HISTORY FUNNY WOMEN, CIRCA 1912 14
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WINEINK BURGANDIES BEFRIEND SUSHI 20
FEBRUARY 16-22, 2012 • ASPENTIMES.COM/WEEKLY
CULTURE/CHARACTERS/COMMENTARY
FIND IT INSIDE
GEAR | PAGE 16
BARRY SMITH IS LAUGHING SEE PAGE 29
BELLY UP ASPEN WHERE ASPEN GOES FOR LIVE MUSIC.
STAFF PLAYLIST
TUE 2/14
ERIN NOETHEN
DIRECTOR OF SALES & MARKETING t 4&& 5)& 803-% GOMEZ t t 46..&3 40/( YACHT t t TWO DAUGHTERS AND A BEAUTIFUL WIFE DRIVE-BY TRUCKERS t
GREENSKY BLUEGRASS W/ OAKHURST
Winners of Telluride Bluegrass Festival.
SCAN THE QR CODE, OR VISIT BELLYUPASPEN.COM TO CHECK OUT MORE OF ERIN’S LIST
T U O
WIDESPREAD PANIC WOOD TOUR
D L SO
Panic’s ďŹ rst-ever fully acoustic tour in the most intimate setting that Widespread Panic has played at in years.
.07*& 1. t 2 " 1. 4)08 1.
THE CRYSTAL METHOD
WITH A SPECIAL MOVIE SCREENING OF RE:GENERATION MUSIC PROJECT
MON 2/20
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THU 2/16
SHOW 9 PM
WED 2/22
4)08 1.
DUANE STEPHENSON & LIVE WYYA
One night, TWO great reggae acts!
4)08 1.
BONOBO DJ SET W/ ILL-MANNERED
DJ set with a mix of hip hop, jazz, beats, Latin, funk & soul.
JUST ANNOUNCED: THU 2/23
J. BOOG
SHOW 9 PM
W/ HOT RAIN
Island music meets Jamaican reggae with songs about love.
FRI 2/24
4)08 1.
JES GREW
W/ THE BROCCOLI BROS. HORNS Aspen’s local rockers, originals and classic hits with a funky twist.
WALLPAPER 2.25 ZOOGMA NO COVER 2.27 YACHT 3.4 ELIGH + AMP LIVE 3.19 DOOMTREE 3.26 SEUN KUTI & EGYPT 80 3.28 PAPER DIAMOND 3.31 JC BROOKS AND THE UPTOWN SOUND 4.4 SBTRKT 4.11 HEARTLESS BASTARDS 4.13 FRANKENSTEIN BROTHERS (BUCKETHEAD & THAT 1 GUY) 4.28
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FREE BUD LIGHT HI-FI
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SKI & SNOWBOARD SCHOOL PRIVATE LESSONS
BUD LIGHT HI-FI CONCERT FREE, FEBRUARY 19, 3 PM, SNOWMASS
Come out to Snowmass to see our latest Bud Light Hi-Fi Concert featuring The Motet. The Boulder based Motet will bring their 12-piece band to Base Village for the third free concert of the season. Motet will get the crowd dancing as they perform the music of the Grateful Dead funki ed & energized! Opening for them will be Jes Grew at 3 pm. www.aspensnowmass.com/motet
EVENTS Veuve Clicquot Winemaker Dinner at Montagna Aspen February 17 7 pm Join Senior Winemaker Cyril Brun for an evening of culinary delights & bubbles! 5-course dinner with champagne. $195. Call 970-920-6331 for reservations.
_________________________________________________________________________________
Daily. Create your perfect day! We have over 1,200 Pros across four mountains dedicated to giving you the most amazing experience possible. No matter your age or ability level, we custom-tailor the appropriate instruction for you.
Bud Light Big Air Fridays Snowmass February 17 & 24 2 pm Athletes showcase the newest tricks off of the 40-foot jump on upper Fanny Hill. Don’t miss the Little Air competition, inviting kids to come out & compete on a mini jump just after Big Air Fridays.
_________________________________________________________________________________
NEW! CROSS MOUNTAIN EXPEDITION Offered weekly, February-March. Advanced & expert skiers join our top Pros for three days of exploring the most challenging in-bound terrain.
WOMEN’S EDGE Offered weekly, February-March. Whether you’re an intermediate skier looking to build con dence in your abilities or an advanced skier eager for the challenges of double-black diamond terrain, Women’s Edge provides an opportunity to advance your skills. Join women-speci c, PSIA certi ed Pros for four amazing days of skiing. Snowmass.
