YongKiat TAN Architecture Design Portfolio_Main

VOL 1

ARCHITECTURE PORTFOLIO

Yong Kiat TAN Architecture portfolio Selected Work from 2014-2018 U niversity

of M elbourne Melbourne School of Design | MSD

U niversity

of Tasmania School of Architecture & Design

University of Melbourne | University of Tasmania | 2014-2018

University of Melbourne | University of Tasmania | 2014-2018

Preface This portfolio is the main portfolio which showcases fourteen projects which are selected among the works throughout my architectural studies. These works manifest the idea of creating connectivity and interaction between users and architectural space by being thougfulness in the spatial planning, the architecture then enhances the connection and collaboration to the living\ working environment.

The sensitivity towards the significant value of heritage buildings and surrounding environment is also the main focus of these projects. By carefully selecting the material, the architecture can minimize the impact to its surrounding environment which also curated a spatial narrative that recites the poetic stor y behind. I believe that the expression in arhcitecture allows architecture to mediate and articulate itself to communicate with users and environment.

These projects demonstrates all kind of challenges in the creation of the different building typologies, ranging from residential to skyscraper, community building to industr y factor y. The implication of the manifesto on different academic projects are drawn and represented in this portfolio, from 2014-2018.

University of Melbourne | University of Tasmania | 2014-2018

University of Melbourne | University of Tasmania | 2014-2018

Yong Kiat TAN +61 046 651 103 5606/570 Lygon St, Carlton, 3053, VIC, Australia. tanyongkiat1993@hotmail.com https://issuu.com/tanyongkiat linkedin.com/in/yong-kiat-tan-04a208112

E D U C AT I O N 2016-2018 Australia

Master of Architecture

2013-2015 Australia

Bachelor of Environmental Design (Architecture)

University of Melbourne, Melbourne School of Design

University of Tasmania, School of Architecture & Design

Malaysian Certificate of Education (SPM)

2006-2010 Malaysia

Seri Omega Private & International School, Johor Bahru

Nov 2016-Feb 2017

Davo Construction | CNC Miling Machine operator, Interior Designer

Malaysia

Works: Droptop Korean Restaurant Feature Wall, Green Haven Lobby Feature Wall

P RO F E S S I O NA L EXPERIENCE

Nov 2012-Feb 2013 Dewani Design Sdn Bhd | Architectural & Interior designer Nov 2013-Feb 2014 Works: Pekan Nanas Bangalow Design, Pontian Pool House Design, Impian Emas Living room and Dec 2015-Jul 2016 façade design, Pontian courtyard house design, Green Haven Lobby Inerior Design Jan 2015-Mar 2015

Win Studio | Architectural Intern & 3D Visualizer

Singapore

Works: SIA Design Competition – OUE Artling Pavilion, Yangon residential Tower, Thailand

Jan 2011-Dec 2011

Davo Construction | Carpenter & Interior Designer

Malaysia

SKILLS Languages

Chinese (Native), English (Proficient), Malay (Basic)

Software

Autocad |Advanced

Photoshop |Advanced InDesign |Advanced Illustrator |Basic Photoshop with Drawing Pad

Revit |Advanced Rhinoceros |Advanced Archicad |Intermediate 3Ds Max |Basic Grasshopper |Basic

Vray |Advanced Sketchup |Advanced Unity |Basic Artlantis |Intermediate Model Making|Advanced

Design Workshop

Laser Cutting, 2D CNC Miling, Hotware Machine, 3d Print, Timber Workshop tools

2018

ARCHmedium Design Competition – Barcelona Social Housing, Honorable Mentions, Spain

2017

AA Visting School Beijing- Invent(ory) @ Fact(ory) 1.0 - Measure the Immeasurable AA Visiting School Melbourne Final Work Showcase, Australia Victorian Chapter Architectural Student Ideas Competition 2017-AIA Australian Institute of

AWA R D S PA R T I C I PAT E

Architects - THE PLACE OF TRANSPORT, Australia

Oddish Tectonic Grounds 2017 Project Exhibition, Australia Oddish Tectonic Grounds 2017 Project Book, Online 2016

ARCHmedium Design Competition – Berlin University Residence, Finalist, Germany

2015

OUE Artling Pavilion Project Shortlisted Entries Exhibition, National Design Centre, Singapore

National Visiting Panel, Excellence Final Semester Design, 4 Course Works Selected to Showcase, Australia

SONA Super Studio Competition 2015, Mind the Gap, 2nd Prize, Australia ARCHmedium Design Competition – Detroit Station for the Art, United State

University of Melbourne | University of Tasmania | 2014-2018

University of Melbourne | University of Tasmania | 2014-2018

INDEX |FABRICATION COLLABOTORY| 01 .............................................................................................................................................................................................. |Recombinant City 2.0: Experiments in Radical Hybrids |

1

|ARTHETON LIVING ROOM| 02 ..............................................................................................................................................................................................

21 |Artheton Garden Social Housing| |COMMUNITY HELIX UNDER SKYRAIL| 03 ..............................................................................................................................................................................................

35 |Under Skyrail Competition| |THE CONNECTOR| 04 ..............................................................................................................................................................................................

49 |ACIPA_Academy of creative Industries and. Performing Arts| |REMINISCENT BOX OF TEPID BATH HOUSE| 05 ..............................................................................................................................................................................................

63 |Tepid Bath Adaptive Reuse Project| |FRAME THE VIEW| 06 ..............................................................................................................................................................................................

79 |Interpret_Brady's Lookout Interpretation Center| |MELBOURNE PEARL| 07 ..............................................................................................................................................................................................

89 |Applied Architectural Technology| |ODDISH| 08 ..............................................................................................................................................................................................

101 |Techtonic Ground| |ARTLING PAVILION| 09 ..............................................................................................................................................................................................

113 |OUE Artling Pavilion Design Compatition-Artling Pavilion| |MAUER| 10 ..............................................................................................................................................................................................

123 |ArchiMedium Design Competition-Berlin University Residence| |THE AXIS| 11 ..............................................................................................................................................................................................

129 |ArchiMedium Design Competition-Detroit Station for The Art| |ON AIR| 12 ..............................................................................................................................................................................................

133 |ArchiMedium Design Competition-Barcelona Social Housing| |ENABLING THE INTELLIGENCE OF THE CITY| 13 ..............................................................................................................................................................................................

137 |AA Visiting School-Melbourne| |COLUMBARIUM OF CITY MEMORIES| 14 ..............................................................................................................................................................................................

145 |Unruly Edges: Museum of Perth's Urban Memory| |APPENDIX|

.......................................................................................................................................................................................................163 |Practical Works with Dewani Design & WIN Studio|

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UoM | MArch | Year 2 Design Studio E

2017 | Recombinant City 2.0: Experiments in Radical Hybrids | Fab City

RICHMOND MALTING SITE, VICTORIA, AUSTRALIA

RICHMOND MALTING SITE REVITALIZING PROJECT M. ARCH DESIGN CORE STUDIO E WITH DISTINCTION PROJECT INSTRUCTORS: NICOLE ALLEN & JOHN CUNNINGHAM TEAM MEMBER: SIYU SUN SOFEWARE USED: RHINO, AUTOCAD, VRAY, PHOTOSHOP

The Information Age is a historic period in the 21st centur y characterized by the rapid shift from traditional industry to an economy based on information technology which involving re-organisation of an economy for the purpose of manufacturing. This evolution of technology in daily life and social organization has led to the fact that the modernization of information and communication processes has become the driving force of social evolution The Fabrication Collaboraroty promotes the creative industr y and develop the economy of flexible manufacturing in Melbourne. It aims to turn and transforms the city into the Silicon Valley of the southern hemisphere, fueled by digital fabrication research and innovation surrounding Melbourne city.

The design intend to restructure the planning of a conventional silicon valley into a more concentrated typology. By implementing the values of collaborating living inspired by the precedent study of the monaster y, we redefine a new typology for the Silicon Valley where the different function are compiled and stack vertically into a single site. It create a new spatial relationship between the user and the program which then simulate the spirit of innovation and collaboration.

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F abrication C ollaborator y

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UoM | MArch | Year 2 Design Studio E

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1880-1900

1900-1920

1920-1940

1940-1960

1960-1980

1980-present

HISTORICAL TIMELINE

Diagrams show the historical changes within the Richmond malting site.

This project is based in Richmond. The Richmond Malting site was one of the prominent early malting industr y site in Victoria. It has been continuously associated with the brewing and malting since 1860’s and it was considered to be a ver y outstanding technological significance, being one of the earliest pneumatic malt houses in the world. It also influenced the social significance around the area where workers were living around the site to create a special community.

