A Note On the Tonality of Film Today

Film has long been a method of communicating ideas, beliefs, and systems to audiences around the world. But the question has long been posed as to just how much of fil m should be left up to the subjective interpretation fo audiences and how much should be objective and concrete, structured tonality. How does a film maker truly set the tone of messaging without providing a concrete explanation of the underlying message?

The two greatest methods, particulary discussed in this issue, are likely the most obvious to filmmakers. But these same two methods are often unrecognized indicators to audiences. Doing their job silently. Lighting and colorgrading are two methods in which filmmakers indicate the tonality of the film, guiding viewers to understand the tone of film without giving the audience an on-the-nose explanation of the message.

As film continues to grow and evolve, these aspects of the craft will only, assumingly, grow as well. Tone creates a sense of presence for the viewer, and draws them in to the action on screen. A compelling story is at the heart of any engaging movie, and when you become invested as an audience member in the story, the director and crew have done their jobs properly. Tone is powerful, and it is ultimately the vehicle that carries the audience on their cinematic journey through your story. Tone can change from scene to scene, so ensure each moment is carefully crafted to achieve what you want it to.

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