porfolio_T.W

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ARCHITECTURE PORTFOLIO Takuya WAKABAYASHI Shibaura Institute of Technology


Curriculum Vitae

NAME : Takuya Wakabayashi BIRTH : 08.10.1991 CONTACT : petergrahamtw@yahoo.co.jp +81 80 5645 4037 ADDRESS : 2813, Shinoharacho, Kohoku-ku Yokohama-shi Kanagawa, 222-0026, Japan 2


EDUCATION

Shibaura Institute of Technology 04 / 2014 - 03 / 2016 Master of Architecture and Civil Engineering

/ Japan

Belonging to Taira Nishizawa Laboratory Field of specialization Architectural Planning & Design, Architectural Anthropology

Shibaura Institute of Technology the Top Graduate 04 / 2010 - 03 / 2014 Bachelor of Architecture and Building Engineering

/ Japan

Since 04 / 2013, Belonging to Shinobu Akahori Laboratory

EXTRA EDUCATION

ARCHITECTURAL EXPERIENCE

SKILLS

Barcelona Architectural Center 03 / 2015 - 04 / 2015 Design Studio course in spring

/ Spain

Moscow Architectural Institute 09 / 2013 - 10 / 2013 Exchange Program

/ Russia

Ryuji Fujimura Architects 08 / 2014 - 09 / 2014 Intern

/ Japan

Yasutaka Yoshimura Architects 07 / 2013 - 08 / 2013 Intern

/ Japan

Kengo Kuma and Associates 05 / 2013 - 07 / 2013 Part-time Job

/ Japan

Lambiasi + Hayashi Architects 03 / 2013 - 07 / 2013 Part-time Job

/ Japan

Illustrator Photoshop InDesign MS Office AutoCad SketchUp/V-ray Rhinoceros

Advanced Advanced Good Advanced Advanced Advanced Basic

Model Making Raser Cutter

Advanced Good

LANGUAGE

Japanese English

TRAVEL

Austria Hungary France

Native Good Italy Spain Netherland

Germany Denmark Switzerland

Russia China Hong Kong 3


4


Table of Contents

01 / INTRODUCTION

Curriculum Vitae Table of Contents

02 04

02 / MASTER'S PROJECT

Hydrophili-City

06

03 / DIPLOMA PROJECT

The Symbol as a Hope

36

04 / MASTER 1 WORK

Gravity

52

05 / EXTRA WORK

Social Engine of Barcelona Skyscrapers as a homage to St. Basil

60 70

06 / BACHELOR 3 WORK

Music of the Spheres

74

5


The PUBLIC SPACE that parmits MULTIPLICITY. The PORT CITY as the place well suited.

01

Hydrophili-City ~ 9 charactaristics in the Tokyo bay area and design of hydrophilic space ~

MASTER PROJECT 04.2015 ~ 02.2016 Professor : Taira Nishizawa Location : Shibaura, Tokyo Building Type : Housing, Maritime museum Office, Market, Restaurant

6


7


Shibaura Island

8

Hafen City

Canary Wharf

Hudson Yard


Sea / Island

Sea / Fold

Sea / Fold

Venezia / Italy

Genova / Italy

Marseille / France

Sea / Fold

Sea

River

Barcelona / Spain

Lisboa / Portugal

London / UK

River / Fold

River / Fold

River / Fold

Amsterdam / Netherland

Rotterdam / Netherland

Antwerpen / Belgium

River / Fold

Sea and River / Fold

River / Pier

Hamburg / Germany

Copenhagen / Denmark

New York / USA

Sea / Island

Tokyo / Japan

Lwʼ [m] =Lw×αβ= Lw × □Hydrophilic Coefficient :αβ

αβ =

SL w

SLw + SLI

S LW SW × SLW +S LI SW+S LW

□Hydrophilic Land Coefficient : α

Sw

α =

Sw + SLw

LW’:Valuable Shoreline Length[m] LW :Shoreline Length[m]