However, in the recent years, as new technologies emerge, the “old school” technology has been replaced, the site is now left unused. At the same time, it is gradually losing its technological and social significance.

2017 | Recombinant City 2.0: Experiments in Radical Hybrids | Fab City

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Car Store Office Residentials

Residentials

Office

Share Studio

Residentials

Apartment

SH

NA

MO AY EW

E FR

B1 B2 B3 B4 B5 B6 B7 B8 B9 B10 B11 B12

Office

1928 Malt House Wall 1903 Malt House Wall 1922 and later Office Building Late 1930s Malt House 1880 and later Malt House 1920 Malt House & MId 1920s Extension 1952 Drum Malt House 1952 Concrete Silos 1960-62 Concrete Silos 1956 and later Malt House 1939-40 Barley Store 1942 Malt House

Factory

L1 & L2 Being all of the land described in Certificate of Title Volume 9817 Folio 845; Volume 9817 Folio 844 and Volume 10358 Folio 130.

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100

EXISTING CONTEXT PLAN The historical usage of the site.

UoM | MArch | Year 2 Design Studio E

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Target Group

BACKGROUND The city has initiated the “Melbourne’s Knowledge City strategy” (2014 – 2018) which identifies knowledge-intensive active as the future economy of the city, from advanced manufacturing to biotechnology, health and information technology. The aim is to turn the city into the silicon valley of the southern hemisphere, fueled by research and innovation surrounding the Melbourne city it aim to promote the public dialog, information sharing and public awareness to the digital fabrication.

Hence, with the previous identity of the site in Richmond and the strategy initiated by the government, the project aims to torevive the significance of Richmond in creative industr y through transforming the previously industr y 1.0 to a new industr y 4.0.

2017 | Recombinant City 2.0: Experiments in Radical Hybrids | Fab City

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STAFF HOUSINGS

EXTENDED GROUND

2nd INNOVATION FLOOR

1st INNOVATION FLOOR

FACTORY FLOOR

EXPLODED AXONOMETRIC Functions.

UoM | MArch | Year 2 Design Studio E

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VIEW FROM PUNT ROAD

2017 | Recombinant City 2.0: Experiments in Radical Hybrids | Fab City

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Mutual Learning

The monks live and work in a collective and contained environment, where they can intimately connect with the social life and learn from each other effectively within the monaster y.

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VALUES OF MONASTERY

Centralize vs Disperse

The monaster y has only one entrance towards the church. The circulation is centralized in this big public space and then dispersed into various areas that have different functions.

Order

The plan of St. Gall also reflects the value of order where clear organization and management of the plan creates a well-ordered living style between the balance of living and working.

REDEFINE TYPOLOGY Conventional Silicon Valley typologies

Redefine Silicon Valley typology

FORM GENERATION

1. Remove the roof of existing buildings and keep the ground floor as making space.

2. Add new factories on the ground floor to fill the site.

3.Use innovation hub to link the old and the new.

4. Extrude from site to create volumn as housing on the top.

5. Break down massing and create access within site.

6. Open up massing to create courtyard.

7. Create outdoor open spaces for housing.

8. Adjust the height with surrounding context.

UoM | MArch | Year 2 Design Studio E

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CONNECTION TO THE RIVER The site sits beside Yarra River that provided a ver y good water resouces for the Malting Site to run the production of malting. However, the development of the Monash Freeway has cut of the connection which seperate the Malting Site with the river.

In order to link the building back to the river, the 1960 concrete silos are reused as the entr y point to the underneath tunnel which link to the riverside. The silo and tunnel then work as a exhibition hall to display the new innovation product.

2017 | Recombinant City 2.0: Experiments in Radical Hybrids | Fab City

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SHORT SITE SECTION A-A

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20

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100

UoM | MArch | Year 2 Design Studio E

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1. New Enterprise Making Space Lecture Hall Below

a. Robot Arm

b. Laser Cut

c. 3d Print

d. CNC 2. Storage Exhibition Entrance Below 3. Repairing Worshop 4. Exhibition 5. Recycle 6. Recycle Drum Seperators 7. Cafe 8. Reception 9. Boat Making Space

a. Laser Cut

b. CNC

c. Assemble Space

d. Boat Testing 10. Automobile Making

a. Raw Material Store

b. CNC Milling

c. Laser Cut

d. Assemble Space

11. Robotic Fabrication

a. Control Room 12. Architecture Making

a. Raw Material Store

b. Laser Cut & 3d Print

c. CNC Milling

d. Carpentr y Lab

e. Composite Space

f. Assemble Space

g. Control Room 13. Airplane Making

a. Raw Material Store

b. CNC Milling & Robot Arm

c. Composite Space

d. Assemble Space 14. Exporting Space

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GROUND FLOOR PLAN Fabrication factories.

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2017 | Recombinant City 2.0: Experiments in Radical Hybrids | Fab City

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Aircraft Architecture Automobile New Enter prise Freight Access

1. New Enterprise Research 2. Shared Kitchen 3. Technician Office 4. Exhibition Below 5. Conference Room 6. Toilet 7. Cafe 8. Open Librar y 9. Architecture Prototyping 10. Storage 11. Forum 12. Courtyard 13. New Enterprise Prototyping 14. Collaboration Space 15. Automobile Prototyping 16. Meeting Room 17. Airplane Prototyping 18. Conference Room

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FIRST FLOOR PLAN Innovation Center.

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Aircraft Architecture Automobile New Enter prise Collaboration

UoM | MArch | Year 2 Design Studio E

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1. Meeting Room 2. Discussion Space 3. Wind Tube Testing 4. 3D Print 5. Aircraft Prototyping 6. Aircraft Making Space Below 7. Toilet 8. Conference Room 9. Collaboration Working Space 10. Courtyard 11. Shared Kitchen 12. Forum 13. Goods Lift 0

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DETAIL PART PLAN

Connection between innovation center and the factor y.

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2017 | Recombinant City 2.0: Experiments in Radical Hybrids | Fab City

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INNOVATION CENTER_MEETING ROOM The R&D space is directly hanging above of the making space which allow the visual connection between these two function spaces.

Co-WORKING SPACE

View to co-working space & Courtyard. The innovation hub also consist of a collaboration space which ser ve to everone who are in the incubator to promote the knowledge sharing and collaborative environment of the project.

UoM | MArch | Year 2 Design Studio E

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EXTENDED GROUND FLOOR

Extended ground for the staff housing & public. Structure exposes to air allowing public to interact with the staff

2017 | Recombinant City 2.0: Experiments in Radical Hybrids | Fab City

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Studio 28sqm

One Bedroom 48sqm

APARTMENT PART PLAN

Two Bedroom 65sqm

UoM | MArch | Year 2 Design Studio E

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OLD & NEW INTERFACE

The existing building fabric is remain mostly the original condition. The innovation hub then works as the connector which link the fragmented buildings together.

INSIDE & OUTSIDE FACADE

The outer facade is cladded by the reflective titanium panel which to reflect the surrounding context to minimise the impact to surrounding. Then, the inner facade consist of exposed structural member which works as a representation of the inner machine.

2017 | Recombinant City 2.0: Experiments in Radical Hybrids | Fab City

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Developed from Tepid Bath strategies, the idea of Rhythm of the

Ar t is being spread out to the master plan. The previous Johnstone Brother Factor y is now transformed to a cultural

centre which promotes Local ar t. The ar t galler y and indoor ar t

Brick

Reflective Titanium panel

Glass

market corresponds to the idea. The multifunction hall also accommodates the Ar t festival. Concrete The ar tistic atmosphere slowly Scaffolding

gathers people together and continues the social significance of Hoba Hobar t rivulet.

DIRTY to CLEAN ENVIRONMENT

Moreover, parks are the only place in the city where people can

escape into nature from the bustling city. Bringing the nature into the city helps to connect human and the natural environment. It allows nature to become par t of the urban fabric. Turning the previous car parking to a green field and

seating allow different human activities and event. It encourages multiple users to appreciate the natural and also provide a great

space for the social engagement.

The program is divided into 3 parts that according to the condition of the working and living environment. The fabrication factor y (dirty) is located on ground then the housing (clean) site on top of the working area to ensure the quality of living.

SECTIONAL PERSPECTIVE

|Connection between old and new & innovation and fabrication|

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MATERIAL PALETTE

UoM | MArch | Year 2 Design Studio E

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FINAL PANEL 10xA1.

