Aspen Times Weekly: July 19 edition by Aspen Times Weekly

WILLOUGHBY

WHEN THE KIDS RAN ASPEN 12

WINEINK A WINNING PINOT 17

JULY 19-25, 2012 • ASPENTIMES.COM/WEEKLY

FIND IT INSIDE

GEAR | PAGE 16

CULTURE/CHARACTERS/COMMENTARY

HOW TO BE A CONDUCTOR SEE PAGE 27

BELLY UP ASPEN WHERE ASPEN GOES FOR LIVE MUSIC.

WED 7/18

JILLIAN SCOTT

THU 7/19

SHOW 8 PM

BOX OFFICE MANAGER

SHOW 9:30 PM

NRC 365 MOUNTAIN NETWORK PRESENTS

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JOSHUA RADIN

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UNDER WATER TOUR 2012

Radinâ&#x20AC;&#x2122;s music has been featured in over 100 TV shows. His songs have hit #1 on the iTunes chart. Breezy singer-songwriter Prettyman is â&#x20AC;&#x153;one of the more promising young pop folkiesâ&#x20AC;?. -RollingStone

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FRI 7/20

SUMMER OF SKA TOUR 2012

NO COVER

SUN 7/22

SHOW 10 PM 18+

SHOW 9 PM 18+

ADVENTURE CLUB

TYCHO

Dubstep duo with remixes ranging from 1950â&#x20AC;&#x2122;s classics to post-hardcore rock to the sweet electronic sounds of today.

Tychoâ&#x20AC;&#x2122;s ambient electronic tracks are built with synths & live instrumentation. His music â&#x20AC;&#x153;nails a pastoral peacefulness with warm, sepia-toned beats & flourishes of acoustic guitarâ&#x20AC;?. - Pitchfork.

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Uncle Lucius takes Rock and Roll from its deep roots and pushes it onward, putting their own honest interpretation on the essential elements of R & B, Blues, and Country.

SAT 7/21

SHOW 8:30 PM

REEL BIG FISH

UNCLE LUCIUS

Ska-punk band popular for their hyperkinetic stage shows and covers of new wave pop songs.

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TUE 7/24 SHOW 9 PM

AN EVENING WITH

AL GREEN

â&#x20AC;&#x153;One of the most gifted purveyors of soul musicâ&#x20AC;? - The Rock and Roll Hall of Fame. Father of hit singles â&#x20AC;&#x153;You Oughta Be With Meâ&#x20AC;?, â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;m Still In Love With Youâ&#x20AC;?, â&#x20AC;&#x153;Love and Happinessâ&#x20AC;? & â&#x20AC;&#x153;Letâ&#x20AC;&#x2122;s Stay Togetherâ&#x20AC;?.

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BLACK UHURU

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Jamaican reggae group that won the first ever Grammy Award for Best Reggae Album.

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www.bellyupaspen.com | BOX OFFICE: 970 544-9800

A S P E N T I M E S W E E K LY

â&#x153;Ś

Jul y 19-25, 2012

SKI IN/ SKI OUT AT THE ASPEN ALPS

BRUSH CREEK HAVEN

ASPEN Slope side at the Aspen Alps with direct access to The Little Nell ski run and steps away from Aspen. Encompassing 1,978-square-feet with a townhome style ﬂoor plan, this sought-after unit has three large bedroom suites that offer privacy while the open living areas have access to the terrace on the ski slope. Comes with one parking space in new Aspen Alps parking garage. $3,295,000 Web Id#: AN123639

ASPEN Easy access to this fabulous 2-acre lot with terrific views located immediately off of Brush Creek Road. Exceptionally wellmaintained split level home with floor-to-ceiling windows on the top floor and inviting wrap around deck to enjoy the outdoors! $1,150,000. Web Id#: TA117594

Carrie Wells 970.920.7375 | carrie@carriewells.com

Shael Johnson 970.920.7384 | shael@masonmorse.com

ASPEN SQUARE 2-BEDROOM CONDOMINIUM

MAIN STREET COMMERCIAL BUILDING

ASPEN The BEST located 2 bedroom, 2 bathroom condominium in Aspen! Across the street from the gondola plaza, facing the ski slopes. Second ﬂoor. Air conditioned. Complimentary parking. Heated pool and whirlpools. Fitness facility. Front desk services. High-speed wireless. $1,450,000 furnished. Web Id#: AN126056

ASPEN One of the most visible and beautifully restored commercial buildings in Aspen. This historic building has been renovated with contemporary interiors. The O2 business is not for sale, just the building. Contact the listing broker regarding the additional development potential and about the current leases in the building. $4,600,000 Web Id#: AN107974

Jane Moy 970.379.1788 | jane@janemoy.com

Carrie Wells 970.920.7375 | carrie@carriewells.com

thesource

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A S P E N T I M E S . C O M / W E E K LY

CHAFFIN LIGHT

& Morris & Fyrwald Absolutely Gorgeous Gant s 1 bedroom, 1 bath, 812 sq ft s &INE lNISHES FOR THE DISCRIMINATE HOMEOWNER s 3PACIOUS WELL THOUGHT CORNER UNIT s ,OCATED ON THE SECOND LEVEL AND IS EASILY ACCESSIBLE BY STAIRS OR ELEVATOR s (EATED OUTDOOR POOLS SAUNAS HOT TUBS lTNESS FACILITY AND TENNIS COURTS s "RIEF WALK TO THE DOWNTOWN !SPEN s 6IEWS OF !SPEN -OUNTAIN s 4WO DECKS

s 'REAT RENTAL HISTORY GUESTS RECEIVE FULL MEMBERSHIP TO THE !SPEN #LUB s &IRST TIME ON THE MARKET $1,195,000 &URNISHED TURN KEY -ARGI #RAWFORD \

Excellent Redevelopment Opportunity 3 bedrooms, 4 baths, 6,303 sq ft #URRENT STRUCTURE CAN BE REMODELED /R BUILD A SINGLE FAMILY RESIDENCE OR DUPLEX 3TUNNING MOUNTAIN VIEWS $3,950,000 'ARRET "RANDT \

Creekside Sanctuary FEET OF 7EST 3OPRIS #REEK FRONTAGE BEDROOMS FULL HALF BATHS SQ FT PRISTINE ACRES MINUTES TO !SPEN $2,795,000 $2,499,000 4ERRY (ARRINGTON \

Go Green in Gateway to Snowmass

Fantastic Riverfront Property! BEDROOMS BATHS SQ FT ACRES ,OG HOME WITH DECKS OVERLOOKING RIVER ,OCATED JUST OUTSIDE OF "ASALT $ETACHED ONE BEDROOM GUEST HOUSE $1,700,000 -ARGUERITE $YKANN \

BEDROOMS FULL HALF BATHS SQ FT ,ARGE DECK AND PATIO 'ORGEOUS SURROUNDING VIEWS ,OCATED ONLY MILE FROM (IGHWAY $849,000 $ 844,900 4ERI #HRISTENSEN \

4.56 Acresâ&#x20AC;¦Rancho Paradiso 4 bedrooms, 3.5 baths, 3,240 sq ft "EAUTIFULLY LANDSCAPED GROUNDS 'OLD -EDAL mY lSHING OUT YOUR DOOR %ND OF THE ROAD PRIVACY $2,500,000 -ARGI #RAWFORD \

Best Value in Little Elk Creek BEDROOMS BATHS SQ FT ACRE HORSES ALLOWED EQUESTRIAN TRAILS /PEN mOOR PLAN GREAT OUTDOOR SPACES 2ELAXED COUNTRY LIFESTYLE AT A GREAT PRICE $675,000 -ARGUERITE $YKANN \

Aspen | 970.925.6060 Snowmass | 970.923.2006 Basalt | 970.927.8080 Carbondale | 970.963.4536

ASPENSNOWMASSSIR.COM 4

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â&#x153;¦

Jul y 19-25, 2012

ELEGANT RED MT ESTATE…STUNNING VIEWS

OVER

ASPEN This stunning 7 bedroom/ 7.5 bath home boasts a dramatic Great Room with magnificent floor to ceiling windows, open gourmet Kitchen, and formal Dining Room overlooking the lights of downtown Aspen. Expansive south-facing decks and an open floor plan create impressive entertaining spaces. A comfortable family home with ample bedding for extended family and guests, the property sits atop Red Mountain with

ASPEN easy access to the Hunter Creek trail system and is located just minutes to Downtown Aspen. Waterfall, Hot Tub and Garage/Rec Room further highlight this sophisticated Red Mt residence.

$12,900,000 Web ID#: AN123090

Brian Hazen

Coldwell Banker Mason Morse

970.920.7395 bhazen@rof.net

Find more at www.masonmorse.com FB/ColdwellBankerMasonMorse

TW/masonmorse

LN/Coldwell Banker Mason Morse

YT/MasonMorse1

A S P E N T I M E S . C O M / W E E K LY

WELCOME MAT

INSIDE this EDITION

DEPARTMENTS 08 THE WEEKLY CONVERSATION LEGENDS & LEGACIES

14 FROM ASPEN, WITH LOVE FOOD MATTERS

28 ARCHCTURE 22 VOYAGES 32 A&E AROUND ASPEN

37 LOCAL CALENDAR 46 CROSSWORD

WILLOUGHBY

WHEN THE KIDS RAN ASPEN 12

WINEINK A WINNING PINOT 17

JULY 19-25, 2012 • ASPENTIMES.COM/WEEKLY

FIND IT INSIDE

GEAR | PAGE 16

CULTURE/CHARACTERS/COMMENTARY

12 WINEINK

27 COVER STORY

Wine writer Kelly Hayes finds a different way to celebrate the interesting and changing Tour de France this year.

Arts editor Stewart Oksenhorn looks into The American Academy of Conducting at Aspen, which is quickly growing into an international institution.

HOW TO BE A CONDUCTOR SEE PAGE 27

ON THE COVER Photo by Alex Irvin

EDITOR’S NOTE

a college president’s tour | Tony Frank walked into our

purple building on Main Street on a Monday in a rainstorm. He wore a Colorado State University vest and a decently groomed goatee, and for a moment I wondered if he was a mountain guy of if he had just done his research really, really well.

our state politicians, But he soon put any you will hear the oftdistrust in me at rest. repeated phrase, “By He was a veterinarian 2020, state funding in a former life, which could be squeezed down gave him a unique to zero.” ability in our petWhile dramatic, it’s a dominated office. loaded presumption, as As we started the it implies a continued conversation, he sat in a RYAN SLABAUGH negative shift in state plastic lawn chair in the funding that only really began in middle of our kitchen, our finest the past two years, which not so furnishings, when at least three coincidentally was the same year dogs wandered by. everyone had to tighten Like that chair and unlike the their belts. dogs, he was honest. At first, we As it stands, Colorado invests talked about the good and how a measly 90 million on higher he has answered the challenges education per year, ranking presented by the volume of us 48th in the nation in perreturning war veterans, including capita spending. And with a his student body’s cool-headed limited supply of state colleges decision to tax itself to pay for a — California, as usual, overdid it new student veteran’s office. and is doomed — a small increase We soon arrived on the bad, could do us a tremendous amount otherwise known as state funding of good. and the most troubling F-word in It would be an investment to higher education these days. While consider. The doomsday and tax state funds are decreasing, private talk aside, it is obvious from Frank’s giving has remained strong, yet all tour — he is spending two weeks this has some facts spinning. From

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on the road visiting towns and cities around the state — he is in need of our attention. He’s clear to say that our state universities are not doomed and yet the priorities could use a little nudge in his direction. And what can he ask of us? He was not sure, exactly, but here is one idea I would throw back at everyone. The next time you can lean toward an 18-year-old you know — the same one who will be paying 71 percent of his or her tuition out of pocket and the one who will graduate in four years about 20,000 in debt — reassure them. Tell them that it is not doomsday, and like any good investment, it will always pay for itself. You might hear them snicker and use the other F-word, but don’t worry. That’s the debt talking. Some day, like the rest of us, they’ll have to get it.

By the way, 26 Pitkin Countyraised students attend CSU, along with 169 from Eagle County and 110 from Glenwood Springs. rslabaugh@aspentimes.com

VOLUME 1 ✦ ISSUE NUMBER 35

Editor-in-Chief Ryan Slabaugh Advertising Director Gunilla Asher Subscriptions Dottie Wolcott Design Afton Groepper Arts Editor Stewart Oksenhorn Production Manager Evan Gibbard Contributing Editors Mary Eshbaugh Hayes Gunilla Asher Kelly Hayes Jill Beathard Jeanne McGovern John Colson Contributing Writers Paul Andersen Hilary Stunda Amanda Charles Michael Appelbaum Warren Miller Contributing Partners High Country News Aspen Historical Society The Ute Mountaineer Explore Booksellers www.aspentimes.com Sales Ashton Hewitt Jeﬀ Hoﬀman David Laughren Christian Henrichon Su Lum Louise Walker Classified Advertising (970) 925-9937

BRIAN HAZEN PRESENTS...

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Brian Hazen, CRS vice president/broker associate 970.379.1270 cell 970.920.7395 direct bhazen@rof.net www.brianhazen.com FB/Brian-Hazen-Presents

TW/@BrianHazenAspen

Coldwell Banker Mason Morse Real Estate www.masonmorse.com LN/Brian Hazen

A S P E N T I M E S . C O M / W E E K LY

THE WEEKLY CONVERSATION

VOX POP Do you enjoy classical music?

with JOHN COLSON

As politics churn, my stomach turns POLITICS IN America are such a mess, most citizens act as though they don’t even want to think about it. And it seems they don’t. Which is why the question of money in politics is so important because money means advertising, and political advertising is little more than propaganda. Pouring millions into political ads on television has become the modern equivalent of the whistle-stop train tour except that the candidate rarely speaks to the voters directly these days. He or she can be content to let the Mad Men do the talking, the lying and the cajoling based on the assumption that that’s all that the voter really absorbs. And the slicker the ad, the more confusing the lie; the more intense the cajoling, the better, because the ad-copy writers know their words will come to make up the thoughts of those overloaded robots who will be mailing in their ballots come November. Republican candidates, naturally, get this central concept better than Democrats because they know that The Big Lie works if it’s on TV. How else can one explain the notorious Swift Boat campaign in the 2004 election cycle, when a bunch of arch-conservatives and rich guys swayed the election with a pack of lies and distortions about Democrat John Kerry? Now, I had no great fondness for Kerry the candidate nor any great measure of support beyond a rather negative one — as bad a president as he might have been, he could be no worse in any way than the one we got, President George Walker Bush. But the blatant misrepresentation of his service in Vietnam, the calculated lies of omission in reference to his service record, the obvious intent behind the selective interviewing of people who actually served with Kerry — it all made me gag. I should point out that one of the architects of the Swift Boat campaign of innuendo and lies was none other than that master of nastiness and deceit, Jerome Corsi, who was coauthor of a book that started the Swift Boat campaign. Reinvented as a champion of the tea party, Corsi is now at the head of the “fraud president” campaign against President Barack Obama.

The campaign claims it has proof the president was not born in the U.S. It is a campaign that is fully invested in the idea that suﬃcient repetition of a lie is guaranteed to be more convincing than the truth. Based on nothing except innuendo and rumor, Corsi and his cohort have concocted a hodgepodge of lies and insulting accusations disguised as fact, and they are swarming all over the Internet in their eﬀort to use this claptrap to attract money from the unaware, the imbecilic and the delusional. Because I somehow got on their email list, I get these appeals from the tea party several times a day, begging me to donate if I want to help rid the nation of Obama and restore America to its rightful glory, presumably some version of the “Leave It to Beaver” show. In a video, Corsi laid out a list of charges about Obama’s parenthood, his dad’s college career in Hawaii and his mother’s behavior, which is barely disguised racism at its most reprehensible. Citing statements by shadowy onetime bureaucrats in Hawaii, some of whom are acknowledged to be dead and beyond questioning, Corsi tries to weave a tapestry out of smoke and hot air. He accuses Barack Obama Sr. (the president’s father) of whoring around the campus while married to the president’s late mother. Corsi basically accuses the elder Barack Obama of abandoning the president’s mother either while she was pregnant or immediately after the future president was born, a veiled appeal to the bigots out there who insist that all black men are genetically predisposed toward laziness, unfaithfulness and lust for white women. You might have thought that such Neanderthal thinking had long vanished from the American political conversation. It clearly is alive and well, however, wearing a tea bag on its lapel and desperate for the kind of funding that would allow it to go beyond Internet appeals for cash and move into the bigtime world of misinformation on TV. Kind of turns one’s stomach, doesn’t it?

