3.1 Groot Klimmendaal Rehab Center

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Figure 3.1 (a) location and context pictures of Groot Klimmendaal Rehab center

• Residing within the forests of the Netherlands, Rehabilitation center Groot Klimmendaal hides between trees like a quiet deer. • It blends with its surrounding landscape and architecture and is accessible by a street with bicycle and pedestrian paths. • The street with bicycle and pedestrian paths. • The street feeds multiple institutions mostly dedicated for the children and people with

disabilities.

• The center follows the massing and heights of surroundings buildings and appears to have the darkest shade of brown in the area. • It may be explained by the attempt to camouflage the building.

Figure 3.1 (b) Groot Klimmendaal Rehab center map

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Figure 3.1 (c) plan zoning indication of Groot Klimmendaal Rehab center Admin and tech.

Accommodation

Treatment spaces

Leisure spaces

Figure 3.1 (d) zoning indication of Groot Klimmendaal Rehab center

ZONING AND MASSING:

Below are offices, above are the clinical area. The double-height ground floor at entrance level facilitates the special elements of the programme such as a sports facility, fitness, swimming pool, restaurant and theatre. [12] [13] [14]

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Figure 3.1 (e) full height glazed lounge space

INFERENCE 1: CONNECTION TO OUTSIDE

• Full height glazing along the focal space associating the different inward components of the structure guarantees a practically consistent congruity between inside and outside. • The wandering exterior in the eatery brings about an in the middle among trees and welcomes the backwoods inside the structure.

The encompassing nature has major areas of strength for a line of sight and unmistakable presence wherever in the structure; it permits the client to revalidate while strolling.

Figure 3.1 (f) visual connection of indoor –outdoor

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Figure 3.1 (g) colorful and voided circulation space

INFERENCE 2: INTERPLAY OF SOLID AND VOIDS

• A blend of huge and little voids and light wells guarantee a spatial association between various levels and permit normal sunlight somewhere down in the core of the 30metres wide structure. Interaction of striking however unobtrusive varieties and immediate and backhanded (counterfeit) lighting breathes new life into the inside. • The exchange among strong and void, • Calculations of construction and skin, and • The woodland's continually moving light levels, • reduces the visual effect of what is a huge scope intercession.

Figure 3.1 (h) Light wells/voids from roof to ground and upper levels

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Figure 3.1 (i) Continuous staircase

INFERENCE 3: TREATMENT OF CIRCULATION SPACE

• Constant flight of stairs that permits seeing from the highest level straight through to the base. • Having the option to see the varieties will advance development all over the steps while just investigating integrating recovery into the day-to-day daily schedule of patients without them truly acknowledging it. • A long hall with suspended lattice roofs and knock rails - taking care of a progression of more empathetic flow spaces with no impasses, which deal slow and quick courses across the arrangement.

Figure 3.1 (j) continuous staircase in section Figure 3.1 (k) continuous seamless visual connection

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INFERENCE 4: USE OF NATURAL LIGHT

Figure 3.1 (l)façade treatment\

Figure 3.1 (m) daylight positioned along the façade and light wells

Figure 3.1 (n) natural light positions

Figure 3.1 (o) natural light positions

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Figure 3.1 (p) Figure 3.1 (p) color palette

INFERENCE 4: USE OF COLORS

Figure 3.1 (q) use of color in corridors • Utilization of intense varieties to differentiate cooler white or dim walls and lumbers to make prompts for memory on each level. • On one level the subject is orange, and another has a striking blue rooftop with many varieties painted in the light wells.

They get the attention and hold the look, bringing out a feeling of happiness.

Figure 3.1 (r) use of bright colors in engagement spaces