2017 | Recombinant City 2.0: Experiments in Radical Hybrids | Fab City

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centre which promotes Local ar t. The ar t galler y and indoor ar t

market corresponds to the idea. The multifunction hall also accommodates the Ar t festival. The ar tistic atmosphere slowly

gathers people together and continues the social significance of Hoba Hobar t rivulet.

Moreover, parks are the only place in the city where people can

escape into nature from the bustling city. Bringing the nature into the city helps to connect human and the natural environment. It allows nature to become par t of the urban fabric. Turning the previous car parking to a green field and

seating allow different human activities and event. It encourages multiple users to appreciate the natural and also provide a great

space for the social engagement.

SITE MODEL

1:500 | 3D PRINT ABS MATERIAL | BOX BOARD

DETAIL MODEL 1:150 | BOX BOARD

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Developed from Tepid Bath strategies, the idea of Rhythm of the

Ar t is being spread out to the master plan. The previous Johnstone Brother Factor y is now transformed to a cultural

02 ALR

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UoM | MArch | Year 1 Design Studio C

A r ther ton L iving R oom FITZROY, MELBOURNE, AUSTRALIA

ARTHERTON GARDEN SOCIAL HOUSING REVITALIZING PROJECT MArch CORE STUDIO C WITH HIGH DISTINCTION PROJECT INSTRUCTORS: ROB POLGLASE & HING WAH CHAU SOFEWARE USED: REVIT, AUTOCAD, VRAY, PHOTOSHOP, SKETCHUP

Atherton garden is located at Brunswick St Fitzroy, A place which has many small commercial art galleries, artist-run spaces and artist studios located within. It has a ver y rich atmosphere in its street art community and is also the home of Gertrude Contemporar y Art Spaces and the Centre for Contemporar y Photography. Fitzroy is known also a hub for live music life performance in Melbourne. There are a few main tram and bus stop around the edge of Atherton Garden. It has a potential to become a meeting space to ser ve the community.

The project aims to break down the boundary to allow, and to attract performing art and activities to spread into the space, which create an urban living room to allow a greater social interaction to happen within the site to improve the social cohesion. It also creates an intimacy and lively space for resident, and hierarchy of the public to private space. It particularly pays respect to the surrounding site context allowing the architecture to blend with the neighborhood.

2016 | Ar ther ton Garden Social Housing | Ar ther ton Living Room

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02 ALR

Urban Issue

Its a big difference of the human scale between the existing architecture and people, and the lose of the continuity of the urban fabric seem to be setting up its own boundar y which disconnect it from the surrounding context and stop people and the activity of Fitzroy to spread into the site.

Transport Art related program

UoM | MArch | Year 1 Design Studio C

02 ALR

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PROGRESS DIAGRAM

Pull to create housing with courtyard

Push in to create pocket part around the busy corner

Entrance to courtyard

2016 | Ar ther ton Garden Social Housing | Ar ther ton Living Room

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02 ALR

ENTRANCE PLAZA

Insert new activities

Pull down to create semi spaces and maximise the sunlight to open space

Applying local typology on the architecture

UoM | MArch | Year 1 Design Studio C

02 ALR

25

Retail

Small Retail

Retail

Retail

Small Retail

Lift Lobby

Artist Studio

Retail

Retail

Artist Studio

Art Workshop

Sculptural park

BRUNSWICK ST

Small Retail

Community Hub/ Multifunctional room

Retail

Lift Lobby

Performing Art Studio Food Court

Dance Studio

Gallery

Multi-functional Square

Cafe

GERTRUDE ST GROUND FLOOR PLAN

Retail

Retail

Cafe

2016 | Ar ther ton Garden Social Housing | Ar ther ton Living Room

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02 ALR

FIRST FLOOR PLAN

YOUNG ST SECOND FLOOR PLAN

1 Bedroom Apartment 2 Bedroom Apartment 3 Bedroom Apartment

THIRD FLOOR PLAN

UoM | MArch | Year 1 Design Studio C

02 ALR

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WESTERN ELEVATION

SOUTHERN ELEVATION

2016 | Ar ther ton Garden Social Housing | Ar ther ton Living Room

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02 ALR

BEDROOM

1 Bedroom Apartment

2 Bedroom Apartment

2 Bedroom Apartment

3 Bedroom Apartment town house with 1, 2, 3 bedroom

APARTMENT TYPOLOGIES

UoM | MArch | Year 1 Design Studio C

02 ALR

29

White Wire Mesh

Light Steel balcony structure

Timber Sliding Louvers panels

2016 | Ar ther ton Garden Social Housing | Ar ther ton Living Room

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02 ALR

INNER COURTYARD The inner courtyard between the buildings is a sculptural park which can be opened up to the galler y and performing art studio to hold certain event and allow people to move into the courtyard through the performing spaces. Furthermore, Artist studios are proposed to increase the social interaction within the building area itself where resident can have conversation with the artist about their design progress.

FACADE DIAGRAM

Timber movable screens are used as the outer layer of the facade to give the building a more private atmosphere and a sense that it is a residential building. Then white wire mesh is used as the inner part of the building which faces the courtyard to give the courtyard a more brightness and lively atmosphere. Then the light steel balcony structure facing the courtyard is to allow residents to connect among the neighbourhood

UoM | MArch | Year 1 Design Studio C

02 ALR

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VIEW FROM BRUNSWICK ST

AMPHITHEATER Multifunctional park is introduced to hold social event, and also acts as a social meeting space

for the Fitzroy community. It can be used as a lunch time area to allow people to buy their food and sit at the sunny spot to enjoy the street performce. It also can be used as a temporar y exhibition space for the galler y, and a performing stage for the performing art studio and also the dance studio. CafĂŠs are propose along.

2016 | Ar ther ton Garden Social Housing | Ar ther ton Living Room

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02 ALR

EXPLODED AXONOMETRIC Program.

UoM | MArch | Year 1 Design Studio C

02 ALR

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FINAL PANEL 6 x A1.

SECTION B-B

2016 | Ar ther ton Garden Social Housing | Ar ther ton Living Room

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02 ALR

PHYSICAL MODEL 1:500 model.

SECTION A-A

03 CHUS

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UoM | MArch | Year 1 Design Studio D

C ommunity H elix U nder S kyrail NOBLE PARK, VICTORIA, AUSTRALIA

UNDER SKYRAIL: LEVEL CROSSING REMOVAL PROJECT M. ARCH DESIGN CORE STUDIO D WITH DISTINCTION AIA VICTORIAN CHAPTER ARCHITECTURAL STUDENT IDEAS COMPETITION 2017 PROJECT INSTRUCTORS: PETER HOGG SOFEWARE USED: RHINO, AUTOCAD, VRAY, PHOTOSHOP

The Level Crossing Removal Project: Caulfield to Dandenong is removing nine level crossings and rebuilding five stations on the Cranbourne Pakenham rail line. The project elevated the trail rail which aim to reduce congestion on the local road and rail network, and deliver a safer and more reliable train ser vice, contributing to a 42 per cent increase in capacity.

It removes the level crossings while creating over 225,000 square metres of open space and parklands, including new community activity spaces.The elevated rail design will improve connections between shopping areas, parks, transport hubs, health ser vices, recreation and community facilities by transforming the rail corridor into open space.

The site is choosen beside the Noble Park station. The Community Helix aims to reintergrate the segregated community which caused by the trainline, heavy traffic and the lack of communication between different cultural groups. The design consist of community programs include, youth center, librar y and dance studio integrated with the surrounding context which act as a catalyst to tie up the segregated community.

2017 | Under Skyrail | Community Helix Under Skyrail

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03 CHUS

UoM | MArch | Year 1 Design Studio D

03 CHUS

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ISSUE 01

The old train rail which ser ved the area for decades and the heavy car traffic to the melbourne city have casued a lack of accessbility for the pedestrain to easily cross over between active zones and residential area.

2017 | Under Skyrail | Community Helix Under Skyrail

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03 CHUS

ISSUE 02

Multicultural groups show a lack of communication between each group.

UoM | MArch | Year 1 Design Studio D

03 CHUS

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SITE CONTEXT PLAN

2017 | Under Skyrail | Community Helix Under Skyrail

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03 CHUS

New elevated railway providing opportunity to free up the urban left over space.

Community program locates right under skyrail.

Programs interact with the skyrail creating a helix form.

Programs occupied the surrounding open space to allow more interaction with the community.

PROGRESS DIAGRAM

COMMUNITY HELIX UNDER SKYRAIL

UoM | MArch | Year 1 Design Studio D

03 CHUS

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1

3

2

3

3 4

5

6

7

1.

2.

3.

4.

5.

6.

7.

