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The Kaje is all about the arts; from the upcoming and underground through to the commercial mainstream. If it has creativity at its core, we want to know all about it.
Given the increasing number of emails in relation to our name, I have decided to dispel the many theories behind our name’s source. The most popular thought being that The Kaje is simply a quirky mis-spelling of the cage. In fact our name bears no relation to captivity. The Kaje is quite simply the adjoining of two names; Katherine and Jeremy. A few years ago a close friend and I contemplated launching our own theatre cafe; a haven for the arts. Our idea sadly never came to fruition but the dream remains alive. In amongst all our discussions we pondered a suitable name for our haven of the arts, with The Kaje proving the out and out winner. Whilst the dream of being a theatre cafe has to date remained unrealised, my ambition of launching a magazine has been. In a positive step towards an end goal, Katherine and I spoke once again and I suggested tying the magazine in with our theatre cafe given their common arts drive.
needs
YOU!
We are currently recruiting contributors from diverse geographical locations. Writers, photographers and creatives are all needed! If you woul like to be considered please do send along your details to editor@thekaje.com
So there you have it! Simple as that - a simple tribute to a long lasting, true friendship. I know pass me the bucket! Jeremy Williams Editor
We would love to hear your thoughts about this issue. If you like, or even do not like what you ďŹ nd, then please do let us know! Feature and Review suggestions are also welcomed. thekaje@thekaje.com
The Kaje Crew....well, a couple of them anyway!
Alex Wolverson is a student, writer and Ballroom dancer. He has always loved writing and manipulating the English language, recreating what he feels has been lost in modern literature; sincerity.
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Tim Macavoy is a polymath... judging at the Torino Film Festival, acting in two classical plays and an advert dressed all in green lycra, Stonewall Award nominee for broadcasting, writing two series of radio sitcom Finlay Finds Himself, being a culture journo for AfterElton, AOL and of course this here right now!
Contents... 4. Xander Bliss. “When I was young I thought art was all about money and snobbery but it isn’t.” 6. The Good Natured. “I like it when an artist makes things personal.” 8. Craig Houston. “We have such limited time on this planet, why waste it?” 10. Lail Arad. “Nothing has felt like this is the moment that has completely changed my life.” 12. Giorgio Faletti. “Luck is an essential component of success.” 14. Ingrid Michaelson. “Be a musician because you can not be anything else.” 18. Monica Mancini. “It was my mother, who was a singer, who really inspired me to do what I do.” 20. Max Hardberger. “I get a chance to risk my life as much as I want.” 22. Graffiti 6. “We had that connection and decided to explore it.” 24. Dawn Foster. “We have a responsibility to treat our fellow man with dignity and respect.” 26. Yetunde. “I always describe my sound as my emotions.” 29. WIN! WIN! WIN! WIN! WIN! WIN! 30. Ballet Boyz. “We could go on forever, we may not but we can.“ 35. Forgotten Gems. Album: Delta Goodrem ‘Innocent Eyes’ Book: Ernest Hemingway ‘A Moveable Feast’ Film: The Piano 43. A Word Of Advice. 44. Designer of the Month. Helen Woodward Design 46. Steal My Style. 47. The Way I Saw It. Las Vegas 48. Reviews. www.thekaje.com
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Words: Sophie Baczynski Images: Martin ‘Xander’ Bliss
Xander Bliss
Xander…a unique and individual name reflective of a unique and individual artist. Labouring under the belief that ‘art keeps us alive’ his work focuses on reflecting people and their personalities. With his influences including a drag queen and a big breasted acquaintance, its easy to see why his work is so splendidly distinctive. An artist whose ideas ‘literally itch until they are out onto my canvas’, he articulates these thoughts through a series of art forms and designs including painting, sculpture and furniture. Xander talks to The Kaje about his future plans, his influences past and present and the importance of art in our modern world. Could you sum up who Xander is? What does his work represent? I’m an out-going, culturally driven person with an ambition to do something great. It’s always been my aim to do something that people might remember for years to come and considering I’m not that good at anything else, I thought I’d give art a try. I started painting about a year ago and I’ve already sold over 100 paintings so I must be doing something right. My work represents how I feel the day I do the painting. Since I was little I’ve been sewing, building and creating things. I’m a huge fan of ‘Site-Specific’ work and always take elements from my surroundings and put them into my work. If I get to paint then I’m happy.
“I like people who stand out and can be themselves despite the pressures of the world.” What elements inspire your art work? What people, places, feelings? I think people inspire me the most. The feelings I get from them and their personalities. My partner Liam has inspired me a lot, because he’s such a strange and slightly off-putting person. If he doesn’t like my work, he’ll tell me and then I’ll tell him he simply doesn’t understand me as an artist. I’ve heard people talk like that on TV so I’m pretty sure it’s a good response to negative feedback. I like people who stand out and can be themselves despite the pressures of the world. I’m a fan of Jeffree Star. He’s a drag queen like no other and focuses on bright colours with demonic personalities. I love his abuse of the things people mentally link to as “happy feelings”.
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I’m also a fan of places. I lived in Bath for three years and I’m fighting to move back there. I love the people, the buildings and just the pure happiness I get when I’m there.
“When I was young I thought art was all about money and snobbery but it isn’t.” Which artists do you admire? Past and present? Present artist has to be a boy from Birmingham called Jak Flash. He’s a photographer and photo artist. I modelled for him and normally I hate modelling, but I loved the outcome. He’s very edgy and controversial and likes to play with the body. I also like the French body artist Orlan. She has plastic surgery to change her features into what should be “the perfect woman”. I like the idea that the body is a blank canvas. Past Artist it’s Gustav Klimt. I love his dark and his colourful work, his use of gold and his placement of people and objects are just beautiful. How important do you think art is today in the modern climate? It keeps us alive. Without it life wouldn’t be worth living. People think it’s a problem that there are so many artists now but I think it’s a great thing. It’s a meditation, a way of expression and a hobby. I think there should be more artists in Britain and people shouldn’t be so scared to do it. When I was young I thought art was all about money and snobbery but it isn’t, once again I was lied to by the media. I’ve learnt to trust in myself...after all, it’s my art. When I get an idea...it literally itches until it’s out onto my canvas. Where can our readers see more of your work? I am arranging to show some of my new work at The Heritage Centre in Nuneaton which I shall be advertising on my website. So all are welcome. I am working together on a clothing line with my friend Dave who is and artist based in Bristol and incredibly talented. We also share a website devoted to our art. www.canvas-art.tumblr.com/
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a challenging position to be in at the moment as there are so many female artists out there, but there are also lots of indie bands. I don’t really see anyone bracketing all those together in the same way. The female artists are all really different so it is a shame that people just categorise them in one way. I honestly think they are all great but you couldn’t really put me in the same box as Florence & The Machine.” “I used to play the violin, then the drum. It was when I was learning the drums that I started listening to all different types of music. Then at 15 I taught myself keyboard, which was only on my Grandma’s old keyboard. It was at this point that I started writing. As I wrote more I got better.” With music already running through her veins, Sarah never intentionally set out on the road to a music career. Her initial recordings were mere experiments. Like many of the current wave of electro-inspired artists, Sarah has drawn influence from the 1980s. Perhaps the reason for the inspiration Interviews can often be somewhat surreal. Two is more logical than it is calculated. “My parents people meet with the sole intention of the one have an awesome record collection so I just used finding out about the other. It is a bit like a date to listen to all of it and learned. Japan and Tears but without the romantic interest. However, there For Fears were two of my biggest influences.” are occasions when a face to face meeting is not feasible and this allows for technological error. Sadly Sarah MacIntosh aka The Good Natured “It is quite a challenging poand I have been unable to set a mutually agree- sition to be in at the moment able time to meet, so instead we swap numbers as there are so many female and set a time to call. However, phone issues artists out there, but there are mean that our conversation is stifled by poor signal and constant loss of connection. Not the also lots of indie bands. I don’t ideal setting for an interview, but Sarah lives up really see anyone bracketing to her pseudonym and takes it all in good nature all those together in the same as our disrupted dialogue takes shape.
way.”
The Good Natured will inevitably fall under the branding of a new female artist joining the current swathe of successful British female soloists. Yet Sarah disagrees with her labelling. “It is quite 6
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A true DIY artist, Sarah started experimenting with songwriting at 15, whilst her initial recordings were all done in her own bedroom. By
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Words: Jeremy Williams Images: Yann Faucher
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making homemade recordings of her compositions, Sarah started a journey of finding her own voice. “I didn’t know at first what I wanted to sound like, so I was just happy to experiment and work with whoever. But now I know more about how I want to sound.”
is about the way you treat your body. Drugs and alcohol for example. Even if you don’t care about treating your body in a bad way, it doesn’t mean someone else won’t. My ex-boyfriend took a lot of substances and I used to get really annoyed by it.”
Having found her sound, Sarah followed the route best known to aspiring musicians today – she launched her musical alter-ego on the world wide web. Whilst the internet is swamped with music’s wannabes, The Good Natured instantly stood out. A true believer in fully connecting all elements of her project, Britain’s new DIY Queen started selling homemade EPs to her growing fanbase. “I like it when an artist makes things personal. All my Eps were handmade which allows the whole project seem more connected to the listeners.”
Clearly unafraid to confront her past issues in her subject matter, she insists that not all her material will not always be inspired by a bad situation. “Obviously I am not going to have a bad experience to write about all the time, but in this case I needed to vent my frustration.” And with that the signal cuts out for one final time marking the end of what could have been an awkward interview, but one that was met with laughs rather than annoyance. “Your Body Is A Machine” out July 5th. www.myspace.com/thegoodnatured
However, even Sarah is aware that hers is a unique approach to a career in music. As her popularity grows, so does the probability that she will not be able to maintain her self-made approach to her recordings. “The single “Your Body Is A Machine” is going to be self-released as I don’t want to lose that touch just yet. But as things grow, I probably won’t be able to continue in the same fashion. It is a shame but it would just be too difficult.”
“I like it when an artist makes things personal. All my EPs were hand-made which allows the whole project seem more connected to the listeners.” Even if the released product loses an element of the personal touch, the honesty with which Sarah pens her material means her listeners will also get an insight into her world. “The single www.thekaje.com
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Craig Houston
“Out to prove that Birmingham does have some fantastic talent.�
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Words & Images: Jeremy Williams The Kaje has always set out to discover upcoming and exciting talents, so we always get excited when a suggestion arrives in our inbox. Birmingham actor Craig Houston is just one of the suggestions that has got us excited in the past few weeks. Whilst many young actors leave their home cities for bigger media centres London and Manchester, Craig has stayed true to his home town. “Birmingham’s art scene has come a long way and is still developing further, in order to meet the same standards of other cities such as London or Manchester. Whether this constant improvement pays off, well, time will tell! The Birmingham Repertory Theatre for instance does some fantastic things for young people, something I wish I had available to me when I was a child. The Young REP, The REP’s youth theatre company, works with young people across the West Midlands. If I had known about this when I was younger - I would have given myself a massive head start!”
left disheartened by the centralisation of casting. “Birmingham has a lot to offer arts-wise, however, the majority of venues don’t produce their own work and then display it here, they gather actors and professionals from other areas and bring them to Birmingham, the REP is one of the few that produces some of its work.” But not all local artists have given up hope and in recent months Birmingham artists have been vocal about their hopes. From the establishment of Created In Birmingham, an art shop representing local artists, in the Bull Ring to the re-opening of the MAC. The surge has also seen the formation of the South Birmingham Theatre Company, for whom Craig is proud to be performing. “We are out to prove that Birmingham does have some fantastic talent to be seen and heard!”
