Aspen Times Weekly: August 16 edition by Aspen Times Weekly

ARCHITECTURE

LIGHTS, CEILINGS, SATISFACTION 22

A&E ROSS KRIBBS’ NUGGET GALLERY 32

AUGUST 16-22, 2012 • ASPENTIMES.COM/WEEKLY

FIND IT INSIDE

GEAR | PAGE 14

CULTURE/CHARACTERS/COMMENTARY

SETTING THE STAGE FOR RACING SEE PAGE 27

BELLY UP ASPEN WHERE ASPEN GOES FOR LIVE MUSIC.

WED 8/15

SHOW 9 PM BIKE ASPEN KICK-OFF PARTY

EMMITT-NERSHI

FEAT. DREW EMMITT OF LEFTOVER SALMON & BILL NERSHI OF THE STRING CHEESE INCIDENT

W/ SHANNON MCNALLY

These legendary jam-band linchpins have a sound that combines bluegrass, rock & jazz.

FRI 8/17

HOLLYWOOD STONES

W/BOP SKIZZUM

Notorious urban-Latino-and-beyond collision of hip hop and salsa, dancehall and cumbia, samba and funk, merengue and comparsa, East LA R&B and New Orleans second line, Jamaican ragga and Indian raga.

SUN 8/19

SHOW 9:30 PM

SHOW 8:30 PM

AN EVENING WITH

JOE WALSH

Eagles guitarist, member of the Rock and Roll Hall of Fame, one of Rolling Stone magazine’s “100 Greatest Guitarists of All Time.” Walsh performed at last years Grammy’s with Paul McCartney, Bruce Springsteen and Dave Grohl.

BACK AGAIN, our favorite Rolling Stones tribute band!

SHOW 9 PM

OZOMATLI

SAT 8/18

SHOW 9:30 PM USA PRO CYCLING CHALLENGE PRESENTS

THU 8/16

OTTMAR LIEBERT & LUNA NEGRA

Five-time Grammy nominated Flamenco guitarist & composer. His album Nouveau Flamenco is one of the best-selling guitar albums of all time. He’s been featured on the albums of performers Celine Dion, Diana Ross & Kenny Loggins.

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MON 8/20

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MARCHFOURTH MARCHING BAND

Vaudeville dancers, stilt walkers, flag twirlers, acrobats, horns, drummers, bass, guitar, vocals and more. Returning after four SOLD OUT shows, this massive musical ensemble has put a fresh, modern twist on the era of big bands!

TUE 8/21 SHOW 9 PM

TAJ MAHAL & THE PHANTOM BLUES BAND

A special evening with Taj Mahal and the Phantom Blues Band to benefit AREDAY. A portion of the proceeds go to benefit AREDAY a non-profit 501(c)3 organization.

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A S P E N T I M E S W E E K LY

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Aug u st 16-22, 2012

RED MOUNTAIN…ON THE RIDGE

PRIVATE MOUNTAIN SERENITY

ASPEN Incredible views! This Red Mountain home boasts inviting entertaining spaces and stunning views from Independence Pass to Mt. Sopris. The gourmet Kitchen, vaulted Great Room and spacious Master Suite are enhanced by a dramatic wraparound deck. Located on lower Red Mountain Road, this view estate is convenient to downtown Aspen. Snow melt driveway adds to winter convenience. $5,100,000 Web Id#: AN119866

BASALT You won’t believe the serenity and charm of this French country, farmhouse inspired three-bedroom home. Situated on a secluded 35-acre lot with stunning 360 degree views, this is the perfect mountain get-away. Miles of equestrian and hiking trails are at your doorstep. Lots of room for toys and guests in the 1,904 square foot 6-bay garage and newly ﬁnished penthouse. $2,350,000 Web Id#: AN123536

Brian Hazen 970.920.7395 | bhazen@rof.net

Ed Foran 970.920.7382 | eforan@masonmorse.com

ELK CREEK RANCH HOME SITES

ROARING FORK HILLS FARMHOUSE BASALT Roaring Fork Club next door to this large farm-style home with wrap-around porch. Remodeled in 2006, this 2,900 square foot home offers 4 bedrooms, 4 bath. Add a 1 bedroom apartment on an elevated fenced homesite at the price of $699,000 – a great deal! Web Id#: AN124438

MEEKER There is a magical place in northwestern Colorado known as the Elk Creek Ranch. Elk Creek Ranch is situated in the White River Valley at the base of the Flat Tops Wilderness Area. It has 20 miles of the finest dry fly-fishing rivers and steams in North America. Lots starting at $2,500,000. Web Id#: TA115573

Renee Bowden 970.920.7390 | renee@masonmorse.com

Bob Starodoj 970.920.7367 | star@masonmorse.com

thesource

Find more at www.masonmorse.com FB/ColdwellBankerMasonMorse

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LN/Coldwell Banker Mason Morse

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A S P E N T I M E S . C O M / W E E K LY

Erik Fallenius 970.728.4454 Telluride, CO

Valmore' With its perfect ski trail location off Lift 4 of the Telluride ski resort, just above the Town center, Valmoré is a Mountain Village treasure. Seven stunning bedrooms, wine cellar, ﬁtness room, massage studio, a large jetted tub and morning and sunset patios, multiple stone ﬁreplaces, and a country kitchen “where everyone gathers”, designed and built to withstand the test of time, Valmoré, already has the presence of a mountain classic.

$12,500,000

An unbelievable view Just above Telluride, within the Sunnyside Ranch properties, Lot 4 will stand out to those who want the most spectacular views in the Colorado. The photograph here, looking into the Telluride valley, was taken from the homesite. This low density community of only one homesite per 35 acres assures signiﬁcant privacy, only 13 minutes from town, the ski area, and the airport.

$3,750,000

Ptarmigan Ranch - Lot 13 & 14 72 acres of alpine meadow and quiet forest trails, rare alpine irrigated pasture and timberland. Adjacent to national forest yet located a mere 23 minutes from Telluride at the base of Wilson Peak. This fully improved and subdivided ranch tract has solid driveways, extensive stone work and landscaping, with utilities installed to two incredible home sites.

35.18 acres - $1,300,000 37.44 acres - $1,300,000 4

A S P E N T I M E S W E E K LY

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Aug u st 16-22, 2012

ELEGANCE IN ASPEN’S CORE ASPEN The location doesn’t get better than this. In the core of Aspen at the quiet end of Hopkins Avenue, right on the Roaring Fork River. Elegant open floor plan living designed by Poss Architects with European influences make this home warm and inviting. This six bedroom, five and a half bathroom home contains over 5,957 livable square feet. Beautiful topof-the-line finishes, custom cabinetry, electric blinds, chestnut floors, vaulted ceilings with voluminous rooms, air conditioning, private roof top deck with direct views of Aspen Mountain, and a two-car garage. Private outdoor

terrace overlooking the river with a hot tub and ﬁre pit surrounded by mature landscaped areas. A separate Victorian carriage home will be perfect to ensure privacy for your guests.

$9,995,000 Web ID#: AN122210

Carrie Wells

Coldwell Banker Mason Morse

970.920.7375 carrie@carriewells.com

Find more at www.masonmorse.com FB/ColdwellBankerMasonMorse

TW/masonmorse

LN/Coldwell Banker Mason Morse

YT/MasonMorse1

A S P E N T I M E S . C O M / W E E K LY

WELCOME MAT

INSIDE this EDITION

DEPARTMENTS 08 THE WEEKLY CONVERSATION 12

LEGENDS & LEGACIES

14 FROM ASPEN, WITH LOVE 18

WINE INK

20 FOOD MATTERS 22 ARCHITECTURE 33 ARTS & ENTERTAINMENT 38 LOCAL CALENDAR 46 CROSSWORD

ARCHITECTURE

LIGHTS, CEILINGS, SATISFACTION 22

A&E ROSS KRIBBS’ NUGGET GALLERY 32

AUGUST 16-22, 2012 • ASPENTIMES.COM/WEEKLY

FIND IT INSIDE

GEAR | PAGE 14

CULTURE/CHARACTERS/COMMENTARY

27 COVER STORY

36 AROUND ASPEN

Writer Paul Hilts returns to the pages of the Aspen Times Weekly to help us preview the USA Pro Cycling Challenge.

Contributing editor Mary Eshbaugh Hayes attended a gala evening held at the Hotel Jerome by Les Dames d’Aspen.

SETTING THE STAGE FOR RACING SEE PAGE 27

ON THE COVER Andy Shleck photo by Paul Hilts

EDITOR’S NOTE

So, we’re moving | Alas, I’m getting sentimental. Last

week, we sold The Aspen Times building to an LLC related to the Hotel Jerome and announced plans to move into the Mother Lode building next to the Wheeler Opera House.

VOLUME 1 ✦ ISSUE NUMBER 39

Editor-in-Chief Ryan Slabaugh Advertising Director Gunilla Asher

Before, during and went through during since that months-long the decision process decision, I’ve been on a — the voices ranged cycle between absolute from “duh” to “wow” elation and heartbreak. to “makes sense” to I spent hours staring “I’m going to handcuff at my bedroom ceiling, myself to the building.” hearing the ghosts of We would not RYAN SLABAUGH Bil Dunaway, trying expect anything less in my best to convince this town, and while myself to stay on Main Street. But the arguments for moving were the Mother Lode building kept clear — better space to work that calling, and the time and deals is closer to the ski hill, not to were right, and even folks around mention a place for the newsroom the Times started getting excited. to shower in the fountains Time and time again, during (joking!) — the arguments against every discussion with editors, ad were not hard to argue with, directors, longtime employees and either. History. Legacy. That ghost senior management, we came to of Dunaway. the conclusion: It’s time to move, Yet one line I heard really got and the Mother Lode space is as to me and needs a reply. More close to perfect as we than one person who disagreed could find. with the decision told me, “You’re Damn. going to ruin the newspaper when Since the announcement came you move.” They would have out last week, the reactions we been better off kicking one of our have received are not too far newsroom dogs because the truth different from the ones we also is that it does not matter where we

sit to put out a newspaper. Over the long run, I think we have more than proven that. So am I worried about “ruining the newspaper”? Hardly. Our reporters, copy editors and account managers are too good to let that happen, although as a manager, the skepticism the naysayers provided is good fuel and worth storing. Instead, look for the paper to improve once we get comfortable in our new home. In our new space, we will communicate and function better and with the same people, the same passion and the same cats and dogs. Come April or May, we will take this team and move it a couple of blocks away, but before then, I will make two promises to everyone: When we move, we will have a celebration to which the whole community is invited, and the paper will come out the next day, as good as ever. rslabaugh@aspentimes.com

Subscriptions Dottie Wolcott Design Afton Groepper Arts Editor Stewart Oksenhorn Production Manager Evan Gibbard Contributing Editors Mary Eshbaugh Hayes Gunilla Asher Kelly Hayes Jill Beathard Jeanne McGovern John Colson Contributing Writers Paul Andersen Hilary Stunda Amanda Charles Michael Appelbaum Warren Miller Contributing Partners High Country News Aspen Historical Society The Ute Mountaineer Explore Booksellers www.aspentimes.com Sales Ashton Hewitt Jeﬀ Hoﬀman David Laughren Christian Henrichon Su Lum Louise Walker Classified Advertising (970) 925-9937

A S P E N T I M E S W E E K LY

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Aug u st 16-22, 2012

BRIAN HAZEN PRESENTS...

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TW/@BrianHazenAspen

Coldwell Banker Mason Morse Real Estate www.masonmorse.com LN/Brian Hazen

A S P E N T I M E S . C O M / W E E K LY

THE WEEKLY CONVERSATION

VOX POP Who taught you how to ride a bike?

with JOHN COLSON

Mr. Ryan, don’t look for me on your campaign bus AS A GOOD cheddarhead, I should be proud that there is a Wisconsin native on the Republican presidential ticket — and in case you’ve been asleep, dead drunk or spelunking in Mexico over the past week, I’m talking about U.S. Representative Paul Ryan, running mate to Mitt Romney. I mean, politics has become as much a game as football, dependent on money and delusional fans, right? And as all cheddarheads know, it’s a state law in Wisconsin that we all root for the Green Bay Packers every year no matter which bubblehead they have as quarterback. It’s our team, and that’s all there is to it. Now, I suppose I could argue that, having lived in Colorado for more than half my life, I’m not really a cheddarhead anymore and, as a result, can pick and choose between teams, perhaps even going so far as to switch my allegiance to the Denver Donkeys ... oops, I meant Broncos. OK, we’re getting a little off course here, I admit it, but stay with me. Seems to me that, just like football, politics is a crazy game with rules that none of us clearly understand, but which demands absolute loyalty and support for the home team, and since Ryan is a cheddarhead I should get behind him. Still, I can’t quite get there. When I see Paul Ryan, all I can think of is the story that his family roots are deep in the Irish mafia of Janesville, his hometown in Wisconsin. He is the scion of a well-to-do family, and probably has no more idea about what it’s like to be poor and down on your luck than he does about what it might be like to be a bull moose grazing in Saskatchewan. I see a man who has spent just about his entire working life living off the government, whether as a Congressional staffer, a wonk in a conservative think tank in Washington, D.C., or a member of Congress. And he has spent that same amount of time caterwauling about how evil and nasty government is, which strikes me as just a wee bit too hypocritical, not to say backstabbing and double dealing. This is the guy who has made it his mission to eliminate the

“safety net” function of government by slashing away at discretionary spending (except for defense budgets) and handing ever greater tax breaks to corporations and the wealthy, who obviously don’t need the help since they’re getting richer and more powerful all the time. His policies reflect nothing so much as those of Ronald Reagan, who was the originator of the “Morning in America” dream scenario. Reagan preached that America just had to trust the 1 percenters, hand over the nation to the corporations and the bean counters, and all would be well. Even the Romney-Ryan campaign tag, “America’s Come-back Team,” is an echo of Reagan’s wishful thinking and exuberant cheerleading for a past that never was. But people who’ve lived in the sheltered class all their lives tend to think that way. They tend not to understand that the economic problems of our country stem not from giving away too much to the poor and the needy, but from giving away too much to the rich and the greedy. They tend not to understand that there is a finite amount of wealth in any nation, and when you concentrate that wealth in the hands of the few, the many suffer for it. They tend only to understand the rather pathetic problems of their own class, and to view everything from the point of view of someone who gets everything he or she wants, at least most of the time. They also understand, as a whole, that the truth is a squishy thing in politics, that it can be manipulated, twisted, turned on its head, even ignored. But, and this is the crux of their operational philosophy, they know that if you say something often enough in slick ads on television, it becomes the “truth” as understood by the masses. Anyway, I’m sorry, Mr. Ryan, but this is one cheddarhead who won’t be climbing onto your bus in the coming months before the presidential election. In fact, I hope your bus goes off the road and into a ditch. The sooner the better.