□Possessing Water Coefficient : β

S Lw

β =

SLw + SLI

SLW:Hydrophilic Land Area[ ㎢ ] SLI :Inland Area[ ㎢ ] SW :Water Area[ ㎢ ]

Sw

Sw + SLw

α :Hydrophilic Land Coefficient β :Possessing Water Coefficient αβ :Hydrophilic Coefficient

□Valuable Shoreline Length : Lw’[m]

□The Number of Islands

Sea

70

60000

Tokyo

60

40

50000

30

10

Lisboa

London

Genova

Marseille

Barselona

Rotterdam

Antwerpen

hamburg

Amsterdam

Tokyo

Copenhagen

Venezia

□Island Area of the Average [㎢]

20000

450 400 300

ort is the most important function to establish cities. forms of port cities that have the port function are only 3 types in human history. They are Fold type, Pier type and Island type. All redevelopment areas of port cities witch have redevelopment areas are said to gain success in the world are Fold type and Pier type. On the other hand, there is only modern redevelopment area same as inland in Tokyo bay area in spite of it's a few Island type. For this reason, I propose urban / architectural methods that are peculiar to Tokyo bay area.

P

London

Lisboa

Copenhagen

Genova

Rotterdam

Barselona

Amsterdam

Venezia

Marseille

hamburg

0

Tokyo

50

Antwerpen

Lisboa

London

Genova

Barselona

New York

Marseille

Rotterdam

Copenhagen

Antwerpen

Amsterdam

Tokyo

Venezia

hamburg

100

3

8

Barcelona

10

Lisboa

13

London

12

Antwerpen

5

Amsterdam

4

Rotterdam

7

Hamburg

1

Copenhagen

6

New York

9

150

0

Rank

Marseille

250 200

Pier

2

350

10000

Fold

11

0

30000

Island

Genova

20

40000

River

Venice

50

o clarify morphological characteristics of Tokyo bay area, I compare it with 12 world port cities. It is a shoreline to be important in analyzing morphological characteristics. A shoreline occurs on a bordar of land area and water area. I devised "Valuable shoreline length expression" and performed quantitative analysis because there were few studies that were analyzed the shoreline, land area and water area into quantitatively until now. In this way, it revealed that Tokyo bay area is port city of Sea type and Island type similar to Venezia, it contributes to high hydrophilicity.

T

9


□How to Color of Hydrophilic Space

□Ratio of CS in each Rank [%]

□Hydrophilic Space Map in each Redevelopment District water

water

Rank:1 water

Rank:2 water

Rank:3

Rank:4

Genova

Marseille

Barcelona

Lisboa

90.0

80.0

70.0

60.0

50.0

40.0

30.0

London

Amsterdam

Rotterdam

20.0

10.0

0.0

Rank:1 Genova Ro erdam

Rank:2 Marseille Antwerpen

Barcelona Hamburg

Rank:3 Lisboa Copenhagen

Rank:4 London New York

Amsterdam

□Area of the Average of CS in each Rank [%] 3500

Hamburg 3000

2500

2000

1500

1000

500

0

Rank:1 Genova Ro erdam

Rank:2 Marseille Antwerpen

Barcelona Hamburg

Rank:3 Lisboa Copenhagen

Rank:4 London New York

Amsterdam

Antwerpen

Copenhagen

New York

S=1:60,000

o introduce a point of view that human being experiences hydrophilic spaces, it is necessary to analysis higher resolution. Therefore I perform the space analysis for redevelopment areas of 12 port cities. About my analysis, I use the space syntax theory was proposed by Bill Hillier. Then I apply concepts of convex space and axical line and use it. Thereby they allowed to articulate hydrophilic spaces from a shoreline and to grasp it. Using this method, I perform quantitative analysis of hydrophilic spaces in redevelopment areas. From the result, redevelopent areas of port cities of Sea type formed better hydrophilic spaces than River type in hydrophilic coefficient. On the other hand, it revealed that redevelopment areas of port cities of River type formed better hydrophilic spaces has multiplicity and compact in hydrophilic spaces. Because of these, there is still room for the improvement in all redevelopment areas of port cities. Keeping that in mind, it is necessary to utilize to hydrophilic spaces of Tokyo bay area.

