portfolio by teresa piardi

! welcome

light touch.

! this is my present future

my name is teresa

my name is

this is my portfolio & also a collection of my passion my passion

choose life.

! architecture

cITY

eyes

friends

gray

IDeaL

identity

Journey

type illustration

keen LIFE

multimedia

Memory

video

never

packaging

ONLY

contest

PANTONE

QUALDA

102

ripetition

116

sunglasses triangle

128

ufo

140

venice

144

witness

146

122

xyz yesterday zoo

150 3 154

! intuition thought emotion experience

! -

HI My name is Teresa, I am graphic designer and architect. I lived in Venice for about 4 years now i’m based in Milan. i was born in 1983. My specialties are graphic design, book design packaging, lettering, illustRation, video editing and motion graphic. I have the passion for dimensional objects and shapes, cities, papers, walks with the music in my headphones, dvds, joseph roth, etty ILLESUM, ffffound, books of graphics, aRCHITECTURE AND photography, sewing, SCREENPRINT, all my friends, my family AND dogs, especially qualda. I’m an idealist and naive person, an hard worker. I have a big head and small body. i’m

meticolous

and

forward

thinking,

currently plotting where to go for a NEW JOURNEY.

the persistence of the past

! -

Close your eyes, imagine a joy. most likely you would think of a departure. if only we could live of beginning, early excitement when everything surprises you and still nothing belong to you. you would think of a new book smell, on March 21st. the first embrace. the fear of debut the tremor on set but between the start and the finish line, in between there is everything else and everything else is day after day. and day after day, is quietly building and building is to be able to accept and renounce perfection. But certainly the ending is more theatrical this way as each story is recorded for its conclusion

just as the last glass, the last vision of

yesterday

a lonely sunset, the bow, then the curtain

between the first part and the testament. in between there is day after day.

transform architecture 1

ARCHITERCTURE -

illustration

Name: transformERS_VISUAL INSTALLATION. idea: explorations of the unstable human condition all over the world. The story changes, everything is said to comes back, but in the twenty-first century we have lost the tracks to recover the values and â&#x20AC;&#x2039;â&#x20AC;&#x2039; the architecture in Italy has little chance. To Urbanize means to globalize, the identity is lost, the concepts and aesthetics are lost, too. Extrapolating what remains of a medieval church, a Renaissance palace, a well-designed system of squares, you can build an autonomous being who says something aesthetic, it consists of the only good parts of what we have left in our cities. Transformers, Mutoids, layers of structures that have a single identity able to make alive that which is dying. They remind us to preserve, this is completely contrary to what is actually happening.

transform architecture 2/3/

transform architecture 4/ MILAN MAY 2011

make choices

BE -

identity

multimedia

Name: t identity. idea: from my notebook: “Logo. I’m an architect, I’m a graphic designer. To represent me I have to combine the two figures in a single drawing. How am I? Keywords: I’m multifaceted, adaptable, gentle, but I’m rational, so much head! i’m also simple. I am Teresa. “T”. I have a face, but I have thousands of them, like everyone else. Which face can I show? How to show it? the isometric with the axonometric! I can simultaneously represent 3 faces of the same parallelepiped and see the interior, too. The T from thousand points of view, front and rear, mirrored. Here is the logo. But I have not finished yet , I decide that the base is full to indicate that I’m anchored to the ground, but strong, too: the wireframe in the design indicates that I’m without dimension, but at the same time, regular . The double meaning.

online www.tereteresa.com

a round world

for

CITY -

multimedia

Name: capperino & pepperone a round world for colette paris_ banners. idea: listening to a conversation between the two dogs caperino e peperone: cap: “please peperone, come walk with me to find new ideas. when walking, the blood is activated, fresh ideas can blossom”. pep: “sure caperino! we can walk all around world to discover more and more.” cap: ”the journey may started with italy and than we can go around and round what do you think about?” pep “the place to begin our trip will be the last, so we can see the world like it is, a round world”. cap “ok, my friend”. NOTE: cap & pep, both in unison: “We are a duet of existentialist dogs. We’re as black as black of the japanese ink we’re stamped with. We’re happy to share some moments of our journey with you”.

ndon New Vi e r Lo n na pu D Ja

Tokyo Rom scow e J o M ap i a u b u New York Paris on Ro d m on L e r

ubai Mosc na D ow ien T ok oV y Ri

a round world

Capperino & Pepperone for

a round world FOR COLETTE

giri e ninjo ~ dovere e sentimento

DO -

illustration

Name: you are victims of rules you live by! idea: “What is called logical or right is not anything more than a body of rules that were laboriously combined into a moment in history duly dated and set a seal of origin, the agora or forum, church or party. Therefore will I hope not at all by these rules outside of the good faith of the Other, and in the absence of more I serve, so if you judge me or if you require, just for fun bad faith. “ “What characterizes a normal subject, is precisely the fact that they never take entirely seriously a number of reality that acknowledges the existence ...” Notes: Jacques Lacan “The Language of the Self: The Function of Language in Psychoanalysis”, 1968- 1969.

stickers application IN MILAN APRIL 2011

you must say fuck!

alberto sinigaglia. photographer. alberto sinigaglia. photographer. +39 3317026481 t +39 3317026481 alb.sinigaglia@gmail.com mt wm w

Data, anno Destinatario Nome Data, Titoloanno Destinatario Nome societàNome Titolo Via Nome Codicesocietà postale, Località, Provincia, Nazione Via Codice postale, Località, Provincia, Nazione Caro/a Destinatario, Lorem ipsum dolor sit amet, consectetur adipiscing elit, set eiusmod tempor incidunt et Caro/a labore etDestinatario, dolore magna aliquam. Ut enim ad minim veniam, quis nostrud exerc. Irure dolor Lorem ipsumincididunt dolor sit amet, consectetur elit, Ut setenim eiusmod tempor incidunt in reprehend ut labore et dolore adipiscing magna aliqua. ad minim veniam, quiset labore dolore magna aliquam. Ut enim minimexveniam, quis nostrud exerc. Irure dolor nostrudetexercitation ullamco laboris nisi utadaliquip ea commodo consequat. Duis aute in reprehend ut labore et dolore aliqua. Ut enimTia ad non minim alberto sinigaglia. photographer. irure dolor in incididunt reprehenderit in voluptate velitmagna esse molestaie cillum. ob veniam, ea soluadquis nostruddereud exercitation ullamco laboris nisi utNam aliquip commodo consequat. Duis aute incom facilis est er expedit distinct. liberexte ea conscient to factor tum poen. +39irure 3317026481 t dolor in reprehenderit in voluptate velit esse molestaie cillum. Tia non ob soluad At vver eos et accusam dignissum qui blandit est praesent. Trenz pruca beynocguoneadoas alb.sinigaglia@gmail.com m incom dereud est er expedit distinct.monugor Nam liber conscient to jag factor tum poen. nog apoply su facilis trenz ucu hugh rasoluguon ortetrenz ucugwo scannar. Wa hava www.albertosinigaglia.com w At vvertrenzsa eos et accusam dignissum qui blandit praesent. beynocguon doas nog laasad gwo producgs su IdfoBraid, yopestquiel geg baTrenz solalypruca rasponsubla rof trenzur apoply su trenz ucu hugh rasoluguon monugor or trenz ucugwo jag scannar. Wa hava laasad trenzsa gwo producgs su IdfoBraid, yop quiel geg ba solaly rasponsubla rof trenzur sala ent Spraadshaag ent trenz dreek wirc procassidt program. Cak pwico vux bolug incluros all uf cak sirucor hawrgasi itoms alung gith cakiw nog pwicos. trenz dreek wirc procassidt Cakkoop pwico vux bolug all uf cakphuno. sirucorDuis hawrgasi Plloaso mako nuto uf caksoprogram. dodtos anr a cupy uf cakincluros vux noaw yerw itoms alung githincakiw nog pwicos. aute irure dolor reprehenderit in voluptate velit esse molestaie cillum. Tia non ob ea Plloaso mako nuto uf facilis cakso est dodtos anr koop a cupyNam uf cak vux yerwto phuno. soluad incom dereud er expedit distinct. liber te noaw conscient factor Duis tum aute irure legum dolor in reprehenderit in tam. voluptate essemodut molestaie cillum.nonor Tia non ob eaned soluad poen odioque civiuda et Nequevelit pecun est neque et imper incom dereud facilis est er expedit distinct. liberettedolore conscient to factor tumis poen legum libidig met, consectetur adipiscing elit, sed Nam ut labore magna aliquam nostrud odioque civiuda et tam. Neque pecun modut est neque nonor et imper ned libidig exercitation ullam mmodo consequet. Duis aute in voluptate velit esse cillum dolore eu met, consectetur adipiscing elit, sed ut labore et dolore magna aliquam is nostrud exercitation fugiat nulla pariatur. ullam schengos, mmodo consequet. Duis velit esse cillum dolore fugiat Whag uf efed, quiel ba aute madainsuvoluptate otrenzr swipontgwook proudgs huseuyag su banulla pariatur. dagarmidad. Plasa maku noga wipont trenzsa schengos ent kaap zux copy wipont trenz kipg Whagmixent schengos, uf Cak efed,pwico quiel siructiun ba mada ruos su otrenzr swipontgwook proudgs hus yag su ba naar phona. nust apoply tyu cak UCU sisulutiun munidagarmidad. Plasa maku noga wipont trenzsa schengos ent kaap zux copy wipont trenz kipg tyuw uw. naar mixent phona. Cak pwico siructiun ruos nust apoply tyu cak UCU sisulutiun munityuw uw. Cordiali saluti, CordialiSinigaglia. saluti, Alberto Alberto Sinigaglia.

alb.sinigaglia@gmail.com www.albertosinigaglia.com www.albertosinigaglia.com

eyes -

identity

keen Name: as identity_ call me bruno. idea: mail to Bruno, never sent: “My work for you begins this way. I would like to get an interview but you are just a few words, so I decided to think about you, alone. To me you’re Bruno. but when I look at your pictures, I vibrate. What haven’t you told me of you? I have known you for years. I see you thin for the first time. I feel your soul and

pain...

In the pics there is no drama. I feel a wonderful emotion. I want to talk about this, I want to talk about you, mix my emotions with yours. I’m planning an institutional image, elegant, classic but with misunderstanding names... “Call me Bruno” as the title of the portfolio and a logo showing your initials “AS” . This can be confused. I choose the font, Garamond, it’s your favorite. I go straight on this way. I send you kisses. Piarda, with love”.

28 eliqu smmy nosto odionssa dadi at lumodignis noseumsandre eliquat. summy nosto odionsed k at lummodignis nos modignis nos sk at lummisos

alberto sinigaglia. photographer.

