ARCHITECTURE
PORTFOLIO THALIA JIMENEZ ESCOBAR Master of Architecture Candidate
2.
TABLE OF CONTENTS
2
THE WEB Fall 2017
4
THE VAULT Spring 2018
8
OFFICE Fall 2018
14
THE CUT Spring 2019
20
4.
8.
SUNKEN TREASURE Fall 2019
14.
20.
1
THE WEB Sophomore Year - Fall 2017 The objective of this project was to create a sloped site in which a structure was to be placed. The progression of the design ideas can be seen on the right. As shown in the images, my final site was made out of wooden cubes and the structure was made out of dowels. It was done this way so the site would appear to be completely man-made and very unconventional in a way that would make it seem as if the structure had risen from the ground. The cubes were raised slightly every time to create a slope, provide sitting and to serve as steps for people to walk up the hill. At certain moments throughout the site, cubes were lowered to even out the ground and create a platform that would serve as public or private areas for visitors. Dowels were placed close together but far enough so that you can see the sky no matter where you’re standing. Thus, not only uniting earth and sky but also modifying the sky as it is seen through the web that is created by the dowels. Additionally, perspective drawings are shown to provide a clearer view of what the site structure would look like.
Process Models
3
THE VAULT Sophomore Year - Spring 2018 The vault is a museum located at the intersection of Luckie Street and Forthsyth Street in Atlanta, Georgia. The design of the museum follows the structural concept of a shell thats surrounds a solid mass or vault. The corner of the building facing the intersection is cut in order to easily locate the entrance and provide a larger public space or gathering area outside the museum so that if lines form, it will not block sidewalk access to the pedestrians walking by.
SITE
SITE
Luckie Street Elevation
Forsyth Street Elevation A
CONCRETE WALL STEEL BRACE CONNECTION TO FLOOR BOLT WELDED STEEL BRACKETS WOOD FLOORING RADIANT FLOOR PIPES CONCRETE FLOORING
Parti This wall section was taken at the location where the vault expands and extrudes out of the shell at the front of the building. The wall section includes the foundation and wood flooring with the concrete supporting it below which includes within itself the radiant floor pipes. It also shows the insulated glass with the window receivers along with the steel column and welded steel brackets that support it. On the exterior, the white fiberglass shell is located. In the moment the extrussion out of the shell occurs, there is a steel brace along with its connection to the floor which supports the curving concrete wall that will extend to be the terrace on the top floor. Site Plan
STEEL COLUMN FIBER GLASS VEIL INSULATED GLASS
WINDOW RECEIVERS
Wall Section A
RADIANT FLOOR PIPES CONCRETE FLOORS FOUNDATION WOOD FLOORING
5
B
A
Underground Floor Plan
The interior of the museum, or the vault, is amorf and robust imitating the curves of a site or a terrain. The solidity of the vault creates an experience as the people circulate it when they move from one open space, through an enclosed one such as the escalators or the elvator, and onto another big open space such as the exhibits. The spaces inside of the vault indicate private spaces like the administrative and educational areas on the second floor. The spaces outside of the vault consist of public spaces such as gallery areas.
First Floor Plan
Second Floor Plan
Third Floor Plan
The second part of this structure consists of a shell. This shell is a self standing structure that surrounds the building. However, it is not meant to provide any structural support. It’s job is to modify the light that comes in the building. It allows light to come from the sides in small amounts and in big amounts on the top floor where the main and biggest exhibit is located. As noticed, the shell does not cover the entire solid mass. This structure was made to have a convex effect with the vault escaping its shell and coming out of it in certain places throughout the building. The rectangular space extruding from the back allows for a small exhibit space. The extrusion coming out of the shell at the front is on the street side and allows for a small terrace which provides views of Forsyth street. The facade of the building is also sliced diagonally at the entrance. This was done to open up the public spaces on the outside and to let more light in the building due to it’s glass materiality.
Southeast Section A
Southeast Elevation
Southwest Section B
Southwest Elevation
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TRI FACADE FOREST Junior Year - Fall 2018 Partner: Coral Rembert
The objective of this project was to create a sloped site in which a structure was to be placed. The progression of the design ideas can be seen on the right. As shown in the images, my final site was made out of wooden cubes and the structure was made out of dowels. It was done this way so the site would appear to be completely man-made and very unconventional in a way that would make it seem as if the structure had risen from the ground. The cubes were raised slightly every time to create a slope, provide sitting and to serve as steps for people to walk up the hill. At certain moments throughout the site, cubes were lowered to even out the ground and create a platform that would serve as public or private areas for visitors. Dowels were placed close together but far enough so that you can see the sky no matter where you’re standing. Thus, not only uniting earth and sky but also modifying the sky as it is seen through the web that is created by the dowels. Additionally, perspective drawings are shown to provide a clearer view of what the site structure would look like.
