满了民族性与时代感。不愧为当代海派一代宗师。 Lin Ximing was born in 1925 in Yongjia, Zhejiang Province, formerly known as Zhengxi, and his alternative name is Wu Niu. He is good at paintings of landscapes, flowers and birds, characters, animals and combines the characteristics of literati painting, folk painting and Western painting into his own artworks. Lin Ximing once learned from Mr. Wang Geyi and took extensive study from the artworks of Shi Tao, Ba Da, Wu Changshuo, Qi Baishi and Huang Binhong. At the same time, he also pays much attention to the study of modern painting. He paints his artworks colorfully and delightfully with various changes. His paintings are bright, elegant and brilliant in color, simple and brief in structure and not only obey the tradition of literati painting, but also absorb the expression techniques of the western and modern, which is full of nationality and era sensation. He is worthy of the name of contemporary Shanghai art master.

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东方艺术 2017 纽约联展

Oriental A r t Ex hi bi t i o n i n N ew Y o r k 201 7

东方艺术 2017 纽约联展

Oriental A r t Ex hi bi t i o n i n N ew Y o r k 201 7

艺术名家 Masters of Art

N：张肇达字伯世 N:MARK CHEUNG

国际中国美术家协会副主席北京服装设计师协会名誉主席北京大学书画研究会艺术顾问中国军谊诗书画院院士北京大学文化研究与发展中心研究员清华大学美术学院兼职教授中国民族书画院副院长 1963 年 9 月 19 日出生于中国广东省中山市沙溪镇厚山村。信仰佛教，崇尚儒、道、禅。自幼随祖父张金广习武，随伯父张国雄学水彩画，随黄霞川先生学书法和水墨画，随谭雪生先生、徐坚白先生学油画，随古室俊宏先生习空手道，随 MALCAN HTARR 先生、ALYCE 先生、HERL BERT 先生、TOMAS WONG 先生学服装设计，是丁紹光先生的入室弟子。后从托尼先生习雕塑，从李四龙先生硏修哲学，从王志远先生研习宗教艺术，从薛永年先生研习美术史论与鉴赏。出版书籍：〈MARK CHEUNG〉外文出版社出版〈MARK CHEUNG 2000 － 2005 作品集〉中信出版社出版〈张肇达时装效果图〉中国纺织出版社出版〈张肇达：视觉日记－今日中国艺术家〉文化艺术出版社出版〈张肇达时装大片欣赏〉中国纺织出版社出版〈MARK CHEUNG 2006 － 2010 作品集〉中国纺织出版社出版〈张肇达访谈录〉中国纺织出版社出版

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O r i enta l A rt E x h ib ition in N e w York 20 17

东方艺术 2017 纽约联展

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Vice-president of the World Association of Chinese Artist Honorary president of Beijing Fashion Designer Association Artistic adviser of Chinese Calligraphy Research Institute, Peking University Academician of China General Poetry and Calligraphy Institute Researcher of Culture Research & Development Center, Peking University Adjunct professor of Academy of Arts & Design, Tsinghua University Vice-president of Chinese National Institute of Calligraphy and Painting Zhang Zhaoda was born on September 19, 1963 in Houshan village, Zhongshan City of Guangdong province. He is a Buddhist and also a worshipper of Confucianism and Taoism. He learned martial arts from his grandfather ZhangJinguang in his childhood and painting from his elder uncle Zhang Guoxiong. Later he learned calligraphy and ink painting from Mr. Huang Xiachuan and then oil painting from Tan Xuesheng and Xu Jianbai. He’s also one of the best students of Mr. Ding Shaoguang. Then, he learned design from Mr. Malcan Htarr, Mr. Alyce, Mr Herl Bert and Mr Tomas Wang. After that, he learned sculpture from Mr. Tony, philosophy from Master Li Silong, Art of Religion from Mr. Wang Zhiyuan and Art History and Appreciation from Mr. Xue Yongnian.

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1991 年

在广东省中山市博物馆举办《张肇达水墨画展》

1996 年

获联合国教科文组织颁发的“二十一世纪东方之星”荣誉证书

1997 年

获中国服装设计师协会颁发首届“金顶奖”，中国优秀服装设计师总排行第一名

1999 年

《华表系列》参加国务院新闻办、国家文化部主办的“巴黎、中华文化周”中华服饰艺术表演

2000 年

被国家文化部和国务院新闻办选中，出任“中华文化美国行”服装艺术总监 ; 美国旧金山为表彰对国际时装艺术作出的贡献特授予“美国旧金山荣誉市民” 代表中国时装设计界在美国纽约 FIT（纽约时装学院）大礼堂做“中国时装设计前瞻”演讲

2001 年

于清华大学 90 周年校庆之际在清华大学举办《时尚与科技》服装艺术动态展；获中国服装协会、中国服装设计师协会颁发“中国名师勋章”

2002 年

在中国休闲服装博览会上举办“陈逸飞 & 张肇达服装艺术联展”

2003 年

被中国服装协会，上海国际时尚联合会授予“当代时尚名师勋章”；在清华大学美术学院举办“在东方”张肇达服装艺术展

2005 年

在广州美术学院美术馆举办“张肇达水墨展”

2006 年

在清华大学举办《当艺术邂逅科学》大型服装艺术动态展

2007 年

在清华大学美术学院多功能厅举办“张肇达油画展”

2008 年

在北京版权交易中心大厅举办“张肇达艺术展” 参加上海大剧院画廊《华夏情－海外华人华侨画家与海上作家笔墨交流展》；入选中国世界美术出版社《中国当代艺术 2008》获中国服装设计师专业排名（FD 指数）排名第一