Event Storage Public Toliet Workshops Youth Center Cafe Library Dance Studio

8

8. Outdoor BBQ Area

GROUND FLOOR PLAN

2017 | Under Skyrail | Community Helix Under Skyrail

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03 CHUS

FOOTBRIDGE CROSSING

ROOFTOP PEDESTRIAN GARDEN

03 CHUS

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UoM | MArch | Year 1 Design Studio D

2017 | Under Skyrail | Community Helix Under Skyrail

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03 CHUS

EXPLODED AXONOMETRIC Programs.

UoM | MArch | Year 1 Design Studio D

03 CHUS

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COURTYARD

The courtyard sites between three function areas, librar y, cafe and younth center. It enhances the interaction between these spaces and provides visual connection to the users.

2017 | Under Skyrail | Community Helix Under Skyrail

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03 CHUS

MEETING SPACE by FOOTBRIDGE

The Community Helix creates a new link between the new train station and Noble Park Aquatic Centre. The in between space embodies other purpose which work as a meeting places for the pedestrian, commuters as well as the neighborhood.

03 CHUS

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UoM | MArch | Year 1 Design Studio D

2017 | Under Skyrail | Community Helix Under Skyrail

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03 CHUS

SECTIONAL PERSPECTIVE

04 ACIPA

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UTAS | B.EnvD | YEAR 3 Design Studio 6

T he C onnector WAPPING CORNER, HOBART, TASMANIA, AUSTRALIA

ACIPA_ACADEMY of CREATIVE INDUSTRIES AND PERFORMING ARTS & CXI PROJECT B.EnvD DESIGN CORE STUDIO 6 WITH HIGH DISTINCTION PROJECT INSTRUCTORS: JEN SMITH & Ar. SCOTT CHIRSTENSEN SOFTWARE USED: REVIT, AUTOCAD, VRAY, PHOTOSHOP

CxI will host elements of interdisciplinar y practices that reflect UTAS strengths in theatre, art, architecture, design, content creation, digital media, and humancomputer interaction. The project seeks to foster links between these disciplines, taking advantage of the NBN (national broadband network) that brings increases in bandwidth, speed and fidelity. Central to the CxI Project is capacity building it will ‘produce the producers’ of the next generation.

The Connector acts as an urban focal point that connects the public and the learning environment which then allows greater interaction to occur beyond its physical boundaries. In addition, it amplifies the existing artistic and musical culture in Hobart. By inter weaving the functionality of both the theatre and school of music within the same building, the architecture allows students to learn and practise within the same space which the ACIPA building becomes a live learning tool for students and staff.

2015 | ACIPA_Academy of creative Industries and. Performing Ar ts | The Connector

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04 ACIPA

Sun Street

Collin Street

UTAS ACIPA THEATRE ROYAL HEDBERG GARAGE

HOBART RIVULET

TASMANIA COLLEGE OF ART

TOWN HALL MARKET PLACE

TASMANIA MUSEUM & ART GALLERY Campbell Street

LOCATION SITE PLAN The site, known as Wapping corner, is a potential new key location in the pedestrian routes through the city centre, assisting in creating a link between the CBD and the waterfront. It is at the west end of Collins Street, opposite City Hall and the Hobart Hospital where the city’s rivulet emerges from the underground channel that lies beneath the city.

UTAS | B.EnvD | YEAR 3 Design Studio 6

04 ACIPA

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1. CoM Foyer 2. Security 3. Salon 4. Open Lecture Space 5. Bar 6. Box Offce Manager 7. Cloak Room 8. Theatre Foyer 9. Green Room 10. Crib Room 11. Black Box Theatre 12. Back of House

CONTEXTURE GROUND FLOOR PLAN

2015 | ACIPA_Academy of creative Industries and. Performing Ar ts | The Connector

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04 ACIPA

FIRST FLOOR PLAN 1. Student Common Room 2. Pratice Room Small 3. Drum Studio 4. Vocal Studio 5. Study Area 6. Theatre Foyer 7. Recital Hall 8. Grand Piano Room

SECOND FLOOR PLAN 9.Dressing Room 10. Changing Room 11. Green Room 12. Dressing Room 13. Dressing Room 14. Black Box 15. Balcony

THIRD FLOOR PLAN 1. City Room Viewing Deck 2. City Room 3. Locker 4. Study Area 5. Phd Room 6. Rehearsal Large 7. Percussion Room 8. Drum Room 9. Staff Common Room 10. CoM Admin 11. Concept/ Program 12. Executive 13. CoM Out Reach

1. Pratice Room Medium 2. Large Studio 3. Locker 4. Balcony 5. CxI Active Space 6. Mt Computer Lab

FOURTH FLOOR PLAN 14. Meeting Room 15. CoM Director 16. Conference Room 17. TR Manement /Staff 18. Tr Admin office 19.ACIPA/CxI DIrector 20. Pax Shared Office 21. Video Link Staff Room 22.Resources 23. Sheet Music Store 24. security 25. Toliet

1. Roof Deck 2. Staff & Student Lounge 3. Rehearsal Room (small) 4. Staff Teaching Rooms 5 Staff Teaching Rooms (large)

7. Out Door Room 8. Student Lounge 9. Control Room Teaching 10, 11, 12. Mt Workshop 13. Theatre Foyer

UTAS | B.EnvD | YEAR 3 Design Studio 6

04 ACIPA

53

URBAN CONTINUITY

Extract from the urban pattern of Collins Street, the vertical element is being traslated in to the facade system. Adjustable semi-transperent facade is being used for public area to encourage the visual connection between inside and outside. It also illustrates the Dynamic of music. Fixed facade is being used for private area to create sense of security. It also demonstrates the static.

COLLIN STREET ELEVATION

2015 | ACIPA_Academy of creative Industries and. Performing Ar ts | The Connector

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04 ACIPA

FACADE STRATEGIES

The dynamic changes within the program of the building are to be directly reflected within the facade, one can simply adjust the louvers to allow greater control over ventilation sunlight into the room. The semitransparent operable facades also reveal the creative and collaborative activities to the public.

SUN STREET ELEVATION

UTAS | B.EnvD | YEAR 3 Design Studio 6

04 ACIPA

55

CITY ROOM

The city room is located at the corner of Campbell Street & Collin Street provide the view to the waterfront. It functions as a rehearsal room for the performing arts students during normal days, but could also be used as a conference room for special events involving professional artists and exhibitions. The city room can work as a medium to build up connections between the aspiring artists and the professionals to assist them with their future career prospects.

2015 | ACIPA_Academy of creative Industries and. Performing Ar ts | The Connector

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04 ACIPA

FOURTH FLOOR +17m

THIRD FLOOR +13m

SECOND FLOOR +9m

FIRST FLOOR +5m

GROUND FLOOR +0 Administation Rehearsal Space Studio & Teaching Space Salon Theatre Back of House

Shared space is distribute across different layer. It provides student with different plateform to enhance the interaction amount students, staff and the public.

The new programs work as a connector connects and adapts to the existing historic fabric and enhance its original function.

Public programs are arraged along the street.

The outdoor seating and openspace encourage more interaction between student and public.

City Room and Skydeck provide a view aligning with the city axis of Campbell street to the harbour.

UTAS | B.EnvD | YEAR 3 Design Studio 6

04 ACIPA

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PART PLAN

|CONNECTION.| The ACIPA acts as an urban focal point that connects the public together. Which then allows greater interaction to occur beyond its physical boundaries. In addition, it amplifies the existing artistic and musical culture in Hobart.

SECTION B-B

2015 | ACIPA_Academy of creative Industries and. Performing Ar ts | The Connector

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04 ACIPA

CxI ENTRANCE

|CONNECTION.| By pushing back the building boundaries, the seating area along Collins and Sun Street act as a performing platform, promoting additional interaction with the public. This also gives students the opportunity to practise and perform within the public realm.

SECTION A-A

UTAS | B.EnvD | YEAR 3 Design Studio 6

04 ACIPA

59

THE SALON

|CATALYST.| The salon located in the old garage. During day time the salon space works as a workshop for student to practice. At night it works as another entrance and celebration space for the theatre. It promotes a learning environment that provides students with a var ying degree of social interaction by promoting added flexibility within the spaces that they will occupy during collaboration, practice and performance.

The dynamic environment becomes a point of stimulus and a catalyst for creativity and inventive art performance.

2015 | ACIPA_Academy of creative Industries and. Performing Ar ts | The Connector

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04 ACIPA

COLLIN STREET SECTION | TECNICAL DETAIL. |

UTAS | B.EnvD | YEAR 3 Design Studio 6

04 ACIPA

61

.

