Interior Design Portfolio by Tanvi Mandovara

PORTAFOGLIO Tanvi Mandovara

CIRRICULUM VITAE

TANVI MANDOVARA

EDUCATION

BIRTHDATE

Centre for Environmental Planning and Technology CEPT University | Ahmedabad | India Bachelor of Interior Design | Degree 2021

14/04/1998

GENDER Female

NATIONALITY

HSC

Indian

St.xaviers high school, Mirzapur, Ahmedabad - 2014-2016

ADDRESS

SSC

D/102 Neelkanth Park 2, Goda Camp Road, Shahibaugh Ahmedabad, India - 380004

Kendriya Vidhyalaya No.1, Shahibaugh Ahmedabad - 2005-2014

PHONE

+91 8347493768 +91 8320950930

tanvi.mandovara.bd16@cept.ac.in tanvimandovara@gmail.com

ACHIEVEMENTS Student Exchange Program at

Hochschule für Technik Stuttgart - HFT Stuttgart (Stuttgart Technology University of Applied Sciences) Germany, Europe

TRAINING | INTERNSHIP

SOFTWARE SKILLS

Internship at Pratham Venture Design Udaipur, Rajasthan, India 2020

Autocad Revit Sketchup Photoshop InDesign Lumion Rhinoceros 3D V-Ray Enscape Microsoft Office - Word - Power Point Presentation

Internship at Rhizohme Design Ahmedabad, Gujarat, India 2021 Internship at Apdesign firm ahmedabad 2018 - 2019 ( Part time )

WORKSHOPS & SUMMER WINTER SCHOOL Making of Architectural form through physical & digital Fabrication 2017 | Location: CEPT University Transformation of a city : Singapore 2018 Location : Singapore Field Trip : Vitra Museum, Germany

- Excell

HAND SKILLS Sketching Doodling Hand Drafting Model Baking Wood Working

INTERESTS

LANGUAGE SKILLS

Travelling Photogropgy Painting Dancing

English Hindi Gujarati German - Level A1.1 Mewadi (Mother Tongue)

1. 2. 3. 4. 5.

Jaipur International Airport Everpress Limited (Tattoo & T-shirt) Live In Library Arvind Ltd Office

The Silhoutte

6. 7. 8. 9. 10.

Material Systems : Workshop Internship Work Thesis Research Document Photogrophy

Painting

C O N T E N T

“I love flying; I love aircraft, and you could say I've had a love affair with flight since I was a child. I travel a huge amount. I use airports, and as a pilot, I've flown in and out of airports thousands of times, so really, I have a fairly broad perspective.” - Norman Foster

JAIPUR

INTERNATIONAL

CHAURAAH AIRPORT Airport Is like a gateway to the city either entering or leaving the land. The idea while designing this airport terminal was to make passenger walk through the walled city of Jaipur, one can experience that place encompasses various cultures, traditions, colors and smell of the building expressing themselves that they all are part of a strong historical space. In such close proximity, this design connects to the heritage intensively, still brings the contemperory feel. A grand entrance welcoming the travellers and leaving the airort with the feel of step out of the city gate (boarding gate). Each element comes with their own function and essence. Creating the proportion and play with spatial elements with scale to not only enhance the function but also provide an identity to the place. Integrating the public interactive areas (chaupars) with the roads, making it look not just a path, but to create a spatial pause point and place to share experience. Tried to encourage by incorporating basic elements to think about architecture not just from a functional point of view but also to create spaces that can conquer time.

Space Planning Airport Design Site : International Bangluru Airport Structure Area : 30,000 sqm

Design Concept Site Context Jaipur, the heritage capital city of Rajasthan is also the first planned city of India. It is a beautiful fusion of traditional and modern architectural pattern. The layout of the city of Jaipur wonderfully links the concept of a Shastric city with the practicalities of the chosen site. First, the straight line of the ridge suggested itself as the route for one of the main east-west thorough fares and building a road. The point of intersection would be one of the city’s main cross-roads (chaupar). The planning was done in a grid pattern. A grid of 3×3 with gridlines being the city’s main streets.

Jaipur

Rajasthan

The planning was done in a gridpattern.

India

The central axis runs from east to west between the two gates Suraj Pole and Chand pole and two roads cross the central axis at right angles. Which divides it into nine equal blocks.

Design Development

Planning of Jaipur

Planning of Airport

Grid Type Layout

Linear Type Layout

Main street runs from E-W and sub streets run either perpendicular or parallel.

