Instructor : 2GBX
ARCHITECTURAL quantitative / QUALITATIVE REALIZE THE IMAGINARY
TABLE OF
CONTENTS INTRODUCTION
PAGE 04-05 T H E S I S
H U B L O S A
M U S E U M
FORM IN FORM
C O W O R K S PA C E
T H E
PAGE
PAGE
PAGE
Timothy Cheng
06-19
20-27
F O L D
28-37
Southern California Institute of Architecture
B. ARCH Undergradute Studies Portfolio Selected Work : 2009-2012
Instructor : Devyn Weiser
Instructor : Michael Rotondi & Wes Jones
Instructor : Lise Anne Couture
Instructor : Andrew Atwood
Instructor : Marcelo Spina
D E S I G N DOCUMENTS
FOAM domo
T E C T O N I C
STRANDING
ROBOTIC LAB
M A N I F O L D
PAGE
PAGE
PAGE
Instructor : Scott Uriu 2 3
5 8
9
7
10
11
Š2012 All rights reserved. No part of this book may be reproduced in any form without permission of copy right owner(s). Morphologic study / formal exploration
38-39
40
41
Current condition in architecture and the issues of growth and shrinking of the, economy, ideology, and the rediscovery of its social conscience is incredibly complex. By deďŹ ning the multiple parallel of crises, modernist movement began with the intent of re-shaping the architectural values of society. Instilling the Utopian sense by improving the livelihood of the people. Synthesizing across multiple disciplines, architecture can be the facilitator of change among large group of people. Tectonic systems have always played a role in the development and implementation of new architectural ideas. With new technology comes new forms and better, stronger, smarter buildings. Stone, concrete, glass, and steel have each had a huge impact on how urban environments develop. In the current world, a static building system even as a symbol should produce morphologically exible and adaptive solutions. Exploration in rational adaptability to object design through computational tools will began to speculate the advantages designing a responsively. Excerpt from thesis research
London, England / Taken 01.28.2012
Spring 2012 : 5B
6
: UG Thesis
THES SIS IS F O R M
I N
F O R M
7
MORPHOLOGY
proof of concept exploration in pnuematic structure
EXPLORING THE POTENTIAL GEOMETRIES OF A RIGID FRAME EMBEDDED IN A SOFT ENVELOPE
01.2012 - 04.2012 Using The Fabrication Process As An Architectural Catalyst By Embedding The Fabrication Form-Work Into A Continuous And Connected Part Of The Architectural Form, Rather Than Limit It To A Geometrical Opposite To Be Discarded, Despite enormous effort and expense. Frame
3D Primitive
2D Primitive
Hybrid
1 Rigid
Seam
Smooth
Complex Rigid
Smooth
Rigid
2D Primitive
Complex Rigid
Rigid
Rigid / Smooth
3D Primitive
Hybrid
2 Smooth Line
“Holism” in architecture, a balance, as Greg Lynn Describes it, is the “relationship between massing, structure, envelope, apreatures, and decoration.
In the late 1960’s and ‘70s, these aspects were explored with the new tectonic possibilities offered by penumatic membranes and
External
Rigid Line
Smooth \ Open
Smooth
Rigid
2D Primitive
Closed / Open
Smooth Closed / Open
Rigid / Smooth Closed / Open
3D Primitive
Hybrid
3 Geometry Support
Varying Thickness
Supplemental Geometry
Inbeded / External
Apperatures
Joining Volumes
Varying Thickness / Support
Varying Thickness
Supplemental Geometry
Inbeded / External
Apperatures
Joining Volumes
Varying Thickness / Supplemental
Inbedded / External / Supplemental / Support
Hybrid
4 Rigid / Smooth / Support
Inbedded / External / Support
Unfold
5
FOLD UP A G G R E G AT E D L A R G E SC A L E COMPONENT CONNECTED BY A NETWORK OF EXTERNAL MEMBERS
THE ASSEMBLAGE OF THE PNEUMATIC STRUCTURE CONSIST OF EQUALDISTANT CONNECTION POINTS THROUGH THE VEIN & MEMBRANE
SEAM
EMBEDDED FRAME
