THE ARTS MAGAZINE OF THE ART STUDIO, INC.
OCTOBER 2006
Skin Deep PAGE 4
INSIDE: BEHIND THE LENS, KLEE AND AMERICA, AND MORE
FRANK’S INTRICATE TATTOO WAS JUST HIS WAY OF REMEMBERING WHERE HE KEPT HIS SECRET STASH OF STUDIO BLEND
Studio Blend Coffee i*U T " .BUUFS 0G 5BTUFu ONLY $7 A POUND AVAILABLE AT THE ART STUDIO
• NOW AVAILABLE GROUND •
A View From The Top Greg Busceme, TASI Director
ISSUE Vol. 13, No. 3 Publisher . . . . . . . . . . . . . . . . The Art Studio, Inc. Editor . . . . . . . . . . . . . . . . . . . . . . Andy Coughlan Copy Editor . . . . . . . . . . . . . . . . . . . . Tracy Danna
The Art Studio, Inc. Board of Directors President Ex-Officio . . . . . . . . . . . . Greg Busceme Vice-President. . . . . . . . . . . . . . . Angela Busceme Members At Large . . . . . . . . . . . . . . Beth Gallaspy . . . . . . . . . . . . . Maribeth Jones, Sandy Pate, . . . . . . . . . . . . . . . Angie Phares, Les Warren
The Art Studio, Inc. 720 Franklin Beaumont, TX 77701 409-838-5393 www.artstudio.org artstudio@artstudio.org Issue Submissions: artstudio@artstudio.org The ISSUE is a monthly publication of The Art Studio, Inc. Its mission is to publicize The Art Studio and its tenants, and to promote the growth of the arts in Southeast Texas. ISSUE is also charged with informing TASI members of projects, progress, achievements and setbacks in TASI’s well-being. Further, ISSUE strives to promote and distribute the writings of local authors in its “Thoughtcrime� feature. ISSUE is provided free of charge to members of TASI and is also available, free of charge, at more than 30 locations in Southeast Texas. Regular features include local artists of note and reputation who are not currently exhibiting at TASI; artists currently or soon to be exhibiting at TASI; Instructional articles for artists; news stories regarding the state of TASI’s organization; and arts news features dealing with general philosophical issues of interest to artists.
Contents
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UPCOMING EXHIBITIONS AT THE ART STUDIO NOVEMBER DECEMBER Behind the Lens: Beaumont Enterprise Photographers Holiday Shop-O-Rama Extravaganza Opening . . . . . . . . . . . . . . . . . . . . . . November 4
Opening . . . . . . . . . . . . . . . . . . . . . . December 2
BECOME A MEMBER OF THE ART STUDIO .FNCFSTIJQ JO 5IF "SU 4UVEJP *OD QSPWJEFT JOWJUB UJPOT UP BMM FYIJCJUJPOT BOE POF ZFBS PG *446& UIF NPOUIMZ BSUT NBHB[JOF PG 5IF "SU 4UVEJP *U BMTP HJWFT GSFF FMJHJCJMJUZ GPS NFNCFST UP FOUFS UIF BOOVBM NFN CFSTIJQ BSU FYIJCJUJPO 5"4*.+"& BOE QBSUJDJ QBUF JO WBSJPVT FYIJCJUJPOT UISPVHIPVU UIF ZFBS
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Skin Deep . . . . . . . . . . . . . . . . . . . . . . . . . . Page 4 Klee and America Review. . . . . . . . . . . . . . . Page 6 Spindletop Film festival . . . . . . . . . . . . . . . . Page 7 Carter Documentary. . . . . . . . . . . . . . . . . . . Page 7 Behind the Lens. . . . . . . . . . . . . . . . . . . . . . Page 8 Thoughtcrime. . . . . . . . . . . . . . . . . . . . . . . Page 13 Around & About/Memberships . . . . . . . . . Page 14
Cover photo of Trisha Grice by Andy Coughlan
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THE ART STUDIO, INC.
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Individual: $35 Family/Group: $50 Friend/Business: $100 Sustaining: $250 New?
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$500 $1,000 $2,000 $10,000
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The Art Studio, Inc. 720 Franklin, Beaumont 77701
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4 • ISSUE November 2006
Volume 13, No. 3
Art "ODJFOU BSU GPSN GJOET NBJOTUSFBN BDDFQUBODF Story and photos by Andy Coughlan
Pete Meiners of Gil Montie’s Tattoomania works on Trish Coughlan’s tattoo of a Union Jack flag.