Currently working hard learning lines, Craig is clearly thrilled as he tells me all about their upcoming debut venture. “Shakespeare Shorts is basically a couple of carefully selected scenes “You pick yourself back up from various Shakespeare pieces. I’m playing and you continue!” Iago from “Othello”. The added bonus of the night is that the show also has three musical numbers. Even if he missed his head start, the 21 year old I will be opening the show with a solo number. has wasted little time in making headway in a To be honest it’s the scariest thing I’ve ever had difficult field. “My career has been very short so to do!” far but the main highlight came in January 2010. I auditioned for a mixed band in a project was “We have such limited time on called The Nation’s Band. I love to sing and dethis planet, why waste it?” veloped my voice at Theatre School, it wasn’t until then I realised I had a strong vocal. We got the part we were ecstatic. I thought to myself “Oh my Craig realises that his time in Birmingham may God, this is it, something is going to happen!’” run short, with his ambitions potentially bigger than his home base. “I want to work my way into Sadly the dream was not to be realised. As with West End musicals. I had a taste of the London many upcoming arts projects a lack of funds saw arts scene and sadly Birmingham is currently unthe group disbanded after a dream few months. able to compete. I love my home city and wish But Craig was not left disheartened. “I was devas- there were more opportunities here, but I would tated but these things happen, you pick yourself say that I will be London bound within the next back up and you continue! In fact, my audition year along with all the other hopefuls. However, video has yet to be removed from YouTube! I’m it is not fame or fortune Craig seeks, he is just slightly embarrassed! On the total plus, I made happy to perform. “In all honesty I’d like to be some amazing friends and met some amazing working and even if it’s making a small amount people and I’m still in touch with the other mem- of money, it would mean more to me to do what bers.” I love and be paid little, than get paid a massive amount in some corporate office role that I didn’t After a dream few months in London, Craig really have a passion for. We have such limited packed up his bags and returned home to Bir- time on this planet, why waste it? Follow your mingham to continue his quest. An avid believer dreams, I’m a firm believer in that.” that local arts should be encouraged, Craig is “Shakespeare Shorts” on 18th July one of many provincial actors who have been Crescent Theatre, Birmingham www.thekaje.com
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Lail Arad
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Words and Image: Jeremy Williams The first time I heard Israeli parented, London born and raised singer/songwriter Lail Arad was performing a cover version of Justin Timberlake’s “SexyBack” with her cousin Gaila on YouTube. Like many aspiring talents, Lail had noticed thatthe internet was her gateway to public knowledge. Far from being nonchalant about her dream career, Lail was truly proactive and gained attention “A lot of those videos are two years old, but now there is more attention to what I am doing that they are having a second life which feels a bit funny for me. Each one has its own story. At the time I was just gigging and I didn’t have a label. I wasn’t even recording so I just used the tools I had around me. It was just another form of expression. The Adam Green video has a very specific story which is explained within the song and the Justin Timberlake one was just for fun.”
gradual. It has just seemed like this is the next natural step. Even with the album online launch party, this seemed like the next logical step and then the physical release is next. The gigs will keep getting bigger and so on, but it is all gradual. I am so lucky in ways I didn’t get picked up randomly when I was 18. I have been able to do things my way. Everything that took more time was better for it, through the learning experiences I have had as a result. A lot of artists I like started older, say Camille or Rufus Wainwright, you can just feel the maturity in their work. They are artists and they have built what they are doing. They won’t be going away in a rush.”
“I never thought about whether a song could be played on radio. The aim is to write the “I think you can focus on what best songs possible.” you want to do and build your In a similar vein to her musical inspirations, Lail own career. If it is good then has not viewed “Someone New” as an opportuhopefully people will be inter- nity to become an instant celebrity. In fact, Lail has not even considered whether her mateested in it.”
rial would be considered radio friendly or not. “I “The music industry has changed a lot and is still wasn’t even writing an album, I was just writing changing. Let’s see what happens as it is not songs. I wrote lots and lots of songs, killed them in the best state. But it didn’t bother me. I think off and wrote new ones. There was always a it is nice that you can make your own videos. I batch in circulation. Then when I signed with the think you can focus on what you want to do and label and we got a producer, I looked at what I build your own career. If it is good then hopefully had and chose which ones were best for the alpeople will be interested in it. I did make demos bum. I never thought about whether a song could and put them on MySpace but never spent days be played on radio. The aim is to write the best putting them in envelopes to send to people. I songs possible.” got my record deal in a random way. Someone introduced me to this woman in Paris and she “If someone described the album as pop, then invited me to do a show. She liked it and it all I wouldn’t necessarily disagree with that. There just rolled from there.” Whilst Lail had dreamt of are some elements on the album that are quite a career as a singer/songwriter, it could never pop. The production is colourful and fun.” When be said that she falls into the category of a wan- it comes to defining her own sound Lail states nabe. Lail is chasing a dream career rather than quite clearly that she does not “really like bracka moment in the spotlight, something which is eting anything together” though she concedes emphatically clear as we sit chatting in a sun- that a lot of my influence is folk, but a different drenched Regent’s Park. The previous night Lail folk to Laura Marling and Noah & the Whale. I had celebrated the launch of her debut album am sure there is some crossover but a lot that “Someone New” with a sold out intimate gig at comes out of them is quite traditional, whereas Camden’s Green Note but as she turns up for I used to listen to more folk-rock, like Dylan and her photoshoot and interview, she is relaxed and Leon Russell. It is little bit more rock ‘n roll. The lyrics are a little less pure. I am definitely not a unaccompanied. purist.” “Someone Newl” is out now. “Nothing has felt completely like this is the mowww.myspace.com/lailarad ment that has changed my life. It has been so www.thekaje.com
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In a relatively short space of time Giorgio Faletti has installed himself as Italy’s premier thriller writer. Eight years after his first novel “I Kill” was published, selling over 5 million copies worldwide (and still going), The Kaje caught up with him to talk about the novels, the future and the “spaghetti thriller”.
Giorgio
It’s been nearly a decade since “I Kill” was published in its original format, how do you view the novel in hindsight? I had no experience so it was pure instinct. So I don’t try to analyse it nowadays. I am very proud that “I Kill” is the second best seller of all time in the history of Italian literature. That is enough for me. What was the inspiration behind “I Kill”? My inspiration and my purpose were to write a story about a serial killer that, by the end of the novel, could leave the reader with a sense of pity. The only way was to create a character that killed for the purest reason in the world: a true sense of love.
“Luck is an essential component of success.” Was writing “I Kill”, as your first novel, an easy process for you? Thinking back to the writing process of “I Kill”, I only can say that was a chaotic process propped up by a quantity of talent and, I’m sure, by a bigger quantity of luck. Luck is an essential component of success. Eight years, nearly two dozen translations and millions of copies sold, why is the book still such a success? I’m a man so, if I can chose, I like to think that it is because “I Kill” is a masterpiece! But at the same time I’m a cautious writer and I must say I don’t really know. I suppose because it is a good novel involving readers in a new way. I agreed with myself that I can deserve the second hypothesis. Why Monte Carlo, since it doesn’t seem to be most obvious location for a serial killer to operate? 12 12
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Faletti
During my research I discovered that in Monte Carlo there had never been a true serial killer before. I decided to move in a literary one. It seemed to me unusual and just a little iconoclastic at the same time. You have your critics for a variety of reasons, do you really notice what they are saying? Critics are part of my job and every time I read a review which is, how do you say it, not so flattering, I take my time to understand. First of all, if I deserved it and secondly if that critic wrote that review because they didn’t like my novel or because they don’t like me. “Father of the spaghetti thriller” - how did that title go down when you first heard it? It is direct reference to Sergio Leone and his “Spaghetti westerns”. I was proud of that and hoped for 30% of the fame and the talent of Sergio Leone…
“If that critic wrote that review because they didn’t like my novel or because they don’t like me.” Have you changed your method now or is it still the same? Every novel is a new experience and as every new experience you can learn from it. I can say I’m more professional now and I have improved my technique and my self-discipline. I hope I have improved my fantasy as well. “Io sono Dio” (“I am God”) was released last year but are you working hard on another novel at present and can you give us any information on it? My next novel for the first time is set in Italy, in Milan, at the end of the 70’s. Its the era I went to the city to try to begin my career as an actor. At the same time it was the period in Italy of terrorism and the violence of gangs that bloodied the street. A time in which crime and magic dreams were in the air. Those are the people I want to write about. There is a heavy nostalgic and autobiographic touch aswell. So what is the plan for the future? “I Kill” (Corsair) is out now.
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Ingrid Michaelson
“Be a musician because you can not be anything else.”
US indie queen Ingrid Michaelson may have become a household name Stateside due to her music appearing recurrently in popular drama and comedy series (notably Grey’s Anatomy launched her biggest mainstream hit “The Way I Am”, but on these shores album number three “Everybody” will be viewed as a debut outing. No stranger to chart success (as a writer) on this side of the pond, Michaelson even co-penned Cheryl Cole’s Top 5 hit “Parachute”, she hopes to follow in the footsteps of good friends Jason Mraz and Sara Bareilles in breaking into UK chart territory as a singer. “Everybody” is album number three, but your UK debut. Do you feel debuting over in the UK with number four will demonstrate your honed ability? I didn’t plan that to be the case, it just happened. I am glad that it is the debut album in the UK because I am the most proud of it out of all my records,
““Everybody” is autobiographical and was not hard or scary to write. It was therapeutic.” “Everybody” is a break-up record. Have you ever been afraid to put your true emotions into your work? When I first started writing I did not write about myself, they were just stories. I don’t think it was because I was fearful. I just didn’t know how to do anything different. “Everybody” is autobiographical and was not hard or scary to write. It was therapeutic. You are also releasing a special edition double album, what prompted this decision? I wanted people in the UK to be able to own my earlier work without re-releasing the old records, so instread we simply squished a few of the best on two CDs. Your popularity Stateside is fast growing, how do you think your sound will be received in the UK? 14
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I have no clue. I can only hope for the same success that I have achieved in The States. I really don’t know what will happen here. Your song ‘Parachutes’ was recorded by Cheryl Cole. How aware of her work were you before she recorded the track? I did not know of her at all. Do you find it hard hearing your work covered by other artists? No, I think it is both flattering and thrilling to hear something you made through someone else’s voice. You have recently performed several dates in the UK, how did you find the response? Everyone was very kind and gracious. Also slightly reserved tinged with a touch of craziness. Whilst in the UK, you often made reference through Twitter and in your live show to Mary Poppins. How does the reality compare to the world of Mary Poppins? There are no singing orphans or chimney sweeps.
“I think it is both flattering and thrilling to hear something you made through someone else’s voice.”
everyone?
Your career was kickstarted via the internet, do you think the medium has opened the music industry to
Yes definitely. Although now I feel like the internet is over saturated with music and musicians. All things come in waves. If you had one piece of advice for someone trying to break it, what would it be? Be a musician because you can not be anything else. Do not do it for fame or money because for the most part you will be let down. Put your heart in your words and be yourself. That’s succeeding in my mind. Words & Images: Jeremy Williams
“Everybody” is out now. www.ingridmichaelson.com
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Monica Mancini
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“I wanted to make an album of the music I have always had in my life. Back when these songs first came out, I would have always been the first in the queue at my local record store to guarantee I got a copy. I guess I have always been a big fan of music so it is very much a part of my life.” Unsurprisingly as the daughter of Jazz composer extraordinaire Henry Mancini and singer Ginny O’Connor, Monica Mancini has managed to more than carve out a successful career in music of her own.
Words: Jeremy Williams The twice Grammy nominated performer is on the dawn of releasing her tribute to the music which inspired her, “I’ve Loved These Days”, but she has no fears that critics will deride her collection of covers. “All the songs were originally sung by men, so in a way there is no way that they can really compare my versions to the originals. Also we have some of the original artists appearing with me on the record. Though sadly Sir Paul McCartney didn’t work out. I got so close to recording with him. We met with him in London and he liked the idea of working together, we even managed to schedule a session. But then life got crazy busy for him and it didn’t work out. For me working with him would have been it for me. I was the biggest Beatles fan when I was younger, you could always hear me playing their records. I had to pinch myself after the meeting, but I hope one day it does happen as that for me would just be the ultimate.”
“I guess we would have known right away if they hated what we had done as we just would not have heard back!”
ally recorded my parts before we got them in to record with us, though we did do the harmonies together. But when Jackson was in the studio, he really took due care and attention. He spent nearly five and half hours to ensure his recording was perfect. His take was so beyond expectations that when I listened back to what I had prerecorded I decided to redo mine. He just inspired me to step it up.”
“It was my mother, who was a singer, who really inspired me to do what I do.” When it comes to inspirational figures, Monica realises that she has always had a pair of significant influences very close to her heart in the shape of her successful parents. “It was my mother, who was a singer, who really inspired me to do what I do. She worked in studios a lot and used to take us down with her. I grew up familiar with the environment.”