2009 年

在北京 798 艺术区 XYZ Gallery 举办《’千秋舞台’张肇达、冯钟云水墨展》在北京酒厂国际艺术区伊德艺术空间举办《’致虚极守静笃’张肇达 & 韩伟华作品展》参加北京 798 艺术区 SpaceDA Gallery 《“张肇达、钟声、申红飙、耿博、金增贺、孙浩、李永安”兄弟联展》参加首届燕格柏国际艺术节《戴光郁、鹿林、魏立刚、黑鬼、张羽、张肇达、张卫、陈铁军、胡又笨、韩伟华、古煜瑾当代水墨展》参加国际中国美术家协会在美国洛杉矶举办《心连心中华情》大型画展获得 2009 北京印 . 中国时尚大典设计师大奖参加《林州水墨双年展经典书法展》

2010 年

在北京今日美术馆举办《张肇达 & 马树清抽象绘画展》参加在美国迈阿密艺术博览会举办《来自中国的新水墨》大型作品展由今日美术馆出版《张肇达：视觉日记——今日中国艺术家——今日美术馆书库》参加在北京草场地双年展主题展《水墨中的水墨》

2011 年

入选湖南美术出版社《中国当代艺术文献 2010》在 798 现实空间参加《书写与渡过 - 谭平、周洋明、王川、周长江、李磊、黄渊清、潘微、张羽、张肇达、布尔日固德、马勇进、李向明抽象艺术作品展》获中国时尚协会、中国时尚同盟会颁发“2011 年度最具影响力时装设计师”

In 1986, Zhang Zhaoda went to America to do fashion design for the He-Ho Enterprise. He became famous in New York, his works broke into the most luxury brand of the world commented by the Paris media, and published in the American magazine. He therefore became the first Chinese designer to appear in the American magazine. In 1987, he held a total of 23 fashion shows in Europe with the ‘China Silk Road’ performance team, participated in the 150th INGETO International Fashion Exhibit, and the 32th International Exhibit in French. In 1988, Zhang Zhaoda travelled to Paris for a systematic exploration of fashion design, in the same year; he worked as the designer for an American famous brand - A.J.BARI until 1993. In 1991, the ‘MARK CHEUNG Wash Printing Exhibition’ was held in the museum of Zhongshan Guangdong. In 1992, Zhang Zhaoda was invited to publish a series of 20 fashion design articles in Yangcheng Evening Newspaper, his representative works were recorded in the ‘Chinese Celebrated Figures Fashion Appreciation Dictionary’. In 1993, employed as the editor-in-chief at New Fashion Magazine, his representative works were recorded in the ‘Chinese Celebrated Fashion Designer Collection’. In 1996, awarded the certificate of honor of ‘Eastern Star of 21st Century - Excellent Representative of Chinese Fashion Designers’ by UNESCO In 1997, Mark was awarded the First Gold Medal presented by the Fashion Designer Association of China, and the first place of the ranking of Chinese excellent designers. In 1999, his works – the ‘Marble pillar Series’ – was participated in the Chinese fashion show as the ending for the ‘Paris, China Culture Week’, which was held by the State Council Information Office and the State Ministry of Culture. In 2000, took up the post of the Fashion Direction of the ‘Tour of Chinese Culture to the United States’ which was held by the Cultural Ministry and the Information Office of State Council of China; became a member of the China Fashion Professor Committee and took up the post as the Deputy Director of the Association of Fashion Design Accreditation of China; Zhang Zhaoda was awarded as the ‘Honorary citizen of San Francisco’ for his contributions on international fashion art. In 2001, Zhang Zhaoda was invited to be a part-time professor at Fine Arts Academy of Tsinghua University; held ‘Fashion and Technology’ fashion show on the campus for the 90th Anniversary of Tsinghua University. Zhang Zhaoda was rewarded the ‘Honor of Celebrated Master of China’ by the Fashion Association of China. In 2002, ‘Chen Yifei & Mark Cheung Fashion Art Exhibition’ was held during the China Casual Wear Fair. In 2003, ‘‘In the Orient’ Senior Fashion Show’ was held in the Academy of Arts & Design of Tsinghua University; was awarded a medal of the ‘Contemporary Celebrated Fashion Designer’ by the Fashion Association of China and Shanghai International Fashion Union In 2005, Zhang Zhaoda was rewarded the ‘9th Golden Top Prize’ and ‘9th The Best Women’s Wear Designer’ by the Fashion Designer Association of China; ‘Master of Fashion of China’ during the Shanghai Fashion Week; ‘Zhang Zhaoda Wash Painting Exhibition’ was held in the Art Museum of Guangzhou Academy of Fine Art. In 2006, Zhang Zhaoda was awarded the ‘Ambassador of Fashion and Culture of China’ by the PRC Cultural Department’s official media ‘China Culture Newspaper’, ‘Culture Monthly Magazine’ and the Committee of International Celebrity’s Charity. ‘When Art Encounters Science’ was held in Tsinghua University. In 2007, ‘MARK CHEUNG Oil Painting 2007’ was held in the multifunctional conference hall in Academy of Art & Design, Tsinghua University In 2008, awarded as the first of the specialty ranking among fashion designers (FD Index); was employed as the guest professor of Academy of Art of China. ‘MARK CHEUNG Art Exhibition 2008’ was held at Beijing international copyright Trading Center. In 2009,‘MARK CHEUNG Abstract Painting Exhibition’ was held at Beijing Today Art Museum; Participated in ‘Stages over Centuries’ Zhang Zhaoda and Feng Zhongyun Wash Painting Exhibition’ was held in the XYZ Gallery, 798 Art Zone, Beijing;‘Zhang Zhaoda and Han Weihua Work Exhibition’ in IDEA Art Space, Jiuchang International Art District, Beijing; ‘Zhang Zhaoda, Zhong Sheng, Shen Hongbiao, Geng Bo, Jin Zenghe, Sun Hao and Li Yongan Joint Exhibition’ in Gallery Space-DA, 798 Art District, Beijing;‘Dai Guangyu, Lu Lin, Wei Ligang, Hei Gui, Zhang Yu, Zhang Zhaoda, Zhang Wei, Chen Tiejun, Hu Youben, Han Weihua and Gu Yujin Contemporary Wash Painting Exhibition’ in the First Yan Gerber International Art Fair; ‘Heart to Heart the Passion of Chinese’ - the large painting exhibitionAwarded to ‘Top Fashion Designer’ in 2009 Beijing YIN Fashion Ceremony;Participated in ‘Linzhou Wash Painting Biennial Exhibition and Classical Calligraphy Exhibition’ In 2010,Hold “Zhangzhaoda & Mashuqing Abstract Exhibition” at Beijing Today Art Museum;Participated in “New Ink Painting from China” Large Exhibition at Miami Art Exposition in U.S.A; In 2011,Participated in “Ink in Ink Painting” Theme Exhibition in Beijing Caochangdi Biennial Exhibition;Selected to “China Contemporary Art Literature 2010” by Hunan Fine Arts Publishing House;Participated in“Writing and Tiding: Tanping, Zhouyangming, Wangchuan, Zhouchangjiang, Lilei, Huangyuanqing, Panwei, Zhangyu, Zhangzhaoda, Burigude, Mayongjin, Lixiangming Abstract Art Exhibition” at 798 Xianshi Space;Awarded “2011 Most Influential Fashion Designer” by China Fashion; Association and China United Fashion Association.