SEAM
R1’0” 2’8”
EXTERNAL FRAME
2’8”
R1’0”
2’8”
2’8”
EMBEDDED FRAMES
2’8”
2’8”
R 0’4”
R0’1-1/2”
7’0”
UNFOLD 6’0” TEXTILE 27’6”
FRAME
R1’0”
FRAME R1’0”
55º
28’0”
COMPONENT UNFOLDED
Final Pavilion Design / Perspective Render
Spring 2012 : 5B
8
1
Semester 2
PLAN PERSPECTIVE
TOP FUEL 2012 + PERFORMANCE P N E U M A T I C
3
ELEVATION PERSPECTIVE
Veins are injected with Resin and then the membrane cures to support to structuraly load
Instructor nstructor ELEVATION PERSPECTIVE
Pressurized tanks Are located througout the pneumatic veins cured by resin
DESIGN-BUILD WORKSHOP
MARCH 19-26, 2012
ACHIM MENGES & THOMAS AUER
SCI-Arc + USC School of Architecture
One-week Design-Build Workshop
Institute for Computational Design, Universitat Stuggart
GROUP COMPOSED OF EIGHT UPPDER-DIVISON STUDENTS FROM USC AND SCI-ARC - STUDIED THE RELATIONSHIP BETWEEN PNEUS AND CONSTRAINING
T E N S I L E COMPONENT
VEIN COMPONENT ST R UCTURAL COM P ONENT A G G R E G AT E D O N A F L AT SURFACE. T H R E E D I M E N S I O N A L LY CONNECTED THEN TRANSFORMS
PLAN
F O R C E
FINAL FORM
BASE GEOMETRY
FOLD
SURFACE EDGE
EMBEDDED PRESSURE TUBES
SHEER PRESSURE AIR SUPPORTED
BASE GEOMETRY
MEMBRANE
Transsolar KlimaEngineering
Formed by one or more layers of continuous flexible membranes, structure is then inflated and pressurized by the constant supple of air. The advtange of an air-supported structure is the big-span. The air-supported structure consist of four basic components, nylon, mesh, PVC fabric and inflated balloons.
FOLD
AIR INFLATED The outer shell is composed of over five hundred sewn panels variant in sizes and materials (plastics, mesh, and nylon)
ELEVATION / DRAWING
AGGREGATE GEOMETRY
WITH 3 UNITS AGGREGATED W/ MINOR ADJUSTMENT TO THE PRIMITIVE GEOMETRY
SINGLE COMPONENT MANIPULATED BASED OF RULE SETS TO CREATE GEOMETRY
SINGLE EDGED SURFACE THROUGH FOLDING // EDGE TO MEMBRANE
FABRIC PANELS CLEAR BALLOONS
RIGIDIZED STRUCTURE MIMICS SURFACE
11 SURFACE AGGREGATED TO CREATE OVERLAPS EXPRESSED BY FOLD
NYLON PANELS
MESH PANELS
OPAQUE, SHADING MECHANISM FOR DIRECT SUNLIGHT
TRANSLUCENT LIGHTING QUALITY
TRANSLUCENT // 1
44
DIGITAL MODEL // SECTION
PANELS ARE SEWN TOGETHER
INITIAL STATE
PROTOTYPE // 1
SEAMS IN PANELS ENLARGE TO CREATE “LIGHT BULBS”
PARAMETRIC MODEL
BALLOONS CHANGE SIZE WITH DIFFERENT AMOUNTS OF AIR PRESSURE
1
10
20
30
40
50 2
PROTOTYPE // 2
INTERIOR: METALLIC NYLON PANELS
PRESSURIZED SIMULATION
0
TRANSPARENT LIGHTING, IN AREAS OF
22 33
Pressure 0-150 frames
PVC PANELS
MATERIAL DIFFERENCES
BIGGER PANELS REPLACE 4 SMALL PANELS TO GENERATE LARGER CONCENTRATION OF LIGHT 4 STRUCTURE INFLATED AND SUPPORTED WITH AIR, USING A PVC SHEET TIED TO THE EDGES, CREATING A BOTTOM SURFACE
THE DIFFERENT ITERATION ARE MODELED PARAMETRICALLY AS A REPRESENTATION OF THE PHYSICAL PROTOTYPE. THE PANELS MAY BE ADJUSTED ACCORDING TO THE LAYOUT OF THE GRID AND LIGHT PENETRATION. THE LIGHT SOURCE MAY BE ADJUSTED DEPENDING ON THE LOCATION OF EACH PIECE
PROTOTYPE // 3
3
Pressure 0-200 frames 0
Pressure 0-250 frames
0
10
10
20
20
30
30
40
40
50
50
F I N A L PROTOTYPE TIM CHENG ENOCH CHOW ERIN CUEVAS PUOYA GOSHAYESHI CHASE HEARN GOLNAR IRANPOUR AARON MALMEDAL JOYCE TSAI
team Pressure 0-300 frames
0
10
20
30
40
50
9
Sprring in 20 2012 12 2 : 2GBX B
Semest Sem ester est err : 2GBX 2GBX GB
: Devyn Weiser
10
111
PNEUMATIC PAVILION EL EVAT I O N
THE PAVILION TESTS OUR INFLATION PROCESS WITH A SCALE, SITE, AND PROGRAM. THE SCALE OF A PAVILION CAN BE UNDERSTOOD THROUGH PROTOTYPING MATERIALLY AND PROGRAMMATICALLY. THE ELEMENTS NEEDED TO SUSTAIN THE PROGRAM ARE ATTACHED TO THE SURFACE AS WELL AS ADDITIONAL PERFORMANCE ENHANCING LAYERS.
