Language of Landscape

Page 1

THE LANGUAGE OF LANDSCAPE * * Citing The Language of Landscape Writen by Anne Whiston Spirn

Yini Tang

B.E n g i n e e r i n g, To n g j i U n i v e r s i t y, C h i n a | y i n i.t a n g.c n @ g m a i l.c o m | + 8 6 18 81759 9 0 0 5 1


v

THE LANGUAGE OF LANDSCAPE

| Contents

TO INTERPRET Landscape represents itself in a cer tain pat tern of point, line and sur face. Those pat terns are well orgnized under social and natural causes. Hence, it is the dut y of a landscape architect to interpret the u n s p o k e n r u l e s.

Views Through Train Window

16

Interpret Landscape in Different Regions Photography & Research

" Ta k i n g M a s u r e A c r o s s A m e r i c a n L a n d s c a p e" B y James Corner

TO CREATE To i n t e r p r e t i s t h e f i r s t s t e p, t o c r e a te i s t h e s e c o n d. B a s e d o n d e e p understanding of place, one could f u l l y d e f i n e t h e m u l t i - l a y e r i n fo r m a t i o n it of fers, including its substance and p r o c e s s, a n d t h e n t a k e i t s a d v a n t a g e to s o l v e i t s p r o b l e m s.

Memory of Wolong Mountain

2

Revel Human & Nature Relationship in Rural Spot

Productive Landscape Activation around Urban Edge

Broken Beauty

5

10

Restoration in Post-industrial Quarry

By Pablo Picaso

Stream

14

Translate music into traditional Chinese garden

Supplement

18

Other Works Fine Art

1


MEMORIES OF WOLONG MOUNTAIN Minimal Design for Spirit of Place

Te a m Ze r o C o m p e t i t i o n P r o j e c t, A u g u e s t 2015 C o l l a b o r a to r s: Q i a o q i D a i C o n t r i b u t i o n: S i te A n a l y s i s 70 % , D e s i g n 3 0 % , D r a w i n g 4 0 % M o d e l 10 % I n s t r u c to r : E r c u G o r g u l, X i a o fe n g Z h u S i te: Y i n a n , S h a n d o n g

INTRODUCTION | Memories of Wolong mountain T h e n at u r a l c o n d i t i o n s of Wo l o n g m o u nt a i n c h a n g e d y n a m i c l y as e l e va ti o n i n c re a s e, s o i l b e c o m e s p o o r a n d ve g e t a ti o n b e c o m e s s p a r s e r. A n d t h e s l o p a ls o c h a n g e s M e a nw h il e, re s i d e nts ex p l o i t

the mountain corresponding to the natural condition of the m o u n t a i n. Te r r a c e d f i e l d i s l o c a t e d a t t h e f o o t, w h e r e s t e e p i s g e ntl e r a n d s o il is r i c h; G raveya rd is l o c ate d i n g e ntl e h ill, w h i c h

T h i s p r o j e c t a i m s to u s e m i n i m a l m e t h o d to m a ke a d i a l o g u e w i t h Wo l o n g M o u n t a i n. B y e x p l o r i n g t h e v i a r a t i o n o f n a t u r a l c o n d i t i o n s o n d i f fe r e n t e l e v a t i o n s a n d t h e c o r r e s p o n d i n g h u m a n a c t i v i t i e s , w e b e g i n to u n d e r s t a n d t h e r e a s o n w h y r e s i d e n t s e x p l o i t t h e m o u n t a i n i n c e r t a i n b r r i l i a n t w ay s . I n s t a l l a t i o n s a r e d e s i g n e d o n a n o l d p a t h to r e s p e c t t h e s p i r i t o f e a c h s i te. T h e s e i n c l u d e a r i b b i n g fo r te r r a c e d f i e l d, a t r e s t l e fo r g r a ve y a r d, a n o b s e r v a to r y fo r q u a r r y a n d a p a r a p e t fo r te m p l e.

