THE ARTS MAGAZINE OF THE ART STUDIO, INC.
Professional by Nature PAGE 4
DECEMBER 2006/JANUARY 2007
INSIDE: GEEK’S GIFT GUIDE, HOLIDAY SHOP-O-RAMA EXTRAVAGANZA, TEXAS CLAY FESTIVAL, AND MORE
BOB WAS ONLY 19, BUT A HARD LIFE WITHOUT STUDIO BLEND WAS BEGINNING TO TAKE ITS TOLL.
Studio Blend Coffee i*U T " .BUUFS 0G 5BTUFu ONLY $7 A POUND AVAILABLE AT THE ART STUDIO
• NOW AVAILABLE GROUND •
A View From The Top Greg Busceme, TASI Director
ISSUE Vol. 13, No. 4 Publisher . . . . . . . . . . . . . . . . The Art Studio, Inc. Editor . . . . . . . . . . . . . . . . . . . . . . Andy Coughlan Copy Editor . . . . . . . . . . . . . . . . . . . . Tracy Danna Contributing Writers. . . . . . . . . . . . . . . Jeff Dixon, . . . . . . . . . . . . . . . . . . . . . . Rhonda Rodman
The Art Studio, Inc. Board of Directors President Ex-Officio . . . . . . . . . . . . Greg Busceme Vice-President. . . . . . . . . . . . . . . Angela Busceme Members At Large . . . . . . . . . . . . . . Beth Gallaspy . . . . . . . . . . . . . Maribeth Jones, Sandy Pate, . . . . . . . . . . . . . . . Angie Phares, Les Warren
The Art Studio, Inc. 720 Franklin Beaumont, TX 77701 409-838-5393 www.artstudio.org artstudio@artstudio.org Issue Submissions: artstudio@artstudio.org The ISSUE is a monthly publication of The Art Studio, Inc. Its mission is to publicize The Art Studio and its tenants, and to promote the growth of the arts in Southeast Texas. ISSUE is also charged with informing TASI members of projects, progress, achievements and setbacks in TASI’s well-being. Further, ISSUE strives to promote and distribute the writings of local authors in its “Thoughtcrime� feature. ISSUE is provided free of charge to members of TASI and is also available, free of charge, at more than 30 locations in Southeast Texas. Regular features include local artists of note and reputation who are not currently exhibiting at TASI; artists currently or soon to be exhibiting at TASI; Instructional articles for artists; news stories regarding the state of TASI’s organization; and arts news features dealing with general philosophical issues of interest to artists.
Contents
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See VIEW on page 11
UPCOMING EXHIBITIONS AT THE ART STUDIO JANUARY The Floral Art of J. Scott
FEBRUARY Nathan McCray
Opening . . . . . . . . . . . . . . . . . . . . . . . January 13
Opening . . . . . . . . . . . . . . . . . . . . . . . February 3
BECOME A MEMBER OF THE ART STUDIO .FNCFSTIJQ JO 5IF "SU 4UVEJP *OD QSPWJEFT JOWJUB UJPOT UP BMM FYIJCJUJPOT BOE POF ZFBS PG *446& UIF NPOUIMZ BSUT NBHB[JOF PG 5IF "SU 4UVEJP *U BMTP HJWFT GSFF FMJHJCJMJUZ GPS NFNCFST UP FOUFS UIF BOOVBM NFN CFSTIJQ BSU FYIJCJUJPO 5"4*.+"& BOE QBSUJDJ QBUF JO WBSJPVT FYIJCJUJPOT UISPVHIPVU UIF ZFBS
Name(s) Address City/St/Zip Phone
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MAKE CHECKS PAYABLE TO:
Exp Date
Floral Professional. . . . . . . . . . . . . . . . . . . . Page 4 Texas Clay Festival . . . . . . . . . . . . . . . . . . . Page 6 Holiday Shop-O-Rama Extravaganzal . . . . . Page 7 Geek’s Gift Guide . . . . . . . . . . . . . . . . . . . . . Page 8 Around & About. . . . . . . . . . . . . . . . . . . . . Page 10 Thoughtcrime. . . . . . . . . . . . . . . . . . . . . . . Page 13 Community Survey . . . . . . . . . . . . . . . . . . Page 14
Cover photo of Scott Hasty by Andy Coughlan
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THE ART STUDIO, INC.
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The Art Studio, Inc. 720 Franklin, Beaumont 77701
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4 • ISSUE December 2006
Volume 13, No. 4
Floral Professional
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Story and photos by Andy Coughlan
Scott Hasty, top, framed by Solidago. The arrangement above features Anthirium and Banksia Protea as well as various foliage.
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December 2006 ISSUE • 5
THE ARTS MAGAZINE OF THE ART STUDIO, INC.
See HASTY on page 12
APRIL 2005
MAKING AN EXHIBITION OF THEMSELVES PAGE 7 INSIDE: LISA REINAUER: JUDGE AND JURY, HOT PIG, AND MORE Scott Hasty works on a creation featuring Red Ginger and Belles of Ireland in his Orange shop.