HIT&RUN

DOUG WIGGINS DETROIT

Hell yeah! I like how there are no lyrics and you can just put it on and sit back and relax.

IAN FELLERMAN ASPEN

Yup, I really like girls with violins and cellos. It shows a level of intelligence that is very attractive.

ARDELL AND DONNA SWARTZENDUBER DENVER

We enjoy it very much. It is nice to hear while walking around in town.

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jcolson@aspentimes.com

VOX POP COMPILED BY MAX VADNAIS

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www.shaneaspen.com A S P E N T I M E S . C O M / W E E K LY

THE WEEKLY CONVERSATION

CHEERS&JEERS

SEEN, HEARD & DONE

edited by RYAN SLABAUGH

FIVE THINGS TOP 5 REASONS WE LIKE TO WATCH PRO CYCLING

O5 Cheers to dropping in … which brings us to a question: When’s winter?

CHEERS | To the patience behind the local bike-sharing program, which will have to wait until 2013 to see any progress. Simply put, you can blame the feds, who say we cannot use their transportation dollars on these programs until they cut through more red tape. The local advocates, meanwhile, are still focused and eager.

encouragement from the school board during a recent retreat, when the board pledged its focus to be on learning and the learning environment. Now, before classes start running, would be the time for the teachers and their union to ﬁll in the blanks and explain what they need.

JEERS | To people who continue to ride their bikes on

diﬀerence between Mitt Romney and our mayor, Mick Ireland. While we appreciate the due diligence in asking Mick, who has publicly advocated for Romney to show more of his tax returns, to do the same, we can only hope ABC producers are asking for the same focus on our national leaders, who are continuing to cut taxes for the rich and running a pretty heavy deﬁcit. Aspen is not in the same shape. Plus, Mick is term-limited, meaning he can’t run for mayor again.

the sidewalk. While we frown on local law enforcement handing out 100 tickets, we do encourage folks to understand common courtesy and to ride their bikes on the street. Using the sidewalk to avoid traﬃc is like moving your car onto the sidewalk to avoid parking tickets. It doesn’t work.

CHEERS | To local teachers and educators, who got

JEERS | To ABC News for not understanding the

BUZZ WORTHY PITKIN COUNTY

RFTA JITTERY OVER PACE OF BIG PROJECT

Roaring Fork Transportation Authority officials feel that the 46 million bus-system expansion is off to a slow start. The general contractor on the job said RFTA needs to relax. RFTA project manager Mike Hermes told the organization’s board of directors in July in Carbondale that he is concerned that too much work will be pushed into 2013 at the rate construction is progressing this summer. He wants to make sure general contractor Gould Construction can finish the mammoth job in 13 / months — by the deadline of Sept. 3, 2013. “We’re having a little battle about that,” Hermes said.

Mark Gould, president of the construction ﬁrm, said he is conﬁdent that the deadline will be met. “I would tell you we’re not concerned at all,” he said. —

Scott Condon

CA R B O N D A L E

WATER RESTRICTIONS BEGIN IN CARBONDALE

The Carbondale Board of Trustees has initiated water restrictions to conserve water until further notice. Due to high demand during this summer’s irrigation season, and to ensure proper functioning of the town water system, the town is imposing an even/odd restriction on irrigation. Even-numbered addresses can irrigate on even-numbered days; odd-numbered addresses can

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O3 O2 O1

Only time at the bar we can share Greg Lemond stories Athletes rarely scratch themselves between pitches Can’t afford actual trip across Europe Still trying to figure out how a bike race got so complicated

POST US YOUR TOP FIVE THINGS jbeathard@aspentimes.com

STAY IN THE KNOW — CATCH UP ON RECENT NEWS & LOCAL EVENTS irrigate on odd-numbered days. Even with the recent rains, the area remains in a drought condition. These actions are necessary because of the lack of water within the Crystal River watershed, according to the town. Fire bans continue to be in eﬀect, as well. ASPEN

POLL SHOWS WIDE SUPPORT FOR ASPEN SCHOOLS TAX

An Aspen Education Foundation poll conducted in late June shows widespread local support for a sales tax increase to fund the Aspen School District, foundation President Robin Hamill said July 12. The scientiﬁc poll, which had a

“(THE ITALIANS) LEAVE THEIR DOORS OPEN, SO YOU LOOK IN AND SEE DUDES IN THONGS RUNNING CIRCLES AROUND EACH OTHER.”

European crowds loud, obnoxious, unlike Americans

margin of error of about 5 percent, sought to gauge support among city and county voters. At the city level, 59.3 percent of the 167 respondents indicated that they would support a 0.35 percent sales tax increase on Aspen sales to help the public school system. At the county level, 57.8 percent of 380 respondents indicated that they would support a 0.25 percent sales tax increase on Pitkin County sales to assist the district. Now the issue turns to the question of whether the Aspen City Council or the Pitkin County commissioners will place the item on the Nov. 6 ballot. At a recent work session, council members indicated general support for moving forward but also suggested that foundation representatives meet with county oﬃcials again to see if a countywide question would be possible. — Andre Salvail

— BMXER JILL KINTNER, TO AN ESPN REPORTER ON LIVING IN OLYMPIC VILLAGE

PHOTO BY PAVEL OSIAK

THE WEEKLY CONVERSATION

GUEST OPINION COLUMN

by RANDY UDALL of WRITERS ON THE RANGE

High noon for solar YOU KNOW WHAT fries my grid cabins. But unlike wind energy, bacon? In 2011, Germany installed which meets 10 percent of Wyoming more solar power in one year than and Colorado electricity demand, Americans have in 50. If it were just solar has yet to achieve 1 percent in the industrious Germans, I could any state. probably handle it. But the laid-back, So here’s the question: Is solar just Fiat-driving Italians did the a cute diversion, like same thing. The Italians! having a llama carry The technology was your backpack, or does invented at Bell Labs it have the oomph to back in the ’50s, when make a serious dent in Eisenhower was president. the energy appetite of a Solar photovoltaics is as populous country? American as the hot dog The world may have is, but our country has learned the answer RANDY UDALL never mounted a sustained on a sunny weekend effort to commercialize it. this May, when tens of It’s as if Steve Jobs invented a cool thousands of solar installations on phone some years ago and then put rooftops, factories, churches and it on a dusty shelf to be ignored for a farm fields in Germany produced handful of decades. 22 gigawatts of electricity. That’s a Thanks to NASA, we know that stunning amount of power, equal to solar is the best way to power a that provided by 20 large nuclear or satellite. It’s also great for ocean coal plants, as much power as takes buoys and highway signs and offto run the Rocky Mountain states.

Last year, Italy installed more solar every few months than California has in 50 years. Homeowners, church congregations, retirees, businessmen … anyone can play, and many have. Farmers have been particularly keen. Why grow hay when solar is 10 or 20 times more lucrative? This boom has been all the more remarkable because suntans are rare and clouds are common in northern Europe. In contrast, a typical roof in the Rockies receives a deluge of sunlight, often exceeding 100 horsepower at high noon. Solar is a sexy technology, well worth marrying. And it’s getting a new look. Kit Carson Electric recently dedicated a 1.5-megawatt system near Taos, N.M., that will help power 30,000 homes. San Miguel Power Association in western Colorado is building a 4 million system of similar size to serve the resort town of Telluride. In the

past decade, Holy Cross Energy customers have installed 30 million worth in the Roaring Fork and Eagle River valleys of Colorado. Experts keep telling me inﬂation is low. But why is gold 1,600 an ounce and a loaf of bread as expensive as a gallon of gas? Could it have anything to do with the way politicians are printing money — 5 trillion worth of new debt since 2008? I’m not sure. But I’ve run the numbers, and they suggest that a solar electric system could pay me 5 percent for decades to come. No, the sun doesn’t shine at night, but it comes up fairly reliably every morning. Maybe this could be a good partnership, the sun and me. Randy Udall is a contributor to Writers on the Range, a service of High Country News (www.hcn.org). He writes and consults about energy in the Roaring Fork Valley.

COUNTRY CLUB TOWNHOME Completely remodeled twobedroom close to Snowmass Club. $1,275,000

CHATEAU ROARING FORK Two-bedroom on the river, walking distance to Aspen Core. $1,250,000

SNOWMASS MOUNTAIN ULTIMATE SKI-IN/SKI-OUT LOCATION Experience Snowmass Village in this prestigious four-bedroom Deerbrook townhome directly on the slopes of Assay Hill. $2,995,000

Affordable threebedroom with views and ski access. $650,000

ROBERT GOLDSTEIN 970.618.6618 | Robert@JoshuaCo.com | www.RobertGoldstein.net | 16 Kearns Road #113, Snowmass Village AP PHOTO

A S P E N T I M E S . C O M / W E E K LY

LEGENDS & LEGACIES

CLASSIC ASPEN

by TIM WILLOUGHBY

In the 1950s, the lots behind the downtown buildings were largely empty, as seen from this photo behind the Cowenhoven Building looking toward City Hall.

SUMMER NIGHTS AND SEPTIC TANKS contemporary childhood summers simply extend school

year activities. Parents enroll children in every kind of supervised and organized activity possible from dawn to dusk. Sports dominate summer, but art, music and science activities also abound. Parent chauﬀeurs shield their charges from bicycling or walking; texting and phone calls keep everyone connected.

Summers for children in Aspen in the 1950s oﬀered rewards intended and unintended. Sleeping in was not an option, nor was staying indoors. Parents ushered children out of the house early in the day with one simple directive: go play. Whatever we did we largely invented ourselves, using the resources of a small town with abandoned buildings full of objects for creative play. The community stood sentry for children, taking responsibility for a child in need and informing our parents when we violated the few common sense rules of deportment and safety. I am sure today’s parents would roll their eyes and conclude that Aspen youth in the 1950s were unsupervised hoodlums, but the town was our playground and not having adults controlling every

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activity sparked our imaginations, honed our social and problem solving skills, and fostered our independence. In the evenings after dinner, Aspen youth gathered by neighborhood. Before Daylight

Hyman. At that time there were no structures between the backside of the Cowenhoven Building (where I lived) and Hunter and no buildings between the bowling alley (where Boogies is now) and Hyman. A streetlight hung between poles at

“LET’S CLIMB ON TOP OF THOSE,” SOUNDED MORE LIKE A CHALLENGE THAN A DIRECTIVE, BUT SOON THE LARGER KIDS SAT ATOP THE TANKS.

Savings Time we had just a couple of hours before it became too dark and we were required to be home. The east end kids congregated in an empty lot at Hunter and

Jul y 19-25, 2012

that intersection, allowing play to continue through dusk. We usually played kick the can; but one night several middle school aged kids, including my older

sister, spotted eight or so septic tanks stored behind the plumbing company (then located in the building that now houses Bad Billy’s Bar). The large metal cylinders, about six feet tall with four-foot diameters, stood on their circular bottoms. “Let’s climb on top of those,” sounded more like a challenge than a directive, but soon the larger kids sat atop the tanks. Then a creative child got the idea of turning the tanks onto their sides and rolling them down the street, the way he or she had seen loggers stand on logs and roll them downstream. Soon several kids mounted the tanks and rolled them toward the streetlight — a half-block away. Those of us too small and young to scale the side of a tank cheered the larger kids and pushed the rolling tanks along. Fortunately none of us were rolled over by escaping septic tanks. I’m sure readers find this too unreal to be believable, assuming surely a car would have come along. But there was little side street traffic in those days and downtown closed by 6 p.m. After that, the kids owned the streets. All good fun must come to an end. Different children had different be-home-by times so the crowd dwindled. Then, as always, an adult intervened in the fun. Today the police would haul us in and call our parents. The adult just said, “get those tanks back to where they belong. Now.” Moving them back with fewer participants was more work, but well worth the thrill of rolling septic tanks on a summer evening. Tim Willoughby’s family story parallels Aspen’s. He began sharing folklore while teaching for Aspen Country Day School and Colorado Mountain College. Now a tourist in his native town, he views it with historical perspective. Reach him at redmtn@schat.net.

PHOTO BY TIM WILLOUGHBY

LEGENDS & LEGACIES

FROM the VAULT

compiled by THE ASPEN HISTORICAL SOCIETY

CONCERT CRITIQUE

1972 C R A IG S M I T H

PHOTO COURTESY OF THE ASPEN HISTORICAL SOCIETY

IN THE AUG. ,  issue of the Aspen Times, Craig Smith gave his critique of one of the concerts: “It is a great mystery to me that a person drawn enough to a piece like Schumann’s 3rd Symphony could ever be attracted to a shabby and ultimately sad effort of a piece like the Walton Violin Concerto. But there they were on the same program together Sunday afternoon at the Aspen Music Festival Orchestra concert. The performance presumably did what conductor Sergiu Comissiona and Violinist Sidney Harth wanted it to do, but most of Harth’s fancy fiddling was lost in the brassy orchestration. Shumann’s ‘Rhenish’ Symphony is such a wonderful, impossibly idealistic piece that any conductor who undertakes it instead of more sure-fire repertoire has to be admired.”

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FROM ASPEN, WITH LOVE

GUNNER’S LIBATIONS

by GUNILLA ASHER

COCKTAIL: COSMOPOLITAN EVERYONE HAS HAD THE SAME REACTION when I tell

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them that we are off to the Hamptons for a vacation. “You’re going to the HHHAAMMMtons, really?” We are here to celebrate my Uncle Justin’s 85 birthday, and we started with a dinner at the golf course on Shelter Island. They were serving one of my favorite drinks, a Cosmopolitan. When you make it right, it is light, strong and tasty. It was the most popular drink on “Sex in the

1 1/2 ounces vodka 1 ounce Cointreau 1/2 ounce fresh lime juice 1/4 ounce cranberry juice Orange peel for garnish Shaken and served up in a martini glass

City,” and since we were near the city, it seemed to fit. So far the Hamptons are just like Aspen, but on the beach. I am loving it. Cheers. Gunilla Asher grew up in Aspen and now is the co-manager of The Aspen Times. She writes a drink review weekly in the spirit of “She’s not a connoisseur, but she is heavily practiced.”

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CONTRIBUTED PHOTOS

WINEINK

WORDS to DRINK BY

by KELLY J. HAYES

A PROUD PINOT IN THE TOUR DE FRANCE IF YOU HAVE READ this column over the past few summers, you know that July is all about France in the WineInk household. That’s the Tour de France. The modus operandi has been to buy a case or two of wines that roughly correspond to the daily stages of the Tour de France and to quaff them with grilled foods each night as we watch the race wind through the wine regions of France on television. It is not only like taking a virtual vacation — it has proven to be educational, KELLY J. as well. HAYES As we have watched the riders cruise the roads south of Dijon, we have sipped Chardonnay and learned about the beauty of Burgundy. The rosé as they rode through Provence was sublime, and, of course, a champagne toast as the peloton enters Paris on a Sunday morning is always a special event. Ah, summer. But this year has been a little different. For one thing, the broadcast of the races has switched from the Versus Network to what is now the NBC Sports Network. We still have the great Phil Liggett and Paul Sherwen providing the pedal-bypedal play-by-play, but something seems a little less fun. A little more American and a little less French. Secondly, the ban on charcoal grills here in Pitkin County changed our cooking and consuming habits. I’ve missed firing up the barbee on a nightly basis, running back in and out, as I try not to miss Cadell Evans making a big move. Now, on these hot nights, we are more likely to cook a little something on the stovetop or make a salad than char some chicken or sear a steak. No problem, but I miss the heat and the big red Rhônes that come with it. And then there is the Tour itself. Over 3400 kilometers will be

AP PHOTO

ridden by the time the race ends July 22 in Paris, and somehow they have managed to miss many of the signiﬁcant wine regions of France. I’m not even sure how that can happen unless the organizers are trying to avoid them. True, one stage started in Epernay, the heart of Champagne, and another stage rolled out of Mâcon, home to some exceptional Chardonnay. But for the most part the route does not take the riders through the hills of

Burgundy, the mountains of Alsace, the estuaries that deﬁne Bordeaux or even the classic castle and vineyard country of the Loire Valley. In fact, the wine highlight of the Tour for me came at the beginning of the second week. In the eighth stage, a 22-year-old French rider named Thibaut (yes, pronounced like “Tebow”) Pinot won the 157-kilometer race from Belfort to Porrentruy. Pinot, the youngest rider in the Tour this year, had to master a climb up

Thibaut Pinot, of France, crosses the finish line to win the eighth stage of the Tour de France cycling race on July 8.

the Col de la Croix. The pass has an average gradient of 9.2 percent, with sections of 13, 15 and even 17 percent. Like the Pinot noir grape with which he shares a name, he had to fight to achieve. Pinot was perfect. Pinot was also magnificent in the Alps, gaining a second-place finish in Stage 11, considered the toughest day of the race. As of this writing, Pinot is having a vintage tour. Groan. One interesting wine region that the riders did pass through was Jura, on the eastern border of the country. I’m guessing that you have never had wines from Jura unless you have been there. One of France’s smallest wine regions, this mountainous terrain is known for producing a fortified wine called Macvin du Jura, which is made in a very unique way and tastes of spices, oranges and nuts, and it is an acquired taste to say the least. The wines generally emanate from the Savagnin grape, which is indigenous to the region. Winemakers boil the grapes and the must and then combine them with marc, the local grape brandy. The wines are then aged in Burgundy barrels for six years or more. It is this method that produces the “only in Jura” taste of the Macvin du Jura. It is a great complement with the famed Comté cheeses from the region. Though I have a bottle of this, I missed my opportunity to open it this Tour. Perhaps next year, the 100th anniversary of the Tour, will see a Macvin du Jura poured. In any event, the Olympics start in just more than a week, and I guess I can start planning and pairing with the athletes for that one. Anybody for a Red Stripe the night Usain Bolt takes the track for the men’s 100 meters? Kelly J. Hayes lives in the soon-tobe-designated appellation of Old Snowmass with his wife, Linda, and a black Lab named Vino. He can be reached at malibukj@wineink.com.