Public Spaces

Given site is in cuboidal form. the idea of creating two voids as the main pause points

Public Spaces

Chaupars

Pause Points

Bazaars

Retails & Cafes

Mohallas

Amenities

Streets

Streets / Movements

Temples

Boarding Gates A chaupara/pause point A plaza where passengers which will become the are attracted to look for center landmark, a walk peice installation, inetraction,etc. through for passenger. A void(speaks of volume) into the plan of existing site

PLANS PLAN LAYOUT

A A' B

First Floor Plan

ZONNING PLAN

SIGNAGE PLAN

SECTIONS

15000

8550

TRANSVERSE SECTION DD’

20000

Gate 03 Gate 04 - 07 Heritage Exhibition Fine Dine & Cafes

Prayer Room Spa and Lounge Toilet Smoking Zone

5150

Mezzanine Level

Slab with Services

5000

Level 1

Ground Level

Arrival & Departure passage after boarding gates

Beverage integrated at waiting zone

Retail shops

Main Circulation towards each gate

Retail Shops

TRANSVERSE SECTION CC’

Bridge to look at the center axis circulation of an airport Flight Information board

Gate 03 Gate 04 - 07 Heritage Exhibition Fine Dine & Cafes

Grab & Go

Dwell seatings

Prayer Room Spa and Lounge Toilet Smoking Zone

Full height Chaurah/ Pause area

Dwell seatings

Entrance after Security

SECTIONS

Longitudnal Section AA’

Longitudnal Section BB’

- Entrance after Security Check - Element design inspired from Jantar Mantar - Departure Domestic Terminal

- Large Pause Point - Intersection of four roads - Information - Dwell seatings - Augmented & Visual Reality interaction at the center of cross road

- Direct Vision to Gate - Waiting area where Food and Beverages Integrated

- Boarding Gates designed like you are leaving the city from its gateway inspired from Jantar Mantar and gates of jaipur

Amphitheatre to have a look at aircrafts taking off and landing Waiting area where Food and Beverages Integrated

Bridge connection Mezzanine Level

- Main street - Retail shops - Way to other Gates - Arcades as element to bring the rythm and a dynamic symmetry

- Small pause point/Nodes - Retail shops - Way to other Gates - Dwell seatings

TECHNOLOGY INCORPORATED

Augmented and Virtual reality Technolgy is used at jaipur airport’s big and small pause points. It will create a pause point automatically and bring the tension of a passenger down. They can relax , think, spare few minutes to look at it. People while sitting at dwell seats can have a look at them in the center.

Scan to have a look at 10 seconds video

Augmented reality can make an impact on retail airport indusrty and will contribute to revenue generation. It brings in notice to customers about ot of new things happening around. It detects the sales, discounts, hoices, etc according to customers. It creates a different experience for passengers while shopping at airport.

View from the bridge above the arrival passage Mezzanine Level

Scan me and have a look to the seamless airport of Jaipur, Rajasthan.

Video - Walk through Airport

“Don’t Design for brands Design for people interacting with brands”

EVERPRESS LIMITED (Tattoo & T-shirts) REAL DESIGNS, BY FOR REAL PEOPLE

REAL

ARTISTS

Everpress is about printing individual creative designs on T-shirt which brings out the uniqness in everyone. So as the tattoo is also kind of prints on body which brings the individuality of the person. Combining both the individuality and creativeness a store is designed in a manner. On the ground floor printing process and t-shirt section are designed. Enterning in the store you discuss and select your design with color and then print it on the machine provided in the store itself. The corrugated iron sheet is used to give a backdrop for the hanging t-shirts and on the ceiling which continues to the wall off first floor in the doubleheight. Collage of different slogans and the tattoo prints are used on the wall near staircase which takes you to the first floor. Four(most of the styles are covered) different types of international tattoo studio are designed. Prints of different style tattoos are cut into MDF and used on ceiling to bring the colorfulness into space as well as connecting the everpress and tattoo studio brings simpleness as well as charmful colors to the space. Waiting area is designed in a manner where discussion for tattoo design and coffee place can be together.