EL. 50’- 0”
EL.42’- 0”
SHEER PRESSURE
EL. 30’- 0”
EL. 18’- 0”
EL. 10’- 0”
FRONT
EL. 2’- 0”
ELEVATION
EL. 0’- 0”
0’
1’
2’
4’
6’
EL. 50’- 0”
EL. 40’- 0”
EL. 30’- 0”
EL. 20- 0”
EL. 10’- 0”
BACK
ELEVATION
EL. 0’- 0”
0’
1’
2’
4’
6’
Spring 2012 : 5B
1 12
Semester: UG Thesis
Instructor : Devyn Weiser
13 3
D E T A I L S THE ELEMENTS NEEDED TO SUSTAIN PROGRAM ARE ATTACHED TO THE SURFACE THE RESULT OF THESE EXPERIMENTS IS A HOLISTIC ARCHITECTURE THAT INVERTS THE TYPICAL DESIGN PROCESS. A SOFT STRUCTURAL FRAMEWORK IS EMBEDDED INTO THE ENVELOPE. WHICH IS THEN FOLDED INTO THE MASSING AND RIGIDIZED, PRODUCING A GRADIENT IN THE PROJECT FROM HARD TO SOFT. THE APPLICATION OF THE MEP SYSTEMS BECOMES DECORATION, AND APERTURE IS CHALLENGED ALL TOGETHER AS THE SURFACE IS NEVER PENETRATED BUT LOCALLY MANIPULATED TO FILTER THE DEGREE OF POROSITY. WHEN FABRICATION, MATERIAL PROPERTIES, AND DIGITAL COMPUTATION ARE ALL WOVEN TOGETHER INTO A HOLISTIC DESIGN PROCESS A HOLISTIC ARCHITECTURE EMERGES.
PERSPECTIVE
SERPENTINE GALLERY KENSINGTON GARDENS
SERPENTINE GALLERY KENSINGTON GARDENS
20
36
6
56 25
P AV I L I O N PROTOTYPE INTERIOR CLOSEUP - ENTRANCE
INTERIOR CLOSEUP - STAIRS / 2ND TIER
Inflatable Prototype / Serpentine Gallery
MEMBRANE STRUCTURE
TYPICALLY CONSTRUCTION PROCESS THE FRAME IS BUILT FIRST THEN THE SKIN IS ATTACHED TO THAT FRAME. FORM IN FORM INVERTS THAT RELATIONSHIP SO THAT THE SKIN IS FIRST AND THE FRAME IS EMBEDDED IN THAT SKIN. THROUGH RIGIDIZATION OF COMPOSITE TEXTILE THE BUILDING FORM EVNELOPE IS BOTH SOFT AND RIGID.
SELF SUPPORTING SYSTEM
TUBING
PIPE CONNECTOR
RESIN NOZZLE
PIPE CLAMPS
RESIN FILTER
DUE TO THE NECESSITY OF CREATING A SELF-SUPPORTING SYSTEM, THAT DOES NOT RELY ON EXISTING INFRUSTRUCTURE EXCEPT FOR RESING ON THE GROUND, THE ARTICULATION OF FOCRES OF THE BASE CURVE FOLLWS STURCTURAL CRITERIA
CONNECTING SHELL
PNEUMATIC SYSTEMS
The conceptual relationship of part to part and part to whole in architecture has an inherent tectonic logic. From the proportion in classical, structure and form in gothic, Corbursiers’ piloti’s the material. “Structure is the determining force” - Greg Lynn “Ideal forms and idealizing” “symmetry was the absence of information” - Gregg Lynn
PNEUMATIC SYSTEMS ARE WELL SUITED TO THE CONSTRUCTION OF HIGHLY ARTICULATED STRUCTURES THAT ARE TRANSPARENT, LIGHTWEIGHT AND RAPIDLY DEPLOYABLE. the PROJECT EXPLORED PNEUMATIC SYSTEMS ON THREE SCALES. SINGLE FOLDS, POINT CONNECTION AND CRIMPING
EL 21’-0”
STAIR CLAMP
FOUNDATION MOUNT
CABLE CLAMP
INDEPENDENT COMPRESSOR
RESIN TANK
ADJUSTABLE FOUNDATION
3
10 9
4 1
ELEVATION
8 EL 14’-0”
7
30
2
4
PNEUMATIC MEMBRANE
1
5
20
2 3 4 5
EL 7’-0”
6
11
6 7 8 9 10 11
EMBEDDED HP-10 PNEUMATIC HYDROSTATIC PUMP PNEUMATIC TUBE CONNECTING TO THE MAIN OUTLET CATWALK FOR PAVILION TIE BACKS STAIRS HINGED ONTO THE FRAME RESISTENCE: HEAT AND PUNCTURE FIBERGLASS VEINS PNEUMATIC PUMPS MEMBRANE CAP STRUCTURAL CLAMP ENTRANCE
