Tessa Trowbridge | Interior Design Portfolio by Tessa Trowbridge

INTERIOR DESIGN

PORTFOLIO TESSA TROWBRIDGE 2021-2023

D E SI G N DECL ARATION We use art and design as means of expressing ourselves and our beliefs in the hopes that others will understand. When that emotional connection is created, we obtain a sense of happiness and belonging. Designers have the power to influence the emotions of people using the spaces they create, and from this ability, they can tell stories and form relationships. The most important tools designers utilize in creating these stories are light, material, and form. Materials and forms draw users into space, while light’s warmth creates an influential experience. With these tools, and a degree of risk and willingness to explore the unknown, design can guide humans towards a new perspective. Design is an exciting, bold, and empowering method of communication.

CONTACT (540) - 422 - 3612 ttrow11@gmail.com

B AC KG R O U N D EDUCATION Fall 2021 - Spring 2023

Virginia Commonwealth University School of the Arts | Richmond, VA M.F.A Interior Environments GPA: 4.00/4.00

ORGANIZATIONS + ACTIVITIES 2022

HousingX Conference: Exhibitor

2023

VCU Interior Design Student Leadership Group

2023

ASID Student Member

2023

IIDA Student Member

SKILLS Digital:

Physical:

Revit

Hand Modeling

Enscape

Hand Drafting

Marriott International | Bethesda, MD Global Design Strategies Corporate Intern Created Revit mock-up model for luxury brand experience room in new headquarters building. Made sketches for Sheraton and Moxy hotels based on guidelines and standards using Procreate application. Helped ideate, create, and implement graphics for large wall display in headquarters building.

Adobe Suite

Laser Cutting

Summer 2021 - Spring 2022

MidSouth Building Supply | Springfield, VA Design Assistant Drafted kitchen and bath designs using 2020 Design software. Assisted designers with showroom organization. Gained product knowledge by attending trainings with countertop and cabinet manufacturers.

Procreate

Winter 2021

Reico Kitchen & Bath | Springfield, VA Design Intern Drafted kitchen and bath designs using 2020 Design software. Supported designers and project coordinators by creating selection sheets and product quotes.

Fall 2017 - Spring 2021

EXPERIENCE Summer 2023 - Present

Fall 2022 - Spring 2023

Summer 2022

Virginia Tech | Blacksburg, VA B.S. Residential Environments and Design GPA: 3.95/4.00 Marriott International | Bethesda, MD Sr. Project Coordinator - Global Design Strategies Assisted with prototype FF&E selections and strategy for Aloft hotels renovation package. Created concept sketches and mood boards for Aloft, AC, and Element hotels using Procreate and Adobe software. Assisted with design strategy decks for Gaylord and Apartments by Marriott Bonvoy brands. Quinn Evans Architects | Richmond, VA Interior Design Intern Managed materials library, coordinated library updates and lunch and learns, and aided with various Revit /graphic presentation tasks. Acted as an assistant for finish selections and furniture specifications for current library project.

AutoCAD SketchUp

4'-7 7/8"

8'-1 3/8"

2 A14

4 5/8"

9 A14

Reflected Opposite Side

8 A14 5 7

A14

Fiberglass Panels by Installation Artist

---

Steel Tube

Plate Screwed into Floor 1

Living Room 1/4" = 1'-0"

Glass Boxes 1" = 1'-0"

Steel Plate

Typical Glass Box Axon 1" = 1'-0"

Glass Boxes and Mirror Wa

Reflective Surfaces

4'-6 1/2"

South Facing Seating 1/2" = 1'-0"

Mirror Wall 1/2" = 1'-0"

Solid Panel

1 2 3 4 5 Light Panel

Glass Panel

Solid Panel

Glass Prisms 1/2" = 1'-0"

TYPICAL HUNG CEILING HUNG PANEL W/SQUARE PUNCTURES

8 Glass Boxes

Living Room Ce 1" = 1'-0"

CONTENTS Project: 01 (MFA THESIS PROJECT) ILLUSION IMMERSIVE ART MUSEUM

Project: 02 IN TUNE SOUND THERAPY

Project: 03 PARK AVENUE PENTHOUSE

Additional Works: 04 RENDERINGS + SKETCHES

Construction Documents: 05 SAMPLE SHEETS FROM PARK AVENUE PENTHOUSE

ILLUSION

IMMERSIVE ART MUSEUM (MFA THESIS PROJECT)

Cafe + Lounge

840 Hermitage Road Richmond, VA Scope: 20,000 sq. ft.

PROJEC T STATEMENT Art helps society explore, discover, and understand imaginative topics in ways that logic cannot. From these unique interactions, humans can see the world with new perspectives. This thesis will support the claim that art can inspire imagination and allow us to gain insight into a surreal reality using physically immersive spaces. With the aid of new technologies, immersive art museums have strengthened the relationship between the audience, the work, and the artist by blurring the border between them. These highly sensory experiences push viewers to explore spaces creatively, making it possible for guests to become active participants or even co-creators in immersive artworks.