Space Planning

RETAIL DESIGN Site : Konikstrasse, Stuttgart, Germany Area : 3000 sqm

Drawings

Ground Floor Plan

First Floor Plan

Section BB’

Section AA’

“A library is not a luxury but one of the necessities of life.” - Henry Ward Beecher

”Bad libraries build collections, good libraries build services, great libraries build communities.” (In this project design community) - R. David Lankes

LIVE IN LIBRARY

ORGANISATIONA & MODULARITY

The program is to design for design students who are living in library for academics in design section of the library. The module is made by the book shelves of the existing library in a cubical form and is designed in the reading space of the library by repeating it in a particular order and different orientation. The cafeteria is also designed by 2 different modules made by bookshelves. In overall the intension of this design is towards living with books as the design is done in library which aesthetically celebrates the over crowding of books and students living in their.

Visualization & Communication

INSTITUTIONAL DESIGN Site : Gujarat University Library Ahmedabad

LIBRARY

Collage

WORK

SLEEP

WASH

PLAY

EAT

Concept

Module 3

Module 1

Module 2

Work

Transforming

Sleep

TECHNOLOGY INCORPORATED

First Floor Plan

Mezzanine Floor Plan

“[The design] is supposed to give a good image of the company when you arrive and be both ‘simple and warm'”

- Catherine Le Téo and Thierry Blet

ARVIND LTD OFFICE

Arvind Ltd has been colloborating and tying up with maximum number of companies , national and internationally - which is a growth year by year , decade by decade. To design an office companies ethics, values, mission and identity are important to connect with human occupancy. Growth as their important aspect is taken as word to incorporate in office space. The regional office of Arvind Ltd is designed with the spatial intervention of growth and levels experiencing with volumes. From entrance to double height where maximum employees work which is the actual strenght of comapny. Fabric is one of the materials used to depict the esence of textile company . Elements like partitions and furniture finishes represents the same. Arvind is about simplicity, transperency and linear in its own way.

Space Planning

OFFICE DESIGN Site : Sun Builders Avenue, Manekbaugh, Ahmedabad

Head of production

production manager

GROWTH Concept

I D E N T I T Y

CEO Head of marketing

Branding manager

sales distribution & retail manager manager

Head of purchase

packaginng material manager manager

service support

Head of finance

Head of HR

capital & budget finance manager

purchase sales accounting

tax manager

risk/debt manager

admin manager

recruitment & payroll manager

legal manager

personnel manager

training $ development manager

executives

supply manager

executives executives executives

Level 1 Layout

Level 2 Layout

“My company is an extension of me, so when I designed my stores I wanted people to feel that they were in my home.” - Tory Burch

THE

SILHOUTTE

As the company claims to make spiffy(smart inappearance & classy) attires for women to design store, curve is one of the element used as an element to the space planning which depicts the only women store and grace to it. The brand is of more into khaadi material. Thus, elements such as khaadi yarn wall manuals, bamboos and fabric textured finishes are udes to bring the essence of buyging khaadi dresses different flooring materials differentiate the main two fixtures and accordingly the women apparels. Through flooring the fluid movement is taken into consideration for cirulation space as to focus on every dresses of fixtures spot lights are used The partition at the end of the store is backdrop to the cash counter as well as isolates the changing rooms and other sevices.

INTERIOR DETAILS & WORKING DRAWINGS

RETAIL DESIGN Site : Hypothetical Area : 2000sqm

MATERIAL SYSYTEMS

Form is an outcome of material manipulation under force. This was a workshop with intense hands on undertaking attempts to establish a relationship between material & form,through articulation of forces,thereby enabling development of material systems by interaction of rigid(lineartimber, bamboo, steel / planar — veneer,ply,timber,steel) & flexible materials.Using both the stiffness & flexibility present in materials,or induced using simple techniques or operations for material manipulation,we developed this ‘material system‘ as an assembly where the interaction of matter & energies compute form,driven by complex constraints & feedbacks from making environment & human interaction. In the process, material rather than being a passive receptor of form begins to be an active generator of form.Design —build — prototype — construction helps comprehend the behaviour of materials & their interrelationship,resulting in physical fabrication. We went through intricacies of effective member cross sections (profile, orientation) of structural elements -look at type of joints (pin, rigid) & understand through push, pull & rotation of modelssystem behaviour- under vertical and lateral loads. Artisans, craftsmen & carpenter were involved right from the conception of the design process to its c ulmination in built form. Therefore the course entails(1)Understanding the concept of joinery through making. (2) Understanding material behaviour & material property in relation to form. (3) Understanding significance of geometrical forms and joinery & its behaviour under applied force as a means of load transfer. (4)Devising sequence of construction & techniques of making 1:1.