HIT&RUN

CHRISTIAN MANIE ASPEN

My father taught me to ride my first bike.

COURTNEY ILACQUA ASPEN

I learned to ride with my parents.

NELSON RILEY S TOW E , V T.

My parents taught to me ride in Vermont.

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Aug u st 16-22, 2012

jcolson@aspentimes.com

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SEEN, HEARD & DONE

edited by RYAN SLABAUGH

CHEERS&JEERS

THE WEEKLY CONVERSATION

FIVE THINGS TOP 5 PLACES TO UNEXPECTEDLY FIND SPANDEX IN ASPEN

O1 O2 Cheers to this guy. Happy football season everyone.

CHEERS | To the growth that Whole Foods should bring to the midvalley area. The Willits Town Center, where the grocery store is open for business, has several tenants hoping to see a boom from an increase in shoppers, something needed for the region.

JEERS | To the lack of water restrictions placed across the West so far this summer during the drought. While we have been lucky in Aspen the past month with periodic rainstorms, many areas have not — and instead of limiting domestic uses, we continue to see calls from our high country rivers, and the dissipating eﬀect.

CHEERS | To The Aspen Skiing Co. for adding another few pass options this year. While prices did increase — is

anyone really surprised? — the new partnership with other resorts in California and Wyoming are drawing a line in the sand between Vail Resorts, which owns a half-dozen major ski resorts in the West, and the rest.

JEERS | To the continued delay of the Boomerang affordable housing project. Lawsuits have tied up potential developers, who fear the City Council may revoke the approvals they gave if nothing is built soon. Either way, the people who truly need affordable housing have to sit and wait for the attorneys to finish their business, and the problem compounds itself, which is why we encourage the Council to give a short extension, but then offer other developers the opportunity to build the planned affordable housing once that window closes.

BUZZ WORTHY ASPEN

COUNCIL HOLDS ‘SKETCH PLAN REVIEW’

Aspen City Council members held a rare “sketch plan review” Aug. 13 for the South Aspen Street lodge proposal for an area near the base of the west side of Aspen Mountain, between Dean and Gilbert streets near Lift 1A. Some members of the city’s Planning and Zoning Commission participated in the discussion. Earlier this year, the property’s developer, ASV Aspen Street Owners LLC, submitted plans for a project centered around 14 free-market townhouses and 10 affordable-housing units on the site, along with eight off-site affordablehousing units. But council members were successful in asking for new talks on

the possibility of a lodge property on the site. Allowing the development of hotel rooms, not free-market units, is one of the council’s stated goals because of the city’s shrinking hot-bed base. A “sketch plan review” is a process in which a developer, council members and city staﬀers and interested residents can discuss a potential project before a formal project application is submitted to the city, saving time and money associated with creating designs and reviewing them.

The Aspen Mac & Cheese Festival, a hit with area residents when it was introduced last year, will return to East Hopkins Avenue’s restaurant

row Sept. 8. “I have already bought 20,000 serving cups and 21,000 serving sporks,” wrote city of Aspen recreation supervisor Keith Bulicz in an email to local restaurateurs and others last month. Bulicz is the festival’s founder and organizer. The event, which is free and open to the public, will be held from 2 to 5 p.m. From small booths and pop-up tents, local restaurants and catering operations will again serve 2-ounce portions of their take on what some people consider to be the ultimate comfort food. ASPEN

ASPEN TEAMS WITH OTHER RESORTS ON PASS

Aspen Skiing Co. is teaming with

“SOMETIMES I WISH I KNEW A LOT LESS ABOUT SPORTS, FREE UP SOME SPACE IN MY BRAIN.”

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Aug u st 16-22, 2012

O4 O5

City Council meetings The bride Frozen food aisle The minister

POST US YOUR TOP FIVE THINGS rslabaugh@aspentimes.com

STAY IN THE KNOW — CATCH UP ON RECENT NEWS & LOCAL EVENTS

ASPEN

MAC & CHEESE FESTIVAL RETURNS

On a barfly

three other classic resorts to oﬀer what they call a groundbreaking ski pass. Jackson Hole, Wyo.; Alta, Utah; and Squaw Valley-Alpine Meadows, Calif., teamed with Skico to oﬀer the Mountain Collective Pass for the 2012-13 season, which is available. The pass price is 349 until Nov. 19, then it goes up. The Mountain Collective Pass offers two free days at each of the four destination resorts plus a 50 percent discount on an unlimited number of lift tickets at each destination after the complimentary days are used. The pass also entitles buyers to exclusive lodging deals throughout the ski season. Collectively, the pass provides access to eight mountains with about 16,000 acres of terrain, more than 100 chairlifts and top-notch reputations for snow conditions.

CHAD HARBACH, AUTHOR OF ‘THE ART OF FIELDING’

AP PHOTO

THE WEEKLY CONVERSATION

GUEST OPINION COLUMN

by SARAH GILMAN of WRITERS ON THE RANGE

Art as elegy WE PANELISTS, the poet Kim Staﬀord, author Luis Alberto Urrea and myself, paused to exchange glances. We were supposed to be discussing the future of writing in the West, closing a conference celebrating 25 years of Fishtrap, a nonproﬁt in Enterprise, Ore., dedicated to Western writing. It was an unwieldy topic, but it seemed suddenly manageable in comparison. How do we grasp the obliteration of so much we have known and loved? These days, we catalog and collect to forestall complete loss and to understand our role in that loss, not just of distinct species, but of our collective memories of what the world has been. National Geographic photographer Joel Sartore has his Photo Ark. Trish Carney has her meditation on roadkill. Even architect and artist Maya Lin, perhaps best known for the Vietnam Veterans

Memorial, is working on a memorial to the nature-that-was, perhaps the most ambitious project of them all. Lin’s “What is missing?” seeks to raise awareness that we are in the midst of — and are ourselves mostly responsible for — Earth’s sixth mass extinction. It includes permanent and traveling installations and sculptures displayed around the world — largerthan-life gramophone-inspired listening cones that play film clips and sounds of threatened and endangered species, an “empty room” where viewers enter a darkened space and see species only by catching flickering projections on a hand-held screen, electronic billboards in Times Square, and over 75 films. Its center, though, is a spare website that opens with a black screen and a constellation of bright dots that rearrange themselves into mammal, bird and amphibian shapes before resolving into a map

of the world’s losses — a global “Map of Memory” — including the West’s once mindboggling abundance of salmon and bison, its California grizzly bear, its undisturbed rivers and topsoil. Viewers can add to this catalog: the meadowlarks they no longer see at the ends of their driveways, the horned toads that used to haunt their gardens. “‘What is missing?’ will allow people to see an entire river system as a place, or the African Plains migratory corridors as a place — habitats that must be seen outside of man-made boundary zones,” Lin writes in her artist’s statement. More than that, though, it asks viewers to see the Earth itself as a whole place, characterized not just by its collective losses, but by the upswell of eﬀorts to stem them and to re-imagine our lives. In basic ecology, you learn that destruction is itself a creative force.

Habitats prone to strong forces of change — volcanoes, blowdowns, wildﬁre, extremes of weather and disease — are often the richest and most diverse. You can think also of the creative world this way. As the writer David James Duncan pointed out at that same Fishtrap conference, artists often produce their best work from places of great pain, the personal and societal disasters that shape their vision. Perhaps this world of deepening wounds is already multiplying our creative opportunities — and our capacity to reﬂect, reinterpret, innovate and ultimately, hopefully, act. Sarah Gilman is a contributor to Writers on the Range, a service of High Country News (hcn.org) in Paonia, Colorado. She is the magazine’s associate editor.

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ASPENSNOWMASSSIR.COM A S P E N T I M E S . C O M / W E E K LY

LEGENDS & LEGACIES

CLASSIC ASPEN

by TIM WILLOUGHBY

The ultimate fishermen’s destination lies below the high ridges of Capital.

HOW DID THOSE FISH GET THERE? My wilderness observations: crowds diminish after roads

turn from pavement to gravel; a 30-minute walk thins the number of twolegged creatures to half; another 30 minutes uphill cuts the crowd to a select few; more than an hour uphill leads to solitude. A similar formula applies to fishing: within casting distance of a parking space you will fight for a place to practice with your pole; a brisk walk upstream allows a fisherman to cast without snagging another fisherman’s line; the use of waders widens the distance from other anglers; if you want to fish, alone, hike to a lake above. Aspen’s ultimate getaway from other anglers is Pierre Lakes below Capital Peak, although its reputation as the “ultimate challenge” attracts many who seek the challenge rather than the quality of fishing. It is a long hike up the Snowmass Lake trail and then up Bear Creek. The journey requires that anglers negotiate long steep sections with no trail, navigate through brush, and clamber over boulder fields. Just when you think your lungs

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are not capable of going any higher and you are sure you are lost, you catch sight of a watery blue gem. Before you pull out your rod and cast, you will surely say, “How did ﬁsh get here?” In 1900 streams and some lakes in the Aspen area were stocked with native trout. Eleven years later

wagon and horseback to lakes and streams. All of the rivers and larger streams surrounding Aspen were stocked at their headwaters, each with from 15,000 to 20,000 fish. American Lake, Cathedral Lake and many other high altitude water bodies were filled with fish. Pierre Lake, isolated as it was,

JUST WHEN YOU THINK YOUR LUNGS ARE NOT CAPABLE OF GOING ANY HIGHER AND YOU ARE SURE YOU ARE LOST, YOU CATCH SIGHT OF A WATERY BLUE GEM. the federal government initiated a project to stock all water bodies in the national forest. Thousands of rainbow trout were transported by train to Aspen, then delivered by

Aug u st 16-22, 2012

and with no aerial surveillance then, was unknown. A local Snowmass rancher, Pierre Hunter, discovered the lakes where no one thought there should be any. For reasons

not recorded, Hunter stocked his discovery with native trout. While carrying a rod or backpack a hike to Pierre Lakes is challenging enough. Hunter transported his trout in fivegallon milk cans filled with water. Stocking Pierre Lakes did not end with Pierre. In the 1930s his nephew Elmer assumed the family tradition. He recruited Pat Hemann, who had begun a career as a cowboy in Snowmass, to help him. Like Pierre, they used milk cans. They transported their bounty by horse until they encountered the steep boulder and brush section, and then they muscled the trout the rest of the way. They would dip the cans in the stream for fresh water to keep the imprisoned fish cool and alive. When they dumped their fingerlings in the lake they had to beat the water to keep the bigger fish from eating them. Efforts kept the lake filled with fish for the next generation and Pat Hemann’s son Phil began fishing there when he was 12. Thanks to his father and the Hunters, Phil says the ultimate fishing destination produced “monster lake trout.” Tim Willoughby’s family story parallels Aspen’s. He began sharing folklore while teaching for Aspen Country Day School and Colorado Mountain College. Now a tourist in his native town, he views it with historical perspective. Reach him at redmtn@schat.net.

PHOTO BY TIM WILLOUGHBY

LEGENDS & LEGACIES

FROM the VAULT

compiled by THE ASPEN HISTORICAL SOCIETY

A L SO, DON ’ T BE SE X I ST

1895

ASPEN’S ROCKY MOUNTAIN Sun provided advice for women cyclists in this article titled “Don’ts for Wheelwomen,” which ran on Dec. 7, 1895. The list includes:

W H E E LWOM A N

Don’t be a fright.

Don’t powder your face on the road.

Don’t faint on the road.

Don’t wear rubber-soled cycling shoes.

Don’t use bicycle slang. Leave that to the boys.

Don’t wear a man’s cap.

Don’t race. Leave that to the scorchers.

Don’t go out after dark without a male escort.

Don’t forget your tool bag.

Don’t blush when you take your ﬁrst ride.

Don’t coast. It is dangerous.

Don’t go to church in your bicycle costume.

Don’t neglect to carry a compact little toilet case.

Don’t get lost in the country.

Don’t imagine everybody is looking at you.

Don’t boast of your long rides.

Don’t wear laced boots. They are tiresome.

Don’t wear loud-hued leggings.

Don’t keep your mouth open on dirty roads.

Don’t ‘talk bicycle’ at the table.

Don’t converse while in a scorching position.

Don’t cultivate a ‘bicycle face’.

Don’t ride where a man would fear to wheel.

Don’t sit on your pocket oil can.

Don’t carry too many things in your pockets.

Don’t refuse assistance up a hill.

Don’t wear white kid gloves; silk is the thing.

Don’t wear clothes that don’t ﬁt.

Don’t wear a garden party hat with bloomers.

Don’t neglect a ‘light’s out’ cry.

Don’t chew gum. Exercise your jaws in private.

Don’t wear jewelry while on tour.

Don’t ask ‘What do you think of my bloomers?”

PHOTO COURTESY OF THE ASPEN HISTORICAL SOCIETY

Don’t go out without a needle, thread and thimble. Don’t tempt fate by riding too near the curbstone. Don’t discuss bloomers with every man you know. Don’t allow your dear little Fido to accompany you. Don’t use your bicycle dress for a bathing costume. Don’t pay any attention to the remarks of hayseeds.

A S P E N T I M E S . C O M / W E E K LY

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GEAR of the WEEK

edited by RYAN SLABAUGH

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SUUNTO CORE GLACIER GREY WATCH They say nobody wears a watch anymore. And by they, we mean the folks who are constantly dragging everything out of their pocket with their phone to check out what time it is, or to show us that cool new app that tells them the temperature. So we say “bah!” to that, bury our phone deep into our pockets and throw on the Suunto Core Glacier Grey Watch. As it turns out, this is better than a phone. It’s an outdoors tool that straps to your wrist, perfect for counting your vertical during a day worth of skiing. And the best part? It only rings when you ask it. And it tells time, too.