+39 3317026481 | alb.sinigaglia@gmail.com | www.albertosinigaglia.com

streets of EU . Cop/0001 dic 2009 Copenaghen streets of EU. Mad/0033 dic 2009 Madrid streets of EU . Mad/0021 dic 2009 Madrid streets of EU. Mad/0005 dic 2009 Madrid estreets of EU. Cop/0017 dic 2009 Copenaghen streets of EU. Cop/0002 dic 2009 Copenaghen

streets of EU. St/0017 dic 2009

conscious

Stockholm streets of EU. St/0018 dic 2009 Stockholm

29 If you could collaborate. A project by Alberto Sinigaglia.

quissa L. Quamdiis iam avo, orum, que aderbitu morei facit? Nena, sat. Serei et cont? Nam hilneruro mus pra? Bis, scerice niquon viriciam atienatia remente mei peres tatuamquem se halii pris Marbi serorei pon vir auctum, pris constret, con ni tam perum et? Ublicoti, que inam dit. Quod nox seserununum ublium apes publicae tricipte, fac firterdi int iaes consuli usperumOverena idetius simuler obsendion notiae inumusp erbit. Pio horari pro ne conveni hilintis M. Valabus publis, quam. Sendam pos puliu se tanducerfere nequeme fac vivilnem peris inareis. Enatque mei fuit ducontra nossultus cum Patus, Patuid con patilic aperit vehensidium etiam tem. Unt. Eperiste morum deffre, C.

eliqu summy nosto odionssa dadi at lummodignis noseumsandre eliquat.

alberto sinigaglia. photographer.

unconscious

+39 3317026481 | alb.sinigaglia@gmail.com | www.albertosinigaglia.com

alberto sinigaglia. photographer.

+39 3317026481 | alb.sinigaglia@gmail.com | www.albertosinigaglia.com

call me bruno

collect/ a portfolio

a reality/ a portfolio

understand~translate~read/ a portfolio

AS postcard and bag

AS stickers and stamp

www.albertosinigaglia.net

American Apparel

my family

Sticks Track Shirts

Track Shirts The vintage feel of our ultra-soft and comfortable Tri-Blend fabric has made the Track Shirts some of our best sellers.

www.americanapparel.net

friends -

Name: american apparel advertsing campaign. idea: For my dad and mum, Matteo. Antony . Ferro. Stefania. Qualda. Chiara. Annapaola. Giulia. hilary. Francesca. Paola. Maddalena. Carlo. Carotino. vika. Bruno. Giacomo. cioli. Alvise. nigo. bellaMatte. Marta. Luca. Bello. rik. oli. Carciofo. Marco. Michele. pierolona. Milla. gio. Tommi. Vi. Giulio. Lucio. Tommaso. Angelo. tita. Fabrizio. Gino e Angela. Barbara. robi. irene. pero. luca. tia. francoise. Alberto F. 3397. ali. niccolĂ˛. Lazzaretto. sasha. bruna. grandma. nicola mandelli. bruna. alegs. mimĂŹ. daniele. fra. lidia. elisa. chiaretta. pietro. aunts. giovanni. laura. marco riva. aba. luisa. ebe. in. elena. dora. andre. giulio. ila. mauro. Valentina. checco. francesco. matteo. lori. jacopo. ale. ludmilla. il mandelli. giovi. gatti. Thank you for everything. Iâ&#x20AC;&#x2122;ll see you somewhere.

American Apparel

stcks track shirt and his girl together adv

Sticks Track Shirts

Track Shirts The vintage feel of our ultra-soft and comfortable Tri-Blend fabric has made the Track Shirts some of our best sellers. www.americanapparel.net

American Apparel

Sticks Track Shirts

Track ShirtsThe vintage feel of our ultra-soft and comfortable Tri-Blend fabric has made the Track Shirts some of our best sellers. Weâ&#x20AC;&#x2122;ve newly

American Apparel

stcks track shirt and his girl together adv

Sticks

Track Shirts The vintage feel of our ultra-soft and comfortable Tri-Blend fabric has made the Track Shirts some of our best sellers. www.americanapparel.net

2 50

American Apparel

Sticks Track Shirts

American Apparel

tape advertising

Sticks Track Shirts

Track ShirtsThe vintage feel of our ultra-soft and comfortable Tri-Blend fabric has made the Track Shirts some of our best sellers. Weâ&#x20AC;&#x2122;ve newly introduced the first long-sleeve style, the Light Weight Raglan Pullover, and expanded our color offerings to include Tri-Orchid,Tri-Evergreen and Tri-Indigo in five styles. www.americanapparel.net

American Apparel !

Sticks Track Shirts

tape advertising

Sticks Track Shirts

American Apparel

Track Shirts The vintage feel of our ultra-soft and comfortable Tri-Blend fabric has made the Track Shirts some of our best sellers. www.americanapparel.net

American Apparel

Sticks Track Shirts Track Shirts The vintage feel of our ultra-soft and comfortable Tri-Blend fabric has made the Track Shirts some of our best sellers.

www.americanapparel.net

American Apparel

stcks track shirt and his girl together adv, motion adv

Sticks

Track Shirts The vintage feel of our ultra-soft and comfortable Tri-Blend fabric has made the Track Shirts some of our best sellers. www.americanapparel.net

50/50 Shirts.

a a advertising

An ultra-soft, ultra-comfy unisex T-shirt that feels like youâ&#x20AC;&#x2122;ve owned it for years the moment you put it on, and for years to come.

Poly-Cotton (50% Polyester / 50% Cotton) construction

Legalized L.A.

50/50 Shirts.

life/ projects/ esseyes/studies/ contemporary movements of le corbu sier

M xS

“Immagine-Oggetto” Andy Wharol

Istituto Luce

“Cubism” P.Picasso

Republica di Weiemar

Novembergruppe

Casa del Fascio G. Terragni

gray

illustration

Name: LE CORBUSIER & CHARLES EDUARD JANNERET_ DATAFLOW. idea: Le Corbusier is a thinker, a writer, a designer, an architect, a philosopher, a painter, a visionary, a Cartesian adventurer, a precursor, a rare man, a husband. Le Corbusier, Charles Edward Jannert, lives, creates, thinks, writes, designs, realizes. Barcelona, rio, paris, Rome, Buenos Aires, anywhere he proposes a plan, a project, but only a concept exercise can offer the most chaotic situations the opportunity to be the exact opposite of the “pathetic paradox”. Le Corbusier in his notebook had a map of the world where he indicated the areas where he believed his projects and books were going to be popular. he Wrong, and mad as a furious prince: “I get kicked out. The doors are slammed in my face. But inside me I know: I’m right, I’m right”.

Charles Edward Janner

AND

vita

teoria

om - in nD

19 23 19 24 19 25 19 26

Ma iso 19 22

19 20

19 12 19 13 19 14 19 15 19 16

19 09 19 10

18 96

gg io

via

19 04 19 05

au xA rt a eB le d Ec ò

18 95 18 96

na 18 87

19 01

extralarge projects

18 99

ha ux

large projects

ne ce ssi ta ini di zi a oc ch ad ial ise i gn are

de Fo nd s

Ch au x

medium projects

19 28

np ae s

stu de dio Fo in nd Eu lav s rop ora a co me via gg o rol io og stu iaio dio ce in se U. mu lla S.A ore tor . e il p ad re Ec òle de co Ba no ux sc Ar eC ta ha Ch ne au ty xd via eF gg on io ds s si t t ras udio in fer Cin isc ch ais a ea el Pa on stu r ig gu dia i ee pr div p ri mo esso an o Ec pro òle ge tto Na tìo Ca na sa l su lL ag o

viz z

small projects

pa dig lio ne ca Es se pri al nt W Ma No iso eise uv no ea nC ff d u lar teo i tè riz a G Stoc za ca zio ine i5 ne vra rda pu nti de

ero

extrasmall projects

ES T XS S M L XL

sce

LEGENDA Le Corbusier - Projects

Le Corbusier

Essays

“Sur l’Art Decoratif” “ le Cubisme”

“Vers un Architecture” “Chatèdrales blenches”

“Maison de l’Hommes”

“Maison Dom-ino” “Una Maison un Palais”

“L’angle droit”

“Des Canons, Merci!”

“Poèmes èlectronique”

“Il modulor”

“La Charte d’Athènes” “Ville Radieuse”

“Propos d’Urbanisme” “Mise-au-point”

“Oeuvre Complete”

storia

architettura

arte

esposizioni

“Cezanne” Salomne d’Automne

pubblicazioni

Istituto Luce

Manifesto Dadaismo

ST AR

Bauhaus

“Ulysse J. Joyce

Bauhaus W. Gropius

19 28

19 23

19 18 19 19

19 15

19 25

Metropolis W.F.Lang

Fabbrica Turbine P. Behrens

“Yellow to Gray” P. Mondrian

Relatività A. Einstein

Manifesto Futurismo

“Cubism” P.Picasso

19 12 19 13

AEG

“Ornamento e delitto” A. Loos

19 19

19 32

19 00

18 96

18 94

“Carnets d’Orient”

Calcestruzzo Alva Edison

LEGENDA Eventi nel mondo

le corbusier and charles edward jannert’s full story

ST AR AT EX PB

“Sur l’Art”

18 91

LEGENDA Le Corbusier - Essayes

01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18

T 06

Republica di Weiemar

Casa Tuggendart Mies Van Der Rohe

Novembergruppe

“Estetica dell’auto” F. Leger

Ⅰ Guerra Mondiale

Casa del Fascio G. Terragni

Sedia in tubolare d’acciaio R.Bauer

Guggenehim F.L. Wright

e” e

Kun House J. Neutra

Casabella rivista di architettura

PB xL

M 16

“Immagine-Oggetto” Andy Wharol

“Studi per musica elettronica” Stockhausen

Villa Mairea Alvar Aalto

Minimal Art

“Le Corbusier. Oeuvre Complete”

primo uomo nello spazio

Muro di Berlino

Trasmissione TV via Atlantico

Loid University Louis Kahn

La Ville Radiouse Parigi

“C.E:Janneret, Le Corbusier” G.Gresleri

PB 19 71

19 68 19 69

19 64 19 65

19 59 19 60 19 61

19 56

19 55

19 51 19 52

19 48

19 46

19 43

19 39 19 40

19 37

19 34

19 31 19 32

19 63 19 64 19 65

19 61

19 57 19 58 19 59

19 55

19 52 19 53

19 50

19 46 19 47

19 44

19 38 19 39 19 40 19 41

19 34 19 35 sp os a

La Ro c he

Ja ul

er 10 m

pia no u rb pa an rl a ist me i nto co P pa un laz Ch ja zo an dig b, Ch di giu arh an stiz dig arh i aC Ma no ha nd Ap iga ert rh aa Ch si t an dig ras ar h fer i sc dis ea eg n Ca mu a la p Ma su ore at rtin aff om og ato ba aC ap Ma rtin

ilio ni pia di no ab ita u rb nti pia a nis no t ico u rb pe an r ist Pa ic o ri g pe pia rR i no io u rb an is t ic o pe rA lge ri

citt àp

Ma iso nS Ma ho da iso n nd el ’Ho m

Ma iso n

pp el l ad mu ore i Ron ch am Un la ma i tè ps dre d’H la a bit To ati ure on tte Ma rsi ll

Ca b Il M anon od ulo r

Ma iso n

19 32

el id Pu ell ris ’a r mo ch ite ttu ra Sa vo ye

Vil le

19 30

58 59

ret Vita, scritti e progetti di Charles Edward Janneret alias Le Corbusier: studioso, teorico, pittore, scultore, designer, archietto e urbanista illuminato.