12:00pm

7:00am 7:00pm

Site Map

Sun Path

Residential

Summer Solstice

Commercial

Winter Solstice

840 Hermitage Rd.

SITE HISTORY

Process Model Study

Constructed in 1920, the building at 840 Hermitage Road was created as part of the Industrial and Commercial District. The neighboring rail network encouraged the site’s evolution from a de-greasing facility to a bottling plant and coal distribution center. A short time later, developing automobile technologies encouraged 840 Hermitage Road to transform into a trucking terminal and freight service site. Its current life as the headquarters of Great Minds, a public benefit corporation that provides learning programs and materials to K-12 students, began in 2021. With the most varied uses in the Industrial District, the site has constantly served as a vessel for society’s transient needs.

CONCEP T STATEMENT

STUDIES ON

Because the site’s operations evolved based on technological advancements, conceptual studies related to changes and transitions. Illusion Immersive Experience embodies the notion of liminal space. The term liminal refers to transitional periods that are located at thresholds between two phases. These areas of in-between are transformative regions where one experiences a disconnect from reality in which environments feel real, yet unreal as edges and boundaries blur. Familiar examples of liminal states include the period between falling asleep and being awake or the period between one phase of life and another. The recognition of ambiguity and disorientation in a liminal state is often necessary in order to welcome the opportunity for selfdiscovery. Immersive art museums are liminal spaces, because they create an augmented world that is disconnected from reality.

T R A N S PA R E N C Y, COLOR, + REFLECTION

In this project, smaller transitional rooms are liminal spaces between galleries and public areas, encouraging pauses in the experience. These transitions further solidify the notion that liminal space creates ambiguity, as they create seemingly limitless environments through the use of layered transparent, translucent, and colored materials. Each space celebrates the idea that liminal periods produce blur and confusion, yet they are necessary in order proceed to the next phase.

Parti Diagram Transition Gallery Public Area

Ambiguous Period

Gap in Reality

In-Between

Circulation

Administration Suite Rack Room

Workshop

Staff Area

Gallery

Transition Zone

Service Doors Lobby

Transition One

B Gallery One

Transition Two

FURNITURE PL AN: LEVEL ONE

Micro-Gallery

Transition Three

Gallery Two

Gift Shop Cafe Classroom

Kitchen

Furniture Plan: Level One

0’

5’

15’

45’

Circulation

Gallery

Mezzanine

Mezzanine Open to Below

Open to Below

FURNITURE PL AN: MEZZANINE

Furniture Plan: Mezzanine

0’

5’

15’

45’

RECEPTION Guests are greeted by a fluted glass reception desk that refracts light with a sparkling effect. A feature wall with an LED screen displays artist’s work, while a layer of fluted glass distorts the image, creating excitement for what lies ahead. Digital floor kiosks offer visitors an easy check-in solution.

1. Bendheim, Fluted Glass - Reception Desk, Feature Wall 2. Bendheim, Gothic Glass - Custom Wall Art 3. Sherwin Williams, White Snow - Walls and Ceilings 4. CTL, Preston Leather, Coriander - Chair Upholstery 5. Deadgood, Capsule C1 Chair - Feature Wall Seating 6. Vibia, Flamingo Hanging, Copper - Pendant Light

Lobby Lounge

Section B: Through Galleries + Mezzanine

0’

2’

6’

14’

Transition Zone One Upon first starting the experience, guests are ushered into Transition Zone One. In this room, visitors will sit and listen to an audio narrative with an overview of projection art and how to interact with it. This space will also serve as an acclimation space that creates a focused and calming mood.

Gallery One Projections immerse viewers in fully interactive, moving artwork, while advanced sound systems play soundtracks that compliment the visual display. Transition Zone One

Gallery One

Transition Zone Two

Section A: Through Gallery One + Transition One

0’

2’

6’

14’

Suspended Ceiling Secure Unistrut to Ceiling with All Thread Rod Unistrut Ceiling Pendants Attached to Slide-Out Channels for Service Access

Transition Zones Each transition zone was created to encourage a pause and moment of reflection or contemplation. Circular skylights funnel light into spaces and produce an ever changing environment, while rounded corners reduce the presence of edges and confuse boundaries. The color palette utilized in these zones was influenced by liminal times of day, sunrise and sunset.

3form Frameless Glass Top Partition Channels, TYP Custom Ring-Shape LED Pendant Fixtures, TYP 3form Varia 1/2” Panel, TYP Finish: Varies

Rings of light combine with layers of translucent glass in Transition Zone Two (pictured left) to inspire wonder in guests. The construction of the blurry installation is revealed as viewers turn the corner to visually discover the layers of glass and light.

3form Frameless Glass Bottom Partition Channels, TYP Epoxy Poured Floor

Enlarged Section: Transition Zone Two

0’

2’

6’

GALLERY TWO Gallery Two’s projections spill out of fenestrations during evening viewings, activating the exterior and creating interest for those in passing. The outdoor area adjacent to Gallery Two can be accessed directly from the indoor space. The two raised projection “stages” are ideal for hosting events or performances.

1. Herman Miller, Magis Spun Chair, White 2. Bendheim, Fluted Glass - Column Wrap 3. Polished Chrome - Bench Seating 4. Polished Concrete - Floor

Gallery Two

CAFE + LOUNGE A perfect place to work or socialize, the cafe offers community tables, secluded alcoves, and comfortable lounge seating for a variety of uses. The cafe is connected to a patio to offer the option of outdoor seating.