SWS

6 Summer

Winter

School

PROTOTYPING

TECHNIQUES AND OPERATIONS

JOINERY DETAILS ANGULAR LAP JOINT

HORIZONTAL SPLITS

CROSS INTERLOCKNG

10"

5'-3"

3'-9"

BEAM DOWN 1'-6"

SILVER DISPLAY UNIT

2U RACK

6" 2'

9" 2'-9" ACCORDION WALL / GLASS PARTITION

4'-6"

11'-8"

4'-6"

TELEVISION

DISPLAY

1'-6" IN TABLE

4'-6"

2'-10"

CARPETED AREA

BLOCK 3

2'-6"

2' 1'-1"

BEAM DOWN 1'-6"

3'-6"

'-1"

4'-2"

1'-10"

9'-4"

C CENTER

5' DISPLAY

LOCK 2 10"

AM DOWN 1'-6"

1'-9" 17'-11"

1'-10"

EXISTING CONSOLE WITH MIRROR

4'-5"

1 CARPETED AREA

6'-6"

BEAM DOWN 1'-6"

7 INTERNSHIP WORK

RETAIL PROJECT : Phoenix Mall, Udaipur, Rajasthan, India 10"

FURNITURE LAYOUT

5'-3"

3'-9"

BEAM DOWN 1'-6"

SILVER DISPLAY UNIT

2U RACK

LIGHTING LAYOUT 6"

BEAM DOWN 1'-6"

SILVER DISPLAY UNIT

2' 2U RACK

9" 7'-4"

WALL TO BE CONSTRUCTED

2'-9" ACCORDION WALL / GLASS PARTITION

1'-8"

4'-6"

11'-8"

WALL TO BE CONSTRUCTED HANGING LAMPS

4'-6"

LOCKER

3'-7"

LOCKER

BRACKET LIGHT @ 8'-0"

BLOCK 3

2'-6"

MINI FRIDGE

8'-2"

TELEVISION

CHANDELIER

SWITCH BOARD FOR LIGHTS, LAPTOP AND MOBILE CHARGING @ 3'-0" HT

DISPLAY BATTERY IN TABLE

HANGING LAMP

CHANDELIER

SILVER DISPLAY UNIT

2U RACK

WALL TO BE CONSTRUCTED HANGING LAMPS

SWITCH BOARD FOR LIGHTS, LAPTOP AND MOBILE CHARGING @ 3'-0" HT

LOCKER

2'-9"

PROFILE LIGHT IN DISPLAY UNIT

BEAM DOWN 1'-6"

MINI FRIDGE

SWITCH BOARD @ 4'-0"HT FOR LIGHTS, FAN

GLASS BOXES

2'-3"

3'-6"

4'-1"

4'-2"

9'-4"

BLOCK 2

BLOCK 2 2'-3"

1'-8"

BEAM DOWN 1'-6"

SWITCH BOARD FOR MOBILE CHARGING @ 1'-6" HT. WALL LAMP @ 5'-6" HT.

FLOOR LAMP

EXISTING RACK

BLOCK 1

SWITCH BOARD FOR SERVICES @ 0'-9" HT.

SWITCH BOARD @ 4'-0"HT FOR LIGHTS, FAN SWITCH BOARD FOR SERVICES @ 0'-9" HT.

BILL COUNTER WITH CUSHION

C CENTER DISPLAY

BEAM DOWN 1'-6"

SWITCH BOARD FOR MOBILE CHARGING @ 1'-6" HT. WALL LAMP @ 5'-6" HT.

EXISTING RACK

EXISTING CONSOLE WITH MIRROR

CHANDELIER

BLOCK 1

WALL LAMP @ 5'-6" HT.

EXISTING RACK

CARPETED AREA

EXISTING RACK

SWITCH BOARD @ 4'-0"HT FOR LIGHTS, FAN

LED LIGHT IN DISPLAY BOX

SWITCH BOARD FOR TELEVISION @ 4'-0" HT.

EXISTING CONSOLE WITH MIRROR

4'-5"

BLOCK 1

BEAM DOWN 1'-6"

EXISTING CONSOLE WITH MIRROR

PROFILE LIGHT IN DISPLAY UNIT

GLASS BOXES

1'-10"

EXISTING RACK

SWITCH BOARD FOR SERVICES @ 0'-9" HT.