东方艺术 2017 纽约联展

2012

Oriental A r t Ex hi bi t i o n i n N ew Y o r k 201 7

参加北京王府井公共艺术大道廖静文、赵长青、苏士澍、王家新、罗美富、边保华、叶培贵、都本基、丁天德、孙克、梅墨生、张肇达、袁熙坤、尼玛泽仁、杨力舟、马振声、范迪安、何家英、刘大为、冯远《新春诗文书法展》在日本东京都美术馆参加《东渡墨像——中国当代水墨艺术作品展》在北京 798 艺术区感叹号空间举办《2012 千秋舞台——张肇达·冯钟云作品展》入选湖南美术出版社《中国当代艺术文献 2011》作品《思想者——乔布斯》与雕塑《西双版纳》在北京宋庄参加《首届中国艺术品产业博览会》作品《心中家园》参加中央美术学院美术馆举办的《2012 年北京时装艺术国际展》在北京北服创新园时尚美术馆举办《`` 王辰年·张肇达时尚美术展》参加在上海外滩举办的《2012·和——张肇达、陈建辉、高歌、孟庆欣、杨海伦、于君艺术家联展》作品《智慧之光——爱因斯坦》参加《第七届国际纤维艺术双年展》（中国·南通）参加在北京 798 艺术区偏锋新艺术空间举办的《曹晖、刘元风、梁铨、张肇达、吴笛、陈建辉、吴海洲、黄佳、陈闻、蒋华君、萧渝、吕博洋艺术家联展》在北京 798 艺术区 XYZ 画廊举办的《面孔——张肇达人像展》作品《浪淘沙·欧阳修》在北京王府井公共艺术大道参加《千古诗篇·万代江山书法展》

2013

在盛世天空美术馆举办《颤动——张肇达世界名人头像展》在上海纺织服装博物馆举办《Fashion Art——张肇达“时尚与艺术”大展》在王府井公共艺术大道举办《城市的名片——张肇达艺术展》由北京邮政发行刘大为、钟明善、马西光、姚治华、范曾、喻继高、张肇达、陈永锵、范扬、杨晓阳、王明明、刘文西、孔可立、郭子绪、贾起家、权希军、沈鹏、魏怀亮、欧阳中石、尼玛泽仁《大国大家大作——中国艺术家邮票专题工程》在北京 798 艺术区感叹号艺术空间举办《太物——张肇达水墨展》在北京宋庄树美术馆举办《张肇达艺术大展》

2014

参加在纽约联合国总部举办的首次“美中著名书画家作品交流展” 在北京 798 感叹号艺术空间举办《张肇达水墨人物展》参加在英国爱丁堡皇家文化艺术会所举办的《视觉中国·——爱丁堡水墨六人展》随中国艺术国际行，在纽约杰曼顿罗伯特·利文斯顿的故居举办“张肇达水墨作品展” 参加著名佛教名山云居山的《纪念虚云老和尚圆寂五十五周年书画展》在“林州国际友好和平艺术节”创造性地书写了 3.5 公里草书作品

2015

在艺术市场美术馆举办《楮墨间 2015 张肇达水墨书法大展》获福布斯中文版发布“中国最具影响力设计师 30 强” 参加重庆永川博物馆《融 - 升》新京派水墨艺术重庆特展在北京马奈草地美术馆举办《华丽中沉静》张肇达艺术大展