Epic Night Après at Base Village Snowmass February 17 & 24 3:30 pm After Bud Light Big Air Fridays, check out live après music on the Base Village plaza presented by Sneaky’s Tavern & Base Camp Bar & Grill, followed by a Torchlight Decent down Fanny Hill.
_________________________________________________________________________________ FREE Live Music at Bumps Buttermilk Featuring Jimmy Dykann. Food & drink specials available.
February 18
2:30-4:30 pm
_________________________________________________________________________________ Party Under the Stars at the Sundeck Aspen Mountain February 18 5:30-8 pm Dining, dancing, drink & dinner specials & live music! $5 for passholders & kids ages 4-12, $10 for non-passholders. Tickets available at any ticket of ce.
_________________________________________________________________________________
BUTTERMILK SENIOR CAMP March 6-8. Designed for mature skiers wanting to join a group of like-mind skiers & our staff of seasoned Pros for three days of coaching & camaraderie. All adult ages welcome.
KIDS’ MARDI GRAS NIGHT AT THE TREEHOUSE February 21, 6-10 pm. $45 per child includes: pizza, beads, masks, Guitar Hero, karaoke, crafts & more! Reservations requested, call 970-923-1227. Snowmass.
KIDS’ MOVIE NIGHT AT THE TREEHOUSE February 22, 6-9 pm. Kids ages 4-12 are invited to the Treehouse Kids’ Adventure Center for Movie Night! $35 per child includes dinner & games. Sign up at the Treehouse Guest Services or by calling 970-923-1227. Snowmass.
970-923-1227
www.aspensnowmass.com/schools
Iron Bartender Competition Aspen February 19 5:30-6:30 pm The Little Nell Terrace Bar presents: “Aspen’s Iron Bartender.” Sundays, February 12 - March 25, two of the town’s leading bartenders will compete to determine whose cocktail reigns supreme!
_________________________________________________________________________________ Book Signing: Art in Unexpected Places Snowmass February 19 2-3 pm The Treehouse hosts Art In Unexpected Places, an Aspen Art Museum & Aspen Skiing Company collaboration.
_________________________________________________________________________________ The Little Nell presents: OASIS Aspen Mountain February 18 & 19 The Little Nell’s Champagne Bar is popping up on the mountain this weekend with umbrellas, lounge chairs & a solar-powered sound system! Follow on facebook www.facebook.com/TheLittleNellAspen or twitter @TheLittleNell for clues on the changing secret OASIS location.
_________________________________________________________________________________ Sneaky’s Tavern Celebrates Mardi Gras! Snowmass February 21 11 am - close Drink specials, live music from the Aspen Biker Band, dancing, cajun food, giveaways & more!
Tell your friends & family about great deals! www.aspensnowmass.com/deals 4
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Exclusive Member for Aspen and Snowmass, CO
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WELCOME MAT
INSIDE this EDITION
DEPARTMENTS 08 14 16 20 22 35 40 50
THE WEEKLY CONVERSATION LEGENDS & LEGACIES FROM ASPEN, WITH LOVE WINE INK ARTS & ENTERTAINMENT VOYAGES LOCAL CALENDAR CROSSWORD
HISTORY FUNNY WOMEN, CIRCA 1912 14
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WINEINK BURGANDIES BEFRIEND SUSHI 20
FEBRUARY 16-22, 2012 • ASPENTIMES.COM/WEEKLY
CULTURE/CHARACTERS/COMMENTARY
22 A&E
36 AROUND ASPEN
Arts Editor Stewart Oksenhorn writes about how the Aspen Santa Fe ballet is growing up while staying young.
Contributing editor Mary Eshbaugh Hayes shows off local writers and the staff The Aspen Times at its holiday party.