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Volume 13, No. 3
November 2006 ISSUE • 5
that’s skin deep THE ARTS MAGAZINE OF THE ART STUDIO, INC.
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APRIL 2005
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See INK on page 12
Paul Tohill sits while tattoo artist Greg Votaw works on a design he drew freehand onto the arm. Tohill intends to have a full sleeve, incorporating work by several artists, by the time he is finished.
MAKING AN EXHIBITION OF THEMSELVES PAGE 7 INSIDE: LISA REINAUER: JUDGE AND JURY, HOT PIG, AND MORE
6 • ISSUE November 2006
Volume 13, No. 3
Klee and America
Dorf-Carnaval [Village Carnival] 1926.135 (D 5) Oil on muslin mounted on cardboard, original painted stripframe 21-1/2 x 17-1/4 inches (54.6 x 43.8 cm) Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950 Image courtesy of the Menil Collection
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Review by Andy Coughlan
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See KLEE on page 12
Volume 13, No. 3
November 2006 ISSUE • 7
ART STUDIO TO HOST SPINFEST OPENING PARTY "$$-"*.&% "$5034 83*5&34 EJSFD UPST FEJUPST TDSFFOXSJUFST QSPEVDFST BOE FWFO BO )#0 SFQSFTFOUBUJWF XJMM CF PO IBOE GPS UIF 4QJOEMFUPQ -BNBS 6OJWFSTJUZ 'JMN 'FTUJWBM BOE DPOGFS FODF /PW BU -BNBS 6OJWFSTJUZ 5IF DPOGFSFODF XIJDI JODMVEFT GJMN TDSFFOJOHT BOE QBOFMT CZ JOEVT USZ QSPGFTTJPOBMT XJMM CFHJO XJUI BO PQFOJOH OJHIU QBSUZ BU 5IF "SU 4UVEJP *OD BU Q N /PW 4IPSU GJMNT JODMVEJOH UIF )PVTUPO 'JMN $PNNJTTJPO 5FYBT 'JMNNBLFS 4IPXDBTF XJMM CF QSPKFDUFE PO B XBMM BEKBDFOU UP UIF "SU 4UVEJP 5IF NJYFS BMMPXT VQ BOE DPNJOH GJMNNBLFST BOE QSPGFTTJPOBMT UP OFUXPSL JO B DPNGPSUBCMF FOWJSPONFOU BOE XBUDI OPUFE 5FYBT GJMNT 8PSLTIPQT BOE GJMN TDSFFOJOHT XJMM CF GSPN B N UP Q N 4BUVSEBZ BU UIF 6OJWFSTJUZ 5IFBUSF XJUI TDSFFOJOHT UP GPMMPX UIBU FWFOJOH 4VOEBZ TDSFFOJOHT BSF UFOUBUJWFMZ TDIFEVMFE GPS UIF 6OJWFSTJUZ 5IFBUSF 5IF GFTUJWBM XJMM IPTU "VTUJO TDSFFOXSJUFS #JMM 8JUUMJGG EVSJOH JUT
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See FILM on page 10
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See CARTER on page 11
8 • ISSUE November 2006
Volume 13, No. 3
4*9 1)050+063/"-*454 &9104& 7*&8&34 50 %*''&3&/5 7*&84 Photo below by Pete Churton Photo of Pete Churton by Mark M. Hancock
Photo by Dave Ryan Photo of Dave Ryan by Pete Churton
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Story by Andy Coughlan
Photo by Scott Eslinger Photo of Scott Eslinger by Scott Eslinger
Volume 11,13, No.No. 1 3 Volume
September November2004 2006ISSUE ISSUE••5 9
Distinctly Diverse Photo by Jennifer Reynolds Photo of Jennifer Reynolds by Scott Eslinger
DIFFERENT APPROACHES U NITE ‘TEXAS TWO DOZEN’ The piece consistsSTUDIO, of an automatic tennis serve exans have MAGAZINE their “Twang,� the dis- OF THE THE ARTS ART INC.