SWITCH BOARD FOR LIGHTS, LAPTOP AND MOBILE CHARGING @ 3'-0" HT

BLOCK 2

1'-9" 17'-11"

SWITCH BOARD @ 4'-0"HT FOR LIGHTS, FAN

BEAM DOWN 1'-6"

1'-9"

1'-8"

PROFILE CENTER LIGHT DISPLAY IN DISPLAY UNIT

10"

1'-3"

1'-1"

C D

BLOCK 3

CABIN

BILL COUNTER WITH CUSHION

BRACKET LIGHT @ 8'-0"

MAIN SWITCH BOARD @ 4'-0"HT FOR LIGHTS, FAN SWITCH BOARD FOR SERVICES @ 0'-9" HT.

5' DISPLAY

LED LIGHT IN DISPLAY BOX B

CENTER

SWITCH BOARD FOR TELEVISION @ 4'-0" HT.

SWITCH BOARD FOR APPLIANCES

SWITCH BOARD FOR SERVICES @ 0'-9" HT.

PROFILE LIGHT IN COUNTER

BILL COUNTER WITH CUSHION

1'-10"

9'-6"

GLASS BOXES

DISPLAY BATTERY IN TABLE

1'-1"

BEAM DOWN 1'-6"

SWITCH BOARD FOR APPLIANCES

BLOCK 3

CABIN

TELEVISION

CHANDELIER

SWITCH BOARD FOR LIGHTS, LAPTOP AND MOBILE CHARGING @ 3'-0" HT

CARPETED AREA CEILING FAN

STORAGE

MAIN SWITCH BOARD @ 4'-0"HT FOR LIGHTS, FAN SWITCH BOARD FOR SERVICES @ 0'-9" HT.

3'-3"

BEAM DOWN 1'-6" SB

CARPETED AREA

CABIN

MINI FRIDGE

CEILING FAN

STORAGE

2'-10"

2'-2"

1'-5"

3'-3"

FOOT LIGHT SWITCH BOARD WITH PLUG POINT

CARPETED AREA

STORAGE

1'-6"

A/C

4'-6"

BRACKET LIGHT

ACCORDION WALL / GLASS PARTITION

4'-6"

DISPLAY IN TABLE

AIR CONDITIONER

ACCORDION WALL / GLASS PARTITION

TELEVISION

ELECTRIC LAYOUT

ELECTRICAL SYMBOL'S 1

WALL LAMP @ 5'-6" HT.

EXISTING RACK

2 3 4 5 6

CARPETED AREA

6'-6"

9" WATER BODY IN WHITE GLOSSY MARBLE

WATER BODY IN WHITE GLOSSY MARBLE

HANGING LAMPS

3'-4"

WATER BODY IN WHITE GLOSSY MARBLE

HANGING LAMPS

FLOOR SB LAMP

BEAM DOWN 1'-6"

FIX WINDOW

4'-4"

FIX WINDOW

GLASS MAIN DOOR

3'-7"

SWITCH BOARD FOR WATER BODY

FIX WINDOW

3'-8"

CLIENTS NAME

CLIENTS NAME SHIKHA MAM

DRAWING TITTLE FURNITURE LAYOUT

DATE

DRAWING NO.

DRAWN BY

TANVI

GLASS MAIN DOOR

FIX WINDOW

MAIN SWITCH BOARD @ 4'-0"HT FOR LIGHTS, FAN

DRAWING TITTLE

DATE

DRAWING NO.

SWITCH BOARD FOR WATER BODY

DRAWN BY

CLIENTS NAME

N C:\Users\Tanvi\Desktop\Y.jpg

FIX WINDOW

SWITCH BOARD FOR SERVICES, FLOOR LAMP @ 0'-9" HT.

GLASS MAIN DOOR

FIX WINDOW

SWITCH BOARD FOR SERVICES, FLOOR LAMP @ 0'-9" HT.

MAIN SWITCH BOARD @ 4'-0"HT FOR LIGHTS, FAN

DRAWING TITTLE

DATE

DRAWING NO.

DRAWN BY

C:\Users\Tanvi\Desktop\Y.jpg

PRATHAM DESIGN VENTURE AC LAYOUT M CA

CAM

BEAM DOWN 1'-6"

SILVER DISPLAY UNIT

2.0000

ACCORDION WALL / GLASS PARTITION

CORNICE PATTI

WALL TO BE CONSTRUCTED

4.0000

TELEVISION

DISPLAY IN TABLE

1 TON A/C BOTTOM LINTEL HEIGHT (9'-0")

A/C

4.0000 24.0000

CARPETED AREA

STORAGE

12.0000

MINI FRIDGE

CABIN CA M

SILVER DISPLAY

CA M

CAMERA BOTTOM @ HT- 9'-0"