T

10


Hafen City, Hamburg

Borneo - Sporenburg, Amsterdam 11


1981 KOBE Port Island EXPO (Portpia’ 81)

1989 Asia Pacific EXPO ( Yokatopia)

1989 YOKOHAMA EXPO (YESʼ 89)

1996 World City EXPO (City EXPO)

【KOBE Port Island】 Project :1966 ~ 1981

【Seaside MOMOCHI】 Project :1978 ~ 1994

【Minato Mirai 21】 Project :1989 ~ 1995

【TOKYO Water Front City】 Project :1989 ~ 1995

12


□34 Islands of Tokyo Bay Area

□Correlation of Completion Order and Area in each Islands Area [ha]

1 2

16

15

3 4

35

1,200

17

18

~ ~ 700

33

19

5 600

6

26

32

31

8 7 11 9 10

27

500

Early in Meiji~End of WWⅡ

High Economic Growth Period~

Post WWⅡ~High Economic Growth Period

33

37

28

400

12

32 300

14

34

13

30

34

27

200

29

36

30

16 25 22

19 20

100

1

2

3

4

5

6

7

8

9

10

11

12

13

14

21

18

15

31

29 23

17

26 24

28

0

20

24

t

□Color Coding according to Inning Purpose in each Islands Area [ha] 1,200

21

35

Route secure

~ ~

25

Housing Area Terminal Area

700

Distribution & Warehouse Area

33

Infrastructure Area

22

23

Redevelopment Area

600

Combined Function Area Waste Disposal Site Other

500

1. Tsukuda

10. Shibaura Island

19. Shiomi

28. Ariake

2. Tsukishima

11. Shinaura Terminal

20. Katsu-shima

29. Odaiba

3. Kachidoki

12. Kounan

21. Heiwa-Jima

30. Ferry Terminal

4. Toyomi

13. Tennouzu

22. Syouwa-Jima

31. Tatsumi

5. Harumi

14. Shinagawa Terminal

23. Keihin-Jima

32. Shinkiba-1

6. Hinode

15. Shiohama-1

24. Ooi

33. Shinkiba-2

7. Shibaura-2

16. Shiohama-2

25. Jounan-Jima

34. Wakasu

8. Shibaura-3

17. Edagawa-1

26. Toyosu

9. Shibaura-4

18. Edagawa-2

27. Shinonome

37 400

32 300

34

27 200

36

30

16 25 22

19

100

20

1

2

4

3

5

6

7

8

9

10

11

12

13

14

21

18

15

31

29 23

17

26 24

28

0

t

□Islands where Uses were changed to between the Present and Inning Purpose in each Islands Area [ha] 1,200

35

~ ~

700

33

600

500

37 400

32 300

34

27 200

36

30

16 25

100

20

1

2

3

4

5

6

7

8

9

10

11

12

13

larify the positioning of port cities in Japan. I chose 4 port cities that redevelopment was carried out the rapid economic growth period later, and the city exhibition was held. Cities that I chose were KOBE port island, seaside MOMOCHI, minato mirai 21, TOKYO water front city and analyze the establishment process of those cities. Thereby, it revealed that port cities were used as ideal places for national advertising from 1970 to 1995 and as influx places of private huge capital after 1995. Then port cities has the possibility that can be reinstated as land for cities after 2020.

14

18

15 17

0

C

22

19

29 21 23

31

26 24

28 t

set the turning point where modern development of the Tokyo port was carried out after the Meiji era. Then I performed analysis of the chronological order for reclaimed land among the water area. I understood that the size of the island spreads whenever the generation passes. They were filled up as warehouse sites and ports from post-war to the rapid economic growth period. It is the time when it was developed to expand the city function. The development that it's gradually led by nation and capital comes to be carried out. The early stage of reclaimed land has already changed a use in that.