Whilst on a practical level, it was a maternal influence that inspired her career choice, her father’s embracement of all musical genres enWhilst her Sir Paul McCartney collaboration may couraged a young Monica to become completely have slipped through the net, she managed to immersed in the music she pays tribute to. “He bag music icons Jackson Browne, Brian Wilson, was always very embracing of other people ‘s Stevie Wonder and Felix Cavaliere for the album. music. The record player at home was on all the “I was not really worried about what they would time, especially once the so-called British Invathink to what we had done with their songs. sion started. When all that started I had it playWhen we contacted them to be involved, we had ing 24/7. Dad wanted to stay current and would already recorded a rough version of the track so often place a Beatles or country medley into his they could hear our intentions. I guess we would concerts. I guess he was great for our tastes in have known right away if they hated what we had music.” done as we just would not have heard back!” “I still sing his songs in concert. I love to carry “Stevie is a good friend of mine anyway so I knew on his legacy”. Whilst “I’ve Loved These Days” he would be on board. It felt very safe working is a nod to her childhood, Monica has never with him. “Blame It On The Sun” is one of his shied away from her parentage. Many children favourites songs too. But no I was never like ‘Oh of stars feel swallowed by the shadow of their My God I am working with my idols’ though I was famous parent, but Monica is only too happy to very excited to be working with them.” With the celebrate her father and his impressive compoproject a direct response to her adolescent idols, sitions. Describing herself as an “ever-evolving Monica found herself in the unusual position of artist”, Monica acknowledges her privileged posiswitching from admiration and individual’s artist- tion but says even she never knows what is next. “We just love to travel and to work. I have been ry to mutually exploring the creative realm. speaking to a South American musician on Twit“It was never a case of being in the studio and ter so maybe I will do a Bossa Nova record next. just saying ‘how do you like this?’ We would work But first I have to get this record out.” together to create the best record. I had actu-
“I’ve Loved These Days” out July 15th. www.monicamancini.com
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Words: Jeremy Williams
Max Hardberger “A “Seized” author Max Hardberger has an English degree, an MA in Fiction and Poetry and a law degree. He is also a member of the California bar and has a maritime law practice - who doesn’t? In amongst all that, the 61 year Louisiana native managed to fit in a writing career and stints as both an aviator and a ship captain. Rather than taking it easy, Hardberger has put pen to paper to tell of his varied experiences...
“I tried to stick to the facts as much as possible within the parameters of telling a good story.”
modern-day Indiana Jones”
work, guards on board, and the necessity of cutting the anchor chains with a torch. As a writer, you have worked with both fact and fiction, which comes most naturally? I suppose that fiction and fact come equally to me. I’ve written many articles for WorkBoat Magazine (over 100) so I’m comfortable with nonfiction, but I’ve also written a bit of fiction (my concentration at the University of Iowa’s Writer’s Workshop was fiction and poetry), including my first non-textbook book, “Freighter Captain”. “Seized” is described as a factual book, with fictional elements. How did you decide to strike the balance?
If someone asked you what your profession was, how would you describe yourself?
For “Seized”, I tried to stick to the facts as much as possible within the parameters of telling a There have been many highlights in my various good story. It’s all true, but I’ve moved a couple careers; I suppose that playing drums for Luther of stories around for the purpose of pacing and Tucker, a legend in American blues music, was dynamics. Of course, I had to make up dialog a highlight. I remember my days teaching Eng- and many details to make the book interesting, lish and history with much affection. In terms of but all of them are in keeping with the details that flying, the most memorable experiences were I remember. probably during my days of delivering airplanes to Latin America. Of my ship extractions, the For those who have not read “Seized”, how most memorable was the Maya Express, con- would you describe the adventures? sidering that Haiti at the time was in the middle of a revolution and I was faced with a number of For those who haven’t read the book, I would gendifficult challenges, including engines that didn’t eralize that it’s about my various careers, with an emphasis on my jobs extracting ships from illegitimate seizures. The men and women-both allies and enemies--in the book are a large part of it, as well as the many plots and scams that I’ve encountered in my 25 years in the shipping business. You have described yourself as a “modern-day Indiana Jones” – can you tell me more... Actually, it’s been others who have described me as a “modern-day Indiana Jones.” I don’t see it: I try to do a job to the best of my ability, and the only connection I see to Indiana Jones is the fact that my jobs are sometimes dangerous. I can certainly say that I don’t enjoy taking risks and I try to avoid them; I suppose the only difference between me and many others is that, when risks can’t be avoided. I’m willing to take them. But I 20
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never take risks without trying to find other ways to accomplish my objectives. Your childhood changed dramatically when you moved school, do you think given your parentage that had the schooling not changed, you would have ended up in the vocation you did? I’m afraid that if I hadn’t been sent to military school, I might not have had the personal discipline to do the things I do. It came at a formative stage of my life, and I still retain the attitude I learned there, which was to do any job I accept without regard to personal reservations, and to keep trying until it’s done. Would you say the change developed your sense of adventure, or was it always within you? My sense of adventure came very early in life: my parents loved adventure books and we had a family library of over 7000 books. It was reading books of sea adventure, primarily those of C. S. Forester and Richard Halliburton, that instilled in me a burning desire to go to sea. In fact, I tried to run away to sea at 16, but the union wouldn’t have me because I didn’t have my parents’ permission. Would you say you still have the same sense of adventure? I suppose I still have the sense of adventure; I don’t know if one can lose that. I’m still flying, sailing, SCUBA-diving, and jungle exploring (I live in Belize from time to time). Additionally, as a movie stuntman I get a chance to risk my life as much as I want. What attracted you to such a dangerous vocation? I wasn’t really attracted to extracting ships as a profession; I sort of fell into the business as a ship captain who wouldn’t let his ship be seized by a corrupt local court, and then after I got a
reputation as someone who would do this sort of thing, people with ships in trouble would call me to help. I never held myself out as a ship extractor until I formed Vessel Extractions LLC with my partner, Michael Bono, in 2002.
“I get a chance to risk my life as much as I want.” You now work as a motivational speaker, do you think your experiences have opened your eyes to things you weren’t expecting? I wouldn’t say that I’m a motivational speaker in the usual sense; my speeches and talks tend to concentrate on my adventures--that’s what people seem to want to hear--and the primary motivation running through all of them is self-preservation. “Seized” is in effect a factual novel, what made you choose this format? Actually, “Seized” is meant to be a memoir rather than a novel, but my sense of storytelling required me to arrange the fact to comport with the requirements of pacing, dynamics, and dramatic tension. I don’t think these things change it from a memoir to a novel, since there is no significant fiction in the book, only a rearrangement of facts. “Seized” (Nicholas Brealey Publishing) is out now. www.maxhardberger.com
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Words: Jeremy Williams Images: Jenny Westbrook
“
“We had that connection and decided to explore it.” “So this is where it all happens, just grab a seat.” Producer TommyD is sat in his home studio whilst vocalist Jamie Scott ushers me in. No sooner have I sat down, that we are all sipping hot drinks and chatting away like old friends. Jamie has a guitar in hand and the planned interview is thrown out of the window as instead I am treated to casual conversation and intermittent musical interludes. That is by no means a complaint - out of the window went formal questioning, to be replaced by a favourable informal journey of discovery.
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Immediately evident to anyone who will come into contact with the pairing will be the natural chemistry between the pair. Instead of being workmates, the working partnership is instead an extension of a genuine friendship. “Whilst I was signed Polydor, my A&R man suggested we met. They wanted some new tracks to bolster my last album. “Stare Into The Sun” was in fact the first track we worked on together. They wanted me to tack it onto my album, but it wouldn’t have worked. But for both of us, working together was one of those moments that forces you to take a step back and consider things. I just took a
“Working together was one of those moments that forces you to take a step back and consider things.” Having caught their breath, the pair decided that their connection warranted further exploration. “When I first met Jamie I just trusted my instinct. As a producer you are the external eye, you take the ideas and mould them. With Jamie it felt very natural. In essence, there was a creative spark and we just locked in on it. In some ways, you could liken it to that of a sexual attraction. Sometimes there is that charge, a connection and sometimes there isn’t. You can’t quantify it. But we had that connection and decided to explore it.” Having decided to continue their musical journey, the pair had to make a few more decisions. Most importantly - what to call themselves. Clueless, the pair designed a game to help them out. “We would just open a book at a random page and point to a word. This would then be partnered with a word the other chose. We made a list of all the possibilities and settled on Graffiti 6.” “In fact, another of those possibilities was Geoffrey Drake. We wanted to do something darker and have just recorded the track ‘Goodbye Geoffrey Drake’. It is in ways a love song. You start off feeling sorry for him, his Mrs has left him. But as the story develops, you learn he is a serial killer.” An exclusive first listen to the rough cut follows. In build up, you would almost expect and dark, brooding number but instead ‘Goodbye Geoffrey Drake’ is somewhat upbeat and uplifting. Instead of feeling appalled by his actions, the listener is sympathetic. A tender honesty in Jamie’s vocal delivery, coloured by the upbeat backdrop makes you realise that sometimes things just happen. “It is kind of ironic. We decided to do a song about a serial killer, then Cumbria happens. In a similar way to our song, the media has been treating Derek Bird in a sympathetic light. He was an ordinary guy who just flipped one day.” Having arrived at Graffiti 6 via Geoffrey Drake and other random combinations, the pair also
vowed to ensure that their mutual enjoyment of the project was not effected.“We wanted to make sure that Graffiti 6 didn’t become a labour, that we didn’t become a machine. I have worked with many acts over the years and I think there is an important question that needs to be asked. Are you really enjoying it? I think if the answer is no, then it isn’t worth doing.”
Words: Jeremy Williams
deep breath and said we’ll see what happens.”
Jamie agrees.“If you do anything for years, then it will become a job, especially given the pressured environment in the industry. We want to try prevent that from happening. We want to make sure it stays fresh.” In direct response to their fears, the pair decided that rather than seeking a record deal, they would rather establish their own and see what happens.
“We wanted to make sure that Graffiti 6 didn’t become a labour, that we didn’t become a machine.” “The internet means that the music industry has changed. Being signed doesn’t mean what it used to. We can simply put our music online, on say MySpace, and get instant feedback and build a following without ever having to leave our studio. An artist can now create their own path.” Active users of all the hip social networking sites, the pair have built up a solid fanbase both in the UK and globally. Tommy admits he is “shocked by the speed everything has happened. We are in a really good position right now. But our plan is to keep exploring the music and let things happen naturally. That is the same way we treat our music, everything has to just feel right or else it isn’t worth doing. If we aren’t having fun and enjoying it then why should anyone else. I honestly believe that there is no reason why we shouldn’t be the biggest band in the world.” “And we are really modest” interjects Jamie. “We want to be headlining Glastonbury in three years but for now we just want our single to be heard by as many people as possible.” Annie You Save Me” out July 26th. www.graffiti6.com
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Dawn Foster Words: Alex Wolverson Image: Gareth McQuarrie “Suffocating” runs 27th - 28th July. Unity Theatre, Liverpool www.unitytheatreliverpool.co.uk
“Suffocating”, a play in one act, tells the story of Charlotte, a once happy little girl who is unfortunately given up to a world of violence, drugs, prostitution and her eventual incarceration into an institution. “Suffocating” also challenges the emotions of the audience as they are drawn into the world of Charlotte and the issues she faced whilst growing up.
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Premiering at The Cornerstone Festival’s one act play competition in 2007, “Suffocating” won a deanery prize and proved influential when performed at Liverpool Hope University over three nights to near sell out audiences each night in March 2008.
How did you start out as a playwright? It has been a very recent voyage of discovery. I started writing when I started working on this project, “Suffocating”, back in 2006. I was initially asked by Rachel Feeny-Williams to look at four monologues she had written which were, at the time, four separate pieces. I read the scripts and told her they were good but they needed to have more work done. We decided to link these four pieces and present it as a full play. We met up a number of times and started working on this project.
Why did you chose to present Charlotte’s story in one act? Back in 2007 we entered the script into a one act play competition at Liverpool Hope University. We came second but because it was a very close second to winning the competition. We were awarded a Deanery Prize for the script and we were also allowed to show the play over three nights which we did in March 2008, when we both directed the play. Explain Charlotte character to us.
“It was really enjoyable being able to bounce ideas off each other.”
Charlotte is a young girl who is thrown into a life of prostitution drugs and neglect and eventually ends up incarcerated.
What was your inspiration for this piece?
Who does Charlotte represent?
The initial stimulus for this piece was not my idea. Charlotte represents an unlucky few. I think It was actually Rachel’s inspiration originally. Charlotte is, like any other young person today who ends up on the wrong road, alone and vulHow was working with Rachel Feeny-Wil- nerable. It shows how easily we can all fall out of liams? the little bubble that is our safety zone. We must realise that we can all end up like Charlotte, it is It was great working with Rachel, it was really not only the bad who have bad life styles. enjoyable being able to bounce ideas off each other. It was when it came to directing the piece, when we showed it at University that we found “We all have a responsibility to problems so we broke it down and I directed two treat our fellow man with dignity scenes and Rachel directed two scenes and and respect.” each week we would meet once to see what the other person had done and fitted it together to Similarly, What does the character ‘Man’ repmake the play work. resent? Who has influenced your interpretation of theatre?
“Man” represents the nasty people of this world who do the things he does, we called this character “Man” because we felt he was too nasty to I think the main theatre practitioners whose influ- have a proper name so we didn’t give him one. ences I use are Brecht, Stanislavski and Meyer- To name someone we are allowing them to be a hold. part society, therefore by taking away his identity we are, in effect, further alienating his character If you could work with any actor who would and creating a far more fearful design. it be? I have worked with some people I really respect and I’m really pleased to have had this opportunity. So far I have worked with Martin Shaw when I was working as a TV Extra on his series Apparitions. I think that he would be great to be cast in this play, I can just imagine him as the main male character. Also Andrew Lancel from The Bill is also someone who would be great to work with.