Te r r a c e d F i e l d

Graveyard

Quarry

Te m p l e

Dense Vegetation

Overwood

Moderate Vegetation

Sparse Vegetation

94% Soil 6% Rock

70% Soil 30% Rock

45% Soil 55% Rock

30% Soil 70% Rock

20m

30m

35m

50m

2


SITE ANALYSIS & STRATEGY | Four Nodes on An Old Path To d a y, t h i s m o u n t a i n i s g o i n g t o b e a p a r k f o r r e c r e a t i o n o f r e s i d e n t s . Ye t t h e g r a v e y a r d a n d t h e t e m p l e a r e s t i l l i n u s e. I n o r d e r t o k e e p t h e m e m o r i e s o f t h e

Terraced Field

Graveyard

Quarry

Temple

AXONOMETRIC VIEWS m o u nt a i n, a n d b a l a n c e t h e o l d a n d n ew way of u s ag e, fo u r n o d e s is s e l e cte d o n a n o l d p at h, a n d m i n i m a l a r t i n st a ll ati o n s a re d e s i g n e d.

Ribbing

Tr e s t l e

O bse r vator y

Parapet

Made by Dai

3


TERRACED FIELD | Ribbing

QUARRY | Observatory

To r e v e a l t h e o l d te r r a c e d f i e l d, a l a n d fo r m of a re p e ate d wave-s h a p e is s et, sy m b o li z i n g its continuously rising and falling ribbing, u p o n w h i c h, c o r n s t r a w p a v e s t h e p r e v i o u s path. This site could be used to go s i g hts e e i n g a n d re st, o n t h e s a m e t i m e i m p l y i ts ag r i c u l t u ra l m e m o r y.

A ramp digged downward from top of the precipice left by the quarr y implys the e x c a v a t i n g p r o c e s s o f a q u a r r y. T h e c a s ti n-p l a c e c o n c rete s t a i rc a s e a n d t h e we at h e r re s ist i n g ste e l p l ate a n d g l as s to e b o a rd of fe r a st ro n g i n d u st r i a l s e n s e.

Made by Dai

Made by Dai

GRAVEYARD | Trestle A s t h e p a t h p a s s i n g t h r o u g h t h e g r a v e y a r d, a t r e s t l e i s s e t to l e t to u r i s t s d i s t u r b l e s s to t h e g r a v e y a r d v i s i te r s, a n d m e a n w h i l e e n j oy t h e fo re st f ro m d i f fe re nt h e i g ht. T h e t re st l e is m a d e by wo o d, a m ate r i a l c l o s e r to t re e s; t h e o u t wa rd l e a n i n g to e b o a rd m i n i m i ze s t h e v is u a l distur bance to the graveyard and maintains t h e t ra n q u il at m o s p h e re.

Made by Dai

TEMPLE | Parapet To s e p e r a te t h e t w o f u n c t i o n s of te m p l e and viewing deck, the viewing deck is l o c a te d b e l o w t h e te m p l e; t h e te m p l e i s e n c l o s e d b y s to n e w a l l; a n d a l i t h e s h e et of c a s t-i n -p l a c e c o n c r ete s t a i r c o n n e cts t wo p l at fo r m s. I n t h i s way, t h e sacredness, introversion atmosphere is strenghthend and the need for sightseeing is satisf ied. T he wall also i n c re as e s t h e vo l u m of t h e m o u nt a i n to p.

Made by Dai

Made by Dai

Made byi Dai

4


PRODUCTIVE LANDSCAPE Urban Farming in an Abandoned Area around Port AS L A C o m p e t i t i o n P r o j e c t, M ay 2015 Personal Project I n s t r u c to r : E r c u G o r g u l S i te: Wa i g a o q i a o P o r t, S h a n g h a i

INSTRUCTION | China's Ports

| Leftovers along with Ports' Development

China has seven por ts w hose throughpu ts are among the top ten of the world. T he expension of por ts means countless c o n st r u ct i o n of re l ate d i nf r u st r u ct u re s, li ke h i g h way, fa cto r y, etc, af fe ct i n g b ot h t h e tex t u re of c i t y as we ll as li fe s of s o m e p e o p l e.