1. Burch, High Line, Grapefruit - Bao Upholstery 2. Burch, High Line, French Blue - Booth Upholstery 3. Gilasi, Miraca Terazzo - Tabletops 4. Walter Knoll, Bao Armchair - Lounge Seating 5. Studio TK, Nina Chair - Bar Height Stools 6. RBW, Pastille 3, Polished Chrome - Lounge Sconces

Cafe + Lounge

GIFT SHOP Fluted glass displays and colorful shelves create unique opportunities to promote and market artists’ merchandise.

1. Bendheim, Fluted Glass - Column Wrap 2. Polished Concrete - Floors 3. Cambria, Salt Lake Quartz - Display Tables

Gift Shop

Bro

Str ee

IN TUNE SOUND THERAPY

Reception + Waiting

205 E. Broad Street Richmond, VA

PROJEC T STATEMENT A nod towards Jackson Ward’s rich musical history, In Tune Sound Therapy offers specialized music healing treatments to the Richmond community. Like an orchestra rising to a crescendo, In Tune Sound Therapy services will help clients and users reach their full potential through music related stress and anxiety relief. Towards the front of the practice, individualized mental healing spaces provide offices and treatment rooms for certified music therapists. The main corridor then crescendos to the focal point of the building, a custom performance stage where local artists can showcase their talents.

Concept Model + Diagrams: Sound Wave Representation of Crescendos

Process Model

4 1

3 6

A 2

Level One Furniture Plan 0’

2’

6’

14’

Performance Therapy Reception Parti Diagram Furniture Plan Key 1. Custom Bench Seating 2. Glass Decorative Element 3. Private Music Therapy Space 4. Office/Therapy 5. Restroom 6. Custom Performance Stage + Built-In Seating

Waiting + Entrance 21

Performance Space

The slatted maple panels used in the creation of the performance stage work as acoustic treatments that reduce echoes and minimize the effects of the outside environment.

Interior Elevation A 0’

2’

6’

14’

Furniture + Finishes 1. Polished Concrete Floors 1

2. Staggered Maple Wall Covering 3. Azure Terazzo

4. Maple Panels 5. Interface Carpet, Limestone

6. Armstrong TECTUM Acoustic Wall Panels 7. JSI CAAV Lounge Chair

8. RBW Crisp Sconce

Individual or group music therapy helps achieve cognitive, emotional, and social goals. During music therapy sessions, certified professionals use singing, songwriting, instruments, and listening activities to heal people of all ages. Private Therapy Space 23

PA R K AV E N U E PENTHOUSE

Living Room

500 Park Avenue New York City, New York Scope: 4250 sq. ft.

PROJEC T STATEMENT Transforming a once elevated rail line, the New York City High Line is a park, garden, art walk, and place of connection for the West Side of Manhattan. The park represents dichotomies of new and old, organic vs. man-made, and industrial vs. natural. Similar to the High Line, this New York City apartment offers grand city views, sculptural elements, and industrial finishes. The design of the apartment revolves around a path-like furniture piece that mimics the angular forms of the High Line, wrapping around and through the public spaces of the apartment. This dwelling will be fit for entertainment, and an open plan creates an industrial loft environment.

Above: Living Room Axonometric View Left: Concept Sketches Representing the High Line

Art Installation: The High Line Spur is a location on the High Line that showcases art installations. The living room of this apartment mimics the Spur, because, like a rail spur, it is the location that is disconnected from the main path of travel. Similar to the Spur’s art installations, the living room displays gradient, frosted glass box installation pieces that represent the scale, density, and reflections of the New York skyscrapers

Furniture Plan Key 1. Mirror Wall Primary Bedroom

2. Glass Box Installation

Study

Gym

4. Fireplace

Living Room

5. Sliding TV Installed into Wall

Primary Bedroom (Accessible)

3. Metal Path

6. ADA Bathroom

7. Pop-up TV Stand

6 3 4

4 Kitchen

Seating Steps

Media Room

2 1

Dining Room

Furniture Plan 0’

2’

6’

14’

Living Room

Island East Facing 1/2" = 1'-0"

Sink Cabinets 1/2" = 1'-0"

8'-6"

FORMAL LIVING ROOM

2'-7 3/4"

7'-0 5/8"

7'-8"

7'-0 5/8"

Living Room: Elevation 1 Not to Scale

isms -0" SECURE TO CEILING WITH ALL THREAD ROD

DOWNDRAFT HOOD

5'-6"

Furniture + Finishes

E ISTING CONCRETE CEILING

TYPICAL HUNG CEILING

1. Pollack Wild West Leather, Tobacco 2. Wood Veneer Hub, Natural Oak Slat

LED LINEAR LIGHT 1'-0"

ALUMINUM FRAME AROUND PERIMETER OF LARGE S UARE OPENINGS IN PANEL

1'-8"

Hung Ceiling Detail Not to Scale

3. Eco Chem Concrete Tile, Derby Gray 4. Chilewich, Boucle Floor Mats, Natural 5. Laminex, Mirror Smoke Wall Panels

6. Eileen Gray, E1027 Side Table

INDUCTION RANGE

Glass Shower Wall29 J

2'-0"

10'-4 3/8"

1'-10"

2 6'-9 3/4"

2'-0"

M/W

1" 1"