How can society stop girls living a life like Charlotte? Society will never be able to. We all have a responsibility to treat our fellow man with dignity and respect. When we forget this and start living for selfish means we become like the men in this play, soulless. www.thekaje.com
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You are the first female solo artist to be signed Do you hope to replicate their success? to Greengarden Records. What do you think I would love in ten years time for you to be inmakes you stand out from the crowd? terviewing a new artist and them saying that Vocally I think that my sound is very unique. I Yetunde Johnson had inspired them to write suppose I could sing over any beat, I don’t like songs. I would love for that to happen. If I could to box myself. I always describe my sound as have an inch of success that my heroes have my emotions. It is really just an outlet to say how had I would be happy. I am feeling. I am bringing a new flavour in my own right. I am writing my own songs and have How did you find working with your brother my own stories to tell. There is a lot of eccentric- before you got your deal? ity going on at the moment, but I am bringing it back to the r’n’b/soul/pop crossover. I think in the When I didn’t have a deal, we worked in my brotUK there is a gap when it comes to that market. er’s makeshift studio in his bedroom. It is very That is where I would place myself. good to write with people who know you so well, it allows you to be vocal about what you really When I was growing up the people who inspired believe. All that early worked allowed me to grow me were Mariah Carey, En Vogue and SWV. But in confidence. Otherwise with other producers I unfortunately they have all kind of died out. So would have been too shy to say to bigger producnow there is something for young girls to dance ers that I didn’t like a beat or a sound. It is easy to and be inspired by. to think that because they have a lot of money behind them that what they say is always right, “I don’t like to box myself. I always but it is good to keep sight of your own opinion. Those early days built me up as a writer and an describe my sound as my emo- artist. My brothers have been a big part of this tions. It is really just an outlet to whole process for me. They are still very much a part of it all for me. say how I am feeling.” You write your own material, can you tell us a little bit more about the process... Most of the time I just get into the studio, without having listened to music for a few months. I just didn’t want things to influence me. Sometimes you hear a beat and it makes you feel angry, others remind you of love. You just kind of go with the flow. Sometimes I just write without the music, then try piece it together with a beat. It is usually to do with guys or to do with work, things that everyone my age goes through.
“I would love in ten years time for you to be interviewing a new artist and them saying that Yetunde Johnson had inspired them to write songs. I would love for that to happen.” Have you been able to use any of the original material for your forthcoming album “Favourite Things”?
A couple of those original songs are on my album. They have been jazzed up but I want them It all goes back to the Whitney era. But right now there as they are very sentimental for me. I never I would say Mary J Blige is a huge influence. She want to forget where I have come from or where has been consistent through the years without I am at the moment. necessarily conforming to expectations. She is still so modest, yet her voice is unique and her Having worked with your brother and collabsound complete edgy and contemporary. Some- orated with your labelmate Haydon Eshun. body like that I am still inspired by. I don’t think Who would be your dream collaboration. there anyone out there that is new that I would In an instant Pharrell Williams. I just think he is run to buy their album. I think the old-timers are a genius. still the greatest, Aretha and Marvin.
Who out there inspired you at the moment?
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“I’m What You Want” out July 12th. www.myspace.com/yetundejohnsonmusic
Nigerian born Yetunde moved to London at the age of 5. Now 24, Yetunde has been passionate about music since her days singing in her local Church choir. Surrounded by a musical family, Yetunde perfected her skills by recording demos in her brother’s home studio. Soon enough the demos landed in the right hands and Yetunde became the first female solo artist signed to Greengarden Records. With her debut single “I’m What You Want” out on July 12th, The Kaje decided to find out more about the UK’s upcoming soulstress.
Yetunde Words: Jeremy Williams
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YOUR ADVERT COULD BE HERE....
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WIN!
To e n t e r, send your name, address a n d a n s we r t o t h e k a je @ t h e k a je. c o m
SIGNED JIL IS LUCKY CDS!!! Question: What country do Jil Is Lucky come from?
SIGNED MONICA MANCINI CDS!!! Question: Who was Monica Mancini’s famous father?
SIXTEEN SHADES OF CRAZY PAPERBACKS!!!
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Question: What is the name of the band in the novel?
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SIGNED DELTA GOODREM CD!!! (Runners-up: Posters!!) Question: Delta Goodrem started her career in which soap?
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Question: Where is Nicky Swann from?
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“We are not superstars with sunglasses and fur coats, we are just ordinary people who love to dance.�
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“I think anything that lifts the profile of dance is worthwhile as far as I am concerned. What you see on Britain’s Got Talent doesn’t have that much in common with what we’d put on stage. The tickets for Strictly Come Dancing Live I am sure sell very easily after that much television marketing. So in some senses it doesn’t really help us with the people who are likely to come and see one of our shows. We might go to a town in the UK and there are 500 people who would ever see contemporary dance and no amount of television will change that. It is up to us to try find new ways of attracting the audience but I am not sure that Britain’s Got Talent does it.” In many ways the career path of celebrated dance duo Ballet Boyz has parallels with those of contemporary dance troupes including Diversity and Flawless, yet in others they couldn’t be more different. Michael Nunn and William Trevitt both spent their early careers as lead dancers for the Royal Ballet, however, a 2001 documentary for Channel 4 which followed their every move saw them dubbed the Ballet Boyz, thus launching their careers in contemporary dance and away from the Royal Ballet.
world of theatre that just doesn’t happen. It takes a colossal amount of work.” Having worked within the industry for years before Ballet Boyz, the pair were subjects with intent rather than seeking fame and fortune. But within the dance world, their lack of anonymity has allowed the duo to stand out from the crowd. “I think it gives an audience a little bit of audience to take a risk on it. A lot of people think I could spend that money on contemporary dance or I could just go to the cinema and I will know what I am getting there. The television programmes just give them that bit of insight, the insider knowledge that gives them the confidence to go an see a piece or a new art form.”
“I think there are cases when a company is bigger than its parts, but not with our company as it is all about the individuals.”
“One of the ways we differ from most other dance companies is that we are interested in getting people to know the individual dancers, to understand what their lives “You can have success over are like and recognise when they see them on stage performing. We want them be interested night. But that is very very in them as people and not just as anonymous rare and in the world of thea- bodies moving beautifully.” Having had a boost tre that just doesn’t happen. to their careers by allowing the public access to the personalities, the pair soon realised that in It takes a colossal amount of order to make the dance world more accessible work.” there had to be an element which reflected society’s obsession with personalities. “I think peoWith a profile born from a successful television ple are interested in personalities. There is much programme, the pair differ from the current crop more scope for engaging the audience if they are of reality television success stories. “We have al- engaging with a person. I think there are cases ways wanted to show how much work goes into when a company is bigger than its parts, but not doing the real thing. The problem with talents with our company as it is all about the individuals. shows is that it gives the impression you can just We want you to know who we are and something make it in an evening. You can have success about us. We are not superstars with sunglasses over night. But that is very very rare and in the and fur coats, we are just ordinary people who www.thekaje.com
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love to dance.” As a result Ballet Boyz has grown into far more than just a dance partnership. “We have always been interested in lots of different mediums. We started with photography, then we moved into making video diaries and arts documentaries, now we are looking into making dramas and features. At the same time the dance company is developing in parallel. We couldn’t have one without the other.”
“Michael and I have been eyeing our retirement for quite a while, as you can imagine a professional footballer might. You have got to buy that pub at some point.” To say that the dance company is developing is an understatement. It would almost be easier to say that the company has undergone a complete re-haul. No longer are Billy and Michael the central performance focus, as those who saw the BBC3 documentary “Balletz Boyz - The Rites of Spring” will already be aware. As the pair reach their forties, they are taking a step out of the limelight and instead training up aspiring dancers to step into their places. “Michael and I have been eyeing our retirement for quite a while, as you can imagine a professional footballer might. You have got to buy that pub at some point. We were wondering whether to slowly do less and less, to do it gradually but we had the courage of convictions to completely change the format. So we found these guys and spent a very long time passing on everything we could to them. They are inexperienced on the one hand but full of the most enormous potential on the other. That is the most exciting thing about our current show. It is the raw potential in front of your eyes with all its youth and experience. There is a sort of pay off. We had the experience and gravitas but we didn’t have the youthful exuberance anymore. It a more visually potent piece now.” “We have this sneaky suspicion that we might be better at directing than we ever were at performing. The problem with being in your own show is that you never get the distance from 32
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Words: Jeremy Williams Images: Arno
it to know exactly what the audience is seeing. With this group of dancers we can do that. We can produce a show in a more at arms length way. I don’t think it signals our complete retirement. The beauty of the position we are in is that we can commission a choreographer to work on a piece for us, and they will choreograph something that our more mature bodies can cope with. So we could go on forever, we may not but we can.” Once again echoing the talent show mentality, the pair break from the dancing world tradition that training is always essential. Rather that looking solely for wonderful trained dancers, the pair decided they would rather open their doors to anyone with potential. “We wanted a kind of cleaner palette, more for us to work with. What we did was, we didn’t demand they had no training, but we asked anyone who wanted to come and audition to come along. The Michael and I deliberately found out nothing about their backgrounds. They sent in CVs but we didn’t read them. We just watched them dance, set them tasks and tried lots of different styles. Observed who learnt quickly and who would take correction well, only then did we look at their backgrounds and where they had trained. Some of them have got the comprehensive dance training, some have got none. We wanted natural movers who would work together well and work with us well.”
“We could go on forever, we may not but we can.” In taking younger inexperienced dancers under their wings, the pair tested their skills as teachers. “We’ve enjoyed it a lot. It was actually a lot harder work than we’d thought as we had to do more than we’d thought. But it was very rewarding.”
www.balletboyz.com
Passing on skills is one thing, but as we close our conversation the pair assure me that passing on the name they acquired is something of a relief. “We’ve always had a strange relationship with the name. It wasn’t our idea in the first place. We tried to shake it off for a while but it had stuck so we embraced it. They are welcome to the name. Under my control, the people whom I grant permission to may use it.” www.thekaje.com
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Sometimes things get forgotten that really deserve to be celebrated. Each month we will be taking a look at an album, a book and a ďŹ lm that warrant a revisit. If you have any recommendations then send them through to thekaje@thekaje.com
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2003 was in many respects one the prime years of the noughties for music. Not only did it see the mainstream launch of The Black Eyes Peas with their first effort containing a contribution from former child star Stacey “Fergie” Ferguson, but also marked the year that finally saw the eagerly anticpated and much awaited debut album from Destiny Child starlet Beyonce. Meanwhile, Britney was definitely “In The Zone” as she released her fourth album. But hidden amidst the American chart domination stood an honest and discreet Australian talent. Having come to public attention in 2002 as the coy and aspiring singer Nina Tucker in “Neighbours”, by 2003 Deltra Goodrem had escaped her fictional alter ego and became a singer in her own right.
“Broke the mould musically, in a period of production, Goodrem’s simplistic songcraft stood out.” Her debut album “Innocent Eyes” was released in late March 2003 and although it only peaked at number 3 in the UK, I feel this album is one that deserved a lot more recognition. There are several factors that may have caused the lack of interest in Goodrem as a credible singer/songwriter. However, the most obvious is the fact that she was just the latest in a long line of soap stars to turn pop star. If this were to be the sole reason that deterred many people from giving her album a chance, then I believe it is these people who truly missed out on a selection of sublime music. The album opens with “Born To Try” which was the song used by her alter ego to launch a parallel career in the soap (which saw Nina leaving Ramsay Street to pursure her fledgling success) and as this song entered the real world, the lyrics rang true for a generation seeking success. “Born To Try” also broke the mould musically, in a period of production, Goodrem’s simplistic songcraft stood out. “Born To Try” was not alone in its pop perfection. As “Innocent Eyes” moves effortlessly from one song to the next, Goodrem is consiistent in her catchy and sometimes haunting melodies which contrast with her soft and elegant voice, best 36
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demonstrated on the album’s title track “Innocent Eyes”. Goodrem’s composition shows how a pop ballad should be written. But it is iher distinct vocal adding an extra depth which makes this the real stand out track on the album.
“Catchy and sometimes haunting melodies which contrast with her soft and elegant voice.”
“An honest and vulnerable side of Goodrem, a quality that is rarely seen in an artist’s debut album.”
Text: Christopher Hall
boasts some impressive collaborations, With Gary Barlow and Kara DioGuardi both on board, it is no surprise that this mid tempo album is full of not only catchy hooks and beats, but has the lyrics to compliment them too.