2 EL 0’-0”
ELEVATION - EMBEDDED VEINS W/ MEMBRANE
4
2
TRAIN STATION CANOPY
SERPENTINE PAVILION
Spring 2012 : 2GBX
1 14
Semester : 2GBX
Instructor : 2GBX
15 5
16 16
LIGHTING CONTROL 10Kohm vertical potentiometer RS
160-095
SENSING 50x50mm polarized retro-reflectors RS
265-2754
CONNECTORS + FIXINGS IEC socket PCB chasis snap-fit RS
CONNECTORS + FIXINGS Rubber grommets for cable strain relief RS
2-27
GROUNDER / PODUIUM Tripad footing for machinery RS
2-27
311-8031
Spring Spr ing 20 2012 12 : 5B 5B
Semester : UG Thesis
Instructor : Devyn Weiser
19 9
1 18
F I N A L P R E S E N TA I O N
//// // //// //// //// //// /////// //// /// //// ////// //// / //// // ///// //
in THISIS STATEMEN ENT :
d
“Holism” in architecture, a balance, as Greg g Lynn describes it, is the “relationship between massing, structure, re, envelope, apertures, and h h l h l bl ” h d
I N S TA L L AT I O N
Spring 2011 : 5A
Semester : Vertical
Instructor : Michael Rotondi + Wes Jones “Yes”
2 20
C O
W O R K
angeles
S P A C E
?
09.2011 - 12.2011
Ready to develop your idea?
?
It was so interesting, I want to visit!
CAST studio space fabrication “Yes”
“No”
rehearsal “Yes”
meeting rooms offices
soundbooth
PUBLIC #1
X
X
Hub programming helps members build ideas from initial concept all the way to scale. Hub staff, members, and partners provide ongoing programming to sharpen every component of an idea for change, and the most important vehicle, the person leading the idea.
?
EVALUATE
“REAL WORLD”
“No”
Do you need more time at HUB-LA? lecture
“Yes”
XI N I T I A T E
entrance to cafe
CAPACITY BUILDING < IDEAL EVOLUTION & THOUGHT LEADERS
Thank you HUB!
studio
DEVELOP
entrance to living spaces
“No”
XB R O A D
sleeping
HUB-ERS
21
Did you listen to HUB-LA’s broadcast?
Would you like to be a guest again?
“Yes”
HUBLLOS
community for purpose-driven people to connect and build Solutions for a better world
“No”
?
meeting rooms 3
recreation
4
?
kitchen/dining
GUESTS
“Yes”
?
“No”
Do you want to join HUB-LA?
PUBLIC #2
“No”
Are you interested in joining HUB-LA? 1
2
INITIATE
entrance to gallery
-meeting rooms -offices -lecture -kitchen/dining -recreation
entrance to broadcast and workspaces
entrance to fabrication
5
HUB-ERS/ GUESTS PUBLIC
DEVELOP -studio space -work shops -meeting rooms -sleeping -lecture
HUB-ERS/ GUESTS
HUB-ERS/ GUESTS PUBLIC
HUB-ERS/ PUBLIC
BROAD CAST -sound booth -studio -lecture -rehearsal
HUB INTERACTION
EVALUATE -meeting rooms -kitchen/dining
Program Layout BROADCAST
work space
NEW HUB MODEL
3 4
ONE TIME PAYMENT $$$
REVISE DEVELOP
INITIATE
BROADCAST WORK SPACE LIVE SPACE CAFE LECTURE OFFICE
HUB
entrance to lecture hall
1
CAFE/ FUNDRAISERS/ EVENTS $$$
6
ADVERTISEMENT ON BROADCAST $$$
BILLBOARDS $$$
BROADCAST
DEVELOP
BROADCAST DEADLINES connection to 1st Street Bridge
FOR PEOPLE TO MEET AND INSPIRE
If ‘HUB-er’ cannot meet the deadline, he/she cannot come back to the HUB until he/she has something to broadcast.