L 17

idealism is a ghost

ideal Name: la7 ident. idea: â&#x20AC;&#x153;Production without appropriation, action without imposing anything, development without dominationâ&#x20AC;? Lao Tzu, IV century B.C. To live, to move, to communicate, to get involved, to create, to work and settle in the ideal world would mean pacification. I can create an ideal world in my mind where there is communication between the individual and the whole where the respect wins. If I look around I see the conditions, I remove nothing from the world where I live but only the superstructures of the convention, the false morality, the mental constructs. To restore ethics and honesty in actions does not mean regression, but attention, tolerance and love towards the others.

multimedia

UK £ 4.00 US € 8.95 AUSTRALIA $ 9.99 AUSTRIA € 9.25 CANADA $ 8.95 FRANCE € 7.90 GERMANY € 9.75 HOLLAND € 7.90 ITALY € 8.70 NORWAY NOK 79.00 PORTUGAL € 7.90 SWEDEN SEK 69.00 SWITZERLAND CHF 16.00

STELLAR VERSION AN UNDERSTANDED OBSERVTORY

UpFRONT

AN ExISTENTIAL CONDO TOwER IN NYC Up-AND-COmINg IN TEL AVIV

pApER TIgER VINTAgE STATIONERY OF NOTE

THECNO HOUSE

WALLPAPER MY COVER

TAg HEUER'S HARD-CASE pHONE

wE gOT gAmE

THE gREAT AND THE gOOD

journey Name: wallpaper magazine_grid, layout, design. idea: I asked myself the role of graphic designers in every day life. Because graphics are everywhere. Who is the graphic designer? Then I have studied it. The element that makes a project stronger than another one is the respect for hierarchies. A project is powerful if it is ordered. Then thereâ&#x20AC;&#x2122;s the layout, the graphic grid, fonts, the composition, the dataflow and the meaning. To look for the meaning, it is the most complicated design exercise. This is another element to make a valid graphic. To find the rules of the composition not to make it pure trend or style. The line is thin. I understand that if graphics are well done, rooted and credible, they can have a role in the society where we live.

Indirizzo

044

gLOBAL SHOppINg

PHOTOGRAPHY : URe mAGnA Am iRil UT PRAT.

05/12/2008 05:52 PM

DESIgN HOTSHEET

049

Creative licence

TOKYO DESK CALENDAR Andre tis nullam, con ea commodolent lor sustis nulputa tuerillan ut nulputa tionsequisse modoloreetum zzrit autat. Dui blamet veniatum quat lore mod do ex exUscil enibh ent am zzrit, vulput prat, quamconum dolobore dolortisisit praesectet, volore min ulla feuis nullan praesectet, veniatum quat.Modio ex estrud tismolore consecte te ex eum

Uptat ad tat, quisl dolese con sent augue exer aliquat.

BuEnOs aiREs 05/12/2008 05:52 PM

FABRIC BANgLES dignaIriureet nissequat. Conummo dignit lor sustrud modolor in ut venit volortie tat, quamcommy nonse duis adit ad magna feugueratue magna cor sum zzrillaoreVulla alis niam ea core velisisim nos am quis dunt vullaor ad miniamc ommolenit wismolortis nulluptat. Ibh exeraesto dolobor summy nos doloreet veliquatisi estiscilla facip ent velit praesenis atuerostrud

milano - Google Maps

05/12/2008 05:52 PM

Indirizzo

nEw YORK wATER pITCHER Link sponsorizzato < > Milan Apartment Rental - www.MilanApartmentRental.com Andre tis nullam, con ea commodolent lor sustis nulputa tuerillan ut nulputa tionsequisse modoloreetum zzrit autat. Dui blamet veniatum quat lore mod do ex exUscil enibh ent am zzrit, vulput prat, Link sponsorizzato < > Milan Apartment Rental - www.MilanApartmentRental.com quamconum dolobore dolortisisit praesectet, volore min ulla feuis nullan praesectet, veniatum quat.Accummy nulputpat alit ing etumsandreet aut at wis http://maps.google.com/maps?client=safari&rls=it-it&q=milano&ie=UTF-8&oe=UTF-8&um=1&sa=X&oi=geocode_result&resnum=1&ct=title

MElBOuRnE

http://maps.google.com/maps?client=safari&rls=it-it&q=milano&ie=UTF-8&oe=UTF-8&um=1&sa=X&oi=geocode_result&resnum=1&ct=title

Pagina 1 di 1

mEASURINg CHARTS Andre tis nullam, con ea commodolent lor sustis nulputa tuerillan ut nulputa tionsequisse modoloreetum zzrit autat. Dui blamet veniatum quat lore mod do ex exUscil enibh ent am zzrit, vulput prat, quamconum dolobore dolortisisit praesectet, volore min ulla feuis nullan praesectet, veniatum quat.Gue volor sisl dunt verit, consed ex eros alissequat.

MElBOuRnE

Milan Apartment Rental -

LApTOp wALLET Andre tis nullam, con ea commodolent lor sustis nulputa tuerillan ut nulputa tionsequisse modoloreetum zzrit autat. Dui blamet veniatum quat lore mod do ex exUscil enibh ent am zzrit, vulput prat, Link sponsorizzato < > www.MilanApartmentRental.com quamconum dolobore dolortisisit praesectet, volore min ulla feuis nullan praesectet, veniatum quat.Ignibh euisim dion henim nim illuptat wis del dolorti

t-it&q=milano&ie=UTF-8&oe=UTF-8&um=1&sa=X&oi=geocode_result&resnum=1&ct=title

lam num volore core dio dolortin erate feugait luptat, sustrud tat niamconum eniam irit iureriusto exerostrud tat. Duis nullandit ipsustie moloreratum acil il utatum venissenim quat. Orer se dip et veros nim quamet, con volore molum am doloree tueros nullaortin eum in veros nit ipit prat duis num dolore min hendion sectet ver inisci blandiat vulla aute dolor ametum alis dolorem nos augiat, con vel ulla facipit velendre et ad duis nos do od modo od ex eu feum do er sus-

DOLOR SUm qUAT ADEL psusciliquis ad magnim vel iureraesse con euipsum quam ex dolor sum quat ad el delisci psusciliquis ad magnim quam ex delisci psusciliquis ad magnim quam ex delisci psuscili

cili quamet veliquis ad enisi. Wisi tinibh et ad tem dio Esto enit, se magna conse tat. Borperosto dolorper sequip el utpate cor irillam dignim ad mod diatet, commy nulputem dolorer aliquis sismodo loreet wisisl ut nos aci bla facing el ing enis nim et lobor sequatum amet nonsequisi. Consecte delesequi tie et adiat. Lissequipsum veraessequat nullaor ad ea con vel eugue vel dit adipis eros dipit et, consenim nullam nonsequat-

Pagina 1 di 1

Link sponsorizzato < > Milan Apartment Rental - www.MilanApartmentRental.com

COFFeA’s PARAdise

milano&ie=UTF-8&oe=UTF-8&um=1&sa=X&oi=geocode_result&resnum=1&ct=title

Pagina 1 di 1

http://maps.google.com/maps?client=safari&rls=it-it&q=milano&ie=UTF-8&oe=UTF-8&um=1&sa=X&oi=geocode_result&resnum=1&ct=title

Pagina 1 di 1

AmERICAN COFFEA coffea water served in : a mug served with : sugar, milk, cynnamon

Us, o noximis ficiorum nostrum vagingultu vis facerisum sulari ficaesil vilissu lutemusa iam diuro etiam terfert ebemque mquiuss iginatque iam estra nor iam Romnihi licaetem inclege rtenit. Do, queri, sendi confica stabem moriu milne ceposte mus pro es caperesis hore num imachus aut facibul ut ca verunihin inu que nondint ifecullegit vis poti, consultus los conihilis esulem re ferdit addum umunt.An hostratqui sil horbis nitam tam et? P. Ego nocre, diorte, ortesid di sus, num inatem,Ostio core faccum zzrit nostrud min velisciduis non vel do odPat, vel ilis et, si tat landioEliqui blam alit, veli.

CAppUCCINO coffea milk cacao served in : big cup served with : sugar, cacao.

ICE COFFEA coffea ice served in : a cockteil glass or a glass cup served with : sugar

mOCACCINO

coffea coffea’s cream chocolate served in : a little cup or in a glass

UNUNTImUS LIAm INA, pRIORTI USCREmqUEmO CUpIO NTERIS AT NOS FACTORUm

served with : sugar,cynnamon

mAxI mUg

served in : a little cap

coffea coffea’s cream chocolate milk’s cream served in : a big mug

servedserved with : sugar

served with : rude sugar, cacao

ESpRESSO

PAGES FORM WALLPAPER

coffea

THANKS TO

Se molor si tionse magnis alit dolor sit ipit exeriusIrilit dip eugueros num dolobor peraestis alis doloreet wisis non.

EARLY 1800s

mID 1800s

LATE 1800s

1900s

1910s

1920s

1930s

1940s

1950s

Deliquat ionsed digna faci et iliquis nonsed tatet wissenit at lum aliquis del ilis ad dolore con velit nulputpat vel do er autate molor autat acillup tatincidui te dolore tatumMin veraesequat wismodio do odolorp ercilisit dunt wisi. Sequis alit praessiscil ute eui ea feu feuguer alisi.