“Innocent Eyes” definitely takes us on a journey from its subtle and understated opening ballads, which sweep and gradually increase to mid tempo pop songs.. And that’s exactly what this album is, a real pop album. When listening to the album, I never question its integrity. It is presented in such a firm and honest way that what you see is what you get. It is rare to find a solid pop album that creates this security. Pop music always feels the need to be new, modern and at the risk of sounding like Simon Cowell, current. As a result, the pop scene is constantly changing, leaving the listener little time to capture a moment before moving on to the next. “Innocent Eyes” is a treat that is not afraid of staying still. I do not mean that its boring and stagnant but it really has taken the time to breathe and grow. I really feel it explores the aural setting it belongs to. Out of this bravery comes a sincere work from Goodrem. Not only do we enjoy the integrity of the lyrics and cleverly composed songs, but for me the real star of the album is Goodrem’s vocal quality. At the time she was one of the few pop singers brave enough to sing live on television, which just proved that she wasn’t just a studio artist but a live artist too. Never shying away, Goodrem’s vocal range is conAs well as proving her vocal ability, “Innocent Eyes” is a showcase of her more than impressive stantly explored throughout the album, starting writing abilities. Though the album as a whole in with a low and almost spoken start to the album a stunning selection, some real gems are there and ending in high melodical bliss with “Will You to be uncovered; “In My Own Time” and “Will Fall For Me”, making “Innocent Eyes” an album You Fall For Me” really show an honest and vul- that really should not be forgotten. nerable side of Goodrem, a quality that is rarely “Innocent Eyes! is out now. seen in an artist’s debut album. www.deltagoodrem.com Goodrem did not work alone and “Innocent Eyes” www.thekaje.com
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“The first to be published after Hemingway’s death.”
read the previous edit and therefore in details describes the edits that Sean Hemingway has chosen from the manuscripts that Ernest Hemingway left behind when he died. After reading the book I went back and read the introduction and found it much more interesting than on the first read through. A lot of Hemingway’s novel is focused on the mistakes and folly’s that humans make, particularly in those chapters that take place on his various winter skiing trips with his wife. He is also rather harsh yet apologetic in his analysis of the individual people that shaped his life through those years in Paris. Most interestingly is how he skims over his relationship with his first wife, Hadley. Every word written about her is positive and with every action that occurs between them he depicts himself in the wrong.
In this book Hemingway documents, in a fictionalised manner, his experiences when living in Paris during the early 1920s, ending with the dissolution of his first marriage. In a series of anecdotes he describes his relationships with such notable figures as Scott Fitzgerald, Gertrude Stein, Ezra Pound and others. He also explores the atmosphere and the different attitudes and desires during that period. Interspersed within these ideas “Focused on the mistakes and are recollections of surviving as a poor young folly’s that humans make.” writer with a wife, and then the added addition of his first son. Drinking is also a primary feature of When I started reading I wasn’t really sure. I am most of the conversations. not generally a fan of biographies. What saves Hemingway’s book is his ability as an author and This book was the first to be published after Hem- his manipulation of the truth. His language is fluid, ingway’s death. It was edited by his fourth, and engaging, and understated. It is in fact beautiful. last wife Mary Hemingway and released in 1964. He takes you back to 1920s Paris without wastIt was very successful and very well received ing words on painting the initial picture. This does which begs the question why re-edit it? Most of make the first couple of chapters quite jarring as the answer to this question is explained within there is no context to place them within but once Sean Hemingway’s introduction. Mary Heming- the reader is attuned to having a location and way was biased in her editing of the manuscript time established within the overall broad specthat is so complementary and apologetic to her trum of the novel then it becomes addictive. husbands’ first wife but it was approved by his estate. Whether this bias was good or bad is How forgotten is this book and indeed is Heminghard to say. “A Moveable Feast”, although based way? Most people know who Ernest Hemingway on reality is undoubtedly a work of fiction. One is but on asking around most could not name a cannot deny the grandson the right to rework his published work. It appears that out of literary cirgrandfather’s novel with his original writings in cles he is famous by name but not by work. This front of him. is an entirely different way to be forgotten, especially as his ending was so tragic and his work is The foreword, written by his sole surviving son, so beautiful. It does not deserve to be forgotten Patrick Hemingway, explains in brief why this par- in a time when the ability to create an addictive ticular edition has been restored, and the intro- story is taking precedent over any ability to write. duction, written by his grandson, Sean Heming- This particular book, as a restored edition, puts way, expands on the various edits and changes Hemingway back on the shelf, and hopefully, off that have taken place in this edition. The fore- the classics section for a couple of weeks. word, for the very short little introduction that it is, is worth reading but do not read the introduc“A Moveable Feast” (Jonathan Cape) is out now. tion if you have not read the previous edit of the book! It is just confusing. It implies that one has 38
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Text: Rachel Jacobs
I usually open my ‘Forgotten Gems’ with why I have chosen to write my review on this book but in the case of this Hemingway I can’t. I was sent it by the publishers, but do not get too alarmed. That is not why I rate it so highly. I can’t lie though, I was very excited when I received it because I have never read a Hemingway but he has always been on the “I will one day read” list.
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Words: George Mathioudakis The nineties was a thriving time for independent cinema. Phenomenal new directors appeared, and discovered an amazing amount of talent. Within that great era, Jane Campion appeared. She was first noticed with the movie “An Angel on my Table” but her true masterpiece was “The Piano”.
“ The acting, photography, direction, everything about this movie is flawless. “ Produced and first shown for the Cannes Film Festival, the movie is about a mute woman, who along with her young daughter, are sent to 1850s New Zealand for an arranged marriage, but she is instead lusted after a local worker on the plantation. For me, this is what cinema is all about. The acting, photography, direction, everything about this movie is flawless. I remember sitting in the cinema, at the tender age of fifteen, where all my friends were watching “Jurassic Park” but I chose to watch a much-hyped movie about a mute woman, so was not considered cool. But I did not care. And I am so happy that I didn’t. The amount of emotions I went through and the images that were offered to the viewers were such a gift that almost seventeen years later, I still cannot forget them.
get the harsh terrain of 18th Century New Zealand that surrounds the characters throughout the movie. A harsh terrain of rough seas, and vast jungle like forests being infiltrated by a piano, a piece of equipment, but in this movie a living a breathing soul, that does not belong to this place, but Ada, Holly Hunter’s character, refuses to do anything unless that piano is taken where she wants it. Ada, and her daughter Flora (as mentioned, the amazing Anna Paquin) are immediately strangers in this land; foreigners; outsiders. Flora, even though young, knows how to speak her own mind and also Ada’s mind – sometimes taking advantage of Ada’s muteness. In one of the most shocking scenes of the movie, Flora shows her true age and by a spoilt but perfectly understandable reaction to Ada’s secret affair, she is responsible for the most brutal punishment given to Ada. I try to write about “Forgotten Gems” that not a lot of people know, but are worth discovering. Or movies that people once loved, but soon forgot. I believe that anyone that has seen “The Piano” has not forgotten it but anyone that hasn’t, I hope that they discover it some day.
“Sometimes it is unbearable as it floods the viewer with emotions.”
Jane Campion, the first woman to ever win the I remember Anna Paquin, before her “X-Men” Palme D’Or at Cannes, and the second woman and “True Blood” fame, in her first ever role, back then to be nominated for an Oscar created mind-blowingly taking everyone’s breath away a haunting cinematic piece, where images and with her performance. A performance that did sounds do not just support the movie, but supnot go unnoticed and won the supporting ac- port the characters; actually becoming characters to say a part of the story and provide intertress award at the Oscars. action and opportunities for all actors to excel in I remember Holly Hunter, an actress who was their performances. not one of my favourites, sweeping me off my feet with her character, a muted woman; saying “The Piano” is not an easy movie to watch. Someso much with her eyes and her body language. times it is unbearable as it floods the viewer with emotions, but it is definitely a cinematic treat. I cannot forget the music, a beautiful, perfect Watch it with tissues, and let yourself immerse score by Michael Nyman, and the most gor- into the movie. I promise you will not forget the geous photography by Stuart Dryburgh, creat- experience. ing memorable pictures and sounds. The music; a wonderful piece of classical music dominates ‘The Piano’ is available on DVD. most of the sounds within the movie and lets the characters of the movie talk through it and communicate their emotions making the viewer for40
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11-29 May 2010 www.blueelephanttheatre.co.uk 42
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“Positive anything is better than negative nothing” (Elbert Hubbard)
Let’s be clear from the off. I am not a regular football fan, just one of those fairweather ones that gets into big international tournaments every couple of years. So note that this is a brief football analogy warning - but stay with me and I hope you will even find it worthwhile! I have just been watching the World Cup and after what could have been a much stronger start, England seem to have got back their mojo and have just beaten Slovenia 1-0 to qualify for the next round and everyone is jumping up and down with joy. Or so would you think! After huge criticism for poor performances and results in the first two games, England had to win this game to stay in the tournament. This morning and for the last few days, armchair managers and pundits all across the country have been saying that ‘if they don’t do this or that, then they may as well just pack up and go home now!’ Hardly the most positive thing that supporters can contribute but perhaps understandable given recent results.
It seems to be much easier for some to focus on the things that could potentially go wrong than on what could go right, as there is perhaps more at risk if you focus on what could go right. The England players focused on the positive. They had to. If you believe in the expression that ‘you get what you focus on, so focus on what you want’, then the England team did just that. The naysayers who are already saying that England will get knocked out in the second round could be helping the cause much more by being positive. Of course, we have to be realistic too, but why is it important for these people to be proved right by predicting a defeat? What would it really cost them saying something positive? Have you ever come back from a fantastic weekend where you have had a really good time with friends, family and doing things you enjoy and then you go to work/college/school/uni on Monday morning and ask somebody how their weekend was and they complain about how awful it was? How does that make you feel? You have just had a wonderful weekend and yet, all of a sudden, a few minutes with somebody focusing on the negatives completely drains you of any positive energy you had! So just think what could happen if they channelled all their reserves of negative energy into something positive? Think of the difference it could make! The team could progress in the tournament and more importantly, wouldn’t you want to be around people who are positive and a pleasure to be around? And wouldn’t the world be a better place?
Grove Hill Coaching specialises in motivating people to achieve their personal success and to be what they want to be.
So when England not only win the game but also put in a credible performance, it is perhaps surprising to hear that people are still unhappy. ‘They’ll just get knocked out in the next round now’ being a common theme already it seems. So what makes people say such things? They win the game. They play well. And still people are unhappy. What would they like the team to do? What would success look like to these fans?
Jason Newton jason@thekaje,com Grove Hill Coaching www.grovehillcoaching.com
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DESIGNER OF THE MONTH
Helen Woodward Design
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As always The Kaje has been hunting for those curious designers who stand out from their peers. Not only in skill but also endeavour. This month we have chosen “Helen Woodward Design” who creates some cracking jewellery on a day-to-day basis.
“I am very much influenced by the beauty and fragility of nature.” “Helen Woodward Design” emerged some five years ago from the inspiration Helen gained working on a variety of glossy magazine photoshoots. For most of us this would lead to a lot of thinking, a bit of umm-ing and ahh-ing about the whole subject, and then maybe carrying on with our normal lives. Being risk averse is just a standard part of our day, Helen however pushed forward with her plan to design jewellery. “I am very much influenced by the beauty and fragility of nature and the contract of old and new”, she says, and the strands connecting all her work are floral and insect motifs. The “Eliza silver lace butterfly necklace”, for instance, is seemingly delicate piece of artistry. The lace-imprinted scales on the silver butterfly provide a piece that is light and airy, which we suspect could quite possibly gently float away if you are not careful. It is that kind of detail which marks her out from the crowd. The sourcing of her material is also important to both Helen and to her customers. A quick internet search will reveal hundreds, if not thousands, of ‘part-time jewellers’ who produce the same kind of jewellery – lets call it ‘cheap and cheerful’ for now. However, Helen goes that extra mile sourcing glass, freshwater pearls and sterling silver. In some cases reclaiming vintage jewellery beads and metal stampings dating back to the 1920s.
Throw in her skill, and design choices, and she has some cracking pieces on show. Some particular favourites include the “Celeste copper flower and grey pearl ring” (pictured below) combines a striking brushed copper flower with a clear grey pearl focal point. The fact that this can be bought with a matching bracelet is obviously an incentive to partner with your hardearned cash. The “Elspeth red rosebud bracelet” (pictured below) is another striking piece. Once again it is part of a set, with both a bracelet and a ring.