In 2012, Participated in “Beijing Wangfujing Public Art Avenue: Liaojingwen.Zhaochangqing, Sushisu, Wangjiaxin, Luomeifu, Bianbaohua, Yepeigui, Dubenji, Dingtiande, Sunke, Meimosheng, Zhangzhaoda, Yuanxikun, Nimazeren, Yanglizhou, Mazhensheng, Fandian, Hejiaying, Liudawei, Fengyuan New Year Poetry & Calligraphy Exhibition”;Participated in “Ink Impressionism from the East: China Contemporary Ink Art Exhibition” at Tokyo Metropolitan Art gallery in Japan;Held “2012 Millennium Stage: Zhang Zhaoda and Feng Zhongyun Joint Exhibition” at Exclamation Point Gallery, 798 Art District, Beijing;Selected “China Contemporary Art Literature 2011” by Hunan Fine Arts Publishing House;Artwork “The Thinker: Jobs” and Sculpture ”Xishuangbanna” were presented at 1st Chinese Art Industry Expo at Songzhuang, Beijing;Artwork “Home from Heart” was presented at “2012 Beijing Fashion Art International Exhibition” at CAFA Art Gallery;Participated “2012•He: Zhangzhaoda, Chenjianhui, Gaoge, Mengqingxin, Yanghailun, Yujun Joint Exhibition” at Shanghai Bund;Artwork “Light of Wisdom: Einstein” was presented at “The 7th International Fiber Art Biennial” in Nantong, China;Participated in “Caohui, Liuyuanfeng, Liangquan, Zhangzhaoda, Wudi, Chenjianhui, Wuhaizhou, Huangjia, Chenwen, Jianghuajun, Xiaoyu, Luboyang Joint Exhibition” Pianfeng New Art Gallery in 798 Art Zone Beijing;Held “Faces: Zhangzhaoda Portrait Painting” in XYZ Gallery in 798 Art Zone Beijing;Artwork “Waves: Ouyangxiu” was presented at “Poem through the ages – Eternal Landscape Calligraphy Exhibition” at Beijing Wangfujing Public Art Avenue. In 2013, Held “Vibrations: Portraits of the World Famous Figures Exhibition” at Shengshi Sky Art Museum;Held “Fashion Art - Mark Cheung Fashion and Art Exhibition” at Shanghai Textile and Apparel Museum;Held “Faces of the City: Zhang Zhaoda Art Exhibition’ at Wangfujin Public Art Avenue, Beijing;Published Liu Dawei, Zhong Mingshan, Ma Xiguang, Yao Zhihua, Fan Zeng, Yu Jigao, Zhang Zhaoda, Chen Yongqiang, Fan Yang, Yang Xiaoyang, Wang Mingming, Liu Wenxi, Kong Keli, Guo Zixu, Jia Qijia, Quan Xijun, Sheng Peng, Wei Huailiang, Ouyang Zhongshi, Nima Ziren “Da Gou Da Jia Da Zuo- Chinese Artist Stamp Project” by the Beijing PostHeld “Tai Wu:Zhang Zhaoda Ink painting Exhibition” at Exclamation Mark Gallery in 798 Art Zone;Held “2013: Zhang Zhaoda Art Exhibition”atShu Art Museum, Songzhuang, Beijing. In 2014, Participated in the “Co- Exhibition of Chinese and United States Notable Artists” in the headquarter of the United Nations in New York;Held “Zhang Zhaoda Ink Painting Portrait Exhibition” at Exclamation Mark Gallery, 798 Art District, Beijing;Participated in “Vision China: Edinburgh Ink Painting Joint Exhibition of Six Artists” in Edinburgh Royal Culture Art Institute, Edinburgh;Participated in the “Chinese Culture & Art International Trip”, and held “Mark Cheung Ink Painting Exhibition“ in the former residence of Germanton Robert Livingston, New York;Participated in the “Commemorate of Xuyun Old Monk Fifty-five Anniversary Exhibition” in Yunju MountainParticipated in “Lin Zhou International Friendship & Peace Art Festival”, wrote a 3.5 kilometers Chinese cursive calligraphy in Lin Zhou People’s Square. In 2015, Held “Chu Mo Jian - Zhang Zhaoda Ink Painting and Calligraphy Exhibition” in Art Market Museum, Beijing; Awarded the“China Top 30 Most Influential Designer” by Forbes China;Participated in Chongqing Yongchuan Museum“Rong-Sheng: New Beijing School Ink Painting Chongqing Special Exhibition”;Held ”The Serene of Resplendence - Mark Cheung Art Exhibition” at Jardin de Manet Art Space, Beijing;

东方艺术 2017 纽约联展

2016

Oriental A r t Ex hi bi t i o n i n N ew Y o r k 201 7

在上海外滩源壹号举办《新丝绸之路油画展》参加北京西单商务圈邵岩、张肇达、濮列平、张强、韩伟华、旺望忘、黄岩、杨彦、王轶琼、王晓明“新京派水墨十人展” 在艺术市场美术馆举办《松风水月 - 张肇达水墨书法大展》参加上海鼎艺会夏阳、刘小晴、王冬龄、曹瀚璋、张海天、何赛邦、殷仲灏、孙燕平、陈无忌、黄渊青、张肇达“观心” 现当代《心经》书品法宝展参加重庆永川博物馆《当代书风 - 中国书法 30 年回顾展》在民族文化宫展览馆举办《赛里斯！赛里斯！ - 张肇达画展》在佳沃畅享美术馆举办《澄怀》李翔、张肇达、韩伟华山水画展在 798 布睿克（BRIC）艺术空间举办《砖 BRICK》张肇达油画展在北京 798 梵谷艺术中心举办《无界》张肇达、董浩、许英辉、韩伟华绘画联展在上海环球金融中心云间美术馆举办《在云间》张肇达油画展参加中央文史研究馆书画院于五台山举办的《翰墨载道清凉妙境书画展》参加在北京正品书院张振国、郑作良、陈传席、邱忠康、孔繁、苗再新、何家英、张肇达、林容生、李海剑《翰墨书画名家作品展》在北京 798 劳特斯辰艺术空间举办《炁》张肇达画展参加在北京今日美术馆举办的《天工开悟 - 中国当代艺术大展》在北京 D•PARK 第一车间举办《M13 系列 - 张肇达新中式成衣秀》参加在日本东京都美术馆举办的《第十六届国际书画交流展》参加在北京钓鱼台国宾馆举办的《中日时尚论 - 中日时装秀》在北京水立方举办《千面一人》张肇达艺术生活大展