hublets
ADVERTISE IN RADIO
ADVERTISE BILLBOARDS
The average rate for a 0:60 commercial running in Los Angeles, CA is about $ 966.00
In Los Angeles: typical billboard advertisement costs $3,500 - $5,000 / month
REVISE
INITIATE
BROADCAST WORK SPACE LIVE SPACE CAFE LECTURE OFFICE
26 000 SQFT
BEEHIVE
38 000 SQFT
9
700
4 DEVELOP
6
8 000 000 0000
X
INCUBATOR
7
Program Layout / Occupancy
Early diagrammatic plan layout
OUTDOOR SPACE
3 ZONES
INCUBATOR
EVALUATE
8
REC ROOM
OUTDOOR SPACE
X
X
8 000 SQFT
3000
EEPING
1700LECTURE
WORKABLE SQ FT
26 000 26 BEEHIVE
X
X3388 000
EXISTING SITE CONDITION
X ZONE // SQ
X
72 000 SQFT
Spring 2011 : 5A
Semester : Vertical
Instructor : Michael Rotondi + Wes Jones
PROJECT H U B LOSA SCI-Arc 2011 / Jones - Roto Duality
N
22 22
EXTERIOR BILLBOARD FACING COURTYARD INNER STAIRCASE INTERIOR BILLBOARD FACING WORKSPACE WORKSPACE MEETING ROOM INTERIOR BILLBOARD FACING WORKSPACE STRUCTURAL SYSTEM INNER STAIRCASE EXTERIOR BILLBOARD FACING CITY
HUBLOSA
PROJECT H U B LOSA SCI-Arc 2011 / Jones - Roto Duality LED BILLBOARD LIGHTS FIXED WITHIN THE SCAFFOLD OF THE BILLBOARD
BILLBOARD SCALE LAYOUT CORRDINATE SYSTEM SPECIFIES EACH POINT UNIQUELY IN A PLANE WITH SIGNED DISTANCES ACCORDING THE BUILDING FACADE
HEIGHT VARIATION CORRESPONDING TO THE PERIMETER CIRCULATION AND FACADE OF THE BUILDING WITH VARYING HEIGHTS TO GIVE THE USER DEGREES OF ELEVATION CHANGE
EXTENDING CATWALK CIRCULATION ON THE PERIMETER OF THE BILLBOARD
99-0 -0
BILLBOARD-SCALE FIELD
5-0 -
BILLBOARD ADS // SHARE IDEAS 10 0 10-0
25-0
THE BILLBOARD CAN CHANGE FREQUENTLY DEPENDING ON EVENTS OR CURRENT PROJECTS BEING WORKED ON INSIDE THE HUB
HUBLOSA
23 3
Spring 2011 : 5A
2 24
Semester : Vertical LIVING UNITS
Instructor : Michael Rotondi + Wes Jones
LIBRARY KITCHEN / DINING
WORKSPACE B HUBLET ZONE
CIRCULATION
OFFICE SPACE LECTURE HALL
EL 95’-0”
EL 76’-6” EL 72’-0” EL 68’-0”
EL 60’-0”
EL 52’-0”
EL 44’-0”
EL 36’-0”
EL 28’-0”
//hub //hu //h //hublo /hubl hublo ublosa ublo blosa blos losa osa
EL 20’-0”
EL 0’-0”
-
TRANSVERSE SECTION A
-
- SCI-ARC VERTICAL / DUALITY: JONES, ROTO
LIBRARY KITCHEN / DINING
-
- HUB LOS ANGELES
HUBLET ZONE WORKSPACE A
1’0” = 1/16”
WORKSPACE B CONFERENCE ROOM
-
2011
CIRCULATION
EL 95’-0”
EL 76’-6” EL 72’-0” EL 68’-0”
EL 60’-0”
EL 52’-0”
EL 44’-0”
EL 36’-0”
EL 28’-0”
EL 20’-0”
EL 0’-0”
-
TRANVERSE SECTION B
-
- SCI-ARC VERTICAL / DUALITY: JONES, ROTO
-
- HUB LOS ANGELES
1’0” = 1/16”
-
2011
25 5
Spring 2011 : 5A
Instructor : Michael Rotondi + Wes Jones
Semester : Vertical
2 26
WORKSPACE A HUBLET ZONE
WORKSPACE B CONFERENCE ROOM
WORKSPACE C ROOFTOP
WORKSPACE D ROOFTOP
WORKSPACE C ROOFTOP
MEETING ROOMS WORKSPACE B
EL 95’-0”
asolbuh// EL 76’-6” EL 72’-0” EL 68’-0”
EL 60’-0”
EL 52’-0”
EL 44’-0”
EL 36’-0”
EL 28’-0”
EL 20’-0”
13 EL 0’-0”