I

13


â–ĄHydrophilic Space Map

14

â–ĄProgram Distribution Map

Rank:1

Government Office

Office

Sport and Performance

Housing and Factory

Rank:2

Education and Culture

Commerce

House

Warehouse and Distribution

Rank:3

Public Welfare and Medical

Housing and Commerce

Apartment

Rank:4

Supply and Processing

Lodging and Pleasure

Factory


□Inviolability Area Map

□High-rise Building Map

□Road Constitution Map

Seawall

Public

Rental Office

Condominium

Flyover

Inner Revetment

Semi-Public

Office within the Company

The Urban Renaissance Agency

Road

Water Gate

Private

Condominium and Rental Apartment

Municipal and Public Housing

Other Area

Inviolability Area

Rental Apartment

ext, I revealed it what kind of phenomenon occurred in an individual island in the process of the inning. Therefore I chose 34 islands of the Tokyo port. As analysis items, I adopted 6 items of Program Distribution, Hydrophilic Space, Inviolability Area, High-rise Building, Traffic Infrastructure and Historical Transitions.

N

15


1

2

3

2 kind of shorelines by the wharf / seawall

port / redevelopment sites and other uses coexist

hydrophilic land area / non-hydrophilic land area

4

5

6

hydrophilic space of human scale / social scale

7

use convertibility / use accumulation

violability area / inviolability area

8

inning change

9

requisition place

traffic infrastructure

rom past analysis, I reveal positioning of the Tokyo port in the world and inland in Japan. According to these, 9 characteristics of the Tokyo bay area became clear. Then Shibaura terminal was extracted as the island that condensed these characteristics most. Therefore, I design for Shibaura terminal.