Faci et ipsuscipis aut loreLor si. Igniamconsed et la commodignim ip ea feugueros do consenim nit, sit vent ulput wis non henisim nim zzrilla faccumsan vercidunt augueros dolorem in hent enisl

Wisis dit praestrud dolutpatet, volobor irilit ad dolore magnibh euis adit nisimIquat prat nim nim alit vullut nos non voloreriure et, conse molore faccumm odolorem delestrud tate facilis enim in ex eugue commodolor si bla consenisl doloborpero dolortin ulputate.

faccum zzrit prat, volor aliquat. Dit ullaore tatummodo od eniamet, commy nonsecte faccum auguer ipsum dolum nonum vullamcore dolor sendit lore molore feu faci blaorercip esto consent vel ut praesto con utpatin hendrerosto et irit am nullaor sim acilit ullamco nsenis atin ulput praessendrem at.

Ugiatummy niamet, si tatin henibh ex ex eumsandre modo ea alit wis adiam, quat, velit nullandio exer suscip elit alit,Obore dolesequipit dolore min henibh er in vel ip et nonsed dignim doloborem ing et ulput vulla facil ing exerilisisit irit ut ipit aliquis auga.

Consenisl in vel dunt velendre magnis nonsed duisis nos nim ipit nisci tionsectem nullamet num quis nim dolessectem ad esed tat. Esectetuer iril utatisi eriustisUrer suscilit adit atet praestrud tat prat at. Lorercin ut adigna feu faccummodiam iril erostionse magna alis eleniat. Ut acidunt lorpero .

Vulla faccum in hendre tat wis nis aciduip ex ea faccum erostie et vel ipit erciliq uismolor iuscilit aliquismolum ip euis nos nibh er sit acipit loborem autDui blamcon vel in velit, sim volore tat. Met ad el iuscipisim venisisi. Obor ad doluptat praestionsed modio od el deliquat.

Endre ming el ipit praesto doluptat augiam ipit nosto od tinit luptat, sim etueritRat. Etuerit nulput lor sit acing ex estinis ad min henim num dolore min eros nulpute diam, sequat adio enim ver secte facil utpat essit dunt nostrud.

Dolorem nos aliquisim quate tin ut aliquametue veliquis augait, vel erostis modipit nim illut nullaore molorer iliquisim incipsum zzriustrud dolore tionulla con velisse quisci eu feuip estrud exer sum vulpute. Tat. Gue magna auguerate dipis nibh euguer secte tatismo dolortisi.

DECEMBER

DECEMBER Agna commolore veliqua mcorercing exer susci tat, vullut lor autpat lore tem alis eraestrud tat boreetue venit wismod eumsanGiat lan utat autat. Estis do od magna consequi te eugue delit accumsandit lum iuscing exercillan vel eum volori te ea feugiat.

FASHON 007 Bake that The great and the good rerett. 011 Dinner plans Lorevoloralitnulputet,luptate tmmdo odolor. 023 Turn the tables Diam irilit pratue r sequam nit,semolor iureet wisi. 073 Rem Koolhaas Lore volor alit nulputet, vul uptateOmmodion sequat. 076 Alvar Aalto’s way Feum vulutpatue feu faci cipsummolore dolessectem. 106 It’s all in the mix um er aliscid uismod delit ilit elesse consequ issisl dolobor. 190 Total waffle The great and the good- the bestnew guest houses.

DESIgN 054 global shopping velesse consequ issisl doloborre ercincilis alisim. 059 Creative licence loborper iriustin velit wisit veltrer esemod tat, quatem eugiamerrrd. 069 Capital gains alitiurerilit num dipit lor aliquatyrtr adio euis dignim iurercip elertrtg. 075 magic bus con ute miniam zzrilla accumterer vulla facidunt dolent.

gROOmINg 044 Take a peak wisl incing eugue minim duntwer. 049 Ticking point new guest houses live tetrereterd. 105 Afternoon daylight The great and the ghe regfdaniel.

Pull up to our bumper issue This one’s jumbo-sized: not only have our guest editors each produced a section of the magazine,we are overloaded with much more,from hi-jinks on the airbus to the lowdown on Ashgabat.

ARCHITECTURE 087 Staying power The great and the good.

078 Dior drama lutpatue feu faci eugait ercipsu new guest houses livenum modo lorper.

161 Tunnel vision best new guest houses live.

087 we got game The great and the good ciao.

163 New wave The great and the good- the new guest houses live.

161 Tunnel vision best new guest houses teresa nummodo lorper suscilla fac. 163 New wave new guest houses live tetrterte faciliqui ea facipsustrud dunt cum vele.

173 Striking gold new guest houses live freum vulnummodo lorper suscilla.

UpFRONT

PHOTOGRAPHY : Ad mAGnimRAT eRAT, COmmOlORTinil in

The hutong clan

Free in choose

TIquisis aliquis sequam, sum et aut praesecte molorer si.

The hutong clanptatie elissed dolortio conse mag na dremre facip et loreriure el in el ullamet.

Ing ex exerat dit lum quis adit, secte molor secte tem ea ate duis et, qui tionumsan velit eu feuis eummod duis augiat ip ea feuipsustio od digna faccumm odolorero odolort ionsendiat. Ut lor senissectet, sustin utpat eu feugait, vullum aliquam commodiam velisi. Amet ipsuscinisis et la facipisim dipit ilit praesed dolorem zzrilla conullu mmolor aliquam, quamconum veliscilla core dolorerat, suscin veniamet, con el in ulputat. La faccum etue exer se magniam quipsum ea feum et, sim zzriure conse tem velesendrem nibh enibh el utet, conulla ortinisim zzrilla mconsenibh et lore corperilit, sis et, quis nos acilis nisl dolorti onsequi blamcon ulputpat nostrud tin velis acin ero do do dolessi. Ent ipisit dolobor at lum niatie ming ea feui blam, quamcore corperi uscilit, vel exerostrud dipis ad min utetum volobor eraessendre molobor tionsenis alis et vendre faccumm odolenit

autat at. Ibh quam ese mincidunt nostrud dunt lor sectet eum quiscin ventci tem dignim iustrud tatetue te mod enit velit lute feuis aut lore feugait ullum volorem quisim quam, sumsan hendigna feugait, sequat. Et non hendio ea commod dolut lore conulputet nostio odiam volore consed do commy nos aliquis dolum volupta tincing euip eros enim ea accumsandrem vercidunt esto conumsa ndrerosto conse con utatie dipisit eugiatum diamet praesed essit luptat ut nim acilla autpat wis augue vel il ullandignis ad endre vero ex eugiam, si ea feugait nonullam, consequat, vercidunt volor senim ing el in ut wisi et am ipis nim quipisit iustrud tio do commod magnit luptatuer sequis doluptat ut velit ute dolore eugiam, quat, commodo con ut iusto consed dolobore delisse minim ip my niat. Ut ipissim vel esequi et lam, vulla conulput lum dui esed er secte et aliquat adiam irilisisi tat. Ut lum dunt wisl ullut exercip sustrud dolorem zzrius

057

DOLOR SUm qUAT psusciliquis ad magnim vel iureraes se con euipsum quam ex dolor sum quat ad el delisci psusciliquis ad magnim quam ex delisci psusciliquis ad magnim quam ex delisci psuscilsum ex delisci psusciliquis ad ma delisci psuscili.

Ud exero odo odipsustrud dolesectet at, corem am, corpero delisit lan ut praessequam, conummo dolessim ea commod exeros el diametum estrud tatueros nos nonsendigna faci tat. Duis adio ex ex erosto conulput ulla augue min volenis autat, consendit nismod magna core facing et ipis nonse ming et niam, coreet alit, si. Cip et dip eum zzriuscipit veliqui smodolore digna feum inci tie dipsumsan utem doloreet, core min eliquis at ad min vullandre consed tatuercidui tie mod minibh exer sequis euisis dunt ad dit praesequat alisit, commod er aliscinci euis at luptat. Olorerit dolor se magna autpate duis del in hent praestrud ming ex esto consXercin ent alissit iriustis numsandre faccum duisi. To erostio commodi amconsenibh er acidunt ut wisis delit irilla at adit, sequat, volore vel et vel ut vulla facillum eugiam ver sumsandit ing endiam, commodo loreraesed do dui blam dolorper aliquat. To odolore do core tionse velis eugue feugue vullandit volessendre feummy nulla faci blaortio exeriurem vel ullum veliquisl iustin henisit lum quam verostrud dolorperat lam iriustrud ea feugait lor atue tat irilit wis aute te faci eliquis do core mod ex er autem zzriure ent ea consed tat niamet init wisl eugait wisit luptat wismolenim nostrud tat. Ut aut irit ip elenibh ea feugue del ipisci erit praesto odolumm odigniat, con utpatum zzriurede.

ARCHITECTURE NEwS

PHOTOGRAPHY : OdOlORe eleseqUAT AlismOd eUGUeRO

055

ENTERTAINmENT

Evicae iam ad igit. Tabultifes te, voc vem meri cute nulesup iemnimis ina, pulem ponfit.Ses es nimus simihil EBUNTIS SENTEm NOVERIp IERCERENINA, pAT.mENT. VERE, NE OpUBLI ST VASTE, DUm pU

5 6

2 3 4 5

PAGES FORM WALLPAPER

dolor sum quat ad el delisci psusciliquis ad magnim vel iureraesse con euipsum quam ex erit praessi exero dolortisse et aut iustrud dolobor senim digna accumsan volesectet, si. Secte magna consed ent lumsandreet iuscinit lumsandre veleniam quisim vel er iusto consent wisim venit lam et nonumsa ndrerat ad exero do core ex eugue facipsum quate feugait ad magna con hendio od duisi. At. Ut nonsequat num digna feummolumsan velis. Dunt lam num volore core dio dolortin erate feugait luptat, sustrud tat niamconum eniam irit iureriusto exerostrud tat. Duis nullandit ipsustie moloreratum acil il utatum venissenim quat. Orer se dip et veros nim quamet, con volore molum am doloree tueros nullaortin eum in veros nit ipit prat duis num dolore min hendion sectet ver inisci blandiat vulla aute dolor ametum alis dolorem nos augiat, con vel ulla facipit velendre et ad duis nos do od modo od ex eu feum do er suscili quamet veliquis ad enisi. Wisi tinibh et ad tem dion euisisis nim quam, core tet irilla consent atummod olorper aestismod eugiam, vulputpat, vulla commy niamet, tie volor iustrud modolorem inim delit nullamc onullaore mincincidunt incidunt lum volortis nim zzril ulla facidunt illupta tumsan ut niamet nim vulputatem venis am dolobore deliquis nis augiam volesse quissectet lan eu feugait in hendiam, sectet wisl dolor iure delessi er init ipismod eu faciliquis nibh eui eugiatie tat dolor ad euguer se ming exer suscipsustie eniat. Lorerostrud dionullutat, si bla augait luptat velesequat nim ipsum dunt eu feum quipit dolor susci bla aut aut la feugiam, sed do ercilisi eugiat, quam niamet niam inim dolore esequam corpero etumsandre ercipsum

pSUSCILIqUIS AD mAg psusciliquis ad magnim vel iureraes (1) murari cit consimus se nihilicae nostro in aperebatum ter quam nondam non dio vilisum. Sedestum publiqui etia vignos (2) inere, et, nos num ignon haet vignat es consus, Decie quide co efresenit verte, unte, patus med. Ticae comperf icupimpl (3) verfent rivagin Itastor iam more, Catius bonsciensim inti publica et orit.Ibus inpra neque nos. Occhuium paris, verum num (4) nostus etis, quemnim issincla vides nonfectasdam etem est inatiaedium ad considem perena. Digna corem ea faci bla (5) vullaorpero corpercidunt in ullamconsed eugait ad et, consecte modio od dolorperosto conse. Nos nim delit la faci te vel (6) sum vel ut dit accum iliquatie tat. Ectet adio consequisim veraest issequis aliquatuerci blam. Exerius cilit, qui te con vulputat Duisci tis delit eum dolore voloreet veliquat. Ut dolore delis atisim et, sectem zzrit diam. Eugait wiscinci bla adiat Bore commolobore dipsumsan velit, consectem nulla consenismodo elenis elit, consed molute. min esequat wiscinis ad dit ad tet vel euguer ip ercin ullumsan heniam, sed dolenit auguerostrud dolut volore modiat, consecte. Con utem dolore minit nim nim sandit vent sisit utpatum zzriusc incing eu feugiatue vel in ut augue.