S p a c i a l l y, a m o n g t h o s e p o r t s, s o m e a r e c l e a r l y zo n e d, s u c h a s X i a n g g a n g a n d S h e n z h e n, b u t o t h e r s, a r e o r g n i z e d a s c o l l a g e, g r o w i n g b a s e d o n a g r a n d m a t r i x o f f a r m l a n d a n d v i l l a g e. T h e re m a inin g v illiag e s a re g radu a ll y e n circle d, a ba n do n e d, d e st roye d, b u t l ate r a m a z i n g l y t u r n e d i nto s p o nt a n e o u s p a r k i n g l ot.

T h i s p r o j e c t a i m s to f i r s t a n a l y s e h o w u r b a n p r o c e s s h a s i n v a d e d a n a r e a n e a r o n e o f t h e b i g g e s t p o r t s i n C h i n a , a n d t h e n to r e g e n e r a te i t by m a k i n g u s e o f t h e fo r c e o f u r b a n p r o c e s s i t s e l f. B y a d d i n g E c o U r b a n F a r m i n g i n to t h e s y s te m , b o t h p h y s i c a l a n d s o c i a l r e s o u r s e s a r e m a x i m a l l y u s e d, i n o r d e r to m a ke t h e p l a c e h a b i t a b l e a n d p r o v i d e a w ay o f l i v i n g fo r l o w i n c o m e p e o p l e t h e r e. D i f fe r e n t e c o n o m i c m o d e s , fo o d p r o d u c t c a t a l o g u e a n d a r a i n w a te r i r r i g a t i o n s y s te m a r e c a r e f u l l y d e s i g n e d to r u n t h i s p r o d u c t i v e l a n d s c a p e.

Throughput 400 TEU

Worlds' Top 10 Ports History Shanghai

+ 1900s

Xianggang

Farmland

+ 1900s

Shenzhen

Viillage

+ 1994

Port

+

Ninbo 2001 Qingdao 2013

Elevated Road

-Village +

Guangzhou 2014

Spontaineous Parking

Site Tianjin

5


SITE ANALYSIS | Activity of Container Drivers

| Activity of Aboriginal People

STRATEGY | Urban Farming

B et we e n t r a n s p o r t m is s i o n s, c o nt a i n e r d r i ve r s m ay h ave a b re a k wa i t i n g fo r o rd e r s. D u e to t h e l o c at i o n of t h e s i te, i t b e c o m e s t h e p a r k i n g l ot a n d re st st at i o n fo r m a ny d r i ve r s.

M a ny a b o r i g i n a l p e o p l e l ef t. T h e re st s p o nt a n e o u s l y g row ve g et a b l e s, r a is e p o u l t r y, s e ll ve g et a b l e s to n e i g h b o u r, s e ll c o o ke d fo o d to c o nt a i n e r d r i ve r s i n re st a u r a nts a n d i t i n e r a nt ve h i c l e s.

U r b a n fa r m i n g i s proposed to regenerate the site. T hree modes of urban farming are introduced, to fit in dif ferent space, a nd to benifit all - aboriginal people, drivers and c i ti ze n s f ro m d ow ntow n.

Tr a n s p o r t i n g P r o c e s s

Export Order Parking Lot

Warehouse

Container Yard

Production & Business

Site

Site

Port

Warehouse

Aboriginal People

Container Drivers Urban Farming

Shanghai Citizen

Mobile Farming Aboriginal People

Inport Order

| Spatial Arrangement

Product

Container Drivers Grow Vegetables

Parking Lot

Transport

Compound Farming

Warehouse

Container Yard

Port

Parking Lot

Grow Vegetables

Raise Poultry

Sell Vegetables

Restaurant

Itinerant Vender Restaurant Vegetables| Poultry

Restaurant Sell Vegetables Homemade

Orchard Grow Fruits

Picking Fruits

6


SITE PLAN

IRRIGATION SYSTEM Rain water would be collected from par k inglot and cleaned t h ro u g h d ra i n g e, f il te r of p l a nts a n d g rave l, wate r a e rati o n c iste r n

Urban Farming Area

3 M a r ket 1 M o b il e Fa r m i n g 4 R e st a u ra nt & G ro c e r y 2 C o m p o u n d Fa r m i n g 5 O rc h a rd

6 L i v i n g A re a 7 Pa r k i n g l ot

8 R a i n Wate r F il te r 9 Ciste r n

05

0

100

a n d t h e n b e e n u s e d i n t h re e k i n d s of fa r m i n g i r r i g ati o n. E l e ct r i c i t y g e n e rate d f ro m p i ezo b a c k s u p t h e sy ste m.