THE CONNECTOR

| Synthesis with the Theatre Royal on Campbell Street |

2015 | ACIPA_Academy of creative Industries and. Performing Ar ts | The Connector

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04 ACIPA

05 RBTB

63

UTAS | B.EnvD | YEAR 3 Design Studio 5

R eminiscent B ox of T epid B ath H ouse HOBART, TASMANIA, AUSTRALIA

TEPID BATH ADAPTIVE REUSE PROJECT B.EnvD DESIGN CORE STUDIO 5 WITH HIGH DISTINCTION PROJECT INSTRUCTORS: JEN SMITH & Ar. SCOTT CHIRSTENSEN SOFTWARE USED: REVIT, AUTOCAD, VRAY, PHOTOSHOP

The project is to consider the adaptive reuse of Hobart’s Tepid Baths and its transformation into a contemporar y Public Bathhouse.The programme for the Public Bathhouse will include swimming and changing facilities, hydrotherapy and spa pools. Furthermore, the consideration of a future use for the existing pool shells is important to this project.

In addition to the programs described above, a public interface will be created through the inclusion of retail spaces that are compatible with the Bathhouse’s profile, while a community multi-purpose room and café will seek to engage a wider public in the centre’s social mission. Fundamental to this mission is creating a vital, dynamic and socially inclusive complexthat serves to renew and revitalise the urban environment in this area of the city of Hobart.

Finally, the reuse of the existing structure and pool tiles inlay brings the nostalgic memories of the Tepid Baths. The architecture then become a reminiscent connection intend to reinstate the physicality of pools that was once a prominent feature of the Tepid Baths site.

2015 | Tepid Bath Revitalizing Project | Reminiscent Box of Tepid Bath House

64

05 RBTB

New Program Area

New Proposed Program Size

Offset to Create New Axis

New Proposed Pool and Courtyard Area

Push New Program Area to the Roadside to Increase Public Accessibility

Connecting New Build with Existing Building

UTAS | B.EnvD | YEAR 3 Design Studio 5

05 RBTB

65

CONTEXTURE SITE PLAN Sitting adjacent to upper Collins Street and Molle Street, Tepid bath is potentially an active node that encourages social engagement and at the same time connects the society and the nature.

Moreover, the Hobart Rivulet was once the source of freshwater for the early settlers, flows beneath the streets of the city, out of sight and mind. It links Mount Wellington with the water front through the Hobart CBD. People gather along the river and gradually it generates the social significance of the place.

The project aims to rebirth the previous Tepid Bath building which was once of the gathering place for early Hobart city and also revistilise the rivulet park.

2015 | Tepid Bath Revitalizing Project | Reminiscent Box of Tepid Bath House

66

05 RBTB

REspect: Glass is used to seperate the OLD and NEW to minimise the impact on the cultural sigificant while distinct between the fabric

REuse: Existing Balcony Structures used to Indicate the circulation and rhythm pattens

REcall: Pool tiles are being reused to indicate the main circulation and also evoke the memories of swimming

REmembrance: New Green Space sets down to illustrate where the pool previous location and keeping the memories by lighting

REveal: Opening at the both ends reveal the function and programe of the Tepid Bath

EXISTING POOL SHELL

EXISTING BUILDING and CONNECTION

UTAS | B.EnvD | YEAR 3 Design Studio 5

05 RBTB

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1. Cafe 2. Foyer 3. Changing Rooms 4. Steam Room 5. Sauna 6. SPA 7. New Outdoor Pool 8. Pool Stage 9. Outdoor Courtyard 10. Art Preforming Studio

GROUND FLOOR PLAN

2015 | Tepid Bath Revitalizing Project | Reminiscent Box of Tepid Bath House

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05 RBTB

1 Art Galler y 2. Laundr y 3. Waiting Lounge 4. Meeting Room 5. Admit Office 6. Multi-functional Space

FIRST FLOOR PLAN

1. Plant Room 2. Massage Room 3. Consultation Room 4. Hydrotherapy Pool

BASEMENT FLOOR PLAN

05 RBTB

69

UTAS | B.EnvD | YEAR 3 Design Studio 5

2015 | Tepid Bath Revitalizing Project | Reminiscent Box of Tepid Bath House

70

05 RBTB

MOLLE STREET ENTRANCE | Threshold Body in Space |

Pool tiles inlay brings nostalgic memories of the Tepid Baths

Change in physical volume varies the sense of human scale.

UTAS | B.EnvD | YEAR 3 Design Studio 5

05 RBTB

71

CHANGING ROOMS

| CONNECTION BETWEEN OLD AND NEW |

2015 | Tepid Bath Revitalizing Project | Reminiscent Box of Tepid Bath House

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05 RBTB

BASEMENT HYDROTHERAPY POOL | REUSED OF THE OLD BASEMENT |

CONTEXTURE SECTION

UTAS | B.EnvD | YEAR 3 Design Studio 5

05 RBTB

73

MOLLE STREET ELEVATION

2015 | Tepid Bath Revitalizing Project | Reminiscent Box of Tepid Bath House

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05 RBTB

PERFORMING ART STUDIO | REUSED OF THE OLD POOL SHELL |

COLLIN STREET SECTION

UTAS | B.EnvD | YEAR 3 Design Studio 5

05 RBTB

75

C

REFLECTIVE CEILING PLAN

A

B

C

3

4

LONG SECTION A-A

2

LONG SECTION B-B

D

A

D

B

2015 | Tepid Bath Revitalizing Project | Reminiscent Box of Tepid Bath House

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05 RBTB

Detail 1

Detail 3

Detail 2

Detail 4

1

SHORT SECTION C-C

SHORT SECTION D-D

UTAS | B.EnvD | YEAR 3 Design Studio 5

05 RBTB

77

CAFE RENDER | LIGHTING RENDER TEST |

2015 | Tepid Bath Revitalizing Project | Reminiscent Box of Tepid Bath House

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05 RBTB

NEW BUILT

The new building seats inside the existing brick work balcony which minimize the impact to the existing Tepid Bath building and its cultural significant.

DETAIL SECTION

06 Frame

79

UTAS | B.EnvD | YEAR 2 Design Studio 3

F rame T he V iew BRADY‘S LOOKOUT, TASMANIA, AUSTRALIA

BRADY'S LOOKOUT INTERPRETATION CENTRE B.EnvD DESIGN CORE STUDIO 3 WITH HIGH DISTINCTION PROJECT INSTRUCTORS: MS LOUISE WALLIS SOFEWARE USED: ARCHICAD, AUTOCAD, VRAY, PHOTOSHOP

A unique attraction in the Tamar Valley, Brady’s Lookout was once the hideout for bushranger Mathew Brady who irritated the government in his exploits while winning the hearts of the female colonists. When finally captured, Brady was showered with gifts while incarcerated and had the crowd wailing at his hanging.

Brady’s Lookout Interpretation Centre provides a place for tourists, local residents and students to visit to understand the settlement and development along the Tamar River as well as a place to understand the landscape (flora and fauna). The frame provokes and explains the past and current links to Bradys Lookout. It also acts as a place to meet and eat with friends and family along the Tamar River, host functions and provide a community meeting space in the evenings. The project aim to have minimal earthworks and disruption to the geology of the site to protect the environment.

2014 | Interpret_ Brady's Lookout Interpretation Center | Frame The View

80

06 Frame

CONTEXTURE SITE PLAN Brady's Lookout Interpretation Centre sites in between the freeway and the lookout on a small hill. The lookout provide visitor to have the panorama view of the Tamar Valley and Tamar River

LOCATION SITE PLAN Brady’s Lookout Locates at the Northern Tasmania.

It’s geographical position gives traveller an opportunity to have a panorama view of the Tamar River.

UTAS | B.EnvD | YEAR 2 Design Studio 3

06 Frame

81

6

5

4

3 3 2

7

1

PLAN

1. Interpretation Centre 2. Office 3. Toilets 4. Cafe Kitchen 5. Cafe 6. Outdoor Cafe 7. Gathering Area

GROUND FLOOR PLAN

2014 | Interpret_ Brady's Lookout Interpretation Center | Frame The View

82

06 Frame

New Program.

Existing Pathway and view to Tamar River.

New pathway introduced.

Offset for the outdoor space at the sunny side

Frames emphasize the circulation and lead people to the destination

Brady's Look Lookout Interpretation Centre

PROGRESS DIAGRAMS SECTION A-A

SECTION B-B SITE AXONOMETRIC Touch the earth lightly.

UTAS | B.EnvD | YEAR 2 Design Studio 3

06 Frame

83

SECTION A-A

SECTION B-B Touch the earth lightly.