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Aug u st 16-22, 2012

— Ute Mountaineer staff

PHOTO COURTESY SUNNTO

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GUNNER’S LIBATIONS

by GUNILLA ASHER

NEED TO KNOW 1.5 oz of Tap 357 1 oz of Pendleton 1910 ½ oz of Heering Coffee Liqueur 1/3 oz of Averna Amaro bitters 1 dash of chocolate mole bitter Shaken and served up in a martini glass. Garnished with a cherry.

COCKTAIL: JOSH’S MAPLE LEAF WHEN I FINALLY GOT THE OPPORTUNITY to meet Josh at Justice Snow’s, he created a drink right in front of me and I got to name it. You will love the Maple Leaf. It is made with Tap 357 Canadian Maple Rye Whiskey. The flavors of Tap 357 are created by a hint of Maple and 3-, 5- and 7-year-old rye whiskeys. Josh blended it to make a Manhattan — with a twist, of course. Gunilla Asher grew up in Aspen and now is the comanager of The Aspen Times. She writes a drink review weekly in the spirit of “She’s not a connoisseur, but she is heavily practiced.”

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Aug u st 16-22, 2012

PHOTO BY THINKSTOCK

N O S A E RS E T N I W 3 1 / 2 1 20

E H T SAVE ES! DAT

Dec. 14-15: Tierney Sutton

Feb. 15-16: Curtis Stigers

Three consecutive Grammy nominations for Best Jazz Vocal. Spellbinding vocalist with longtime brilliant trio who jointly re-invent classics across generations of composers.

Jazz & pop singer – saxophonist & spectacular performer, whose eclectic repertoire ranges from jazz standards to the Beatles to Annie Lennox.

Dec. 27-28: Allan Harris

Feb. 28-March 2: Monty Alexander Harlem-Kingston Express

Smooth, honey-dripped vocals from Nat King Cole to Blues & Soul. A world-class singer, guitarist and song-writer crossing many genres. Tony Bennett calls Allan “my favorite singer.”

2012 Grammy Nominee’s explosive side by side jazz & caribbean rhythm sections take music of Bob Marley to dizzying and irresistible heights.

Jan. 11-12: Rose Max & Ramatis

March 15-16: Tony Monaco Soul-Jazz Hammond B3 Summit

Chase away the January chill with a trip to Rio de Janeiro. Carioca natives on vocals & guitar weave sizzling, hip swaying sambas and bossa nova.

The leader of hot new breed of smokin’ Hammond B3 players in tradition of Jimmy Smith, but with a fresh twist. Fiery & Swingin’, Master chops, blues drenched grooves. Special Guest tba!

Jan. 25-26: Catherine Russell

Powerful, charismatic and uplifting vocalist who swings standards, then gets down with gospel & blues.

Feb. 8-9: Eliane Elias

March 29-30: Pedrito Martinez

Brazil’s answer to Diana Krall, 4-time Grammy nominee, pianist/vocalist combines virtuoso piano chops with scintillating vocals from jazz standards to Brazilian classics.

From rhumba roots to complex, blenderized Africa-to-the-NewWorld Funk.“ —The New York Times. The volcanic keyboards of Havana native Ariacne Trujillo drive the rhythms, backed by intricate 4-part vocal harmonies. “Quick hands, a voice like lightning,” —Wall Street Journal

Series generously hosted by: Nancy & Bob Magoon & Kelli & Allen Questrom

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WINEINK

WORDS to DRINK BY

by KELLY J. HAYES

CLINE CELLARS SAYS, “MOVE OVER DEAR” WE’VE ALL BEEN THERE. A party of four or more at an upscale restaurant. You want to drink good wine but you don’t want to blow the rent money and you certainly don’t want to order something that your dinner companions will consider too extravagant. The list arrives and it is chock full of great stuﬀ. Supple Burgundy, notable Bordeaux, California cult Cabernet. What to do? First, control yourself. Yes, if you are buying you have every right to man-up and go for the KELLY J. big wine, but it is not HAYES always necessary, nor even correct, to opt in that direction. Sometimes valor is found in discretion. Second, consider the price you’ll be paying for the wines. Remember that restaurants generally mark up their wine lists by two to sometimes even three times what you’d pay for a bottle at the retail price. Rather than spending, say 150 for a bottle in a restaurant, maybe you should have your friends over to your house another time. Then you can buy two, even three bottles of a comparable

two of you are having a white wine dish and the other two are going with the steaks. You can often times solve the problem by purchasing both a red and a white in the smaller 375ml format. And look for wines that have value to begin with. Grand Cru Burgundy will always be expensive, but if you check out Oregon and California Pinot Noirs you may ﬁnd lower prices on wines that may have a diﬀerent style, but are still expressive of the grape. And don’t forget to check out

noting that my friends had both ordered Colorado rack of lamb with a pumpkin mole to die for), I found a Cline Cellars Ancient Vines Mourvedre 2010 on the list for 30. It retails for around 18. “Huh, what’s that?” you ask. Mourvedre is a grape of Spanish ancestry that ﬂourishes in France as a blending grape. It is one of the 13 grapes that are acceptable for use in Chateauneuf-du-Pape, the big, ripe, red wine from southern France. (Quick, name the other 12).

know the grape you’re ahead of most folks.) While there is no oﬃcial designation for “Ancient Vines,” the vines that Cline sources were planted more than 100 years ago, east of San Francisco in Contra Costa County, in what is now known as the Oakley Vineyard. Cline is an adventurous and, in my mind, excellent producer of Rhone style wines from grapes like, Syrah and Viognier, and are widely known for their great Zinfandel. Given all that, I thought I’d give

The Cline Cellars’ Oakley vineyard, east of San Francisco in Contra Costa County.

wine for the same 150 you may have spent in the restaurant. Next, dig a little deeper into the list. Frequently, the wine-by-the-glass selections have been chosen by the chef and sommelier with care, and with an eye toward value. You can also generally buy these wines by the bottle as well, at less than break-thebank prices. Half bottles also deserve a look. Say

A S P E N T I M E S W E E K LY

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Aug u st 16-22, 2012

the selections from countries that are known for oﬀering bang for the buck, like Australia, New Zealand and even Spain. None of this is to say that you can’t drink well. This past week I found myself in this very situation. A great restaurant with great friends. We were going to be splitting the bill and, though I wanted to order the wine, I wanted to keep the tab reasonable. The list, a Wine Spectator Award winner, had many notable and exceptional wines with three ﬁgure prices. Digging a little deeper (and

Also known as “mataro,” the grape is also grown in limited quantities in California and Australia. Tablas Creek Vineyards (a venture owned by the Perrin Family, of Château de Beaucastel fame who make outstanding Chateauneuf-du-Pape) bottles a Mourvedre grown in Paso Robles, California. And in Australia’s Barossa Valley, Dean Hewitson claims his Mourvedre, the Hewitson Old Garden, comes from the oldest Mourvedre vineyard in the world, planted in 1853. While “mataro” is easier for the western palate to pronounce, Mourvedre is one of those wine words that can go either way. Cline says “remember ‘move over dear.’” I surely butcher it, but none-the-less say “moo-VEY-druh.” (Hey, if you

the Cline wine a go. Two bottles later and just 60 lighter, I think I made a pretty good choice. And, more importantly, my companions also seemed pleased. It was earthy and substantial without being too puckery. Dark fruit, with a little chocolate note that was pretty darn good with the lamb and the mole. By looking a little deeper into the list I had found a wine that was not only tasty, but one that was also interesting and aﬀordable. Aren’t I special. Kelly J. Hayes lives in the soon-tobe-designated appellation of Old Snowmass with his wife, Linda, and a black Lab named Vino. He can be reached at malibukj@wineink.com.

PHOTO BY SHAUNICA

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FOOD MATTERS

ON THE ROAD: THE HIDDEN PEARL

DISCOVERING A SMALL GEM OF RHODE ISLAND DINING  YARDS. That’s the distance between the oyster beds and the restaurant, Matunuck Oyster Bar, in East Matunuck, R.I., where they are served. The kid behind the counter shucking grew up on Potter Pond, where the oysters grow, the owner just five minutes away. This is a true taste of Rhode Island, and chances are you’ve never had a AMIEE WHITE fresher oyster in BEAZLEY your life. “I love when people say that,” owner Perry Raso said. “I do think people like the idea of oysters coming from a place that they know. We give them a fresh product and a consistent product every day.” Raso began harvesting wild shellfish at age 13 — quahogs and littlenecks — but like so many former shell-fisherman in this state struggling to make a living due to the low market price of wild shellfish, he made the transition to “farmer” when the technology and demand for farm-raised oysters moved him to the saltwater ponds scattered along Rhode Island’s southern shore. He planted his first oyster seeds in 2002. Every year since then, Raso has planted approximately 20 million oyster seeds in his 7-acre aquaculture lease on Potter Pond. In his bed now, there are approximately 3 million to 15 million oysters or more growing. He will sell some of the seeds to other farmers as well as some of the oysters when they are grown. From seed to harvest, an oyster takes about two or three years to mature and make it onto the plates at the Matunuck Oyster Bar, area farmers markets or other restaurants around the state, such as the five-star Ocean House in Watch Hill and Castle Hill Inn in Newport. They are definitively fresh, brought up out of the water and into the restaurant twice daily, usually by the same young men and women who

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are cracking them open for hours during the dinner rush. Tonight, the boys are shucking Raso’s Matunuck oysters from Potter Pond, East Beach blonds and Ninigret oysters from Charlestown Pond and Watch Hill oysters from Winnapaug Pond — all within ﬁve miles or less. Technically, they are all the same oyster, crassostrea virginica — the native oyster species of the Atlantic Coast — but depending on how they are raised and modeled and

one on Potter Pond, to help ensure the longevity of his business. “I thought I’d give a restaurant a try and wait for it to fail. Then I’d move in and live there,” he said, “but I’m still waiting.” Turning approximately 1,000 covers daily during the summer, the restaurant is a great success by any standard. The menu prepared by chefs Wayne Bush and Jeff Cruff focuses on mostly coastal standards — fish and chips, scallops, lobster rolls, chowders

the environmental factors around them, each farm’s oyster has its own character, nuances in ﬂavor and appearance. Raso started out focusing solely on the oyster-farming business. The restaurant was an afterthought, he said. At his location on an inlet between two estuaries, there were a handful of restaurants that once occupied the space, none of them successful. What Raso really wanted was the commercial dock, the only

— made that much better because of the quality ingredients used. Fresh fish, shellfish and vegetables are all farmed by Raso himself in his new growing operation along the banks of the same pond where his oysters are grown. The Matunuck Oyster Bar’s appeal is something you can’t quite put your finger on. Is it the water view, the broken clam shells underfoot, the perfected coastal cuisine, the unpretentious vibe? Whatever the X factor is, the Matunuck Oyster Bar

is emblematic of true Rhode Island — an unmistakable pride in what is grown and what can become in this small state. It’s a restaurant focused on what is simple and good, a hidden pearl along the shore. Amiee White Beazley writes about food-related travel for the Aspen Times Weekly. She is the editor of local food magazine edibleASPEN. Follow her on Twitter @awbeazley1, or email awb@awbeazley.com.

PHOTO BY AMIEE WHITE BEAZLEY

by AMIEE WHITE BEAZLEY

MATUNUCK OYSTER BAR A few months ago, I was interviewing chef Jacques Pépin and later his daughter Claudine, who recently moved to Rhode Island. Her father’s favorite oysters, she says, come from the Matunuck Oyster Bar. “He asks for them every time I visit him,” she said.

A S P E N T I M E S . C O M / W E E K LY

ART FORMS

ARCHITECTURE

by LEA SISSON

WHAT MAKES A DWELLING, PART 2

Lighting and ceilings can work together to create different “feels” for a room.

ONE OF THE MAIN reasons I enjoy Aspen is being around the well-traveled society. It gives me much pleasure sharing experiences of far away places with people. And since it seems that today we have a much greater ability to see these places, this enables us to experience so many more types of spaces. From this we can draw conclusions as to the type of spaces that we are drawn to or how different spaces make us feel. We can learn how the spaces are used by different cultures, and what in tune resonates for us. On your next trip make note of the type of spaces you are in and how it makes you feel. Start with noticing the size. In architecture school, you learn about how proportion affects the psyche. For instance, if the space is taller than the width, it will feel larger than life, as in a cathedral; these spaces, while an inspiring place for worship and inviting of

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the higher powers to commune and coexist, may not be the most comfortable to inhabit when you are wishing for a good night’s rest. Or if the height is less than the width, it can feel oppressive, constricting. By creating variations of heights and widths you can create drama as you move through these varying spaces and feel the expansion and contraction. Or you can simply ﬁnd what works for you and experience a feeling of Zen in all spaces. Next, notice the level of enclosure. How much of the outside do you see from inside. How does this make you feel? How does the light, or lack of, aﬀect you? At a café, are you someone who loves to eat outside on a busy pedestrian street? Or do you prefer to be inside at a quiet table? Perhaps certain times you like to enjoy each location. Make note of what times of day, or your mood, when you feel more inclined to be in

Aug u st 16-22, 2012

certain locations. Materials affect us as well. How does a stone wall feel as opposed to a wood and paper shoji screen wall? How does a flat large piece of marble feel under your feet as opposed to rough sandstone? Or tatami mats, or teak decking, or … the list goes on. As you reflect on the trips you have taken, what spaces do you remember the most? Why? What about those spaces would you like to experience every day? Lea Sisson is Colorado native who studied architecture at the University of Miami under the tutelage of Andres Duany and Elisabeth PlaterZyberk, co-founders of the Congress for New Urbanism, and at the Architecture Association of London, the originators of the Architectural Deconstruction Movement. Her main office is located in Aspen but her work is international.

• QUESTION OF THE WEEK •

WHAT MAKES A DWELLING? Think of your favorite space. Write down all the aspects of it: size, light, volume, color, temperature and sounds. Describe it as much as possible, and then pick the three most significant elements — what are the essentials to make the experience feel real? Now think of all the other places or situations where these three elements are occurring. Do you recognize a pattern? Does it relate to your favorite place? Or could it make you more aware of how to create this favorite space wherever you are? What else is possible?