-
LONGITUDINAL SECTION
-
- SCI-ARC VERTICAL / DUALITY: JONES, ROTO
-
- HUB LOS ANGELES
HUBLOSA
-
EAST ELEVATION
-
-
SCI-ARC VERTICAL / DUALITY: JONES, ROTO
-
- HUB LOS ANGELES
1’0” = 1/32”
-
2011
1’0” = 1/16”
-
2011
HUBLET ZONE WORKSPACE A
277
Fall 2011 : 4B
2 28
Semester : Vertical
L THEffOLD
Use of Script Processing to generate multiple surface overlaps
capture an aspect of artist Jonathan Callan’s work and translate the effect into architectural form. The juxtaposition of the Highline the museum provided a platform to create subjective boundaries
THE NEW WHITNEY MUSEUM
0 1 . 2 0 1 1
-
29 9
0 4 . 2 0 1 1
Layer
1
Layer
2
Early diagrammatic program layout
The Proposal for the new Whitney Museum creates connection for art - a bridge between the museum and the art presented. The building is a rhythmic interplay of light surface and structure, a series of concrete and steel translates into a building that can be momumental but at the same time appear transparent. 3D PRINT PROTOTYPE
TWO ISLOATED PORTIONS ARE CONNECTED TO CREATE BOUNDARIES IN THE ENVELOPE
FRAGMENTED SURFACE BOUNDARIES
THE LAYERS EXPAND AND CONTRACT TO CREATE DIFFERENT GEOMETRIC SPACES
MANY LAYERS, HORIZONTALLY SURFACES AND OR 3 DIMENSIONAL SPACES THAT OVERLAP WITH EACH OTHER SECTIONALLY AND PLAINMETRICALLY IN ORDER TO CREATE LARGER SPACES AND TO CONNCET SPACES. FRAGMENTATION IN THE LAYERS CONSIST OF INCOMPLETE AND ISOLATED PORTION. CERTAIN MOMENT BREAKAGE AND SEPERATION IS IS ALSO APPARENT IN THE BUILDING ENVELOPE.
3 LAYERS COLLAPSE TO CREATE DENSITY AND INTERSTITAL SPACES
AGGREGATE SURFACE
SEPERATION AND BREAKAGE
VOID AND APERATURE IS FORM BY THE TRAVERSE GEOMETRY SURROUNDING THE SPACE
Concrete Misplots Matt Frodsham
FORMED OF SEPERATED LAYERS COLLECTED INTO A WHOLE COLLECTIVELY. THE SURFACE IS READ AS AN ASSEMBLAGE OF PARTS THAT IS REGARDED AS A SINGLE ENTITY. COMPOSING OF A DENSE CLUSTER OF SEPERATE LAYERS, THE SURFACE IS IN CONSTANT NEGOATIATION BETWEEN SMALLER ELEMENTS TO CREAT A LARGER WHOLE WITHIN.
INTERWEAVING VARIOUS LAYERS ENCIRCLES THE SHELL
DOUBLE SURFACE CREATES AN ENVELOPE THAT TRANSLATES FLUID SPATIAL CONDITION
BIFURCATION OF THE LAYERS IN DIFFERENT DIRECTIONS CREATES FLUX VOLUME OF SPACES
LAYER FOLDING ON EACHOTHER INTRODUCES OPENING INSIDE AND OUT
Concrete Misplots Matt Frodsham
FLUX VOLUME / DIMENSION
Concrete Misplots Matt Frodsham
THE CONTINUOUS SURFACE TRAVERSES ITS WAY THROUGH THE ENTIRE BUILDING, SCULPTING DISTINCT SPACES THAT CREATE UNIQUE SPATIAL CONDITION. CERTAIN APERTURES CREATED BY THE SURFACE UNDULATE INTO SLIGHTLY CLAUSTROPHOBIC SPACES WHICH THEN CULMINATE INTO A LARGER, RELIEVED SPACE OF AGGREGATION. THE DIMENSION OF THE SPACES ARE IN CONSTANT FLUXUATION FROM THE LAYERS COLLAPSING AND COMPRESSING AGAINST EACHOTHER.