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machine that fires a series of balls (each labeled tinctive vocal style that distin“Joey�) against a wall on which is a large Argyle patguishes them from people from other states. “Twang� also refers to tern that may or may not be a net. The machine is labeled “Playmate� and the balls are fired with the guitar sounds of Texas R&B monotonous regularity, with the gallery walls echoand country. ing a repetitive thud thud thud, like the Dada soundAt the Art Museum of iBSUu QIPUPHSBQIFS BT TVDI tracks of Kurt Schwitters. Southeast Texas, “Twang� is a i* WF BMXBZT DPOTJEFSFE NZTFMG NPSF PG B DSBGUTNBO UIBO The “Joey� of the title refers to Joey group show of contemporary BO BSUJTU u IF TBJE i1IPUPKPVSOBMJTN JT CBTJDBMMZ UFMMJOH TUPSJFT Mussacchio, a childhood friend of the artist who is Texas sculpture featuring work by XJUI JNBHFT BOE BSUJTUSZ JT DFSUBJOMZ B NBKPS DPNQPOFOU PG now dead. a dozen artists. UIBU 'PS NF B HPPE QIPUPHSBQI FWPLFT FNPUJPO Does the lifeless “Playmate� long for someone Texas is both Western and BO JOUFMMFDUV BM PS WJTDFSBM SFBDUJPO PO TPNF MFWFM BOE UIBU T XIFSF UIF Southern, cotton and cowboys, and with whom to play? It seems to connect with the BSUJTUSZ DPNFT JO u a multitude of clashing cultures. If quintessentially American past-time — a simple 5IF TJY QIPUPHSBQIFST TIBSF B DPNNPO CPOE ‡ UIFZ BMM game of catch. there is one thing that defines DJUF HFUUJOH PVU BOE NFFUJOH QFPQMF BT POF PG UIF NBJO CFOF Visitors to the opening witnessed the balls Texas, it is its indefinability. GJUT PG UIF KPC “Twang,� like the state that bouncing off two walls and back into the machine, $IVSUPO JT OPX BO BTTJTUBOU NBOBHJOH FEJUPS BOE TBJE IF completing a never-ending solitary game of catch. links these artists, incorporates a EPFTO U HFU PVU BT NVDI BT IF VTFE UP plethora of styles and forms. The piece had a melancholy quality that reflected i* MPWF HFUUJOH PVU JO AUIF BSFOB BT * DBMM JU TFFJOH XIBU T Among the strongest pieces on display is “Loveboth the loss of a childhood friend and of childhood HPJOH PO BOE DBQUVSJOH JNBHFT UIBU TIPX PVS SFBEFST XIBU T Joey,� a study of friendship, loneliness and loss by itself. IBQQFOJOH BSPVOE UIFN u IF TBJE i* EPO U HFU UP EP JU WFSZ However, visitors at a later date may have seen Michael Powers. NVDI BOZNPSF CVU * MPWFE JU XIFO * EJE JU SFHVMBSMZ GPS ZFBST BOE PO UIPTF PDDBTJPOT XIFO * N TUJMM BCMF UP *U T B HSFBU XBZ UP TBUJTGZ DSFBUJWF BOE BSUJTUJD VSHFT XIJMF NBLJOH B MJWJOH u Among the works $IVSUPO TBJE IF IPQFT UIF TIPX BMMPXT QFPQMF UP TFF B featured in EJGGFSFOU TJEF PG UIF QIPUPKPVSOBMJTUT XIP TUSJWF UP FNQMPZ “TWANG: BSUJTUSZ JO XIBU UIFZ EP Contemporary i/FXTQBQFS QIPUPHSBQIZ SFRVJSFT TIPPUJOH NVMUJQMF Sculpture from BTTJHONFOUT PS FWFOUT FWFSZEBZ BOE UIBU DBO CFBU UIF BSUJTUSZ Texas,� BOE DSFBUJWJUZ PVU PG B QIPUPHSBQIFS JG ZPV MFU JU u IF TBJE on display i#VU * IPQF QFPQMF XJMM TFF UIBU UIF QIPUPKPVSOBMJTUT PG 5IF through Sept. 26 #FBVNPOU &OUFSQSJTF BMXBZT USZ UP BOE WFSZ PGUFO TVDDFFE BU at the Art CSJOHJOH BSUJTUSZ UP PVS SFBEFST BOE UP PVSTFMWFT Museum of i"OE JG QFPQMF XBOU UP UBLF BXBZ QJFDFT UIBU UIFZ TBX BU Southeast Texas, UIF TIPX UIBU XPVME CF HSFBU u are, clockwise %BWF 3ZBO SVOT $IVSUPO DMPTF XIFO JU DPNFT UP MPOHFWJUZ from left, 5IF iNJTQMBDFE :BOLFF GSPN 3PDIFTUFS /:u IBT CFFO JO “E.B.