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FROM ASPEN, WITH LOVE

FOOD MATTERS

CLEAN FINE DINING WITH CHEF JENN RIFFLE SOMETIMES EVEN the most gifted cooks don’t get the recognition they deserve. Take, for example, the personal chef. Attending private employers, their abilities are appreciated by a few but hidden from the larger public. Having chosen a path apart from the restaurant world, your only chance to be introduced to their talent is with a desperate AMIEE WHITE plea to their employer BEAZLEY for a dinner-party invite. Through my work as editor of edibleASPEN, word-ofmouth and her advocacy of backyard chickens in Basalt, I’ve been following the story of chef Jenn Riﬄe, also known around town as the Whole Organic Chef. Riﬄe began her business — in-house chef services for events

as well as preparation and delivery of weekday meals for a roster of clients — eight years ago and has established a reputation in the valley for foods rich in vibrate colors and incredible taste, using local, whole organic ingredients (hence the name). She also is known

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Jul y 19-25, 2012

for particular success with clients who have food restrictions such as glutenfree or vegetarian. Last week (on one of the few nights it didn’t rain), I ﬁnally got my chance to taste Riﬄe’s cuisine, at a garden dinner party held in Carbondale.

The menu included standouts such as quinoa corn cakes, zucchini and Avalanche chevre stacks, summer greens with paper-thin beets, lime cilantro beef tenderloin from Crystal River Beef and smoked paprika Copper River wild salmon served with tomatillo pico. While already popular throughout the valley, Riﬄe has “stepped up the knowledge” even further by working and traveling with some of the top chefs in the world over the past 18 months. This included two weeks in New York City cooking with chef Daniel Boulud, followed by two weeks in Roanne, France, cooking with chef Michel Troisgros, both of whom she met at a private event in Aspen. “The level of service, the perfect execution, the team, it was the ultimate reference point,” she says. “I took that training and brought it back so I could transform ﬁne French

dining into clean fine dining.” Her ability to replicate the tastes and textures and artful presentation of French cuisines but using less fat and healthier ingredients has attracted a loyal following. “I pick out the cleanest parts of French cooking, featuring lots of vegetables and the techniques,” she says. Riffle excels in other ethnic flavors, as well, including Latin and Asian, and with last year’s travels in Chianti, she has been perfecting the art of handmade pasta. Amiee White Beazley writes about dining, restaurants and food-related travel for the Aspen Times Weekly. She is the editor of local food magazine edibleASPEN and a contributor to Aspen Peak and the travel website EverettPotter.com. Follow her on Twitter @awbeazley1, or email awb@awbeazley.com.

PHOTOS BY AMIEE WHITE BEAZLEY

by AMIEE WHITE BEAZLEY

SIGNATURE DESSERT “I EXCEL AT presenting ‘wow’ foods for restricted diets,” chef Jenn Riffle says. “I make meals for people with healthy lifestyle interests.” Her signature dessert is the gluten-free chocolate cayenne cinnamon cupcake with vanilla rum frosting and fresh berries. On this evening she served it with handmade cinnamon vanilla ice cream.

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ART FORMS

ARCHITECTURE

by LEA SISSON

DEFINING A DWELLING, PART 1

WHEN I WAS IN school, I was given the opportunity to study at the Architecture Association in London, a place where the human conception of architecture was as important as the physical form of architecture. This concept highlights the importance of architecture on our daily lives. One of the most interesting factors of this is that we all experience the idea of space diﬀerently. This makes creating architecture as a whole a bit more challenging. I have developed a method to enable the individuals that come to my oﬃce a way to really analyze and verbalize the essence of what architecture means to them and how they relate to it, or how they wish to relate to it. It starts by remembering our experiences of space before we fully understood the object of building. By starting with our senses — sound, light, warmth, aromas— thinking of these combinations and then moving to the experience or reaction we had during this experience. Remember your favorite feelings and memories as a child. What was the light like? What sounds did you hear? What aromas were in the air? Were you inside or outside? This was a time when anything was possible and you could invent

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anything to ﬁt your mood. You could be sitting in the living room but you were experiencing high tea with all of your best friends (a.k.a. dolls), or you were out in the back yard experiencing the exhilaration of exploring a rain forest. Or even before those projections of spaces, you simply understood comfort and warmth from sitting in your mother’s lap. By stepping back we can better understand what it was that made us happy, sad, inspired and confused from our own chosen constructions. Before, we worried if the neighbors might object or how our parents might feel, or we worried after realizing that someone might be watching. (Over the course of the next few columns, I will elaborate on this subject, creating a platform to open up the possibilities of creating space and to heighten your awareness of the spaces you are enjoying daily). Lea Sisson is Colorado native who studied architecture at the University of Miami under the tutelage of Andres Duany and Elisabeth Plater-Zyberk, co-founders of the Congress for New Urbanism, and at the Architecture Association of London, the originators of the Architectural Deconstruction Movement. Her main oﬃce is located in Aspen but her work is international.

• QUESTIONS OF THE WEEK • Think of your favorite place. Write down all the aspects of it, size, light, volume, color, temperature and sounds. Describe it as much as possible and then pick the three most significant elements — what are the essentials to make the experience feel real? Now think of all the other places or situations where these elements are occurring. Do you recognize a pattern? Does it make you realize that you might always be experiencing your “favorite place”? Or could it make you more aware of how to create this favorite place wherever you are? What else is possible?

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VOYAGES

DESTINATION | CHICAGO

by CARAMIE SCHNELL

THREE DAYS IN THE WINDY CITY

I EMBARKED on a three-day trip to Chicago with my best friend who recently moved from Denver to corn and soybean country in central Illinois. Since she’d never visited the Windy City, I decided to meet her there to celebrate her new job and new life. Here’s a few ideas we found about how to enjoy the city: A SEAFOOD FEAST After checking out our digs for the night, we changed our clothes and hoofed it a few blocks to Shaw’s Crab House, a jazzy crab and seafood joint where the boisterous bar area energy spills over into the white tablecloth dining room, making for a dining experience that feels both sophisticated and carefree, a combination not-oft found in a single restaurant. Everywhere we looked we spied platters of fresh shucked oysters and lemon wedges on ice. We sipped on agave-and-cucumber margaritas and fell head over heels in love with a plate of butterﬂied (which means you don’t have to do any crackand-dig work) Alaskan red king crab legs, which I’ve spent way more time watching get plucked from icy waters on Deadliest Catch rather than spread on a plate before me. The menu is chock full of every kind of fresh seafood you can think of — threeinch thick crab cakes, whole Maine lobsters, tender scallops, Georgia soft shell crabs, Alaskan halibut and more.

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CHICAGO’S HISTORY, VIA ITS ARCHITECTURE The next morning we took a quick swim in the large — and completely empty — indoor heated swimming pool before packing our bags, dropping them at the front desk and heading for nearby 400 Michigan Avenue, where a line of folks patiently waited in the warm sun to board the 12:30 p.m. Wendella riverboat for a 75-minute architecture tour of the towering buildings lining the Chicago River. Though ticket prices have risen from a quarter to 26 in the 77 years since its inception, the cost is more than worth it if you’d like a quick Chicago history primer. ‘THE BEAN’ TO ‘THE BEDROOM’ After the tour we caught the city bus outside the nearby Wrigley Building — nicknamed “the jewel of the mile” — to Millenium Park, where we joined the throngs of other tourists snapping pictures of themselves hamming it up on the plaza in front of “The Bean,” a threestory shiny steel sculpture dubbed such by Chicagoans because of its legume-like shape. The sculpture by renowned Indian artist Anish Kapoor is really called “Cloud Gate” and cost a cool 23 million. It seems like every time I stare at that painting I see something new within its conﬁnes. Kind of like Chicago itself.

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HORSE RANCH $2,295,000

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CONDUCTORS BECOMING THE AMERICAN ACADEMY OF CONDUCTING AT ASPEN by STEWART OKSENHORN

robert spano,

who is in his first season as music director of the Aspen Music Festival and School, recalls the first time he conducted Stravinsky’s “The Rite of Spring.” It was with the New Japan Philharmonic, and when Spano stepped off the podium, he was soaking with sweat. It was not because of his technique with the baton. “I did it very economically, not athletically,” he recalled. And it wasn’t necessarily because of the intense, complex nature of Stravinsky’s ballet score. It was because this was Spano’s first time ever conducting the piece with an orchestra, and there was a proper audience there to witness the results.

THINKSTOCK PHOTO

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Aspen Music Festival music director Robert Spano, shown leading a conducting class last summer, has made the American Academy of Conducting at Aspen a top priority.

The unique and essential element of the American Academy of Conducting at Aspen is giving students opportunities to work with an actual orchestra.

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THE SCENARIO WAS NEARLY akin to having a student pilot fly a plane for his first time — with a full load of passengers on board. (The critical difference, of course, is that in the worst-case scenario, one instance results in a mass of dead bodies; in the other, a crowd of people who survive the incident, bodies intact, but might never venture into a concert hall again.) So last summer, Spano set out to make sure that the young conductors in the American Academy of Conducting would not have the same nervous experience he had. Spano rounded up the program’s conductors and made sure each one had some time on the podium, leading a portion of “The Rite of Spring.” This was quality time, with a full orchestra to lead and Maestro Spano observing and instructing. It was also safe time, with no audience to worry about. The conductors were free to experiment, free to stop and ask questions, free to fail completely without spoiling their reputations.

The American Academy of Conducting at Aspen was established 12 years ago, with precisely this scenario in mind: giving young conductors time in front of an orchestra. It is an obvious idea: Aspiring pianists need time at the keyboard, and serious students of the violin spend inordinate amounts of time practicing. The orchestra is the conductor’s instrument, and the more time spent working with one, the better the conductor becomes. “My teacher, Max Rudolph, always said the best way to conduct is to do it. Learning to conduct without an orchestra is like a pianist learning on a cardboard keyboard,” Spano said. But getting an adequate orchestra together, gathering a few dozen quality instrumentalists, is a mighty task. In reality, stories like Spano’s adventure in Japan — a conductor leading an orchestra through a piece for the ﬁrst time in an actual concert setting — are commonplace, while young conductors getting ample time with an

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orchestra just to practice and work on technique and ideas is the rarity. “There are few places, few summer festivals, where conductors can go to get an experience like this, this kind of time on the podium here,” said Joshua Gersen, who spent the past two summers as an AACA conducting fellow. ON A RECENT TUESDAY morning behind the Benedict Music Tent, Spano said he was suffering from “separation anxiety.” He had just missed an AACA rehearsal — his first absence after making the first 13 sessions of the summer. The Aspen Music Festival’s new music director (last summer, he served as music director-designate) has a packed schedule that includes seven appearances as conductor, an evening at the piano alongside violinist Robert McDuffie and all the miscellaneous duties of a music director. But he considers his work with AACA — score-reading sessions, orchestra rehearsals that stop frequently for questions and critiques, moderately attended Tuesday afternoon performances — to be of the utmost importance. “Central. Core. Fundamental,” Spano said of how he views AACA on his list of responsibilities in Aspen. “I feel like it’s the heart of my job. And it’s why I’ve been so happy this summer. I’d taught conducting quite a bit in my life, but less and less the last 10 years. To be able to concentrate on it in this way was irresistible.” “The fact that Spano himself is devoting so much time to it, with all the other things he has to do here, that says a lot,” Gersen said. Spano makes up only a portion of the human resources committed to AACA. Hugh Wolff, who is also director of orchestras at the New England Conservatory of Music, serves as the program’s guest director. Visiting conductors to Aspen, all of them notable orchestra leaders, generally squeeze in some AACA time between their rehearsals and concerts; this summer, Nicholas McGegan and Thomas Sondergard have led sessions with the students. AACA also requires a notable financial commitment: The entire orchestra, including all of the conducting fellows — 14 of them this summer, ranging in age from 19 to 35 — as well as the orchestra members, are on full fellowship, their tuition, room and board paid for. But the most crucial and unique resource is the American Academy of Conducting Orchestra, a 50-member ensemble of hand-picked musicians devoted exclusively to the use of the program. Having a dedicated

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Robert Spano, Aspen Music Festival music director, on his work with the American Academy of Conducting at Aspen: “I’d taught conducting quite a bit in my life, but less and less the last 10 years. To be able to concentrate on it in this way was irresistible.”

orchestra solves the issue of getting suﬃcient podium time for all of the conducting fellows. Nearly as important, it also ensures that the program conductors have a familiar, friendly environment in which to train. This is not a given in the symphony world, where guest conductors often ﬂy in for a quick appearance; the guest conductor/ orchestra dynamic can often take on an us-versus-them tone. But the AACA Orchestra is designed for a particular role, to support the development of conductors, and a third of the orchestra members are conductors themselves.

Jul y 19-25, 2012

“It’s a safe environment to fail. Or to make a mistake, then ﬁgure out how to make it better,” Spano said. “Because the orchestra knows what they’re doing there, that we’re here to learn to try things and see what works. And that’s what conductors rarely get to do.” Spano spent several years, beginning in the late ’90s, leading the conductor training program at Tanglewood, the summer home of the Boston Symphony. The Tanglewood program might be second in prominence to Aspen among summer conducting schools in the U.S., but Spano noted that Tanglewood would have as few as

three conducting fellows a season and no orchestra to call its own. That helps explain the popularity of AACA. For this summer, there were more than 200 applicants for the program. The ﬁnal class of 14 comprises conductors from Brazil, Germany, Florida, Australia, the United Kingdom and Chile as well as two Armenians. Apart from the rehearsals with the orchestra, which prepare the conductors and orchestra for their weekly Tuesday-afternoon concerts, the conducting fellows have scorereading sessions, lead the popular Saturday morning Opera Scenes

PHOTO BY ALEX IRVIN

FREE CONCERTS The American Academy of Conducting at Aspen Orchestra performs free concerts at 4 p.m. most Tuesdays through the Aspen Music Festival season. The following is the program for the remaining concerts, all at the Benedict Music Tent.

• JULY 31 Brahms: “Variations on a Theme,” by Haydn. Stravinsky: “Petrushka.”

• AUG. 7 Bernstein: “West Side Story” Symphonic Dances. Barber: Violin Concerto. Beethoven: Symphony No. 5 in C minor.

• AUG. 14 Beethoven: Overture to “Egmont.” Rachmaninoff: Piano Concerto No. 2 in C minor. Tchaikovsky: Symphony No. 6 in B minor, “Pathétique.”

Master Classes, collaborate with the composition students on scores of new music, meet with visiting conductors and have an oﬀ-podium week, when the focus switches to tasks such as working with the musicians from a particular section of the orchestra. New this year, AACA conducting fellows also have sessions with the music festival’s most prominent orchestras, the Aspen Festival Orchestra and the Aspen Chamber Symphony, to give them variety and experience with orchestras they are not so familiar with. There are no formal classes in how to function as a music director, but Spano said

his interactions with the conducting fellows are ﬁlled with tips on building relationships and even tone of voice. For the conducting fellows, a summer in Aspen tends to be a fullimmersion experience. Spano called AACA “its own little world.” Last summer, Gersen shared a house with three other conducting fellows, which he said was invaluable. “Spending a whole summer with 15 colleagues and peers — that’s great,” he said. “Living with other conductors, you learn a lot seeing what they go through. It’s a great way to develop a network, which you need as a conductor.”