145 .00°

HUNG PANELS W/S UARE PUNCTURES

MASTER BEDROOM + BATHROOM

1'-0 5/8"

sh Cabinets White uart Countertop

2'-2 3/4"

3'-9 3/8"

5'-10 1/4"

Sink: Elevation 4 Not to Scale

Shower: Elevation 3 Not to Scale

Furniture + Finishes 1. Eco Chem Concrete Tile, Derby Gray 2. Wood Veneer Hub, Natural Oak Slat 1

3. Eco Chem Concrete Tile, Derby Gray 4. The Tile Shop Porcelain Tile, Basalt 5. Pioneer Millworks, Farmhouse Naked Ash

Master Bathroom

6. Riva, Bungalow Leather Lounge Chair

Master Bedroom 31

Dining Room + Lounge Stepped Seating

Living Room Ceiling Panel Detail Copy 1 1 1/2" = 1'-0"

DINING ROOM + LOUNGE STEPPED SEATING Step Lighting Detail Not to Scale

2 1/2"

4 3/4"

8'-6"

Linear LED Strip Light

4 1/2"

12'-10 1/2"

Stepped Seating: Elevation 2 Not to Scale

Stepped Seating Light Detail Copy 1 1 1/2" = 1'-0"

Inspired by nodes on the High Line, such as the 22nd Street Seating Steps, the playful stepped lounge allows its users to relax, unwind, and enjoy the city skyline. The angled forms throughout the lounge and dining areas mimic the angled paths of the High Line.

Bench + Stepped Seating

Dining Room 33

ADDITIONAL WORKS CHAIR DESIGN: DESERT DEN Similar to a desert, the Pollak Building green roof withstands hot and dry conditions. The vegetation consists of native and non-native species that were selected with specific moisture needs in mind. The Desert Den is a corten steel and slate outdoor furniture piece that copies the projections of a desert plant while providing shade and seating options.

Roof Plan: Not to Scale

Concept Sketches

Desert Den

SKE TCHES

Pen + Marker Material Rendering

Moxy Sidecar Room

As a Global Design Strategies intern at Marriott International, I was tasked with using Procreate to create sketches for Sheraton and Moxy hotels based on brand standards and guidelines. Byodo-In Temple, Ahuimanu, Hawaii

Right: Sheraton &More Bar

C O N S T R U C T I O N D O C U M E N TS : PA R K AV E . P E N T H O U S E

CONSTRUCTION PLAN Project

3'-6" W/D 15'-1 7/8"

W/D

10'-5 1/4"

9'-2 1/8"

4.2

able 12" C- op verhang

2'-1 1/4" 1'-6 7/8"

16'-7 5/8"

3 1'-7"

Fre.

13'-10 1/4"

Ref.

TYP WINDOW DETAIL - MECH SHADE 4 3" = 1'-0" Stepped Seating rea

Construction Plan 1/4" = 1'-0"

PARTITI N N TES 1.

I C E C BI E RE S S CE S DS 12" .C.

R I I S I DIC ED

3. R IDE DDI I

RECEI E I E S CE S DS 16" .C.

ER R

ERS F G S M B RD S RE IRED F R R I I S W ERE D CE

4. R IDE S SEE MISCE

D E I WR R E S DE I S RI

5. E EC RIC

D SER ICE

G S M B RD

10. M

I E

I G

BE C

RI D C R FFSE D C .

C SE R G

8. R IDE C I S C S IC F R D G S M B RD. 9. C S IC C

E S F R D CE R MS RE

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7. DEMISI G R I I S

ESS S DS RE I DIC ED S 12" .C.

- RDE I G C

11. W E E R I S WIDER 24" BE FR MED D C W R R ER SER ICE E E R I G E W .

R ME

SI I ED MI IM M 24"

I G BE DS

BE IG ED R F S . RI

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D I SE R E S D S CES.

13. R I I S RE

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. 10'-0" MI IM M

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C SE G S BE WEE SER ICE

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12. E E R I S R G S D CRI IC R I I S D C S I ES C D I S E C. RE . G S GRE ER 2" RE IRE G S M B RD C I G FR M B SIDES C REF C R D E ER I G E EME S. B I S I S BE C ED R D E E R I G E EME S WI I E RE F E E ER I . B. 2" G S R ESS FI ED FR M E C SIDE WI E DE SI W IC MEE S E RE IRED FIRE D S C R I GS. C. C B E R S BE C ED IG WI E DE SI S B E CE C B ES RE ED.

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22. R IDE M D RESIS G S M B RD S FW S D R I I S BE W GR DE. 23.

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15. S E GI EER

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16.

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17.

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19. R IDE W ER RESIS

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18. R IDE CEME I I S B RD

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R I I S E C SI G BEDR MS

24. R IDE B SE RESIS

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21. 1 5/8" S EE S DS WI 5/8" G S M B RD BE SED C M S D C CRE E W S C IES C DI I S S F E C S RES. S F W C S R C I IS BE E E R ED

14. FI I S E I GS R S EE ES W D S B E E R I S S RE IRED WI RE F ER E I S I F D C S D I I G. D

20. 7/8" S EE F RRI G C E S WI 5/8" G S M B RD BE SED IES C DI I S S F E C S RES S F W C S R C I

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G S M B RD

R I I S S RR E 2" IC S

FI IS ED F CE F R I I

25. R IDE RE IRED FIRE R ED FIRES I G W ERE DIFFERE RE IRED FIRE R I GS MEE R IDE RE IRED FIRES I G S R - FIRE R FI G/G S M E C. 26. S

DI G W S ER/DR ER C SE S

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C E I ME

R I I G. IS S

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WI D W S

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DOB Approval Stamp

CONSTRUCTION PLAN

C ES. IS S E I G SIDE F

CEI I G S B E CE W ERE C SE S RE C ED.