6 • ISSUE December 2006
Volume 13, No. 4
festival road trip
5"4* UFOBOUT USBWFM UP (SVFOF UP UFBN VQ XJUI MJLF NJOET Story by Rhonda Rodman
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See CLAY on page 11
Raku specialist Randy Brodnax, above, demonstrates his skills at the Texas Clay Festival. The Extrudinaires, left, a musical group comprising potters and artists from Maydelle perform at the festival.
Volume 13, No. 4
December 2006 ISSUE • 7
Annual Art Sale offers eclectic ideas for presents *U T UIF NPTU XPOEFSGVM UJNF PG UIF ZFBS ‡PS JT JU 5IF KPZT PG UIF IPMJEBZ TFBTPO IBWF B XBZ PG HFUUJOH CVSJFE VOEFS BO BWBMBODIF PG ESVEHFSZ BT ZPV NBLF ZPVS XBZ GSPN TIPQ UP TIPQ EFTQFSBUFMZ IPQJOH UIF OFYU SFUBJM PVUMFU XJMM IBWF UIBU QFSGFDU HJGU GPS TP IBSE UP TIPQ GPS "VOU .BSUIB 8IFO ZPV BSF OPU TVSF FYBDUMZ XIBU JU JT ZPV BSF MPPLJOH GPS JU T B TBGF CFU ZPV DBO GJOE JU BU 5IF "SU 4UVEJP *OD T )PMJEBZ 4IPQ 0 3BNB &YUSBWBHBO[B JO %FDFNCFS 5IF HSBOE TBMF SVOT B N Q N %FD BOE 5IFSF JT BMTP B GSFF PQFOJOH SFDFQUJPO GSPN Q N PO %FD XIFSF POF DBO TIPQ TPDJBMJ[F TIPQ BOE IBWF GVO 4IPQQFST DBO BMTP CVZ JUFNT EVSJOH SFHVMBS 4UVEJP IPVST i* UIJOL XF XJMM IBWF B MPU PG OJDF TUVGG BU BGGPSEBCMF QSJDFT u "OEZ $PVHIMBO 5"4* TQPLFTQFSTPO TBJE i-BTU ZFBS FWFSZPOF XBT TDSBNCMJOH BSPVOE UP HFU UIJOHT UPHFUIFS BGUFS UIF TUPSN 5IJT ZFBS XF IBWF IBE NPSF UJNF UP QSFQBSF "MTP * UIJOL QFPQMF BSF SFBEZ UP HFU JOUP UIF IPMJEBZ TQJSJU BGUFS CFJOH EJTUSBDUFE MBTU ZFBS u 5IF 4IPQ 0 3BNB USBEJUJPOBMMZ PGGFST TNBMMFS WFSTJPOT PG UIF HSFBU BSU QSPEVDFE CZ UFOBOUT BOE NFNCFST PG 5IF "SU 4UVEJP ZFBS SPVOE i5IJT FWFOU JT BMXBZT B HSFBU PQQPSUVOJUZ UP TQSFBE UIF XPSE BCPVU UIF HSFBU XPSL QSPEVDFE BU 5IF 4UVEJP u $PVHIMBO TBJE i"OE JU JT BMTP POF PG PVS NBKPS GVOE SBJTFST *U T JNQPSUBOU UIBU XF FODPVSBHF QFPQMF UP DPNF PVU BOE CVZ B MPU PG TUVGG TP XF DBO DPOUJOVF PVS 4IPFTUSJOH $BNQBJHO RVFTU UP QBZ PGG UIF CVJMEJOH OPUF u "O FDMFDUJD HSPVQ PG BSUJTUT XJMM QMZ UIFJS XBSFT EVSJOH UIF TIPX JODMVEJOH DFSBNJDT QBJOUJOHT ESBXJOHT BOE QSJOUT EFDPSBUJWF CPYFT QIPUPHSBQIT XPPEDBSWJOHT EPMMT KFXFMSZ BOE PUIFS LOJDL LOBDLT .BOZ PG UIF JUFNT XJMM CF BWBJMBCMF GPS BT MJUUMF BT CVU UIFSF XJMM CF B TFMFDUJPO PG IJHIFS QSJDFE JUFNT BT XFMM 1BSUJDJQBUJPO JO UIF TBMF JT PQFO UP 5"4* NFNCFST JO HPPE TUBOEJOH "OZPOF XJTIJOH UP UBLF QBSU JO UIF FWFOU DBO CFDPNF B NFNCFS PG 5IF "SU 4UVEJP XIFO UIFZ CSJOH UIFJS XPSL JO .FNCFSTIJQT CFHJO BU 5"4* UBLFT B DPNNJTTJPO PG QFSDFOU PO BMM JUFNT TPME 5IF EJTQMBZ XJMM BDDFQU FOUSJFT CFHJOOJOH /PW "MM BSUXPSL NVTU CF CSPVHIU CZ JO QFSTPO "SUJTUT BSF SFTQPOTJCMF GPS UIFJS PXO EJTQMBZT 8PSL NBZ CF BEEFE BU BOZ UJNF EVSJOH UIF SVO PG UIF )PMJEBZ 4IPQ 0 3BNB &YUSBWBHBO[B i5IF DPNNJTTJPO JT QBSUJDVMBSMZ MPX JO SFMBUJPO UP PUIFS BSUT PSHBOJ[BUJPOT u $PVHIMBO TBJE i*U JT OPU VOVTVBM GPS HBM MFSJFT UP DIBSHF BT NVDI BT PS QFSDFOU DPNNJTTJPO 8F IBWF BMXBZT USJFE UP LFFQ UIF QFSDFOUBHF MPX UP FODPVSBHF UIF MFTT FYQFSJFODFE BSUJTU UP CFDPNF JOWPMWFE JO FYIJCJUJOH BOE TFMMJOH UIFJS XPSL u 8IBU CFUUFS XBZ UP TVQQPSU UIF BSUT JO 4PVUIFBTU 5FYBT UIBO CZ WJTJUJOH 5IF "SU 4UVEJP BOE GPSLJOH PWFS TPNF IBSE FBSOFE DBTI PO B RVBMJUZ QJFDF PG BSU *OTUFBE PG QBZJOH B GPSUVOF GPS TPNF NBTT QSPEVDFE JNQPSUFE ESPTT HJWF UIF HJGU PG DVMUVSF 3FNFNCFS NPOFZ DBO U CVZ ZPV MPWF CVU JU DBO CVZ B HSFBU QJFDF UP HJWF UP UIF POF ZPV MPWF 5IF "SU 4UVEJP *OD JT MPDBUFE BU 'SBOLMJO JO EPXO UPXO #FBVNPOU 3FHVMBS IPVST BSF B N Q N 5VFTEBZ 4BUVSEBZ 'PS NPSF JOGPSNBUJPO DBMM