200m

Drainage & Filter

Ciste rn & Wate r Ae ration

Irrigation

m³ g: min 120 Far =21 bile 28 Mo ³ * 5 m 40 7 6 8 2

4

m³ 00 325 ter: a inw Ra

6 1

ar / ye

g: min m³ Far nd 400 pou 10 =4 m Co ³ * 1 m 40

3 9

0 20 : 3 city rn a s t e e Cap i C rag Sto

5

h kw

w 4k n: ratio Ae ter a W day

/t,

5 1. o : /day ez P i 0kwh 112

g: y htin /da Lig kwh 0 60 h/

³ ay 5m h/d : 86 kw ard : 22 rch ing O p m Pu Led vity Gra

ZONING 1 Retain Living Area

2 Ve h i c l e Tr a f f i c

3 P e d e s t r a i n Tr a f f i c

4 Gre e mway Conne ction

Parking Lot

Piezo

Water Collection

Farming

Piping

7


FARMING INSTALLATON | Irrigation Detail

PARKING LOT | Detail I n p a r k i n g l ot, e l e ct r i c i t y is c o ll e cte d by p i ezo; wate r is c o ll e cte d b y l e a n i n g g r o u n d, a n d i s p u r i f i e d p u r i f i e d t h r o u g h g r a v e l f i l te r

| Product Cateloge

a n d p hy to re m e di ati o n; a i r is a ls o p u r i f i e d by p l a nts.

Mobile Farming T h o u g h c o nt ro l of te m p e rat u re a n d wate r (N F T ), c o m m o n ve g et a b l e s c o u l d b e p rov i d e i n a ll s e as o n s. Composition of Automobile Exhaust NOX

6

PM

5 4

NOX Transformation

Absorption

Pt

Block

2

3 1

3 Water Pump 4 Planting Bed 5 Water Circulates Back 6 Artificial Lighting

1 Fresh Water 2 Water Container

Compound Farming Us e a cyc l e of m at te r a n d e n e rg y a n d h o m e m a ke p ro c e s s to p rov i d e a va r i at y of c ate l o g u e.

withered vegetables

4 5

Poultry Piezo Wood Mulch

Stone Base Made from Ruins of Buildings

Engineered Soil

1

Stone Base Made from Ruins of Buildings

Restraint with Drain Hole

Perforated Pipe Connected to Cistern

Worms on Stool Medium

Homemade Process

1 fish tank 2 water filte 3 Water Pump 4 Planting Bed 5 Water Circulates Back

3

Organic Fertilizers

Fresh Vegetables

2

Soil Subgrade 0.5% Gradient for Drain

Drying

| Filter Plant Selection

Pickle

Crush

Homemade Food

Freshwater Fish

Orchard Us i n g t h e te c h n o l o g y of i nte rc ro p p i n g, f r u i t c o u l d b e p i c ke d i n a ll s e a s o n s.

Poor Soil Adaptability Perilla frutescens

Filter Ability

Abutilon theophrasti Medicus

Lonicera japonica Thunb.

Lycium chinense Mill.

Physalis alkekengi

Physalis alkekengi

Chlorophytum comosum (Thunb.)Baker.

Pennisetum alopecuroides (L.) Spreng

Jan.

1

Feb.

Mar.

Apr.

May

Jun.

Jul.

Aug.

Sep.

Oct.

Nov.

Dec.

2

1 Water Pipe 2 Ribbing

8


SECTIONS

PERFORMANCE

| Mobile Farming C o nt a i n e r s of ve g et a b l e s a re t r a n s p o r te d by s p a re t r u c ks to t h e c i t y a n d s o l d d i r re ctl y to c i t i ze n s i n S h a n g h a i.