� by #FBVNPOU GPS ZFBST Erick Swenson, 3ZBO TBJE UIBU QIPUPKPVSOBMJTN CPUI BEET UP BOE EJGGFST “Museum Bench� GSPN IJT BSU QIPUPHSBQIZ by Chris Sauter, i4PNF BTTJHONFOUT BSF B KPC OPU BMXBZT QMFBTBOU TPNF “Two Paintings UJNFT USBHJD on BOE DBO CF WFSZ FNPUJPOBMMZ ESBJOJOH u IF TBJE i#VU PO UIF GMJQ TJEF UIFSF JT UIF USBWFM UP UIF BTTJHONFOUT a Rock� XIJDI DBO MFOE JUTFMG UP BMM LJOET PG JEFBT TVDI BT iTDFOJDT u by Bill Davenport i"OE UIFO and “Sell Me NPTU JNQPSUBOU UIFSF BSF UIF PQQPSUVOJUJFT UIBU TPNF BTTJHONFOUT FYQPTF ZPV UP UIJOHT ZPV NBZ OFWFS Something IBWF FODPVOUFSFE PO ZPVS PXO 1FPQMF XIP BSF MJLF 8PX 8F Brown� BSF QFPQMF XIP DBO QSPEVDF DSFBUJWF FNPUJPOBM BOE NFNP by Franco SBCMF QIPUPT UIBU QSPEVDF B SFBDUJPO XIFO WJFXFE PS BSF UIF Mondini-Ruiz. TUBSU PG TPNFUIJOH u 3ZBO TBJE IJT XJGF iXIP IBT XBUDIFE BOE CFFO UIFSF GPS ZFBST u IFMQFE IJN QJDL UIF QJFDFT GPS UIF TIPX i4IF IBT IFS GBWPSJUFT u IF TBJE i4IF MJLFT UP GFFM UIF QIP UPT OPU KVTU TFF UIFN u 3ZBO TBJE IF IPQFT UIBU UIF TIPX XJMM BMMPX WJFXFST UP Review and IBWF BO BQQSFDJBUJPO GPS iXIBU XF TFF UISPVHI UIF DBNFSB u photos by
APRIL 2005
the balls hit the wall and bounce randomly away as a museum guard chased after them. This viewing emphasized a sense of “play,� with the machine, like a rambunctious child, teasing its reluctant “playmate.� The same piece, but two games and, therefore, two different pieces. Even though the “Playmate� is inanimate, Powers has created a performance piece reminiscent of the 1960s Fluxus group, whose creations existed in the reactions of the viewer. Powers plays with our emotions and delicately balances the the joys of childhood with the loss of innocence. Another piece that demands viewer participation is Justin Kidd’s “In and Out Box.� Consisting of a crudely constructed mailbox hanging on the wall, visitors to the exhibit are invited to “mail� a postcard from the Czech Republic
See TWANG on page 11
MAKING AN EXHIBITION OF THEMSELVES PAGE 7
Andy Coughlan
“Phosaic� by Mark M. Hancock Photo of Mark M. Hancock by Fayrouz Hancock
INSIDE: LISA REINAUER: JUDGE AND JURY, HOT PIG, AND MORE
Photo by Andrew Nenque
See LENS on page 11
Photo of Andrew Nenque by Andrew Nenque
10 • ISSUE November 2006
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Volume 13, No. 3
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Volume 13, No. 3
November 2006 ISSUE • 11
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12 • ISSUE November 2006
Volume 13, No. 3
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Gil Montie’s Tattoomania has space for 4 artists to work at a time, as well as a piercing room.