2014 | Interpret_ Brady's Lookout Interpretation Center | Frame The View

84

06 Frame

INTERPRETATION GALLERY

The galler y hall display the histor y about Mathew Brady. It allows visitor gaining information before heading to the lookout

EXPLODED STRUCTURAL DIGRAM Colourbond Roof Sheet

Roof Battens

Plasterboard Ceiling Lining

300mm Laminated Timber Rafter

12mm Bare Untreated Timber Cladding

90mm Timber Stud Frame Wall Blockwork Retaining Wall Blackbutt Timber Decking Bondek Concrete Slab Steel Tube Footing Bolted to Concrete Pad Footing

UTAS | B.EnvD | YEAR 2 Design Studio 3

06 Frame

85

SOUTHERN WAST ELEVATION

NORTHERN WAST ELEVATION

NORTHERN EAST ELEVATION

2014 | Interpret_ Brady's Lookout Interpretation Center | Frame The View

86

06 Frame

OUTDOOR DINNING SPACE

The outdoor dinning area is facing northern west providing a sunny spot for visitor enjoying their meal under the sun. While the frame work as a way finding device, guiding visitor towards to the lookout.

OUTDOOR PERFORMANCE SPACE

Linking with the outdoor dinning area, the performance area allows spontaneous event and perfomance to happen and ser ves as a extension space the dinning area and other events.

06 Frame

87

UTAS | B.EnvD | YEAR 2 Design Studio 3

2014 | Interpret_ Brady's Lookout Interpretation Center | Frame The View

88

06 Frame

DETAIL SECTION Touch the earth lightly. The floor slab is elevated up which minimise the excavation of the earth and the disruption to the landscape.

07 MP

89

UoM | MArch | Year 1 Applied Architectural Technology

2017 | Applied Architectural Technology | Melbourne Pearl

90

07 MP

M elbourne P earl MELBOURNE CBD, VICTORIA, AUSTRALIA

APPLIED ARCHITECTURE TECHNOLOGY_SKYRISE TOWER

M. ARCH DESIGN CORE SUBJECT APPLIED ARCHITECTURAL TECHNOLOGY WITH DISTINCTION PROJECT INSTRUCTORS: GIORGIO MARFELLA & MELISSA TEAM MEMBER: TIANGE LI & WANTONG CHEN SOFTWARE USED: AutoCAD, SKETCHUP

Melbourne Pearl is located on the edge of Melbourne CBD, sitting at the cross of Exhibition Street and La Trobe Street. The brand new skyscraper is surrounded by numerous mid rise and high-rise buildings. With the large flow of people and traffic at the western part of the site, Exhibition Street becomes the major access point towards the building. Melbourne Pearl targets itself to be the new landmark and the highest building, it marks the city skyline of Melbourne.

The podium occupies the entire site which is 92.5m by 95.5m. With the setback of 5m and 15m from the boundar y at different sides, the maximum footprint isset out to accommodate the large area of podium and the typical floors. In order to adapt the prevailing wind from northern side and the western sun, the footprint is rotated 90 degree for controlling the passive design more efficiently.

Besides, in light of the building with the existing context which contains a rigid grid within the city, the shape of the form is modified to connect the city view for each floor.

Some volumes are pushed or sunken in to create the interstitial outdoor gardens that are freed up in between different floors and they obtain the connectivity of indoor and outdoor space(diagram 1). In order to increase the stability of the building and adapt the high velocity of wind in upper air, podium is constructed at the bottom to prevent the public plaza being up-washed by the strong wind. The stacking concept is not only settled as an esthetic gesture, but also creating the buffer area for workers to utilized more efficiently.

UoM | MArch | Year 1 Applied Architectural Technology

07 MP

91

SITE PLAN

PROGRESS DIAGRAM

2017 | Applied Architectural Technology | Melbourne Pearl

92

07 MP

GROUND FLOOR PLAN

MID-RISE PLAN

HIGH-RISE PLAN

LOW RISE FLOOR PLAN

SKY-RISE PLAN

CEOWN PLAN

UoM | MArch | Year 1 Applied Architectural Technology

07 MP

93

Lift Lift Lift Lift

SECTION A-A

to to to to

Skyrise Highrise Mid-risse Low-rise

2017 | Applied Architectural Technology | Melbourne Pearl

94

07 MP

SINGLE SKIN FACADE ELEVATION

NORTHERN ELEVATION

DOUBLE SKIN FACADE ELEVATION

STRUCTURAL EXPLODED AXO

UoM | MArch | Year 1 Applied Architectural Technology

07 MP

95

TOWER

2017 | Applied Architectural Technology | Melbourne Pearl

96

07 MP

TOWER

UoM | MArch | Year 1 Applied Architectural Technology

07 MP

97

CROWN

2017 | Applied Architectural Technology | Melbourne Pearl

98

07 MP

CROWN

UoM | MArch | Year 1 Applied Architectural Technology

07 MP

99

PODIUM

2017 | Applied Architectural Technology | Melbourne Pearl

100

07 MP

PHYSICAL MODEL 1:500 model.

08 Oddish

101

UoM | MArch | Year 1 Tectonic Ground

2017 | Techtonic Ground | Oddish

102

08 Oddish

O ddish

Melbourne School of Design, Melbourne, Australia

TECTONIC GROUND 2017

NGV DESIGN WEEK | MSD PUBLICATION Project Leaders: Jannette Le, Mond Qu, Denis Vlieghe (Cube Zero), Matthew Greenwood

Tectonic Grounds is an exploration of digital design and fabrication techniques, data collection and 1:1 prototyping to deliver an interactive installation. This folly uses skills learned over a two week intensive to explore the design and construction process using today’s technology.

Oddish is a blooming interactive installation that is light responsive. To get a reaction from Oddish wave your phone light across the face of a flower and see it blossom. Be gentle and don’t poke it, this is a sensitive species.

Done as a collaboration with Cube Zero and the elective subject Tectonic Grounds at The Melbourne School of Design.

UoM | MArch | Year 1 Tectonic Ground

08 Oddish

103

SITE LOCATION PLAN

2017 | Techtonic Ground | Oddish

104

08 Oddish

FLOOR PLAN

ARRANGEMENT ITERATION

UoM | MArch | Year 1 Tectonic Ground

08 Oddish

105

SOUTHERN ELEVATION

2017 | Techtonic Ground | Oddish

106

08 Oddish

EASTHERN ELEVATION

UoM | MArch | Year 1 Tectonic Ground

08 Oddish

107

KIT AND PARTS-MECHANISM

2017 | Techtonic Ground | Oddish

108

08 Oddish

KIT AND PARTS-FLOWERS

UoM | MArch | Year 1 Tectonic Ground

08 Oddish

109

ELECTRICITY CABLES AND ELECTRICITY FLOW

2017 | Techtonic Ground | Oddish

110

08 Oddish

FLOWER MODULE

08 Oddish

111

UoM | MArch | Year 1 Tectonic Ground

2017 | Techtonic Ground | Oddish

112

08 Oddish THE PROJECT TEAM MEMBERS

08 Oddish

113

UoM | MArch | Year 1 Tectonic Ground

2017 | Techtonic Ground | Oddish

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08 Oddish

09 AP

115

OUE Ar tling Pavilion Design Compatition | Ar tling Pavilion

A r tling P avilion MARINA BOULEVARD, SINGAPORE

OUE ARTLING PAVILION DESIGN COMPETITION-ARTLING PAVILION IN COLLABORATION WITH WINSTUDIO, MARCO FERRI ARCHITECTS & IDM ARCHITECTS SOFTWARE USED: AutoCAD, SKETCHUP, PHOTOSHOP, ARTLANTIS

PAVILION. Definition: It was originally considered a decorated tent from Old French pavillon, from Latin papilo “butterfly or tent”…. Oxford Dictionaries. More than being a “container ” the new ARTLING PAVILION fluctuates between Architecture and sculpture, delivering Art and entertainment wherever needed and requested.

The New ARTLING Pavilion, TANGRAM VOYAGE as we named it, addresses the fundamental needs of being able to reinvent itself due to its re-usable structure and material components and still aiming to ensure high quality development through design and efficient use of resources. Ultimately it is a combination of Art and Architecture. It is a galler y space where Art is the main actor and Artists, Academics, Film Directors have a platform, travelling one in this case, to present their work to the public.

Unlike other ordinar y pavilions, TANGRAM VOYAGER must be seen as a series of contemporar y spaces in various configurations, in asymmetrical compositions, to suit the hosting site. The various configurations can be achieved due to its structure elements as well as the other materials composing the overall façade, roof and interiors. The structural elements and materials are all reusable, and provided an economical solution to the issues of this project. – Tangram design team.