500 Park Avenue Seal & Signature

F CI G S IRWE .

RII ES I ERSEC . W E R I I S/S BS/S R C R E EME S F R I G M C E GRE ER R I G. E . C CRE E B C /G S M B RD S R C R E EME S WI

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Project #

8242022

Scale

As Noted

Page

of 13

Drawing #

E G S M B RD

. DOB BSCAN

012022

Date

12/5/2022 8:22:22 PM

GYPSUM BOARD

Custo Glass Dining Roo

2'-6"

1 A13

2'-1 5/8"

Seating Steps

Media Room

DOB Approval Note This plan is approved only for work indicated on the application specification sheet. All other matters shown are not to be relied upon or to be considered as either being approved or in accordance with applicable codes.

5'-0"

8'-1 7/8" DW

5'-4 5/8"

FRAMING AS R D

Kitchen

3'-2"

4 1/2"

6'-8 3/8"

7'-6 7/8" M/W

A 3

1 A11

Base Back anels

6 4

Bench Seating W/Storage

36" Downdraft ood

.00°

1'-10 1/8" 11 1/4" 1'-9 1/8"

FLOOR ASSEMBLY

1'-10 1/4"

24" Microwave Drawer

A13

4'-4 3/4"

5'-1"

6 3/4" MI .

BSI CON ECTOR SEE MECH DWGS

5'-10 1/4"

Dining Room

15/1 "

3' - 3 9/1 "

10 2'-2"

1'-7"

2' -

A 2

/4"

WOOD BASEBOARD

TYP WINDOW DETAIL - SILL 3 3" = 1'-0"

6'-3 7/8"

9 4.2

1 2'-8

6'-9 3/4"

1'-0 3/8"

1' - 4"

B-6

C-2

Custo Fireplace

1'-6"

1'-1 1/4"

14 .5 1/4"

5/8"

FRY REGLET WALL RE EAL /TYPICAL

Bathroom (Accessible)

1'-3"

Shower Bench

9'-8 3/8"

7/8"

MOTORI ED SHADE

1'-7"

A 2

2'-11 1/4"

SHADE POCKET

1'-3"

6'-5"

2'-0"

5'-1 1/4"

2'-8

PLYWOOD BLOCKING

5'-2"

3'-6" A1-5

4'-10 7/8"

Tessa Trowbridge 325 N Harrison St Richmond, VA 23284

A1-4 7'-6" 7

Built-In Shelves

D-1

E ISTING WINDOW

FRAMING AS R D

A1-3

Shower iche F-2

E ISTING STRUCTURE

3 1/8"

Powder Room 2'-0"

E-1

4 7/8"

4.2

A 2

2'-7 1/4"

2'-4"

5/8" GYPSUM

1'-6 7/8"

Interior Designer 5

Bench Seating 18"

Reflective Material

Drawers

14'-5 7/8"

EASED EDGE UART WINDOW SILL

Architect

8 7/8"

6'-8"

Built-In Shelves

PRIVATE

2'-6"

F-1

20'-11 1/4"

1'-1 1/4" IG C

5'-7 7/8"

OPENING AS PER PLAN

5'-6 1/4"

3'-8 1/4"

14'-2"

C-1

3'-2"

6'-3"

A 2

8'-1 1/8"

2'-6"

5'-11"

1 5/8"

2'-10 5/8" 10'-3 1/4"

1'-1 1/4"

15'-6"

3'-0" 2'-6"

2'-4 1/4"

2'-0"

IG 3/8"

1'-8 1/4"

2'-2 3/8"

Bedroom (Primary)

A1-2

1'-8 1/4"

UNIT HEATER

3'-0"

1 A12

145

TYP SECTION 1/2" = 1'-0"

PROPOSED ALTERATION

Client

10'-4 1/8"

1'-8 1/4"

4'-6 3/4" E ISTING SLAB

Wood Wall anel 2'-0"

6'-1 5/8"

A1-6

Concrete Wall anel

B-5

aundr Folding rea

PRIVATE RESIDENCE

op-up B thers

1 2'-0"

3'-0"

1 A14

6 5'-7"

1'-1 1/4" FINISHED FLOOR

B-3

7" A 4

9'-4 1/4"

4.2

2'-2 1/4"

A1-1

5 UART WINDOW SILL

12'-11 1/4" 2

1'-6"

2'-0"

30'-8 3/8"

9'-2"

B-4

2'-0"

1 Closet

3 A5

3'-2 3/8"

Primary Bathroom

Bedroom (Primary)

4.2

2 5'-7 3/4"

4'-6"

B-2

Living Room

Closet

2'-0"

3'-1 1/4"

8'-9 5/8"

1'-3"

1 Base Cabinets Below

14'-10 3/4"