In 2016,Held Shanghai Bund Yuan Yihao “New Silk Road Oil Painting Exhibition”;Participated in Beijing Xidan Business Zone Shao Yan, Zhang Zhaoda, Pu Lieping, Zhang Qiang, Han Weihua, Wang Wangwang, Huang Yan, Yang Yan, Wang Yiqiong, Wang Xiaoming“New Beijing School Ink Painting Exhibition”;Held “Song Feng Shui Yue –Zhang Zhaoda Ink Painting and Calligraphy Exhibition” in Art Market Museum, Beijing; Participated in Shanghai Dingyihui Xia Yang, Liu Xiaoqing, Wang Dongling, Cao Hanzhang, Zhang Haitian, He Saibang, Yin ZHonghao, Sun Yanping, Chen Wuji, Huang Yuanqing, Zhang Zhaoda “Guangxin” Modern and Contemporary Calligraphy Exhibition of the ‘Heart Sutra’;Participated in “The 30 Year Retrospective Exhibition of Chinese Calligraphy” in Chongqing Yongchuan Museum;Held “Seres! Seres! –Zhang Zhaoda Art Exhibition” in the Cultural Palace of Nationalities, Beijing; Held “Cheng Huai – Li Xiang, Mark Cheung, Han Weihua Chinese Landscape Painting Exhibition” in Jia Wo Chang Xiang Art Museum, Beijing;Held “Brick – Mark Cheung Art Exhibition” in 798 BRIC Art Space, Beijing;Held “No Boundary –Zhang Zhaoda, Dong Hao, Xu Yinghui, Han Weihua Art Exhibition” in 798 VANGO Art Centre, Beijing;Participated in Central Research Institute of Culture and History of Calligraphy and Painting’s “Han Mo Zai Dao Qing Liang Miao Jing Exhibition” in Wutai Mountain；Held “In the Cloud – Mark Cheung Oil Painting Exhibition” in Yun Jian Art Museum of the Shanghai World Financial Center, Shanghai;Participated in Zheng Pin Academy’s “Zhang Zhenguo, Zheng Zuoliang, Chen Chuanxi, Qiu Zhongkang, Kong Fan, Miao Zaixin, He Jiaying, Zhang Zhaoda, Lin Rongsheng, Li Haijian - Han Mo Masterpiece Calligraphy and Painting Exhibition”;Held “Qi –Zhang Zhaoda Art Exhibition” in 798 Lotus Chen Art Space, Beijing;Participated in “TGKW-China Contemporary Art Exhibition” in Today Art Museum, Beijing;Held “M13 Zhang Zhaoda Neochinese Ready-to-wear Fashion Show” in 751 DPark Beijing;Participated in “16th International Painting and Calligraphy Exchange Exhibition” in Tokyo Metropolitan Museum, Japan;Participated in “Sino-japan Fashion Forum-Fashion Show”;Held “The Mark Cheung” Zhang Zhaoda art and life show in the Water Cube (National Swimming Centre) in Beijing.

东方艺术 2017 纽约联展

Oriental A r t Ex hi bi t i o n i n N ew Y o r k 201 7

东方艺术 2017 纽约联展

Oriental A r t Ex hi bi t i o n i n N ew Y o r k 201 7

艺术名家 Masters of Art

N：李世恩 N:Li Shien

国际信息发展组织主席、事务协调局局长，2010 年上海世博会国际信息发展网馆展区总代表兼馆长。个人经历：年少时，主修工笔画，师从高国强（陈逸飞师兄弟）。其上海月份牌年画刊载于各大报刊杂志等。 1991 年，日本国际手艺学院毕业。回国后，一直从事联合国相关工作，并成立国际信息发展组织，获得联合国经济及社会理事会特殊咨商地位，多次受邀参加联合国各大高级别会议，致力于人类社会的可持续发展。 Li Shien, President and General Director of Board of Coordination of International Development Information Organization; General Representative and Director for the exhibition area DEVNET Pavilion in Shanghai Expo Brief Introduction: In his early times, Shien Li took traditional chinese realistic painting as his major, learning from Guoqiang Gao (Yifei Chen’s fellow apprentice). His new year's painting with Calendar has once been printed on many newspapers and magazines. In 1991, He has graduated from Japan International Institute of handicraft. When back to China, he has been involved in the United Nations related work, and established the International Development Information Organization, NGO with special consultative status with the United Nations Economic and Social Council. He has been invited to various High-level conferences of UN, and is devoted to the sustainable development of the whole society.

东方艺术 2017 纽约联展

Oriental A r t Ex hi bi t i o n i n N ew Y o r k 201 7

艺术名家 Masters of Art

N：郝方圆 N:Atman One

“一体化艺术” 理念发起人与实践者。1984 年生于辽宁丹东，祖籍山东，现居上海。 2001 年考入沈阳鲁迅美术学院附中。2003 年退学，开始了个人独立艺术实践，秉承“链接古今东西，实践万物一体”的艺术宗旨，郝方圆常年致力于中国传统文化的当代艺术转化及多元形式开发。以抽象绘画创作为主的同时，亦在禅修、音乐、行为、影像、服饰等诸多领域开展了广泛探索。以惊人的实践力，开创中国本土 80 后青年艺术家的全新面貌与格局。其作品及创作故事被国内外众多知名媒体广泛报道。2014 年受聘为上海东华大学艺术设计学院校外硕导；上海世界音乐季视觉艺术顾问；2015 年获纽约 WAM 艺术基金赞助游学欧洲；2016 年，签约比利时布鲁塞尔 CUMEIDA 艺术机构；法国贝碧欧品牌首位中华区特约合作艺术家。

Atman One (1984-), male, born in Dandong, Liaoning Province.His ancestral hometown is Shandong and he is now living in Shanghai. He enrolled in the Shenyang Lu Xun Academy of Fine Arts in 2001. When realizing his ideas of being an independent artist, he began to drop out in 2003 and was fully dedicated to the transformation of contemporary art in the traditional Chineseculture with the diverse forms of development. Taking “All Is One” and “linking past and present ”as his main principle, over the past years, Atman One put a lot of effort into painting and other fields such as meditation, music, costumes, architecture, archeology which were all carried out extensively and in-depth exploration, and shoot a lot of performance art documentary. His amazing power of practice, creating a new pattern of Post-80s Chinese contemporary artists outlook. In 2014, he was appointed as an off-campus advisor/supervisor for the MFA(Master of Fine Arts) program at Shanghai Donghua University and as the visual art director of Shanghai World Music Festival. In 2015, he had won the sponsorship of New York WAM(Wonderka Art Management ) art fund for a study-tour around Europe.In 2016, Atman one signed in Brussels, Belgium CUMEIDA art institutions; he established partnership with French brand Pebeo ,and be their first special cooperation artist in Greater China.

