Made in Heaven

ABOVE Each villa is more or less identical with plantings used as dividers between villas.

LEFT The master bedroom is slightly warmer than the public spaces with a pleasant, balanced combination of wooden and ivory-coloured surfaces and volumes. In the background, behind a floor-to-ceiling glazed partition, is the bathroom, accessed by an outsized wooden door,.

RIGHT This detail of the horigotatsu table shows how flooring is patterned by geometric polished and rough finishes in the terrazzo.

madein heaven

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It would be easy to think you had died and gone to heaven if you tied the knot in one of the Tirtha wedding chapels. Perched seemingly in the sky, they comprise two series of buildings set on a cliff amidst watery surrounds. Hovering above the Indian ocean as if in a bubble, they contain all the ingredients of a perfect wedding day.

The brainchild of a Japanese entrepreneur, Tirtha Uluwatu and the later addition of Tirtha Luhur are an inspired adjunct to Bali’s touristic scene. Situated on a stunning clifftop location near one of the island’s most revered temples, they offer a bespoke wedding service for bridal couples. They are also architecturally unique.

Both are designed by Glenn Parker, of Bali-based Glenn Parker Architects. Landscaping, a central tenet of the project with pools within pools, statuary and lush ornamentals, is by Made Wijaya and interiors by Ratina Moegiono of PT Alindi Kyati Praya. The 15-pavilion Tirtha Uluwatu came first in 2003, and was followed by the three-bedroom Tirtha Luhur villa a couple of years later.

A sense of progression from traditional to modern is fundamental to Tirtha Uluwatu’s design. The bridal party enters via a romantic Balinese gate where ivory palimanan stone predominates, then proceeds through a series of courtyards, pavilions, paths and pools to culminate in the heart of the resort—the clifftop chapel. This is an A-line structure with white steel frames, panels of suspended tempered glass and a triangular Teflon roof, seemingly floating above a large reflecting pool and framed by sea, horizon and sky. Described by Parker as something like a “folly” or “a lantern floating on a pond,” it is undeniably dramatic. Nonetheless, says Parker, it is anchored in a contemporary Asian vernacular that responds to climate, topography, available materials, and the social and cultural issues present in its location.

Tirtha Luhur adds to the Tirtha concept with another air-conditioned wedding chapel, this time with the added bonus of accommodations. Set adjacent its sister property, it comprises an exclusive three-bedroom luxury villa with indoor and outdoor dining options, swimming pool, balé and bar. Quality is key here: interiors boast Prada teak wood finishing, wall panels and soft furnishings in Jim Thompson silk fabrics and super-soft leather sofas. Spread over 3,000 square metres (3,590 sq yards) it also has views to die for.

Both projects display a modernist sensibility, but retain elements of Balinese culture and tradition. They offer a service, but also stand alone as interesting examples of contemporary-tropical architecture. Bravo to those who have the time and the money to treat themselves—and to owner and architect alike.

PREVIOUS PAGE Comprising a walk-through antechamber as well as the larger atrium building itself, Glenn Parker’s Tirtha Uluwatu wedding chapel is characterized by an ethereal quality of lightness and romance. Expansive water bodies and views of the

Indian ocean add to this otherworldly effect; it is interesting to note that Tirtha translates as “holy water”.

ABOVE An extensive use of ivory palimanan stone on floors and walls, along with alang-alang roofs and traditional statuary gives the entrance to Tirtha Uluwatu a traditional, yet clean-lined, Balinese-Javanese air.

RIGHT The sharp verticality of the all-white architectural lines adds emotion at the entrance of the wedding chapel.

OPPOSITE TOP At the entrance, a stele-like metallic central stand with a tropical flower arrangement rises from the smooth ivory palimanan floor.

LEFT From above, Tirtha Uluwatu’s roofs resemble sails; surrounded by frangipani, palms and reflecting pools, they project an ethereal quality.

BELOW The master bedroom in Tirtha Luhur is tactile and romantic with interiors by Ratina Moegiono.

Geometric panels behind the bed are covered in

Jim Thompson silk, while bed linen is high-quality Egyptian cotton.

OPPOSITE BOTTOM The open-to-the-sky master bathroom is a vision of cream and ivory tones.

Composed from palimanan stone, it reflects the high-style indulgence of the whole complex.

ABOVE A close-up view of the Tirtha Luhur chapel shows its structure clearly. Composed of V-shaped columns in steel with horizontal beams between the columns in white-painted steel, it has a suspended ceiling with “scales” plastered in white. The lights between these scales produce decorative drama, while flooring is in bamboo and white palimanan stone.

BELOW The villa and chapel are flanked by a 22-metre (72-ft) swimming pool that stretches out towards the ocean beyond.

RIGHT Balinese and Javanese palaces were traditionally built around copious water bodies, with meandering paths and reflecting pools. Tirtha Uluwatu’s design inspiration is firmly rooted in this vernacular, although it is strictly 21st century in style.