VELVET SHELF

B A T T E R Y

B A

BILL COUNTER WITH CUSHION

VELVET SHELF

81.0000 60.0144

30.0000

21.0000 36

EXISTING CONSOLE WITH MIRROR

1.5 TON A/C BOTTOM LINTEL HEIGHT (9'-0")

AC C CENTER DISPLAY

1.5000

UPS

48.0000

12.0000

81.0000

54.0000

GLASS BOXES

108.0000 54.0000

SILVER DISPLAY

BEAM DOWN 1'-6"

40.0000

DISPLAY BOX

TELEVISION

BLOCK 3

A/C

PLAIN WALL

CURTAIN

LOCKER

1 TON A/C BOTTOM LINTEL HEIGHT (9'-0")

18.0000

A/C

BLOCK 2

2.0000 CORNICE PATTI

CORNICE PATTI CA

CAMERA BOTTOM @ HT- 9'-0"

4.0000

BEAM DOWN 1'-6"

A/C

CAMERA BOTTOM @ HT- 9'-0"

EXISTING CONSOLE WITH MIRROR

AIR CONDITIONER MINIATURE CIRCUIT BREAKER

BLOCK 1

M.C.B.

INTERCOM

NETWORKING WIRING IN WALL HDMI CABLES

1.5 TON A/C BOTTOM LINTEL HEIGHT (9'-0")

EXISTING RACK

INTERCOM WIRING CCTV

54.0137 SILVER DISPLAY

SILVER DISPLAY TELEVISION

VELVET SHELF

CARPETED AREA

CAM

54.0000

SPEAKER

2U RACK

INVERTOR

WATER BODY IN WHITE GLOSSY MARBLE

MD D

CAMERA BOTTOM @ HT- 9'-0"

BEAM DOWN 1'-6"

CLIENTS NAME

CAMERA BOTTOM @ HT- 9'-0"

FIX WINDOW

DRAWING TITTLE

GLASS MAIN DOOR

DATE

FIX WINDOW

DRAWING NO.

FIX WINDOW

DRAWN BY

C:\Users\Tanvi\Desktop\Y.jpg

12.0000 12

40.0000

DISPLAY BOX

108.0000 54.0000

12.0000 81.0000

EXISTING CONSOLE WITH MIRROR

81.0000

1.5000 45

45.0000

PIR SENSOR (MOTION DETECTOR) DOOR CONTACT SENSOR

VIBRATION SENSOR

VELVET SHELF

4.0000 24.0000 14

A/C

PLAIN WALL

CURTAIN

EXISTING RACK

ELECTRICAL SYMBOLS

18.0000

A/C

DISPLAY IN 30.0000 TABLE

60.0144 30.0000

RESEDENTIAL PROJECT : Sky Marina Building, Udaipur, Rajasthan, India

DOOR FRAME

BIDING PATTI

DOOR HANDLE

WOODEN FINISH VENEER

Mr. KOTHARI

DOOR OF BEDROOM 2

7'-3" 7'

CLIENT NAME

BIDING PATTI

2'-13 4"

DOOR OF BEDROOM 2

DOOR FRAME

DOOR HANDLE

SITE ADDRESS

SKY MARINA SUKHADIYA CIRCALE, UDAIPUR(RAJ) 313001

4'-51 2"

DRAWING DETAIL

DATE:14-AUG- 2019 DRAWN BY:-

2'-8"

GLASS

2'-11 2"

7'-3"

DOOR HANDLE

TANVI

CLIENT SIGN:-

2'-10" 3'-4"

2'-11"

PAINTING

2'-7"

3'-4"

1'-2"

2'-1"

3'-3" 3'-8"

DOOR FRAME

2'-7"

BIDING PATTI

7'-3"

WOODEN STRIPS

CLIENT NAME

Mr. KOTHARI

1'-8"

DOOR HANDLE

2'-7"

SKY MARINA SUKHADIYA CIRCALE, UDAIPUR(RAJ) 313001 6'-01"

DRAWING DETAIL

DATE:13-AUG- 2019 DRAWN BY:TANVI

DRAWING NO.

main door

DOOR FRAME 2'-1"

BIDING PATTI

WOODEN FINISH VENEER

7'-3"2'-9"

DOOR HANDLE BRASS STRIP

2'-2" 2'-10" 3'-4"

BIDING PATTI

SITE ADDRESS

MAIN DOOR DESIGN

3'-4" 3'-8"