PHOTOS BY THINKSTOCK

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Aug u st 16-22, 2012

10 THINGS (AND ONE OTHER) TO KNOW ABOUT THE USA PRO CYCLING CHALLENGE by PAUL HILTS

Levi Leipheimer rides in the Vail individual time trial, where he took the race lead on the way to winning last yearâ&#x20AC;&#x2122;s tour. P H O T O B Y S T E V E K E L LY

A S P E N T I M E S . C O M / W E E K LY

Clockwise from left; Cottonwood Pass, kisses for Tejay, Independence Pass

1 . W H AT T H E R A C E I S

The USA Pro Cycling Challenge will stop in Aspen for two days this year with a finish on Aug. 22 and a start on Aug. 23. The seven-day stage race begins on Aug. 20 in Durango and finishes in Denver on Aug. 26. Aspen will host the finish to Stage 3, which begins in Gunnison and travels over the 12,126-foot-high dirt road of Cottonwood Pass before the final climb over 12,095-foot-high Independence Pass and the long, dangerous descent into downtown Aspen. This is the Queen Stage, covering 210 kilometers, or 131 miles, the longest of the tour. On Aug. 23, riders will line up for an 11:35 a.m. departure from downtown Aspen for the 97-mile trip back over Independence Pass and then on to Tennessee Pass at 10,424 before an uphill finish at the Beaver Creek Resort. This is one of just three uphill finishes in the tour,

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the others being at Mount Crested Butte on Stage 2 and Flagstaﬀ Mountain outside Boulder on Stage 6. Racegoers can actually see the start of this stage in Aspen and drive over to Beaver Creek in time to catch the ﬁnish later in the afternoon. This year’s tour will cover 680 miles, an increase over the 509 miles covered by the peloton last year. The riders also will climb more than 45,000 vertical feet over the seven days of the tour. 2 . W H O A R E T H E TO P R I D E R S ?

This is American George Hincapie’s final pro race after recently finishing his 17th Tour de France, an all-time record for the event. Last year, Hincapie won the Queen Stage from Gunnison to Aspen, narrowly edging out Tejay van Garderen in the final sprint down

Main Street. When recently asked if he intended to go for the stage win that day and whether he would try to repeat that performance this year, Hincapie responded, “I’m always looking for opportunities, and what I remember about that day was we weren’t getting a lot of information about the chase once our group got away. It was also raining pretty hard at times, so it was a bit tricky coming into town. I was also looking at who was in our group to see what kind of sprint I would have to do — whether I would have to go from a long ways out. In the end, it worked out pretty well. As for this year, I’ll be looking for any opportunity I can get to get a win.” When asked about his thoughts on this being his last professional bike race, Hincapie said, “I’ve always wanted to go out while I could still contribute. To be able to race for 19 years as a professional has been something I wouldn’t have dreamed

P H O T O S B Y ( C L O C K W I S E ) : N AT H A N B I L O W, J A N E T U R Q U H A R T A N D PAT R I C K G H I D O S S I

of ever doing. To have this race be my last race, with the big crowds and all of the attention it gets in the U.S., seems pretty fitting.” USA London Olympian Tejay van Garderen (BMC Racing) finished fifth at the 2012 Paris-to-Nice oneweek stage race this spring and fifth in this year’s Tour de France. In response to questions we posed to him regarding last year’s huge stage to Aspen, and his aspirations for this year’s race through Colorado, Tejay had this to say: “Going over Independence Pass, I put in a big attack there. Levi (Leipheimer) and Christian (Vande Velde) were the only ones following me. We were cresting over the pass, and they were the only ones with me. And that was the final podium of the race. I think that was cool how we were able to show we were the strongest, we were attacking and this was the final podium. I think it’s nice when the podium at a race (the top three riders) can assert themselves like that and show that they are the strongest in the race.” As far as this year’s race is concerned, van Garderen said, “One of my goals going into the season was to win the (general classification) at a stage race. That’s the one thing I’m lacking — a first place. So I want to do well, and I want to try and win it. So this is my last chance, my last stage race I’m going to do this year.” American Levi Leipheimer, riding for Omega PharmaQuickstep, will return to defend his overall general classification title. Leipheimer’s racing results this year include an overall general classification win at the Tour of San Luis in Argentina at the beginning of the year and a third place at the Tour de Suisse in June. Australian Cadel Evans (BMC Racing), winner of the 2011 Tour de France, will be back for a second year after finishing seventh in last year’s inaugural race. Evans finished seventh at this year’s Tour de France and had a third-place finish at the Criterium de Dauphine in June. Andy Schleck (Radio ShackNissan), of Luxembourg, was the runner-up at the Tour de France in 2011. American Chris Horner (Radio Shack-Nissan) finished second in the

three-stage Tireno-Adriatico in Italy during the spring and 13th at this year’s Tour de France. He also raced on the U.S. Olympic road team in London. Tim Duggan (Liquigas) is the reigning U.S. pro road cycling champion and a member of the U.S. Olympic road team. 3 . W H AT A R E T H E T E A M S T H AT A P P E A R E D I N T H I S Y E A R ’ S TO U R DE FRANCE?

• BMC Racing • Omega Pharma-QuickStep • Radio Shack-Nissan • Liquigas-Cannondale • Garmin-Sharp • Team Astana 4 . W H AT D O T H E J E R S E Y S M E A N ?

In addition to the overall general classification title, riders are also competing for other awards throughout the week of racing. Jerseys are awarded after each day’s stage for the leader in each classification up through that point in the race. Additionally, an orange jersey is awarded each day to that stage’s most aggressive rider. Jerseys this year will include: • YELLOW; general classification race leader based on total elapsed time. • BLUE AND WHITE; Best rider younger than 23. • RED; King of the Mountains. • GREEN; points. • ORANGE; most aggressive rider. 5. WHERE CAN I SEE IT ON TV?

Daily television coverage of the entire tour will be available through NBC and its aﬃliates NBC Sports Network and Universal Sports, with Phil Liggett and Paul Sherwen calling the race and Durango resident Bob Roll doing color commentary. NBC will kick oﬀ its race coverage with a preview show on Aug. 19 at 1:30 p.m. Stages on Aug. 20 through 24 will air on NBC Sports Network from 2 to 4 p.m.

On Aug. 25 and 26 (the final two days), NBC will have live coverage from noon to 2 p.m., and NBC Sports Network will continue coverage from 2 to 4 p.m. Additionally, NBC Sports Network will run a pre-race show every day but Aug. 26 from 1:30 to 2 p.m. featuring behind-the-scenes coverage of the teams and riders. Universal Sports Network will replay the final two stages of the tour on Aug. 27 and Aug. 28 from 4 to 6 p.m. And finally, NBC Sports Network will air highlights of each day’s stage from 9 to 10 p.m. 6 . W H E R E I S T H E R AC E I N TOW N ?

According to Nancy Leslie, special events coordinator for the city of Aspen, streets in and around the race route in downtown Aspen will be closed from 6 a.m. on Aug. 22 until approximately 12:30 p.m. on Aug. 23. This includes most of Main Street and the downtown core area. The finish route into town from Independence Pass will follow state Highway 82 to Cooper, Cooper to Galena, Galena to Hopkins, Hopkins to Original and Original to Main with the finish in front of Paepcke Park. The finish-route map is available online at www.aspen upcc.com/wpcontent/uploads/2012/ 05/12ProCyclingChallengeAspen Finish.pdf. Leslie said that the race departure on Aug. 23 will include 2/ neutralized laps through town on the following route beginning in front of the Pitkin County Courthouse on Main Street before heading out over Independence Pass on Highway 82: Main to Aspen, Aspen to Hyman, Hyman to Mill, Mill to Hopkins, Hopkins to Galena, Galena to Cooper, Cooper to Original and Original to Main. The start-route map is also available at www.aspen upcc.com/wpcontent/uploads/2012/ 05/2012ProCyclingChallengeAspen Start.pdf. Parking at the Rio Grande Parking Garage will be limited to those holding VIP passes and race workers. Daily parking restrictions will be in effect on all other open streets throughout the two days.

A S P E N T I M E S . C O M / W E E K LY

AN ESSAY ON CYCLING

7 . W H AT A R E T H E P E D E S T R I A N S T R E E T C R O SS I N G S O N T H E R AC E R O U T E I N TOW N ?

Because the closed racecourse presents obstacles for people trying to get from one location to another, designated crossing areas to facilitate pedestrian movement are being provided. Here is a complete list of course-crossing locations, in order, along the ﬁnish route through town: • Cooper at Spring • Main at Galena • Galena at Hyman • Main at Mill • Hopkins at Spring • Main at Monarch • Spring at Main • Main at Aspen

MY WIFE SLEEPS WITH PHIL LIGGETT AND PAUL SHERWEN It began innocently enough. It was during the Lance Armstrong years, and my wife, Marjorie, and I began following cycling and the Tour de France on American TV. It was our first real exposure to Phil Liggett and Paul Sherwen (and of course Bob Roll). They are the voices of the Tour coverage on American TV, and in the beginning, I thought it was all about the sport and the race. But I was wrong. Those silky-smooth British accents made the torture of long-distance bicycle racing sound almost pleasurable and poetic with quotes like “He’s reaching deep into his suitcase of courage” or “Armstrong is ripping the legs off this guy.” Or this one from Bobke (Bob Roll): “They’re dying like dogs in the gutter today.” It certainly kept things interesting, especially during those long, flat stages. With each Tour stage being shown on television at least five times every day, it was easy to get sucked in. At first we would watch the live broadcast of the race in the morning and maybe watch the recap over dinner that night. However, in a very short period of time, I noticed Marjorie retiring earlier each night. I would come into the bedroom, and there she would be, tucked in under the sheets, with another rerun of the day’s stage playing on the big screen and those two voices chatting away in the background. “What are you doing, sleeping with those two Brits now?” I asked. “I like their voices. They’re so calming and soothing. And sexy.” Hmmm! Phrases like “Look at those pistons he calls legs go” or “Armstrong is coming down the straight like a Grand Prix motorcar” or “He’s done his job at the front, and now he must concentrate on getting his enormous carcass up the rest of the way” were soothing and sexy? So it wasn’t really about Armstrong or the race or the bike? One morning, while watching an important mountain stage, I asked her if she didn‘t have to get to work soon. She picked up the phone and dialed up her boss and said, “I’m watching the Tour de France and won’t be in until this mountain stage is over.”

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I thought, “Who’s working for whom here?” After she hung up the phone, I asked her what her boss said. “He told me to get off the phone because he was watching the race, too.” But it didn’t end when the Tour was over in late July. One year, we were traveling in Thailand, escaping the cold and snowy Colorado winter. Late one afternoon, I came back to the hotel, and as I pulled the room key out of my pocket to open the door, I thought I could hear men’s voices inside our room. Then I listened more closely. “Bridge to engine room; more power please.” “He’s calling down to his engine room, but I’m afraid there’s no steam left.” “Oh my God! What’s going on in there?” I thought to myself. It was those two damned Brits again, and they were in the room with my wife! How did they follow us all the way over to Thailand? I opened the door, and there she was: lying in bed in the middle of a hot Thai afternoon with the sheets pulled up around her neck, watching the Tour of Langkawi being raced a little south of us down in Malaysia. The final straw came last summer when the USA Pro Cycling Challenge came to Colorado and we made it to one of the stage finishes in Aspen. After the race, as we were walking through town, I heard Marjorie shout from behind, “Paul (referring to me) — come back here. It’s Phil Liggett and Paul Sherwen. I want you to come and meet them.” Sure enough, it was those two silver-tongued, smooth-talking Brits standing there with my wife! I would confront them now. After introductions and the exchange of a few pleasantries, I said to Phil, “You know, Phil, I’ve been working on a story about my wife sleeping with you and Paul.” Before I could explain the entire story line and give him a hard time, and with only a moment’s hesitation, he looked over at Paul Sherwen and said, “Darn, Paul. Wouldn’t you know? This is always how it goes. We only find out about these things just as we’re getting ready to leave town!” Paul Hilts is a part-time resident who has written for the Aspen Times Weekly in the past.

8 . W H AT A R E T H E I N D E P E N D E N C E PA SS R OA D C LO S U R E S A N D CAMPING RULES?

Independence Pass will be closed to traffic from 10:30 a.m. until 6 p.m. on Aug. 22 and from 9 a.m. until approximately 2:30 p.m. on Aug. 23, when the race leaves Aspen for Beaver Creek. Katie Martinez, of the U.S. Forest Service office in Aspen, offered the following information on camping in the Independence Pass area during the two days of racing: The campgrounds on the pass will all be open. The sites at Difficult Campground are reserveable at www.recreation.gov but have already filled up. The Difficult day-use area will be open for walk-in tent camping to accommodate more campers, and that will be on a firstcome, first-served basis beginning on Aug. 21 for two nights only, returning to the business-as-usual day-use area after the race on Aug. 23. Weller Campground (11 sites with a maximum stay of five days), Lost Man Campground (10 sites with a maximum stay of 14 days) and Lincoln Gulch Campground (seven sites with a maximum stay of 14 days) are all first-come, first-served sites. Another option is roadside camping between the winter gate (approxmately mile marker 47 and mile marker 56). This is an exception from the general rule of no camping within a quarter mile of Highway 82

on Independence Pass and will be in eďŹ&#x20AC;ect for Aug. 21 and 22 only. No overnight camping will be allowed between mile markers 56 and 66, on the Pitkin County side. This is from just above Lost Man Campground to the summit of Independence Pass. There will be a highway sign at mile marker 56 indicating that beyond that point there is day parking only (dawn to dusk). There will also be a similar sign on the Lake County side at mile marker 66. Folks who choose to park within this zone will have to move their cars at dusk for the night. This will be enforced by Forest Service law enforcement and agency staff. A pro womenâ&#x20AC;&#x2122;s criterium race will be held on a closed in-town circuit prior to the menâ&#x20AC;&#x2122;s race entering town. The womenâ&#x20AC;&#x2122;s race will run from 1 to 2 p.m. 9 . W H E R E S H O U L D I WATC H ?