8 • ISSUE December 2006
Volume 13, No. 4
The third annual geek’s 1&3'&$5 *%&"4 50 (&5 )*. ‡ 03 )&3 ‡ '*/"--:
Commentary by Jeff Dixon Writer, critic and self-proclaimed geek
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Volume 11,13, No.No. 1 4 Volume
September December2004 2006ISSUE ISSUE••5 9
Distinctly Diverse gift guide
DIFFERENT APPROACHES U NITE ‘TEXAS TWO DOZEN’ The piece consistsSTUDIO, of an automatic tennis serve exans have MAGAZINE their “Twang,� the dis- OF THE THE ARTS ART INC.
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tinctive vocal style that distinguishes them from people from other states. “Twang� also refers to the guitar sounds of Texas R&B and country. At the Art Museum of Southeast Texas, “Twang� is a BSPVOE UIF DPVOUSZ UIJT MPPLT UP CF FWFSZ CJU BT group show FOUFSUBJOJOH BT UIF GJSTU %7% of contemporary Texas sculpture featuring work by *G ZPV SF B GBO PG UIF 7JFX "TLFX GJMNT PS PG a dozen artists. KVTU HPPE TUPSZ UFMMJOH UIJT JT B NVTU IBWF Texas is both Western and 5IF EJTD %7% BMTP GFBUVSFT UXP TIPSU EPDV Southern, cotton and cowboys, and NFOUBSJFT POF JO XIJDI ,FWJO 4NJUI IJUT UIF a multitude of clashing cultures. If TUSFFUT PG 5PSPOUP EFUFSNJOFE UP BOTXFS UIF FMV there is one thing that defines TJWF RVFTUJPO i8IBU JT $BOBEJBO DVJTJOF u BOE B Texas, it is its indefinability. i-POEPO .BO PO UIF 4USFFUu TIPSU XIFSF +BTPO “Twang,� like the state that .FXFT USJFT PVU WBSJPVT DIBU VQ MJOFT PO UIF MBEJFT links these artists, incorporates a JO +PMMZ 0ME &OHMBOE plethora of styles and forms. Among the strongest pieces on display is “LoveJoey,� a study of friendship, loneliness and loss by Michael Powers. 4"563%": /*()5 -*7& Among the works 4&"40/ featured in /FWFS “TWANG: UIPVHIU * E TFF Contemporary UIF EBZ UIBU Sculpture from UIJT HPU B QSPQ Texas,� FS SFMFBTF on display "GUFS ZFBST through Sept. 26 PG CFJOH QMBHVFE at the Art XJUI i#FTU PGu Museum of %7% T GJOBMMZ XF Southeast Texas, DBO FOKPZ 4/- BT are, clockwise JU XBT NFBOU UP CF from left, $PMMFDUJOH FWFSZ FQJTPEF GSPN UIF “E.B.� by GJSTU ZFBS PG B UFMFWJTJPO EZOBTUZ ‡ Erick Swenson, B TIPX UIBU TFU UIF TUBOEBSE GPS “Museum Bench� "NFSJDBO TLFUDI DPNFEZ ‡ UIJT TFU by Chris Sauter, TIPVME CF B EFMJHIU UP FWFSZPOF PO “Two Paintings ZPVS IPMJEBZ MJTU on /PX a JO BO FGGPSU UP TPVOE FWFO Rock� NPSF MJLF BO JOGPNFSDJBM UIJT TFU by Bill Davenport JODMVEFT EJTDT GFBUVSJOH BMM and “Sell Me FQJTPEFT PG UIF TFBTPO QMVT B GVMM Something DPMPS CPPL DPMMFDUJOH SBSF QIPUPT PG Brown� UIF DBTU BOE -PSOF .JDIBFMT by Franco -FU T KVTU IPQF UIF MPDBM #FTU Mondini-Ruiz. #VZ PSEFST NBTT RVBOUJUJFT /PX OPX :PV DBO U GBVMU NF GPS UIBU POF * EJE HFU UISPVHI UISFF SFWJFXT XJUIPVU POF MBNF KPLF * UIJOL ZPV TIPVME BMM CF QSPVE UIBU * WF HSPXO BT B QFSTPO
Review and