Bathroom

5'-10"

1 Gym

15'-0" 17'-7 3/8"

SUSPENDED CEILING SHADE POCKET

14'-0 1/8"

2'-10 7/8"

2'-0"

3'-3"

14'-0 7/8"

° .00 135

Study

1'-8 1/4"

3'-6" 3'-0"

Base Cabinets Below

3'-3 3/4"

14'-10 3/4"

Mirror Wall anels

6'-5"

2'-4 1/4"

4'-4 5/8"

1'-1 1/4"

4 A5

7'-9 7/8" B-1

23'-8"

E ISTING SLAB

E ISTING BEAM

8'-11"

13'-1 1/4"

4'-7 1/8"

1'-6 1/4" Glass Bo es

1'-9"

1'-3 7/8"

Custo Shelving/Desk 1'-8 1/4"

C O N S T R U C T I O N D O C U M E N TS : PA R K AV E . P E N T H O U S E

REFLECTED CEILING PLAN Project

Gra Regions Indicate penings in anel for ight to ass hrough

3'-5 1/2" 1'-9"

2'-6"

6'-11 3/4"

8'-7 1/4"

2'-8 3/4"

8'-0 1/4" 2'-11"

A.F.F.

8'-3 1/8"

1'-10"

3'-4"

Architect

1 E

1 E 1'-9"

E E

6'-11"

E 1

Living Room Ceiling Panel Detail 1" = 1'-0"

Type Mark L1

HUNG ALUMINUM CO E

WOOD PANEL

LINEAR LED LIGHTS

Custom Cove Ceiling Light Path Detail 1" = 1'-0"

E 3'-0 1/4"

4'-5 1/2" 3'-6 5/8"

I HTIN

I T RES E EN

Symbol

Fi ture 4" LED Downlight

ENERA R P N TES

TYP. HUNG CEILING

6'-1"

4'-6 1/4"

4'-10 1/8" 3'-2"

6'-4 3/4"

Recessed Mounting Rack -Coordinate with Contractor

Cove-like linear lights

Reflected Ceiling Plan 1 1/4" = 1'-0"

E ISTING CONCRETE CEILING

4'-6"

3'-2"

3'-2" ALUMINUM FRAME AROUND PERIMETER OF LARGE S UARE OPENINGS IN PANEL

4'-6 1/4"

3'-2"

14'-1"

HUNG PANELS W/S UARE PUNCTURES

SECURE TO CONCRETE WITH ALL THREAD ROD

5'-4"

3'-2"

A.F.F.

3'-6 5/8"

8'-0"

LED PANEL GRID

5'-4"

AFF 8' - 0" 1

E ISTING CONCRETE CEILING

5'-9 3/4" 6 5/8"

TYPICAL HUNG CEILING

A.F.F.

3'-2"

3'-0"

11 3'-3 3/4"

3'-2"

Typical Hung Ceiling Detail 2 1" = 1'-0"

SECURE TO CEILING WITH ALL THREAD ROD

3'-2"

E G.W.B. 5/8" MOLD RESISTANT GYP. BD. SUCH AS FIBEROCK MOLD TOUGH OR EAUAL - WITH 1/8" PLASTER SKIM COAT

6 6'-5"

3'-0"

4 1/2"

3'-0"

1-1/2" CR. 1 GA STEEL CHANNEL 4'-0" O.C. 4 5LBS

A.F.F.

Tessa Trowbridge 325 N Harrison St Richmond, VA 23284

4'-8"

2-1/2" MTL. STUDS 25GA TYPICAL 4' O.C.

HILTI TYPE 3/8" - 1 HEA Y DUTY STUDS W/W10 FASTENERS 1/4" dia. ROD HANGER 4'-0" O.C.

A.F.F.

1 3'-0"

3'-0"

STRUCTURAL SLAB

2'-7"

7 9'-0"

A.F.F.

2'-9 5/8"

3'-8 1/4"

1'-9"

1 E

3'-2"

CONNECTION HARDWARE AS RE 'D

1'-8 3/4"

E A.F.F.

7'-10"

2'-6" 1

2'-10 3/4"

6'-11" 1 2'-9 1/4"

2'-8 3/4"

3'-0"

3'-2"

Interior Designer 1

1 7 9'-0"

2'-5 3/4"

1 3'-2"

14'-8 3/4"

2'-6"

A.F.F.

2'-8 3/4"

1 E

1. ALL ELECTRICAL WORK MUST MEET AND COMPLY WITH ALL APPLICABLE STATE AND LOCAL CODES. 2. CONTRACTOR MUST HA E ELECTRICIAN RE IEW ALL E ISTING ELECTRICAL CONDITIONS SER ICE AND BO ES TO ERIFY THAT E ISTING LOAD CONDITIONS CAN HANDLE NEW LOAD RE UIREMENTS. 3. ELECTRICIAN MUST RE IEW AND COORDINATE E ISTING SWITCH AND OUTLET LOCATIONS WITH NEW. 4. ELECTRICIAN MUST RE IEW WITH DESIGN ALL E ISTING CEILING JUNCTION BO LOCATIONS TO COORDINATE WITH NEW FI TURES.