AACA WAS ESTABLISHED in 2000 under the leadership of Aspen Music Festival music director David Zinman, who parted ways with Aspen in 2010, and President Robert Harth, who died four years later while serving as executive director of Carnegie Hall. The classical-music community took notice immediately. “We all paid attention in the world when David created it because it was a beautiful thing he did,” Spano said. But a program like this becomes known best by the fruit it produces. Now, after 12 years, AACA has announced itself by supplying an impressive portion of the next

generation of conductors. “Almost every major orchestra, there’s an alumnus of this program,” Gersen said. “It has a track record.” Gersen himself is the conducting fellow at the New World Symphony in Miami, working under artistic director Michael Tilson Thomas; this fall, Gersen takes over as director of the New York Youth Symphony. (Last summer, Gersen won the Aspen Conducting Prize, which comes with the title of assistant conductor at this year’s festival and partial responsibility for every orchestral performance this season.) Joshua Weilerstein, who won the Aspen Conducting Prize two summers ago, is an assistant conductor at the New York Philharmonic. He also conducts the Aspen Festival Orchestra concert on Aug. 5. The New York Phil’s other assistant conductor, Case Scaglione, is also an AACA alum. James Feddeck, another winner of the Conducting Prize and leader of the Aspen Philharmonic Orchestra concert on Aug. 15, is associate conductor of the Cleveland Orchestra. Former AACA students are also in assistant positions at the Philadelphia Orchestra, the Boston Symphony and the Cincinnati Symphony Orchestra. While the Aspen program is prominent, there is no particular Aspen method of conducting. The conductors coming through AACA aren’t being indoctrinated into a particular style. “It’s not a school of conducting, like the Saito school, not a specific approach to the techniques of conducting,” Spano said. “That’s not what we’re doing, creating an aesthetic identity. These students are coming from all backgrounds, all kinds of teachers. This is an opportunity to learn from other schools, other disciplines, other approaches. They get multiple influences over the course of the summer. They hear a lot of different points of view.” So while AACA isn’t molding a certain kind of conductor, it is doing the more fundamental job of producing conductors, conductors who can walk onto a podium, an orchestra in front of them, and not feel as though they have entered a foreign land. “For the future of music, you want young students to be instructed in the best way by the best people,” Gersen said. “This place is a great way to train musicians. You can’t learn to be a good conductor if you don’t have a good orchestra to conduct. Every time you get in front of an orchestra, it’s valuable. It’s impossible not to learn. Almost everybody leaves here a better conductor than when they came.”

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ARTS&ENTERTAINMENT

MUSIC/ART/FILM/LITERATURE

by STEWART OKSENHORN

DOCUMENTING THE HUMANITY IN FASHION, PERFORMANCE ART high fashion and contemporary art share

the plague of being perceived as shallow, driven by cults of celebrity, momentary trends and dollars rather than aesthetic value. BUT TWO DOCUMENTARY films coming up in “New Views: Documentaries & Dialogue,” a series co-presented by Aspen Film and the Aspen Institute, focus on a pair of influential women who have breathed warm, soulful life into the fashion media and the avant-garde wing of modern art. In both “Diana Vreeland: The Eye Has to Travel,” about the former editor at Harper’s Bazaar and Vogue, and “Marina Abramovic: The Artist Is Present,” the emphasis is on the depth of the subjects and how their humanity informed their work. ALL FILMS IN THE SERIES SHOW AT : P.M. AT PAEPCKE AUDITORIUM. “DIANA VREELAND: THE EYE HAS TO TRAVEL” JULY  Several times in this absorbing film, Vreeland makes the point that, for her, the clothes people put on their bodies was secondary. “It wasn’t the clothes; it was the life inside the clothes” was the motto that guided her career. Vreeland herself, who died in 1989 at the age of 86, never could have been a fashion model; her face was long and saggy, all jowls. But as a person, she burst with life as much as any of those she championed in the pages of Harper’s Bazaar, where she was fashion editor for several decades in the mid-20th century, and at Vogue, where she served as editor-in-chief in the critical years of 1963 through 1971. Vreeland was looking not merely at the clothes but at the way society was evolving when she featured in the pages of her magazines the Beatles and Rolling Stones, Lauren Bacall (whom Vreeland more or less discovered), Jackie Kennedy and photographer Richard Avedon. Vreeland had a flair for the outrageous in her visual sensibility. When we first see her, she is dressed all in red, in the all-red background of her Manhattan apartment. “I wanted this place to look like a garden ... but a garden in hell,” she explains.

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But in “The Eye Has to Travel,” directed by Diana’s granddaughter-inlaw, Lisa Immordino Vreeland (who never met Diana), it is sound that best conveys what is stirring inside Vreeland. Her voice, heard largely in taped interviews she did with George Plimpton, is the centerpiece of the film. Vreeland might not have had the stuff to be a fashion model, but she certainly could have earned a living as a voice actress. Her speech is idiosyncratic, inflected by an upbringing that took place in France, Great Britain and the U.S., a mix of highbrow and street culture; it is also dramatic and, above all, knowing, constantly assuring the listener that Vreeland knows exactly who she is and what she is talking about. If there is one human trait missing from her voice, it is self-doubt. Diana Daziel was born to socialites — an American mother and a British father — in Paris in 1903, but she didn’t have an emotionally privileged childhood; her mother vocally favored her prettier sister. Diana’s response was to develop an outsider streak and to embrace the rich outer world: France’s Belle Epoque as a child, the Roaring ’20s in New York and the pre-World War II height of the empire in London, where she opened a lingerie business, her entrance into fashion. (Vreeland had a banker husband and two sons, all of whom she adored and who get some screen time, but they seem beside the point.) Vreeland was a towering influence in fashion; Richard Avedon said she “was and remains the only genius fashion editor.” But she defied notions of conventional beauty and was as interested in photography, music and design as she was in clothing. Her engagement with the world was evidenced by her ability to change with the times. She adored the ’60s — even though she was in her 60s during that youth-oriented decade — because of the celebration of individuality. She added a major, late-in-life exclamation point to her career when she became a consultant to the Costume Institute of the

Jul y 19-25, 2012

The late fashion editor Diana Vreeland is the subject of “Diana Vreeland: The Eye Has to Travel,” showing July 23 at Paepcke Auditorium in the “New Views: Documentaries and Dialogue” series.

Metropolitan Museum of Art in 1971 and created exhibitions that were massively popular and essentially altered the way fashion was looked at in the museum world. “MARINA ABRAMOVIC: THE ARTIST IS PRESENT” AUG.  Matthew Akers’ documentary features a bunch of clips of the early works of the Serbian-born Marina Abramovic. Her pieces were some of the pioneering examples of performance art, and they haven’t aged especially well: stark black-andwhite video of Abramovic throwing her naked body against a wall; Abramovic and her then-husband and creative partner, Ulay, colliding into each other, naked, repeatedly. The pieces might have had some shock and groundbreaking value when they were created in the early ’70s, but in the age of porn, we have become immune to mere nudity, and in the age of “Jackass,” people inﬂicting physical pain on themselves is more comedy than a revelation of self. More interesting are the contemporary scenes of Abramovic reﬂecting on her career. She expresses a longing for the years when critics routinely asked her how she can consider her

performances to be “art.” But the growing acceptance — Abramovic herself has adopted the tagline “the grandmother of performance art” — hasn’t made her dull. Her being is filled with passion, empathy and the pursuit of meaningful work. “The Artist Is Present” spends some time on Abramovic’s childhood, and as in “Diana Vreeland,” the most consequential thing that turns up is a lack of motherly affection. Abramovic’s parents, both anti-fascist resistance fighters, taught her to be socially and politically active. But they failed at warmth, and Abramovic responded by making art that examined empathy and relationships. An even more curious parallel between the two films is that both end at the Museum of Modern Art. “Marina Abramovic” builds toward a 2010 MOMA exhibition, also titled “The Artist Is Present,” which had Abramovic in a chair each day for three months, with visitors spending a few minutes, one after another, sitting across a table from her. At last we see the humanity in her work, as people line up for hours, and eventually cry and exult over the simple experience of being with another person. P H O T O B Y H O R S T P. H O R S T

Don’t ride on the sidewalk

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The City of Aspen is kindly asking visitors and locals alike to ride their bikes on the street and to obey all trafﬁc laws when doing so. It is illegal in the city to ride on the sidewalk, and those who violate the law could face a $100 ﬁne if caught.

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AROUNDASPEN

The SOCIAL SIDE of TOWN

by MARY ESHBAUGH HAYES

MORE JAZZ ASPEN THE PARTIES GET BIGGER and bigger and I get so many photos, I canâ&#x20AC;&#x2122;t fit them all in in one column, so here are some more from the lovely Patron Party given by Jazz Aspen/ Snowmass. Undercurrent ... Have you noticed how many of those elegant sports cars have an older man driving.

MARY ESHBAUGH HAYES

A photo was mislabeled in the July 5 edition. They are Alexis and Steven Spiritas of Aspen and Dallas, who attended Food & Wine for their 20th year.

JAZZ From left are Jim Horowitz, founder and CEO of Jazz Aspen/Snowmass, Harry Peisach and Kathryn Fleck Peisach.

JAZZ

Helen De France and Jim Fifield.

JAZZ

Michael David Cook and Alie Doherty.

JAZZ Enjoying the Jazz Aspen Patron Party are, from left, Rick and Meredith Carroll, Kerry Morrisey and Andre Salvail.

JAZZ

From left are Steve Mayer, Eugene Charelli, Gabrielle Greeves and Helen Klanderud.

JAZZ JAZZ

Bobby and Patty Nail.

April Pluss and Frank Cohen and Lori Dresner and Peter Wycoff.

P H OTO S B Y M A RY E S H BA U G H H AY E S

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JAZZ

From left are Paula Loud, Marianne and Donald Buchhols and Monte Loud. Marianne is chairman of the board of Jazz Aspen/Snowmass.

JAZZ

Larry and Lorrie Winnermann.

JAZZ

Dorothy and Hal Thau.

JAZZ Crista Barnes and Scott Davis.

JAZZ Rick Crandall and Ruthie Hoff.

JAZZ

Steve Psaledakis and Amey Yarkelevitz.

JAZZ

From left are Stan and Chris Cheo, Tim Kurnos, Kelly Young and Scott Davidson.

JAZZ Helen De France and Joe Vernier.

JAZZ Donna Livingston and Gary De Perria.

JAZZ David and Linda Stein.

JAZZ Scott and Talia Shirey and Terri and Jason Cory.

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Jul y 19-25, 2012

P H OTO S B Y M A RY E S H BA U G H H AY E S

CURRENTEVENTS

JULY 19-25, 2012

LIVE ENTERTAINMENT

night of funky r&b, psychedelic rock and garage pop. No cover. Call 970-704-1216.

THURSDAY, JULY 19 Aspen Music Festival Highlights 6 p.m. - 8 p.m., Benedict Music Tent, Harris Concert Hall. At 6 p.m., Pianopalooza: An Evening with Pianos featuring Anne-Marie McDermott and Inon Barnatan in the Benedict Music Tent. The program: Mozart’s Sonata in D major for Two Pianos, K. 381; Shostakovich’s Concertino for Two Pianos, op. 94; Ravel’s La valse; Schumann/Debussy: Six studies in canon form, op. 56; and Rachmaninoff’s Suite No. 2 for Two Pianos, op. 17. At 8:30 p.m., A recital: Prelude to a Kiss, featuring vocalists from the Aspen Opera Theater Center, at Harris Concert Hall. Call 970-925-9042.

Aspen Music Festival Highlights 6 p.m. - 8 p.m., Benedict Music Tent. The Aspen Chamber Symphony, led by Jeffrey Kahane and with guest artist Michelle DeYoung (mezzosoprano), performs a program of Beethoven’s Piano Concerto No. 4 in G major, op. 58; and Ligeti’s Romanian Concerto. Call 970-925-9042.

Damian Smith and Terry Bannon 8 p.m. - 10 p.m., Sneaky’s Tavern, Snowmass Base Village. Plaza Live music after the free concert on Fanny Hill. Call 970-923-8787. Karaoke 10 p.m. - 10 p.m., The Red Onion, 420 E. Cooper Ave., Aspen. Live karaoke with Hugh. Call 970-925-9955.

Montreal. Formed in early 2011, the production outfit/DJ duo is a collaboration of musicians Christian Srigley and Leighton James. After a blitz in the studio, they’ve released five tracks with an EP that will hit the scene shortly (featuring remixes ranging from 1950s classics and post-hardcore rock to today’s sweet electronic sounds). Call 970-544-9800.

The Poser Band 6:30 p.m. - 8:30 p.m., Crown Mountain Park pavilion, El Jebel. Part of the free family concert series at the park. Call 970-963-6030.

Aspen Music Festival Highlights 4:30 p.m. - 4:30 p.m., Harris Concert Hall at 4:30 p.m., a concert of chamber music featuring festival artist-faculty and special guests. Program includes Steve Reich’s Vermont Counterpoint; Debussy’s Violin Sonata; Alan Fletcher’s Selected Songs; and Vaughan Williams’ Piano Quintet in C minor. At 8 p.m., A recital by pianist Ingrid Fliter. An all-Beethoven program includes: Piano Sonata No. 17 in D minor, op. 31, no. 2; Piano Sonata No. 18 in E-flat major, op. 31, no. 3; and Piano Sonata No. 23 in F minor. Call 970-925-9042.

Snowmass Culinary and Arts Festival, Snowmass Village. Weekend festival of celebrity chefs, juried art exhibit, renowned artists, food and pairings. Call 1-800SNOWMASS.

Aspen Players Association 9 p.m. - 11:59 p.m., The Hunter Bar, Aspen. Singer/songwriter musicians circle followed by “the Wild Wesy Show” invitational artist showcase. Call 970-274-9078.

Boo Coo 7 p.m. - 11 p.m., St. Regis ResortAspen, Shadow Mountain Lounge. Live local music on Friday and Saturday nights, featuring local duo Chris Bank and Smokin’ Joe Kelly. Call 970-920-3300.

Big Daddy Lee and the Kingbees 8 p.m. - 11 p.m., Carbondale Beer Works, 647 Main St., Carbondale. Local band returns for another night of blues. No cover charge. Call 970-704-1216. Boo Coo 7 p.m. - 11 p.m., St. Regis ResortAspen, Shadow Mountain Lounge. Live local music on Friday and Saturday nights, featuring local duo Chris Bank and Smokin’ Joe Kelly. Call 970-920-3300. Damian Smith and Terry Bannon 9 p.m. - 9 p.m., The Brick Pony, 202 Midland Ave., Basalt. Live music on Saturdays. Call 970-279-5021. Hot Tuna 8 p.m. - 11 p.m., PAC3, 520 S. Third St., Carbondale. Jorma Kaukonen and Jack Casady, the founders and continuing core members of Hot Tuna, offer up acoustic and electric blues. Call 970-946-9338. NorthYSur with Josefina and Jeremy 7 p.m. - 10 p.m., Hotel Jerome, Aspen. NorthYSur, a creation of Josefina Mendez and Jeremy Fleisher, blends the sounds of traditional North and South American jazz and bossa nova. Call 970-379-4676.

SEE Theatre Aspen’s production of the puppet musical “Avenue Q” closes with performances Thursday through Saturday, July 19-21.

