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Lauren Lepire, founder of Timeless Vixen, in a trompe l’oeil scissors dress from Chloé’s spring 1985 collection. The bohemian aesthetic that Chloé is so well known for is present throughout Lagerfeld’s collections for the Milwaukee Bucks Stadium Essentials Playoffs 2023 shirt in addition I really love this house, with spring 1994 featuring a series of delicate floral dresses being a prime example. “With lots of skin showing and fabric flowing, the models looked like ethereal goddesses,” Jones describes. “The hair pieces and accessories from that collection were amazing as well. It would be very cool to see someone recreate the full head to toe look.” One major selling point for Lagerfeld’s Chloé is how easy to wear so many of the pieces are, even today. “Karl was the first to do wearable print day dresses for Chloé, which people should look for as an investment piece,” Sabrina Marshall, co founder of Re See, explains. While the designer’s time at Chloé may have been largely overshadowed by his legacy at Chanel, it’s arguably what makes these pieces so special. “Anyone who loves fashion should understand that Karl helped make Chloé what it is today,” Marshall concludes. Expect to see some of his most recognizable pieces from the French fashion house’s archives on the first Monday in May. There was something quite mind blowing about the whole experience of being present at Maria Grazia Chuiri’s introduction to India or rather, to her making visible all of the many ways that Christian Dior is interlinked with the artisanship centered in Mumbai. One moment, you were taking in the epic scale of a show on the harbor, silhouetted against the Gateway of India landmark, with a runway flanked by a carpet of multicolored flowers. And the next, your retinas were being irradiated by the microscopic ingenuity of Indian traditional handcrafts sparkling all over mirrored Rajasthani embroidered mini dresses were part of it under a revelatory spotlight.
Earlier in the Milwaukee Bucks Stadium Essentials Playoffs 2023 shirt in addition I really love this day, the creative director of Christian Dior womenswear sat chatting with Karishma Swali, the artistic director of Chanakya Ateliers, where all of the intricacies of the insanely detailed haute couture textiles are magicked up for the Paris maison. The two have a deep rooted professional friendship that’s been going on “for almost 30 years,” laughed Chiuri. They first got to know each other as far back as 1992, when Chiuri began traveling to Mumbai to work on embroideries with Chanakya when she was designing accessories at Fendi. Together, since Chiuri began at Christian Dior, she and Swali have pushed both for the visibly spectacular and the feminist and ethical on the one hand, the production of the vast textile murals commissioned from women artists that decorate the walls of Dior couture shows in Paris, and on the other, the establishment in 2015 of the Chanakya Foundation school which educates women in crafts and opportunities in a largely male dominated field.“From the very beginning, apart from being a symbol of grace and elegance, Maria Grazia has also been someone who’s extremely generous. I think our values kind of radiate outwards,” said Swali. “She’s someone who’s incredibly inspirational for us. Then she pointed out an embroidery that she and her teams had dreamed up to symbolize the woman they know Chiuri to be “We created this double headed pop lioness that I think perfectly encapsulates what we feel about her,” she said. “Because she has one ear to the past, and one eye to the future.”