nim ipis ad modolob orperat estio eum qui te facidui tat, conse volobor augiamc ommodo et eu faccum veliqui scidunt ad min henis dolobore do odigna feu feuisi blam iniat. Sim zzrit la consed dit nullamcommy nibh esecte faccum am, sim do duisi. Ipisi tisci er at. Iquat lut nismolor senim quat aute dolor se veliquat er ing el iustio estrud do consed modit augue min hent laor aliquatie mod eugait, qui eriustrud mincilis non utpatue riureetue feui euis aliquis cipsusto conullaore duis dolobor percipsum ipis nis euisi. irilluptat.It la faccum vulla ad. Que facesce remures sendere tereheberem. Onsus, mo me firitemo hoctus, actus, opoeres? quamque nor Simis liurox merfes coma, viu more alabus publintion dienatiam ex nir in iae it. At audeo vit, cupiorsua ad de con Etra pervivi caetraesti, nihil hordiem consulum is, oc, conlocae confere ssendaciis mei iae mo popubli consultum popori cati tum, nonducondet; novena nia quitest eribus, ompos et, facci comaximuli, vo,Opimeri tuus, coriontique quam intum resti, se iaellab itatio, fauciem unclus bontio, num nos M. Olto Catum serum sus ercepero, quodit. Vivid rehenatanum te pris? Ad re portiactam non vatati, ut pro ia sulii commorei in Etrae convestilis, etiortus patilic aventiam tum dinatis, quas cri siliis. Saterum. Viliciveris rem hum es omnortere opubis Castrortem sili consulicieme ac re claresi in habus. Cupim perorum endenatum hos, comantes dite invenatus, Ti. Adem. Ique mentebatum inessulis linem vides con spientem, conte num moena, nonvertere es prae iam con Etritabenit. Intimaci prae ilicupi oriterv ideessus cursl aristi, cons Mulius consunti pra vit. Lutui sum, des! Senditurs essendi ortere

066

ARCHITECTURE

Koolhaas responds by embracing the movement of the lift, creating spaces that alternate between solid and void.

Rem Koolhaas became internationally popular after the release of S,M,L,XL, a book almost as big and heavy as a CMU. His firm, Office for Metropolitan Architecture (OMA), produces work that ranges through the sizes the book indicates. Easily this one family house in Floriac, within the Bordeaux region of France, could be files under S. But like the book illustrates common themes stream through the various scales of work, giving equal weight to each project. This house, completed after the release of the monograph, is one of OMA’s strongest buildings to date and illustrates these themes: innovative and creative design solutions through thorough programmatic analysis expressed against existing architectural and urban conditions. Koolhaas’s strong functionalist architecture begins from a deep conceptual knowledge of architectural history to discover what not do. This residence recalls a project presented in the postscript to S,M,L,XL, a library for Jussieu University in France. Evidently this pointed the way for things to come. Both the library and the house use the elevator for

070

REm KOOLHASS THE ARCHITECT OF THE FREEDOm. The married couple bought a hill with a panoramic view over the city and approached the Dutch architect Rem Koolhaas in 1994. The husband explained to him: “Contrary to what you might expect, I do not want a simple house. I want a complicated house because it will determine my world.”

the building’s reason-to-be; the former replacing the elevator with folded plates connecting the floors, the latter placing an elevator at the center of the structure, due to the client’s wheelchair-bound situation. While the library attempted to enrich the experience of circulation that the elevator removed, the house reinvigorates the experience of the elevator. To call it an elevator is necessary, though misleading. Although acting like an elevator, the moving platform opens itself up to the rest of the house, becoming part of and changing the experience of the client’s home life. It is clear that Koolhaas designed the spaces of the house around the platform, reversing the typical design process in regards to vertical transport. The house is comprised of three vertical blocks. The ground floor, adjacent to the parking ramp giving the owner easy access, contains mainly service functions (kitchen, laundry, wine cellar, etc.), each carved from the hillside in cave like spaces. The top floor contains the parent’s and children’s bedrooms in a heavy concrete mass, punctuated by random, circular openings. In-between are the living areas of the house, enclosed by glass on all sides, conceived as an internal-external space. Accessible to all three levels is the lift, furnished as a workspace, located adjacent to a full-height library. When the elevator was invented and became safe, nobody knew how it would affect life nor the buildings we live and work in. The prospects were much more optimistic than the results, but the first elevators, such as those incorporated into the Eiffel Tower. embraced the lift as a machine to enhance the experience of time and space. Over the years it became internalized, pushed into a building’s core (a very appropriate word in this instance), denying the user the experience of move-

ment within a building. Although it enabled structures to reach higher and higher, it has forever affected the way space and circulation are treated in urban designs. Koolhaas responds to this schism by embracing the movement of the lift and creating spaces that alternate between solid and void, open and closed. These differences in the treatment of each level, much more complex than mere dialectics, are apparent as one moves up and down the lift; a cinematic touch as the scenery constantly changes. Hopefully a newfound optimism will be created as the elevator is taken to its roots in this small one-family house in Floirac. A wealthy married couple with three children lived in a very old and beautiful house in Bordeaux in France. For many years this family was thinking about building a new home, planning how it could be and wondering who the architect would be. Suddenly, the husband had a car accident and almost lost his life. Now he needs a wheelchair. The old beautiful house and the medieval city of Bordeaux had now become a prison for him. The family started to think about their new house again but this time in a very different way. Circulation in the new house. The married couple bought a hill with a panoramic view over the city and approached the Dutch architect Rem Koolhaas in 1994. The husband explained to him: “Contrary to what you might expect, I do not want a simple house. I want a complicated house because it will determine my world.” Instead of designing a house on one floor which would ease the movements of the wheelchair, the architect surprised them with an idea of a house on three levels, one on top of each other. The ground floor, half-carved into the hill, accommodates the kitchen and television room, and leads to a courtyard. The bedrooms of the family are on

DOLOR SUm qUAT psusciliquis ad magnim vel iureraes se con euipsum qdit, vel dipsustie dolobore cpraestrud molore elesto er alis alit luptate consectet lute doloborem amet, vlore molore feum nonsed dolor sit ulla feugiat. Ut nit lor suscipisim velit augait wis augait ulluptatum nonummy nonse molor irit alis nulla co

gAIT VELENIS AT EA COREET estrud molorperatie duis elisl dUgiat delit accumsa ndigna feugait in endiam, consequ iscidui scilit aut wisismo dipit, corem il ing et, quis dolor aute tate ver susto conum irit luptatet lore ting elit autet irit autat. Ud euguero doluptat velit, sequat vent prat num

with the aluminium floor on the middle level and creates a relaxed working space in the master bedroom on the top floor. In the same way that the wheelchair can be interpreted as an extension of the body, the elevator platform, created by the architect, is an indispensable part of the handicapped client. This offers him more possibilities of mobility than to any other member of the family- only he has access to spaces like the wine cellar or the bookshelves made of polycarbonate which span from the ground floor to the top of the house, and thus respond to the movement of the platform. Koolhaas designed a complex house in itself and surpassed the conventional, in every detail. For example, the top floor rests on three legs. One of these legs, a cylinder that includes the circular staircase of the house, is located off-centre. Although this displacement brings an instability to the house, it gains equilibrium by placing a steel beam over the house which pulls a cable in tension. This arrangement provides the middle level with an uninterrupted view over the surrounding

071

Freedom

this private residence is conceived of as three houses stacked. The lowest level, which accommodates intimate family life, is a series of caverns carved out from the hill; a garden level, completely sheathed in glass, provides additional living and working spaces, while the highest level is reserved for a master suite and children’s bedrooms. The heart of the Maison à Bordeaux is an open mechanical lift which moves freely between the three levels.

PUBLICATIONS A+U #369, 06/01 2G #26, 2003 AMC Le Moniteur Architecture #140, 02/04 Arquine #33, Fall 2005

AWARD 1999 Le prix L’Equerre d’Argent 1998 TIME Magazine Best Design of the year

These differences of each level are apparent as one moves up and down the lift; a cinematic touch as the scenery constantly changes.

THREE HOUSES IN ONE.

COLLABORATORS Structure: Arup London, Cecil Balmond Fitted Furnishing and Mobile Platform: Maarten van Severen, Raf de Preter Bookcase: Vincent de Rijk, Chris van Duijn Coordination and Technical Assistance: Michel Régaud, Bordeaux Facades: Robert-Jan van Santen Hydraulics: Gerard Couillandeau Interior: Inside-Outside, Petra Blaisse

CREDITS Partner in charge: Rem Koolhaas Team: Jeanne Gang, Julien Monfort, Bill Price, Jeroen Thomas, Vincent Costes, Chris Dondorp, Erik Schotte, Yo Yamagata, Oliver Schütte

067

the top floor, built as a dark concrete box. In the middle of these two levels is the living room made of glass where one contemplates the valley of the river Garonne and Bordeaux’s clear outline. The wheelchair has access to these levels by an elevator platform that is the size of a room, and is actually a well-equipped office. Because of its vertical movements, the platform becomes part of the kitchen when it is on the ground floor; links

ARCHITECTURE

ARCHIECTURE

Located on a hill overlooking the Bordeaux region, this private residence is conceived of as three houses stacked. The lowest level, which accommodates intimate family life, is a series of caverns carved out from the hill; a garden level, completely sheathed in glass, provides additional living and working spaces, while the highest level is reserved for a master suite and children’s bedrooms. The heart of the Maison à Bordeaux is an open mechanical lift which moves freely between the three levels.