machine that fires a series of balls (each labeled “Joey�) against a wall on which is a large Argyle pattern that may or may not be a net. The machine is labeled “Playmate� and the balls are fired with monotonous regularity, with the gallery walls echoing a repetitive thud thud thud, like the Dada soundtracks of Kurt Schwitters. JNNPSBM BDUT The “Joey� of the title refers to Joey TVDI BT UBLJOH B Mussacchio, a childhood friend of the artist who is MJGF SPCCJOH B now dead. CBOL PS WPUJOH Does the lifeless “Playmate� long for someone TUSBJHIU UJDLFU with whom toJG * play? It seems to connect with the 3FQVCMJDBO quintessentially American past-time — a simple DPVME IBWF IFS BT game of catch. NZ XJGF Visitors to the opening witnessed the balls /PX UIBU bouncing off two walls and back into the machine, UIBU T PVU PG UIF completing a never-ending solitary game of catch. XBZ UIF NPWJF The piece had a melancholy quality that reflected JUTFMG JT B CSJMMJBOU both the loss of a childhood friend and of childhood SPNBOUJD DPNFEZ itself. UIBU OFWFS TUPQT However, visitors at a later date may have seen TVSQSJTJOH ZPV 5IF GJMN BMTP TUBST UIF MFHFOE UIBU JT %BOOZ %FWJUP BOE POF PG NZ GBWPSJUF NPE FSO BDUPST 1BVM 3VEE 5IJT GJMN XJMM OPU EJTTBQPJOU
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APRIL 2005
the balls hit the wall and bounce randomly away as a museum guard chased after them. This viewing emphasized a sense of “play,� with the machine, like a rambunctious child, teasing its reluctant “playmate.� The same piece, but two games and, therefore, two different pieces. Even though the “Playmate� is inanimate, Powers has created a performance piece reminiscent of the 1960s Fluxus group, whose creations existed in the reactions of the viewer. Powers plays with our emotions and delicately balances the the joys of childhood with the loss of innocence. Another piece that demands viewer participation is Justin Kidd’s “In and Out Box.� Consisting of a crudely constructed mailbox hanging on the wall, visitors to the exhibit are invited to “mail� a postcard from the Czech Republic
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MAKING AN EXHIBITION OF THEMSELVES PAGE 7
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INSIDE: LISA REINAUER: JUDGE AND JURY, HOT PIG, AND MORE See GEEK on page 15
10 • ISSUE December 2006
Volume 13, No. 4
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Volume 13, No. 4
December 2006 ISSUE • 11
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TASI tenants Rhonda Rodman, top left, Sue Wright and Rhonda McNally, along with Cyndi and Pat Grimes, above, attended the Texas Clay Festival in Gruene Oct. 28 and 29. Ceramicist Dee Buck, left, and several other artists founded the festival 1992 to promote each other’s work. Courtesy photos
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12 • ISSUE December 2006
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Scott Hasty, far left, works with Red Ginger and Belles of Ireland in his Orange facility. Bear Grass and a Rose, above, frame him as he builds another design. This creation, left, features polished slivers of coconut shell woven into a vase shape with Bear Grass, Bamboo and White Cymbidium.