Pe d e st r i a n

M o b il e Fa r m i n g

L i v i n g A re a

Pa r k i n g Lot

E nt ra n c e

| Compound Farming T h r o u g h I n te r p l a n t a t i o n a n d c a r ef u l p l a n n i n g, f r u i t c o u l d b e p i c ke d i n e v e r y s e a s o n. I n f r u s t r u c t u r e i s b u i l t

R e st a u ra nt

C o m p o u n d Fa r m i g n

o n c i s te r n fo r p e o p l e to p a s s a n d r e s t.

M a r ket

G ro c e r i e s

G ro c e r i e s

C o m p o u n d Fa r m i g n

| Orchard I t u s e s a c yc l e of m at te r a n d e n e rg y a n d h o m e m a d e p ro c e s s to p rov i d e a ve r i at y of c at a l o g u e, i n c l u di n g f is h, p o u l t r y, ve g et a b l e a n d h o m e m a d e fo o d. T h e b ro ke n h o u s e s

C i s te r n

Infrastructure

a n d o p e n s p a c e s is re p a re d to s et ve g et a b l e fa cto r y, fo o d m a r ket a n d g ro c e r i e s a n d fo r n ati ve p e o p l e to li ve.

I n te r c r o p p i n g

Spring

Summer

Autumn

Winter

9


BROKEN BEAUTY Post-industrial Quarry Revival B a c h e l o r G r a d u a t i o n P r o j e c t, S p r i n g 2015 Personal Project I n s t r u c to r : D e s h u n Z h a n g S i te: Y i n a n , S h a n d o n g T h i s p r o j e c t a i m s to r e s to r e t h e a b a n d o n e d q u a r r y i n Y i n a n V i l l a g e i n to a s c e n i c s p o t . T h e b a r e l e s s g r o u n d r e q u i r e s w a te r m a n a g e m e n t a s w e l l a s p h y to r e m e d i a t i o n. M e a n w h i l e, t h e s p e c i a l e x p e r i e n c e o f c l i f f o f fe r s a g r e a t o p p o r t u n i t y. W h a t ' s m o r e, t h e r e s to r a t i o n f a c i l l i t i e s t h e m s e l ve s c o u l d b e p a r t o f t h e b e a u t y: t h e c o l l o c t i n g w a te r fo r m i n g a s e a s o n a l w e t l a n d , t h e p l a n t s d a n c i n g w i t h t h e c l i f f, a l o n g w i t h e x i c i te m e n t o f fe r e d by t h e c l i f f s .

INTRODUCTION Ta k e a r i d e i n S h a n d o n g , o n e w o u l d n o t i c e a p e c u l i a r p h e n o m e n o n -- q u a r r i e s a re eve r y w h e re. I ts' l o c at i o n fo ll ow s t h e g e o l o g i c d i v i s i o n o f g a b b r o, a zo n e r i c h o f o r e. T h e a m o u n t i s a s to n i s h i n g, l e a v i n g t h e p r o b l e m o f r e s to r i n g t h o s e a b a n d o n e d ones becoming a reginal concern. Thousands of quarries

d i g g i n g o u t of d i f fe re nt t y p e s of m i n e ra l re q u i re d i f fe re nt k i n d s of p hy to r i m e di at i o n. I t is a c h a ll e n g e, b u t t h e va r i et y of fo r m s, s i ze s a n d c o m b i n ati o n c o r r e s p o n d i n g to i t s u n i q u e e n v i r o n m e n t a l s o p r o v i d e a c h a n c e fo r s p ati a l ex p e r i e n c e.

Ore Output Shandonng/ China

Variety

Site

10


SITE ANALYSIS | Original Habitat

| Quarries

HYDROLOGY | Strategy

| Process & Zoning

T h e b a r re n so il a n d ove ra ll d ro u g ht clim ate re st r ict t h e dist r ib u tio n of p hy to c e n o s i u m.

T h ro u g h t h r p ro c e s s of q u a r r y i n g, l a n d fo r m a re c h a n g e d a n d n ow t h e ste e p s l o p is ex p o s e d e as il y to r a i nwate r e ro s i o n i n s u m m e r.

F o u r s t r a te g y s a r e p r o p o s e d to l i m i t r a i n w a te r e r o s i o n a n d b u i l t a n e nv i ro n m e nt s u i t a b l e fo r p l a nts to g row.

T h e p ro c e s s of q u a r r y i n g is ex p l o i t to refo r m t h e l a n d fo r m.

