Guitar Girl Magazine - Sister Acts - Vol. 1, Issue 4

Page 73

LESSONS/TIPS

Want to sing better, reduce fatigue, and vocal strain?

Grab a straw! By Milena Thomas

One of the best-kept secrets in the vocal technique world that is gaining some recognition lately is that of the Straw Technique or Straw Phonation. If you ever experience vocal fatigue, strain for higher notes, or just want to improve your vocal skills, grab a straw (preferably a reusable one)! According to Dr. Ingo Titze, a worldrenowned voice scientist who identified and is popularizing the use of a straw in vocalization, it can help reduce strain and can train your vocal folds to produce sound correctly. There is a lot of science to back up his claims, but here are the main ways using a straw can improve your singing if used regularly: 1. Your vocal folds will stop working so hard to create sound. 2. Your vocal folds will take on a better, more efficient shape for easy singing. 3. You will learn how to use breath more efficiently.

to use. Dr. Titze recommends a narrow straw (a bit narrower than your regular drinking straw). The narrower the straw, the more benefit you will get from the exercises. Next, you simply place the straw between your lips and begin to make sound, almost like you are humming, only with a straw in your mouth. If this seems strange to you, don’t worry; you will get used to it. One tip is to imagine that your lips end at the end of the straw.

Let’s look at how to get the most out of using a straw to warm up your voice.

It is very important that all the air is coming out of the straw. Check to make sure no air is seeping out around the straw and that no air is coming out of your nose either. As you begin to make sound, you can pinch your nose shut, and there should be no interruption in the sound. You can also place your hand at the opening of the straw to feel the air flowing out of it.

How to do the Straw Technique First, you have to find the right straw

As you start to vocalize, you will want to notice your breath flow – is it steady

All of these things result in a much clearer and more powerful sound that is easier to produce – what singer doesn’t want that?

and even? To check, you can also get a tall cup that is half full of water and hum through the straw into the water. You want to get a very steady stream of bubbles coming through; if you get splashed in the face, you are blowing too much air at one time and creating big air bubbles. Aim for a steady flow as you “sing” through the straw. You will also notice this will automatically engage your core muscles very gently, which is great training for breath support. Once you get the hang of singing through the straw, I recommend put together a simple warm-up routine you can do any time. You can make it anywhere from 5-15 minutes long, and then move on to your regular warmups and singing, either for practice or performance. 5-Minute Straw Technique Warm-up »» 1 minute of sirens up and down, no particular pitches, just try to get a smooth sound from top to bottom »» 1 minute of emphasized siren sounds, imagine you are making sounds like engines revving, up and down your whole range »» 1-2 minutes of scales or vocalises »» 1-2 minutes of vocalizing using the melody from a piece of music you are working on When should I use the Straw Technique? To get the most benefit from the Straw Technique, you should try to do it once every day for at least 5 minutes to get started, but you can do it more often if you want. At a minimum, I recommend do a straw warm-up prior to every time you are going to practice or perform. Straw Phonation is also great for coolingdown after singing and for rehabilitation of a tired or strained voice. Of course, if you are experiencing frequent vocal strain or fatigue, it is important to work with a professional voice teacher or speech language pathologist familiar with singers to assess your technique.

guitargirlmag.com Guitar Girl Magazine 73


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Articles inside

The Paul Reed Smith Experience 2018 Recap

1min
page 9

The Evolution of Remarkable Sister Groups

1min
pages 10-13

#guitargirl Madeleine Anderson

1min
page 80

Gear Feature: Daisy Rock Bangles Signature Model

1min
page 77

Why it's Okay to be a Rhythm Guitarist

1min
pages 74-75

Singing Tips: Want to Sing Better, Reduce Fatigue, and Vocal Strain? Grab a Straw!

1min
page 73

Americana songwriter/recording artist Nikki O'Neill shares useful insights and tips

1min
pages 70-72

Gear Reviews

1min
pages 62-69

Fanny's June and Jean Millington: The Ultimate Bass and Guitar Sisterhood

1min
pages 57-59

The GFM Band: Defining "Beautycore" for the Women Movement in the Metal World

1min
pages 54-56

The Sledge Grits Band: Sisterhood is Forever

1min
pages 52-53

The Command Sisters Talk Music, Sisterhood, and the Power of Guitars in their Sound

1min
pages 50-51

The Shook Twins: Relying on their Extensive Music Catalog (and each other) to Create a Fresh Sound on the Folk Scene

1min
pages 46-49

Shonen Knife: "Alive! In Osaka" and Still Going Strong

1min
pages 44-45

From the '60s to the New Millennium, The Mania is Band and the MonaLisa Twins Serve it Up with Style and Grace

1min
pages 40-43

Lucy Angel: Two Sisters, a Mom, and the family that creates their country sound

1min
pages 37-39

Honesty and trust in their sisterhood allow Von Grey's creative process to flow

1min
pages 35-36

Sister Trio Southern Halo: Sisterhood is like having a built-in best friend

1min
pages 32-34

You've Been Warned: How The Warning went from video game players to rock band musicians

1min
pages 28-31

Rising Appalachia: Using music is a tool and a catalyst for betterment in our communities

1min
pages 26-27

Sisters Rebecca and Megan Lovell of the Powerhouse Duo Larkin Poe

1min
page 25

First Aid Kit: Creativity, Gear, and Music

1min
pages 23-24
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