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" -JODPMO $POUJOFOUBM IJU B MJUUMF CMBDL EPH BT * ESPWF Submission Guidelines and Disclaimer donors to TASI. Send typed works to: PO UIF SPBE ISSUE ISSUE solicits and publishes the work of UPEBZ 720 Franklin, Beaumont, TX 77701 local authors. Poetry, short fiction, scholarly or e-mail: works and opinion pieces may be submitted for BOE IF EBODFE artstudio@artstudio.org review. All works must be typed or submitted on a OFBS UIF NJEEMF disk (using approved word processing software), or may be sent to TASI by e-mail. All works are Authors must submit a daytime telephone PG UIF CSPLFO subject for review by our editor, and may be rejectnumber along with all submissions. Pen names XIJUF ed or edited on the basis of grammar, spelling or are acceptable, but authors must supply real MJOF content. names for verification. All submitted works The piece consists of an automatic tennis serve the balls hit the wall and bounce randomly away as aor exans have their “Twang,� the disThe opinions expressed in “Thoughtcrime� become property of TASI, and whether rejected JO B QBJO machine that fires a series of balls (each labeled museum guard them. Thistoviewing tinctive vocal style that distindo not necessarily reflect the opinions of TASI, its chased accepted,after are not returned the author. ISSUE GVMMZ of Directors, staff, ora sense doesof not“play,� notify of with rejection mail or telephone. “Joey�) against a wall on which Board is a large ArgyleISSUE’s pat- editorial emphasized thebymachine, like guishes them from people from GVOOZ XBZ a rambunctious child, teasing its reluctant “playother states. “Twang� also refers to tern that may or may not be a net. The machine is labeled “Playmate� and the balls are fired with mate.� the guitar sounds of Texas R&B )F CJU monotonous regularity, with the gallery walls echoThe same piece, but two games and, therefore, and country. BU UIF TQJU ing a repetitive thud thud thud, like the Dada sound- $BVTF BOE &GGFDU two different pieces. At the Art Museum of 8IFO 4IF 8BT #BE PG TPNF PWFSMZ tracks of Kurt Schwitters. Even though the “Playmate� is inanimate, Southeast Texas, “Twang� is a FYDJUFE HMBOE The “Joey� of the title refers to Joey Powers has created a performance piece reminiscent group show of contemporary /P MJOFBS BSHVNFOUBUJPO )PU GMFTI QSFTTFE BHBJOTU DPME UJMF GMPPS BOE LJDLFE Mussacchio, a childhood friend of the artist who is of the 1960s Fluxus group, whose creations existed in Texas sculpture featuring work by SPBE LJMM EPFTO U KVTU NBOJGFTU 5IF NFNPSZ JT WJWJE now dead. the reactions of the viewer. a dozen artists. XJUI B USJDL TPNFUIJOH MJWJOH NVTU JOGFDU MJLF B GJSFGMZ USBQQFE JO B HMBTT KBS Powers plays with our emotions and delicately Does the lifeless “Playmate� long for someone Texas is both Western and MJLF UIF NBKPS QMBZ XJUI GMBTICBDLT balances the the joys of childhood with the loss of Southern, cotton and cowboys, and with whom to play? It seems to connect with the -FHT JOUFSUXJOFE PO B DPVOUFS JO B NBSDIJOH CBOE ZPV SF OPU OFDFTTBSJMZ MPPLJOH BU UJNF innocence. quintessentially American past-time — a simple a multitude of clashing cultures. If TIPSUOFTT PG CSFBUI BOE TPGU NPBOT 8JUI B VMVMV TIPX DBVTBMJUZ game of catch. Another piece that demands viewer participathere is one thing that defines GVNCMJOH PG UIVNCT BOE GJOHFST SFNPUF PS DPOUSJCVUPSZ IJT MJGF XBT UISPVHI tion is Justin Kidd’s “In and Out Box.� Visitors to the opening witnessed the balls Texas, it is its indefinability. CVUUPOT BOE [JQQFST QVMMFE MPPTF JNNFEJBUF QSPYJNJUZ Consisting of a crudely constructed mailbox “Twang,� like the state that bouncing off two walls and back into the machine, * XFOU IPNF GSBOUJD XIJTQFST hanging on the wall, visitors to the exhibit are invitcompleting a never-ending solitary game of catch. links these artists, incorporates a TUBJSTUFQQJOH TFRVFODF BOE XBTIFE " MPOH ESJWF BOE UIFO B CFE ed to “mail� a postcard from the Czech Republic plethora of styles and forms. The piece had a melancholy quality that reflected MVDLJMZ CMJOEw NZ CJDZDMF Among the strongest pieces on display isUIF EBODF CFHJOT BOFX “Love- both the loss of a childhood friend and of childhood HJWF NF DIBJOT PG WJPMFODF -JQT BOE UPOHVFT TFUUJOH PVU PO B KPVSOFZ Joey,� a study of friendship, loneliness and loss by itself. XJUIPVU SFNPSTF +FTTF %PJSPO However, visitors at a later date may have seen Michael Powers. See TWANG on page 11 B MPOH USJQ UP UIF TPVUI B CVSTU PG MJHIU BOE MJRVJE 3ZBO 'PSTZUIF BOE UIFO CMBDLOFTT Among the works featured in 5IF NPSOJOH DBNF UPP TPPO “TWANG: 8BUDIJOH 'MPXFST (SPX #FUXFFO "XBLF BOE 4MFFQ Contemporary +FGG %JYPO Sculpture from
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MAKING AN EXHIBITION OF THEMSELVES PAGE 7
INSIDE: LISA REINAUER: JUDGE AND JURY, HOT PIG, AND MORE
14 • ISSUE December 2006
Volume 13, No. 4
THE ART STUDIO, INC. COMMUNITY SURVEY The Art Studio, Inc. (TASI) wants to know what you think! Please take a moment to complete this short survey to tell us your interests, help us better meet the needs of our community, attract more members, and determine the effectiveness of our programming and services. In order to make this survey reflective of the entire community, we’ll need a high level of participation. Please feel free to photocopy or request extra copies. And please be honest or even blunt! Your identity is not required, and we need to know your true feelings in order to remain viable. You may either submit your answers by e-mail to tracyd@artstudio.org or return a paper copy to The Art Studio, Inc., Attention: Surveys, 720 Franklin Street, Beaumont, TX 77701-4424. Please don’t hesitate to call if you have any questions, (409) 838-5393. Thank you in advance for taking the time to assist us.