A PT

I HTIN Type Mark L2

Pendant Light

Wall Sconce

EI IN S T E PAINTE ITH ATERIA SPE I I ATI N N INISH P AN Type

I T RE S HE

Manufacturer

Model

Lamp

Initial Color Temperature

Dimension

4" LED Downlight

Tech Lighting

Element 3" LED

LED

2800 K

Pendant Light

RBW

Palindrome Multi Finish

LED

3000 K

1 "D

54" H

34" W Steel Glass Polished Chrome Finish

Wall Sconce

Kohler

Purist K-2 2 2

LED

2 00 K

13" H

3" W

Wall Sconce

ibia

Pin Light 1 94

LED

2 00 K

3" D

15" H

2 " W Steel Aluminum Black Finish

Light Panel

umtobel

Ceiluma S uare

LED

2 00 K

13'11"

4" LED Wet Area

Tech Lighting

Element 3" LED Wet

LED

2 00 K

Wall Sconce

Tech Lighting

Duelle 00WSDUE28NB LED

2 00 K

3" D

Linear Light Strip

LED Linear USA

Ultima-S

LED

3000 K

1/2" D 1 1/2" D

Light Panel

4" LED Downlight Wet Area

Wall Sconce

Linear Light Strip

. ALL BATHROOM E HAUST FANS SHALL BE ACTI ATED & DEACTI ATED BY LIGHT SWITCH WITH 10 MIN SHUT-OFF DELAY.

Pendant Light

ibia

Halo Jewel 2355

LED

3000 K

L10

Wall Sconce

L10

Wall Sconce

RBW

Crisp

LED

2 00 K

3" D

8. ALL ENTILATION OR E HAUST GRILLES SHALL BE CO ERED WITH PLASTIC DURING CONSTRUCTION TO HELP PRE ENT DUST INFILTRATION TO ANY ADJACENT AREAS.

L11

Pendant Light

L11

Pendant Light

Apparatus

Tassel: 1 Pendant

LED

2 00 K

2 1/2" D

5. ELECTRICIAN MUST MARK OUT CEILING LAYOUT/PLACEMENT OF RECESSED FI TURES. . CONTRACTOR SHALL PRO IDE NEW BLOCKING AT ALL NEW HANGING CEILING FI TURES.

Material/Finish

Die Cast Aluminum

23' " W

4" 28" H

4" W

1/2" H

5" W

8 500 Park Avenue Seal & Signature 3

Project #

012022

Date

8242022

Aluminum Polyester Fabric

Scale

As Noted

2 00Cast K Aluminum Die

Page

of 13

Glass Steel Black Finish

Drawing #

40" W

5" W

21" H

REFLECTED CEILING PLAN

Glass Metal Matte Black Finish

5' W Silver White Endcap

1 1/2" H 5" H

DOB Approval Stamp

Steel Polycarbonate Black Finish

N/A 3

Glass Aluminum White Interior Finish

Glass Metal Blackened Brass Finish

DOB BSCAN

12/5/2022 8:22:2 PM

PRIVATE

5'-0"

A.F.F.

lu inu Fra e

Client

5'-10"

1 1

5'-0" lu inu Fra e 13'-11"

PROPOSED ALTERATION

1'-6 3/4"

E 8'-0 3/4"

2'-6"

A.F.F.

7'-8"

PRIVATE RESIDENCE

5'-10"

9 3/8"

AFF ' - 10"

A.F.F.

A lu inu Fra e

6'-0 1/8"

1'-10"

A.F.F.

2'-7 1/4"

3'-4"

1'-10"

9 3/8"

4'-3 3/4"

24'-4"

23'-7 1/8"

1'-9 7/8"

1'-10 1/4"

2'-6"

S oke Glass Mirror Wall Finish

2'-2 3/8"

lu inu Fra e AFF 8' - 2"

7'-0 1/8"

2'-6"

1'-11"

8'-8 1/8"

2'-6"

1'-9 7/8"

A.F.F.

2'-6"

3'-1 1/8"

7'-0 1/8"

AFF 8' - 0"

2'-6"

3'-3"

1'-11"

4'-3 1/2"

lu inu Fra e

2'-4 1/2"

A.F.F.

1 1'-10 1/4"

4'-5"

3'-0 1/4"

2'-8"

5'-8 3/8"

1'-11 5/8"

A.F.F.

2'-6"

4'-4"

9'-1 3/8"

1'-10 1/8"

4'-2 1/8"

2'-8"

3'-10 1/2" 5

1'-11"

4'-5"

2'-10"

1 Glass Bo es

37 Lighting Legend 1/4" = 1'-0"

C O N S T R U C T I O N D O C U M E N TS : PA R K AV E . P E N T H O U S E

KITCHEN Project

DOWNDRAFT HOOD

PRIVATE RESIDENCE

5'-6"

PROPOSED ALTERATION

DRAWER MICROWA E

A11

145 .00°

5 A

2'-0"

A11

6'-9 3/4"

2'-11 3/8"

Client

M/W

PRIVATE

1'-8" 3'-2"

Induction range W/downdraft hood

Sub ero egac 48" Ref.

Sink Cabinet

Fre.