FIND IT INSIDE
GEAR | PAGE 16
BARRY SMITH IS LAUGHING SEE PAGE 29
ON THE COVER
Photo by Barry Smith
EDITOR’S NOTE
yes, a fiction contest | Here’s a loaded sentence: Google
6
“Death of Fiction” and you get 224 million results. I’ll let that settle in for a second. I did that the other day, and knowing I had
about a young man’s love affair with a Polaroid photograph. There has just stumbled across at to be something better, I least two decades worth thought to myself. And of essays by literature then I stopped reading. majors, I skipped a few of For years, this idea has them and went right to eaten at me, and a few the top. months ago, a consciousMother Jones, a RYAN SLABAUGH biting reality settled in: respected publication It’s easy for me to say that acknowledges all this and stand on the sidelines fiction exists, published a piece by and point fingers. After all, we don’t Ted Genoways in 2010 headlined publish fiction. “The Death of Fiction?” Genoways, And that’s exactly when we who runs a literary review, described decided to start publishing fiction. his job as “the sort of arcane craft With our partners at The Aspen they assumed was kept alive only Writers Foundation, an organization by a lost order of nuns in a remote that has worked with publications all mountain …” over the country on fiction contests Alas, I think a lot of us would and coordinates the popular Winter disagree, but not completely. While Words and Summer Words series, most criticism about the downfall we are launching the Aspen Fiction of fiction writing lands on the Contest this month. In doing so, institutions — the magazines who it gives the Aspen community a scrapped the sections, mainly — I place to read the region’s best local feel like the real fault lies with the and regional works, and helps the authors who have lost relevance Foundation’s mission to keep Aspen with the American psyche, and and Colorado on the front lines of the the editors who print the boring, best contemporary prose. overwritten drivel, and wonder Interested authors can find more where the readers went. Recently, I opened a literary journal and quit ten details below, and the complete set of rules online. thousand words into a short story
A S P E N T I M E S W E E K LY
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One side note: Outside of our planned special summer fiction edition and this contest, we encourage local poets and shortprose artists to begin to submit their work to me at rslabaugh@ aspentimes.com. With the help of the Foundation, work will be reviewed and published as space and submission volume allows in upcoming editions of The Aspen Times Weekly. ASPEN FICTION CONTEST DETAILS:
Find the full list of rules and instructions about how to upload your manuscripts at www. aspentimes.com/fictioncontest. Authors must be 14 and older and living full time in Colorado. Manuscripts must be no more than 2,000 words and submitted no later than April 1. Winning submissions will be published in the June 14 edition of The Aspen Times Weekly, a run-up to the Aspen Writers Foundation Summer Words programs. A grand prize winner will receive admission to a five-day Fiction Workshop, and at least two days lodging in Aspen. More prizes will be announced soon in online and print promotions.
VOLUME 1 ✦ ISSUE NUMBER 13
Editor-in-Chief Ryan Slabaugh Advertising Director Gunilla Asher Subscriptions Dottie Wolcott Design Afton Groepper Arts Editor Stewart Oksenhorn Production Manager Evan Gibbard Contributing Editors Mary Eshbaugh Hayes Gunilla Asher Kelly Hayes Jill Beathard Jeanne McGovern John Colson Contributing Writers Paul Andersen Hilary Stunda Amanda Charles Michael Appelbaum Warren Miller Contributing Partners High Country News Aspen Historical Society The Ute Mountaineer Explore Booksellers www.aspentimes.com Sales Ashton Hewitt Jeff Hoffman David Laughren Christian Henrichon Su Lum Louise Walker Classified Advertising (970) 925-9937
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THE WEEKLY CONVERSATION
VOX POP Who is the funniest person you know?