2015 | Ar tling Pavilion | Tangram

116

09 AP

Tangram- Form Configurations

OUE Ar tling Pavilion Design Compatition | Ar tling Pavilion

09 AP

117

SITE PLAN

01. UDB ATM-Marina Bay Link Mall 02. Strait view Street 03. Marina Bolevard 04. Downtown Link MRT station 05. Reception 06. Courtyard 07. Art galler y/ auction room 08. VIP room 09. Champagne Bar 10. Tunnel to Marina Bay tower underground carpark

2015 | Ar tling Pavilion | Tangram

118

09 AP

Roof

3mm thick black canvas roof

Facade

5mm thick polyester sun screen

EXPLODED AXONOMETRIC

OUE Ar tling Pavilion Design Compatition | Ar tling Pavilion

09 AP

119

PAVILION ENTRANCE

2015 | Ar tling Pavilion | Tangram

120

09 AP

VIP BALL ROOM

LONGITUDINAL SECTION

SOUNTH WEST ELEVATION

09 AP

121

OUE Ar tling Pavilion Design Compatition | Ar tling Pavilion

2015 | Ar tling Pavilion | Tangram

122

One of the main exhibition room becomes the Auction room at times, thanks to a series of panelling doors on a pivot system that opens or closes when suited. All the spaces as we mentioned revolve around the courtyard, guests are never too far away from art and relaxing deck.

-Design Team

09 AP

Exhibition Room

Archimedium Design Competition | Berlin University Residence Competition

10 BUR

123

M auer

10 11

Berlin, Germany

ARCHIMEDIUM DESIGN COMPETITIONBERLIN UNIVERSITY RESIDENCE FINALIST TEAM MEMBER: KYRA SWEE YAO YANG, STEPHAN SHEN YIZHE

12

3 4 GO

5 2

9 8 6

Since the reunification of Germany, Berlin has become home to a community of international street artists. Our design concept, Mauer, explores the possibilities of combining a residential space and a public art space. We aim to integrate Mauer as part of the Berlin Public Art Tour with other famous street arts such as The Lads, Hour Glass, and Pink Man etc. This trail of public street art will offer tourists and the public a taste of the city’s creative side.

For the design of Mauer, we choose to orientate our buildings inwards towards a central courtyard instead of facing the graffiti. The back walls of the residential blocks then become additional urban canvases for local artists’ inter ventions, injecting public art space back into the city. The public is given free rein to paint their creativity onto these walls. And ever y few months, student residents will curate this graffiti before it is painted over to make way for a new wave of artworks, celebrating the transient nature of street-art, the uncertainty and fleeting moments shared in such ordinar y spaces.

The documented artworks will ser ve as a work-in-progress that would eventually culminate into the evolution of Berlin Artscape that is shaped by its political and social forces.

2016 | Berlin University Residence | Mauer

124

10 BUR

CONCEPT | Cultural Adaptation |

the GRAFFITI WALL

Existing wall requires hydraulic platform to assist street art inter vention

BUR

Proposed solution allows artists to climb up building facade for artistic inter vention, you decide how the place will look like!

Archimedium Design Competition | Berlin University Residence Competition

10 BUR

125

building typology

Art inter vention space

Design process

SITE PLAN

Legend: 1. cafe+deck 2. lift lobby 3. sauna-water zone 4. mail hall 5. storage 6. gym 7. office 8. courtyard 9. graffiti corridor 10. residence entrance

PROGRAM Functional programme size fits to site boundar y

GRAFFITI CORRIDOR Building offset to create corridor for street art

COURTYARD Design adapts east berlin building typology

TOWER Residential towers silhouette the Berlin high rise

URBAN CANVAS Platforms on external wall for artistic inter vention

LIVING SPACE Greenscape in courtyard to create vibrant living experience

TOWER

Residential towers silhou

2016 | Berlin University Residence | Mauer

126

10 BUR

1C

3A

3B

1A

1B 2A 2B

Kitchen / Toilet

Playroom/ study room

Graffiti corridor !!

uette the Berlin high rise

2C

SITE AXONOMETRIC | Artistic Cultivation X Living Condition |

Wall acts as a vertical separation, that gives a dual characteristic of living experience for the University residents. The wall emphasises the local artistic culture at the same time without compromising the dynamic living life style.

URBAN CANVAS

Platforms on external wall for artistic intervention

LIVING SPACE

Greenscape in courtyard to create vibrant living experience

structural framework cable corridor to platform staircase to different level movable cart

Collaborative space - play room/ study room

Platform Detail

Archimedium Design Competition | Berlin University Residence Competition

10 BUR

127

COURTYARD | Visual connection |

2016 | Berlin University Residence | Mauer

128

10 BUR

Student Residence

100 x 15m 2

50 x 30m 2

Hostel

40 x 45m 2

20 x 60m 2

Rental House

50 x 30m 2

30 x 50m 2

20 x 100m 2

RESIDENTIAL UNIT LAYOUT

40 x 20m 2

11 DSFA

129

Archimedium Design Competition | Detroit Station for The Ar t

T he A xis DETROIT, UNITED STATE

ARCHIMEDIUM DESIGN COMPETITION-DETROIT STATION FOR THE ART TEAM MEMBER: KYRA SWEE YAO YANG SOFEWARE USED: SKETCHUP, AUTOCAD, VRAY, PHOTOSHOP

Detroit itself is an art, Michigan central station the medium, a medium for tourist, artists and photographers who come from around the world to stay, feel and witness the rise and fall of Detroit through Michigan central station.

The station is situated in a potential location of cultural significance as a central station for train ser vice throughout twentieth centur y. It draws on a cultural context that extends well beyond the local context and toward the Detroit identity. Therefore the proposal is to preser ve the existing building fabric, while utilizing the spaces to fit in the new functional programmes.

The proposed design allows visitors to experience its historical moments through the layering of the journey. The darkness of hotel, residence and atelier corridor expresses the shrinking city at mid-twentieth centur y; Indistinct lighting atmosphere of the refurbished exhibition galler y through demolishing the existing internal walls to narrate the re-establishment of the current city of Detroit; fully open roof top viewing platform showcases the Detroit city panorama, which represents the redeemed Detroit city in the future.

Skylight on top floor exhibition galler y that metaphorically directs Detroit downtown area and Canada, reflects the past typology of Michigan central station as a railway station.

2015 | Detroit Station for The Ar t | The Axis

130

11 DSFA

CONTEXTUAL PLAN

CONCEPT future rebuild

fall

prosperous

Archimedium Design Competition | Detroit Station for The Ar t

11 DSFA

131

GROUND FLOOR PLANS

Restaurant

1. Atelier A (3) 2. Residence A (3) 3. Hotel unit (1)

LEVEL 2

LEVEL 3

2015 | Detroit Station for The Ar t | The Axis

132

11 DSFA

1. Atelier B (3) 2. Residence B (3)

Exhibition galler y

Viewing platform

LEVEL 10 - 15

LEVEL 16

ROOF PLAN LEVEL 17

12 BSH

133

Archimedium Design Competition | Barcelona Social Housing Competition

O n A ir BARCELONA , SPAIN

ARCHIMEDIUM DESIGN COMPETITION-BARCELONA SOCIAL HOUSING HONORABLE MENTION SOFEWARE USED: SKETCHUP, AUTOCAD, VRAY, PHOTOSHOP

The urban pattern of Barcelona has ser ved the city for centuries. As the rising population, the urban pattern is now outdated and limited the growth of the city. Moreover, a recent research has shown that most of the building in the urban centre could support a vertical addition. Since the housing crisis in Barcelona is forcing young people out of the city, the design provides millions of opportunity for the housing by reconsider the air space of the city.

The design intents to occupy the air space of the existing urban fabric to maximise the capacity of the social housing to accommodate the rising population yet without destroying the important cultural and historical urban fabric.

On Air consist of a structural frame work which is flexible enough to fits on top of most of the existing building. The exposed and incompleteness of the structural system also allow the future expansion to accommodate more and more people. The building on Via Laietana 8-10 ser ves as a testing ground for the new structural system and gradually spread out to the other part of the city.

2018 | Barcelona Social Housing | On Air

134

12 BSH

Year

2017

Year

2020

Year

2035

Year

2025

Archimedium Design Competition | Barcelona Social Housing Competition

12 BSH

135

CONSTRUCTING BARCELONA 2.0 ON THE AIR SPACE FOR THE FUTURE LIVING.