DOOR FRAME

CLIENT SIGN:-

3'-4" 3'-8"

7'-3"

DOOR HANDLE

CONTINUING THE ELEMENT OF DINNING ARE

DINNING SIDE OF PARTITION

PRATHAM DESIGN VENTURE

1'-7"

F THE

CLIENT NAME

OPEN SHELF

11"

OPEN SHELF

11"

OPEN SHELF

10"

OPEN SHELF

10"

OPEN SHELF

10"

OPEN SHELF

7'-2"

HANGER FOR DRESSES

11"

Mr. KOTHARI

SITE ADDRESS

SKY MARINA SUKHADIYA CIRCALE, UDAIPUR(RAJ) 313001

Drawer Drawer

MAIN DOOR DESIGN DATE:13-AUG- 2019 DRAWN BY:-

DRAWING NO. CLIENT SIGN:-

Drawer

3'-6"

2'-10"

OPEN SHELF

1'-6"

Mr. KOTHARI

1'-4"

1'-5"

OPEN SHELF

1'-5"

OVER HEAD SHELF

OPEN SHELF

SITE ADDRESS

SKY MARINA SUKHADIYA 2'-10" CIRCALE, 3' UDAIPUR(RAJ) HANGER FOR 313001 DRESSES

2'-10"

HANGER FOR SHIRTS, BLAZERS, DENIMS

DRAWING DETAIL

5'-11" ALL ROOM 5" DESIGN DOOR

Drawer

OPEN SHELF

2'-10"

13-AUG- 2019 DRAWN BY:-

CLIENT SIGN:-

Drawer

OPEN SHELF

1'-3"

1' 1'

OPEN SHELF

11"

OPEN SHELF

10"

OPEN SHELF

10"

OPEN SHELF

10"

OPEN SHELF

DETAIL HANGER FOR DRESSES WARDROBE BEDROOM 2

Drawer

2'-9"

OPEN SHELF

1'-4"

OPEN SHELF

1'-6"

Drawer DRAWING NO.

2'-9"

2'-2"

2'-10"

Drawer

DRAWING NO.

OPEN SHELF

Drawer Drawer

1'-4"

Drawer

5'-10"

7'-4"

1'-6"

1'-4" 1'

1'-3"

DRAWING DETAIL 8'-2" 3'-31 2"

DETAIL WARDROBE ARPIT SIR

5'-11"

28-AUG- 2019

1'-3" 1'

Glass drawer

1'-10"

DRAWING NO. PUSH DRAWER

3'-10"

3'-5"

LOW HEIGHT CABINET

DRAWING DETAIL

DATE:28-AUG- 2019 DRAWN BY:TANVI

DRAWER

3'-10"

DOUBLE DOOR WARDROBE

1'-10"

OPEN SHELF

1'-10"

HANGER FOR SINGLE FOLDED SAREES

3'-8" 9"

PUSH DRAWER

HANGER FOR COATS OR BLAZERS

Glass drawer

PUSH DRAWER

Mr. KOTHARI

SITE ADDRESS

8'-1"

8'-7"

SKY MARINA SUKHADIYA CIRCALE, UDAIPUR(RAJ) 313001 DRAWING DETAIL

DETAIL WARDROBE BEDROOM 1 (PRERNA MAM)

OPEN SHELF

1'-10"

CLIENT NAME

1'-10"

2'-6"

NICHE

1'-10"

DATE:28-AUG- 2019 DRAWN BY:TANVI

DOUBLE DOOR WARDROBE

3'-10"

DOUBLE DOOR WARDROBE

DRAWING NO. CLIENT SIGN:-

3'-5"

DRAWING NO. CLIENT SIGN:-

OVER HEAD SHELF

OPEN SHELF

1'-10"

TANVI

2' DOUBLE DOOR SLIDER

HANGER FOR DOUBLE FOLDED SAREES

Glass drawer

DRAWN BY:-

CLIENT SIGN:-

3'-10"

DATE:-

SKY MARINA SUKHADIYA CIRCALE, UDAIPUR(RAJ) 313001

DETAIL WARDROBE BEDROOM 2 (PRATIK SIR)

2'-9"

OVER HEAD SHELF

1'-10"

SKY MARINA SUKHADIYA CIRCALE, UDAIPUR(RAJ) 313001

THREE SLIDER DOORS

OPEN SHELF

1'-10"