F 16


① ② ③

1. Tsukuda

2. Tsukushima

18. Edagawa-2

19. Shiomi

3. Kachidoki

4. Toyomi

5. Harumi

20. Katsu-shima

21. Heiwa-jima 22. Syouwa-jima

6. Hinode

7. Shibaura-2

23. Keihin-jima

8. Shibaura-3

9. Shibaura-4

25. Jounan-jima

26. Toyosu

8. Shibaura-3

9. Shibaura-4

25. Jounan-jima

26. Toyosu

8. Shibaura-3

9. Shibaura-4

25. Jounan-jima

26. Toyosu

10. Shibaura island 11. Shibaura terminal

27. Shinonome

28. Ariake

12. Kounan

29. Odaiba

13. Tennouzu

14. Shinagawa terminal

30. Ferry terminal

31.Tatsumi

15. Shiohama-1

16. Shiohama-2

32. Shinkiba-1

17.Edagawa-1

33. Shinkiba-2

34. wakasu

24. Ooi

④ ⑤

1. Tsukuda

2. Tsukushima

18. Edagawa-2

19. Shiomi

3. Kachidoki

4. Toyomi

5. Harumi

20. Katsu-shima

21. Heiwa-jima 22. Syouwa-jima

6. Hinode

7. Shibaura-2

23. Keihin-jima

10. Shibaura island 11. Shibaura terminal

27. Shinonome

28. Ariake

12. Kounan

29. Odaiba

13. Tennouzu

14. Shinagawa terminal

30. Ferry terminal

31.Tatsumi

15. Shiohama-1

16. Shiohama-2

32. Shinkiba-1

17.Edagawa-1

33. Shinkiba-2

34. wakasu

24. Ooi

⑥ ⑦ ⑧

1. Tsukuda

2. Tsukushima

18. Edagawa-2

19. Shiomi

3. Kachidoki

4. Toyomi

5. Harumi

20. Katsu-shima

21. Heiwa-jima 22. Syouwa-jima

6. Hinode

7. Shibaura-2

10. Shibaura island 11. Shibaura terminal

12. Kounan

13. Tennouzu

14. Shinagawa terminal

15. Shiohama-1

16. Shiohama-2

17.Edagawa-1

23. Keihin-jima

27. Shinonome

28. Ariake

29. Odaiba

30. Ferry terminal

31.Tatsumi

32. Shinkiba-1

33. Shinkiba-2

34. wakasu

24. Ooi

11. Shibaura terminal

17


18


Island

Fold

Pier

s the design method, I use Island / Fold / Pier that are morphological characteristics vocabulary. In applying these vocabulary to a plan and section, I can design watersides, hydrophilic spaces and buildings integrally. Therefore, I can develop hydrophilic spaces three-dimensionally. At the same time, I utilize "hydrophilic land area / non-hydrophilic land area", "hydrophilic space of human scale / social scale" and "violability area / inviolability area" which are spatial characteristics.

A

19


⑥ inning change old berthage and breakwater

⑨Traffic Infrastructure place planning to draw freight line of old army

⑤violability area / inviolability area existing seawall

Site Plan 20

Scale = 1:6500


1

2

Property line drawn to transcend existing blocks

3

Convert from former lines of freight line plan place of the army and breakwater to LRT line

4

Layout the volume to expose historic context as freight line and water area

Regain former water area Dredge soil is utilized to coastal construction

5

Layout the volume to be unified with existing seawalls There penetrate to main volume and connect to them

21


Housing: Tower, High block (for existing inhabitants)

Office Market

Maritime Museum

Housing: Middle, Low block (for new inhabitants) : 37,100 ㎡ Site area Building area : 24,290 ㎡ : 12,810 ㎡ Water area

22

【Building area for every program】 Housing - Low block : 4,267 ㎡ Middle block : 4,152 ㎡ High block : 1,989 ㎡ Tower block : 633 ㎡ : 5,702 ㎡ Maritime Museum : 520 ㎡ Office : 1,659 ㎡ Market

【Total floor area for every program】 : 17,068 ㎡ Housing - Low block Middle block : 27,222 ㎡ High block : 31,824 ㎡ Tower block : 26,586 ㎡ : 28,510 ㎡ Maritime Museum : 2,080 ㎡ Office : 3,320 ㎡ Market


Site Model

23


HOUSING

Housing: Middle, Low block

Housing: Tower, High block 24


3FL plan

1

2

Layout the volume along the seawall

Divide the volume into islands in conformity to surrounding buildings

4

3

Develop the seawall and unify it with the land They become floating archipelago in lifting islands from GL

Provide a roof connecting archipelago

5FL plan

1

2

Tower

S = 1:450

3

S = 1:450

4

High Layout the volume along the water

Put up a core becoming the strong structure behind the volume The core become common spaces and buffer with the inland

Form archipelago to utilize hydrophilic spaces

Hydrophilic spaces of tower and high block mix together

25


Private courts are filled with the personality every dwelling units

Inhabitants move through wood deck of 3,000mm in width open for the sea Dwelling units which two-way escape route cannot secure are provided balcony attached hatch

Place a living room on the front, get the sea view even from the kitchen

1LDK

Access each dwelling unit through a private court

1K dwelling units are connected three-dimensionally

Deside the direction of interior materials to point to the sea

Plan Detail S=1:75 26


Dwelling units of maisonette type can take in more light

Make level differences 1,000mm between wood deck and dwelling units

In providing cedar board of 850mm in height in the private court, inhabitants can look at only sea even if they sit down

To lift 2,000mm from GL, it plays a part in the seawall

Lower height to T.P. +1,500mm, raise a hydrophilicity

Section detail S=1:100 27


MARITIME MUSEUM

Diagram : Program Museum Public

United States Army section

28

Japan section

Un


Diagram : Circulation

um

Hydrophilic space

blic

Museum

United States Army section

United States Army section

Japan section

Japan section

Continuous section of hydrophilic space S = 1:800 29


Induce people from the road side to the sea by using the topography

展示室

展示室

レストラン 倉庫

事務室

ピアノ倉庫 調理室

防災センター 空調室 WC

展示室

WC

受付 クローク 機械室

コインロッカー

事務室

倉庫

Boats come and go in the canal side, and inhabitants can access them from the lower part of the dwelling units