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Tropische Garten Kultur [Tropical Garden Plantation] 1923.55 Oil transfer and watercolor on paper, bordered with watercolor and pen margin below, mounted on cardboard 7-3/8 x 19-1/4 inches (18.7 x 48.9 cm) Image courtesy of the Menil Collection Solomon R. Guggenheim Museum, New York
Volume Volume11, 13,No. No.1 3
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November September2006 2004ISSUE ISSUE••13 5
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)F XBMLFE JOUP UIF DPVSUSPPN XJUI B TJNQMF BTTBVMU GSPN UIF ESVOLFO OJHIU #BJM TIPVME CF Submission Guidelines and Disclaimer donors to TASI. Send typed works to: BCPVU " TUFBEZ ESJOLFS IJT ISSUE ISSUE solicits and publishes the work of IBOHPWFST HFOFSBMMZ QSPEVDFE 720 Franklin, Beaumont, TX 77701 local authors. Poetry, short fiction, scholarly or e-mail: POMZ BO JSSJUBUJOH EJTQPTJUJPO )F works and opinion pieces may be submitted for issue.tasi@hotmail.com review. All works must be typed or submitted on a XBTO U TVSF FYBDUMZ IPX UIF CPP[F disk (using approved word processing software), ESJWFO OJHIU XPSLFE PVU CVU TPNF or may be sent to TASI by e-mail. All works are Authors must submit a daytime telephone POF JSSJUBUFE IJN BOE IF QVODIFE subject for review by our editor, and may be rejectnumber along with all submissions. Pen names ed or edited on the basis of grammar, spelling or are acceptable, but authors must supply real IJN PODF JO UIF DIJO OFBS B QPPM content. names for verification. All submitted works UBCMF CFGPSF IJT CVEEJFT HSBCCFE The piece consists of an automatic tennis serve balls hit the wall and bounce randomly away as aor exans have their “Twang,� the disThe opinions expressed inthe “Thoughtcrime� become property of TASI, and whether rejected IJN BOE USJFE UP CVTU IJN VQ machine that fires a series of balls (each labeled museum guard them. Thistoviewing tinctive vocal style that distindo not necessarily reflect the opinions of TASI, its chased accepted,after are not returned the author. ISSUE &YDFQU GPS UIF PVUTJEF DPSOFS PG of Directors, staff, ora sense doesof not“play,� notify of with rejection mail or telephone. “Joey�) against a wall on which Board is a large ArgyleISSUE’s pat- editorial emphasized thebymachine, like guishes them from people from IJT MFGU IBOE BOE BO PCWJPVT TFQB a rambunctious child, teasing its reluctant “playother states. “Twang� also refers to tern that may or may not be a net. The machine is SBUFE SJHIU TJEF SJC labeled “Playmate� and the balls are fired with mate.� the XIJDI DBVTFE guitar sounds of Texas R&B UFSSJCMF QBJO XJUI FWFSZ EFFQ monotonous regularity, with the gallery walls echoThe same piece, but two games and, therefore, and country. 8IBU * -PWF "CPVU 5IJT -BOE 5PVHI -PWF CSFBUI IF TFFNFE SFNBSLBCMZ ing a repetitive thud thud thud, like the Dada sound- two different pieces. At the Art Museum of 5IJT JT XIBU MPWF JT MJLF XFMM 0ODF IF SBO GSPN UIF CBS tracks of Kurt Schwitters. 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It seems to connect with the balances the the joys of childhood with the loss of Southern, cotton and cowboys, and UP UIF HVU UP POF BOE NJTTFE HSPJO XJUI UIFJS HBT GVNFT MJLF EBZ PME MBVOESZ innocence. quintessentially American past-time — a simple a multitude of clashing cultures. If LJDL UP BOPUIFS QSPWJEJOH OFFEFE BOE JOEVTUSZ XJUI JUT BMNPTU GSFTI game of catch. Another piece that demands viewer participathere is one thing that defines GPVM TNFMMJOH GVNFT TFDPOET UP CPMU GPS UIF CBDL BMMFZ B IJOU PG TXFBU BOE TPBQ tion isCFGPSF UIF HPWFSOPS Justin Kidd’s “In and Out Box.� Visitors to the opening witnessed the balls Texas, it is its indefinability. 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DIFFERENT APPROACHES U NITE ‘TEXAS TWO DOZEN’ THE ARTS MAGAZINE OF THE ART STUDIO, INC.
