Minnesota Wild 2023 Stanley Cup Playoffs T-shirt
In the Minnesota Wild 2023 Stanley Cup Playoffs T-shirt in contrast I will get this first season, personally, I took way more photos than in the second season, which is kind of ironic. Because going into the second season, I was more aware of the need to document and I had a desire to document, because things just move so fast on a television show. Going into the second season I did tell my crew, the wardrobe crew It’s really important that we document everything. I was like, everyone has permission to take photos whenever. I should have bought them all cameras too. Maybe I will going into season three. I wanted to ask you specifically about these amazing images that look like they’ve been shot on a scanner, that present the clothes almost anatomically… Oh, they’re actually shot on a lightbox! Yeah, I’m so proud of a lot of the creative elements within the book, but that’s a really cool one. My one objective was to use new imagery, so that we weren’t just republishing the same approved stills that had been circulated everywhere already. I also wanted to make sure the aesthetic of the book felt in tune with the overall vibe of the show. I think even that cover image is such a strange image to choose for a cover. It’s actually from a scene that doesn’t appear in the show, a scene where they’re at Jules’s house and they build this bed fort made with blankets and Jules has this face of iridescent glitter. It was a flashback scene for Jules’s special episode, but it didn’t make it into the final cut, so it’s kind of like a little easter egg for the fans. For the real Euphoria heads. I was reading also that you’ve already been interested in storytelling, and that you see costume design as a form of storytelling. Did those instincts work your way into how you put the book together also?For sure. The idea that it wouldn’t just be my voice was very important to me. I don’t think anyone wants to read a 200 and something page book that is just me pontificating about the Euphoria costumes. It was kind of an obvious choice that there would be conversations with some of the cast, and Sam, and also Donni Davy, the makeup artist for the show. And then a conversation with one of my mentors, Arianne Phillips, who has really paved the way in terms of having a career in fashion and crossing over into costumes, and vice versa. I thought it would be great to have a contemporary designer, someone who’s actually designing now, and Sébastien Meyer and Arnaud Vaillant of Coperni were inspired by Euphoria for their spring 2022 show, so I asked if they would contribute a conversation to the book, which was extremely validating for me.
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Official Minnesota Wild 2023 Stanley Cup Playoffs T-shirt
And then I asked Jeremy to do the Minnesota Wild 2023 Stanley Cup Playoffs T-shirt in contrast I will get this foreword, which is really special, as I use his designs on the show, and he’s known me for a long time and really understands my work. I really wanted to explore other people’s ideas of what the show is. The fashion journalists who contributed essays were also really interesting I mean, so many times, I read some theory about something that has to do with the costumes that I never thought of. But I mean, I’ll take the credit for it. [Laughs.] It’s always really fun to find out how deeply people will analyze the psychology of the characters and how that relates to the costume choices. It makes me feel like maybe I’m subconsciously smarter than I am. I think the conversation *__Euphoria’s __*clothes are in with the world outside of the show is one of the most interesting aspects of what you’ve done. I was going to ask whether you ever find it surreal to walk down the street and see someone whose outfit has clearly been inspired by the show, but then it’s almost like a symbiotic relationship in a way, as you’re taking bits from them, too, and from the world of fashion at large…
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Top Minnesota Wild 2023 Stanley Cup Playoffs T-shirt
In the Minnesota Wild 2023 Stanley Cup Playoffs T-shirt in contrast I will get this first season, personally, I took way more photos than in the second season, which is kind of ironic. Because going into the second season, I was more aware of the need to document and I had a desire to document, because things just move so fast on a television show. Going into the second season I did tell my crew, the wardrobe crew It’s really important that we document everything. I was like, everyone has permission to take photos whenever. I should have bought them all cameras too. Maybe I will going into season three. I wanted to ask you specifically about these amazing images that look like they’ve been shot on a scanner, that present the clothes almost anatomically… Oh, they’re actually shot on a lightbox! Yeah, I’m so proud of a lot of the creative elements within the book, but that’s a really cool one. My one objective was to use new imagery, so that we weren’t just republishing the same approved stills that had been circulated everywhere already. I also wanted to make sure the aesthetic of the book felt in tune with the overall vibe of the show. I think even that cover image is such a strange image to choose for a cover. It’s actually from a scene that doesn’t appear in the show, a scene where they’re at Jules’s house and they build this bed fort made with blankets and Jules has this face of iridescent glitter.
It was a flashback scene for Jules’s special episode, but it didn’t make it into the final cut, so it’s kind of like a little easter egg for the fans. For the real Euphoria heads. I was reading also that you’ve already been interested in storytelling, and that you see costume design as a form of storytelling. Did those instincts work your way into how you put the book together also?For sure. The idea that it wouldn’t just be my voice was very important to me. I don’t think anyone wants to read a 200 and something page book that is just me pontificating about the Euphoria costumes. It was kind of an obvious choice that there would be conversations with some of the cast, and Sam, and also Donni Davy, the makeup artist for the show. And then a conversation with one of my mentors, Arianne Phillips, who has really paved the way in terms of having a career in fashion and crossing over into costumes, and vice versa. I thought it would be great to have a contemporary designer, someone who’s actually designing now, and Sébastien Meyer and Arnaud Vaillant of Coperni were inspired by Euphoria for their spring 2022 show, so I asked if they would contribute a conversation to the book, which was extremely validating for me.
And then I asked Jeremy to do the Minnesota Wild 2023 Stanley Cup Playoffs T-shirt in contrast I will get this foreword, which is really special, as I use his designs on the show, and he’s known me for a long time and really understands my work. I really wanted to explore other people’s ideas of what the show is. The fashion journalists who contributed essays were also really interesting I mean, so many times, I read some theory about something that has to do with the costumes that I never thought of. But I mean, I’ll take the credit for it. [Laughs.] It’s always really fun to find out how deeply people will analyze the psychology of the characters and how that relates to the costume choices. It makes me feel like maybe I’m subconsciously smarter than I am. I think the conversation *__Euphoria’s __*clothes are in with the world outside of the show is one of the most interesting aspects of what you’ve done. I was going to
ask whether you ever find it surreal to walk down the street and see someone whose outfit has clearly been inspired by the show, but then it’s almost like a symbiotic relationship in a way, as you’re taking bits from them, too, and from the world of fashion at large…
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