OVERLAPPING SURFACES CREATE DIFFERENT HEIGHT SPACE
Instructor : Lise Anne Couture
UNDULATION AND OVERLAPPING OF LAYERS ILLUSTRATES INTERSTITIAL SPACE
KEY CONCEPT
Undulating surface treatment / material test
Layer
3
Layer
4
Fall 2011 : 4B
Semester : Vertical
Instructor : Lise Anne Couture
Museum Floor Plan
3 30 0
5
31
10
W 12TH ST
FIRST FLOOR PLAN : 20-0
Surface Animation
1. LANDSCAPE 2. EXHIBITION SUITE 1 3. TEMPORARY EXHIBITION 4. RECEPTION 5. COFFEE - BAR 6. TICKET COUNTER 7. STAFF LOBBY / CONFERENCE 8.ENTRANCE HALL 9. PRIVATE COLLECTION GALLERY
WASHINGTON ST
1 A
2
4 5
7
6
8 1
3 9 A
0
5
GANSERVOORT ST
10
SECOND FLOOR PLAN : 35-0 1. GALLERY 1 2. GALLERY 2 3. GALLERY 3 4. ENTRANCE HALL 6. CONFERENCE ROOM 5. TEMPORARY EXHIBITION 6. BRIDGE TO INTERSTATE 9A
W 12TH ST
WASHINGTON ST
6
3 1
5
5
4
2
GANSERVOORT ST
Fall 2011 : 4B
3 32
EXTERIOR // HIGHLINE ENTRANCE EXTER HIGHLI REMAINS UNALTERED EXCEPT AN ENTRY POINT HIGHLINE THROUGH THE SECOND LEVEL OF THE MUSEUM. THE THROU WALKW WALKWAY IS INACCESSIBLE TO THE MUSEUM AND IS A ROUTE TO THE WEST END OF THE MUSEUM. MAIN ACCESS A WILL ONLY ABLE TO LOOK INTO THE MUSEUMS THE PUBLIC PU BUT TO GAIN ACCESS THEY HAVE TO TRAVEL EAST FACE F BELOW. AT NIGHT THE BUILDING IS COMPLETELY TRANSBELOW PARENT PAREN TO THE PUBLIC WITH WINDOWS ALL ALONG THE EXTERIOR FACE. A PORTION OF SOUTH END OF THE HIGHLINE IS REDESGINED TO ACHIEVE A SENSE OF CHANGE WITHIN THE DESGIN BOUNDARIES OF THE EXISTING HIGHLINES INFRASTRUCBOUND TURE
Semester : Vertical
Instructor : Lise Anne Couture
Fall 2011 : 4B
Semester : Vertical
Instructor : Lise Anne Couture
3 34
EXTERIOR // NORTH FACE URBAN TERRACE DIRECTLY FACING THE HIGHLINE. THE VOIDS CREATED BY THE SURFACE FOLDING ONTO ITSELF CREATING MICRO INHABITABLE SPACES FOR RESTAURANTS,CAFE, LIBRARY AND TEMPORARY GALLERIES.
Fall 2011 : 4B
Semester : Vertical
Instructor : Lise Anne Couture
377
3 36
EXTERIOR // SOUTH FACE FACING GANSEVOORT STREET IS THE SMALLER GALLERIES. THE FORM IS COMPREHENSIBLE AND APPEARS TO DEFY ITS FORM. ITS FORM IS ACTING AS STRUCTURAL MEMBRANE. EXPLODED INTO HOUSANDS OF PIECES AND AT OTHER TIMES TWISTED INTO ONE. BRISE SOLEIL ON THE FACADE CAN CAPTURE NATURAL LIGHTING INTO THE MAIN CIRCULATION HALL OF THE MUSEUM AND ALSO THE SMALLER GALLERY
Fall 2011 : Design Document
Instructor : Scott Uriu
01.2011 - 04.2011
DESIGN DOCUMENT I N T E G R AT I O N S T R A N D I N G
39 9
Exterior Wall Section
Exterior Wall Detail
L Metal Closure Plate Metal Panel System Seperation membrane Zinc standing seam roofing Bituminous surface layer steel gutter Composite Metal Deck 1’ x 1’ Hollow section steel tube
Cover Page
L Metal Closure Plate end lap detail with membrance strip
zinc panels
1’ x2’ Hollow section steel tube Chilled beam
knuckles over bottle capping fixings bottle capping
Gypsum Ceiling
fleece breather layer
vapour barrier Gypsum Ceiling
Steel Decking
insulation
Steel Channel
steel tube
steel decking
Spider Fidding
catwalk A4-1 Elevation
A4-1 Elevation
6” concrete slab 2.28.2011
2.28.2011
EXTERIOR WALL DETAIL
PROJECT DESCRIPTION
A0
Hollywood Homeboy Industries is a live/work opportunity for those of troubled past seeking to become an intergrated and working member of society. The success of this model in downtown has allowed the organization to grow to a new site in Hollywood Site: Barnsdale Park, Hollywood, CA 90027 Parcel Building Size 22,000 Sqf Construction Type: 11B Lot Size: 120,000 Sqf Occupation Type : R.1 Floors : 5 Lot Coverage: 35% F.A.R. : 50% # of Units : 60
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Section