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APRIL 2005
MAKING AN EXHIBITION OF THEMSELVES PAGE 7
INSIDE: LISA REINAUER: JUDGE AND JURY, HOT PIG, AND MORE
14 • ISSUE November 2006
Volume 13, No. 3
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Memberships Thanks to all these new and renewing members. Member support is the backbone of our operations! Due to a computer malfunction, your contribution may not be logged. If your name is not on this list and should be, please contact us at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Mission Statement Founded in 1983, The Art Studio, Inc. is devoted to: providing opportunities for interaction between the public and the Southeast Texas community of artists; furnishing affordable studio space to originating artists of every medium; promoting cultural growth and diversity of all art forms in Southeast Texas; and providing art educational opportunities to everyone, of every age, regardless of income level, race, national origin, sex or religion.
PURPOSE The purpose of The Art Studio, Inc. is to (1) provide educational opportunities between the general public and the community of artists and (2) to offer sustained support for the artist by operating a non-profit cooperative to provide studio space and exhibition space to working artists and crafts people, and to provide an area for group work sessions for those artists and crafts people to jointly offer their labor, ideas, and enthusiasm to each other.
GOALS 1. 2. 3. 4.
To present public exhibitions To provide educational opportunities To provide accessible equipment for artists To provide peer feedback through association with other artists and crafts people
OBJECTIVES 1. 2. 3. 4. 5. 6. 7. 8.
To present 10 art exhibitions per year To maintain equipment for artists in a safe working environment To provide better access to artists for the public To offer regularly scheduled adult and children’s classes To develop and maintain public activities with all sectors of the community To develop and maintain equipment to aid artists in their work To provide a display retail outlet for artists To expand programming and activities with increased facility space
Volume 13, No. 2
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October 2006 ISSUE • 15
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WE CARRY
ART SUPPLIES IN OUR SALES GALLERY 11 a.m. to 4 p.m. Tuesday-Saturday
Ceramics • Paintings • Jewelry Plus Art Studio merchandise including shirts and tote bags.
Whether you are an art collector or just shopping for gifts, we have something for you.
VISIT OUR SALES GALLERY TODAY AT 720 FRANKLIN IN DOWNTOWN BEAUMONT
409-838-5393 • www.artstudio.org
14 • ISSUE September 2004
Volume 11, No. 1
720 Franklin, Beaumont, Texas 77701
Non-Profit Org U.S. Postage PAID Permit #135 Beaumont, TX
THE ART STUDIO, INC. CLASS SCHEDULE This fall we are offering another class, but these sessions will be 1 mask-making class, and Cindy eclectic mix of classes at The Art hour shorter. So, it will cost a little Picou will show you how to make less. wire-wrapped jewelry. Studio, Inc. There are a few changes to a George Wentz will be teaching Make sure you pay attention to some of the familiar classes. Salsa another acrylic painting class. Grace the ISSUE, your e-mail, and fliers at INSIDE night is now on Wednesdays. Life Megnet is coming back in October the Studio for updates as we add • BEHIND THE LENS drawing has not been attracting the to do bookbinding. No photography even more classes to the list. • THOUGHTCRIME: FROM session,AREA but lookPOETS for it to return numbers it used to, so weMUSINGS will now this hold it every other week. in the future. Ren Brumfield, • AROUND & ABOUT: INFORMATION ABOUT ART HAPPENINGS Greg Busceme is going to offer We are offering several new TASI education coordinator • SKIN DEEP a daytime clay class. It will meet the classes. Andy Coughlan fuses the• ISSUE SUBMISSIONS: artstudio@artstudio.org same number of times as the night ater and visual art in a creative new MASK MAKING Thursdays, 6-8 p.m. Sept. 16-Oct. 21 $100 ($80 for members) Explore the rich tradition of masks in theater. Create and decorate large-form masks for performance or decoration using a variety of techniques from painting to collage. Imagination is the only limit. This six-week course will also include tips on using your masks in performance and the history of masks around the world. Instructed by Andy Coughlan. ACRYLIC PAINTING Saturdays, 1:30-3 p.m. Sept. 11-Oct.16 $95 ($75 for members) Learn to express your own ideas and feelings with painter and art educator George Wentz. You will explore brush techniques, acrylic paint mixing, and layering paint. Supplies to be purchased separately. List available from the Studio.
ADULT BEGINNING DRAWING Tuesdays, 6:30-8:30 p.m. Aug. 31-Oct. 12 $115 ($95 for members) You CAN draw! Learn to draw realistically in this fun and easy class. Instructed by Karen deMedrano. BOOKBINDING Fridays, 6-8 p.m. Oct. 8-Nov. 12 $110 ($90 for members) Learn terms, tools and basic techniques in this introductory class. Instructed by Grace Megnet.