There are two general places to best watch a bike race â&#x20AC;&#x201D; on a steep mountain climb and a spot on the ďŹ&#x201A;ats where there arenâ&#x20AC;&#x2122;t a lot of other spectators â&#x20AC;&#x201D; but the course oďŹ&#x20AC;ers

a few turns to slow the race down. Even on long, ďŹ&#x201A;at straightaways itâ&#x20AC;&#x2122;s diďŹ&#x192;cult to get a good look at someone traveling past on a bike at 35 miles per hour. If you want to have a great view of the race and be close to the riders at lower speeds, and you can deal with the traďŹ&#x192;c and other obstacles, the east side of Independence Pass on Aug. 22 and the Aspen side of the pass on Aug. 23 as the riders leave town are the places to be. Keep in mind the restrictions on camping and parking (see above). Your options for securing a good spot are better if you ride your bike up the pass, but that presents its own challenges. Someone who rode up last year said that the descent to town, after the race had passed by, was hair-raising at best. Bikes were competing with cars all the way down. He said that you could not ride conservatively due to the large number of bikes ďŹ&#x201A;ying down the road at any given moment. Add to that the fact that it was raining and cold up there on race day, and the message was, â&#x20AC;&#x153;You had better be prepared,â&#x20AC;? as they say in the Boy Scouts. Be forewarned! And while there will be a large

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A time trial on the Front Range during Stage 1 of the inaugural USA Pro Cycling Challenge.

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ONE OTHER QUESTION: WHAT’S THE BEST WAY TO PHOTOGRAPH THE RACE? Local cycling photographer Steve Kelly offers some tips on shooting photos of the race. If you’d like to see faces and identify racers, you’ll need a spot where they slow a bit, thus a corner in Aspen or many places along Highway 82. The summit of Independence Pass will be the party spot for viewers, but unless you try for the classic photo of a lead racer coming through a tunnel of fans, maybe stay back away from the pavement. To capture the feel of the event, think of the background as much as or more than the race. Mountaintops, lush valleys, rock walls, weather and a bunch of colorful racers are all good. Note the angle of the sun and thus shadows on the faces. You don’t want to shoot into the sun unless you are using a flash. Cyclists are usually bent over their bars, so get low to see their faces. Cheering fans in the background can be good. Look for images like a climber out of the saddle struggling for air with fans on both sides. Take a sample shot to test your exposure before the racers arrive.

Levi Leipheimer wins the general classification title at last year’s USA Pro Cycling Challenge.

number of spectators in town for the ﬁnish, they tend to congregate like lemmings. As an example, the corner at Cooper and Galena had spectators five and 10 deep in spots last year. Two blocks farther along the course at Hopkins and Galena (the corner by City Hall), there were almost no spectators. The racers had to slow down to make the corner, and there was no one there to block your view. Look for places just after corners and away from the crowds. This year the awards stage will be placed at the corner of Main and Aspen, next to the finish area at Paepcke Park, to better

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accommodate spectators (and, it must be said, to ensure that Aspen Mountain will be in the background of all photographs taken there). Last year there were lots of complaints from racegoers that they could not get close enough to see the awards ceremony. Leslie said, “We’ve listened to the community and tried to make improvements wherever we could, and this is one of the places we hope will be a big improvement.” Team buses will be parked on Hunter and Spring streets and Hyman Avenue. This, too, is a great place to get close to the racers after Aug. 22’s stage and in the morning before Aug. 23’s start.

1 0 . H O W C A N I G E T I N TO TOW N ?

John Hocker, director of operations for the Roaring Fork Transportation Authority, reports that RFTA will be adding 12 extra buses on both race days to shuttle spectators for free between the Brush Creek/Highway 82 parking lot and town. Buses will run continuously between the parking lot and downtown Aspen on both days beginning at 8 a.m. Half-hourly service between Snowmass Village and Aspen is also free. This service is in addition to RFTA’s regularly scheduled half-hour services between Glenwood Springs and Aspen.

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ARTS&ENTERTAINMENT

MUSIC/ART/FILM/LITERATURE

by STEWART OKSENHORN

BUILD IT, AND IT WILL BECOME ROSS KRIBBS’ NUGGET GALLERY Ross Kribbs had an interest in architecture;

at Brown University, he took courses in urban studies and community development with an eye toward a graduate program in architecture. Kribbs’ interest in photography goes back further. HIS GRANDFATHER owned a camera shop in central Pennsylvania, and while his granddad had gotten out of the business by the time Kribbs was old enough to mess around with cameras, “There was a lot of old equipment on his shelves, which I borrowed long-term,” said Kribbs, who has a career as a photographer (including a two-year stretch with The Aspen Times in the late ’90s). And Kribbs has an interest in interior design; the photography business he co-operates specializes in architectural and interior-design work. Among the things Kribbs never had an interest in was running a gallery; galleries were places where other people could show his art. But for the past year and a half, he has found himself spending up to 40 hours a week in his Nugget Gallery, and his Hunter Creek apartment has become a storage space for the gallery. Blame it on his eye for interior spaces. In the mid-’00s, Kribbs had a marketing ﬁrm in a building on the Hyman Avenue mall. For two years he would walk by the communal hallway by the entrance to the building. It was nothing much to look at. “Basically it was just a place where old furniture collected — virtually no lighting, some bad plastic trees, a couch or two, some well-worn rugs,” Kribbs said. “It hadn’t been painted for a long time.” But the space was reasonably roomy and had a good location. Plus, Kribbs, who is a talented violinist and creative photographer, has the credo that would be familiar to any big-city artist: Every space has potential; no space should be wasted. “I’d walk in and out, see the space and always had the idea it would be cool to do some sort of gallery,” he said. After earning the approval of Ernie Fyrwald, who owns more than half of the condominium spaces in the building, and the city of Aspen, which raised the issue of aﬀordablehousing mitigation, Kribbs got busy PHOTO BY MICHAEL BRANDS

unearthing the space’s potential. “Some white paint, a bunch of friends and a lot of pizza, and we got the place half done,” he said. But Kribbs had done little thinking about the realities of the space. For one thing, one coat of white paint wasn’t sufficient for the dark oak that had been there; four coats was more like it. Kribbs had planned to exhibit only his work until he realized how much room there was and that his own output was fairly small. “When I had the space painted and lit, I saw how much space was here, which was a lot,” the 37-year-old said. “I was focused on working more linearly. I wasn’t thinking about where art goes.” The space is well balanced between handsome and professional and funky and alternative. But it has its oddities. A few real estate offices open right into the back part of the gallery space. Those using the building’s bathroom or elevator walk past the art on the walls. Kribbs had an early awakening to the fact that, if you build a galley, they — the artists and organizations with any kind of artistic vision — will come. Kribbs had barely installed his own work when he was asked to help with a photography show being organized by the Aspen Writers’ Foundation. The exhibition, comprising images of Afghanistan, was set to show in the Aspen Institute’s Doerr-Hosier Center for one night. “I figured, ‘If they’re going to all that effort to ship the work, why not do a show here?’” he said. The Afghanistan show gave Kribbs the opportunity to curate a show, and he has caught a bit of the bug. “I like that aspect. It’s editing, placing images, creating a story, journalistic,” he said. “People would wander in and be super-surprised that a show that interesting was being shown in downtown Aspen.” Since then, the Nugget Gallery has narrowed its focus to local artists. Kribbs hasn’t aimed to be a rah-rah booster of local art. His loyalty is

to excellent art, and he happens to believe Aspen has a bunch of topnotch artists. One show, “11/11/11,” featured 11 local photographers and opened on Nov. 11, 2011. The current one-person show is of paintings by Shelly Saﬁr Marolt, an Aspenite who also has representation in Manhattan and Florida. “There’s this perceived pejorative about local. For me, it’s inconsequential that it’s made local. It’s great art,” Kribbs said. “The local

unanimously praised when it showed last year in the Aspen Art Museum’s Roaring Fork Biennial.) Perhaps the reason Kribbs hasn’t done long-term planning is that he isn’t done simply admiring what has been created. He points out his desk, which also serves as a storage space for art and a serving platform for wine and cheese. Thanks to the skylights, the light is abundant and varies through the day. “During the daylight hours, it has a

NEED TO KNOW Aspenite Ross Kribbs in his Nugget Gallery, which opened last year on the Hyman Avenue mall.

part isn’t benevolent — it allows me to focus. Shelly’s stuff is so great — it jumps off the walls. I’m trying to keep the quality really high. It’s important for me to like what’s on the walls.” Kribbs still hasn’t thought through all the aspects of showing art. He hasn’t decided yet if he’ll do a “12/12/12” exhibition. “I might draw the line on that large of a show,” he said. He would love to collaborate with area art organizations but hasn’t moved forward much on anything specific. Kribbs, who performs in bluegrass, classical and jazz-leaning combos, has been contemplating doing small-scale musical performances to accompany the exhibitions. One likely future exhibition is the series of photographs of the Susquehanna River that he has been working on for five years. (One of those images, of a Baptism being performed in the river by members of a black church, was

• NUGGET GALLERY • 415 E. HYMAN AVE. • “I’D WALK IN AND OUT, SEE THE SPACE AND ALWAYS HAD THE IDEA IT WOULD BE COOL TO DO SOME SORT OF GALLERY.” — ROSS KRIBBS, ART LOYALIST

whole different feel than at night,” he said. “Different pieces react differently to changing conditions. In the middle of the day, we have this awesomely amazing light.” The Nugget Gallery isn’t exactly hidden away, not with a groundfloor space in the middle of Aspen’s pedestrian mall. But the entrance doesn’t quite come out to the mall; it is 12 feet back and three steps up. And that, Kribbs believes, separates it from the T-shirt shops and boutiques that are its neighbors. “We get interesting people in here,” Kribbs said. “We get people who have to make that little bit of effort. A lot of people say it looks like a Manhattan gallery — it’s using what space is available.” A S P E N T I M E S . C O M / W E E K LY

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A S P E N T I M E S W E E K LY

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Aug u st 16-22, 2012

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AROUNDASPEN

The SOCIAL SIDE of TOWN

by MARY ESHBAUGH HAYES

LES DAMES GALA A GALA EVENING was held at the Hotel Jerome by Les Dames d’Aspen in mid-July. The event was billed as Les Dames Fleur de Lis Fete: Carrousel and tables were decorated with carousel horses while the Bo Hale Band played great dancing music all evening. Les Dames is a local organization which MARY raises money for the ESHBAUGH HAYES arts in the Roaring Fork Valley. Funds are raised by memberships (of 1,200 per person) and auctions held throughout the year ... and of course, the gala which is held every August. Christine Aubale Gerschel founded the group many years ago and she is currently serving again as president. Funds are allocated with 80,000 going to Aspen Santa Fe Ballet, scholarships of about 2,000 each to college art students from the Aspen Basalt Schools, 6,000 each to the Aspen Writers’ Foundation and Theatre Aspen, 5,000 each to the Aspen Music Festival and School and to Jazz Aspen Snowmasss, 1,000 to the Music Festival and School’s Robert Harth Memorial Fund, and 2,000 to Aspen Film. For newcomers to Aspen, joining the organization is a good way to meet Aspenites and learn about the area. Weekly social events during the summer and winter seasons include hikes, skiing days, bicycling, golﬁng, luncheons, cooking demonstrations, dinners, wine and cheese tastings, art gallery lectures and concerts. For more information, contact Christine Aubale Gerschel at 970-925-9028. The Aspen Historical Society has announced that it will not hold the Old Timers Party this September but will incorporate the event with the Society’s 50th anniversary in September 2013. Undercurrent ... Second homeowners would do well to subscribe to the Aspen Times Weekly, which comes out each Thursday and can be mailed to subscribers. There are so many events in the summer and only so many weeks in season to run photographs in my Around Aspen column. So I will be running more photos from this summer’s events in oﬀseason weeks to come.

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LES DAMES Left to right are Billie and Greg Erwin and Ruth Kruger.

LES DAMES Ross and Rosie Andrews.

LES DAMES Left to right are Sam Chittenden, Jess Bates and Nolan McGahan. Sam and Nolan are dancers with the Aspen Santa Fe Ballet.

LES DAMES Left to right at the Les Dames Gala are Justin Banks, Caitlin Vance, Bob and Gail Siegel.

LES DAMES Left to right are Marie and Mark Pupke and Shirley Millard.

LES DAMES

LES DAMES Barbara and George Carroll.

Aug u st 16-22, 2012

Betty Gates, left, with Christine Aubale Gerschel, president of Les Dames d’Aspen. Betty presented Christine with a plaque thanking Christine for founding Les Dames and for all her work with the organization through the years.

LES DAMES Left to right are Chris Fucci, her daughter Haley Fucci and Rose Ann Leiner.

P H OTO S B Y M A RY E S H BA U G H H AY E S

LES DAMES Left to right are Tom Mossbrucker, artistic director of Aspen Santa Fe Ballet, Ruth Kruger, Jean Philippe Malaty, executive director of the ballet, and Helen Klanderud.

LES DAMES

Dancer with the ballet Craig Black and Janet Guthrie.

LES DAMES

Leading the dancing at the Gala were Shirley Millard and Conan Angelo.

LES DAMES Sharon Shaw and Ron Krajian.

LES DAMES

Don Keltner and Betty Gates enjoyed the dancing.

Left to right are Elizabeth Bonan, Ken and Bridget Badon.

LES DAMES Brian Grade and Pat Marquis.

LES DAMES Patrice Darlene and Tommy Waltner.

LES DAMES

The Bo Hale Band played for the dancing at the Gala.

Dancers with Aspen Santa Fe Ballet are Joseph Watson and Seia Rassanti.

LES DAMES Cinthia Andrews and William Orthwain.

LES DAMES Marvin and Jacquiline Jubas.

LES DAMES Ann Foster and Kurt Duldner.

LES DAMES Jesse and Hetta Heath.

A S P E N T I M E S . C O M / W E E K LY

CURRENTEVENTS LIVE ENTERTAINMENT

rock and all the Rolling Stones hits and cult favorites. Call 970-544-9800.

THURSDAY, AUGUST 16 Damian Smith and Terry Bannon 8 p.m. - 10 p.m., Sneaky’s Tavern, Snowmass Base Village. Plaza Live music after the free concert on Fanny Hill. Call 970-923-8787.

Mack Bailey 6 p.m. - 9 p.m., Limelight Hotel, Aspen. Free live music. Call 970-925-3025.