Soil

Forming Process

Precipitation

Reorming Process

350 mm Soil

Limestone Jan. Feb. Mar. Apr.

May Jun.

Jul.

Aug. Sep. Oct.

Nov. Dec.

Habitat Poplar Forest

Stripping

Quarring

Transporting

Smashing

Screening

Level Bench

Transporting

Steep ( > 45 )

Level Bench

Landform E xposed to Rainwate r Erosion Shrub Forest

Cypress Forest

Coniferous Forest

Meadow

> 60

o

o

45 - 60

o

o

30 - 45

o

o

15 - 30

o

<15

Reservoir

Transporting

Making Gibion Retaining Wall

Earthing

Herbage

1 D igging Leve l Be nch

2 P l a c i n g G e b i o n R e t a i n i n g Wa l l

3 Earhing

4 D igging Rese r voir

o

Medium ( 15 - 45 )

Gabion Retaining Wall

Shrub

80 m 50 m Rock /Soil

Gentle ( < 15 )

Urban Sludge & Topsoil

Tree

Ponding ( < 15 )

Reservoir

Hydrophyte

Light Water

11


PLANTING | Plant Selection

| Succession

SITE PLAN

Pl a nts a re s e l e cte d a c c ro d i n g to c o n d i t i o n s of li g ht, wate r as we ll a s d e g re e. To fe r y ili ze s o il, p i o n e e r s a re g rowe d f i r st.

Pl a nts a re s e l e cte d a c c ro d i n g to c o n d i t i o n s of li g ht, wate r as we ll as d e g re e. To fe r y ili ze s o il, p i o n e e r s a re g rowe d f i r st.

P l a n t s a r e s e l e c te d a c c r o d i n g to c o n d i t i o n s o f l i g h t, w a te r a s w e l l a s d e g r e e. To fe r y ili ze s o il, p i o n e e r s a re g rowe d f i r st.

Natural Condition

Planting Strategy Year 1

Year 10

Year 20

SECTIONS

Planting

Rainwater Management

Circulation

1 2 3 4

5 Leve l B e n c h 6 G a b io n Ret a in nin g Wa ll

O r ig i n a l Pat h N ew Pat h 7 to F i e l d s 8 to M ou ntain 9 to R i ve r

Po p l a r Fo re st S h r u b Fo re st C o ni fe ro us Fo rest s e as o n a l Wetl a n d

Soil Degree

Light

p hy to c e n o s i u m

Water

Growth Removal

Interplant Dominant Plants

Growth Removal

a-a

Afforestation 8

a

Plant Pioneers

b 1

Plant Selection

Succession

2

Year 1

b-b

a

80 m 50 m

b

6 5

f

f

3

3

3

c

3

0 5M

Light Water Habitat

Poplar Forest

Shrub Forest

Coniferous Forest

Seasonal Wet Land

Year 10

c d e

4

d e

f-f

5M

0

c-c

Year 20

Soil Degree

d-d 9

Light

7

Water

Hisp Cog Willo ong id Art rass w hrax on

5M

Sea Hon Cyp -buc ress e ktho ysuckle rn

150

300

500m

0

0

Rhu P s Ty oplar phin a

e-e

12


PERFORMENCE | Seasonal Wet Land Former machine paths are retained and re-organized into a circular track system, passing through dynamic spaces of

PERFORMANCE | Paths q u a r r i e s; s c e n e r y s a l o n g p at h s c h a n g e f ro m ye a r to ye a r.

Fo r m e r m a c h i n e p at h s a re ret a i n e d a n d re- o rg a n i ze d i nto a c i rc u l a r t ra c k sy ste m, p as s i n g t h ro u g h d y n a m i c s p a c e s of q u a r r i e s; s c e n e r y s a l o n g p at h s c h a n g e f ro m ye a r to ye a r.