东方艺术 2017 纽约联展

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东方艺术 2017 纽约联展

O r i enta l A rt E x h ib ition in N e w York 20 17

东方艺术 2017 纽约联展

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东方艺术 2017 纽约联展

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东方艺术 2017 纽约联展

Oriental A r t Ex hi bi t i o n i n N ew Y o r k 201 7

艺术名家 Masters of Art

N：陶永华 N:Tao Yonghua

1963 年出生

主要雕塑作品：

1982 年入苏州工艺美院雕塑专业学习

2007 年第九届亚洲艺术节主题雕盟《和融》

中国工艺美术学会雕塑专业委员会委员

2007 年江苏省第五届园艺博览会园区整体艺术设计及雕塑设计。

江苏省建筑壁画研究会理事

2007 年首届世界大城市带论坛会议主题雕塑

南通城市雕塑规划建设指导委员会委员

2008 年应邀为江译民总书记爷爷江石溪先生创作肖像雕塑

南通大学艺术学院兼职教授

2008 年苏通大桥主题雕塑《江风海韵》

建设部认证雕塑家

2010 年应邀为国务院副总理刘延东父亲刘瑞龙先生创作肖像雕塑

南通美术家协会理事

2012 年雕塑入选第 7 届《从洛桑到北京国际纤维艺术展》并获优

南通城市博物馆雕塑城市艺术中心主任

秀作品奖

南通雕塑博物馆馆长（筹）

2013 年雕塑作品代表中国参加巴西圣保罗国际当代艺术展

南通名贤书画博物馆筹备

2014 年雕塑作品入选第 8 届从《洛桑到北京国际纤维艺术展》

崇川森林雕塑院院长作品多次参加国际国内外大型画展井获奖

城市雕型计有百余件作品放置于国内各地，艺术作品涉及雕塑、国

93 年上海人民美术出版社出版个人装饰画集

画 , 公共艺术等众多领域，作品多次参加国内国际展览井获奖并被

97 年上海人美《图案艺术博览》人物卷 , 花卉卷 2 书 ( 合作 )

国内外藏家及艺术馆收藏

98 年杭州美术摄影出版社《装饰画》( 合作 ) 2004 年作品入选中国首届壁画大展 , 2004 年壁画作品入选第十届全国美术作品展览 2004 年举办个人作品展览 2003、2004 年南通电视合专集介绍艺术成就 2004 年名录中国壁画一书。 2014 年插图作品《剑桥翼语》参加第 12 届全国美展并获优秀作品提名参加北京综合作品展

Born in 1963  In 1982, he entered into the sculpture School of Suzhou Academy of Arts and crafts  Member of Sculpture and Specialized Committee of Chinese Arts and Crafts Society  Director of Jiangsu Architectural Murals Research Association  Nantong Sculpture Planning and Construction Steering Committee  Adjunct professor, School of art, Nantong University  Certified sculptor of Ministry of Construction  Director of Nantong Artists Association  Director, sculpture art center, Nantong City Museum  Curator of Nantong Sculpture Museum (in preparation)  in preparation of famous painting and calligraphy Museum in Nantong  Dean of Chongchuan Forest Sculpture Academy His works have been participated in many international and domestic exhibitions and exhibitions In 1993, published personaldecorative paintings in Shanghai People's Fine Arts Publishing House In 1997, published "Pattern Art Expo" characters and flowers volume (cooperation) in Shanghai People's Fine Arts Publishing House  In 1998, published "decorative painting" (cooperation) in Hangzhou Art Photography Publishing House  In 2004, his work was selected in the first Chinese Mural Exhibition In 2004, his mural works were selected for the Tenth National Art Exhibition  In 2004, held his of Personal Exhibition  In 2003 and 2004, Nantong TV series introduced his artistic achievements  In 2004, recorded into the Book of Chinese Murals In 2014, his illustration work "Cambridge Wing Language" was exhibited in the Twelfth National Art Exhibition and won the outstanding works nomination and participated in Beijing Comprehensive Exhibition  Major sculptures:  Theme sculpture of the Ninth Asian Art Festival in 2007: "Peace and Harmony"  Overall art design and sculpture design of the fifth Jiangsu Horticultural Exposition Park in 2007.  Theme sculpture of the first Big Cities World Forum in 2007  In 2008, he was invited to create sculpture of Jiang Shixi, grandfather of Jiang Zeming  In 2008, the theme sculpture ofSutong Bridge  In 2010, he was invited to create portrait sculptures for Liu Ruilong, father of Mr. Liu Yandong, vice premier of the State Council  In 2012, his sculpture was selected into the seventh international art exhibition from Lausanne to Beijing, and won excellent works Award  In 2013, participated in the Brazil St Paul International Contemporary Art Exhibition representing China  In 2014, his sculpture was selected for the eighth session international art exhibition from Lausanne to Beijing  The sculpture works are now exhibited in all around the country. His artworks are related to many fields, including sculpture, painting, public art and so on, which has been exhibited in many exhibitions at home and abroad and have been collected by domestic and foreign collectors and art museums.