Snowmass Free Concert Series 6:15 p.m. - 7:45 p.m., Fanny Hill, Snowmass Village. The outdoor concert series closes with Chali 2Na, a California rapper who has been a founding member of hip-hop group Jurassic 5 and the eclectic multi-cultural group Ozomatli. Blankets and picnics OK; libations must be purchased on the concert grounds. Call 1-800766-9627. Music at the Library 5:15 p.m., Basalt Regional Library. A weekly Aspen Music Festival and School student recital of chamber music. The concerts begin promptly at 5:15 p.m. Free tickets for each concert may be picked up one week prior to the concert at the front desk. Call 970-927-4311. Karaoke 10 p.m., The Red Onion, 420 E. Cooper Ave., Aspen. Live karaoke with Hugh. Call 970-925-9955. Ozomatli with Bop Skizzum 9 p.m. - 11:55 p.m., Belly Up Aspen, 450 S Galena St., Aspen. In their fourteen years together as a band, celebrated Los Angeles culture-mashers Ozomatli have gone from being hometown heroes to being named U.S. State Department Cultural Ambassadors. Their music “an urbanLatino-and-beyond collision of hip-hop and salsa, dancehall and cumbia, samba and funk, merengue and comparsa and more,”has long followed a key mantra: It will take you around the world by taking you around L.A. Call 970544-9800. How I Became a Pirate 10 a.m. - 11:10 a.m., Theatre Aspen, The Hurst Theatre, 505 Rio Grande Park. A musical directed by Marjorie Mae Treger and based on a beloved children’s book by Melinda Long. A band of pirates lands on the “beach‚” looking for an extra digger to join their crew. Black Braid and his mates enlist all the help they can get as they try to find the perfect spot to bury their treasure. For all ages. Go to www.theatreaspen. org/productions for ticket information.To buy tickets, go to aspenshowtix.com, the Wheeler Opera House or call 970-920-5770. Call 970925-9313. The 39 Steps 7:30 p.m. - 9:45 p.m., Theatre Aspen, The Hurst Theatre, 505 Rio Grande Park. Mix a Hitchcock masterpiece with a spy novel, add a dash of Monty Python and you have “The 39 Steps,” a fast-paced whodunit. This two-time Tony and Drama Desk Awardwinning play for all ages is packed with laughs, more than 150 zany characters (played by a talented cast of four), an on-stage plane crash, handcuffs, missing fingers and old-fashioned romance. Directed by David Hess. Go to www. theatreaspen.org/productions for ticket information. Call 970-925-9313. FRIDAY, AUGUST 17 Damian Smith & Terry Bannon 5 p.m. - 8 p.m., Base Camp Bar at Base Village, Snowmass Village. Live music for Friday Afternoon Club. Call 970-923-6000. Dwight F. Ferren 6 p.m. - 9 p.m., Two Rivers Bar and Cafe, 156 Midland Ave., Basalt. Solo acoustic guitar instrumentals. Call 970-9271076. Aspen Music Festival Highlights 6 p.m. - 8 p.m., Benedict Music Tent. The Aspen Chamber Symphony, led by Jun M√§rkl with guest artist Stephen Hough on piano. The program: Kodaly’s Dances of Gal√°nta; Liszt’s Piano Concerto No. 1 in E-flat major, LW H4; and Brahms’ Symphony No. 4 in E minor, op. 98. Call 970-925-9042. Boo Coo 7 p.m. - 11 p.m., St. Regis ResortAspen, Shadow Mountain Lounge. Live local music on Friday and Saturday nights, featuring local duo Chris Bank and Smokin’ Joe Kelly. Call 970-920-3300. Hollywood Stones 9:30 p.m. - 11:55 p.m., Belly Up Aspen, 450 S. Galena St., Aspen. The same five piece line-up has worked closely together for over a dozen years at hundreds of gigs, taking hardcore Rolling Stones fans by storm. Live shows are packed with full-tilt classic

AUGUST 16-22, 2012

A S P E N T I M E S W E E K LY

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How I Became a Pirate 10 a.m. - 11:10 a.m., Theatre Aspen, The Hurst Theatre, 505 Rio Grande Park. For all ages. Go to www. theatreaspen.org/productions for ticket information. Call 970-925-9313. Shakespeare in the Park 5:30 p.m. - 6:45 p.m., Galena Plaza, behind the Pitkin County Library, Aspen. The Hudson Reed Ensemble presents Shakespeare’s rollicking comedy of mistaken identity and unrequited love, “Twelfth Night.” Re-imagined in 1920s Hamptons, the production features an explosion of Roaring Twenties song and dance. Call 970-923-0041. The 39 Steps 7:30 p.m. - 9:45 p.m., Theatre Aspen, The Hurst Theatre, 505 Rio Grande Park. Go to www.theatreaspen.org/productions for ticket information. Call 970-925-9313. SATURDAY, AUGUST 18 Damian Smith and Terry Bannon 9 p.m., The Brick Pony, 202 Midland Ave., Basalt. Live music on Saturdays. Call 970-279-5021. KDNK Blues and BBQ 4 p.m. - 10 p.m., Fourth Street Plaza, Fourth and Main, Carbondale. Join KDNK for it’s fall membership drive kickoff celebration. Enjoy music from Swamp Cabbage and the Johnny O Band, including a Howard Berkman tribute, plus food from Smoke Modern BBQ, and libations from Aspen Brewing Co. Call 303-929-6524. Aspen Music Festival Highlights 4:30 p.m. - 6:30 p.m., Harris Concert Hall, Wheeler Opera House. At 4:30 p.m. at Harris Concert Hall, a concert of chamber music featuring AMFS artist-faculty and alumni. At 7 p.m., the Aspen Opera Center Theater performs John Haribison’s The Great Gatsby at the Wheeler Opera House. At 8 p.m. at Harris, a recital by pianist John O’Conor. Call 970-925-9042. Aspen Players Association 9 p.m. - 11:59 p.m., The Hunter Bar, Aspen. Singer/songwriter musicians circle followed by “the Wild Wesy Show” invitational artist showcase. Call 970274-9078. Boo Coo 7 p.m. - 11 p.m., St. Regis ResortAspen, Shadow Mountain Lounge. Live local music on Friday and Saturday nights, featuring local duo Chris Bank and Smokin’ Joe Kelly. Call 970-920-3300. Joe Walsh 8:30 p.m. - 11:55 p.m., Belly Up Aspen, 450 S. Galena St. Best known for his powerful guitar licks, Joe Walsh has entertained for more than three decades with such classics as “Funk #49,” “Walk Away,” “Life’s Been Good,” and “Ordinary Average Guy.” This summer, Walsh will release Analog Man, his ﬁrst solo album in 20 years and will tour in support of the new record throughout 2012. Call 970-544-9800. Michael Jude and John Oates 6 p.m. - 9 p.m., Limelight Hotel, Aspen. Free live music. Call 970-925-3025. Rockin’ The Fork Out 3 p.m. - 11 p.m., Out Of Bounds, 133 Prospector Road, base of Aspen Highlands. All-ages indoor/outdoor live local music. $10 cover, plus food and drink available. Call 970-984-2846. How I Became a Pirate 10 a.m. - 11:10 a.m., Theatre Aspen, The Hurst Theatre, 505 Rio Grande Park. Go to www.theatreaspen. org/productions for ticket information. Call 970-925-9313. Shakespeare in the Park 5:30 p.m. - 6:45 p.m., Galena Plaza, behind the Pitkin County Library, Aspen. Call 970-923-0041. The 39 Steps 7:30 p.m. - 9:45 p.m., Theatre Aspen, The Hurst Theatre, 505 Rio Grande Park. Closing night. Go to www.theatreaspen. org/productions for ticket information. Call 970-925-9313. SUNDAY, AUGUST 19 Literature Out Loud 2 p.m. - 3 p.m., Pitkin County Library, Aspen. “The Fires of Summer” is the theme for this month’s dramatic readings for adults. Mark Thomas will read from “Blowup,” Sebastian Junger’s account

Aug u st 16-22, 2012

WATCH : Singer-songwriter Lucinda Williams performs Wednesday, Aug. 22, at Belly Up.

of the local Storm King Mountain fire. Lee Sullivan will read from “Fires” by Rick Bass, a story of one man’s efforts to control literal and personal flames. Call 970-429-1900. Aspen Music Festival Highlights 4 p.m. - 6 p.m., Benedict Music Tent. The final concert of the season features the Aspen Festival Orchestra withRobert Spano conducting. The program features Mahler’s Symphony No. 8 in E-flat major, “Symphony of a Thousand.” Call 970-925-9042. Leonard Curry Trio 6 p.m. - 9 p.m., Limelight Hotel, Aspen. Free live music. Call 970-925-3025. Tom Ressel 11 a.m. - 2 p.m., Peach’s Cafe, 121 S. Galena St., Aspen. Acoustic music on the patio. Call 970-544-9866. Shakespeare in the Park 5:30 p.m. - 6:45 p.m., Galena Plaza, behind the Pitkin County Library, Aspen. The Hudson Reed Ensemble presents Shakespeare’s rollicking comedy of mistaken identity and unrequited love, “Twelfth Night.” Re-imagined in 1920s Hamptons, the production features an explosion of Roaring Twenties song and dance. Call 970-923-0041. MONDAY, AUGUST 20 AREDAY Films 9 a.m. - 5 p.m., Pitkin County Library, Aspen. American Renewable Energy Day summit presents America’s Energy Future

— A National Conversation, with viewings, Q&A with filmmakers and panel talks on relevant and controversial energy issues. Films include “Watershed” by Jamie Redford; “Cape Spin” by Robbie Gemmel; “Arise” by Lori Joyce; “Skiing Everest” introduced by Mike Marolt; and “Wild Horses & Renegades” introduced by James Kleinert. Free and open to the public. Call 970-429-1900. Open Mic Night 9:30 p.m., The Red Onion, 420 E. Cooper Ave., Aspen. Check out what Aspen’s songwriters and musicians have to offer. Call 970-925-9955. TUESDAY, AUGUST 21 Haden Gregg and Friends 7 p.m. - 9:30 p.m., L’Hostaria, 620 E. Hyman Ave., Aspen. Live music every Tuesday. Call 970-925-9022. Taj Mahal and The Phantom Blues Band 9 p.m. - 11:55 p.m., Belly Up Aspen, 450 S. Galena St., Aspen. Composer, multi-instrumentalist and vocalist Taj Mahal is one of the most prominent and influential figures in late 20th century blues and roots music. Though his career began more than four decades ago with American blues, he has broadened his artistic scope over the years to include music representing virtually every corner of the world — west Africa, the Caribbean, Latin America, Europe the Hawaiian islands and more. Call 970-544-9800.

PHOTO BY STEWART OKSENHORN

edited by RYAN SLABAUGH

THE ARTS SATURDAY, AUGUST 18 paint-OUT: Paint for the Tree 10 a.m. - 4 p.m., Aspen Art Museum, 590 N. Mill St., Aspen. In collaboration with The Aspen Skiing Co., Choose-Outdoors and the U.S. Forest Service, artists of all ages and skill levels are invited to participate in 2012 Capitol Christmas Tree project and to make work for the national juried Into the Woods art competition. Free family art projects and live music by local musician and artist Dave Notor. Call 970-925-8050. SUNDAY, AUGUST 19 Exhibit: Martha Drake â&#x20AC;&#x153;Observations, Foreign and Domesticâ&#x20AC;? 9 a.m. - 5 p.m., Wyly Community Art Center, Basalt. An exhibition of contemporary photography featuring images from the U.S. and Europe. It continues through Aug. 30. Gallery hours are Monday-Friday, from 9 a.m. to 5 p.m. Free and open to the public. Also on view is the Theodore B. Mockbee Exhibition. Call 970-927-4123.

YOGA & EXERCISE THURSDAY, AUGUST 16 Vinyasa Flow Yoga Class 6:15 p.m. - 7:15 p.m., Coredination 520 S. Third St., Carbondale. Certified yoga instruction in Vinyasa flow with a synthesis of postures (asanas) designed to increase range and build core strength. Accentuate and balance fitness goals with this class. Call 970-379-8108. Tot Karate 12:30 p.m. - 1:15 p.m., Aspen Recreation Center. Teaches children gross motor skills and hands-eye coordination. Ice skating will follow from 1:30-2:30 pm. Contact Elaine at 520-661-9243 or e-mail 460kozel@ earthlink.net for more information. Cruiser Ride Around Town 5 p.m. - 6 p.m., Limelight Hotel, Aspen. Free, guided bike rides around Aspen have a different theme each week. This ride features a guide from the Aspen Art Museum, who will lead a short ride around town to see local architecture before ending back at the Limelight for a free Aspen Art Museum architecture lecture (starting at 6 p.m.). Sign up in advance with the hotelâ&#x20AC;&#x2122;s front desk. The Limelight has several cruiser bikes to borrow upon request, or ride your own bike. Call 970-925-3025. Rock Rats Climbing Class 4:15 p.m. - 5:30 p.m., Aspen Recreation Department, 110 E. Hallam St. Climbing class for ages 6 and up, focusing on learning to climb and staying safe in the indoor climbing gym. The class does top roping, bouldering and plays games. Call 970-920-5140. Tai Chi/Qigong 9:30 a.m. - 10:30 am, Aspen Historical Society, 620 W. Bleeker St. Gentle, flowing movements for health, energy, flexibility, balance, muscle tone and relaxation. Appropriate for all levels. Wear comfortable clothes and shoes. Call 970-925-1130. Weekly Group Run 5:30 p.m. - 6:30 p.m., Ute Mountaineer, 210 S. Galena St., Aspen. The Ute Mountaineer and Aspen Triathlon Club host (at no charge) a 30- to 60-minute run each Thursday (no charge). Explore trails (well known and unknown to many) in the immediate Aspen area. All levels of runners are welcome; a host runner from the Ute or the Aspen Triathlon Club will accompany differently paced groups. Call 970-925-2849. FRIDAY, AUGUST 17 Aspen by Bike Tour 10:30 a.m. - 11:30 a.m., Wheeler/Stallard Museum, 620 W. Bleeker St., Aspen. A tour by bicycle that brings in Aspenâ&#x20AC;&#x2122;s Victorian West End, loops through the grounds of the Aspen Institute and winds through town to the original Lift One. Fee is $15 per adult and $12 for seniors; children 12 and under are free. Presented by the Aspen Historical Society. Call 970-925-3721. SATURDAY, AUGUST 18 Havdallah Hike to Crested Butte 8 a.m. - 2 p.m. Call or e-mail for more information. Join fellow Aspen Jewish Congregation members clergy and staff for a hike to Crested Butte to join friends for a weekend adventure. Plans are to enjoy a Havdallah service, followed by dinner and more. Contact Sally ShiekmanMiller at sally@sallyshiekman.com for more information. Call 970-925-8245.