Ye a r 1 Spring

Ye a r 10

Ye a r 2 0

Circulation

Summer

Retained Machine Path

machine path quarry area natural river

13


STREAM Transform music to traditional Chinese garden

CONCEPT | From Music to Space

To n g j i C o r e S t u d i o, M ay 2014 Personal Project I n s t r u c to r : H o n g j u n Z h o u T h i s s t u d i o a i m s to d e s i g n t r a d i t i o n a l C h i n e s e g a r d e n. M y i n s p i r a t i o n i s f r o m a t r a d i t i o n a l C h i n e s e s o n g c a l l e d " L i u,S h u i (S t r e a m)" . I t r y to t r a n s l a te m u s i c i n to s p a c e.

I n t e r p r e t a t i o n o f 'L i u S h u i' ( S t r e a m) A 1 0:00

A 2 0:36

A 3 1:28

A 4 1:37

Melody Rhythm

B 1 3:13

B2 3:38

C1 5:17

B3 5:00

C2 6:19

C3 7:14

Sence of Space A

B

C

14


流水园(一)

唐艺倪 1150428 指导老师 周宏俊

PLAN

漫步初遇流水的闲适

S p a c e s e q u e n c e is fo l d e d i nto a l o o p.

流水一泻而下的灵动 PERFORMANCE

视野开阔明朗的愉悦

转译意象图

流水

白皮松 +0.300

凌水轩 一层

玉兰

这个园子来自于我对一首名为“流水”的古琴乐的解读 这首曲子的意境分为三段,分别是 从漫步初遇流水的闲适 ,到流水一泻而下的灵动,再到视野开阔的明朗愉悦

+0.600

0:00 舒缓的旋律,有漫步、闲适的感觉--竹外轩

+0.900

0:36 高音,像是水的引子--停水阁 玉兰

1:14 通过下滑音阶衔接产生一种急剧的转换,但是又提供了过渡回到漫步状--两山房 +0.600

1:28 用更高的泛音重申水的引子,像是透过另一个层次感受另一端的水--仙人洞

海棠

1:37 用重复的韵律过渡,仿佛顺其自然地回到漫步

+0.600

断廊 一层

+0.900

腊梅

3:13 过耳难忘的重复的动机,像是在前行的过程中水忽隐忽现--八音涧 3:38 达到高潮,像是水跌落、一气呵成、渐至平缓

白皮松

5:00 以高音的回转结束--桃源

+0.900

石榴

A

竹 腊梅

5:17 回归漫步,但情感上多了一分愉悦与明丽--<。)#)))≦乐亭、凌水轩 6:19 水的主题的重申,像是将水的能量泄出--半步桥

+0.600

竹外轩 一层

+0.600

7:14 淡出的尾音-断廊(模糊室内外界限以从室内过渡向室外)

空间组织

+0.600

柿树 竹 桃 鱼乐亭 一层 +1.200

白皮松 竹 芭蕉

榆树 停水阁 一层

B

桃 桂花

+0.600

+1.200

仙人洞

两山房 一层

+1.800 +0.600

八音涧 平面1:100

SECTIONS C

一剖面1:100

二剖面1:100

15


VIEW THROUGH TRAIN WINDOW Interpret Rural Landscape Along Rail Tracks P h o to g r a p h & R e s e a r c h P r o g r a m , F e b r u a r y 2015 P e r s o n a l Wo r k

PHOTOGRAPH Tr a i n to o k m e t h ro u g h Eu ro p e a n d C h i n a, h e re I s e l e c t m a i n l y 7 p l a c e s.T h e s u c c e s s i ve p h oto g ra p h s re c o rd u n i q u e l a n d s c a p e s of

d i f fe re nt p l a c e.

Nanchang, China

Ningbo, China

Shandong, China

Olvierto, Italy

Chur, Switzerland

Le Havre, France

Lil e, France

Gent, Belgium

Dinteloord, Netherland

M y i n te r e s t o f i n te r p r e t i n g d i f fe r e n t l a n d s c a p e p r o p e l s m e to t a ke a s e r i e s o f p h o to g r a p h s w h e n e v e r I g o o n a l o n g - d i s t a n c e t r a i n t r i p, to o b s e r ve h o w n a t u r e c o n d i t i o n a n d p e o p l e’s w ay o f l i v i n g c h a n g e a l o n g t h e r a i l t r a c k . T h o s e p h o to g r a p h l e d to f u r t h e r t h o u g h t o n t h e p a t te r n o f r u r a l l a n d s c a p e a n d i t s n a t u r a l o r s o c i a l c a u s e s b e h i n d.