I. Background Information Although some of these questions may be personal in nature, we ask to determine what types of populations we’re serving (or not!). 1. Ethnicity (indicate all that apply): ____African American ____Asian American ____Hispanic/Latino(a) ____Native American ____Pacific Islander ____White ____Other:_________________ 2a. Gender: ____Female ____Male
2b. Age ____
3. Current income range: ____Under 11K/yr ____11K-24K/year ____24K-40K/yr ____40K-60K/yr ____60K-100K/yr ____100K+ 4. Highest level of education completed: ____High School ____Associates degree ____Bachelor’s degree ____Master’s degree ____Doctoral degree 5. Are you an artist? ____Yes ____No If yes, medium ____________________________ 6. How did you find out about TASI? ____Word of mouth ____Website ____Direct mail ____The ISSUE ____Media advertisement ____Other:_________________________ __________________________________ 7. Please indicate what types of activities you/your family have attended or participated in at TASI: ____Classes or Workshops ____Exhibitions ____Band Night ____Other: _____________________
8. Rank our activities,from 1 to 6, 1 being most beneficial to the community, 6 being least beneficial. ___Classes, Workshops ___Band Night ___Exhibitions ___The ISSUE ___Sales Gallery ___Affordable studio space __________________________________ __________________________________ 9. What activities or services would you like at TASI that we don’t have now? __________________________________ __________________________________ __________________________________ __________________________________ __________________________________ __________________________________ __________________________________ 10. Is there anything at TASI that you feel is not beneficial to our community ? If so, what? __________________________________ __________________________________ __________________________________ __________________________________ __________________________________ II: Membership 11. Are you currently a member of TASI? ____Yes ____No 12. If Yes, what caused you to become a member? ____To enter our Membership Exhibition (TASIMJAE) ____Attended an Adult Clay Class ____To sell your artwork in our Sales Gallery ____To receive our monthly arts magzine, The ISSUE ____Because you feel TASI is beneficial to your community ____Other : ________________________ __________________________________ __________________________________ __________________________________ __________________________________ __________________________________ __________________________________
13. If not, what might motivate you to become a member? ____To enter our Membership Exhibition ____Attending a Class ____To sell your artwork in our Gallery ____To receive our monthly arts magazine, The ISSUE ____Because you feel TASI is beneficial to your community ____Other : ________________________ __________________________________ __________________________________ __________________________________ 14. In the future, which of the following TASI activities will you be most likely to participate in? ____Classes or Workshops ____Band Night ____The ISSUE ____Exhibitions ____Sales Gallery ____Studio space ____Other: __________________________________ III: Education 15. How many classes have you attended at TASI? __________________________________ 16. What classes would you like to see offered at TASI? __________________________________ __________________________________ __________________________________ __________________________________ __________________________________ 17. Please make any additional comments or suggestions about this survey below, or on an additional sheet of paper. __________________________________ __________________________________ __________________________________ __________________________________ 18. If you would be willing to be contacted for follow up, please provide your name and a contact e-mail address or phone number on a separate sheet of paper. This identification is optional and will not be associated with your answers on the survey. Thank You!
For information on TASI classes, call 409-838-5393 or visit us on the web at www.artstudio.org
Mission Statement Founded in 1983, The Art Studio, Inc. is devoted to: providing opportunities for interaction between the public and the Southeast Texas community of artists; furnishing affordable studio space to originating artists of every medium; promoting cultural growth and diversity of all art forms in Southeast Texas; and providing art educational opportunities to everyone, of every age, regardless of income level, race, national origin, sex or religion.
PURPOSE The purpose of The Art Studio, Inc. is to (1) provide educational opportunities between the general public and the community of artists and (2) to offer sustained support for the artist by operating a non-profit cooperative to provide studio space and exhibition space to working artists and crafts people, and to provide an area for group work sessions for those artists and crafts people to jointly offer their labor, ideas, and enthusiasm to each other.
GOALS 1. 2. 3. 4.
To present public exhibitions To provide educational opportunities To provide accessible equipment for artists To provide peer feedback through association with other artists and crafts people
OBJECTIVES 1. 2. 3. 4. 5. 6. 7. 8.
To present 10 art exhibitions per year To maintain equipment for artists in a safe working environment To provide better access to artists for the public To offer regularly scheduled adult and children’s classes To develop and maintain public activities with all sectors of the community To develop and maintain equipment to aid artists in their work To provide a display retail outlet for artists To expand programming and activities with increased facility space
Volume 13, No. 4
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WE CARRY
ART SUPPLIES IN OUR SALES GALLERY 11 a.m. to 4 p.m. Tuesday-Saturday
Ceramics • Paintings • Jewelry Plus Art Studio merchandise including shirts and tote bags.
Whether you are an art collector or just shopping for gifts, we have something for you.