SUNDAY, AUGUST 19 Yoga in Lions Park 11 a.m. - 12 p.m., Lions Park stage, Basalt. Join instructors from Le Cercle Community Studio for free yoga on Sundays. All-levels flow to fun and familiar tunes. Call 303-601-2233.

THE COMMUNITY THURSDAY, AUGUST 16 AAM Architecture Lecture Series: Douglas Burnham 6 p.m. - 7 p.m., Limelight Hotel, 355 S. Monarch St., Aspen. Douglas Burnham, founder and principal of the Oakland-based architecture firm envelope A+D, discusses how the firmâ&#x20AC;&#x161; Â¨!â&#x20AC;?s immersive projects activate and transform urban spaces. Free. Call 970-9258050. Tom Friedman and Amory Lovins 11:30 a.m. - 1 p.m., Aspen District Theater. A conversation with Tom Friedman and Amory Lovins, moderated by Chip Comins, executive director of AREDAY. Call 970-544-1707. Adult PC Class 6 p.m. - 7 p.m., Basalt Regional Library. Computer classes focusing Google apps and docs. Call 970-927-4311. Colorado Work Force 11 a.m. - 2 p.m., Basalt Regional Library. Get information and assistance from Colorado Work Force. Call 970-927-4311. Aspenâ&#x20AC;&#x2122;s Past to Present 11 a.m. - 12:30 p.m., downtown Aspen. Walking tour led by professional guide and folklorist Dean Weiler. $20. Meets at the Wheeler Opera House. Call 970-948-4349. Physics Lecture: Visualizing the Quantum World 6 p.m. - 7 p.m., Paepcke Auditorium, Aspen. Everything underpinning our technological society and economy is governed by quantum mechanics. Learn about new techniques that allow us to visualize electronic quantum matter at the atomic scale. Free event presented by the Aspen Center for Physics. Call 970-925-2585. Wyly Blue Jeans Bash 5 p.m. - 7 p.m., Wyly Community Art Center, Basalt. Tickets available for this event honoring Deb Jones as Wyly Art Educator Award recipient. Auction items by Bayard Hollins, Dick Carter, Jody Guralnick and K. and Marc Cesark. For more information, visit wylyarts.org. Call 970-927-4123. Mobile Food Pantry 11:30 a.m. - 1 p.m., Eagle County Community Center, 0020 Eagle County Drive, El Jebel. Food Bank of the Rockies Mobile Food Pantry will distribute free food to anyone seeking assistance. There are no qualifications, membership fees or eligibility forms to complete. Community members are asked to bring their own bags or boxes to carry food items. Call 970-328-8815. FRIDAY, AUGUST 17 Aspen Chapel FUNraiser 5 p.m. - 8 p.m., Aspen residence. Hosted by Lexie and Robert Potamkin, this event celebrates 43 years of chapel accomplishments and the 35-year service of Rev. Gregg Anderson, plus offers a glimpse into the chapelâ&#x20AC;&#x2122;s future. The event includes a riverside, gourmet dinner, with a DJ and dancing for adults, plus a professionally supervised party for children in an adjoining garden. Childrenâ&#x20AC;&#x2122;s party includes trampolines, hula hoops, games, crafts and kids menu, and is free of charge with an attending adult. Tickets are $125 per person or $100 per person for parties in any combination of two or more adults. Parking is at the chapel, with shuttles to and from the party, only minutes away. For reservations and information, contact Marisa at 970-925-7184 (ext. 103) or info@aspenchapel.org. Estate Planning Workshop 11:30 a.m. - 1:15 p.m., St. Regis Resort, Aspen. On Jan 1, 2013, the estate and gift tax exemption is scheduled to automatically drop to $1 million. The maximum estate tax rate is scheduled to automatically rise to 60 percent. This is not a product presentation. Call 1-800-479-7244. AREDAY & WC3 present Hunter Lovins 5:30 p.m. - 7:30 p.m., Woody Creek Community Center. Featuring Hunter Lovins on â&#x20AC;&#x153;The Way Out: Kickstarting Capitalism to Save Our Economic Ass.â&#x20AC;? He will be joined in conversation by Bill Becker, speaking about the Presidential Climate Action Project and Rio

+20: The Future We Want. Doors open at 5 p.m. Cash bar. Speakersâ&#x20AC;&#x2122; books will be available to purchase. Call 970-922-2342.

SATURDAY, AUGUST 18 The Hope Mine: Biochar and Mine Reclamation 10 a.m. - 12 p.m., Hope Mine, 6 miles up Castle Creek Road. Join a field trip to the Hope Mine to learn about a cutting-edge restoration project that uses biochar to reclaim toxic mine waste. To get there, meet at Aspen Chapel at 9 a.m. ready for a bike ride (bring what you need for the ride and a 2-hour class) or carpool â&#x20AC;&#x201D; meet at the chapel at 9:45 a.m. $15 for members; $20 for non-members. Call 970-925-5756.

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Twin Lakes Tunnel and Diversion Tour 10 a.m. - 4 p.m., Independence Pass, east of Aspen. Learn firsthand how water is collected from the headwaters of the Roaring Fork River and diverted under the Continental Divide to Front Range cities and farms. Join Twin Lakes Reservoir & Canal Company staff and Roaring Fork Conservancy staff for this tour of the tunnels, dams and ditches that move water east. This free event is underwritten by the Pitkin County Healthy Rivers and Streams Board and with assistance from the Twin Lakes Reservoir and Canal Company. Registration is required at www.roaringfork.org/events. Call 925-927-1290.

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Smuggler Mountain Trail and Restoration Project 8:30 a.m. - 5 p.m., Smuggler Mountain Trail, Aspen. This is the third and last in a series of projects to alter the old road system in the recently acquired Smuggler Open Space. Volunteers will work to both turn old double-track roads into single-track trails as well as close and restore some unneeded road sections. The project will include native planting, seeding and other restoration techniques. A Roaring Fork Outdoor Volunteers project. Call 970-927-8241.

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Fermentation Workshop 10 a.m. - 4 p.m., Sustainable Settings, 6107 Highway 133, Carbondale. Sandor Katz, culinary author, DIY food activist and self-described â&#x20AC;&#x153;fermentation fetishist,â&#x20AC;? teaches this workshop. Sandor has taught workshops around the United States. Tickets are $75; call to register. Bring a jar to take something home, and pick up a book to be autographed by Sandor at the workshop. Call 970-963-6107.

MONDAY, AUGUST 20 Hands-On and Sound Healing 7 p.m. - 9 p.m., Mt. Sopris Room, Eagle County Community Center, 0020 Eagle County Drive, El Jebel. Experience the transformational healing work of Rob Wergin, master healer/spiritual teacher, and Sarah Wergin, R.N., sound healer and spiritual teacher. They will offer healing opportunities and Acutonics sound healing to individuals and the group. $10 donation; all proceeds benefit Davi Nikent, Center for Human Flourishing. Call 970-544-2381.

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Tinkerbelle

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Tinkerbelle is a chocolate pitbull mix who is 7 years old. She is a special needs dog and needs a special home. When she was 4 weeks old she was thrown from a car window. Her current owner of 7 years picked her up from oncoming trafďŹ c and rushed her to the vet - she barely made it through the night. As a result of this accident, Tinkerbelle lost her eyesight. Her current owner has now been diagnosed with stage 4 breast cancer and needs to ďŹ nd a loving special home for this girl. She needs someone who will be patient and show her love. She is a happy girl who is great with people and other dogs. Can you be her special home? Please ďŹ ll out an application at luckydayrescue.org then call 970-618-3662. LUCKY DAY ANIMAL RESCUE OF COLORADO

www.luckydayrescue.org A S P E N T I M E S . C O M / W E E K LY

1901 Replica Stagecoach

Audi Q7 4.2 Premium 2007

BMW X3 2006

BMW X3 2004

BMW Z3 2.3 Roadster 2000

&9"$5 3&1-*$" 45"(&$0"$) "-- "55"$).&/54 */$-6%&% ."3#-& $0 (PPE DPOEJUJPO

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#.8 ; 3PBETUFS $POWFSU JCMF (PPE DPOEJUJPO L NJMFT "VUP NBUJD - $ZM /FX SFBS XJOEPX QPXFS UPQ MJGUFS %BSL #MVF 5+ $15,000 OBO 970-963-2102

$12,900 970-925-2837 joeldsax@aol.com

$15,600

970-618-9599

Chevrolet Tahoe LT 1997

Chevy 1987

CHRYSLER 300M 2003

Dodge Dakota 2007

Ford F150 2007

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$3800 970-309-1410

$1600.00 obo Please call Jesse 970.309.3636 or David 970.618.2003

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FORD F250 SUPER DUTY 1999

Ford ModA Roadster 1931

GMC Sierra Denali 2500 2011

GMC Single Cab Sierra 1500 2002

Harley Davidson Dyna Lowrider 1997

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Harley Davidson FLH 2004

Honda CRV EX 2002

Honda Pilot EX-L 2005

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Jaguar Convertible XJS 1989

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0XOFS (BSBHFE "MM .BJOUFOBODF 3FDPSET L NJMFT 7 "8% 4VO SPPG -FBUIFS $MFBO &YUSB 4FU PG .PVOUFE 4OPXT $12,500 970-923-6544 or 4farrells@comcast.net

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JEEP WRANGLER TJ 1998

John Deere Skid Steer 2003

Land Rover Discovery SII 2004

Mercedes Benz 380 SL 1982

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L NJ *NQFDDBCMF $POE (JWFSOZ (SFFO #MBDL -FBUIFS 6QHSBEFE Y (783 UBY EFEVDUJPO /FX UJSFT CSBLFT TQSJOHT TIPDLT Moving! Deal at $11,700 970-618-1136

EPPS DPOWFSUJCMF XJUI UPQT HB SBHF LFQU BMXBZT TFSWJDFE BOE NBJO UBJOFE (SFBU DPMPS 3VOT BOE %SJWFT &YDFMMFOU 1PXFS 4UFFSJOH QPXFS CSBLFT BVUP USBOTNJTTJPO GBDUPSZ BJS $13,000 970-925-2001

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PHAETON MOTORHOME 2010

POLARIS 1998

Rockwood Pop up Camper1910 2011

Subaru Legacy Outback 1997

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Subaru Outback 2000

Toyota Camry 2010

Toyota Land Cruiser 1991

Toyota RAV4 2010

Toyota Tundra SR5 Access Cab 2002

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$4000 970-925-7104

$16,995 OBO 970-544-5651 or 970-274-4517

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Aug u st 16-22, 2012

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$17,900 208-961-1029

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SOLD

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A S P E N T I M E S W E E K LY

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3FOUBMT "TQFO STAFF HOUSING (SFBU GPS TFBTPOBM FNQMPZFFT JOUFSOT NVTJD TUVEFOUT DPO TUSVDUJPO DSFXT UFN QPSBSZ IPVTJOH

Summer housing available now in Snowmass Village $550 per room "QBSUNFOUT BSF GVMMZ GVSOJTIFE "MM VUJMJUJFT 57 DBCMF JODMVEFE 0O CVT SPVUF MBVOESZ GBDJMJUZ PO TJUF 4PSSZ OP QFUT Call Leasing Office 970-922-9001 or housingoffice@aspensnowmass.com www.aspensnowmass. com/housing

3FOUBMT "TQFO

1BD/1BA Penthouse CMPDLT UP HPOEPMB HSBOJUF LJUDIFO X E IPU UVC HBSBHF WJFXT JODMVEFT VUJM 1BNBMB !NTO DPN 4UFBENBO $P 3FBM &TUBUF

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Try a border for just ямБve bucks!

#% #" )PNF WJFXT BDSFT EFDL HBSEFOT BOE IPU UVC

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BMJTPOHXBULJOT!IPUNBJM DPN

Full-time working women who shop read newspapers in larger numbers. Female newspaper readers shop at Nieman Marcus, Nordstrom, Lord & Taylor and MacyтАЩs, just to name a few.

#% #" 6OGVSOJTIFE $BSCPOEBMF 4P 4VQFS 4PQSJT WJFXT UPQ GMPPS OFX DBSQFU QBJOU X E OT QFUT DPOTJEFSFE

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3& #BTBMU "SFB

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3FOUBMT (MFOXPPE 4QSJOHT #% #" 4') PO (SFFO DBS HBSBHF /4 (84 $0

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#% X CBUISPPN JO #% EXOUXO $EBMF 5PXOIPNF )EXPPE 'MPPST 8 % %8 ZBSE TUPSBHF NP JODM VUJMT

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#% OJDF IPVTF GPS SFOU "WBJM MPOH UFSN 'VSO HBSH WJFXT NP

RENTED! #% #" 6OGVSOJTIFE 42'5 $POEP )VOUFS $SFFL $POEP 1PPM )PU UVCT 1BSLJOH /P 1FUT /P TNPLJOH .P 'JSTU MBTU TFDVSJUZ ZFBS MFBTF Avail 10/1. 970-948-9419 tonygre@gmail.com

Please Recycle

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&NQMPZNFOU Auto Detailer

Aspen Snowmass Sotheby's Front Desk

3FOUBMT 4OPXNBTT 2 BD 1 BA Apartment. 8 % DBCMF JOUFSOFU VUJMJUJFT JODMVEFE NPOUI ZFBS MFBTF ELK !BPM DPN

Deluxe Condos from. #FTU -PDBUJPO ' - 4 5FSNT /FHPUJB CMF 4UVEJP -PGUT #VOL IPVTF CESNT /1 /4 "TQFO XPPE$POEP!BPM DPN "WBJM 4FQU

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QPSUJPO PG IFBU FMFD .PO 'SJ &YFDVUJWF PGGJDFT

TIBSFE SFDFQUJPO BOE QFS NP 135 W. Main Aspen Victorian. 970-379-3715

#% #" 1BSUJBM CBUIT 4JOHMF 'BNJMZ )PNF 0OF "DSFT DVTUPN VQTDBMF PQFO DPODFQU X SBEJBOU JO GMS IFBU DBUIFESBM DFJMJOHT h9 h NTUS QD CB KS NTUS X GVMM CB HVFTU CET X CB P T DBS IFBUFE HBS IVHF MWOH SN X GMS UP DFJM GBVY S J W F S S P D L H B T GSQMD XBML PVU CBTFNFOU GVMM 37 TUB .VDI NPSF .BSZ3PTF ,FJM $FOUVSZ )PNFTUFBE 3FBMUZ NSLFJM !BPM DPN 1BSBDIVUF $PVOUZ 3PBE 1BSBDIVUF $0 :

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ASPEN

1270 Snowbunny Lane 1SJTUJOF CFE CBUI BQQSPY 4R GU XJUI HPSHFPVT WJFXT $2,595,000. Brokers protected. 970-925-6840 or 970-948-2186.