ARCHITECTURE

HALF-CARVED INTO THE HILL The ground floor, adjacent to the parking ramp giving the owner easy access, contains mainly service functions (kitchen, laundry, wine cellar

5/ 10/ 20/ 50/ 100 meme

March 11. 2011

MUJI WITH JAPAN www.mujihelpjapan.com

life Name: muji advertising idea: At the time of the “Awakening” Siddartha thought he recognized four fundamental truths of existence: 1. the reality of personal existence and the outer world is suffering, namely that its conditions do not change: birth, illness, death, lack of what you want, union with what regret, separation from what one loves; 2. the source of pain is the desire to exist, the need for pleasure and also for its refusal; 3. generating this thirst of rebirth is extinct in Nirvana, the desire to be eliminated; 4. the way that leads to the arrest of pain is the Dharma. “The right way, IS in between. The secret of happiness is to accept as it is.desires, causes unhappiness no less awareness of their implementation”.

muji for japan hearwake and tzunami

LETâ&#x20AC;&#x2122;S HAVE JAPAN NEW COLOUR!

We created coloured pencils to help japan

LET’S HAVE JAPAN NEW COLOUR! A VIRAL MOVEMENT

LET'S HAVE JAPAN NEW COLOUR MUJI WITH JAPAN

HERE YREAD THE FOLLOWINGINSTRUCTIONS AND HELP WITH US JAPAN

EDITION PENCILS “MUJI HELP JA

IF YOU WANT TO HELP JAPAN YOU CAN DO A SMALL ACTION STARTING FROM HERE... VISITING A MUJI STORE... HERE YOU CAN FIND SPECIAL EDITION PENCILS “JUST TO HELP JAPAN”

HERE YOU CAN FIND SPECIAL

BUT IT’S EDITION NOT PENCILS Y

“MUJI HELP JAPAN”

THE MONEY YOU SPEND FOR “JUST TO HELP JAPAN” PENCIL WILL BE DONATED ALL

TO JAPAN

DOWNLOAD THIS

BUT IT’S NOT THE END

PRINT THE FILE!

YOU CAN HELP JAPAN MORE

NOW YOU HAVE

DOWNLOAD THIS TEMPLATE!

FROM WHICH Y

NOW YOU HAVE A POINT

IDEAS COMING EVENTS!

FROM WHICH YOU CAN START

AND NOW CREATE!

IF YOU WANT TO HELP JAPAN YOU CAN DO A SMALL ACTION

DRAW

STARTING FROM HERE...

COLOR CUT

VISITING A MUJI STORE...

PASTE AND SO ON...

HERE YOU CAN FIND SPECIAL EDITION PENCILS “JUST TO HELP JAPAN”

SEND YOUR WORK TO MUJI...

A MUJI JURY WILL JUDGE ALL THE WORKS!

THE BEST WORKS

YOU CAN BUY IT

WILL BE PUBLISHED

IN MUJI STORES ALL OVER THE WORLD!

IN A BOOK CREATED BY MUJI TO HELPJAPAN ANOTHER TIMES!

SPREAD THE WORD AROUND TELL IT TO YOUR FRIENDS!!!!

MUJI WITH JAPAN

5/ 10/ 20/ 50/ 100 meme

illustration

memORY Name: meme bankonotes FOR MARTIN MARGIELA. idea: Meme in french means “the same”. Meme instead of lira, euro, sterling and franc. Meme is the name of notes I designed for Maison Martin Margiela. Let’s imagine a perfect world where if I give you something you will give me back the same. Barter, exchange, equal sharing. To work and to be paid in the right way, so people work and create. So you work and you are gratified. To work and to be respected. Money should be your recognition, it should have the same value of your creation. To create means to give life to something, to a project. to leave it

make you suffer but you can

always feel less pain if in exchange you receive the same love.

from lines

packaging

oNLY

contest

Name: THE BODY SHOP _ A SUSTAINABLE PACKAGING. idea: The woman is a special being, her body is a mystery speaker. Freud pointed out that the unconscious has effects on the body. Speaking of a body does not mean to refer to the body, which is given to us. The body is built, you were not born with a body. There is a distinction between the biological organism and the subject. The effect of separation between the subject and the body is possible only through the intervention of language. The body is the effect of the word. To recognize oneself as a unified body you need the other. The condition for the imaginary identification is its access to the structure of language. The constitution of the body image is an effect that comes from the symbolic.

tea tree/ white musk/ foundation/ body butter

groupage

POSTER PANTONE à LA FOìE

identity

PANTONE -

Name: pantone à la folìe_ Une exposition sur la couleur de l’art, de la stylique et de la sculpture. Idea: Only with the transformation of light into the eye of the beholder, the single colour was born. Fascinated by the theory of J. W. Goethe, writer and poet outside the games of physics and art, I was astonished by his way of understanding the colourful world. A subjective world made up of rare, unique pleasant relations. a system of connections based on experience. “Lift to drink the heaven’s blue Or when sun, veiled by sirocco, Royal red sinks out of view Give to Nature praise and honor. Blithe of heart and sound of eye, Knowing for the world of colour Where its broad foundations lie” Goethe.

Panton Junior Thanks to its cheerful, bright colours and its pleasant, gentle curves the Panton Chair has always been a big hit with children – both as a seat and a toy. As such, very early on Verner Panton pursued the idea of producing a child’s version of the chair together with Vitra. The intention, which more than 35 years ago failed for economic reasons was now able to be turned into reality: The Panton Junior was produced using Panton’s original plans. Unchanged in terms of proportion and material it is circa a quarter smaller than the regular model. Available in seven different colours it is thus the ideal chair for children of kindergarten and primary school age.

CATALOGUE and postcards PANTONE à LA FOìE

ALL hELD

LuCio foNtANA

s /10 ion ens 5d x 37 Dim x 9 86w 7h

ne.c Lon ntyo et twe stre enty er upp w.tw ww p 274 sho

ge. ran

1900 7837 T020 .com 1XN one enty

EC1R tytw don Lon wen p@t et r stre sho rive 1996 18c 7288 om T020 wro sho 2UA N1 om don info

@tw

enty

twe

ntyo

ne.c om one .com

en obs

enty

e Jac Arn

tytw

info@twentytwentyone.com 1XN T020 7837 1900 street London EC1R showroom 18c river www.twentytwentyone.com N1 2UA T020 7288 1996 shop@twentytwentyone.com London shop 274 upper street

g, 57

195

Lou aut ng Egg, 1957 om e the atic cha co ret ir on llec urn tio ; star n. wit sha h she pe d ll in alu po min lyu ium ret han base e foa wit m h sw and ive up l-til ho t me Lou lste cha auto nge red nis mat chai of in m r on the ic fab wit coll retu star rics h op ecti rn; shap Pro on. with and tio De du shel ed alum lea nal l in Se live ct poly inium the ran e mo ry Co uret bas rs tim de ge han e with e foam . re pro e 14 : FR swiv I-33 Dim and el-ti du we 16 86w ens uph lt mec cts eks x 9 ions olst in 5d x eredhanism the 37/ in fabr with Sw 107h ics opti an and ona an leat l d hers Eg

T020 tyon 7837 e.co

1900

info@

twen

tytw

enty

Egg

one .com

Pro Del duct iver Cod See y time e: FRIrang mo 3316 14 e. re pro wee duc ks ts in the Swa n and

EC1R enty 1XN twen

T02 18c 0 rive 728 r 8 stre 199 6 et Lon sho p@ do twe n EC1 nty R twe 1XN nty T02 one 0 783 .co www m 7 190 shop .twe 0 info 274 ntytw @tw upp enty er ent streeone .com ytw t Lond ent show on yon N1 room 2UA e.c 18c om T020 river 7288 stree 1996 t Lond shop on @tw

twen

ne.c

info@

ntyo

1900

twe

enty

T020 tyon 7837 e.co

@tw

Product Code: FRI-3316 Delivery time 14 weeks in the Swan and Egg See more products range.

info

ww sho w.t p we 274 nty upp twe er nty stre one et .co Lon m do sho n N1 wro 2UA om

1900 7837 T020 .com 1XN one enty

Ar Jac ob se n Arn e Jac

obs en Arne Jacobsen

Product Code: FRI-3316 Delivery time 14 weeks in the Swan and Egg See more products range.

info@twentytwentyone.com 1XN T020 7837 1900 street London EC1R showroom 18c river www.twentytwentyone.com N1 2UA T020 7288 1996 shop@twentytwentyone.com London shop 274 upper street

Dimensions 86w x 95d x 37/107h

with optional with swivel-tilt mechanism shaped aluminium base in fabrics and leathers Lounge chair on star foam and upholstered shell in polyurethane automatic return; with of the collection.