VISIT OUR SALES GALLERY TODAY AT 720 FRANKLIN IN DOWNTOWN BEAUMONT
409-838-5393 • www.artstudio.org
14 • ISSUE September 2004
Volume 11, No. 1
720 Franklin, Beaumont, Texas 77701
Non-Profit Org U.S. Postage PAID Permit #135 Beaumont, TX
THE ART STUDIO, INC. CLASS SCHEDULE This fall we are offering another class, but these sessions will be 1 mask-making class, and Cindy eclectic mix of classes at The Art hour shorter. So, it will cost a little Picou will show you how to make less. wire-wrapped jewelry. Studio, Inc. There are a few changes to a George Wentz will be teaching Make sure you pay attention to some of the familiar classes. Salsa another acrylic painting class. Grace the ISSUE, your e-mail, and fliers at INSIDE night is now on Wednesdays. Life Megnet is coming back in October the Studio for updates as we add • GEEK’S GIFT GUIDE drawing has not been attracting the to do bookbinding. No photography even more classes to the list. • THOUGHTCRIME: FROM session,AREA but lookPOETS for it to return numbers it used to, so weMUSINGS will now this hold it every other week. in the future. Ren Brumfield, • AROUND & ABOUT: INFORMATION ABOUT ART HAPPENINGS Greg Busceme is going to offer We are offering several new TASI education coordinator • HOLIDAY SHOP-O-RAMA EXTRAVAGANZA a daytime clay class. It will meet the classes. Andy Coughlan fuses the• ISSUE SUBMISSIONS: artstudio@artstudio.org same number of times as the night ater and visual art in a creative new
Mission Statement
Founded in 1983, The Art Studio, Inc. is ADULT BEGINNING DRAWING KIDS CLAY MASK MAKING devoted to: providing opportunities for interacTuesdays, 6:30-8:30 p.m. Saturdays, 10:30 a.m.-noon Thursdays, 6-8 p.m. tion between the public and the Southeast Texas Aug. 31-Oct. 12 Sept. 18-Oct. 23 Sept. 16-Oct. 21 community of artists; furnishing affordable stu$115 ($95 for members) $75 $100 ($80 for members) dio space to originating artists of every medium; Explore the rich tradition of masks in the- You CAN draw! Learn to draw realistically Beginning clay class introduces a variety of promoting cultural growth and diversity of all art in this fun and easy class. handbuilding techniques, preparation and ater. Create and decorate large-form masks forms in Southeast Texas; and providing art eduapplication of glazes, and the raku firing for performance or decoration using a vari- Instructed by Karen deMedrano. cational opportunities to everyone, of every age, process. ety of techniques from painting to collage. regardless of income level, race, national origin, Instructed by Katheryn Rogers. Imagination is the only limit. This six-week BOOKBINDING sex or religion. course will also include tips on using your Fridays, 6-8 p.m. When you support The Art Studio with your membership, you receive ISSUE, WIRE WRAPPED JEWELRY masks in performance and the history of Oct. 8-Nov. 12 Southeast Texas’ and Southwest Louisiana’ s alternative press as well as class schedules,5:30-7:30 invitationsp.m. to opening receptions and various Studio functions. $110 ($90 for members) Wednesdays, masks around the world. PURPOSE Learn terms, tools and basic techniques in Sept. 8, Oct. 13, Nov. 10, Dec. 8 Instructed by Andy Coughlan. this introductory class. $45 per session The purpose of The Art Studio, Inc. is to (1) ACRYLIC PAINTING Instructed by Grace Megnet. Introduction to creating unique jewelry provide educational opportunities between the Thanks to all these new and renewing members. These people are using wire and beads. You will learn basic Saturdays, 1:30-3 p.m. general public and the community of artists and Member support is the backbone of our operations! ADULT CLAY (MORNINGS) techniques and complete a bracelet or theSept. life11-Oct.16 blood (2) to offer sustained support for the artist by D ISTRIBUTION POINTS Tuesdays and Thursdays, 10 a.m.–noon anklet. Students will need to purchase $95 ($75 for members) of our organization. operating a non-profit cooperative to provide some materials separately, list available at Kay Turner INDIVIDUAL Learn to express your own ideas and feel- Sept. 14-Oct. 14 %08/508/ WE COULDN’T DO IT studio space and exhibition space to working 5)& "35 456%*0 */$ '3"/,-*/ The Art Studio. ings with painter and art educator George $100 ($80 for members) "35 .64&6. 0' 4065)&"45 5&9"4 ."*/ artists and crafts people, an area WITHOUT #"#& %*%3*,40/ ;")"3*"4 .64&6.and to provide *) & This course is designed for the complete Instructed by Cindi Picou. Wentz. YouYOU! will explore brush techniques, #&"6.0/5 $0/7&/5*0/ 7*4*5034 #63&"6 ."*/ FAMILY/GROUP Becky Ames for group work sessions for those artists and */ $*5: )"--
