Guitar Girl Magazine - Sister Acts - Vol. 1, Issue 4

Page 74

LESSONS/TIPS

Why it’s okay to be a rhythm guitarist By Marco DiSandro The first step to being a great rhythm guitarist is not purchasing a metronome. It’s not even learning chords or performing with other musicians. It’s admitting to yourself that it’s okay to play rhythm guitar. The glamour, attention, and title afforded to a lead guitarist would make any band member jealous, and the appeal would make any guitarist want to demand, “It’s lead or nothing!” Aside from the lead singer, the lead guitarist is overwhelmingly considered the most important member of the

74 Guitar Girl Magazine

band – certainly the most pivotal instrumentalist in the group. However, such considerations are simply inaccurate and stem from a lack of understanding of band dynamics, how songs achieve their sound, and guitarplaying in general. Most music fans don’t think about the importance of rhythm guitar; the sound of one rhythm guitar can create a group’s sound, influence the music it makes, and even direct the lead guitarist. As a rhythm guitarist, you’re more marketable than you –

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and others – realize. You have skills and knowledge that can be applied to various aspects of the music community. You just don’t know it yet. Let’s take a look at a few reasons why it’s okay to stand in the background, strum some chords, and be satisfied with playing second guitar. The band needs you To be a rhythm guitarist, you have to have, well, rhythm of course. You and the bass and drums are working in tandem. You three are the backbone, if not the entirety, of the song you are playing.


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Articles inside

The Paul Reed Smith Experience 2018 Recap

1min
page 9

The Evolution of Remarkable Sister Groups

1min
pages 10-13

#guitargirl Madeleine Anderson

1min
page 80

Gear Feature: Daisy Rock Bangles Signature Model

1min
page 77

Why it's Okay to be a Rhythm Guitarist

1min
pages 74-75

Singing Tips: Want to Sing Better, Reduce Fatigue, and Vocal Strain? Grab a Straw!

1min
page 73

Americana songwriter/recording artist Nikki O'Neill shares useful insights and tips

1min
pages 70-72

Gear Reviews

1min
pages 62-69

Fanny's June and Jean Millington: The Ultimate Bass and Guitar Sisterhood

1min
pages 57-59

The GFM Band: Defining "Beautycore" for the Women Movement in the Metal World

1min
pages 54-56

The Sledge Grits Band: Sisterhood is Forever

1min
pages 52-53

The Command Sisters Talk Music, Sisterhood, and the Power of Guitars in their Sound

1min
pages 50-51

The Shook Twins: Relying on their Extensive Music Catalog (and each other) to Create a Fresh Sound on the Folk Scene

1min
pages 46-49

Shonen Knife: "Alive! In Osaka" and Still Going Strong

1min
pages 44-45

From the '60s to the New Millennium, The Mania is Band and the MonaLisa Twins Serve it Up with Style and Grace

1min
pages 40-43

Lucy Angel: Two Sisters, a Mom, and the family that creates their country sound

1min
pages 37-39

Honesty and trust in their sisterhood allow Von Grey's creative process to flow

1min
pages 35-36

Sister Trio Southern Halo: Sisterhood is like having a built-in best friend

1min
pages 32-34

You've Been Warned: How The Warning went from video game players to rock band musicians

1min
pages 28-31

Rising Appalachia: Using music is a tool and a catalyst for betterment in our communities

1min
pages 26-27

Sisters Rebecca and Megan Lovell of the Powerhouse Duo Larkin Poe

1min
page 25

First Aid Kit: Creativity, Gear, and Music

1min
pages 23-24
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