“Classical in its simplicity.” As part of Helen’s own business ethos she is more than happy to customise her jewellery to her customer’s needs. In a time when value for money is quite key to many individuals, the inexpensiveness and the customisation of jewellery that Helen provides is amazing. Unlike the subtle complimentary aspect of the Celeste, the Elspeth is deeply moody, something for an evening out perhaps? The vintage red rosebud flower mixing with the black onyx gems is classical in its simplicity, and could easily go wrong in the design element – however, the Elspeth’s elegance cannot be argued. Overall, the individuality of Helen’s designs and the fact she is not into mass production makes her work covetous, and a must have for everyone’s jewellery. Her attention to detail, reclaiming strange and wonderful pieces of vintage items, also add an air of mystery to her work which enthralls her customers and wins their admiration. www.helenwoodward.co.uk
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STEAL MY STYLE: Tyler My sense of style has been evolving over time. Starting from my days as a chubby, awkward pre-teen wearing the same over-sized blue Nike sweatshirt on a daily basis, I had always admired the way that the clothes that some of my more popular peers wore brought out who they were as a person. However, it took me several years before I could actually feel comfortable with trying out different styles of my own, and since then my wardrobe has been ever changing. My sense of style could not be lumped into one particular category, seeing as my taste in clothing changes every few months or so. No matter what I’m wearing I want to feel confident that I am looking good. Vibrancy and interesting patterns are high on my list of what I look for, as well as the quality of the material. I like to feel comfortable in what I wear, as well as confident. I am a fairly sensible shopper, but every once in a blue moon I like to splurge at Diesel on something worth the potential debt it may or may not put me in. I don’t know which direction my sense of style is heading, but I’m excited to find out.
D A Y
Hair: I’m used to sporting long, shaggy hair but as soon as summer rolled around I felt it was time for a change. So I chose a more versatile, medium length style..
Vest: Vintage Levi’s vest I stumbled upon at a thrift store. Tank Top: Ancient OBEY shirt that I cut into a tank for Summer.
Shorts: American Apparel chambray welt pocket short. Chain: Guess chain. This has been in my collection for years and it’s still one of my favorite. I love longer neck-wear.
Hair: When night time rolls around I like to try a more formal, slicked back look. Jacket: This is my favourite jacket that I snagged for half price at Diesel. Definitely a wise investment. Shirt: American Apparel Deep V-neck tee. In addition to its fit, I also admire the quality and comfort of the material. Jeans: Vintage American Apparel acid washed jeans. These have gotten a few hard miles on them over time but they’re still truckin’ along just fine. Boots: Destroy boots. Found these on sale at a specialty shoe and boot store almost three years ago and couldn’t pass them up. To this day they are my favourite thing to put on my feet.
If you’d like to share your style tips then send two good quality images to thekaje@thekaje.com Make sure you include a breakdown of your items and why you love them!
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N I G H T
THE WAY I SAW IT:
LAS VEGAS
Each issue we take a look at a potential travel destination, by asking you to show us the way you saw it. This month, Kim, a 27 year old computer technician from Coventry takes us to Las Vegas. If you would like to show us where to go, then just send in four images from your favourite destination to thekaje@thekaje.com
Clockwise From Top Left: The World Famous Las Vegas Strip....just as amazing in daylight, No trip to Vegas is complete without a stop off at the Bellagio Fountain Show!, Yet another free show outside the Treasure Island Hotel!, The best hotel room view ever. www.thekaje.com
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REVIEWS:ALBUMS Seth Lakeman “Heart + Minds” Relentless 4/5 Two years on from the Top Ten “Poor Man’s Heaven” album (which we at The Kaje have to admit to liking!), Seth Lakeman is back with his own brand of unique story telling that started “folk music’s” rise into mainstream conscientiousness.
“Hearts + Minds” picks up where “Poor Man’s Heaven” left off. The title track could easily have snuck into his previous albums, with the more rockier and easily accessible tempo attracting the crowds attention at any gig. However, Lakeman’s ability to adapt and alter, continually looking for that something different has led this album away from those folk-rock tracks of previous albums - I am thinking ‘Poor Man’s Heaven’, ‘The Hurlers’. Moving away towards the slower melodic tracks has uncovered something which ardent fans already knew - the man can engage you, draw you in, when you least expect it.
Although “Hearts & Minds” may not be on a par with previous releases, it doesn’t falter in taking the listener to somewhere different, somewhere enjoyable. But Seth Lakeman, the Storyteller, needs to be seen live to fully understand what he does and to fully appreciate his talent. Once you realise that Seth Lakeman’s albums merely prepare you for seeing him live, and to remind you of seeing him live, it allows you to indulge in the album. Constantinos Kypridemos
Singles Of The Month
Graffiti 6 “Annie, You Save Me” NWFree Music Folk crooner Jamie Scott and ex-Right Said Fred producer TommyD may seem on paper a funny combination. However, we aren’t looking at what they sound like out paper but rather letting our ears do the judging. Our ears says they are damn good!
Stuart Newman “SIngle But Defective” Independent 3/5 This album represents the future, not only because it is available as a free download from Newman’s website, but also because this album stands out - It does not allow itself to be constricted by a need for a particular direction. Stuart Newman is the “young pretender” as a singer/songwriter with a mellow acoustic sound that confuses and torments the listener, often leaving the impression of quiet loss, without any loss occurring. Described as a “DIY songwriter”, Newman has put together an album whilst unsigned that is certainly completely out there, and although not sounding like a professionally produced album, his own idiosyncratic recording style comes to the fore in every track. The deep bluesy core of tracks like “Summer Messin’” is moody,
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The forthcoming single is “Tiny World” which is admittedly a little bit country, as the Donnie & Marie Osmond song goes, and it’s understandable why it’s a single. However, “Stepping Over You” needs to be a single. From simple beginnings involving a banjo and Lakeman’s vocals, the entrance by a piano and drum line builds and builds. “Changes”, quite literally changes the album (sorry!), with female back vocals coming through adding another dimension to the story that Lakeman portrays.
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Subset “Ambrosia” Independent Subset are just what we need this summer - an unpretentious indie rock band who know how to make music without the nonsense. EarlyStrokes meet Joy Division, the quartet make it all sound so easy.
as to be expected with a blues track, but also has a darkness which asks where the inspiration came from. “High & Mighty” exemplifies Newman’s idiosyncrasies, with a track that for a second reminds the listener of an Elvis Presley riff, but that gives immediately to the high pitched vocals of Newman. “Release” is another track of note, with a more up-tempo foundation, which miraculously gently guides you. Other tracks of note include “51st State” and “Cry Wolf”, which open the album with that impression of quiet loss. Overall, this album won’t be to everyone’s taste - the need for experimentation which Newman exhibits has meant that some listeners may be scared off. However, tracks like “51st State”, “High and Mighty” and “Release” are as good as they are different. Let’s hope Newman gets signed and see what he can really do in the studio, where that creativity can take him. Constantinos Kypridemos
Monica Mancini “I’ve Loved These Days” Decca 4/5 Simply crafted, exquisitely performed and artistically developed; whilst still remaining impeccably moving, true to form and joyfully sophisticated. This apt description of Mancini’s fifth album, “I’ve Loved These Days”, is sadly limited to the practical constraints of lexical styles, one must simply listen to her art, for Mancini truly has an absolutely stunning voice; the sort that lies within only the most talented artists. The material presented reflects the emotional and energetic stimulus, allowing for glimpses into her beautifully heartrending talent. “I’ve Loved These Days” is an eleven track collection with a heavy 1960s influence. Collaborations with some of the world’s most inspired musicians, this album becomes somewhat timeless. “I’ve Loved These Days”, produced by the enigmatic Phil Ramone and his producing partner Gregg Field, presents us with a number Katrina Leskanich “The Live Album” Katrina’s Web 4/5 Katrina Leskanich’s career can certainly be described as colourful. The Kansas girl shot to fame and fortune as lead singer of Katrina & The Waves in the 1980s and saw a brief career revival in 1997 after winning the Eurovision Song Contest with “Love Shine A Light”. Since then, Karina has split from the waves and dabbled in both presenting and acting, alongside a consistent if not remarkable solo career. Superhumanoids “Urgency E.P.” Hit City USA 3/5 The quarter of an hour that it takes to listen to “Urgency” is arguably not wasted at all. Superhumanoids are an LA four piece who say that some of the driving forces behind their sound include The Beach Boys, The Strokes, The Chills and Kate Bush. However, the sound is something different, something unique to them. As the listener you become acutely aware that even though the tracks are low-key affairs with no fireworks, the space they create does not lack urgency. ‘Persona’ as an opening track to your first EP is pretty good. Followed up by the more direct ‘Cranial Contest’ which is a great example of what the Superhumanoids are all about. They provide you with a light, airy look at the world, redefining what pop really is. The mixture of harmony, both vocal and instrumental, and the use
of handpicked world class musicians surrounding Monica. Her fellow artists bring a contemporary perspective to these classic songs. On “I’ve Loved These Days”, Mancini is also joined by the same orchestra, arranged and conducted by Jorge Calandrelli, who she has also collaborated with when creating the album to Cinema Paradiso. This wonderfully created album celebrates all that inspired her creativity, the artists and musicains whom had a profound impact on Mancini’s musicianship; including Lennon & McCartney, Paul Simon, Stevie Wonder, Jackson Browne, Harry Nilsson, Brian Wilson, Billy Joel and Janis Ian. These songs are stunning in their vision and musical scope. It is certainly an album of many brilliant pieces, rather than just one or two reasonable tracks. It achieves this through its deeply personal perspective and insight into Mancini’s musical ideal. It is ultimately an investment, rather than a simple purchase of a CD. Alex Wolverson However, Katrina’s fans have stayed loyal keeping Katrina’s career afloat. As a thank you, Katrina has released a live album with royalties given to both Samaritans and Bring Change To Mind Charities. The live forum is perfect for Katrina. Her dynamic vocal and energy shine through on a colourful recorded. Naturally “Walking On Sunshine” and “Love Shine A Light” shine the brightest but the heartfelt “Holly” is also tingle inducing. Katrina’s recording is worthy reward for her dedicated fans. Jeremy Williams of electronica over the background merely adds to the space that the listener finds themselves in. That’s the first half of the EP, the second half then takes a couple of turns. The tempo rises, and the more historical influences come to bear, with both ‘Contemporary Individual’ and ‘Simple Severin’ lacking that sense of emptiness and space form the first half of the EP. The Superhumanoids were set up as an electronic experiment to escape the everyday of the everyday. In some ways they have managed this, particularly the first few tracks on this EP, however the end of the EP doesn’t feel right. That in itself doesn’t change how different the sound is, it is individual and there is a real sense of urgency about the EP without confusing the listener. Worth a listen? – quite definitely. Constantinos Kypridemos
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REVIEWS:LIVE MUSIC Lissie The Glee Club, Birmingham Vocals: 3.5/5 Illinois girl Lissie is out to prove a point. She is not just another dumb blonde singer who can write a catchy radio hit. Sure, debut album ”Catching A Tiger” may have spawned the perfect summer singalong of “When I’m Alone” and “In Sleep” but from the moment the twentysomething bounds on stage in just a vest top and flannel shorts it is clear she means business. Having spent the first half of her headlining UK tour in the company of Alan Pownall, the pair decide to use their closing night to duet on the Tom Petty and Stevie Nicks classic “Stop Draggin’ My Heart”. Pownall’s lack of presence is even more evident than during his lacklustre set as Lissie oozes energy and commands the stage effortlessly. With Lissie having already proved her worth at the close of Pownall’s set, the air of anticipation fills the intimate venue as they await Lissie’s return. The time passes
soon enough and Lissie returns to the stage accompanied only by two musicians. Presenting a brief insight into her newly released debut, Lissie has the audience eating out of her palm as soon as she opens her mouth and lets the opening notes of “Wedding Bells” free. However, for a girl determined to break the mould, Lissie stays on safe ground throughout her set. Though none of her efforts disappoint, they are far from memorable and by the end of her set it takes a stripped back sound to allow Lissie’s star to truly shine. A vocal talent Lissie shines brightly, her material does not play to her strengths as a vivacious performer. Her rendition of “Stop Draggin’ My Heart” gave an insight into her abilities but her own material left her stalling. There were moments of true genius, notably the heartfelt “Oh Mississippi” and moving “Bully” but on the whole Lissie provided an enjoyable but not enlightening evening. Jeremy Williams
Keane Roundhouse, London 4/5 Having sold 10 million albums, Keane are now one of the most successful bands in the country, if not the world, so I was looking forward to the new, ‘experimental’ Keane at the wonderful and legendary London Roundhouse.
For A Minute’, the crowd lap it up even more. Not to be outdone, they continue with the changes when principal songwriter Tim Rice-Oxley comes out from behind his keyboard to sing on the upbeat melancholy of ‘Your Love’. It may not put his front man colleague out of a job any time soon, but it does again show a confidence that this band now seem to have in abundance.
Opening with the staccato rock of ‘Back In Time’, Keane get the show going with a song, which screams ‘Yes we do epic ballads but we rock too!’ And then we have the huge 80s anthem of ‘Spiralling’, their first step in the brave new direction of last ‘proper’ album ‘Perfect Symmetry’.