Music at the Library 5:15 p.m., Basalt Regional Library. A weekly Aspen Music Festival and School student recital of chamber music. The concerts begin promptly at 5:15 p.m. Free tickets for each concert may be picked up one week prior to the concert at the front desk. Call 970-927-4311. FRIDAY, JULY 20 Aspen Santa Fe Ballet 8 p.m. - 10 p.m., Aspen District Theatre For its first program this summer, Aspen Santa Fe Ballet presents a world premiere by Spanish choreographer Alejandro Cerrudo of Hubbard Street Dance as well as Norbert De La Cruz’ smash hit Square None, and Cayetano Soto’s Kiss Me Goodnight. Born in the American West and now touring internationally, this troupe of 11 classically trained dancers has become an arts ambassador for Aspen. Underwritten by Les Dames d’Aspen.”Aspen Santa Fe Ballet moves just like a dream.” — Kansas City Starwww. aspensantafeballet.com. Call 970-920-5770. Spectrum Dance Festival X Dances 7:30 p.m. - 9 p.m., PAC3, Third Street Center, Carbondale/ $20 in advance and $25 at the door. Featuring “Flights of Fancy,” a dance with kites by Heather Morrow, and “On the Earth and in the Air,” an aerial dance with Michelle McGlone and Gabi Rojas, followed by Battle 2 the Drums semi-finals and finals of the 2-on-2 hip-hop competition with Marbonia All Stars, African drums, for a $1,000 winner-takes-all prize. For information and tickets, go to www. danceinitiative.org. Call 917-319-1608. The Quick & Easy Boys 8 p.m. - 11 p.m., Carbondale Beer Works, 647 Main St., Carbondale. Oregon band returns for another

PHOTO BY JEREMY SWANSON

SATURDAY, JULY 21 Aspen Santa Fe Ballet 8 p.m. - 10 p.m., Aspen District Theatre. For its first program this summer, Aspen Santa Fe Ballet presents a world premiere by Spanish choreographer Alejandro Cerrudo of Hubbard Street Dance as well as Norbert De La Cruz’ smash hit Square None, and Cayetano Soto’s Kiss Me Goodnight. Born in the American West and now touring internationally, this troupe of 11 classically trained dancers has become an arts ambassador for Aspen. Underwritten by Les Dames d’Aspen.”Aspen Santa Fe Ballet moves just like a dream.” — Kansas City Starwww. aspensantafeballet.com Call 970-920-5770. Spectrum Dance Festival Performances 7:30 p.m. - 11 p.m., Thunder River Theatre, Third Street Center, Carbondale. The Dance Initiative presents Not Just Tango from 7:30-9 p.m. at Thunder River Theatre, an original theatrical combination of tango and contemporary ballet performed by Amy Anderson, Diana Cruz, Gregory Gonzales and Nick Jones. $20 or $25 at the door. Dance Initiative presents La Milonga, a classic Argentine tango evening hosted by Heather Morrow with DJ Bob Howard, from 9-11 p.m. in the Round Room at the Third Street Center. $15. For information and tickets, go to www.danceinitiative.org. Call 917-319-1608. Snowmass Culinary and Arts Festival, Snowmass Village. Weekend festival of celebrity chefs, juried art exhibit, renowned artists, food and pairings. Call 1-800SNOWMASS. Adventure Club with Paul Basic 10 p.m. - 11:55 p.m., Belly Up Aspen, 450 S Galena St., Aspen. Adventure Club is a dubstep duo hailing from

SUNDAY, JULY 22 Sister Sparrow and the Dirty Birds 6 p.m. - 8 p.m., Sopris Park, Carbondale. Carbondale’s Summer of Music hosts a nine-piece powerhouse that puts a modern spin on classic soul. The band is led by Arleigh Kincheloe (Sister Sparrow) whose powerful voice and sly demeanor make for a spellbinding presence onstage. She is backed by the force of The Dirty Birds, a flock of eight men who masterfully lay down thundering grooves and soaring melodies. Free. Bring a blanket and picnic dinner. Call 970-963-1680. Snowmass Culinary and Arts Festival, Snowmass Village. Weekend festival of celebrity chefs, juried art exhibit, renowned artists, food and pairings. Call 1-800SNOWMASS. Aspen Music Festival Highlights 4 p.m. - 6 p.m., Benedict Music Tent. Aspen Festival Orchestra concert led by Hugh Wolff with guest violinist Robert McDuffie. The program includes Copland’s Fanfare for the Common Man; W. Schuman’s Violin Concerto; and Copland’s Symphony No. 3. Rehearsal is at 9:30 a.m. at the tent. Call 970-925-9042. Dan Sheridan 6 p.m. - 9 p.m., J-Bar at the Hotel Jerome, Aspen. Local singer-songwriter performs original and cover songs on Sundays. Call 970-379-3963. Tom Ressel 11 a.m. - 2 p.m., Peach’s Cafe, 121 S. Galena St., Aspen. Acoustic music on the patio. Call 970-544-9866. Tycho 9 p.m. - 11:55 p.m., Belly Up Aspen, 450 S Galena St., Aspen. While his formative years were spent listening to everything from Yes to Photek, Scott Hansen didn’t get his hands on an actual guitar or drum machine until he left his native Sacramento for San Francisco in 1995. “Encountering this whole new world at 20 years old was a profound experience,” says Hansen, better known by his musical

edited by RYAN SLABAUGH

ONGOING SHOWS THURSDAY, JULY 19 Avenue Q at Theatre Aspen 7:30 p.m. - 9:45 p.m., The Hurst Theatre, 505 Rio Grande Park, Aspen. This musical comedy won Tony Awards for best musical, best score and best book. Avenue Q tells the story of a recent college grad named Princeton who moves into a shabby New York apartment all the way out on Avenue Q. There, he meets Kate (the girl next door), Rod (the uptight guy), Trekkie (the Internet sexpert) and other colorful types who help him discover his purpose in life. Directed by Mark Martino. Go to www.theatreaspen.org/productions for ticket information. Call 970-925-9313. Also runs at the same time: July 20; Runs 7:30 p.m. - 9:45 p.m. on July 21. How I Became a Pirate 10 a.m. - 11:10 a.m., Theatre Aspen, The Hurst Theatre, 505 Rio Grande Park A musical directed by Marjorie Mae Treger and based on a beloved children’s book by Melinda Long. A band of pirates lands on the “beach” looking for an extra digger to join their crew. Black Braid and his mates enlist all the help they can get as they try to find the perfect spot to bury their treasure. For all ages. Go to www.theatreaspen.org/productions for ticket information.To buy tickets, go to aspenshowtix.com, the Wheeler Opera House or call 970-920-5770. Also runs: July 20, 21

pseudonym Tycho and as the graphic artist ISO50. Call 970-544-9800. MONDAY, JULY 23 NEW VIEWS Documentary - “Diana Vreeland: The Eye Has To Travel” 7:30 p.m. - 9:30 p.m., Paepcke Auditorium, 1000 N. 3rd St., Aspen. “A new dress doesn’t get you anywhere; it’s the life you’re living in the dress, and the sort of life you had lived before, and what you will do in it later.” Diana Vreeland lived life to the fullest in each and every couture gown she wore. Interweaving lively interviews with Vreeland by George Plimpton and personal anecdotes from Anjelica Huston, Diane von Furstenberg, Manolo Blahnik and many others with captivating period footage, the film is just as original, colorful, and exuberant as Diana Vreeland herself. (U.S., 2011, 86m) Q&A with Special Guest Following. Call 970-544-7963. Aspen Music Festival Highlights 6 p.m. - 8 p.m., Harris Concert Hall. Festival artist/ faculty perform a chamber music concert featuring pianist Joyce Yang. The program includes Mahler/David Matthews’ Lieder and Beethoven’s Violin Sonata No. 9 in A major, op. 47, “Kreutzer.” Call 970-925-9042. Open Mic Night 9:30 p.m. - 9:30 p.m., The Red Onion, 420 E. Cooper Ave., Aspen. Check out what Aspen’s songwriters and musicians have to offer. Call 970-925-9955. TUESDAY, JULY 24 Al Green 9 p.m. - 11:55 p.m., Belly Up Aspen, 450 S. Galena St. This American gospel and soul music singer reached the peak of his popularity in the 1970s, with such hits as “You Oughta Be With Me,” “I’m Still In Love With You,” “Love and Happiness” and “Let’s Stay Together.” In 2005, Rolling Stone put the Rock and Roll Hall of Fame inductee at No. 66 on its

A S P E N T I M E S . C O M / W E E K LY

list of the 100 greatest artists of all time. Call 970-544-9800.

THE ARTS

Aspen Music Festival Highlights 4:30 p.m. - 5:30 p.m., School campus, Harris Concert Hall. At 4:30 p.m. on the AMFS campus on Castle Creek Road: Peanut Butter and Jam and petting zoo. Kids can explore music through performances and stories. An instrument petting zoo will be held from 3:15 to 4:15 p.m. on the lawn outside the Castle Creek Building. At 8 p.m. at Harris Concert Hall, Celebrating Fifty Years: Aspen Center for Physics — a celebratory beneﬁt evening of string chamber music played by the grown children of physicists who have participated at the Aspen Center for Physics. Call 970-925-9042.

THURSDAY, JULY 19 Adult Intermediate Ballet Class 9 a.m. - 10:30 a.m., Colorado Mountain College, 245 Sage Way, Aspen. Aspen Santa Fe Ballet offers open level adult ballet classes on Tuesday and Thursday mornings. Drop-in rate $16 or 10punch pass for $140. Call 970-925-7175.

Haden Gregg and Friends 7 p.m. - 9:30 p.m., L’Hostaria, 620 E. Hyman Ave., Aspen. Live music every Tuesday. Call 970-925-9022. Home & Away: Songs of Israel and Disapora 5 p.m. - 7 p.m., Aspen District Theatre. Featuring Aspen Cantor Rollin Simmons, along with cantors and musicians from New York and Los Angeles: Cantor Joshua Breitzer, Cantor Galit Dadoun-Cohen, Cantor Leigh Korn, Elana Arian, Noah Aronson and Joyce Rosenzweig. Patron tickets are $600, including seating in a reserved section and a private dinner following the concert hosted by Aspen’s Susan Crown and William Kunkler. Patron tickets are available by calling 970-925-8245. General admission tickets are $36 through July 4 and $50 starting July 5, and are available at www. aspenshowtix.com or the Wheeler Box Ofﬁce. Call 970-925-8245.

Art Inspires. WindWalkers Heals 6:30 p.m. - 8:30 p.m., Forre Floria Gallery, 426 E. Hyman Ave., Aspen. Cocktails, conversation and hor d’oeuvres to celebrate seven years of WindWalkers Equine Assisted Learning and Therapy Center, healing individuals and families with challenges in the Roaring Fork Valley. Call 970-963-2909. FRIDAY, JULY 20 “Matrix” Opening Reception sponsored by The Scout Guide 5 p.m. - 9 p.m., 414 East Cooper Ave., Aspen. LivAspenArt is pleased to announce “Matrix,” a group exhibition featuring new work by Tony Prikryl, Matt Neuman, Steve Lewis, David Stassi, Susan Obermeyer-Strauss, Amy Butowicz, Shawn Benton, Ron Johnson, and Mark Brendon Smith, from July 20 - Sept. 16. The intangible made tangible. Please join us for our artist

punch pass for $140. Call 970-925-7175. Red Brick Arts Tribute 6 p.m. - 10 p.m., Red Brick Center for the Arts, 110 E. Hallam St., Aspen. The Red Brick Council for the Arts hosts a tribute award and beneﬁt dinner, an annual fund-raising event that honors a local individual who promotes the arts in the Roaring Fork Valley. This year’s honoree is artist Rita Blitt, an award-winning painter/sculptor/ﬁlmmaker. The fundraiser takes place on the lawn at the Red Brick. Call 970-429-2777.

YOGA & EXERCISE THURSDAY, JULY 19 Tot Karate 12:30 p.m. - 1:15 p.m., Aspen Recreation Center. Teaches children gross motor skills and hands-eye coordination. Ice skating will follow from 1:30-2:30 pm. Contact Elaine at 520-661-9243 or e-mail 460kozel@ earthlink.net for more information. Nia Class 5:30 p.m. - 6:30 p.m., Sopris Park, Carbondale. An hour of cardiovascular movement that incorporates dance, martial arts and healing arts. By donation. Call 936-870-8749. Rock Rats Climbing Class 4:15 p.m. - 5:30

WEDNESDAY, JULY 25 Beer Pong Tourney 10 p.m., The Red Onion, 420 E. Cooper Ave., Aspen. $10 per team of two (includes ﬁrst pitcher). Call 970-925-9955.

Snowmass Rodeo 5 p.m. - 8:30 p.m., Snowmass Village Rodeo Grounds. Featuring authentic western fun like bronc riding, team roping, barrel racing, bull riding and mutton bustin.’ Western barbecue offered before the action. Rodeo admission is $18; youths (ages 11-15) get in for $10; younger kids admitted free. Barbecue is extra. Call 970-923-8898.

Guitarist Chris Phillips 7:30 p.m. - 10:30 p.m., Tempranillo Restaurant, 165 Midland Ave., Basalt. Spanish and classical guitar performed in the garden in front of Tempranillo. Call 970-927-3342. Preview: The 39 Steps 7:30 p.m. - 9:45 p.m., Theatre Aspen, The Hurst Theatre, 505 Rio Grande Park. Mix a Hitchcock masterpiece with a spy novel, add a dash of Monty Python and you have “The 39 Steps,” a fast-paced whodunit. This two-time Tony and Drama Desk Award-winning play for all ages is packed with laughs, more than 150 zany characters (played by a talented cast of four), an on-stage plane crash, handcuffs, missing ﬁngers and oldfashioned romance. Directed by David Hess. Go to www.theatreaspen.org/productions for ticket information. Call 970-925-9313.

A S P E N T I M E S W E E K LY

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Jul y 19-25, 2012

Sign Up: Yoga Series, Aspen Health and Harmony, El Jebel. Sign up by July 21 for a series that will guide students to deepen and explore their yoga practice. Sessions will touch on many aspects of a balanced practice, including alignment, active poses that ﬂow together, deep stretches and restorative poses appropriate for each student, as well as pranayama and meditation. Yoga experience required. Series will take place Mondays at 6 p.m., from July 23-Aug. 20. Call 970-704-9642.

12 Hours of Snowmass 7 a.m. - 7 p.m., Snowmass. This USA Cycling Pro MTB Ultra Endurance Tour dawn-to-dusk mountain bike race beneﬁts local youth organizations and attracts professional riders. Call 970-3909730. MONDAY, JULY 23 Aikido at CMC 7 p.m. - 8:30 p.m., Colorado Mountain College, Aspen campus. Aikido is an effective self-defense as well as a fun and dynamic work out. Class offered Mondays and Wednesdays. Beginners welcome. Try the ﬁrst class for free. Call 970-379-4676.

Aspen Music Festival Highlights 6 p.m. - 8 p.m., Benedict Music Tent, Harris Concert Hall. At 6 p.m. in the Benedict Music Tent, the Aspen Philharmonic Orchestra performs with David Robertson conducting. Pianist Orli Shaham is the guest artist. Program includes: Elliott Carter’s Holiday Overture; Bernstein’s Symphony No. 2, “The Age of Anxiety,” after W. H. Auden; and Rachmaninoff’s Symphonic Dances, op. 45. At 8:30 p.m. in Harris Concert Hall, a recital by Pianist Ann Schein. Program includes: Chopin’s Nocturne in E-ﬂat major, op. 55 , no. 2; Chopin’s Ballade No. 4 in F minor, op. 52; Elliott Carter’s Piano Sonata; Ravel’s Sonatine; Liszt: from Ann√©es de p√®lerinage, suppl√©ment aux 2de volume: Venezia e Napoli, LW 197; and Rachmaninoff: from Ten Preludes, op. 23. Call 970-925-9042.

Evening of Spanish Guitar 7:30 p.m. - 10:30 p.m., Tempranillo Restaurant, Basalt Spanish, ﬂamenco and other guitar styles, under the sky in front of Tempranillo’s patio. Call 970-927-2433.

Wildflower Walk 9 a.m. - 3 p.m., ACES at Hallam Lake, 100 Puppy Smith St., Aspen. Join local naturalist and “Wild at Heart” field guide author Janis Lindsey Huggins on a wildflower walk. Learn about plants and their families, using a hand lens and a simple key to discover their identities. Delve into interesting folklore, historic uses, pollination strategies and more — all factors in the natural history of local flora in the Roaring Fork Valley. These field classes take place at various locations, depending on where the wildflowers make their best showing. Call 970-925-5756.

A Bike Ride for Africa 8 a.m. - 4 p.m., Begins/ ends at Paepcke Park, Aspen. Featuring 50K and 100K bike rides toward Snowmass and up Maroon Creek Road. Led by U.S. national cyclist Cari Higgins. Finish-line festivities and barbecue to follow. Call 818-807-2350.

Smokin’ Joe and Zoe 8 p.m. - 11 p.m., BB’s Kitchen, Aspen. Local duo performs eclectic mix of music. Call 970-927-6758.

Black Uhuru 9 p.m. - 11:55 p.m., Belly Up Aspen, 450 S. Galena St., Aspen. A Jamaican reggae group formed in the Waterhouse district of Kingston, Jamaica in 1972, initially as Uhuru (Swahili for freedom). Over the years, despite several line-up changes, Black Uhuru has released many successful albums. Call 970-544-9800.

Artists and hikers at all levels are invited to come along for a light-hearted discussion about art, followed by an art-making workshop in nature’s studio. No experience or supplies required. The Aspen Art Museum is offering a series of programs this summer for the culturally curious that take place outdoors. Join museum curatorial and education staff for a stroll, day hike, or bike tour in and around Aspen and explore culture and art in unexpected places. Registration is required. The group will be hiking on the Ditch Trail, meeting at Snowmass Village Campground parking lot E. Call 970-925-8050 (ext. 33).