东方艺术 2017 纽约联展

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东方艺术 2017 纽约联展

Oriental A r t Ex hi bi t i o n i n N ew Y o r k 201 7

艺术名家 Masters of Art

N：张顺川 N:Zhang Shunchuan

张顺川，宁波人，现居上海，职业画家，现为中国美术家协会会员。张顺川是在海风的吹拂中长大的，对大海一往情深，海滩、礁石和贝壳成了他油画创作的主题。未接受过正规院校的系统教育本是缺憾，然而由于天赋独秉，勤思苦练，加上阅历丰富，反而使张顺川摆脱了学院派条条框框的羁绊，作品不事雕凿，不落俗套，清新自然，别具一番魅力。张顺川，浙江宁波人，中国美协会员，中国油画学会会员，浙江省自然油画院院士，现居上海。宁波“白水”美术馆创建人，法人。其油画作品入选第八届、九届、十届、十一届全国美展、第三届全国油画作品展、中国油画大展、精神与品格中国写实油画作品展、中国油画百家金陵展、中国油画名家学习邀请展、中国油画双年展、上海世博中国美协邀请展、第十四届全国新人新作品展等…… 另有多幅油画作品在文化部、中国文联、中国美协、中国油画学会主办的画展中获奖。并获得中国油画大展银奖、全国群星奖铜奖、优秀奖、第十一届全国美展提名奖、第三届全国油画展金品奖。曾五次获得浙江省画展金奖等等。多幅油画作品被人民大会堂、中国国子监油画艺术馆等机构收藏。在美、德、意等多个国家巡展并被收藏。参加 2016 年博鳌亚洲论坛个人油画展。（参展油画作 21 幅）参加 2016 年瑞士“中国达沃斯”论坛，并在人大会演讲。演讲的题目是《浅析中国梦里的文化元素》。

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Zhang Shunchuan, born in Ningbo, now living in Shanghai, is a professional painter and member of Chinese Artists Association. Grew up in the breeze of the sea, Zhang Shunchuan is passionately devoted to ocean. The beech, reefs and shells have become the main theme of his oil painting. It should be a shortcoming that he did not receive systematic education from formal institutions, but because his unique talent, hard practice as well as rich experience, Zhang Shunchuan gets rid of fetters of rules and regulations from academism and creates his artworks unconventionally which are fresh, natural and with unique charm. Zhang Shunchuan, born in Ningbo, now living in Shanghai, is a member of Chinese Artists Association, member of Chinese Oil Painting Society and academician of Zhejiang Natural Oil Painting Academy. He founded the Ningbo “White Water” Gallery. His oil paintings have been selected to exhibit in the 8th, 9th, 10th and 11th National Fine Arts Exhibition, Third Session of National Oil Painting Exhibition, Chinese Oil Painting Exhibition, Spirit & Character Chinese Realistic Oil Painting Exhibition, Chinese Oil Painting Hundreds Jinling Exhibition, Chinese Oil Painting Masters Study and Invitational Exhibition, Biennial Exhibition of Chinese Oil Painting,

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Shanghai World Expo Chinese Artists Association Invitational Exhibition, 14th Session of National New Artwork Exhibition, etc. Also, several oil painting of Zhang Shunchuan has won awards in the exhibitions organized by Ministry of Culture, China Federation of Literary and Art Circles, China Oil Painting Society. He has been awarded the Silver Prize of Chinese Oil Painting Exhibition, Bronze Prize of National Stars Award, Honorable Prize, Nomination Prize of 11th National Fine Arts Exhibition, and Golden Prize of 3rd Session of National Oil Painting Exhibition. He has been awarded the Golden Prize by Zhejiang Art Exhibition for 5 times. Several oil paintings have been collected by Great Hall of the People, Chinese Imperial Oil Painting Art Museum institutions, etc., which has been exhibited in many countries such as America, German, Italy and so on. He also organized personal oil painting exhibition in 2016 Boao Forum for Asia with 21 artworks. Zhang Shunchuan was invited to the 2016 China Davos Forum in Switzerland and delivered a speech on the NPC with the theme “Analysis of Cultural Elements in the Chinese Dream”.

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艺术名家 Masters of Art

N：何炳钦 N:He Bingqin

1955 年 9 月生，江西婺源人，1977 年他成为恢复高考后第一批大学生，考入景德镇陶瓷学院师从著名艺术家胡献雅、施于人、丁千、黄美尧、吴天保几位老师进行陶瓷艺术学习，1982 年何炳钦先生在景德镇陶瓷学院毕业后留校任教。现为景德镇陶瓷学院陶瓷美术学院院长、教授、硕士研究生导师、江西省高校学科带头人、享受国务院“政府特殊津贴” 专家、中国工艺美术学会理事、江西工艺美术学会常务理事、景德镇高岭陶艺学会副会长。 Born in September 1955, jiangxi wuyuan, restored the college entrance examination in 1977, he became the first college student, was admitted to jingdezhen ceramic institute from famous artists Hu Xian, impose on others, ding qian, Huang Meiyao, Wu Tianbao several teachers to carry on the ceramic art study, Mr He Bingqin in jingdezhen ceramic institute in 1982 after graduating from teaches. Now pottery and porcelain of jingdezhen ceramics institute academy of fine arts dean, professor, supervisor of postgraduate, discipline leaders of colleges and universities in jiangxi province, enjoy the "special government allowances of the state council experts, director of China arts and crafts association, executive director of the arts and crafts of jiangxi society, vice President of jingdezhen kaolin ceramic art institute.

窑火·魅力

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艺术名家 Masters of Art

N：刘浩锋 N:Liu Haofeng

2010 荣膺外交部国礼艺术大师；2015 年荣膺美国时尚与艺术研究院院士；2016 年荣获东京都美术馆颁发的 16 年日本国际书画交流展金奖。当代知名思想家、哲学家、艺术家、批评家、作家诗人，开“和主义”绘画流派，民间发起的中国文化复兴运动第三任主席。亚洲新闻周刊主笔、美国世界华人杂志社等媒体主笔。上海香梅美术馆学术委员会主席； “和文化”国际艺术节学术总主持；纽约当代中国艺术家协会艺术顾问和特约艺术家。长沙和文化研究会高级顾问；中国逻辑学会会员；中国辩证法研究会会员。中国商务部互联网金融研究会研究员；美国国会网络电视台顾问；旅美湖南同乡会理事；旅美福建三山会馆顾问。作品被国际友人毛里求斯总统、马来西亚国王、泰国王储诗琳通、美国总统顾问沃尔夫等，以及国内政商学高端人士等收藏。

