Bushra El-Turk - Marionette for Flute and Piano

Page 1

written for Wissam Boustany

MARIONETTE Picky-Pecky q=c.100

Flute

Piano

    

5



    

3

 

p



   



3

p

3

 

 

           3

sfz

3

sfz

3

pp



 

 

 port.   



  p

3

3

ff

p

sfz

             

3

sfz pp

 p

                                     sfzpp

 

6

3

3

  

                       

3



  port.   

mf

3

                      

10

n

 

        

6

  

    

pp

8

    3

6

sfz pp

    mf

percussive port.

sfz

n

7

           

       

mf senza pedale

4



      

  

pp

    

Bushra El-Turk





    3

sfzpp

 

ff

5

                                     3

sffz

p

                          6

3

sfzpp

Copyright © Bushra El-Turk, May 2008


2

      

12

ff

                

14

  

3

3

3

3

  

With Feistiness

ff

 

   





3

3

   

            





                            3

   

  

3

3

3

  

3

3

3

towards tutting

3

    



 



tut

           

 



knock on piano with finger knuckles



   

ff



  

7

      

           ff      

5

sffz

sfzpp

 

 

3

                                   p ff

3



5

3

              



3

   

 



3

16

3

                      5 5

       

                        

    

 

p

5

ff

19



 



                              7

    ff     

 


3

                  3 3

 7  7                                     

  

  

21

3

7

   3

 

 

3

 

 

  ppshimmering mf  3                   

  

           3                  

24

7

      

p

f

  

    

* ney sound

27

  

30

 mp

  

   

ff



 



    

3

3





mf

         

  

7           

       

     

* A ney is a Lebanese flute - rustic, rough, pulling, pleading sound



3         

   

   

 





mp mf

7      









          

    



        

    



7

   

7       



   

             

 

3

3



3

3

 

mp

mf

    

3

 

 

 

mf

 

  

3

pp

 

3

ff

   







    

    

  

   


4

                                                  7 7     7                                                               

33

    

         

36



mf

ff

   

40

   

3

          ff                                       

     

7

 

          

     

7

     

    

  

        

3

 

 

  

    

    

                

 

         7



                                                                                             

42



  


5 44

 

   

ney



mf

                              mf

ff

                           

47

 

   



 

52

 

   



7

  



 

     

   

tut



    

7

   







   

                   

       

 



7

 

  

 



  

mf

                  

  

mp

   

                                  

50

   

   



 









     

 

 

 

 

tut    



 

   









 

  

   



 

                    

       

 

                                    

 



 



la2

 







                    

  

      


6

 

54

 



 



* nat.



       

tut

  

p espressivo

 

ney



 

 la2

                                                                              

57

        

             ff

60

  

  

   

 

mp cresc.

 



   



 

  

    mp               

 



      

 

* as if suspended in time

  

tut

 

      

   

 

tut



       

  



 



 

tut    











       

tut

        

 



  

        

        

ff



 

tut





 

  

 



tut

        

    


7

FLUTE IMPROVISES

62

   

                 ff Clean, crisp and percussive                          

67

  

     

     



         

ff

 74

la2

hu - 2u

   

  

                        

     

   



  

la2

hu -2u

 

  

                     pp  ff ff                            

la2

                           pp  ff                                               la2 hu -2u

71

   

q=c.90 (based on intro, ney and mimicking the piano)

  

   

pp

    

 

   

     

               pp                  

          pp   

tut

 

 



    

      

 

 

   

         hu - 2u

tut

    

  

ff

tut

 

              pp             

ff

   

la2

tut

   

la2

   

     

   

   

 

la2

tut

   

ff

  




8 76

 

 

   

           tut

     

79

tut

ff

           

  

  

82

 

 

p   

tut

 

  

tut

                  

ff

   

  

 

  

         p        

      

   

                

85



 

tut

    

   

 

    

                                

la2 hu2u

 

 

Repeat in any order with improvisation in between with the 'Nos' getting more frequent as if fidgeting molto accel. e cresc. Ad Libitum

tut

  

   

           

  

                

tut

 

   

                                                                                           

 

                                                    

    

 

  

               

          


9 87

        89

 



                                              accent on notes Ad Lib as if trying to catch the Nos

  

                              q= c. 112

                         

  fff               

                            

Repeat Ad Lib.

Desolate and bell-like q=c.66 91

     



   



   

(forearms)



*

      

pp [sung (falsetto) Ad libitum two to three times]





   

      

 

 

 

 

 

subito pppp (almost inaudible at first) Re-play note when sound fades

99

       

  

          

 

 

 

 

 

      

      

 

  

   

* please read performance notes

       

 


10

Repeat Ad Lib.

106

      

   

 

   



  

p      

125

      

5



 

 



 

 

 

 

 

  

 



 

 

 

       

 

 

percussive [T]

    

  





percussive      

 

 



 

    

ff

        

  

          p      



 gliss.         



ff

With anticipation

   





 

 

    



5

           

          

  

 

    

towards

3



      II 

    

           g li s s .             f

ney

f

 

 

Solo Ad Lib. q=100



 

singing becomes flute (G harmonic gradually becomes C harmonic)

   

  

 

               



 

111

121

[same as before]

   

114

  

 

         5

  

 

           



cresc.


129

 

  

    

    

  

            



 

    

   



 



 

 



 

 

 

  

 

 

   

    







 

                   

 



 



 

                          

133

11

                               7 





   

       tut        

131

 

 

 



 



                                                                               

135



tut



 

 





tut

         



 



tut

  



tut

                                                        

 

 

 

 

tut




12 137



  138

 







  



 

                    ff

  

      

* see performance notes

  

tut

*

                   





 



                                 

Ritenuto

fff



tut

ff

 

 

         



towards tutting

pp

knock on piano with finger knuckles

 



        


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.