2018 | Barcelona Social Housing | On Air

136

12 BSH

Big Family

Young Couple HOUSING UNIT TYPOLOGIES

Small Family

13 EIC

137

2017 | AA Visiting School | Melbourne | Enanling The Intelligence of The City

2017 | AA Visiting School | Melbourne | Enanling The Intelligence of The City

the I ntelligence of the

C ity

MELBOURNE, AUSTRALIA

AA VISITING SCHOOL-MELBOURNE

TEAM MEMBER: Martina Wylie, Zhijian Wu, Danielle D'Cruz SOFEWARE USED: RHINO, VRAY, PHOTOSHOP

Statistics indicating that three-quarters of the world’s population will be living in cities by 2050 further reinforce the need for new urban strategies rooted in human culture.

Globally metropolises have gained influence. They have become so powerful and effective that they have surpassed our national governments. Big cities have a mind of their own, they are organic, they grow and expand based on occupants demands and desires, better than our national governments can, they steer our economic competitiveness and boost our labour market.

The modern metropolitan area and its architecture have come to symbolize the commercial success of a nation. Marketed through social media, cities compete with each other for screen time by presenting themselves as the most expensive, possessed by the tall skyscrapers.

The modern grid has allowed for cities to develop, in an organised fashion. Their physical underlay has a range of qualities that have determined and influenced the character of our cities worldwide.

A grid at the basis of most modern cities, with plots organised in blocks separated and linked from and to one another by streets. The grid has been important physical factor generating clarity and order to our cities.

But the grid also has put limitations and constraints. For using the cities in an optimal fashion we have to travel, relying on public transport. But only the ver y big cities often have the physical infrastructure organised appropriately. Traffic often is clogging up our streets. Traffic if not electrified yet is polluting our air. The encouraging side of cities getting denser is that dense cities can bring people together, produce physical contact, and by organising meetings and cross pollination generate the solutions to the problems and challenges that we encounter.

How can the city become even more dense, more efficient, more connective, more organic and more fun and attractive to allow for even more cross pollination and human encounters? This so that cities truly become the incubator to solve our future problems.

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E nabling

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2017 | AA Visiting School | Melbourne | Enanling The Intelligence of The City

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PAST

CURRENT

FUTURE (TOO DENSE)

ISSUE OF CURRENT GROWTH OF THE CITY

Current city block

A single tower interlace floor level

Intelligently intervene into the city block

Towers intervene into each other

New grid form within the city block

Tower intervene into existing tower to create new horizontal connection

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MATERIAL PROPERTIES TESTING | Design Method | Acr ylic tube |

MATERIAL PROPERTIES TESTING | Design Method | Rattan |

2017 | AA Visiting School | Melbourne | Enanling The Intelligence of The City

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DESIGN PROTOTYPE

MODULES GROWTH

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THE TOWERS

2017 | AA Visiting School | Melbourne | Enanling The Intelligence of The City

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BUILDING ENVELOPE TESTING

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NEW LANE WAY WITH CITY BLOCK

GROUP COLLABORATION

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UoM | MArch | Year 2 Thesis Studio

2018 | Unruly Edges: Museum of the Perth's Urban Memor y | Columbarium of City Memories

PERTH, WASTERN AUSTRALIA, AUSTRALIA

UNRULY EDGES: MUSEUM OF THE PERTH'S URBAN MEMORY M. ARCH THESIS STUDIO WITH DISTINCTION PROJECT INSTRUCTORS: VIRGINIA MANNERING SOFEWARE USED: RHINO, AUTOCAD, VRAY, PHOTOSHOP

Processes of colonisation have transformed Perth from a productive swamp into a city. Dominated bt skyscrapers, the city hsa been characterized by recurrent boom cycles, a dependence on the resources industr y and modernist development ethos that dictates a bold pattern of growth that discards the old in favour of the new without fear of losing value of significance and the memories of the urban environment.

While economy growth, the development of a city has caused destruction of the urban fabric, the witnes of the historical ebent which carries the collective memories of the urban dwellers, is being demolished. The Architecture consists of a mega frame work that intend to act as a "Columbarium" for the city, collecting and containing these memories within frees up Perth to boom again. The architecture then works as a connector allowing the memor y fragment to render itself as a palimpsest that connect the past, present and the future. The progressive filling process also illustrate the growth of the city.

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C olumbarium of C ity M emories

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UoM | MArch | Year 2 Thesis Studio

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THE STORY OF AN ANGRY OLD MAN

The affect of the top down development result in the lost of the significant of the city fabric as well as the collective memor y of the urban dweller.

UoM | MArch | Year 2 Thesis Studio

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WETLAND vs SITE

The selected site was once the biggest wetland area in Perth.

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In between first town planning and scond town planning

Site beside the trasport hub where has the most human flow

Close proximate to the other Cultural hotspots

Centrality-visual connection from cultural hotspots

DEMOLISHED ICON BUILDINGS

The demolished icon buildings that once the identidy and significant of Perth

UoM | MArch | Year 2 Thesis Studio

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SITE AXONOMETRIC

The museum site in between the CBD and Northbridge.

CONCEPT - REUSED OF THE DEMOLISHED MEMORIES | SPOLIA |

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GROUND FLOOR PLAN | Flexible and Free Space |

Building Ornament

Pulverizing Panel

Spolia Wall Panel

Rules for the Spolia selection

3 Types of Spolia Panel

UoM | MArch | Year 2 Thesis Studio

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FIRST COMPARTMENT PLAN

SECOND COMPARTMENT PLAN

THIRD COMPARTMENT PLAN

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THIRD COMPARTMENT RENDER

ENTRANCE PLAZA

FIRST COMPARTMENT RENDER

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Access to the urban context

Central Atrium

SECTION A-A

Structural application

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Three compartments

Enclosed space for the main museum

SECTION B-B

Open space and informal circulation

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FRAME & THIRD COMPARTMENT

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SECOND COMPARTMENT

FIRST COMPARTMENT

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UoM | MArch | Year 2 Thesis Studio

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SPOLIA FILLING PROGRESS A monument archives the demolished urban fabric of City of Perth to reserve the collective memory of the urban dwellers within the imprint of urban fabric while the progressive filling process illustrates the growth of the city.

UoM | MArch | Year 2 Thesis Studio

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PHYSICAL CITY MODEL

1:3000 city model | MDF | 3d Print | Perspex

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PHYSICAL BUILDING MODEL 1:300 Building model | MDF | 3d Print | Perspex

Work

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University of Melbourne | University of Tasmania | 2014-2018

University of Melbourne | University of Tasmania | 2014-2018

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Work

| APPENDIX | | |

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GREEN HAVEN LOBBY DESIGN

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LIVING ROOM & FACADE DESIGN

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PONTIAN BUNGALOW DESIGN

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PEKAN BUNGALOW DESIGN

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LEGOLAND THEME PARK RENTING SHED

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SERI ALAM BUNGALOW

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YANGON TOWER

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PONTIAN FAMILY BUNGALOW DESIGN

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SEMI-D BUNGALOW IN PONTIAN RAMBAH

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University of Melbourne | University of Tasmania | 2014-2018

Work

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| GREEN HAVEN LOBBY DESIGN |

University of Melbourne | University of Tasmania | 2014-2018

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Work

| GREEN HAVEN LOBBY DESIGN |

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Work

University of Melbourne | University of Tasmania | 2014-2018

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LIVING ROOM & FACADE DESIGN

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University of Melbourne | University of Tasmania | 2014-2018

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Work

| PONTIAN BUNGALOW DESIGN |

University of Melbourne | University of Tasmania | 2014-2018

Work

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| PEKAN BUNGALOW DESIGN |

University of Melbourne | University of Tasmania | 2014-2018

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Work

| PEKAN BUNGALOW DESIGN |

University of Melbourne | University of Tasmania | 2014-2018

Work

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| LEGOLAND THEME PARK RENTING SHED |

University of Melbourne | University of Tasmania | 2014-2018

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Work

| SERI ALAM BUNGALOW |

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Work

University of Melbourne | University of Tasmania | 2014-2018

| YANGON TOWER |

University of Melbourne | University of Tasmania | 2014-2018

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Work

| YANGONG TOWER |

University of Melbourne | University of Tasmania | 2014-2018

Work

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| PONTIAN FAMILY BUNGALOW DESIGN |

University of Melbourne | University of Tasmania | 2014-2018

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Work

| SEMI-D BUNGALOW IN PONTIAN RAMBAH |

University of Melbourne | University of Tasmania | 2014-2018

University of Melbourne | University of Tasmania | 2014-2018

Yong Kiat TAN University of Melbourne | Master of Architecture University of Tasmania | Bachelor of Environmental Design Telephone: +61 406 651 103 E-mail: tanyongkiat1993@hotmail.com