Pole Dance Classes 6 p.m., Train Off Main, 580 Main St., Carbondale. At 6 p.m., learn the basics of pole dancing in a mixed-level class, including lifts, spins, dance and ﬂoor work as well as pole safety. Beginners encouraged. At 7 p.m. it’s Honey’s Booty Camp — use pole dance-based moves to tone every muscle. Strength and ﬂexibility training functional for pole dancing. All levels. Call 970-274-1564.

HEAR Soul singer Al Green performs Tuesday, July 24, at Belly Up chat and opening reception on July 29, 5 - 9 p.m., 414 East Cooper Ave, Aspen, CO. Call 970-379-2539. Opening Reception: Chagoya/Dickey 5 p.m. - 8 p.m., Hearvey/Meadows Gallery 133 Prospector Road, Suite 4114A, Aspen Highlands Village. Featuring the work of Enrique Chagoya and Kim Dickey. Call 970-920-7721. MONDAY, JULY 23 Summer Art Camp Sign-up: Screen-Printing, Wyly Community Art Center, 99 Midland Spur, Basalt. Registration in progress for ScreenPrinting Art Camp: Chinese Calligraphy, Nature Designs, and More with Vidabeth Bensen on August 6-10 from 9 a.m. to noon, for ages 8-14 (or ages 6-7 with a parent). Registration is required. Cost is $100 plus $25 for art supplies. Members receive 10 percent off. Go to www. wylyarts.org to register. Call 970-927-4123. TUESDAY, JULY 24 Adult Intermediate Ballet Class 9 a.m. - 10:30 a.m., Colorado Mountain College, 245 Sage Way, Aspen. Aspen Santa Fe Ballet offers open level adult ballet classes on Tuesday and Thursday mornings. Drop-in rate $16 or 10-

p.m., Aspen Recreation Department, 110 E. Hallam St. Climbing class for ages 6 and up, focusing on learning to climb and staying safe in the indoor climbing gym. The class does top roping, bouldering and plays games. Call 970-920-5140. Tai Chi/Qigong 9:30 a.m. - 10:30 a.m., Aspen Historical Society, 620 W. Bleeker St. Gentle, ﬂowing movements for health, energy, ﬂexibility, balance, muscle tone and relaxation. Appropriate for all levels. Wear comfortable clothes and shoes. Call 970-925-1130. Weekly Group Run 5:30 p.m. - 6:30 p.m., Ute Mountaineer, 210 S. Galena St., Aspen. The Ute Mountaineer and Aspen Triathlon Club host (at no charge) a 30- to 60-minute run each Thursday (no charge). Explore trails (well known and unknown to many) in the immediate Aspen area. All levels of runners are welcome; a host runner from the Ute or the Aspen Triathlon Club will accompany differently paced groups. Call 970-925-2849. SATURDAY, JULY 21 Art in the Outdoors: Day Hike 10 a.m. - 4 p.m., Snowmass Village. Use a love of hiking and the outdoors as a source for artistic inspiration.

Sign Up: Yoga Basics, Aspen Health and Harmony, El Jebel. Learn about yoga in a setting that provides personalized attention. Led by Faith Lipori. The series, offered Wednesdays from July 25 to Aug. 22, will cover asana (postures), and pranayama (breath work) and meditation in a non-competitive, supportive environment. Open to all ages and bodies; limited to 10 participants. Sign up by Monday, July 23, to reserve a space. Call 970704-9642. Tot Karate 12:30 p.m. - 1:15 p.m., Aspen Recreation Center Teaches children gross motor skills and hands-eye coordination. Ice skating will follow from 1:30-2:30 pm. Contact Elaine at 520-661-9243 or e-mail 460kozel@ earthlink.net for more information. Nia Class 5:30 p.m. - 6:30 p.m., Sopris Park, Carbondale. An hour of cardiovascular movement that incorporates dance, martial arts and healing arts. By donation. Call 936870-8749. Rock Rats Climbing Class 4 p.m. - 5:30 p.m., Aspen Recreation Department, 110 E. Hallam St., Aspen. Climbing class for ages 6 and up, focusing on learning to climb and staying safe in the indoor climbing gym. The class does top roping, bouldering and plays games. Call 970-920-5140.

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www.insurance4uco.com

SIZZLING SUMMER SPECIAL 1 hour at $ 1.5 hours at $

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Mary Text: 970.456.8664 marymagda77@gmail.com

No rain, or snow, on this parade. Advertise your rooямБng company in the Service Directory. ClassiямБeds@ cmnm.org.

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925-9937

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Newspapers get good grades. 85 percent of adults who have done post-graduate work or who have advanced degrees read a print newspaper or visited a newspaper Web site in an average week. 3FQPSUFS

Reporter Granby, Colorado &YQFSJFODFE GMFYJCMF general assignment reporter TPVHIU GPS B GBTU QBDFE OFXTSPPN JO UIF $PMPSBEP 3PDL JFT 4VDDFTTGVM BQQMJ DBOU XJMM QPTTFTT QSPWFO SFQPSUJOH TLJMMT UIF BCJMJUZ UP QSPEVDF DSFBUJWF BD DVSBUF XPSL PO UJHIU EFBEMJOFT IBWF B TUSPOH XPSL FUIJD BOE CF TPDJBM NFEJB BOE XFC TBWWZ 5IF 4LZ )J /FXT QVC MJT I F T U X P EB ZT QF S XFFL JO B DPNNVOJUZ UIBU JT JT IPNF UP XPSME DMBTT TLJJOH NPVOUBJO CJLJOH DMJNCJOH IJLJOH SBGU JOH GJTIJOH BOE IVOU JOH PO UIF XFTUFSO EPPSTUFQ UP 3PDLZ .PVOUBJO /BUJPOBM 1BSL 8F XPSL IBSE BOE QMBZ IBSE *G ZPV BSF EFEJDBUFE UP DPNNVOJUZ KPVSOBMJTN BOE BSF SFBEZ UP FYDFM JO BO BXBSE XJOOJOH OFXTSPPN e-mail resum├й and writing samples or portfolio links to Drew Munro at dmunro@skyhidailynews.com

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Sales Professional 5IF "TQFO 5JNFT JT MPPLJOH GPS B TFMG NP UJWBUFE HPBM PSJFOUFE TBMFT QSPGFTTJPOBM UP KPJO PVS UFBN :PV XJMM CF responsible for ensuring that our print and digital products are effectively used to connect advertisers to their audiences. 1SF GFS BU MFBTU ZFBS PG TBMFT FYQFSJFODF BOE LOPXMFEHF PG BEWFS UJTJOH BOE NBSLFUJOH 5IF "TQFO 5JNFT QVC MJTIFT NBSLFU MFBEJOH OFXTQBQFST XFC TJUFT BOE EJHJUBM NF EJB TPMVUJPOT XJUI 5IF "TQFO 5JNFT EBJMZ 5IF "TQFO 5JNFT 8FFLMZ BOE 4OPX NBTT 4VO *U JT IPNF UP BGGMVFOU XPSME DMBTT TLJ SFTPSUT JO UIF IFBSU PG UIF 3PDLZ .PVOUBJOT BCPVU NJMFT XFTU PG %FOWFS Please send cover letter and resume to hr@cmnm.org by Friday, July 13th. Must love dogs! +PVSOFZNBO &MFDUSJDJBO 'VMM UJNF -JDFOTFE 0/-: OFFE BQQMZ .BJOMZ XPSL JO 3PBSJOH 'PSL 7BMMFZ .VTU IBWF IJHI FOE SFTJEFOUJBM FYQFSJFODF BOE BCJMJUZ UP USPVCMF TIPPU BOE EP TFSWJDF X P S L 7B MJE $ P MP S B EP ESJWFST MJDFOTF SFRVJSFE $BSCPO EBMF %JTQMBDFE SBODIFS IBWF TIPWFM XJMM JSSJHBUF $PNF XJUI UPPMT USBDUPS ZST FYQFSJFODF JO NBSLFU HBSEFOT MJWFTUPDL QPVMUSZ )PMJTUJD NBOBHFNFOU Q B T U V S F C B T F E QSPEVDUJPO BMXBZT PSHBOJD .FHBO BOHBSB!FBSUIMJOL OFU

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Summer housing available now in Snowmass Village $550 per room "QBSUNFOUT BSF GVMMZ GVSOJTIFE "MM VUJMJUJFT 57 DBCMF JODMVEFE 0O CVT SPVUF MBVOESZ GBDJMJUZ PO TJUF 4PSSZ OP QFUT Call Leasing Office 970-922-9001 or housingoffice@aspensnowmass.com www.aspensnowmass. com/housing 1BD/1BA Penthouse CMPDLT UP HPOEPMB HSBOJUF LJUDIFO X E IPU UVC HBSBHF WJFXT JODMVEFT VUJM 1BNBMB !NTO DPN 4UFBENBO $P 3FBM &TUBUF

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ASPEN

Top Floor Downtown Condo -BSHF UPQ GMPPS POF CFESPPN DPOEP 0OMZ CMPDLT UP UIF (POEPMB 1MFOUZ PG OBUV SBM MJHIU 1SJWBUF EFDL GBDJOH OPSUI XJUI WJFXT UP 4NVHHMFS 3FE .PVOUBJO 8PPE CVSOJOH GJSFQMBDF HSBOJUF DPVOUFST BOE IBSEXPPE GMPPST UISPVHIPVU $670,000 TOM CARR 970-379-9935 Leverich & Carr Real Estate XXX BTQFOSFJOGP DPN

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ASPEN

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Aspen Pied a Terre! #FTU EPXOUPXO MPDBUJPO IJHIFTU RVBMJUZ -PXFTU QSJDF $POUFNQPSBSZ SFNPEFMFE TUVEJP CBUI XJUI CJH "TQFO .PVOUBJO WJFXT FYUSB TUPSBHF JO UPXO QBSLJOH

Sally Shiekman-Miller, Morris & Fyrwald SIR 970-948-7530 Sally@SallyShiekman.com

$349,000 Call Tim Estin 970-309-6163 State of the Aspen Market www.EstinAspen.com Coldwell Banker Mason Morse

HUNTER CREEK CONDO 1FBDFGVM HSPVOE GMPPS DPSOFS )VOUFS $SFFL #% #" DPOEP GBDJOH UIF XPPET BOE DSFFL 8FMM NBJOUBJOFE XJUI VQEBUFE CBUI TUPSBHF DMPTFU $MPTF UP MBVOESZ QPPM IPU UVCT UFOOJT DPVSUT JO B CFBVUJ GVMMZ NBJOUBJOFE DPNQMFY "TQFO .PVO UBJO WJFX GSPN CFESPPN Offered for $399,000 Sally Shiekman-Miller, Morris & Fyrwald SIR 970-948-7530

Aspen

BASALT AREA

BASALT

CARBONDALE

" 4QFDJBM .PVOUBJO 3FUSFBU /FXMZ $POTUSVDUFE CFE CBUI TR GU IPNF PO BDSFT "NB[JOH WJT UBT BOE FYUSBPSEJOBSZ GJOJTI EFUBJMT (SFBU GPS B QSJNBSZ IPNF PS XFFLFOE DBCJO &GGFDUJWFMZ B TIPSU TBMF QSJDF XJUIPVU UIF IBTTMF PG UIF CBOL $447,000 Doug Leibinger Aspen Snowmass Sotheby's 970.379.9045 doug.leibinger@sothebysrealty.com AspenHomeSearcher.com

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7JMMBT PG "TQFO #% #" 105&/5*"- '03 SE #&%300. .BTUFS " $ 3FOPWBUFE JO $1,349,000 Monica Dahling New aspenvacation@gmail.com Aspen Real Estate Company 970-379-1614

Offered for $399,000

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Blue Creek Ranch CFE CBUI XJUI DBS HBSBHF BOE TFQBSBUF TUPSBHF VOJU 0QFO GMPPS QMBO XJOEPXT HBMPSF TUPOF DPVOUFSUPQT TUBJOMFTT BQQMJBODFT BOE &VSPQFBO HMBTT 1SPGFTTJPOBMMZ MBOETDBQFE BOE MJHIUFE 4FBTPOBM DSFFL WFHFUBCMF HBS EFO WJFXT UP PQFO TQBDF 8BML UP SJWFS BOE 3JP (SBOE 5SBJM

Price Reduced! $699,000 MLS#124519 Scott Bayens 970.948.2265 McKinley Sales

Thereâ&#x20AC;&#x2122;s a reason there are so many auto photo ads in our paper.

RESULTS!

We guarantee interested readers. Price your vehicle right and youâ&#x20AC;&#x2122;ll get results. r XXX BTQFOUJNFT DPN QMBDFBE

A S P E N T I M E S . C O M / W E E K LY

CARBONDALE

COMMERCIAL - ASPEN

COMMERCIAL-BASALT

3FOPWBUFE SBODI TUZMF #% #" IPNF X PQFO GMPPS QMBO XPPE GMPPST HSBOJUF DPVOUFST TUBJOMFTT BQQMJBODFT DVTUPN DBCJOFUT VQHSBEFE CBUIT XPPE CVSOJOH '1 DBS HBSBHF QMVT FYUSB QBSLJOH EFDL GFODFE ZBSE "DSPTT GSPN QBSL XBML JOH EJTUBODF UP EPXOUPXO $BSCPOEBMF Offered for $279,000 Sally Shiekman-Miller, CRS Aspen Snowmass Sothebys 970-948-7530 Sally@SallyShiekman.com

ASPEN PRIME LOCATIONS!

0''*$& 3&5"*- 4QBDFT GPS -FBTF */7&45.&/5 #6*-%*/(4 GPS 4BMF *O UIF %PXOUPXO "TQFO $FOUSBM $PSF 4FF "-- "TQFO .-4 -JTUJOHT BU www.aspenreal.com

LAND FOR SALE 3BSFMZ BWBJMBCMF TG DPNNFSDJBMMZ [POFE MPU X JO XBMLJOH EJTUBODF UP #BTBMU 3PBSJOH 'PSL 3JWFS "MMPXT NJYFE VTF PG CVTJOFTT SFTJEFOUJBM &YDFMMFOU PQQPSUVOJUZ

4FUUFSGJFME #SJHIU

"TQFO 3FBM &TUBUF #SPLFST

4FUUFSGJFME #SJHIU

"TQFO 3FBM &TUBUF #SPLFST

4FUUFSGJFME #SJHIU

"TQFO 3FBM &TUBUF #SPLFST

Karen Setterfield, .#" $$*. $/& ,BSFO!BTQFOSFBM DPN 970-920-1833

COMMERCIAL - GYPSUM

Missouri Heights

SNOWMASS

SOUTHERN COLORADO

Commercial Development

CFESPPNT ] CBUIT ] TR GU 4FU PO PWFS BDSFT UIJT DIBSNJOH IPNF CBDLT VQ UP PQFO TQBDF XJUI BNB[JOH WJFXT PG .U 4PQSJT h DFJMJOHT BOE BO PQFO GMPPS QMBO NBLF UIJT BO JEFBM GBNJMZ IPNF PS GPS B DPVQMF MPPL JOH GPS TFSFOJUZ *ODMVEFT QSJWBUF EFDL PGG UIF NBTUFS MJWJOH SPPNT IPU UVC DBS HBSBHF BOE BNQMF TUPSBHF "DDFTT UP OFJHICPSIPPE QPPM BOE UFOOJT %SJWFXBZ JT MJOFE XJUI CFBVUJGVM DPUUPOXPPET $849,000 MLS# 124548 Casey Slossberg, BJ*Adams & CO 970-319-7075 Casey@bjac.net

WOODBRIDGE #FBVUJGVMMZ SFOPWBUFE #% #" TG DPOEP X LJUDIFO VQHSBEFT JODM HSBOJUF DPVOUFST TUBJOMFTT BQQMJBODFT UJMF GMPPST OFX CBUIT GVSOJTIFE HBT '1 WJFX PG TLJ BSFB $PNQMFY JODM QPPM IPU UVC MBVOESZ QBSLJOH Offered for $449,000 Sally Shiekman-Miller, Morris & Fyrwald SIR 970-948-7530 4BMMZ!4BMMZ4IJFLNBO DPN

&YDFMMFOU EFWFMPQNFOU PQQPSUVOJUZ GSPOUJOH )JHIXBZ OFBS $PTUDP JO "JSQPSU (BUFXBZ $FOUFS BDSFT PG GMBU IJHIMZ WJTJCMF MBOE

$1,399,000

Please call Chad Brasington, Prudential Colorado Properties DIBE!WBJM OFU

Offered for $189,000 Sally Shiekman-Miller, CRS Aspen Snowmass Sothebys 970-948-7530 Sally@SallyShiekman.com

Turn looky-loos into buyers! Showcase your listing here.