Cost Estimate Elevation
Structural Weld
EL. + 80 - 0
9 EL. +65 - 0
FL. 5
8 EL. + 60 - 0
Cost Chart
FL. 4
Slab + Foundation ____ SF Strutural Steel ____ LF Glass ____ SF Interior Partitions ____ SF Roof / Caldding ____ SF
7
EL. + 45 - 0
EL. + 30 - 0
FL. 3
1
4
6
FL. 2
$150$200$100$10$80-
EL. + 100- 0 2nd FL
5
EL. + 80 - 0
Cladding ________ SF
EL. + 0 - 0
1
1
5
1
3
EL. + 15 - 0
EL. + 40 - 0 1st FL
FL. 1 EL. + 20 - 0
EL. + 0 - 0
2
2
3
2
Ground FL
Structural Steel ________ SF
1 2 3 4 5 6 7 8 9
EL. + 20- 0
2 EL. + 10 - 0
3
9” x 18”Welded Steel Tubes Zinc Panel Bituminous surface layer Main bridge to the building Low E Glass Steel tube divider Office Floor
A4-1 Elevation
crete Floor Slab ________ SF
A4-1 Elevation
SCALE : 1/8” = 1’-0”
Glass ________ SF
1 2 3 4 5 6 7 8
Residential Floor 2.28.2011
Work Room
EL. - 20- 0
North Entrance Residential Living Communal Rm Work Rm Atrium Fl Recreational Rm Lobby Main Bridge
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Cost Estimate Diagram A4-1 Elevation
2.28.2011
Site Plan J
K
L
M
N
O
P
Q
R
S
T
EL. + 180- 0
EL. + 200- 0
EL. + 220- 0
EL. + 240- 0
EL. +260- 0
EL. + 280- 0
EL. + 300- 0
EL. + 320- 0
U EL. + 340- 0
I
EL. + 160- 0
H
EL. + 140- 0
G
EL. + 120- 0
EL. + 80- 0
F
EL. + 100- 0
E
EL. + 120- 0
D
EL. + 120- 0
C
EL. + 60 - 0
B
Landscape 69”
78”
EL. + 20 - 0
30”
EL. + 0 - 0
2
EL. + 100- 0
EL. + 0 - 0
A
1
39”
3D Building Chunk 1
ADA Compliance EL. + 40 - 0
1
EL. -40 - 0
EL. + 20 - 0
2 4
1
3
EL. + 40 - 0
4
EL. + 60 - 0
5
EL. + 80- 0
1 2 dn
1
11
up
5 3
Car Path
7
EL. + 120- 0
8
EL. + 120- 0
4
5 8
9
EL. + 100- 0
10
EL. + 120- 0
11
EL. + 140- 0
12
EL. + 160- 0
96”
96”
accessible path way
36”
4
96”
36”
240”
EL. + 100- 0
accessible path way
6
3
accessible path way
2 3
36”
2A 13
36”
3 38
Semester : Applied Studies
Lower Road
6 9
1
7
10
13
EL. + 180- 0
14
EL. + 200- 0
15
EL. + 220- 0
P
EL. + 240- 0
Q
EL. +260- 0
ADA ELEVATOR SCALE 3/8”=1’-0”
2
ADA PARKING SCALE 3/8”=1’-0”
2
11
Balcony
A1 Site Plan
”
78
EL. + 340- 0
”
EL. + 320- 0
U
A6 ADA Requirement
30 ”
Balcony
2”
9”
10
13
Bedroom Common Space Exit Stairs Living Room Lobby
36
T
1 2 3 4 5
2
Upper Road
9”
15
EL. + 300- 0
”
13 14
Metal Panel System Zinc Clip Rigid Insulation W.P.M Steel Gutter Composite Metal Deck Steel tube divider Steel Rebar Low e glass 5” x 3” hollow section steel tube 1’ x1’ hollow section steel tube 6” Composite Metal Deck Radiant Floor Chilled Beam Geothermal Heat Pump Close Loop System Catwalk System
EL. + 280- 0
18
12
14
1 2 2A 3 4 5 6 7 8 9 10 11 12
R
S
A7-1 3-D Chunk
11
2.28.2011
2.28.201
3
2.28.2011
ADA RESTROOM SCALE 3/8”=1’-0”
Fall 2011 : Misconfigures
4 40
FOAM DOMO OMO D APPLIED STUDIES
Semester : Applied Studies
Instructor: Andrew Atwood
01.2011 - 04.2011
Semester: Applied Studies
09.2010-12.2010
m i s c o n f i g u r e s
Fall 2010: Manifold Tectonic
MANIFOLDT TECTONIC TECTONIC M I N I M A L S U F A C E F A B R I C AT I O N
The project was an investigation of minimal surface fabrication through material experimentation with fiber-reinforced concrete. The end resulted in multiple castings of two molds held together with very little structural stability by nuts and bolts
SCI-Arc ROBOT HOUSE Andrew Atwood’s seminar focuses on developing tools and techinques for controlling six-axis robotic arms in increasingly synchronous ways. Introduced to basic principles and techinques of mechatronic control through a series of workshops
Instructor: Marcelo Spina
End Arm tool 2.0
End Arm light pen
01 PATH ////01
PATH //02 //02 // 02 PATH //03 PATH ////033 PATH ////04 04
End of Tool 3.0
411