2'-1 5/8"

1'-6"

10 1/8"

2'-0"

10'-4 3/8"

Architect

INDUCTION RANGE

1'-10" DW

Marble Countertop

Dishwasher

Interior Designer

anels to Match Cabinet Finish

Microwave Drawer

Spice rack pullout

2'-6"

REF 5'-5 5/8"

Tessa Trowbridge 325 N Harrison St Richmond, VA 23284

1'-0 1/4"

1'-0 1/8"

1'-0"

6" 1 1/2"

1 3/4"

1'-5 3/8"

1'-6 5/8"

2'-9"

2'-0"

1 1/8"

1'-7"

1'-11 5/8"

5/8"

2'-4"

1 1/4"

1 1/2"

1'-6"

2'-5 7/8"

1'-7 1/8"

1'-0" 1 1/4"

1'-6"

2'-6"

2 1/8"

1 1/4"

Kitchen1 1/2" = 1'-0"

Sink Cabinets 1/2" = 1'-0"

Ref Cabinets 1/2" = 1'-0"

A11

SEE KITCHEN CEILING PANELS DETAIL

Kitchen Perspectives

24" Sharp Microwave Drawer 1 3/4"

HUNG ALUMINUM CO E

4" 1'-7"

1'-8 1/2"

Kitchen Peninsula 1/2" = 1'-0"

1'-8 1/4"

1'-7"

1'-5"

1 1/2"

1'-5 1/8"

Angled Cabinets 1/2" = 1'-0"

ENERA N TES 2 3 4 5

EA H E IP ENT T ET SHA E INSTA E AS PER ITS AN A T RER S INSTA ATI N INSTR TI NS HAR IRE E IP ENT HERE A A E NTERT P AN A SP ASH ATERIA T E SPE I IE INTERI R ESI NER A APP I AN ES, I T RES, A INET INISHES AN HAR ARE T E SPE I IE INTERI R ESI NER SEE T INE SPE I I ATI NS IST AT THE EN THIS RA IN SET V TA E AN A I VIS A S STE S ESI N THERS IT HEN AN ST NE S PP IER T R INATE ITH V TA E NTRA T R R THE INSTA E IN THE IT HEN IS AN ENERA NTRA T R T R INATE A IN RE IRE R HAN IN AN I IN A INETS

E ISTING CONCRETE CEILING TYP. HUNG CEILING WOOD PANEL

LINEAR LED LIGHTS

1 1/2"

Island Section 1/2" = 1'-0"

Cove Ceiling Detail Kitchen 1" = 1'-0"

DOB Approval Stamp

KITCHEN

A INET N TES ATERIA 2 PAINT HITE PAINT 3 INISH HI H SS 4 S T SE RS

500 Park Avenue

RA ERS

Seal & Signature

Project #

8242022

Scale

As Noted

Page

of 13

Drawing #

DOB BSCAN

012022

Date

A11

12/5/2022 8:22:43 PM

2'-10 1/4"

2'-6 1/4"

1 1/2"

SECURE TO CONCRETE WITH ALL THREAD ROD

Waterfall Edge Baseboard Molding

C O N S T R U C T I O N D O C U M E N TS : PA R K AV E . P E N T H O U S E

LIVING ROOM

4'-7 7/8"

Project

PRIVATE RESIDENCE

8'-1 3/8"

PROPOSED ALTERATION

2 A14

4 5/8"

Client

9 A14

Reflected Opposite Side

PRIVATE

A14 5 7

A 4

Architect 6

Fiberglass Panels by Installation Artist

---

Interior Designer 10 3/8" 1'-4 1/4"

Steel Tube

Living Room 1/4" = 1'-0"

Glass Bo es 1" = 1'-0"

1'-7 7/8" 8 3/4"

Typical Glass Bo A on 1" = 1'-0"

Glass Bo es and Mirror Wall

9 1/2" 1'-0"

Tessa Trowbridge 325 N Harrison St Richmond, VA 23284

9 1/8"

Steel Plate

1'-0 3/4"

Plate Screwed into Floor

10 1/2"

2 1/4"

8 1/4" 6"

Reflective Surfaces

2'-0"

1'-0"

Living Room Perspective + Axon

1'-0"

6 3/4"

1'-0"

4'-6 1/2"

1" Solid anel

1'-6" 11"

Glass anel

1'-0" 1'-5 1/4"

1'-0"

LED PANEL GRID

HUNG PANEL W/S UARE PUNCTURES

1'-6"

LED PANELS

ACRYLIC PANEL

LI ING ROOM

1'-6 1/4"

500 Park Avenue Seal & Signature

1'-0" 11"

TYPICAL HUNG CEILING

1'-0"

Solid anel

E ISTING CONCRETE CEILING

1'-0"

ight anel

DOB Approval Stamp

Project #

8242022

Scale

As Noted

Page

of 13

Drawing #

Glass Prisms 1/2" = 1'-0"

8 Glass Bo es

Living Room Ceiling Panels Detail 1" = 1'-0"

Mirrors 1/2" = 1'-0"

DOB BSCAN

012022

Date

A14

12/5/2022 8:22:5 PM

South Facing Seating 1/2" = 1'-0"

1'-6 5/8"

Mirror Wall 1/2" = 1'-0"

1'-0 3/8"

THANK YOU!

TESSA TROWBRIDGE (540) - 422 - 3612 ttrow11@gmail.com

https://www.linkedin.com/in/tessa-trowbridge

Study: Transparency, Color, and Reflection