Portfolio
Tanner Glackin
2
4-9 | Dallas Warehouse 10-11 | Steel Warehouse 12-13 | Wood Warehouse 14-19 | Charlotte Retail Store/ Apartments 20-21 | Tschumi Slide 22-25 | Chicago Makerspace
“There is no architecture without action. no architecture without events, no architecture without program. By extension there is no architecture without violence.” - Bernard Tschumi
Shipping and Recieving
Warehouse Admin
3.
Mech
Manager Offices
2.
Sie Plan 1.
4.
General Staff
Janitorial
Coffee Station
Manager Offices
6.
5. Warehouse Break
Exterior Perspective Coffee Station Customer Contact
Human Resources
7.
11
Interior Perspective
4 _Warehouse + Distribution Center
Tanner Glackin (3rd Year, Professor Peter Wong)
Finding the Voids Program Mapping and Distortion “Finding the Voids” became largely an expansion from the idea of the steel warehouse earlier in the semester. A free plan was derived from mapping program throughout a rectangular box that is scaled based off the square footage needs of the warehouse. Networks based off program were drawn and structural grids of the columnar and louver system were overlayed on the box. Programatic spaces were then derived by drawing contours through the overlays. The spaces exist as pavilions cut out of a dense fabric of shelving, underneath a flying carpet roof and formed to create suggested relationships between other programs.
hanical
1.
9.
8.
10.
13.
President/ VP Offices
12. 14. Lobby
Cubist Painting Diagram of Free Plan
Structural and Building Model Showing Parametric Louver System that Relates to Path Through the Building.
Site Plan Model
Abstract Massing Building Model
Building Free Plan and Immediate Site Conditions
6 _Warehouse + Distribution Center
Tanner Glackin
8 _Warehouse + Distribution Center
Tanner Glackin
3’
2.5’
5’
10’
Pivoting Louver Double Glazing Aluminum Mullion Hollow Steel Beam Hanging Pin Connection Tension Cable Glazing
5’
30’
Spider Joint
Exterior Side Perspective
Experiential Interior Perspective
Exterior Front Perspecive Showing Void
10 _Steel Warehouse
Tanner Glackin (3rd Year, Professor Peter Wong)
Steel Warehouse
SECTION A 1/4” - 1’ 0 “
Open Web Joist CUSTOM FITTING
The cheap and repeditive quality of the open web joist structural system became the drive for the concept of the steel warehouse. The open web joists populated the building by becoming a dense fabric of shelving. This allowed the open web to be both the vertical and horizontal aspect of the structural system. To create spaces that can accomodate people in the building, spaces were carved out of the dense network of shelving. By doing this, these “people spaces” became experiential spaces, fracturing light as it moves through the shelving system to the voided space. The central void became reguralized to accomadate a variety of programs, while the entrances composed of triangular based forms for a more dynamic experience of circulation.
RUBBER SPACER C BRACKET MULLION BOLT GLASS PANEL
RUBBER SPACER GLASS PANEL C BRACKET ALUMINUM MULLION WELDED STEEL SHELVING
WALL SECTION 3/4” - 1’ 0 “
PARTIAL ELEVATION 3/4” - 1’ 0 “
Building Elevation Showing Glass Facade
Building Roof Plan Opening Up to the North
SECTION 1/8”- 1’0” BOLTED, SPACED TRUSSES TANNER GLACKIN & ALEXANDRA WAGNER
Long Section Showing Expansion
SECTION 3/16”- 1’0” BOLTED, SPACED TRUSSES TANNER GLACKIN & ALEXANDRA WAGNER
Wide Section
12 _Wood Warehouse
Tanner Glackin (3rd Year, Professor Peter Wong)
Wood Warehouse Bolted Space Truss The project’s two key concepts were the idea of space that compresses and expands, as well as the layering of the structure. The bay sizes of the building are based off of the golden section proprtions and expands in size from the corner of entry to the gallery spaces. The truss system followes a similar logic. While the bay spaces expandes throughout the building, the truss network occupies the interior of the building then expands vertically occupuing the exterior and opening up to north light. To achieve this, the trusses are layed with dimensional lumber and modified as each bay expands. The columns are built up in layers of demensional lumber of different sizes to carry the concept of layering throughout the entire building which is reflected as well in the facade.
Facade Study Model
Neutral
Hook Up Space Perspective
Dating Space (Park) Perspective
Dating Space (Bar) Perspective
14 _Charlotte Retail
Public
Neutral
Tanner Glackin (2nd Year, Professor Nick Senske)
Private
Shopping For Romance Retail in Charlotte
RETAIL
The final project consisted of creating a retail store on the site of the intersection of 6th and N Tryon in Charlotte NC. Romance today through dating apps online and on peoples phones have become a means of shopping for romance. The retail store is a direct representation of the dating app where program spaces stem off a core while each spaces’ volume and direction is a direct correlation to the program and its concept. The core is divided into cells in which people can display themselves to either category of preferences. These different levels of program are then connected by a thin layer of leather-like cladding while the windows have a lace-like treatment. While this project may not be realistic, it exists as a social critique though paper architecture.
ry ents xu Lu artm p A
Restaurant
Bar
Offices
Lobby
Concept/ Program Diagram
tel
Mo
Dating Space (Restaurant)
Relationship Space (Luxuary Apartments)
Marraige ( Ceremony Space)
16 _Charlotte Retail
Tanner Glackin
Plans µ · µ
A
B
2nd Floor Plan
3rd/ 4th Floor Plan
Ground Floor Plan
5th Floor
9th Floor
6th Floor
WK WK )ORRU
7th/ 8th Floor
12th Floor
Building Section
18 _Concrete Warehouse
Building Elevation
West Elevation Seperation of Spaces Diagram
Site Plan
Collage
Exploded Axon
20 _Tschumi Intervention
Tanner Glackin (studio group project)
Disjuction in Salon Tschumi Intervention This project was a studio project in which each studio designed an intervention to be placed with in the salon of Storrs architectural academic building. I lead the design and fabrication of the slide, as well as how to make the slide safe, functional, and appealing. The slide acting as a playful way of circulating down the stairs added disjuction through the space, which is primarily an academic space. The main stability of the slide came from connecting to the steel handrails embeded into the stairs. The form of the side was created through cutting a single sono tube and using the other half of the tube to extend the length of the slide. I calculated all the measurements for cuts and templates to create the slides and various pieces as well as the stucture of the slide, by creating a scrap model mock up of the structure.
Stuctural Mock Up Model
Diaramatic Painting Axon (Back)
Diagramatic Painting Elevation
Diagramatic Painting Axon (Front)
22 _Chicago Makerspace
Tanner Glackin (2nd Year, Professor Landon Robinson)
Architecture as Still Life Maker Space in Chicago
The objective of the project was to use methods of still life through ideas of its organization and through diagraming the set up through Morandi’s method of reductive drawing to respond to both the site and program of the building. The ideas of organization in still life were used to organize the program. The method of foreground, middle ground and background were used to set up this organization. The methods of Morandi’s reductive style of drawing was used as a compositional diagram that then informed how the façade should be treated to respond to the site.
Building Site Plan
North and South Building Section
Studio
Rest Rooms
Recp/ Waiting
Fab Lab Lobby
A
B Rest Room Gallery
24 _Concrete Warehouse Site Plan
Tanner Glackin
Building Elevations
Environment
Structure
Division of Space
Circulation
26 _Concrete Warehouse