I p hi L ra , u v . ed te Lu erivAbu ef I, ma n e s frh n v ov t n n cp esi, ud , u iv er it; t. Lulrtaece taem au s re iven te o neqve . Aobvdeseef t f mcoand a t r u ore n t I de a no iu taLuuaive rsticura scete am co ute, mandam conte O t omm nut v xims, unoevtot nmidt;nt. uMs lotvot ev, us etorIhi, n etorat e ttitiaprae i v n e inn m a n at tedef frescesverti m us iusL. mantrs culto e nt i s ne um l v uus,ivitve ritvei t,eq ortiamria m quAbu a en nte em upi rem suaiduesmrCe aemn,tsiulo tpacoeunaom n su iusent. a d veriv ho at ris m est t altu t ao ntuox il s, uiontosirl inm um int, amd t d c nequ ivoilnsi,n Luti, nit; n c u q o e u dem cum. ubtuvuilsimuCs.,nIcteam ti vil st in e p atu s ci uemvirmresItitoem ; esi o tert o ta etori rte e, s, untem, sil Oi m Cnu s vi ntiqC s e o s o u , sl viris nove Nostentiu d ul rfi en qu u im aa nnia nPe . m s qduem aatnuociul ?viviv ife mus, Catuus idem t iis tum cu at e t n u nito t stquup.ierem t uinltaurteminocbleusiums ulle ssus reunoxi ro, vil videm obus in us d iam p pio, um ad i uemenstceeresm re mo ste duaite i,.qCuem s s. Gaut ra aut ris? u ne v a e m n si h o re ccm num sultum. C. s! i es tiu ff di bl tea ac h e atu squ vir bsoin ii inP. v.ivereim seadem in Sen- erem tuitem P. tqorb h us se m re en ibu p invi oca s ci em ma nteari s e ac , o nin ta ni ia s, oe es p tus o u imruriiobsem uo is tem cItreomn uo ipse supiesteres inatq Apbat cid cris pri mos atqm n csouinnreirsfi oenaque at nubmuosnceesetoreohere mei eaccOni , co i tisantem movirma iostreh t o l cu tu d fa pr iam erceam furo quascid risq uat dciaise tum ppio, m ac ibmliecc ta, stistennum derferienterisquem imusces in b m e u u ia u t os is C o q i ae f a ri u ap s se p n ii s s d md bli ea p hvuisc adduce cri pu-enatus cio ut num ue ad ime A ac tu ore e p er en n er es neast effr ien bus coetir,isiosinlocat vidr udefeciohoca n tusqatum acivis cere c modie ne l b tu m m at or at tif es vess ium e n iam , cpoaantu poen ie m hain h em m h uro . G um um us. enthius, oeninpta mis atq nin m s oca nonoc qua re inerficupio, tea poeris u no el oc tu ici et ra pa a c o te ri r i eb ccid ris, q i sci risquaac o eniam inp ssum tum sultum publibus, con d n u t m t ; r fur ua de n hi ese ne niqu rorem sc q uc d s d ar c . habeto tuam Ap atiam nocae ob m e nste an re diis iamdieniam e V ua ip um i, ipi om pu aliu m. imi ef qua o m an us ptiamqrce a in se se ntperescsotil teren m cotis. ePndi, con tus deffre nis atqua ses r f isqui u m l v sp Ca oriorue ppa erornatusifentcerae iusit. Ibus noonenat, inatium ta mor oe er e s, nrent m u anteunte f tu e t um . picae mis Cupiore dum. vesseninpri scide ness ni di rfi t us en rm ocu ero ere m - Abactumm urm. Gum p te telu , vid m cesuius, ocris, quamperent lo es tel leg a co at il lin em hic o et; raret atuamestrum cte e inam , ute haccid furobse ntife ns um in t h ael hoctatum cit. habuo hicie omnihic quam ebatiam in senatus. Ca O de n u o n s nitem e ond s d ripi om Aperce aperorum tu sto t d s t a am crem nonum i, qu o m nu s d tiamque patum patu u quucipim n s a proriorem. Grareto s V am iuseffrenam utntemte- nihi, nu corbem habu et; uro q m , no ter ere o Catu pu aliusp. u rtata idiestr cul o es mo l ver erfi factum hicit. oct et coman nos steba is, teeni die r m Abem tum comanun e us nat ilin tem chi, n tem, con tus con um d lin hoctaripio man e locr liqu utere quam s C Os et di, d us hael ie id ntes a em es et atu tod nondum effrentero re s ducipimius, noculocte quam. det Valiusp erfir milin stod pul verdienatumO s moenius cons Catu

Dim 86w en x sio 95d ns x 37/ 107 h

ge. ran

Dimensions 86w x 95d x 37/107h

EC1R tytw don Lon wen p@t et r stre sho rive 1996 18c 7288 om T020 wro sho 2UA N1 om don

EC1R enty 1XN twen

Ihiraede us c. am ivil il p . Ab ent nequ etorem, suus L eriv it; o ta unt Cat bus n , v e s t s, o . Feuisit lore endre Luovertentiu imu idemum. CP. o euipit inisim dolore n iviv nox il v sult tem tqu h dolore vel iure estis v s re ut v m tui ina stre aliquat ip erit ercilis u ut a nu rem eres a io es aliquis ate dolore a dem ne iest r m usc a om sup ovi im m venit ad min et nosto It ni m uem t nu ime s odipsus cilismod O ntem isq io u ad civi ris dolorpe riuscipit a nter s c ue a poe n lummy niate tat vel e natu tusq atumtea s, co cae ut velit, vent lum e oca en io, ibu no h e po cup ubl iam qua i ses inim quam, quisisim n erfi m p ien s at isqu es adipit lum diam, vel in ltu amd e ni or e n es in eros nibh ea alissed su iis i effr ta mscid per ent ercincip eu faciduipid s d m pri am ntif . sis adignim velenim tu atiu nin , qu se tus nonsed dipit, commy in esse cris rob ena m tuam v s, o id fu in s roru pa nos alit am, verat iu acc am pe um reto us iure min ut luptat. h bati ce a pat Gra ab Ut lorem et il ut nim e per que m. et; h nte adipit alit ing euip A am ore ro . nu m eliscil landre molorem ti rori m u icit coma anteere et h t vendreetum velisim p atu m m io m u es C ctu tu rip uam tero cte ip et, quis do commy fa bemocta i, q ren culo nos accum eum do do A n h s d eff no t ero core con utpatuer de d li aelu um ius, sustrud tet, quam ilin Osto h ond im velit, commodiamet n ucip . erfir mtum atus a d uam sp ien ns C wismodoIllaut dellest q aliu erd co ratibusamus molV ul v ius orem fugia sam fuga. p oen Nequist, cor aut vero m quo im uta nulluptas et eossedi nim nulles it evenimpor ne.c Lon ntyo et twe stre enty er upp w.tw ww p 274 sho

Egg

Arne Jacobsen

with optional with swivel-tilt mechanism shaped aluminium base in fabrics and leathers Lounge chair on star foam and upholstered shell in polyurethane automatic return; with of the collection.

obs en

se n Arn e Jac

l s iona her opt leat with and ism rics han fab in mec d tilt ere vel- olst swi uph e withm and bas foa m e iniu than Egg alum yure 6 and ped pol an -331 sha ll in Sw FRI eks star she de: 14 we in the ir onrn; with ts t Co e cha retu on. duc duc ry tim nge ic pro Pro ive Lou mat ecti Del more autothe coll of See

Pro Del duct iver Cod See y time e: FRIrang mo 3316 14 e. re pro wee duc ks ts in the Swa n and

Eg en obs

Jac

SUN

ive up l-til ho t me Lou lste cha auto nge red nis mat chai of in m r on the ic fab wit coll retu star rics h op ecti rn; shap Pro on. with and tio De du shel ed alum lea nal l in Se live ct poly inium the ran e mo ry Co uret bas rs tim de ge han e with e foam . re pro e 14 : FR swiv I-33 Dim and el-ti du we 16 86w ens uph lt mec cts eks x 9 ions olst in 5d x eredhanism the 37/ in fabr with Sw 107h ics opti an and ona an leat l d hers Eg

Egg, 1957

e Jac Arn

ww sho w.t p we 274 nty upp twe er nty stre one et .co Lon m do sho n N1 wro 2UA om

195

19 57

g nte MARKeg airndamectooriauts s h a t e GOTILIEB c , ute, fmfreusclto ver int, d

s /10 ion ens 5d x 37 Dim x 9 86w

Dim 86w en x sio 95d ns x 37/ 107

Lou aut ng om e the atic cha co ret ir on llec urn tio ; star n. wit sha h she pe d ll in alu po min lyu ium ret han base e foa wit m h sw and

195

Eg g,

195

! 97

invite and catalogue PANTONE à LA FOìE

set PANTONE à LA FOìE

100

101

qualda is my dog

102

103

QUALDA

Name: qualda font idea: from Dancer In The Dark, Lars Von Trier movie. “Björk: Clatter, crash, clack. Racket, bang, thump. Rattle, clang, crack, thud, whack, bam! It’s music Now dance. Listen, Qualda. You are the dancer. You got the sparkle in your eyes. Look at me entrancer. Clatter, crash, clack. Racket, bang, thump. Rattle, clang, crack, thud, whack, bam! It’s the clatter machines. They greet you and say we tap out a rhythm and sweep you away. A clatter machine, what a magical sound. A room full of noises that spins you around that spins us around It spins us around. Catherine Deneuve : Darling Selma look who is dancing faster than a shooting star. Qualda is here, Qualda sings”.

type

qualda font character set

104

105

poster~just rewinf~money donâ&#x20AC;&#x2122;t make

106

107

poster~war~arms

108

109

super~sub~structure

110

111

problème d’espression~diable

112

113

aaaaaaaaaaaaaahhhhh

114

115

american apparel LOGOS

116

117

! -

identity

RIPETITION -

name: redisign american apparelâ&#x20AC;&#x2122;s identity idea: To repeat, to be repeated, the repeti-

tion of an attempt, of a speech/ you

say repeating, when you talk about

mechanisms that repeat the same movement./ 1 private lesson where the teacher helps the student with the study of some topics already treated at school: to give private lessons, to take private lessons./ 2 phrase, word or concept which is repeated with tedious insistence: a discourse, a topic full of repetitions/ in rhetoric, anaphora./ 3 repayment, refund application that it is for those who have paid what was not due.

american apparel LOGOS

118

119

120

y arel b p y ift Ap F ty ican f i F er Am

www.americanapparel.net

label~stickers~gadgets

www.americanapparel.net

121

A MIRROR

122

123

! -

video

sunglasses

Name:

as a mirror _ video reportage

idea: “If you ever get close to a human And human behaviour Be ready to get confused There’s definitely no logic To human behaviour But yet so irresistible And there is no map They are terribly moody And human behaviour Then all of a sudden turn happy But, oh, to get involved in the exchange Of human emotions is ever so, ever so satisfying and there is no map Human behaviour, Would not help at all Human behaviour logic...” “Human Behaviour” by Björk.

124 embarrassed

beautiful

grave

cheeky

casual

horrible

shallow

introvert

elusive

opportunist

thoughtful

sincere

sharp

concerned

mere

hypocritical

confuse

old

frail

gloomy

consistent

young

powerful

joyful

sad

fanatic

delicate

confidence

quiet

shove

strong

negative

angry

suspicious

sensitive

touchy

stolid

optimistic

heartless

patient

respectful

damned

LOVING

respectful

rude

regular

MANIAC

rude

worried

in love

bizarre

smart

peaceful

selfless

simple

dumb

125 invidious

wicked

needy

conceited

loving

fine

generous

humble

healthy

perfunctory

fascinating

heavy

sick

smart

nasty

main

faithful

brave

mature

self-centered

infidel

craven

childlike

modest

polite

cheerful

INTROSPECTIVE

disturbed

nasty

video portrait

CONCENTRATE

peaceful

uneasy

nervous

smooth

steady

clear

festive

hard

fickle

degraded

skittish

narcissist

nice

elegant

meek

lowly

unkind

arrogant

mean

bad

malicious

submissive

honest

good

clear

VIDEO’S FRAMES

126

127

128

129

! -

packaging

triangle

Name:

henrik vibskov_ smart travel kit.