16


technique

Social Cause Production

36 C 90 hu m r, S * 2 w 18 itz 0m er lan d

Climate

Landform

NAatural Cause

26 Le 80 Ha m * vre 18 , F 80 ra m nc e

27 Na 15m nc * ha 12 ng 30 ,C m hin a

Cluster

10 Le 00 Ha 0m vre * 5 , F 20 ra 0m nc e

1 House

Boundary

Decomposed Pat tern

30 Di 80 nt m elo * or 30 d, 80 Ne m th er lan d

Unit

France

Nanchang

Jiangsu

Netherland

E a c h p at te r n of l a n ds c a p e h as i ts n at u ra l a n d s o c i a l c a u s e s

Shandong

Italy

Switzerland

36 Sc 00 ale m * 36 00 m

CAUSES

C o n c l u d e t h e p at te r n a n d s c a l e of fa r m l a n d a n d v ill ag e.

NATURAL RESONS

Mode

57 O 40m lvi er * to, 33 Ita 90 ly m

56 Sh 30 an m * do 29 ng 6 , C 0m hin a

PATTERN

17


MODULE A

MODULE B

MODULE A

MODULE C

OTHER WORKS

O t h e r Wo r ks Fine Ar t

MODULE C

PROTECTION

PROTECTION

SUPPLEMENT

MODULE B

extérieur

INTERIEUR

extérieur

INTERIEUR

extérieur

INTERIEUR

extérieur

INTERIEUR

extérieur

INTERIEUR

extérieur

INTERIEUR

extérieur

INTERIEUR

extérieur

INTERIEUR

extérieur

INTERIEUR

extérieur

INTERIEUR

extérieur

INTERIEUR

extérieur

INTERIEUR

COUPE

COUPE

1/500

1/500

CHIFFRES CLÉS :

CHIFFRES CLÉS :

SHON RT : 1794 m2 VOLUME : 7027 m3

SHON RT : 1794 m2 VOLUME : 7027 m3

ENVELOPPE :

ENVELOPPE :

COMPACITÉ : 0,3 adim BBIO MOY : % OUVERTURE : 62 % CONFORT LUMINEUX: 59 %

COMPACITÉ : 0,3 adim BBIO MOY : % OUVERTURE : 62 % CONFORT LUMINEUX: 59 %

BESOINS:

BESOINS: 29 kWh/m2 12 kWh/m2 7 kWh/m2 2 kWh/m2 0 kWh/m2

29 kWh/m2 12 kWh/m2 7 kWh/m2 2 kWh/m2 0 kWh/m2

B U R E AU D E S I G N

PL A Z A DESIGN

Erasmus Studio, August 2014 Collaborators: Damien Najeau, Anais Buon Contribution: Design 30%, Site Distribution 30%, Drawings 30% Instructor: Nadia Hoyet, Fabien Duchène Site: Strasburg, France

Tongji Core Studio, March 2015 Personal Project Instructor: Hongjun Zhou Site: Shanghai, China

LIUBAIZHANG SCENIC ARE A PL ANNING

TR ADITIONAL CHINESE GARDEN DESIGN

Internship Project, July 2014 Site: Anhui, China Area: 2275 ha

Tongji Core Studio, May 2014 Personal Project Instructor: Hongjun Zhou

DRAWING | A Night on Bus

18


FINE ART

| Photograph

| Carving

Dynamic Huizhou

Lotus Seedpod | Ballet

Art as a Thingking Tool

Fo r m e, a r t is a way to reve a l i nv is ib l e re l at i o n s h ip s b et we e n t h i n g s t h at a re s h a r i n g t h e s a m e "g ra m m a r ". I t a ls o s e r ve s as a m e di u m to t ra n sfo r m f ro m re a li t y to my p e rc e pti o n, f ro m i nte r p reti n g to c re ati o n. A s a l a n ds c a p e a rc h i te ct, I t a ke d e li g ht i n ex p l o r i n g t h e o r i g i n of t h i n g s. S o I e n j oy a r t.

Dermatitis | Sea Wave

19


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