駐車場 防災センター

荷解室

Utilize barges everyday as a farm, event space and so on 30

駐車場


EXTERNAL DESIGN 保管庫 図書室

印刷室 準備室 コインロッカー

WC

受付 クローク カフェ

ミュージアムショップ 展示室

The light structure which stakes the market as a island

Moor at barges storing fuel and water for emargency

1FL Plan S=1:1300

The hall which push out like a pier 31


20000 12000

24000 18000

2400

600

The hydrophilic space was surrounded by buildings functions as a plaza

5000 2000 3000 1000 3000

18000

10000 5000

1000

31000

600 2400

6000

1000

Face the sea from the restaurant which is located at the bridge

1000

4000

5000 7000

4000

The topography which became stepped attract people to the water

Pass through under the market, a plaza is connected to the road

Market - Bridge of Maritime Museum section S=1:500

Roof terrace links the housing to the museum

Office

Office

Office

Office

Shop

Shop

The Volume of office block become background of the hydrophilic space

Layout the restaurant at T.P.+1,500mm in height, raise a hydrophilicity

Water area of canal side - Office section S=1:500 32


The bridge contributes to form the plaza

The Hydrophilic space of seaside

The Hydrophilic space of canal side

Look at the hydrophilic space from the public space 33


02

The Symbol as a Hope ~ To New Center, The National Diet Building and Japan ~

DIPLOMA PROJECT 09.2013 ~ 01.2014 Professor : Shinobu Akahori Location : Nagata-cho,Tokyo Building Type : National Diet Building

34


From AUTHORITY to the RIGHT All of things are fragmented in modern society. Politicians as able representative who are elected among the nation do not exist anymore. And the national diet building as a symbol of their authority is also said that it is anachronism. On the other hand, it is infiltrating that indipendence form the relation that local depends on the center. It’s so-called the minarchism concept. So we can except an image in the future that the prefectures and cities share a role. In that sense, it needs that the place where everyone can come and voice their opinions in the center of Japan as the firm immovable place. Now, “The Symbol as a Hope”, lasts several hundred years, is built as one and only existence that can give the right to the nation.

35


Historic Place National Theater Supreme Court

Imperial Palace

The National Diet Building

Hie Shrine

36


e of Edo Castle's Castle Tower

THE SITE IS NEXT TO IMPERIAL PALACE. IT'S THE CENTER OF JAPAN THAT MANY POLITICAL FANCTIONS ACCUMULATE.

Tokyo Station

Hibiya Park

37


Shrine

38

Diet member's office

The national diet building

Historical bui


ilding

Government office quarter

Park

Topographical Section

39


"MAKE THE OPEN PLACE FOR THE NATION"

40


41


Supreme Court

Accumulation of Information National diet library

Diet jurnalists' club

Accumulation of History

Prime minister's official residence

Parliamentary museum

E

do period (1603 - 1868), Japan is separeted in comparision with present to be concentrated in Tokyo. Then each districts, called by HAN, formed para-naitons. Therefore the center of Japan existed as the symbol of minarchism. But after Meiji period (1868 - 1912), only Tokyo as the center of Japan more suddenly grew up than any other destricts. Thanks to it, Japan could get economic power and strength of the nation not to be defeated by foreign countries. However, in already matured present Japan, it's necessary not only Tokyo but also the local development. To do it, local of Japan have to get a strength again like HAN in Edo period. To express the well, third axis direct to histric place of Edo castle's castle tower.