Keane will never be a traditional ‘rock’ band, but why would they want to be when they are so much better at being who they are. With a set ranging from the subtle delicacy of ‘Try Again’ to the epic grandeur of ‘Bedshaped’ mixed with the urgency of ‘Crystal Ball’ and ‘Is It Any Wonder?’, they already have a collection of songs that is far superior to many other bands’ entire catalogues.
Keane are one of those bands whose songs you don’t think you know until you find yourself humming along to a chorus or two when you least expect it and there is that sense that already after only six years since their debut ‘Hopes & Fears’, Keane could almost be playing a greatest hits show. Perhaps inspired by critical acclaim for their recent work, the confidence exuding from singer Tom Chaplin is infectious. When Somali/Canadian rapper K’Naan comes on stage for the excellent recent single ‘Stop
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Although, they will always be a ‘mainstream’ band whose key strength is their unforgettable melodies, their recent work is moving forward in an exciting new direction. Who would have thought that Keane performing with K’Naan would work? On record and on stage, it works fantastically well and I look forward to seeing where they go next. This was a fantastic show in a fantastic venue. Everybody’s changing indeed. Alex Borg
Leona Lewis LG Arena, Birmingham Vocals: 5/5 Performance: 3/5 Leona Lewis finally embarked on her first ever tour this year, four years after bursting onto the music scene after winning the X Factor in 2006. The “Labyrinth” Tour is inspired by the 1986 fantasy film and cult classic by Jim Henson. And the show itself has a very fairytale feel to it, as half naked “nymph like” dancers whirl around the stage, and the large video screens at the back of the stage show clips of the lady herself on a white horse, before she actually appears in person rising up and emerging through a castle door, as she launches into “Brave”. A song which could easily have been written for the original film itself. The two hour set showcases Leona’s incredible talent, as we are treated to hits from both her debut album “Spirit” and her latest release “Echo”, as well as a number of covers including the Barry Manilow classic “Could it be Magic”, which show her true versatility. This girl could quite easily sing the phone book and it would be a hit record! It is easy to see America’s influence on her music and
styling, as Leona flexes her dance muscles to prove she is more than just a good ballad singer. For all the intricate staging and dancing, it is when she stays completely still, with no backing or band and treats us to “The First Time Ever I Saw Your Face” that her star truly shines. Stripped back, and both pure and powerful, it is a goose bump’s down the back of your neck moment for which she receives a standing ovation from the Birmingham crowd. It is easy to see that it is these kinds of moments the crowd has been waiting for, and it is a real shame that the show didn’t include more of these show stopping moments. Even the Avatar theme “I See You” was shortened and merged into “Can’t Breathe” before we got to the big money note ending of the song. There is no doubt of Leona Lewis’ extraordinary talent, it just could have been showcased in more a simple way. According to sources money was no object with the production of tour, but sometimes simplicity is better. Just standing in front of the microphone and delivering a show-stopping performance is what she does best. Saying that I would definitely not have missed the chance to see this diva live, Leona Lewis is definitely here for the long haul, and is a home grown talent that we can be proud of! Kim Harrell
Natalie Merchant Symphony Hall, Birmingham 3.5/5 Natalie Merchant has never been one to conform and this cold Spring night is not going to change anything. Arriving on stage as the crowd arrive armed with a slide show, it is clear that tonight is not going to be a straightforward concert. Bemused faces fill the hall as Merchant quickly details the songs from current children’s poetry inspired album “Leave Your Sleep“ that she will not be performing. For a few there are snippets, others insights into the poet’s life or reasons why she chose to turn the aformentioned poem into song. As Merchant reaches the end of her fifteen minute long introduction there are clear sighs of relief.
songs of varied genre. Yet the information overload with each new song is greeted with a mixed reaction. When Merchant lectures the audience turns off, but an occasional excitement in Merchant for a certain poem or poet sparks thrills within the audience.
Having entered into motherhood at the turn of the last decade has clearly had a big impact on Merchant’s life. Having shied away from performance in favour of time with her children, Merchant has whiled away the days piecing an album of material that relates to life in her current stage. The marerial is nothing if not diverse and Merchant has matesfully crafted her raw material into
Whilst the format of the evening’s entertainment was somewhat unexpected, the atmosphere remained relaxed and Merchant ensured that her fans got more than their money’s worth. With no support act and a set lasting well over two hours, the audience left feeling both educated and entertained. Jeremy Williams
However, it is when Merchant sings that the magic truly happens. Her rich vocal is on fine form despite apologies for her cold-ridden presence. As the music starts Merchant’s whole presence shifts, from the reserved lecturer to the liberated chanteuse. With two encores, Merchant ensures that those who had come to celebrate her wealthy back catalogue do not leave dissapointed. Completely unplanned, Merchant takes direct requests from the audience then talks her musicians through the chords before embarking on the requests.
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REVIEWS:THEATRE Fresh Meat (Costello) The Courtyard Theatre, London 3.5/5 Young suicidal gay man Lenny discovers an alternative way to die when he offers himself to be eaten by a married pair of gay cannibals - Alex and Theo. But as Lenny ingratiates himself into Alex and Theo’s lives in preparation for his unusual death, he instead falls in love with Theo and finally finds a reason to carry on living. But taking himself off the menu is not going to be that easy... Writer Dylan Costello took inspiration from the true story a few years ago of a young man in Germany who offered himself to be eaten by a cannibal as a way of committing suicide. The victim, a computer engineer, had answered the cannibal’s advert on the internet seeking suicidal young men, then sold all his possessions before disappearing. This dark comedy tends more towards domestic drama than absurdist horror, so if you’re expecting League of Gentlemen or Cannibal, the Musical, stay away. The staging is pretty straightforward, and director Manolis Emmanouel tries to coax truth from his actors with intimate moments, revealing the play’s core. The message is loud and clear, gay men value youth and beauty above age and wisdom, horny hunters are Desert Boy (Adebayo) The Door, Birmingham 4/5 On paper there was something about Adebayo’s A Capella musical “Desert Boy” that made me dubious as to whether the production would both entertain and enthrall me. Based around Soldier Boy, a typical south London hoodie with a knife in his belly, meeting Desert Man, a mysterious figure who claims to hail from a village in the Sahara. The journey they undertake entwines Soldier Boy’s contemporary struggle and Desert Man’s struggle through slavery. My first and gravest concern was that “Desert Boy” would be a nearly two hour long (without interval) preach about the state of the world today. There is no denying that “Desert Boy” preaches, its message one of a lost identity, without placing blame on the youth of today - which in itself is a refreshing change. But it does not just preach and that is the most important factor. Despite the storyline being somewhat contrived, Adebayo’s writing creates a magical journey where we see
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always on the lookout for fresh meat, and if you don’t have someone to sink your teeth into, you will probably die of loneliness. Depending on the type of person you are, you’ll either take that with a pinch of salt and acknowledge there’s a grain of truth, or you’ll see it as a trite and stale observation, more deserving of the 1950s Killer Queen genre when homophobic paranoia was rife – I’ll leave that up to you. Either way, the production gets extra points for getting Cerith Flinn so frequently in the buff – oh, also he played Lenny with a really endearing quality. Perhaps the downtrodden character might have been better served by someone who wasn’t so gymed-out, but clearly the producers know their audience. John Shortell was also great as the obsessive hit-man, raising laughs with every other line, even though his role was limited to following Lenny around. A word of warning, and it’s not about the blood or toes for breakfast – you must be able to at least tolerate Lady Gaga to watch this show. You will not hear Bad Romance used more in any other show this year. Everybody: “Rah-rah-ah-ah-ah, Roma, Roma-ma, GaGa, ooh la la. Want your bad romance” (and spleen, with a nice Chianti). Tim MacAvoy the naive and innocent Souljah Boy journey from adolescence to adulthood. Whilst Souljah Boy’s journey to his sixteenth has been far from easy, he learns through sharing and observing Desert Man’s own issues unravel that only he has it in his hands to change his destiny. Adebayo’s skillful writing aside, the five strong cast put in stunning performances with one minor exception. Whilst Emmanuel Idowu excels as the lost boy, Femi Ogunbanjo struggles to captivate as Desert Man. Yet in many ways, the supporting ensemble (Elexi Walker, Jay Marsh and Frances Ashman) steal the show. Constant character character changes are carried out with conviction, accents are constantly believable and their vocal accompaniment to key scenes moves both to laughter and tears. Desert Boy may be a piece with a message, but the message is delivered so eloquently through humour and drama that in practice all doubts are lifted. Jeremy Williams
Dangerous (Smith) Above The Stag, London 4/5 Billed as a gay version of Dangerous Liaisons (or Les Liaisons Dangereuses by Pierre Choderlos de Lacios is you want to be all French about it) Above The Stag Theatre have carved further into their niche as London’s Fringe venue for new, classic and new/classic gay stories. This retelling by playwright Tom Smith brings the power games of the French aristocracy, to 21st century London and Brighton. This adaptation sticks close to the original, as Marcus and Alexander are the Machiavellian love rats, rivalling for the affections of gym trainer Jason, and trainee priest Trevor, both naive victims who become caught in the crossfire. The first half is most definitely concerned with sexual conquest as status symbol, and plays to the stereotype of lascivious gay youth culture. Frequent nudity, simulated sex, alcohol and pop music drive the story along as characters jostle for position on the admittedly intimate stage. And yet, as the audience, you don’t feel uncomfortable, or voyeuristic, but rather excited and pleased as you watch Valmont’s bed become more...notched. Credit then to Matthew Blake for pulling off playful sexpot, rather than obnoxious sexfiend, and also to director Tim McArthur for great use of a hideaway, pull down bed, the like of which I thought has disappeared in the 80s (I Amateur Transplants (Kay & Biswas) The Old Rep, Birmingham 4/5 “Amateur Transplants” are Dr Adam Kay and Dr Suman Biswas, two doctors, who have taken parody writing to a new level in the UK. The 2010 nationwide tour is nearly sold out, and their continued annual success at the Edinburgh Fringe Festival suggested this would be a night to remember… The evening would be one based on “love songs and celebrities” we are dutifully informed, and there is the hint that the duo would be straying away from their ‘normal’ medical topics for a while. With Kay on the piano for the majority of the evening and Biswas on the microphone, once they begin the 90 minute set of their very own unique comedy it is hard to stop laughing. The ‘snippet’ approach they adopt leads to a fast pace for the evening and keeps you interested, and you never find yourself thinking “I wish this was over”. The entertainment is ongoing and consistent. Tracks like their version of Phil Collins “Against All Odds”,
quite want one now). After the lovely production team have plied me with more Pimm’s (strictly to set atmosphere, and not in any way designed to get this reviewer tipsy!), the second half heads off into more emotional territory. The innocent characters have been “educated” and must decide whether they will join the fray, exert their independence, or give up on life completely. And once proud Valmont, even to the last, cannot admit to himself that he has fallen in love with one of his prizes, valuing lust and triumph over weaknesses such as love and compassion. In the true tradition of a tragic hero, he cannot see the destruction into which he is headed, when it so obvious to the audience, but again, I believed it. It’s a sexy, fun and clever piece of work that at first glance would seem to be twisted classic drama for the xtube generation (and you can get that from the poster alone!). But by the curtain call, there’s been enough chin-stroking and nodding of audience heads to suggest that Dangerous encourages some worthy introspection on ones feelings of lust, even as you are eyeing up some poor actors winky. Tim Macavoy
performed by Biswas, may not be long and is certainly not at the top of the questionable content scale, but is hilarious with lyrics like:“Take a look at me Nan – I think she’s got a broken hip. We found her on the floor – of the bathroom – you know, I think she must have slipped. Just take a look at me Nan!” Or Biswas on his recorder playing ‘that’ part of Titanic’s “My Heart Will Go On” and Kay dutifully adding in the lyrics which cannot be repeated here bar saying they start off with, “Every night in my room, You see it, You feel it, Then you go and peel off my…“. Whilst Kay’s spoken word performance in “A Letter to the Patient’s GP Please, Angela”, shows the cunning and ingenuity of the duo, mixing and matching puns, double meanings and everyday usage to probably shock Angela into an early heart attack. Such a simple carriage, the doctor dictating a letter describing the treatment of a patient, exemplifies the duo’s cleverness. Constantinos Kypridemos
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REVIEWS:DVD Lovely Bones (12) Paramount Home Entertainment 4/5 Once upon a time (circa 2002) Peter Jackson tried to obtain the rights to “The Lovely Bones” but ITV got there first. However, fortuitously in the strange world of the movies ITV never mind made the movie and Peter Jackson reappeared - the rest being history. Although the film does not follow the original book in either discovery of the killer nor endings, it none the less keeps the viewer captivated for the entire length. Particularly striking moments include Rose McIver’s sister character “Lindsey Salmon” discovering the killer’s notebook and spectacularly going out the first floor window without a single broken bone. The dreamscape scenes are also particularly captivating, with the magic of Peter Jackson’s imagination creating an image that is perfect, and yet very disturbing once you realise the meaning of that other world.
this and provides irrevocable closure to all involved. The nature of “The Lovely Bones”, either in its original format or the current film, leaves a strange and surreal mixture of emotions with the audience. Firstly the disgust which develops quite naturally for Stanley Tucci’s portrayal of the killer. Then there is the curiosity of Peter Jackson’s ‘heaven’ whilst acts almost as a holding area that contrasts sharply with the real world and that in some ways confuses the audience. The best recommendation for this DVD would be not to read the book before watching it. It’s not easy to interpret the words of a book into a film. Everyone takes something personal away from a book like “The Lovely Bones”, however we are trapped in Jackson’s interpretation in the DVD, just as much as the murdered Salmon-girl is trapped in that semi-heaven existence. This is not to say that the film is not a must watch, however, just make sure you read the book later!!