Building Facade
High Line Response
Site Response
Natural Light
Envelope
Conference Envelope
Circulation
Public v. Private
Axonometric Diagram of Building Enevelope and Structure.
9
The progression of the design ideas that took place in order to get to the final result can be seen on the left. As shown on the images to the right, my final model was made out of plexi glass which was then scored according to scaled dimensions in order to locate the placement of window mullions throughout the facade. Green vines were placed on the walls of the balconies in order to better locate and reference where the wall sections in the next spread are located. Additional views of the model are also provided including views from the high line side, 10th avenue, roof terrace and Bird’s-eye view.
HIGH LINE FACADE IDEA DEVELOPMENT
10TH AVENUE FACADE IDEA DEVELOPMENT
BIRD’S-EYE VIEW
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Ground Floor Plan
High Line Level Floor Plan
Sample Upper Floor Plan 1
Sample Upper Floor Plan 2
A B
C
Wall Section A
Wall Section B
Sample Upper Floor Plan 3
Sample Upper Floor Plan 2 - Traditional
Sample Upper Floor Plan 3 - Traditional
Axonometric Wall Section C
Sample Upper Floor Plan 2 - Creative
Sample Upper Floor Plan 3 - Creative
Wall section model and drawing is shown. These sections show the placement of columns and structural components in between each floor. Additionally, it shows details in the balcony areas on the 10th avenue facade. These small balconies were designed to provide small outdoor spaces for getting fresh air or taking phone calls.
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THE CUT Junior Year - Spring 2019
ESTRELLA DE GAUDI 2019
ESTRELLA DE GAUDI 1900s
In today’s vision of Gaudi’s estrella plan, the site of Museo de Gaudi conforms to the original guideline cut. The open plaza allows for optimal viewing of the Nativity scene facade through the visitor’s platform directly in front of it.
In the early 1900s when Antoni Gaudi was in the preliminary portions of construction on La Sagrada Familia, he created his ideal vision of the surrounding city blocks. To ensure optimal viewing, he designed an open space for observing the basilica strategically across an idealized superblock. This was before the 4 street portions surrounding Sagrada Familia were deemed as pedestrian access only.
Study Abroad - Barcelona, Spain Partner: Jessica Longhurst
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The museum is blended in with the landscape by transforming its roof into walking platforms of varying heights where people will experience different view points of La Sagrada Familia. It involves a continuity in materiality by continuing the flooring of the lower plaza into the interior of the museum and by letting the stone of the upper plaza cover its roofs and elevated, handicap-accessible walkways.
ADMIN PERMANENT EXHIBITION
WORKSHOP/ STUDIO LIBRARY
GIFT SHOP
RESEARCH CENTER
The horizontal placement that follows Gaudi’s original star cut idea can be seen in the section below. This cut not only frames the view but also the circulation and the way people interact with La Sagrada Familia and the local areas in the back.
CONFERENCE ADMINISTRATION WORKSHOP/ STUDIO LIBRARY
VISITOR ROOM
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STRUCTURAL SYSTEM TO SUPPORT CROSS-LAMINATED TIMBER
Wooden Boards
Cross Laminated Timber
Glass
Stone
FURNTIURE FROM LANDSCAPE
FOLDING
WOOD PANNELING
INSET OF WINDOWS INTO CROSS LAMINATED TIMBER AND DRY WALL
Wooden boards on lower plaza come off the ground to turn into benches and provide seating for the public. Various local plants are also seen throughout the site.
Pond
KLH
4 ply cross-laminated timber makes up the ceiling structure directly below the white stone roof
White Stone
BEAMS AND COLUMNS
Cross-braced frames for the cross laminated timber and glass window insets
WATERFLOW
Steel columns act as a water drainage system for runoff water to be stored in water tank
Wood Paneling
FORM
The museum is both exposed above ground and rooted into the Earth
Grass
Site Topography
Landscape Diagram
/
Sunset 20:33 -2.20
Sunrise 7:10 10
20
Sun Diagram
/
/
PUBLIC PRIVATE
Program Diagram
The strips of the roof folding pattern are used as guide lines for the program distribution on the interior of the building.
Permanent Exhibit Temporary Exhibit
Workshop/ / STUDIO Studio
Storage Exit
Conference Room Administration
Visitor Center
Restrooms
Entrance
Gift Shop Research Center
Reception
There are several different palm trees and trees placed throughout the green areas of the site. A pond is placed at the bottom of the slope to accumulate the water of the site.