D

ynamic symmetry, named by Kenzo Tange, is traditional composition in Japan. For example, Temple such as the Horyu-ji temple and stones of Japanese garden. It is different from tipical symmetry that is used well in Europe. The point to have a center is same, but other components are located more fluidly. And it becomes dynamic composition as a whole. Then I recomposed blocks of the site based on thinking of dynamic symmetry. And I put functions corresponding to each blocks.

42

Political Fanction Parliamentary annex

Cabinet office


rs

we

o eP

e

hr

on

T of

ati

r pa

e

eS

is

h fT

o

Ax

Axis of The National Diet street

Axis of Historic Place of Edo Castle's Castle Tower

43


44


Make a void that is a open place for the nation at the center of volume.

Extend the void from the center to every direction and divide into 4 elements.

Place functions along a depth direction to become higher.

T

Site plan S=1:1100

he current national diet building has a tower at the center as the symbol of authority of the state. But it referred to German ideas before world war 2 and it already become out of date. Therefore the contemporary national diet building must make new symbolic architecture and be designed for the nation. To realize it, I make open place at the center of this site and flow from every direction. 45


9330

4665

9330

4665

9330

8933 4665

9330

4665

9330

4665

9330

5

1015 8933

9330

4665

0

13

4665

9330

62

9330 62130

4665

4665

4665

4665

4665

0

4665

13

62

9330

4665

2865

9330

9330

9330

9330

9330

9330

+12,630

9330

25

334

94

275

4665

62130

0

9330

933

+6,600

±0

4665

9330

4665

46


9330 9330 9330 9330 9330

26400

74640

13200

9330

9330

6600

9330

ďź‹12,630

52800

2F plan S=1:1100

Interior perspective of assembly hall 47


2333

6600 6600

412

1167

9330

291

6600 9330

33730

28120

25830

1935 4665

1167 9330

9330

4665

9330

9330

2865

9330

9330

4665

3300

3300

GL

6600

6600

6600

6600

2333

2333

2333

42600

4665

77870

9330

4665

9330

9330

4665

East - West section S=1:1900

85936 9330

15533

4665

4665

4665

10155

4665

8933

4665

9330

4665

2333

4665

1167

4665 2333

9330

1167

6600

4665 1650

4665

4665

4665

1650

4665

GL

North - South section S=1:1900

+69,750

+43,695

+30,495 +22,895 +10,995

GL

East - West elevation S=1:1900

+67,750

+41,650

+28,860 +24,195

GL

North - South elevation S=1:1900 48


The Prefecture Committee Center looked at from under a cliff

Void of tne North Side 49


03

Gravity ~ Thinking on Your Body ~

MASTER 1 WORK 09.2014 ~ 01.2015

Location : Shimbashi,Tokyo Building Type : Exhibition, Creative Space

50


Feeling SPACE through a BODY Shimbashi that is a target site is the city that high information industries accumulate and continues growing up. To make this place more creative, I propose art gallery and temporary art fair. And I make workspaces like Fablab as a place of manufacturing. By these, I create the environment where art and manufacturing can be felt close. I design this architecture from directionality and mobility that are phenomenological space composition that is lacked from modern architecture. In all places being dierent, all users are available to physical and mentalsituation.

51


Parking

Bus

Parking

Taxi

+300 +1000

+700

+1250

+1800

Gallery

Gallery

UP DN

Gallery

Gallery

Site plan S=1:1300 52


Make places

Paul Klee

Make directionality / flow

Richard Serra

T Make walls

o let this architecture have directonality, reffered to drawing of Paul Klee. Then put up walls like Richard Serra's work on these lines drown by the method.By space made by this new geometry, can prepare various places to stay into the people. 53


+13800

+14550

+15300

300

16

950

16

+16050

300

300

300 6 170 124

+16450

400 +17100

Sectionaldetail Detail Scale Sectional S == 1:20 1:50

+19800 +19300

+17850

+18250

+18650

Common Space

Strage

3rd Floor Level +15300 ~ +18650 S = 1:800 54


P

repare the creation space through the art into Shimbashi and functionalize it as a local hub. Shimbashi and surrounding districts are already accumulating highintelligence industry, development is expected in the future. Then let art to be common as an act “to create” intervene and make environment to stimulate the creativity which is a required element. Then, establish the creation space as environment realizing “the value” of the thing. In there, it is environment widely open for local with the choice possibility that it is able to do from an experience of art, the manufacturing to high production work.