BASALT

Aspen Junction- Mountain Views (SFBU WBMVF GPS NJE WBMMFZ CFESPPN TJOHMF GBNJMZ IPNF .BHOJGJDFOU QBO PSBNJD WJFXT PWFSMPPLJOH UIF &NNB WBMMFZ 3FNPEFMFE LJUDIFO OFX DPVOUFS UPQT DBCJOFUT BOE NPSF 4PVUI GBDJOH XJUI QMFOUZ PG TVO BOE MJHIU $449,000 TOM CARR 970 379-9935 Leverich & Carr Real Estate XXX BTQFOSFJOGP DPN

ASPEN

AABC 3 Bedroom Condo 5PQ GMPPS CFESPPN DPSOFS VOJU $POWF OJFOU MPDBUJPO OFBS EPXOUPXO "TQFO MFTT UIBO NJMFT BOE MPDBM TLJ BSFBT SFNPEFM JODMVEJOH OFX QBJOU BEEFE XJOEPXT 1FSHP GMPPSJOH OFX DBCJOFUT BOE DPVOUFST TUBJOMFTT TUFFM BQQMJBODFT BOE NPSF "TTJHOFE QBSLJOH $485,000 TOM CARR 970-379-9935 Leverich & Carr Real Estate XXX BTQFOSFJOGP DPN

Aspen Pied a Terre! #FTU EPXOUPXO MPDBUJPO IJHIFTU RVBMJUZ -PXFTU QSJDF $POUFNQPSBSZ SFNPEFMFE TUVEJP CBUI XJUI CJH "TQFO .PVOUBJO WJFXT FYUSB TUPSBHF JO UPXO QBSLJOH

Basalt

#FBVUJGVM "DSF )PSTF 1SPQFSUZ 4' MPH IPNF OFBS 3VFEJ CE CB )PSTF #BSO 4IPQ 8BUFS 3JHIUT "TLJOH 1MFBTF DBMM 495000 970-309-2000 Aspen Associates Realty Group

#FBVUJGVM $VTUPN IPNF PO PWFS IBMG BO BDSF (SFBU 3PPN BOE .BTUFS PO POF MFWFM XJUI CJH WJFXT PWFSMPPLJOH UIF 3PBSJOH 'PSL $MVC HPMG DPVSTF 'FBUVSFT #% CBUIT IBMG CBUIT BOE BO PWFSTJ[FE DBS HBSBHF 1,600,000 Leah Davis 970-379-8551 Aspen Snowmass Sothebys

$349,000 Call Tim Estin 970-309-6163 State of the Aspen Market www.EstinAspen.com Coldwell Banker Mason Morse

ASPEN

Top Floor Downtown Condo Woody Creek -BSHF UPQ GMPPS POF CFESPPN DPOEP 0OMZ 'BCVMPVT #% #" GBNJMZ IPNF IPSTF CMPDLT UP UIF (POEPMB 1MFOUZ PG OBUV QSPQFSUZ JODPNF PQQPSUVOJUZ PO BDSFT JO SBM MJHIU 1SJWBUF EFDL GBDJOH OPSUI XJUI "TQFO 4DIPPM %JTUSJDU 8BML UP 5BWFSO WJFXT UP 4NVHHMFS 3FE .PVOUBJO 4FQBSBUF #% DBSFUBLFS "%6 BOE PGGJDF 8PPE CVSOJOH GJSFQMBDF HSBOJUF DPVOUFST BSU TUVEJP TUPSBHF TIFET ;POFE GPS EV BOE IBSEXPPE GMPPST UISPVHIPVU QMFY BOE IPNF CBTFE CVTJOFTT $649,500 $1,195,000 TOM CARR Shanta Heath (720)252-2256 970-379-9935 Carol Dopkin Real Estate, Inc. Leverich & Carr Real Estate Shanta@Caroldopkin.com XXX BTQFOSFJOGP DPN XXX TIBOUBIFBUI DPN

Basalt

#MVF -BLF #FBVUZ #FESPPN TR GPPU IPNF XJUI MBSHF MFWFM ZBSE GJSF QMBDF PQFO MBZPVU TUBJOMFTT BQQMJBODFT JO GMPPS SBEJBOU IFBU 5IJT JT UIF QFSGFDU GBNJMZ IPNF JO UIF CFTU OFJHICPSIPPE #SPLFS 0XOFS "MQJOF 8FTU 3FBM &TUBUF $PNQBOZ $455,750 Arne Simonsen 970 309-8707

#SJHIU TQBDJPVT #% CBUI IPNF SJHIU PO UIF QBSL 'FBUVSFT JODMVEF CFBVUJGVM IBSEXPPE GMPPST HSBOJUF DPVOUFS UPQT BOE WBVMUFE DFJMJOHT 8BMLJOH EJTUBODF UP EPXOUPXO #BTBMU BOE 4DIPPMT 699,000 Leah Davis 970-379-8551 Aspen Snowmass Sothebys

Alpine West Real Estate

CARBONDALE

NEW LISTING! FSBO.

ASPEN PRIME LOCATIONS!

SPPN IPNF XJUI CFESPPNT CBUIT DBS HBSBHF CBSO X DPSSBM PO BDSFT QBTUVSF TUSFBN JO B CFBVUJGVM XPPEFE WBMMFZ CFUXFFO (MFOXPPE 4QSJOHT $BSCPOEBMF

0''*$& 3&5"*- 4QBDFT GPS -FBTF */7&45.&/5 #6*-%*/(4 GPS 4BMF *O UIF %PXOUPXO "TQFO $FOUSBM $PSF 4FF "-- "TQFO .-4 -JTUJOHT BU www.aspenreal.com

$399,000 Mark Kwiecienski 970-618-1145 Bowden Properties

Beautiful Mid-Valley Home -PDBUFE JO UIF IFBSU PG UIF 3PBSJOH 'PSL 7BMMFZ UIJT TQBDJPVT TUPSZ CFESPPN IPNF TR GU JT POF PG UIF CFTU QSJDFE IPNFT JO UIF NJE WBMMFZ "EEJUJPOBM PGGJDF TQBDF )JHI DFJMJOHT /JDF GJOJTIFT #VJMU JO DBS HBSBHF $388,000* *Subject to short-sale lender approval TOM CARR 970 379-9935 Leverich & Carr Real Estate XXX BTQFOSFJOGP DPN

COMMERCIAL - ASPEN

ASPEN PRIME LOCATIONS! 0''*$& 3&5"*- 4QBDFT GPS -FBTF */7&45.&/5 #6*-%*/(4 GPS 4BMF *O UIF %PXOUPXO "TQFO $FOUSBM $PSF 4FF "-- "TQFO .-4 -JTUJOHT BU www.aspenreal.com

Basalt

&NQMPZFF )PVTJOH /0 -055&3: 7FSZ MJHIU BOE BJSZ CE CBUI FOE VOJU JO RVJ FU DPNQMFY 8 % TUPSBHF JO BOE PVU 3B EJBOU GMPPS IFBU JODMVEFE JO MPX NPOUIMZ EVFT -08&45 13*$&% 1301&35: */ #"4"-5 $148,000 970 379-5904 FSBO

3JWFSGSPOU BU UIF DPOGMVFODF PG UIF 'SZJOH 1BO BOE 3PBSJOH 'PSL 3JWFST %VQMFY DPOGJHVSFE CESN DPOEP JO UIF IFBSU PG #BTBMU 1SJWBUF CBZ HBSBHF BOE MBSHF TUPSBHF SN 8BML PVU UP MBSHF QSJWBUF HSBTTZ ZBSE &BTZ UP TIPX

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INTELLIGENT EXERCISE

by JENNY SHANK of HIGH COUNTRY NEWS

AUTHOR Q&A

‘THE FLAMER’

by PATRICK MERRELL

| edited by WILL SHORTZ

SINGLE-MINDED

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Cover-up ___ machine (restaurant fixture) Crossroads of the West Green eyes, e.g. “Alice in Wonderland” character Like a land baron O.K. Yields Disappointing “Who’s with me?” response? Work to maintain a C average? Certain Ivy Leaguer Bit of a TV reviewer’s review Film credits list Mention that you know a secret? It’s cast and landed Digs Downed subs, e.g. Mauna ___ Rarely photographed half of the moon Thought better of Grunt no more One who’s read an encyclopedia’s first volume? Give ___ (let off) Again Old gold coin Podunk’s directory? Think about it It might be surrounded by a sash Grandfathers of III’s: Abbr.

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Pay one’s dues again, say James of “Las Vegas” Some French wines Having finished just one month of a job? Trendy Star of the most-watched TV episode ever Formic acid sources Overalls part Wasted no time Abbr. before a year What one with a small nest egg enjoys? Islander, e.g. Least refined South American invention Despot’s concession? Milked Sulu’s superior It no longer sells maize or mulberry Throughout, in poetry Gun, as an engine It came between Kennedy and Bouvier Composition of only four different notes Occasional klutz? Rail supports Actor Jay What’s that, in Tijuana? Beginning magician’s arsenal? Go on a brief youthful binge?

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128 Low-cost prefix 129 “The Grapes of Wrath” figure 130 Test cheats 131 Pisa’s river 132 Truck rental name 133 Prying 134 “Little” comics girl 135 Flaw in logic

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They’re shiny even after being burned “Could be a problem” Hustle or bustle Beach item Privateer Jean Hamburg grr? Draw over Dumbbell weight abbr. Money or Murphy Seat, informally Labor Nancy ___, first female member of the British Parliament Sign on a sidewalk food cart Went back and forth on a decision 1944 Nobel physicist Isidor Suffix with buck Informed of Sounds that may accompany headshaking Stewpot Jew : kosher :: Muslim : ___ ___ d’Or (Cannes award) Decorative flower arrangements Have-not High standards

Aug u st 16-22, 2012

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Curse Linguist Chomsky Prepare for sacrifice, in a way Daze “Happens sometimes” Silas of the Continental Congress Some collectible Deco drawings Internet hookup letters Blow a fuse Participle suffix California’s historic Fort ___ Tender spots Seasick sea serpent of cartoons “___ people …” Locale for tapping, toping and tipping Mountain ridge “___ how!” “Time is money,” e.g. Is without All over Tried Suspends Suspend Fox News competitor Biblical land of wealth Reese of “Touched by an Angel” Actress Annette “No argument here” Deal maker Heavy recyclables Prefix with athlete Buckeyes’ sch. Shaggy animal Cheers on “The Purple

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recipe. I might not rise anywhere else. Too much pressure.” Rogers writes with crisp precision about subjects as varied as science, the complex matters of the heart, and the Great Basin landscape. “The hills around Reno yellowed. The air turned hot and dry. Afternoon thunderstorms sent more lightning to the ground than rain. Brushﬁres ﬂared up, blackening mountainsides. Atoms that had been sagebrush and pine trees were reincarnated as smoke.” This book review originally appeared in the High Country News.

‘The Flamer’ Ben Rogers, 2012 257 pages; softcover; $14

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ACROSS

NOTEWORTHY

Oby to kitchen duty while he tutors him in chemistry; Oby even wins several Boy Scout merit badges. As the boy’s probation ends, Mr. Weisgard encourages him to nurture his interest in science and explosions. “Nevada’s full of things that need blowing up,” Mr. Weisgard observes, and helps Oby find a summer internship at a quarry. The author’s talent reaches its height in the novel’s quarry section, where a whole cast of colorful yet believable characters welcome Oby and initiate him into the secrets of their peculiar world. Oby embodies the spirit of Nevada, given the state’s tendency to ignite in spectacular forest fires, weapons tests and mining quarry blasts. And he has a strong, defiant affection for his home: “The prospect of ever moving away from Reno hit me like a body punch. … Maybe I was a high-altitude

BEN ROGERS’ ENGAGING first novel, “The Flamer,” is the comingof-age story of a young Nevada pyromaniac named Oby Brooks. Oby discovers his love for conflagrations when his father donates the family’s dilapidated house to the Reno Fire Department to burn “for training purposes.” The boy watches the fire, riveted: “A dragon was eating my house and I couldn’t tear my eyes away.” The trajectory of Oby’s life becomes even clearer once he steals some pure sodium from Mr. Weisgard, a scientist visiting his class. He smuggles it home, where it ignites his fireworkspacked closet. “That closet of yours,” his dad fumes during the chaos, “it’s like a munitions locker.” But there’s no evil intent behind Oby’s obsession — he just likes to blow stuff up. Weisgard sentences

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— Last week’s puzzle answers — People Eater” singer ___ Wooley 94 Fiddle with a lute, say 97 Scruggs’s bluegrass partner 99 Muff 100 One side in court 105 Jaws on a table 108 Bulova competitor 110 Puccini’s Floria ___

111 Runic letter for “th” 112 General Rommel 113 Kind of cavity 114 “Good buddy” 115 Somewhat blue 116 Hymn starter 117 Loudness unit 118 Biol. and others 122 Set of answers 124 Eastern sash 125 Danish coins 126 Carrier to Tokyo

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