Library
Programming is all spread out throughout the first floor of the museum. People will be able to access a ramp that leads to the exit on the second floor.
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In the office building, the bridge creates a moment of disruption on the floor plans by continuing the bridge concept on the interior of the building.
SUNKEN TREASURE Senior Year - Fall 2019 Partner: Hannah Smith & Arthur Southern
This project is a United States embassy located in Casablanca, Morocco. For this project we proposed to sink down the site 5 meters on the north side of the bridge. This allows for a relationship between the locals on the street of Casablanca who can look down into the site. Thus, making the building more approachable. Programming is divided into two buildings. The main building contains the management and support offices and the annex building consists of the consulate and its offices. Our project incorporates the concept of a Moroccan Riad with minimal windows on the facade and a skylight that mimics an interior courtyard for cooling and privacy. Another main feauture of our project is a bridge that crosses from the southeastern side of the site to the northwestern side. This bridge not only provides an experience of transition from Moroccan territory to U.S. territory but it also is a great method of keeping the area secure. It lets the consular section visitors enter and exit the consulate area without being able to wonder anywhere else.
In the consulate building, the bridge creates a moment of disruption on the materiality of the floor, The bridge materiality from the outside continues on the inside area where the bridge intercepts the building. The bridge also creates a moment of disruption on the building shape. The portion of the building on the northern side of the bridge extrudes up to provide additional office spaces.
SITE RESPONSE DIAGRAM
CONTEXT SITE PLAN
SOUTHWEST ELEVATION
Summer Solstice
Winter Solstice
SUN DIAGRAM
Above is a diagram of the sunken site. On the righ is the sidewalk outside the U.S embassy. Next to the sidewalk we placed an anti-ram wall which will also provide sitting for pedestrians outside the embassy. Behind the antiram wall the site drops down 5 meters. At the bottom of the slope there will be an anti-climb wall to provide extra security.
SOUTHEAST ELEVATION
Key Plan
1. Public Affairs Suite 2. EO Economics Suite 3. General Service Offices 4. IT Support Section Chief Office 5. Gallery
Southwest Section
6. Stairs 7. Freight Elevator 8. Elevator 9. Women’s Bathroom 10. Men’s Bathroom 11. Electrical Room
12. Multipurpose Room 13. Electrical Room 14. Kitchen 15. Consular Section Offices 16. Non-Immigrant Visa Offices 17. Restaurant 21
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1 1
OPEN TO BELOW
OPEN TO BELOW
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3 OPEN TO BELOW
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OPEN TO BELOW
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14 13
17 16
12
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20
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UP
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10 21
9 OPEN TO BELOW
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OPEN TO BELOW
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UP
30
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29
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2
14
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20 28
11
24 UP
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UP
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OPEN TO BELOW
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OPEN TO BELOW
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1. Deputy Management Section Chief Office 2. Human Resources Section Chief Office 3. Financial Management Section Chief Office 4. Community Liason Office 5. Management Section Chief Office 6. Facility Management Section Chief Office 7. Procurement Section Chief Office 8. Motorpool Section Chief Office 9. IT Support Section Chief Office 10. General Service Section Chief Office 11. Work Room 12. Library/ Resource Center 13. Deputy Chief of Mission 14. Chief of Mission Office 15. Kitchenette 16. Mechanical Room 17. Telecom Room 18. Electrical Room 19. Men’s Bathroom
20. Women’s Bathroom 21. Elevator 22. Service Elevator 23. Stairs 24. EO Political Suite Section Office 25. EO Economics Suite Section Office 26. Public Affairs Suite Section Office 27. Large Conference Room 1 28. Large Conference Room 2 29. Training 30. Gallery 31. Service Area 32. Kitchen 33. Restaurant 34. Men’s Bathrrom 35. Women’s Bathroom 36. Elevator 37. Stairs