Haofeng Liu, a Hunan academic artist, was awarded the National Artist of the Ministry of Foreign Affairs of China in 2010. He was awarded the member of American Fashion and Art Research Institute in 2005. He won the Gold Award of International Calligraphy and Painting Exchange Exhibition of Japan awarded by Tokyo Art Museum in 2016. He is a contemporary famous thinker, a philosopher, an artist, a critic, a writer and a poet. He is the pioneer of "pacifism" painting school. He is the third president of the folk-sponsored Chinese Cultural Revival Movement. He is an editor for Asia Newsweek, World Chinese of America and other media. He is the chairman of the Academic Committee of Shanghai Xiangmei Art Museum and the academic host of International Culture Festival of "He Culture ". He is an artistic Consultant and a guest artist of the Contemporary Chinese Artists Association of New York. He is a senior member of Changsha He Cultural Institute and a member of the Chinese Association of Logic and the Chinese Society for Dialectics. He is a researcher of China Internet Finance Association and a consultant of Network TV of US Congress. He is a member of Hunan Association of America and a consultant of Fujian Sanshan Guild Hall of America. His works are collected by the President of Mauritius, the king of Malaysia, Sirindhorn as a crown prince of Thailand , Wolf as an American President consultant and the domestic high-end politicians and businessmen.

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艺术名家 Masters of Art

N：林旭峰 N:Leons Lin

当代中国时尚摄影师 1978 年出生于江苏南通 2000 年毕业于东华大学服装艺术设计专业国际奢侈品品牌视觉形象顾问曾与多位影视巨星及著名主持人合作：任贤齐、李亚鹏、梁咏琪、张家辉、曾志伟、张卫健、胡兵、胡可、陈辰、任鲁豫等；2010 年创立狮爵艺术（上海）设计工作室。其对品牌及服装具独到的理解和诠释，他的摄影更加注重于产品生命的理解和表达。2011 年担任上海电视台 STV 星尚酷频道《淘最上海》《新旅途》《巧虎来啦》等栏目特约形象顾问。并出任东方模特电视大赛特邀评委嘉宾。2012 年受邀佳能 ( 日本 ) 公司担任上海电视台 STV《淘最可思美》摄影教程特邀讲师。 2014 年 8 幅系列摄影作品入选迪拜 ARTISTSFOR CHINESE EXHIBITION( 中国艺术家作品联展） 2015 年荣聘为交通大学视觉艺术客座教授，世界文化大会艺术总监。 2016 年荣聘为第十六回国际书画交流展览会艺术总监。 XuFeng Lin _Chinese contemporary fashion photographer Born in Nantong City, JiangSu Province in 1978, Graduated from Fashion and Art Design at Donghua University in 2000. Has since been working as visual advisor to many international luxury brands. Has worked with a number of wellknown celebrities and TV hosts, including: Xianqi Ren, Yapeng Li, Yongqi Leung, Jiahui Chang, Zhiwei Zeng, Weijian Chang, Bing Hu, Ke Hu, Chen Chen, Luyu Ren, etc. In 2010, established Shanghai ShiJue Art and Design Studio. With his deep understand of branding and fashion, his photographic works embody his own unique perspectives on products and their expressions. In 2011, he was invited as visual advisor to a number of STV(Shanghai television Channel) produced programmes, including: "Tao In Shanghai","New Journey","ChiaoHu Coming",etc. He was also invited as a special guest panel commentator for Oriental Model Competition on TV. In 2012, he was invited by Cannon Japan Corp. as a distinguished lecturer for the STV production "Tao beauty tutorials" to instruct its photography section. In 2014, eight of his photography works were chosen to be presented on the "Artists for Chinese Exhibition" held in Dubai, UAE. In 2015, he was invited by Shanghai Jiaotong University as distinguished guest lecturer at its Art and Visual Studies Center, and was appointed as artistic director at Global Culture and Art Convention. In 2016,Wing hired as artistic director of THE 16TH EXHIBITION OF INTERNATIONAL CALLIGRAPHY AND PAINTING EXCHANGE EXHIBITION.

《生命之海》 The sea of life

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《生命之海》 The sea of life

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特别鸣谢 Acknowledgements

福建省闵亿源工贸有限公司成立于 2008 年，旗下设有闵亿源海洋食品、上海闵忆源实业有限公司、福建省丝绸之路旅游开发有限公司、霞浦手拉手水产专业合作社、宁德盈海世家水产有限公司，现已发展为集养殖、育苗、加工、贸易、旅游、金融为一体的综合性海洋集团企业。目前公司已在北京、上海、广州设立办事处，同时在福建省级工业区占地 30 亩，标准厂房 3 座，冷库 5000 吨，在中国大黄鱼之乡拥有 500 亩大黄鱼海参养殖基地，5000 多框大型网箱。闵亿源将持续以精益的加工技术为先导，以优秀的管理为依托，以贴心的服务为根本，始终如一为客户提供高品质的海产食品。 Established in 2008, Fujian Minyiyuan Industry and Trade Co., Ltd. has been developing into a comprehensive seafood enterprise, integrated marine ecological products seedling, aquaculture, processing and trade. The branches of Minyiyuan consist of Minyiyuan Seafood, Shanghai Minyiyuan Industry Co., Ltd., Fujian Silk Road Tourism Development Co., Ltd., Xiapu Hand-in-Hand Aquaculture Cooperative and Ningde Yinghai Aquaculture Co., Ltd. Now, Minyiyuan has set up representatives in Beijing, Shanghai and Guangzhou. Minyiyuan covers an area of 20,000 ㎡ in provincial industrial park of Fujian and has 3 standard plant, a Cold Storage with capacity of 5,000 tons, 350,000 ㎡ Yellow Croaker & Sea Cucumber aquaculture base and over 5000 large sea cages. Minyiyuan will continuously take the guidance of fine processing techniques, depend on excellent management and base on intimate service so as to provide customers with high-quality seafood consistently.

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