Without spoiling the film too much, the only real moment where you feel robbed of justice is the one of the final scenes with the sink hole, and the killer trying to dispose of the evidence. However, the final ending makes up for
Constantinos Kypridemos
Valentine’s Day (12) Warner Home Video 2.5/5 Romantic comedy “Valentine’s Day”, released earlier this year in the fitting month of February, features a large Hollywood cast including Ashton Kutcher, Julia Roberts, Kathy Bates and many other well-known names. Director Garry Marshall’s previous efforts include Pretty Woman and The Princess Diaries.
experience crushes, heartbreak, infidelity and more through the varying storylines set across the best scenery Los Angeles has to offer. The price of so many characters in the film is a lack of depth, with Kutcher the effective lead role as sweet and generally likeable Reed.
The film opens with florist Reed Bennett proposing to girlfriend Morley, played by Jessica Alba. She quickly renegues on her initial yes, leaving a despondent Reed to the unhelpful advice of his best friends. The film then diverges to various other intertwining stories, including army captain Kate returning home on leave and befriending an attractive singleton on the way, school teacher Julia falling for a married man, teenage tension and the trials of high school sweethearts, a closeted sportsman and a receptionist’s secret 2nd job as a phone sex operator. Across the course of a day of romantic pressure, we
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This is a shamelessly sentimental film, alternating between sappiness, superficial romantic comedy and sometimes plain silliness to produce an effort that whilst harmless on hand, could be seen to trivialise the real complexity of affairs of the heart. Don’t expect depth or to be truly moved, though the typical romcom fan will probably be entertained enough, and the attractive cast certainly appeals. Adam Foster
Clash Of The Titans (12) Warner Home Video 1/5 “Clash of the Titans”, directed by Loius Leterrier, retells the heroic tale of Perseus, half God half Man, out for revenge over the murder of his family. Unfortunately, we are presented with a remarkably normal and wholly underwhelming attempt, at what should have been a smash hit. Despite the rather stunning visual effects, which were this film’s stand out feature, the other areas fell a little short. This recreation is rather similar to the 1981 original. However, there are some remarkable differences. Project originator Basil Iwanyk shows the darker side of Perseus and his feud with Olympian Gods, the Gorgon Medusa and the malevolent Titans. This production is rather entertaining, in a somewhat silly fun kind of way. But it does not live up to its predecessor’s reputation and social impact. The original “Clash of the Titans” is definitely a childhood favourite. The 2010 recreation gives us a stylistic and somewhat innovative presence that was originally missing. However, Perseus, played by Sam Worthington, is a rather two dimensional character – he has the emotional depth of a paddling pool and the acting range of school student; he fails to remember that shouting is not the only volume at which one can converse. He is obviously a token character, his purpose being to arouse women and make men feel inadequate concerning their The Girl With The Dragon Tattoo (18) Momentum Pictures Home Entertainment 4/5 I’m always apprehensive about seeing an adaptation of a book that I really liked. The film is just never the book, the imagination proving such a powerful tool that a real image never has the same impact. For example, the Bourne films which have nothing in common with the books except the names Jason Bourne and David Webb. Contrary to the above example, this film is one of the most faithful adaptations I have seen. As the film progresses it is like turning the pages of the book on screen, although this does make for a long and slightly self indulgent film. Mikael Blomkvist, after being convicted of Libel, accepts a commission to locate the niece of Henrik Vanger and acquires an unlikely assistant, Lisbeth Salander, along his journey. “The Girl With The Dragon Tattoo” masquerades as a detective story but in reality is a comment on the nature and politics of journalism, an examination of different women; how they experience violence and abuse and how as a consequence they respond to it.
physical stature. The more positive performances arguably came from Liam Neeson who brings a much needed gravitas to his character. The role of the Gods is somewhat overlooked, we all remember the amazing Maggie Smith in the original – this character, for some odd reason, has sadly been cut in this edition. We see Neeson is his Excalibur-esque shinning suit of armour and we are automatically entranced; isn’t this the same reaction very young children have to shinny objects, are we really that shallow? There were many ‘good’ performances, however this is in relation to the other performances found in the film. If one compared it to the original plot and acting range, it fails to live up to any expectation. It seems to be more of a Hollywood thriller than an attempt to create good film. If you want to see a good thriller with some very well choreographed fight scenes and equally as terrifying monsters then this a good film to watch. However, if you have seen the original and know something about Greek tragedy then perhaps stay away from this interpretation. The director has taken far too many liberties when tampering with the story line and has forgotten to make his actors act. It is ultimately a sorry attempt to create Hollywood fodder, the world does not need another one of these films. Alex Wolverson The performances are compelling. Noomi Rapace finds the vulnerability of Lisbeth Salander as well as the sociopath tendencies. For a character who says little, she’s the one you want to watch on screen. Michael Nyqist holds his own as the charismatic protagonist who knows that he is morally right but resigned to his fate. Ironically the violence in the book is faithfully adhered to but Mikael Blomkvist sleeps with a lot less women in the film than in the book, evidence of some trimming. If you liked the book, see this film. As is inevitable with any popular book, a big budget version of “The Girl With The Dragon Tattoo” is apparently in the pipeline. My biggest fear being that big budget brings big changes. My advice here would be simple; don’t wait for the Hollywood version to be made! Rachel Jacobs
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REVIEWS:BOOKS Obstacles To Young Love (Harper) David Nobbs 3/5 David Nobbs contribution to English comedy is far beyond question. Having written for the likes of Kenneth Williams, Frankie Howerd, Les Dawson and The Two Ronnies, Nobbs was also responsible for the unforgetabble “The Fall and Rise of Reginald Perrin”. Perrin was in fact an adaptation of his already popular novel. Now in his 75th year, Nobbs is still ploughing away. His latest contribution to the literary world is “Obstacles of Young Love”, a well-constructed deconstruction of the unexpected course of true love. Nobbs is without doubt a believer in one true love. From the outset it is clear that Timothy Pickering and Naomi Walls are meant to be together, in fact it is equally obvious that the pair will indeed end up in partnership but the road to love is never easy. Many things get in the star-crossed lovers (yes, he does make reference to Romeo and Juliet) way, but according to Naomi there are three principle issues: Steven Venables, a dead curlew and God. Seventeen year old Naomi Walls is an attractive aspirI Heart Paris (Harper) Lindsey Kelk 5/5 “I Heart Paris” is the third book in the “I Heart….” series written by children’s book editor Lindsey Kelk This time we follow heroine Angela Clark’s haphazard, and somewhat clumsy adventures in France’s capital city. For those readers who have not yet had chance to dip into the previous books in the series, there are enough hints of Angela’s previous escapades in New York and Hollywood to gain a full picture of “what’s been going on”, making this a successful stand alone novel, as well as an integral part of what will be a five book series. The books strap line “Angela is in the city of love – but romance is taking a nosedive….” summarises the book in one easy sentence as the likeable and quirky heroine deals with everything from a blown up suitcase, (goodbye Louboutins, sob), saboteur co-workers, and every girls worst nightmare, her boyfriends stunning ex-girlfriend who just won’t
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ing actress, whilst her teenager lover is an awkard Godfearing school boy who is about to take on his father’s trade, taxidermy. Soon after losing their virginity in a crumby hotel near Earl’s Court, the pair return to Coningsfield and announce their engagement. But Naomi breaks Timothy’s heart when she leaves him for Steven Venables. A series of coincidences later ensures that throughout their adult life Naomi and Timothy constantly meet. The humour is tepid and “Obstacles To Young Love” barely warrants the title of comic novel. Whilst both Timothy and Naomi’s journeys are entirely culpable, the lack of likeability in either lead prompts a nonchalance in the reader. Yet for all is flaws, there are times when “Obstacles To Young Love” is gripping reading. Sure the twists and turns are as predictable as the backing music on X Factor, but Nobb’s written style oozes a classical charm. Even if his central characters lack appeal, Nobbs ensures that hose who surround them are interest`ng enough to counteract any turn-off moments. “Obstacles To Young Love” is an easy read, Nobbs may not shine in his latest effort but it is still a solid contribution to his back catalogue. Jeremy Williams seem to go away! Kelk takes us through these series of misdemeanours with ease, each one making you root for Angela that little bit more and at the same time willing her to spot all her potential enemies as soon as you do! It is however her determination to see the good in everyone that endears her further to the reader, and has you turning each page a little faster in the hoping that everything will turn out alright in the end.
in tact!
With all the essential chick-lit ingredients, and the added bonus of the glorious setting of the city of love, this book is a must for all self-confessed chick lit fans. Not only will you finish with the same warm and happy glow you get from any deserving chick flick, there are enough Paris sights and sounds slipped in to make you want to jump straight on a plane (or train) and experience this city first hand, hopefully with your suitcase Kim Harrell
The Chosen One (Harper) Sam Bourne 4/5 When picking a Sam Bourne off the book shelf one is instantly reminded of a Dan Brown. The comparison is unavoidable. There is a similarity in the covers, right down to the font, and the back of the book even compares him to Brown. That being said I would like to look at his book not as a comparison that one clever marketing/publishing company have devised. Bourne’s protagonist, Maggie, used in one previously novel is now a member of the National Security Council and a foreign policy advisor to the newly elected US president. Losing her job at the same time as some scandalous revelations about the American president are revealed Maggie is sent on a roller coaster ride to discover who is behind the revelations, why now and why significant people keep turning up dead. It is an interesting study on the nature of politics. Why does a public vote for a certain person? How manipulated and controlled is the system? This book asks these questions from a slightly different angle. It is not about the voters but about the nominees. I do not want to give Sixteen Shades Of Crazy (Blue Door) Rachel Tresize 3/5 Looking at the cover of “Sixteen Shades of Crazy” and the tag line “Went out, got pissed. Same shit, different day”, you are left wondering where is this novel going to go. With all honesty, it’s takes a while to get into the storyline, the accents (even for those of use who have lived in South Wales) are pretty coarse, and detract somewhat from the storyline, but once that hoop has passed you are left with a story of the need to get out of the grey, humdrum, life that many of us lead. The focus of Trezise’s novel is on the wives and girlfriends of local band, in Aberalaw. In the heart of valleys, he ladies are forever stuck, their lives an endless loop, not least because there beloveds band is called “The Boobs”. The factory girl, the self employed hairdresser and the mother of three can be found throughout the UK, not only in south Wales, and although not everyone will look to drugs and drink to sooth the inadequacies in their lives, Trezise’s novel
too much away regarding the ending but it is an interesting analysis of American politics. I enjoyed this book. It is engaging. Something is always happening. A few of the conclusions are a little bit easy to discover before the protagonist but that is ok. It makes us, the reader feel smarter than the protagonist, and lets’ face it, as a reader we like feeling smart. Bourne writes a believable female narrative, even attempting, quite successfully, to analyse the contrasts within the female psyche. And finally, yes the comparison does have to be made. Bourne writes better than Brown, much better. But he doesn’t have a cliff hanger at the end of every chapter. You don’t sit on the edge of your chair unwilling to put the book down. This is not necessarily a bad thing. It means that a little bit of time can be spent reading the book. I could enjoy the plot rather than rushing through it always wanting to know what is going to happen next. I have not read all the Bourne books but I think I will be looking to locate a few others soon. Rachel Jacobs
strikes unerringly close to some real ways of life. That in itself could make this a difficult novel to enjoy, however, Trezise’s laces her work with comic moments that will have you tittering - ultimately breaking the monotony of the valleys as if your own ‘Johnny the Englishman’ has just walked in. By the end of the novel it is not only Wales, The Boobs and drugs that the main characters have in common but also Johnny the Englishman which takes them on a rollercoaster of emotions - whether to something new and exciting, or forever stuck in the monotony, we can’t say - because it would spoil it - but the sense of imbalance that this character causes is key. The frankness and openness of Trezise’s writing means that to truly enjoy this novel you need to embrace it. It’s ability to strike to close to the mark will make some readers uncomfortable and nervous. This is Trezise’s ability to tell an obvious story with a realism that scares you. Constantinos Kypridemos
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