1. General Service Offices 21. Immigrant Visa 2. Management Offices Section Supervisor’s 3. Kitchenette Office 4. Mechanical Room 22. American Citizen 5. Telecom Room Services Offices 6. Electrical Room 23. American Citizen 7. Men’s Bathroom Services Supervisor’s 8. Women’s Bathroom Office 9. Elevator 24. Non-Immigrant Visa 10. Service Elevator Section Supervisor’s 11. Stairs 12. Elevator Control Closet Office 13. Fire Sprinkler Room 25. Non-Immigrant Visa Section Offices 14. Reception 26. Immigrant Visa 15. Telecom Room Section Windows 16. Mechanical Room 27. American Citizen 17. Electrical Room Services Windows 18. Elevator 28. Non-Immigrant Visa 19. Stairs Section Windows 20. Immigrant 29. Entrance/ Screening Visa Section Offices
Ground Level Floor Plan
30. Reception 31. Main Lobby 32. Waiting Room 33. Men’s Bathroom 34. Women’s Bathroom 35. Indoor Gym 36. Pool 37. Restrooms/ Showers 38. Dorm Style Rooms 39. Lounge 40. Service CAC 41. Consular CAC 42. Main CAC
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1. Public Affairs Suite 17. Conference Room 2 Offices 18. Telecom Room 2. EO Economics Suite 19. Mechanical Room Offices 20. Kitchenette/ Multipurpose 3. General Service Offices Kitchenette 4. EO Political Suite Offices21. Elevator 5. Executive Offices 22. Elevator Control Closet 6. Kitchenette 23. Stairs 7. Mechanical Room 24. Consular Section Offices 8. Telecom Room 25. Fire Sprinkler Room 9. Electrical Room 26. Janitor’s Closet 10. Men’s Bathroom 27. Supervisor’s Office 11. Women’s Bathroom 28. Work Room 12. Elevator 29. Electrical Room 13. Service Elevator 30. Multipurpose Room 14. Stairs 31. Multipurpose Translation 15. Terrace Booth 16. Conference Room 1
Upper Level Floor Plan
Entry Level Floor Plan Formliner 3.49 m (11.5 ft)
Type A Used 82 times
Type B
3.49 m (11.5 ft)
Used 123 times
Type C
15 m
Used 112 times
(49.2 ft)
3.49 m (11.5 ft)
10 m
Type D
(32.8 ft)
Used 113 times
5m
(16.4 ft)
Type E Used 70 times
Panels
Uses 2 Formliners
Uses 4 Formliners
Uses 6 Formliners
Consulate
13
21
18
Aux. Office Building
21
4
40
Type F Used 16 times
The facade of the building is entirely made out of precast concrete using rubber formliners. Six unique formliner patterns of varying intensity are used to create the facade details. The reusable rubber formliner system provides variance between panels while allowing maximum reuse of each formliner. As you walk along the bridge, more of the building begins to reveal itself and the facade appears to be moving due to the varying size and repetition of the cut outs in the panels. Each panel contains either 2, 4 or 6 of the various formliners stacked to create the continuous surface. At the end of each interior bridge, the panels are pushed out on the facade of the building creating small terraces as seen on the plans above. At this moment the pattern on the panels on the facade of the building either expand or contract to create a moment of disruption.
The base of the bridge is precasted with places for the steel-framed archways to be embedded. Sun protection is provided from the frames at the top which is covered in glazing and is shaded by different vines to keep the sun off visitors. When the bridge passes trhough the interior of the building it is supported by steel framing. The steel frames around the top of the bridge are rotated slightly each time in order to create the illusion of being twisted when looked at from inside the bridge as well as to frame the view of people walking on it.
Steal Frame Bridge to Floor Panel Connection The programming on the main building is based on privacy. The offices which require more privacy such as the chief offices and EO offices are located on the ground level. The entry level and upper level consist of collaborative office spaces for each section’s general offices. The consular building consists of a waiting area in front of the windows where people get their paper work done. Behind the windows, there are two floors with offices for the individuals who work with the consular section. The marine housing is the smaller building located on the south end. Additional recreational areas and courtyards are provided around these buildings. Typical Moroccan landscapes are symmetrical due to the Islamic architectural influence in their culture. The courtyards found throughout the site were created based on this concept.