Huerfano County Ride - Ranch - Retire 'BOUBTUJD 7JFXT &BTZ BDDFTT $MPTF UP /BUJPOBM 'PSFTU GJTIJOH IVOUJOH )PSTFT "OUFMPQF %FFS BOE &ML &MFDUSJDJUZ BOE NBJOUBJOFE SPBET $MPTF UP $PMPSBEP $JUZ $P 0XOFS XJMM GJOBODF XJUI TNBMM EPXO 35 Acres - $49,900 By appointment. 719-210-9339 MDinvestors@aol.com

925-9937 www.aspentimes.com/placead

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A S P E N T I M E S W E E K LY

Рюд

Jul y 19-25, 2012

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DIVISION 5 WATER COURT- JUNE 2012 RESUME 2. PURSUANT TO C.R.S., Â§37-92-302, AS AMENDED, YOU ARE NOTIFIED THAT THE FOLLOWING PAGES COMPRISE A RESUME OF THE APPLICATIONS AND AMENDED APPLICATIONS FILED WITH THE WATER CLERK FOR WATER DIVISION 5 DURING THE MONTH OF JUNE 2012. The water right claimed by this application may affect in priority any water right claimed or heretofore adjudicated within this division and owners of affected rights must appear to object and protest within the time provided by statute, or be forever barred. 12CW105 PITKIN COUNTY. E. Sopris Creek, trib. to Sopris Creek, trib. to the Roaring Fork River, trib. to the Colorado River. Application for Finding of Reasonable Diligence. Applicant: Andlinger Properties Capital Corp. c/o Sara M. Dunn, Esq., Balcomb & Green, P.C., P.O. Drawer 790, Glenwood Springs, CO 81602, (970) 945-6546. Structures: Finley No. 1 - Johnson Power Plant Enlargement. Information from previous decree for subject cond. water rights: Orig. Decree: 5/11/1987. Case No. 86CW314, Water Ct. Div. No. 5. Reasonable ďŹ ndings of diligence have been made by this Ct. in Case Nos. 93CW055, 99CW121 and 05CW230. Location: Sec. 22, T. 9 S., R. 87 W., 6th PM at a pt. from whence the SW Corner of Sec. 23, T. 9 S., R. 87 W., 6th PM bears N. 19 deg. 34â&#x20AC;&#x2122;51â&#x20AC;? W. 1,430 ft. otherwise described as: SE1/4 SE1/4, Sec. 22 at a pt. Approx. 375 ft. N. of the S. Sec. line and 1,000 ft. E. of the W. Sec. line of said Sec. 22. An alternate pt. of diversion for the Finley No. 1 â&#x20AC;&#x201C; Johnson Power Plant Enlargement was decreed in Case No. 97CW115, Water Div. No. 5, located at a pt. 120 ft. W. of the E. Sec. Line and 1,700 ft. S. of the N. Sec. Line of Sec. 22, T. 9 S., R. 87 W., 6th P.M. Approp. Date: 8/20/1986. Amt: 7.0 cfs, cond. Use: Hydroelectric power generation. In the six years preceding the ďŹ ling of the Applicant, Applicant has diligently pursued development of the subject water right. The Application on ďŹ le with the Court contains a detailed outline of the work performed during the diligence period. Owner of the land upon which the pts. of diversion for the Finley No. 1 â&#x20AC;&#x201C; Johnson Power Plant Enlargement are located, pursuant to C.R.S. Â§ 37-92-302(3)(c): United States Department of Agriculture, Forest Service, White River National Forest, c/o Wallace Westbrook, District Ranger with the Aspen-Sopris Ranger Dist., P.O. Box 309, Carbondale, CO 81623. (5 pgs). YOU ARE HEREBY NOTIFIED THAT YOU HAVE until the last day of AUGUST 2012 to ďŹ le with the Water Clerk a veriďŹ ed Statement of Opposition setting forth facts as to why this application should not be granted or why it should be granted in part or on certain conditions. A copy of such statement of opposition must also be served upon the applicant or the applicantâ&#x20AC;&#x2122;s attorney and an afďŹ davit or certiďŹ cate of such service shall be ďŹ led with the Water Clerk, as prescribed by Rule 5, CRCP. (Filing Fee: $130.00) KATHY HALL, Water Clerk, Water Division 5; 109 8th Street, Suite 104 Glenwood Springs, CO 81601. 4. PURSUANT TO C.R.S., Â§37-92-302, AS AMENDED, YOU ARE NOTIFIED THAT THE FOLLOWING PAGES COMPRISE A RESUME OF THE APPLICATIONS AND AMENDED APPLICATIONS FILED WITH THE WATER CLERK FOR WATER DIVISION 5 DURING THE MONTH OF JUNE 2012. The water right claimed by this application may affect in priority any water right claimed or heretofore adjudicated within this division and owners of affected rights must appear to object and protest within the time provided by statute, or be forever barred. 12CW107 EAGLE COUNTY; ROARING FORK RIVER. Fox Run Meadows Homeowners Association, c/o Michael J. Sawyer, Esq. and Jeffrey J. Conklin, Esq., Karp Neu Hanlon, P.C., 201 14th Street, Suite 200, Glenwood Springs, CO 81601. Application for Finding of Reasonable Diligence. Name of structures: Sirous Well Nos. A, B, C and D. Date of original decree: July 22, 1992 in Case No. 91CW276, District Court, Water Div. 5. Subsequent decrees awarding ďŹ ndings of diligence: Case No. 98CW125, entered on 3/1/1999, and Case No. 05CW39, entered on 6/1/2006. Sirous Well No. A is located in the NE Âź SE Âź of Sec. 28, T 7 S, R. 87 W., 6th PM, at a point whence the East Quarter Corner of said Section 28 bears North 62Âş21â&#x20AC;&#x2122;14â&#x20AC;? East a distance of 1,005.93 feet. Sirous Well No. B is located in the NE Âź SE Âź of Sec. 28, T 7 S, R. 87 W., 6th PM, at a point whence the East Quarter Corner of said Section 28 bears North 71Âş22â&#x20AC;&#x2122;39â&#x20AC;? East a distance of 1,053.23 feet. Sirous Well No. C is located in the SE Âź NE Âź of Sec. 28, T 7 S, R. 87 W., 6th PM, at a point whence the East Quarter Corner of said Section 28 bears South 38Âş42â&#x20AC;&#x2122;34â&#x20AC;? East a distance of 1,478.36 feet. Sirous Well No. D is located in the NW Âź SE Âź of Sec. 28, T 7 S, R. 87 W, 6th PM, at a point whence the East Quarter Corner of said Section 28 bears North 76Âş54â&#x20AC;&#x2122;11â&#x20AC;? East a distance of 2,328.67 feet. On 3/311997, in Case No. 96CW272 in the District Court, Water Div. #5, the decreed locations of the Sirous Well Nos. A, B, C and D were changed to the following locations: Sirous Well No. A is located in the NW Âź SE Âź of Sec. 28, T 7 S, Range 87 W., 6th PM, at a point 3,547 feet from the N section line and 2,037 feet from the E section line of Sec. 28. Sirous Well No. B is located in the SE Âź NE Âź of Sec. 28, T 7 S, R. 87 W, 6th PM, at a point 2,503 feet from the N section line and 718 feet from the E section line of Sec. 28. Sirous Well No. C is located in the SE Âź NE Âź of Sec. 28, T 7 S, Range 87 W, 6th PM, at a point 2,390 feet from the N section line and 754 feet from the E section line of Sec 28. Sirous Well No. D is located in the NW Âź SE Âź of Sec. 28, T 7 S, R. 87 W, 6th PM, at a point 2,946 feet from the N section line and 2,065 feet from the E section line of Sec. 28. A water rights location map is on ďŹ le with the Water Court as Exhibit A. Source: Groundwater tributary to the Roaring Fork River. Amount: Sirous Well No. A: 50 g.p.m., conditional. Sirous Well No. B: 30 g.p.m., absolute (see Case No. 05CW39) and 20 g.p.m., conditional. Sirous Well No. C: 25 g.p.m., absolute (see Case No. 05CW39) and 25 g.p.m., conditional. Sirous Well No. D: 50 g.p.m., conditional. Date of Appropriation: December 6, 1991, for each well. Uses: Domestic, livestock and irrigation purposes. Well Permits. Sirous Well No. B is permitted as Well Permit No. 51116-F. Copies of the well permit, well completion report and pump installation report are attached as Exhibit B. Sirous Well No. C is permitted as Well Permit No. 59149-F. Copies of the well permit, well completion report and pump installation report are attached as Exhibit C. The Application provides a detailed outline of what has been done during the diligence period toward or for completion of the appropriation and application of water to beneďŹ cial use as conditionally decreed, including expenditures. See Exhibit D on ďŹ le with the Water Court. Name and address of owners of land upon which structures are located: Sirous Well No. B and C are located on property owned by the Applicant. The decreed location of Sirous Well No. A is on property owned by Fox Run Meadows, LLLP, with a street address of 260 Harmony Road, Carbondale, CO 81623, and a mailing address of P.O. Box 8080, Aspen, CO 81612. The decreed location of Sirous Well No. D is located on property owned by Alan F. and Carol A. Caniglia, 250 Harmony Road, Carbondale, CO 81623. (13 pages) YOU ARE HEREBY NOTIFIED THAT YOU HAVE until the last day of AUGUST 2012 to ďŹ le with the Water Clerk a veriďŹ ed Statement of Opposition setting forth facts as to why this application should not be granted or why it should be granted in part or on certain conditions. A copy of such statement of opposition must also be served upon the applicant or the applicantâ&#x20AC;&#x2122;s attorney and an afďŹ davit or certiďŹ cate of such service shall be ďŹ led with the Water Clerk, as prescribed by Rule 5, CRCP. (Filing Fee: $130.00) KATHY HALL, Water Clerk, Water Division 5; 109 8th Street, Suite 104 Glenwood Springs, CO 81601. UR UANT TO R A A EN E YOU ARE NOTIFIE T AT T E FO O ING AGE O RI E A RE U E OF T E A I ATION AN A EN E A I ATION FI E IT T E ATER ER FOR ATER IVI ION URING T E ONT OF UNE . The water right claimed by this application may affect in priority any water right claimed or heretofore adjudicated within this division and owners of affected rights must appear to object and protest within the time provided by statute, or be forever barred. 12CW108 PITKIN COUNTY. COSSEBOOM CREEK. LnS Holdings, LLC, c/o Patrick, Miller & Kropf, P.C., Kevin L. Patrick, Esq. and Craig V. Corona, Esq., 730 E. Durant Ave., Suite 200, Aspen, CO 81611, (970) 920-1028. APPLICATION FOR FINDING OF REASONABLE DILIGENCE. FIRST CLAIM: FOR FINDING OF REASONABLE DILIGENCE. Name of structure: JMAR Pond System. Type: Pond. Description of conditional water right: Date of original decree: July 27, 1998. Case No.: 95CW325, District Court, Water Division No. 5. Subsequent diligence decrees: 04CW116, June 30, 2006. Legal description: The legal description of the center of the dam of the JMAR Pond System is in the NW Âź SW Âź of Section 28, Township 10 South, Range 84 West of the 6th P.M. at a point 1660 feet from the south section line and 730 feet from the west section line of said Section 28. If off-channel reservoir, name, capacity, and legal description of ditch used to ďŹ ll reservoir: The Cooper Ditch and the Cooper Ditch JMAR Enlargement, which has a capacity of 0.25 c.f.s. as it crosses the Applicantâ&#x20AC;&#x2122;s property. The point of diversion is located on the north bank of Cosseboom Creek at a point whence the southwest corner of Section 28, Township 10 South, Range 84 West of the 6th P.M. bears South 33Â°50â&#x20AC;&#x2122; West 2570 feet. The point of diversion is located in an unsurveyed section of Township 10 South, Range 84 West of the 6th P.M. General description of place of use: Applicantâ&#x20AC;&#x2122;s property. See Figure 2 on ďŹ le with the Court. Source: Cooper Ditch and the Cooper Ditch JMAR Enlargement from Cosseboom Creek, tributary to the Roaring Fork River, tributary to the Colorado River. Appropriation date: June 13, 1995. Total amount: 1.15 acre-feet. 0.10 acre feet decreed absolute for all uses in Case No. 95CW325. 1.05 acre-feet remains conditional for all uses. Use: Fire protection, piscatorial and aesthetic purposes, ďŹ sh and wildlife propagation, augmentation and exchange. Pond information: Maximum height of dam: 8 feet. Length of dam: 225 feet. Total capacity: 1.15 feet. Active capacity: 1.0 acre feet. Detailed outline of work toward completion of the appropriation and application of water to a beneďŹ cial use as conditionally decreed, including expenditures: See Exhibit A on ďŹ le with the Court Applicant owns the land upon which the structure is located and where water will be put to beneďŹ cial use. SECOND CLAIM: FOR FINDING OF REASONABLE DILIGENCE. Name of structure: JMAR Aug Pond. Type: Pond. Description of conditional water right: Date of original decree: July 27, 1998. Case No.: 95CW325, District Court, Water Division No. 5. Subsequent diligence decrees: 04CW116, June 30, 2006. Legal description: The outlet of the JMAR Aug Pond is in the NW Âź SW Âź of Section 28, Township 10 South, Range 84 West of the 6th P.M. at a point 1830 feet from the south section line and 730 feet from the west section line of said Section 28. Note: A corrected decree was issued in Case No. 95CW325 on August 3, 2006 to correct a typographical error in the original decree which stated the location of the JMAR Aug Pond as being in Section 29 rather than Section 28. If off-channel reservoir, name, capacity, and legal description of ditch used to ďŹ ll reservoir: The Cooper Ditch and the Cooper Ditch JMAR Enlargement, which has a capacity of 0.25 c.f.s. as it crosses the Applicantâ&#x20AC;&#x2122;s property. The point of diversion is located on the north bank of Cosseboom Creek at a point whence the southwest corner of Section 28, Township 10 South, Range 84 West of the 6th P.M. bears South 33Â°50â&#x20AC;&#x2122; West 2570 feet. The point of diversion is located in an unsurveyed section of Township 10 South, Range 84 West of the 6th P.M. General description of place of use: Applicantâ&#x20AC;&#x2122;s property. See Figure 2 on ďŹ le with the Court. Source: Cooper Ditch and the Cooper Ditch JMAR Enlargement from Cosseboom Creek, tributary to the Roaring Fork River, tributary to the Colorado River. Appropriation date: June 13, 1995. Amount: 0.25 acre-feet, conditional. Use: Irrigation, stock watering, ďŹ re protection, piscatorial, recreational, augmentation and exchange. Pond information: Maximum height and length of dam: N/A. Total capacity of reservoir: 0.25 acre feet. Active capacity of reservoir: 0.25 acre feet. Dead storage: None. Detailed outline of work toward completion of the appropriation and application of water to a beneďŹ cial use as conditionally decreed, including expenditures: See Exhibit A on ďŹ le with the Court Applicant owns the land upon which the structure is located and where water will be put to beneďŹ cial use. (9 pages) YOU ARE HEREBY NOTIFIED THAT YOU HAVE until the last day of AUGUST 2012 to ďŹ le with the Water Clerk a veriďŹ ed Statement of Opposition setting forth facts as to why this application should not be granted or why it should be granted in part or on certain conditions. A copy of such statement of opposition must also be served upon the applicant or the applicantâ&#x20AC;&#x2122;s attorney and an afďŹ davit or certiďŹ cate of such service shall be ďŹ led with the Water Clerk, as prescribed by Rule 5, CRCP. (Filing Fee: $130.00) KATHY HALL, Water Clerk, Water Division 5; 109 8th Street, Suite 104 Glenwood Springs, CO 81601. UR UANT TO R A A EN E YOU ARE NOTIFIE T AT T E FO O ING AGE O RI E A RE U E OF T E A I ATION AN A EN E A I ATION FI E IT T E ATER ER FOR ATER IVI ION URING T E ONT OF UNE . The water right claimed by this application may affect in priority any water right claimed or heretofore adjudicated within this division and owners of affected rights must appear to object and protest within the time provided by statute, or be forever barred. N I IT IN OUNTY Acacia, LLC, 2500 East Kearney, SpringďŹ eld, MO 65898417-873-5008, c/o Scott Balcomb and Scott Grosscup, Balcomb & Green P.C., P.O. Drawer 790, Glenwood Springs, CO 81601 970-945-6546, scott@balcombgreen.com, sgrosscup@balcombgreen.com, State Engineer and Water Division 5 Engineer, P.O. Box 396, Glenwood Springs, CO 81602, (970) 945-5665 c/o Paul Benington, Preston V. Hartman, Assistant Attorneys General, 1525 Sherman Street, 7th Floor, Denver, CO 80203, 303-866-6161, preston.hartman@state.co.us. PROTEST TO REVISED ABANDONMENT LIST Water rights descriptions (4):1. Name of Structure: Mid-Continent Pump No. 1, Date of the Original Decree: Nov. 5, 1971, Case No: C.A. 5884, GarďŹ eld County District Court, Location and Legal Description: located on the southerly side of Coal Creek at North 1Â°40â&#x20AC;&#x2122; East 1130 feet from the Southwest corner of Section 11, Township 10 South, Range 89 West of the 6th P.M. Source of water: Coal Creek, Decreed use or uses: industrial, irrigation, domestic, mechanical, recreational, and other beneďŹ cial purposes, Appropriation Date: July, 1, 1963, Decreed Amount: 7.48 cfs, Amount listed as having been abandoned: 7.48 cfs, Former District Number and Page Number where on the Abandonment List: District 38, page 2. 2. Name of Structure: Mid-Continent Pump No. 2, Date of the Original Decree: Nov. 5, 1971, Case No: C.A. 5884, GarďŹ eld County District Court, Location and Legal Description: located North 27Â°40â&#x20AC;&#x2122; East 1200 feet from the Southwest corner of Section 11, Township 10 South, Range 89 West of the 6th P.M., Source of water: Coal Creek, Decreed use or uses: industrial, irrigation, domestic, mechanical, recreational, and other beneďŹ cial purposes, Appropriation Date: July, 1, 1963, Decreed Amount: 7.48 cfs, Amount listed as having been abandoned: 7.48 cfs, Former District Number and Page Number where on the Abandonment List: District 38, page 2. 3. Name of Structure: Mid-Continent Upper Dutch Creek Surface Water Diversion, Date of the Original Decree: September 1, 1981, Case No: 80CW22, Water Division No. 5, GarďŹ eld County District Court, Location and Legal Description: A pump is located in a sump next to Dutch Creek, S. 46Â°35â&#x20AC;&#x2122; W., 865 feet from the northeast corner of the Section 15, T. 10 S., R. 80 W., 6th P.M., Source of water: Coal Creek, Decreed use or uses: industrial, irrigation, domestic, mechanical, recreational, and other beneďŹ cial purposes, Appropriation Date: July, 1, 1963, Decreed Amount: 7.48 cfs (alternate point of diversion), Amount listed as having been abandoned: 7.48 cfs, Former District Number and Page Number where on the Abandonment List: District 38, page 2. 4. Name of Structure: Mid-Continent Rock Tunnel Adit, Date of the Original Decree: September 1, 1981, Case No: 80CW22, Water Division No. 5, GarďŹ eld County District Court, Location and Legal Description: Surface runoff and tributary groundwater drainage collected at the mouth of the Rock Tunnel Adit which point is more particularly described as N. 76Â°40â&#x20AC;&#x2122; E., 600 feet from the southwest corner of Section 10, T. 10 S., R. 89 W., 6th P.M., Source of water: Coal Creek, Decreed use or uses: industrial, irrigation, domestic, mechanical, recreational, and other beneďŹ cial purposes, Appropriation Date: July, 1, 1963, Decreed Amount: 7.48 cfs (alternate point of diversion), Amount listed as having been abandoned: 7.48 cfs, Former District Number and Page Number where on the Abandonment List: District 38, page 2. Acacia LLC and the State and Division 5 Engineers ďŹ le this protest to correct errors in the Revised Abandonment List. The Revised List erroneously lists the four water rights above as fully abandoned. The Revised List should indicate that the abandoned amount for these four water rights is 6.48 cfs of the decreed 7.48 cfs, leaving a total remainder of 1.00 cfs. Mid-Continent Pump No. 1 and Mid-Continent Pump No. 2 share this total remainder of 1 cfs, with the Mid-Continent Upper Dutch Creek Surface Water Diversion and Mid-Continent Rock Tunnel Adit as alternate points of diversion. All decreed uses, except irrigation, have been abandoned for all four water rights. (10 pages) YOU ARE HEREBY NOTIFIED THAT YOU HAVE until the last day of AUGUST 2012 to ďŹ le with the Water Clerk a veriďŹ ed Statement of Opposition setting forth facts as to why this protest should not be granted or why it should be granted in part or on certain conditions. A copy of such statement of opposition must also be served upon the applicant or the applicantâ&#x20AC;&#x2122;s attorney and an afďŹ davit or certiďŹ cate of such service shall be ďŹ led with the Water Clerk, as prescribed by Rule 5, CRCP. (Filing Fee: $130.00) KATHY HALL, Water Clerk, Water Division 5; 109 8th Street, Suite 104 Glenwood Springs, CO 81601. Published in the Aspen Times Weekly on July 19, 2012

