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Chiuri nodded, beaming, “because I believe that it is important to study the New York Mets 2023 Ya Gotta Believe shirt Besides,I will do this past very well, but at the same time to try to use these references in a different way, and also to renovate them. That is what I have tried to do when I look into the archive of Christian Dior. You cannot reproduce the past.”She’s been talking for ages about what she’s been doing with Chanakya to journalists backstage at her shows in Paris. It was quite another thing to demonstrate the reality in person with a group visit to the Chanakya Ateliers, and a chance to dive into the close up wonders of the vast breadth of specialisms that have been passed down through centuries in India. Astonishingly, they number up to 300 distinct crafts. From Kantha, to Zardozi, to Pachisi, to Madras weaving and block printing it’s mind bending to a novice viewer. “India is a continent. Each part is like a state, with its own traditional techniques and cultures. But I think, in the end, the connection to elements of nature is very strong everywhere,” Chiuri said.
Even to drive through Mumbai to the New York Mets 2023 Ya Gotta Believe shirt Besides,I will do this Chanakya Ateliers is to be visually overwhelmed by the city’s burgeoning nature the lush green foliage, the tiny flowers and manicured miniature topiary, the banyan trees lining streets, the overhanging cascades of bougainvillea. The rhythm of pattern and color bursts out from everything, including black and white striped curbs, murals painted on concrete flyovers, and ramshackle corrugated fences. In Mumbai, a talent for decoration, for the possibility of making things, and changing whatever little one has for the better are collective qualities that have been long forgotten in parts of the West.A handworked Christian Dior gown. Photo
Courtesy of Christian DiorInside Chanakya’s modern built complex, Swali had laid on an exhibition of the antique textiles she’s collected from all over India and beyond pieces which stimulate the kind of cross cultural research that ends up differently every time in Dior collections. It was a chance perceive from two inches away that the 3 D beige roses on a filigree dress are actually made from crocheted raffia, or that the glinting lace of another is achieved through ancient Mughal era zari silver and gold thread embroidery.Downstairs, craftspeople were working at benches and looms, or sitting working on the floor collectively. In one zone, you saw how the reference of the tree of life, embroidered on an antique bed covering, was echoed through the floral edging on a pair of 17th century French silk waistcoats, and how an artisan was now satin stitching garlands of miniature flowers on the makings of a Dior dress. Guides talked through each skill, and its roots in regional and tribal cultures. “We have artisans that are experts in everything. It’s a lot of hours, a lot of work, a lot of really technical stuff. These are artisans that can be 13th generation in the sense that they’ve been passing down this craft for so many years. Now they’re the experts with regards to needle making, with regards to lace work, to crochet, thread work, fine stitch sequencing,” one said, proudly concluding, “so there’s no chance of them getting it wrong.”
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