Structural Column Glass Railing Weld Plate Panel to Panel Weld Plate I-Beam I-Beam to I-Beam Connection
Footing to Retaining Wall Connection
Glass Door Weld Plate Steel Footing Insulated Panel
GeoFoam
Vegetation Diagram
de Sha ide rov P o es t opy Vin Can ing s s Gla el Ste
Bridge Materiality Diagram
rk wo me Fra
rete way onc alk st C and W a c Pre cture Stru
Construction Diagram
WALL SECTION
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404-205-3584
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E-mail thaliajimeneze@gmail.com
Thalia Jiménez Escobar Rhino
Date of birth 02-10-1998
• Fixed x-refs, added annotations, and made08-2017 changes in AutoCAD files Experience California Pizza Kitchen Waitress • Worked in golf services as Expert Experience • Welcomed and walked gu •Welcomed, seated and served guests in order to provide customers with the best assisted guests with directio service • Gained customer service sk Advanced
05-2018 Wakefield Beasley & Associates by 09-2015 Nelson Wakefield Beasley & A AutoCAD Intern 08-2018 Intern 06-2016 Advanced www.linkedin.com/in/thalia-jimenez-64524a127/ Experience Senior student at Clemson University on track to graduate in May 2020 with a bachelor’s degree in architecture and a minor inExperience French. Revit • Rendered several different projects in programs such asand SketchUp Fluent in English, Spanish and French. International multicultural experience studying in Venezuela, Colombia, England, the• Became Unitedfamiliar with the r Intermediate • Helped prepare construction documents in Revit and AutoCAD • Understood the process Skills States. Studied abroad in the Spring of 2019 in Barcelona, Spain. LinkedIn Architecture Student
SketchUp Personal
Info
Expert
Address Photoshop 11273 Calypso Drive
Expert
Alpharetta, GA 30009 USA
Rhino Phone
Advanced
404-205-3584 AutoCAD
Advanced
E-mail thaliajimeneze@gmail.com Revit
Intermediate
Date of birth 02-10-1998
Organizations
2018-11 - Tau Sigma Delta • Honors society for the top 20% of Present architecture country.
students
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SketchUp 2017-08 - Alpha Chi Omega Fraternity Expert at • Theta Lambda Chapter Present Clemson University Photoshop 2016-08 - Alpha Lambda DeltaExpert • Honors society for freshman year Present Rhino students in the top 20% of the class Advanced
2016-08 - AIAS AutoCAD • Architecture student organization Present Advanced Revit Intermediate
Organizations Experience 05-2017 08-2017 09-2019 2018-11 Present Present
Education
2016-08 Bachelor of Arts in Arch 2017-08 - Alpha Chi Omega Fraternity ••Fixed x-refs,Lambda added annotations, and made changes in AutoCAD files 09-2015 Wakefield Beasley & Associates Theta Chapter at 2020-05 • Pursued passion for buildin Present Clemson Intern University • Acquired a broader mindse 06-2016California Pizza Kitchen 06-2019 which took place in Barcelon Experience Waitress 07-2019 2016-08 - Alpha Lambda Delta Experience • Became familiar with the role of the Architect in a project • Honors society year in order to provide customers with the best Present •Welcomed, seatedfor andfreshman served guests • Understood the process of Design and the interaction of the different 2016-08 French Minor, Clemson 2016-08- 05-2018 Present 08-2018
www.linkedin.com/in/thalia-jimenez-64524a127/
Skills
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students in the top 20% of the class service disciplines 2018-12 • Continued French studies s • LearnedBeasley the process creating construction AIAS Wakefield & ofAssociates by Nelsondocuments • Learned about French la • Practiced student Revit andorganization other Design software programs • Architecture Intern history •Experienced the materialization of a project by assisting in one of the firm’s local Experience projects during construction • Rendered several different projects in programs such as SketchUp • Helped prepare construction documents in Revit and AutoCAD • Assisted with other programs such as Photoshop and Bluebeam
Education
05-2017 2016-08- - Topgolf Bachelor of Arts in Architecture, Clemson University (CU) Bayhost, Golf Services 08-2017 2020-05 • Pursued passion for building design and composition
2016-08 2018-12 09-2015 06-2016
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Intern Experience Experience • Assisted in development of floor plans, exterior elevations, interior elevations, •building Assistedsections, in development of floorplans, plans, exteriorplans elevations, reflected ceiling floorings and stairinterior sectionelevations, details. building sections, reflected ceiling plans, floorings plans and stair section details. • Assisted with construction documents and UL details •• Assisted withadded construction documents and changes UL detailsin AutoCAD files Fixed x-refs, annotations, and made • Fixed x-refs, added annotations, and made changes in AutoCAD files
Intern Experience Experience • Rendered several different projects in programs such as SketchUp •• Rendered severalconstruction different projects in programs as SketchUp Helped prepare documents in Revitsuch and AutoCAD •• Assisted Helped prepare construction documents in Revit and AutoCAD with other programs such as Photoshop and Bluebeam • Assisted with other programs such as Photoshop and Bluebeam Bayhost, Golf Services Experience Experience • Worked in golf services as a bayhost/hostess •• Worked in golf a bayhost/hostess Welcomed andservices walked asguests to their bays, created membership cards, and •assisted Welcomed and walked guests their bays, created membership cards, and guests with directions andtoinstructions assisted guests with directions and instructions • Gained customer service skills • Gained customer service skills
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Education Education