homogeneous space

articulation of the space

10,000 ㎡

compression

Exhibition Space

Creation Space

Art Gallery Installation

Workshop Company Gallery

3,000 ㎡

Acoustic Space

extension

Creation Lab. Artist in Residence

3,000 ㎡

? ARCHITECTURE

ART

HIGH-TECH

diferrentiation of the space

extension

continuous flow

55


Office

WC

Gallery

Gall

Parking

Parking

Parking

Machine Room

56


2,700 Strage

Residence

Residence

Strage

Residence

Residence

Strage

3,000

Gallery

Gallery

6,000

5,300

Residence

9,650

30,000

3,350

Residence

lery GL

Underpass

Longitudinal Section S = 1:350

57


04

Social Engine of Barcelona

EXTRA WORK 03.2015 ~ 04.2015

Location : La Escosesa, Barcelona Building Type : Social Center

58


59


Av.Meridiana

ia

n

V

ra

G

Site: La Escocesa

l

ona g a i v.D

A

60


2009 Existing buildings

Surrounding redevelopment plan

61


CONCEPT

Els Encants/b720 Fermin Vazquez

Once, factory is literally ENGINE of the modern cities... MACBA/Richard Meier & Partners

Trace of the movement is remained today.

62

Soc No reare fut So the are For MA rea Re ma reeng


cial Center is free space. ow surrounding of our site is -developing and the people who e higher than middle class in the ture. we have to make a space for e people who live originally and e lower class. r example, Els Encants and ACBA succeeded in making al public space. eferring them, I decided to ake the public and open space at -developement area such as gine of modern cities.

DYNAMICS OF SPACE

DYNAMICS OF PEOPLE

63


DIAGRAM

Mixing with Surrounding Bulding

Three-dimentional Plaza

64

Continuous Space


Old Roof & Old Structure

Continuous Circulation

gs

e

New Space & New Circulation

Combination of slope and plane

65


Common Terrace

Interior perspective South Entrance - 2nd Floor Plan S=1:700

Shop

Entrance Shop Cafe

Exhibition Space

Meeting Space

Library

Library

Cafe

Library

Shop

Entrance

South Entrance - Ground Floor Plan S=1:700 66

North Entrance - Ground Floor Plan S=1:700


Bird's eye view

Common Terrace

Restaurant

Library Cafe

Shop

Market

Section S=1:250 0

1

5

10

20m

67


05

Skyscrapers as a Homage to St. Basil

EXTRA WORK 09.2013 ~ 10.2013

Location : Zaryadye Park, Moscow Building Type : Governmental Institution, Apartment, Commerce, etc...

68


69


U

sual skyscrapers expand vertivcally as a symbol of CAPITALISM. Against it, El. Lissitzky pr o p o se d t h e “ Wo lk en b u g e l” w h ic h ex p a n d s horizontally as a symbol of SOCIALISM. Accordingly, I attempted to propose tertiary possibility as expanding obliquely. Therefore, I utilized sectional composition of St. Basil and the form of Tatlin's tower.

70


Ground Floor Plan S=1:1400 71


M 06

Music of the Spheres

BACHELOR 3 WORK 06.2012 ~ 7.2012 Professor : Hajime Yatsuka Location : Sekiguchi,Tokyo Building Type : Cathedral

72

usic. It's the most important thing to celebrate mass. Composition by classic proportion and uncompleteness like baroque...what is the contemporary church architecture overcoming them? I reflect two vocabulary of the contemporary music to the structure. They are "glissando" and "cluster". The warped space that spread out endlessly, straight lines weave. Music of the spheres plays here.


73


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