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A S P E N T I M E S . C O M / W E E K LY

WORDPLAY

INTELLIGENT EXERCISE

by JOAN FRANK SAN FRANCISCO CHRONICLE

NOTEWORTHY

BOOK REVIEW

‘SHOUT HER LOVELY NAME’ FROM ITS FIRST PAGE, Natalie Serber’s debut story collection, “Shout Her Lovely Name,” plunges us into the humid heat and lightning of a perfect storm: that of American mothers and daughters struggling for power, love, meaning and identity. Her sensational title story, written in the second person, delivers a gritty how-to manual for anguished mothers of pubescent girls who are slipping into anorexia: ‘’Notice that she no longer eats cheese. ... Then baguettes go too. ... Alone at night, start to Google eating disorder .... Realize an expert is needed and take your daughter to a dietitian. In the elevator on the way up, she stands as far away from you as she possibly can. ... ‘In case you’re wondering, I hate you.’ Remember your daughter is in there somewhere.” Remember your daughter (or mother) is in there somewhere could serve as this collection’s subtitle. Though Serber’s mothers may have acted wrongheadedly

by JOEL FAGLIANO

| edited by WILL SHORTZ

in their own youths, love and fear for a beloved child can drive them to desperation. You’ll find no soft-soaping of the all-too-real here. “ ‘Guess what, Mom,’ she will say with her new vitriol, ‘I never want to be a chubby-stupid-no-life ... loser like you.’ After you slap her, don’t cry. Hold your offending palm against your own cheek in a melodramatic gesture of shame and horror that you think you really mean. Feel no satisfaction.” This story accomplishes worlds, taking us on the awful roller coaster of a family’s efforts to cope with a daughter’s disorder, while letting us peek into the principals’ minds (though fathers, husbands and boyfriends strike one as affably inept throughout the collection). Always, Serber’s writing sparkles: practical, strong, brazenly modern, marbled with superb descriptions. “Hug her and feel as if you’re clutching a bag of hammers to your chest.” ‘’A vise of resentment tightens around

MAKE THE CHANGE

1 5 11 14 17 18

19 21 22 25 26 27 28 30 31 34 36 39 40 41 42 43 45 47

49 50 55 57 58

Hose shape Building blocks “The Office” woman QB feats Years in old Rome Capital city formerly behind the Iron Curtain Nephew of Cain “Let’s Get Lost” singer Baker So happy you can’t see straight? Where to enter the theater, usually Where “it’s fun to stay” in a 1978 hit Gleamed Deserving praise “Sk8er ___,” 2002 top 10 hit Acid Argument about a fork-tailed bird? Apt Spend the night Arizona senator Jon It represents a 0 or 1 Trendy antioxidant berry “Yeah, right” Org. full of big shots? Calpurnia’s dream in “Julius Caesar” and others Bear’s cry Circle above the airport? Manager with four World Series titles Very clumsy person, in slang Subject of the 19th, 24th and 26th Amendments

62 65 67 69 70

76 77 78 79 80 82 85 88 91 95

98 99 100 101 102 105 108 110

114 115 116 117

119 121 122 127 128 129

A S P E N T I M E S W E E K LY

Willing to do TWA competitor See 77-Across Optima maker Making one’s way down the corporate ladder? [This ticks me off] With 67-Across, “That’s not true!” Relative of a harrumph Not flat, say One of two for four Slalom obstacle Passing Breed hatred in? It’s seen on many roadside signs When the witches in “Macbeth” say “Double, double toil and trouble” “Sure thing” ___ beetle Eternally Canterbury can Org. trying to clear the air? Ed Wood player in “Ed Wood” Squad cars Woman who’s the very best at saying no? Part of TBS: Abbr. Pal of Pooh Modern marketplace Like the verbs “come” and “go”: Abbr. “Baseball Tonight” broadcaster Bulldogs Really enjoy giving specifics? Art ___ Alexander Graham Bell, by birth Get ready for a

✦

130 131 132 133 134

bomb, say Corona garnish Require (of) “Your point being …?” Some closeups Take too much of, briefly

DOWN 1 2 3 4

5 6 7 8 9 10 11 12 13 14 15 16 20 21 23

24 29 30 32 33 35 37 38 44 46

Jul y 19-25, 2012

It might be caught in the rain Unrepeated Hostile Nickname for the Philadelphia Eagles’ stadium, with “the” Downed Arranged, as the hair Partners of scepters Indiana political family Gives support to Spotted in the vicinity of Eastern Canadian prov. White, informally Hair line? Old Yankee nickname Given a hand Some are mean Home office site Curmudgeon Painter portrayed by Adrien Brody in “Midnight in Paris” Stanford of Stanford University Actor Alain Predilection Marsh bird It’s a first Zither cousins “Get Low” rapper Orange sign Organ holder Ancient royal

51 52 53 54 56 59 60 61 62 63 64 66

68 71 72 73 74 75

83 84

86 87 89 90 92 93 94 95 96

symbol Network with an annual awards show German women Fake Not wavy, say Basso Pinza Hardly an exercise in restraint “I get your point. Jeez!” Pitchfork part Unhurried Fashionable boots Read carefully Like some offers Van Gogh’s “Starry Night Over the ___” David Cameron’s alma mater ___ party Red Scare grp. Mild oaths “I won’t bore you with the rest” What a Latino immigrant might learn Sam Cooke’s “That’s ___ Quit — I’m Movin’ On” “Know ___ enemy” Bit of music at a music conservatory Old Russian line One to consult for PC problems Birthday party, e.g. Words heard at a birthday party Like pro athletes, some say Jump accompanier? +/War on terror target Combines

81 88

110

102

104

75 79

111

105

87 91

106

112

122

127

128

107

108

109 114

115

118

123

132

100

113 117

121

59 69

116

131

103

101

47 53

78 83

50 55

you.” I could ﬁll a book just quoting from Serber’s. And I haven’t even begun to describe “Developmental Blah Blah,” the collection’s rowdy ﬁnal showstopper, in which Cassie, a maddened housewife, plots her (bland, pleasant) husband’s 50th birthday party while yearning for erotic admiration from her stone-faced psychotherapist; Cassie’s also struggling to refrain from murdering her newly sexual, contemptuous, crafty teenage son and daughter. The story gallops, farcical and sad and infuriating, bristling with pitch-perfect lines. (Hulking, resentful son Ben was once “a buttery sage of a baby.”) Sadly, I’m out of space to say more. But take my word: “Shout Her Lovely Name” will reach inside readers, and squeeze. On second thought, don’t take my word. Read these lovely stories.

22 26

ACROSS

‘Shout Her Lovely Name’ Natalie Serber Houghton Mifflin Harcourt; 226 pages; $24

119 124

120

125

126

129

130

133

134

— Last week’s puzzle answers — 97 103 104 106 107 109 111 112 113

Part of an ice skate Combines One of the five Olympic rings Filled turnovers “Steel Magnolias” actress “Hmm …” Petro-Canada competitor English county “Traffic Crossing ___ Bridge”

118 120 123

124 125 126

(pioneering 1888 film footage) Hit Fox show W.W. II battle city Airport approximation: Abbr. Word before rip or slip Infielder feats: Abbr. “Dancing With the Stars” judge Goodman

T E M P A R A R M A N I I C A S C E L A O S O T T N A T H E N I A U B O R N A L O T Y E W G T O E A A N N L G E R E L I O N I D O N A T E S S

T A L O N

S T A N D S M I A N C R I O N T R E O T A N O E L M O M A A D

G M A C S E M I S T E E R D O T T I E

H O D A D E S E E L Y L H E A A D G E T E R N A R I O N L S

A R M L E T

N A I V E

M A R M O S E S T O S S C L L E U A M S P H A I F A

A R N A N I S I N C F A M A L A N W T H S E O A U R T T A I N E I N B S W A P I I N G R O N A N A L A T

O T T O I I O R T H O B E T A

A R E O L A

M A R L I M O B M U R N E A M D O F J N E I V N R E N E R S T T F I A L M R A B E T A A S L

D O A D E A L

E N D G A M E

P O S E D A S

J E T E E R U L Y E N D U R A B L E

C E N T S

K R A U T

L E I A E P

Bring your NEW VIEWS: Documentaries & Dialogue

Lifestyle

DIANA VREELAND: THE EYE HAS TO TRAVEL

toAspen

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â&#x20AC;&#x153;By the end of the ďŹ lm, you are left with a feeling that Diana Vreeland was a true original: A woman, who embraced change, viewed life in vivid colors and abhorred anything ordinary.â&#x20AC;? â&#x20AC;&#x201D;Jessica Michault, The New York Times â&#x20AC;&#x153;When discussing tastemakers of the 20th century, few names conjure â&#x20AC;&#x153;styleâ&#x20AC;? with the zest of Diana Vreeland, and docu â&#x20AC;&#x153;The Eye Has to Travelâ&#x20AC;? gets the zing just right.â&#x20AC;? â&#x20AC;&#x201D;Jay Weissberg, Variety

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Your BEST FRIEND is waiting for YOU!

JOIN US... Sat, July 28th for dinner, drinks, auctions and live disco band. Visit with our adoptable pets! Full details at www.dogsaspen.com

S nowmass Creek Frontage

GARRETT REUSS 970.379.3458 cell Garrett.Reuss@sothebysrealty.com

www.GarrettReuss.com

RODEO

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8-year-old Australian Cattle Dog mix male who gets along well with people and other dogs.

SAM

Strong, energetic, black/white 5-yearold female Boston Terrier mix with a splash of Pit Bull so she is larger than a typical Boston. Outgoing and friendly. Best as only pet.

ROXY

Large 7-year-old black/tan Sharpei/ Rottweiler mix female. Must be the only pet. Has guarding issues w/ toys and food. Needs an owner with the time and patience to work with her. Loving once she gets to know you!

PUMPKIN

Beautiful, friendly, calm 9-year-old Husky mix female. A retired sled dog looking for a loving home. Pumpkin has an adorable expression with ears that reach to the sky.

OPEN 7am-6pm EVERY DAY 970.544.0206

KIDD

8-year-old Rhodesian Ridgeback mix male who gets along well with people and other dogs.

TIMBER

Sleek, friendly, 9-year-old Husky mix female. She is a retired sled dog looking for a loving home.

LOTS OF NEW DOGS (NOT YET PHOTOGRAPHED)

ANUBIS

8-year-old purebred American Dingo female who gets along well with people and other dogs.

MAYA

Sweet, pretty 2-year-old Staffy mix female. Athletic + affectionate. Needs a responsible, active knowledgeable home.

HUNTER

3-year-old Pit Bull/ Chow mix who was found wandering around Aspen. He is wary of strangers, but friendly once he knows you and trusts you.

PRINCESS

Happy, friendly, 8-year-old Pit Bull mix. Shy with strangers but warms up very quickly once she gets to know you.

See dogsaspen.com for more animals.

CLEO

Beautiful, friendly, soft-spoken 9-year-old Husky mix female. She is a retired sled dog looking for a loving home. Outgoing with people.

LUCY

Gentle, friendly, affectionate, 3-year-old Pit Bull female who was found wandering the streets of Los Angeles. She was transported to Aspen in order to start a new life in the mountains.

BEAR

PUP

Large, friendly, 8-year-old Mastiff male. Gets along well with everybody. All in all, a very cool dog.

1-year-old Australian Shepherd/Australian Cattle Dog mix. He is happy, friendly and playful with people he knows, but can be territorial with strangers.

Aspen/Pitkin Animal Shelter 101 Animal Shelter Road

â&#x2014;&#x2020;

www.dogsaspen.com

A S P E N T I M E S . C O M / W E E K LY

CHAFFIN LIGHT

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