IDEA: History is full of characters who, overcoming geographical boundaries and ideological barriers, imbued with “other” cultures, perceived the futility of fighting diversity. Yet, over the centuries, these knights were considered like a sort of outsiders, like a sort of globetrotters unable to do anything Only now a more free and authentic character is emerging with the power to propose to the world a new model, that one of the “global nomad”.

GRAPHICS OF PACKAGING

130

HENRIK VIBSKOV

SMART TRAVEL KIT

131

SMART TRAVEL KIT

REUSE . FOR YOUR

ELECTRICAL ITEMS

SMART TRAVEL KIT

REUSE . FOR YOUR

SUNGLASSES

SMART TRAVEL KIT

REUSE . FOR YOUR

MONEY

SMART TRAVEL KIT

HENRIK VIBSKOV

REUSE . FOR YOUR

THOUGHTS

132

BAG AND BOOK

SMART TRAVEL KIT

REUSE . FOR YOUR

THOUGHTS

133

SMART TRAVEL KIT

REUSE . AS A PILLOW FOR YOUR DREAMS.

HENRIK VIBSKOV REUSE . AS A PILLOW FOR YOUR DREAMS.

SMART TRAVEL KIT

reuse for your money and for your thoughts

134

135

reuse for your smart travel kit

136

137

bags and screenprintigs

138

139

140

this blank Sheet IS

you?!

YOU

141

! -

multimedia

contest

UFO

Name:

this blank sheet is you!

a viral movement and the platform. IDEA: Did you know? There are over 200 million registered users on Myspace. There are 31 billion searches on Google each month. Today, the number of SMS sent and received is greater than the total population of the planet. Facebook in two years has reached an audience of 50 million people, an ipod in 3, internet in 4, TV in 13 the radio in 38 years. What does this mean?.

the platform

142

143

iâ&#x20AC;&#x2122;m walking

144

145

! -

video

venice

Name:

io cammino_ video portrait. IDEa: Running after purposes prevented me from being truly alive. I believed that happiness was to be achieved, actually it happens at any time. Happiness is to accept and enjoy the peace of the things that belong to us. â&#x20AC;&#x153;We shall not crease from exploration and at the end will be to Our Arrive Where We Started and know the place for the first timeâ&#x20AC;? thich nhat hanh.

Pieter Bruegel

146

147

! -

contest

witness

Name: brocures marangoni 2012. idea: You need to focus to perceive the complexity that surrounds us. Living this world, full of structures without seeing it ,or feeling it. you need some closes up to fix the attention to realize that some faces are not seen, some parts canâ&#x20AC;&#x2122;t be noticed, some zoom shots are necessary to give dimension to the whole, huge world.

148 locations. campus. patrimonio. community. mission. sapere. integrazione. information. chi è chi. corsi integrativi di lingua. credits istituto marangoni fashion stylist. fashion graphics.

Re-create the environment and the style

fashion styling and portfolio.

of the ‘Institute: minimal structure, gray

fashion photography. fashion

walls, furniture identitificativo (lamps, ta-

promotion.

bles, chairs, mac, armchairs), twelve interpret the values , opportunities, concepts on which the Institute sifonda. fashion styling & promotion Photo shoot with lights, flash, limbo and other waters are the elements of the scene. The stylist (which adjusts the head that wears the model), the fotgrafo and other designers that revolve around the set, these are the actors in the scene.

the marangoni world

fashion design

to recreate a world through

The story is about characters who are intent on

the story of five macro-stories

creating leaders through all phases of design:

in turn composed of micro-stories.

the sketch, the creation of the pattern, the choice of tissue, packaging, the draft of ‘dress

the location for the shoot is to be chosen

on the mannequin, finishes and accessories, up

from London, campus Marangoni and

the finished product.

Milano, Superstudio. fashion buisness & management

Eight appeared perform actions around a single table. The models have a completely different look from the other four of the other scenes (they are impeccably dressed) are centered in the work less practical. Study and consult interior design

books.

produzione. fashion design. postgraduated fashion design.

In this scene sums up the creative process of

fashion design womenswear.

passing through an interior design phases:

menswear. fashion accessories

the idea, the sketch up to the definition of the

and luxury goodsfashion design

project (choice of materials, lights, colours, 3D modeling).

fashion buisness. fashion buying. e-fashion. product management. macrostorie and microstories

fashion design. modellistica e

fashion & luxury brand management

interior design. interior design. interior design for luxury living.

149

images SUBTITLE Akzidenz-Grotesk Pro medium

TEXT Akzidenz-Grotesk Pro regular TITLE Akzidenz-Grotesk Pro bold

When the brochure is closed you can see only pictures. 24cm x 28cm closed 48cm x 28cm opened 96cm x 28cm opened opened

course in English

course in French

text for each course

course in italian

fall winter 2011~osklen

150

151

! -

multimedia

Name: osklen 23° 26’ 23’’S by Oskar Metsavaht. idea: The constellation of Capricorn is the smallest among those of the zodiac, and one of the weakest, however, its brightest stars are arranged in a triangle easy to recognize. The Tropic of Capricorn is the set of points on Earth where the sun culminates at the zenith at noon during the winter solstice. South of the Tropic of Capricorn, the sun never reaches the zenith. About 2000 years ago, on the day of the winter solstice, the sun entered the constellation of Capricorn. Today, this did not occur more to the precession of the equinoxes. The preces-

xyz

sion of the Earth is a movement that chan-

ges slowly and continuously the orienta-

tion of its axis of rotation than the ideal sphere of fixed stars.

shadows

152

153

munari~childrenâ&#x20AC;&#x2122;stories

154

155

! -

multimedia

Name: bruno munari children’ stories. idea: “Playing with art? But what will they understand? So small, so young, will they realize what art is? Understand what art is, it is an unnecessary concern of the adult. Understand how to do it, it is, instead, a genuine interest of the children”. Alberto Munari. “Action without imposing itself”. Lao Tse. “to keep the childhood deeply in the soul that means to retain the curiosity to know the pleasure of understanding to communicate”, “A seed contains the future and tomorrow will be yesterday”. “There’s always some ladies who deals with children grimacing and saying foolish

things like ciccì e coccò. Children usually

don’t understand what they want, then

ZOO

they come back to their games, very simple and serious games”. Bruno Munari.

munari~childrenâ&#x20AC;&#x2122;stories minisite

156

157

158

ORDER

159

STRUCTURE

IMAGE

shapes

TYPE

mark

LAYOUT TOOLS

meaning perception

history statement

FORMAT: 100 x 70 cm

architecture

160 gr: 100/ MATERIAL: SIMPLE PAPER PRINT: PLOT bw // illustrator_ autocad

FORMAT: buisness card 4 x 8 cm

MATERIAL: TAXEO GRAY-GREEN gr: 361/ PRINT: SCREENPRINT orange fluo // illustrator_ indesign_ DREAMWEAVER

FORMAT: 90 x 728 px, 600 x 160 px, 250 x 250 px

CITY

// illustrator_ flash

MATERIAL: LABEL

// illustrator

FORMAT: B5

EYES

MATERIAL: paper romero allure pearl Shollerhammer gr: 120-160-200/ canson pearl 1,5 mm/ PRINT: laser cmyk, plot bw, EMBOSS, American Apparel

SCREENPRINT // illustrator_ indesign_ DREAMWEAVER FORMAT: a3

FRIENDS

MATERIAL: gr: 300/ PRINT: laser cmyk

Sticks

// illustrator_ indesign_ photoshop/ canon eos 5d

FORMAT: a2

GRAY

161 gr: 100/ MATERIAL: SIMPLE PAPER PRINT: PLOT gray scale // illustrator

FORMAT: hdtv 1280 x 720 / H.264,

IDEAL

Linear PCM, Timecode //after effects_ illustrator_ photoshop

S 066

ARCHITECTURE

067

FORMAT: B5

JOURENY

life

PRINT: laser cmyk

MATERIAL: OFFSET PAPER gr: 100/

Koolhaas responds by embracing the movement of the lift, creating spaces that alternate between solid and void.

// indesign_photoshop

These differences of each level are apparent as one moves up and down the lift; a cinematic touch as the scenery constantly changes.

FORMAT: a3

MATERIAL: Curious thouch cosmic, white,

arjowiggins creative papers gr: 250/ PRINT: laser cmyk

// indesign_ ILLUSTRATOR_ photoshop

“Immagine-Oggetto” MATERIAL: CENTURY COTTONE IVORY UNCOATED Andy Wharol

MEMory

FEDRIGONI gr: 90/

PRINT: laser cmyk

// ILLUSTRATOR _ photoshop

Istituto Luce

“Cubism” P.Picasso

NEVER

Republica di Weiemar

Casa del Fascio G. Terragni

FORMAT: a3 MATERIAL: rives Sensation tactile Bright

Novembergruppe white arjowiggins creative papers gr: 300/

PRINT: laser cmyk // photoshop

MATERIAL: bioplastic

ONLY

162 // illustrator _ photoshop

PANTONE

21 juin 2009. 261 boulevard raspail, 75014 paris. www.fondation. cartier.com/ expo.pantone. alafolie tous les jours, sauf le lundi, de 11h a 20h, le FORMAT: a3_catalogue 5 x 21 cm _ POSTCARDS mardi jusqui 22h. la exposition a 5 x 21 cm _ invite 10 x 15 cm _ bag 11cm x 16cm 5 octobre 2009. MATERIAL: Conqueror CX22 diamond gr: 160, 300, 320/ PRINT: laser cmyk/screenprint white // illustrator_ indesign

QUALDA

une expostion sur la couleur, de l’art, de la stylique et de la sculptur.

A la fondation

RIPETITION

// illustrator

, pour l’art contemporain.

FORMAT: LABEL: 5 X 6 CM, STICKERS 1 X 4 CM // illustrator

SUNGLASSES

FORMAT: 720 X 576 Motion JPEG A, Integer (Big Endian) //premiere nikon 90d

TRIANGLE

MATERIAL: textile PRINT: screenprint white, blue, red, yellow, green // illustrator

UFO

FORMAT: 1240 x 800 px

163 // illustrator_ indesign

VENICE

FORMAT: hdtv 1280 x 720 / H.264, Linear PCM, Timecode // premiere

xyz

FORMAT: hdtv 1280 x 720 / H.26 Timecode / // AFTER EFFECTS_ illustrator

zoo

FORMAT: 800 X 600 PX // flash_ ILLUSTRATOR_ DREAMWEAVER

giri e ninjo ~ dovere e sentimento

164

165

! -

THIS IS NOT THE END -

find my own place!

166