Mr. KOTHARI

SITE ADDRESS

11'-3" DETAIL WARDROBE MASTER BEDROOM 1 (PRERNA MAM)

OVER HEAD SHELF

OPEN SHELF

1'-3"

Drawer

2'-9" 8'-2"

3'-10"

1'-3"

Mr. KOTHARI

2'-8"

SKIRTING SKRITING

CLIENT NAME

FIXED CORNER WINDOW

3'-6"

Drawer

CLIENT SIGN:-

Drawer

CLIENT NAME

OPEN SHELF

Drawer

TANVI

HANGER FOR BLAZERS AND SUITS

11"

28-AUG- 2019 DRAWN BY:-

SITE ADDRESS

TANVI

OPEN SHELF

DRAWING DETAIL

7'-2"

Drawer

2'-9" 8'-2"

OVER HEAD SHELF

CLIENT NAME

DATE:-

10"

SKY MARINA SUKHADIYA CIRCALE, UDAIPUR(RAJ) 313001

HANGER FOR BLAZERS AND SUITS

1'-4"

OVER HEAD SHELF

OPEN SHELF

DETAIL WARDROBE ARPIT SIR

1'-6"

1'-3"OVER HEAD SHELF

Mr. KOTHARI

DATE:-

SKIRTING

2'-9"

TANVI

CLIENT NAMEOVER HEAD SHELF

1'-4"

SITE ADDRESS

Drawer

DRAWING DETAIL

DETAIL WARDROBE MASTER BEDROOM 2 (PRATIK SIR)

AIM This research aims to understand the integration of corporate identity in office spaces through space making elements and characteristics.

OBJECTIVES •To identify the values, cultures and mission of the company and understanding the attributes. •To identify the spaces in office interiors which reflect the corporate visual identity. •To identitfy the aspects of corporate visual identity in office spaces.

METHODOLOGY This research is studied in three sections, first to understand the corporate visual identity, second the elements in office space used to represent identity. Third is the documentation of three case s tudies, one is researched through primary studies on site and two cases through secondary resources. Analysis is extracted in a tabular form for all the case studies; space making elements and its characteristics. After comparison analysis it is concluded with the help of inferences of all three case studies and the reflection of corporate visual identity.

LinkedIn - Bangalore

CORPORATE VISUAL IDENTITY IN OFFICE DESIGN THROUGH INTERIOR ELEMENTS

THESIS RESEARCH

In today’s capitalist world, a well-established corporate identity is considered an important factor for corporate success. The business leaders and corporate companies have begun to recognize the importance of making links between corporate identity and their workplace to impress on working employees, clients and visitors. To reflect their corporate identities in a desired manner, organizations use different methods and one of the key methods is interior design of work spaces to communicate this to the external and internal world. This research is aimed to study the corporate visual identity and how it is incorporated into interior spaces of office through three dimensional embodiment. This create a better office environment which helps employees, clients, visitors and business associates to identify with the company’s culture, philosophy, and values. This research looks into through space making elements and characteristics of office spaces which reflects the corporate identity visually. Case study method is used to investigate and through comparison; different ways of corporate visual identity is understood. These attributes help in improving employee productivity in their work performance and efficiency at work.

Key Words: Corporate,Identity,Visuals, elements, characteristics, interior, office

Corporate/Organization

Corporate Identity

Values Corporate Culture

Mission Philosophy Principles

Corporate Structure

Corporate Communication

Corporate Design

Culture Mission Vision Ethics Philosophy

Identity

Commun

Intangible

Brand Structure Sub Culture

On this basis th case study is analy

Controlled Communication Uncontrolled Communication Corporate Visual Identity CVI application

Corporate Behavior Behavior

Employee Management

Corporate Strategy

Industry Identity

Differentiation strategy Positioning strategy

The whole book is available at the below link https://issuu.com/tanvimandovara/docs/corporate_ visual_idenitty_in_office_through_interi

nication

Office Space Making elements • • • • • • • •

Interior Elements Tangible

Floor Ceiling Wall/partition Stairs Windows Doors Column Furniture

Characteristics • • •

he method of s done and ysed

Finishes Materials Color

Visuals

Floor

Ceiling

Column

Door

Stairs

Window

Wall/partition

Furniture

Space Making Elements A medium to communicate

Aspects of CVI Characteristics Materials • • • •

Demarcates the boundary Define spaces Encloses the activities Tangible manifestation of identity - image maker

Finishes

Colors

• Factors which shape the shell of interior architecture

PHOTOGRAPHY

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