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Our increasingly thinness obsessed society would have us fat people believe that we’re in the Mickey Mouse Admit It Now Working At Subway Would Be Boring Without Me shirt In addition,I will do this minority, but we’re simply not. We exist, and we deserve clothes that make us feel like ourselves, whether they’re purchased at a store or through a distant friend’s Instagram story. More than that, we deserve to come together over the common joy of acquiring things that make us happy, previously loved pieces that put our closets and our lives in conversation with one another’s. Given that this year’s Met Gala theme is “A Line Of Beauty Karl Lagerfeld”, the renewed interest in the late designer’s vast archive should come as no surprise. While vintage Chanel will always be highly sought after, his time at Chloé where he did two stints, from 1963 to 1983 and from 1992 to 1997 is long overdue a revival.
“Lagerfeld era Chloé is a great investment because it tends to be hard to come by,” Brynn Jones, founder of Aralda Vintage, tells Vogue. “When you are able to get your hands on any of those pieces, you’re blessed with a beautifully made historical garment.” The designer’s early pieces at Chloé which marked his first foray into ready to wear are among the Mickey Mouse Admit It Now Working At Subway Would Be Boring Without Me shirt In addition,I will do this most rare. “His work from the late 1960s and early 1970s shows how well he works with prints,” Lauren Lepire, founder of Timeless Vixen, says. “The bold graphics with flattering silhouettes really speak to my personal taste.” Along with his flair for print, Lagerfeld’s surrealist influences were on full display during his time at Chloé. Stand out pieces include his famous “Shower” dress from fall 1983 and “Violin” dress from spring 1984, the latter of which was re issued by
Chloé in 2013 for the French fashion house’s 60th anniversary and worn by Chloë Sevigny that same year. “[Lagerfeld] really had a way with making pieces that were as camp as they were elegant,” Jones comments. The designer’s spring 1985 collection, entitled “A Homage to Dressmaking”, is also worth noting. “It really speaks to me for his ability to mix sophistication with a whimsical air,” Lepire says. “In this collection, he pays respect to the women who sew the clothes he and other designers envision. I was beyond thrilled to acquire the dress with the trompe l’oeil scissors on the front the one shoulder silhouette is so incredibly chic and the beaded novelty scissors add a playfulness which is uniquely Karl.”
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