To acrylic volunteer, drop by novice at clay work. Students learn the paint mixing, and layeringBrad paint. Bishop #&"6.0/5 "35 -&"(6& '"*3(306/%4
(6-' 45 crafts people to jointly offer their labor, ideas, )"#*5"5 '03 )6."/*5: 3& 4503& 53*/*5:! '"//*/ TheSupplies Art Studio, Inc., to be purchased separately. List basics of clay manipulation, glazing and LIFE DRAWING GROUP 4&5"$ */ +6-*& 30(&34 5)&"5&3
Michaelfiring. Cacioppo RandyEvery Bestother Monday, 7-9:30 p.m. and enthusiasm to each other. 1&"3- 453&&5 ! '034:5)& available from the Studio. or call 409-838-5393. 5"5500."/*" 1"3, MichaelInstructed Clanahan HunterSept. & Debra Bothe 4065) &/% -"."3 6/*7&34*5: 13, 27, Oct. 11, 25, by Greg Busceme. $"3-*50 4 3&45"63"/5 "."3*--0 ! $0--&(& GOALS Dee Foley Rex Goode Nov. 8, 22, Dec. 6, 20 %04 ".*("4 '3"/,-*/ BASKET CLASS ,".164 ,03/&3 3&45"63"/5 $"--"()"/ ADULT CLAY (EVENINGS) $5 per session ,0$) 4 '-08&34 (*'54 "7&/6& $ Dustin Gaudet Dennis & Rhonda McNally Saturdays, 9 a.m.-1 p.m. -6 "35 %&1"35.&/5 1. To present public exhibitions )FBUIFS &BHFS Uninstructed group creating studies of the -6 4&5;&3 456%&/5 $&/5&3 Tuesdays and Thursdays, 6 p.m.-9 p.m.Ruth Miller Sept. 18, Oct. 9, Nov. 13, Dec. 4 Sallie Inman educational opportunities form, drawing a different #"/%0 42. To provide0-% 508/ #FOFF #FSOBSE 14-Oct. 14 Measells $32 to $50 / 5) ! -*#&35: Franz human & Mary Ellen Von from Netzer MichaelSept. & Marianna 3. To provide accessible equipment $"3-0 4 3&45"63"/5 $"-%&3 model each session. $150 ($130 for members) Step-by-step instruction in creating a dif(3&&/ #&"/&3: .$'"%%*/ $MJOU %FBSCPSO Chris Nelson for artists )"*3: #64*/&44 4"-0/ .$'"%%*/ ferent functional and decorative basket This course is designed for the complete +"40/ 4 %&-* ("5&8": 4)01 $/53 3IPOEB 3PENBO 4. To provide peer feedback through associaPATRON Jim Oaks $"-%&3 each session. Instructed by Emma Hughes. novice at clay work. Students learn the THOUGHTCRIME: THE READING ,"5)"3*/& $0 ."(1*& tion with other artists and crafts people Ann 1*( 45"/% $"-%&3 4VF 8SJHIU basics of clay manipulation, glazing and Third Thursday of the month For more information and to register, callOrchard 1*( 45"/% $0--&(& 3"0 4 #",&3: $"-%&3 Julie Rhoden Joe & Linda Domino Free firing. $ZOEJ (SJNFT Emma at 337-527-5328. 4*(/ */5&3/"5*0/"- &913&44 OBJECTIVES -"63& 4 5) Poetry night: read, hear, think, and corrupt 46/3*4& Instructed by Greg Busceme. Robert Rogan Scott Hasty 3IPOEB .D/BMMZ 48*$&(00% .64*$ $0 $0--&(& $&/53"- 8&45 &/% original poems, rants, and stories. FOUNDRY WORKSHOP Rozalia Stark #"4*$ '00%4 %08-&/ 1. To present 10 art exhibitions per year "OEZ $PVHIMBO #*( % 4 4 ."+03 %3*7& Wednesdays, 6-8 p.m./Saturdays, 12-4 p.m. SALSA WITH AMBER AND GORDON Led by Guiseppe Barranco. &"3-: #*3% $"'& 1)&-"/ 2. To maintain equipment for artists in a 3FOFF $PVHIMBO (6*5"3 #"/+0 456%*0 $"-%&3 Wednesdays, 7:30-9 p.m. Dates to be announced ,3*45: 4 ,03/&3 safe working environment $"-%&3 Sept. 8-Oct. 13 -0(0/ $"'& $"-%&3 $100 (80 for members) 0MJWJB #VTDFNF 3. To provide better &"45&9 '38: access to artists 46*5& for the 5)& ."44"(& */45*565& $10 per session ($5 LU students) In this two-day workshop, you will design ! %&-"8"3&
+BOOFMM 3JHBMEP /0730;4,: 4 public $"-%&3 and cast your original artwork in aluminum. Salsa, Merengue, Cha-Cha, Cumbia, 5)& 01&/ #00, $"-%&3 4. To offer regularly scheduled adult and 3&% # #00,4 $"-%&3 6SJBI ,FOTTPO Ages 15 and older. Limited to six partici- Rhumba. 3&&% 4 -"6/%3: " 1)&-"/ ! 1&:50/ children’s classes 5)& 30:"- 4501 ."+03 %3*7& ! (-"%:4 -FT 8BSSFO pants. Instructed by Rhonda McNally. 1"3,%"-& 5. To develop and maintain public activities #"3/&4 /0#-& %08-&/ 5PSDIZ 3"0 4 #",&3:with all sectors of the community %08-&/
Volunteers
Memberships
REGISTER EARLY AS CLASS SIZES ARE LIMITED
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For more information on TASI classes, call 409-838-5393 or visit us on the web at www.artstudio.org
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To develop and maintain equipment to aid artists in their work To provide a display retail outlet for artists To expand programming and activities with increased facility space