KIDS CLAY Saturdays, 10:30 a.m.-noon Sept. 18-Oct. 23 $75 Beginning clay class introduces a variety of handbuilding techniques, preparation and application of glazes, and the raku firing process. Instructed by Katheryn Rogers. WIRE WRAPPED JEWELRY Wednesdays, 5:30-7:30 p.m. Sept. 8, Oct. 13, Nov. 10, Dec. 8 $45 per session Introduction to creating unique jewelry using wire and beads. You will learn basic techniques and complete a bracelet or anklet. Students will need to purchase some materials separately, list available at The Art Studio. Instructed by Cindi Picou.
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BASKET CLASS Saturdays, 9 a.m.-1 p.m. Sept. 18, Oct. 9, Nov. 13, Dec. 4 $32 to $50 Step-by-step instruction in creating a different functional and decorative basket each session. Instructed by Emma Hughes. For more information and to register, call Emma at 337-527-5328. FOUNDRY WORKSHOP Wednesdays, 6-8 p.m./Saturdays, 12-4 p.m. Dates to be announced $100 (80 for members) In this two-day workshop, you will design and cast your original artwork in aluminum. Ages 15 and older. Limited to six participants. Instructed by Rhonda McNally.
ADULT CLAY (MORNINGS) Tuesdays and Thursdays, 10 a.m.–noon Sept. 14-Oct. 14 $100 ($80 for members) This course is designed for the complete novice at clay work. Students learn the basics of clay manipulation, glazing and firing. Instructed by Greg Busceme.
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ADULT CLAY (EVENINGS) Tuesdays and Thursdays, 6 p.m.-9 p.m. Sept. 14-Oct. 14 $150 ($130 for members) This course is designed for the complete novice at clay work. Students learn the basics of clay manipulation, glazing and firing. Instructed by Greg Busceme.
LIFE DRAWING GROUP Every other Monday, 7-9:30 p.m. Sept. 13, 27, Oct. 11, 25, Nov. 8, 22, Dec. 6, 20 $5 per session Uninstructed group creating studies of the human form, drawing from a different model each session.
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THOUGHTCRIME: THE READING Third Thursday of the month Free Poetry night: read, hear, think, and corrupt original poems, rants, and stories. Led by Guiseppe Barranco.
DEC. 2-29, 2006
SALSA WITH AMBER AND GORDON Wednesdays, 7:30-9 p.m. Sept. 8-Oct. 13 $10 per session ($5 LU students) Salsa, Merengue, Cha-Cha, Cumbia, Rhumba.
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REGISTER EARLY AS CLASS SIZES ARE LIMITED
For more information on TASI classes, call 409-838-5393 or visit us on the web at www.artstudio.org
Mission Statement Founded in 1983, The Art Studio, Inc. is devoted to: providing opportunities for interaction between the public and the Southeast Texas community of artists; furnishing affordable studio space to originating artists of every medium; promoting cultural growth and diversity of all art forms in Southeast Texas; and providing art educational opportunities to everyone, of every age, regardless of income level, race, national origin, sex or religion.
PURPOSE The purpose of The Art Studio, Inc. is to (1) provide educational opportunities between the general public and the community of artists and (2) to offer sustained supportOINTS for the artist by ISTRIBUTION operating a non-profit cooperative to provide %08/508/ studio space and exhibition space to working 5)& "35 456%*0 */$ '3"/,-*/ "35 .64&6. 0' 4065)&"45 5&9"4 ."*/ artists and crafts people, and to provide an area #"#& %*%3*,40/ ;")"3*"4 .64&6. *) & #&"6.0/5 $0/7&/5*0/ 7*4*5034 #63&"6 ."*/ for group work sessions for those artists and */ $*5: )"--
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GOALS
1. 2. 3. 4.
To present public exhibitions To provide educational opportunities To provide accessible equipment for artists To provide peer feedback through association with other artists and crafts people
OBJECTIVES
1. 2. 3. 4. 5. 6. 7. 8.
To present 10 art exhibitions per year To maintain equipment for artists in a safe working environment To provide better access to artists for the public To offer regularly scheduled adult and children’s classes To develop and maintain public activities with all sectors of the community To develop and maintain equipment to aid artists in their work To provide a display retail outlet for artists To expand programming and activities with increased facility space