with JOHN COLSON
I may be dizzy, but at least I’m not Greek … yet I’M GLAD I’M not Greek, and not just because of all the lame animal-husbandry jokes we all heard as kids in grammar school. No, the reason I’m glad not to be Greek is Greece has become the world’s whipping boy when it comes to draconian measures supposedly meant to solve the nation’s “debt crisis.” I suppose I should note, before going any further, that all this “debt crisis” palaver is such a tangled web of corruption and lies masquerading as fiscal policy that is makes me a little dizzy. No, wait ... make that “fabulously dizzy.” Thanks to the World Wide Web, there is a vast amount of information available about Greece and its problems, much more than I am either interested in or spatially capable of getting to here. But a few salient points can be made. First off, I notice with interest that many of the web-based articles and analyses of the Greek situation start off with, or finish with, the notion that the Greek government is a bunch of socialists. As we all know, socialists do not know anything about running a country like a business. And much of the anger directed at Greece by the international financial community revolves around the accusation that Greece is ranked at 100th in the world in terms of the ease of doing business there. By that, the analysts mean, the ease by which rapacious international capitalists can move in and make a killing on the backs of the Greek people. Considerable ink has been used to point out that the Greek people have recently enjoyed a fairly high standard of living, as compared to others in the “developed” league of nations. They earn pretty good wages with equally nice benefits packages, they get a month or two of paid time off each year by order of the government, and they seem, as a whole, to like it that way. Clearly a nation of overpaid slacker socialists, slobbering at the public trough and giving nothing in return in terms of adding to the profitability of banks, multinational corporations and other respected institutions. To top if all off, the socialist
government had the audacity to accept the loans offered to them by those same banks and international monetary agencies, back when things were flush and money flowed like rivers of gold. They clearly need to be slapped, and slapped hard. They must be brought to heel with the notion, tightly held by monied elite, that the only ones who should be raking it in right now are the, well, the monied elite, and perhaps the managerial class that watches over the wealth of that elite. The rest of us should be happy to eat beans and rice (if we can afford it, at the prices charged that that same elite), live in hovels, tents or holes in the ground, and work ourselves to death to ensure that the elite enjoys the kind of life to which they’ve become accustomed. I can’t argue with claims that the Greek government is among the most corrupt in the world, or that it has been living beyond its means for some time. Our own government, here in the U.S. of A., can be tarred with that same brush, as far as I can tell. As can just about any government in the world. Which, in the end, means we all are Greeks in waiting, as we are ripped off by shifty bankers, stock peddlers and other shills who hold our future in their sweaty, grasping palms. As I said at the outset, I’m glad I’m not Greek. The trouble is, the intractable fiscal puzzle faced by Greece is distressingly similar to the situation facing the world at large. So, what’s the solution? Since 20 percent of Greeks are out of work, maybe they should go to law school or business college and become financiers. And the 15 percent of Americans who are unemployed, underemployed or simply missing from the statistical tables altogether — what should we do? Well, it might not be a bad idea for us to go back to school, too, and learn to speak Greek. Or Chinese. For all the good it will do us.
HIT&RUN
SALLY STAUDE NEW HAMPSHIRE
“Red Skelton. When I was a kid, he was the comedy show on television. You have to watch this guy.”
BETSY JAMES TEXAS
“George Carlin. I liked when he used to do those lists and he was very clever with words and definitions.”
AARON REED GLENWOOD SPRINGS
“My son, Tate. He’s 5 years old, and he finds the levity of everything forsaken in the world. Always good for a laugh or two during the day.”
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jcolson@aspentimes.com
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THE WEEKLY CONVERSATION
SEEN, HEARD & DONE
edited by RYAN SLABAUGH
CHEERS&JEERS
FIVE THINGS 5 THINGS WE THINK ARE FUNNY RIGHT NOW
Dogs who chase
O2
People who
their tail chase dogs
O3
Owl Creek Chase.
CHEERS | To the nordic community for putting on
CHEERS | To the positive feelings being spread
another successful Owl Creek Chase last weekend. With so many good athletes, it could be easy to ignore the local weekend warriors who made the effort and completed the 21km course. That is, unless you were at the starting line. The spirited whooping and hollering made us proud to be a part of it, and we were just sitting in the snow taking pictures.
around Snowmass Village regarding the new Westin management of the Silvertree Hotel. Town officials and locals are clamoring about the local outreach management has undertaken, as well as the company’s plan for renovation and local investment. It’s a refreshing break from the normal Base Village bad news.
JEERS | To the U.S. Congress for so quickly disregarding the president’s budget. While no budget is perfect, the one we saw Obama draft includes significant budget cuts, as well as a plan for domestic investments on infrastructure that will lead to job growth. Instead of fighting it, we ask, got a better idea?
Little Annie’s building. As discussed recently, the gridlock between developers and the city could lead to litigation, the worst-case scenario. Instead, town elected leaders and those involved with the building should be able to work out a compromise, and town leaders should be listening to the loud voice of the people — not from a judge.
B A S A LT
BASKETBALL COACH SUSPENDED The head coach of the girls basketball team at Basalt High School has been suspended for an unspecified reason, Roaring Fork School District Superintendent Judy Haptonstall confirmed on Monday, Feb. 13. Coach Lauren Redfern was placed on paid leave late last week, Haptonstall said. She was unsure if the action was taken on Thursday or Friday because Haptonstall was out of town. Redfern was not on the bench for the Longhorns basketball game Friday night. “The whole case is being turned over to law enforcement,” Haptonstall said. She said the Eagle County Sheriff ’s Office was contacted. The school district took action as soon as officials learned information,
she said. She wouldn’t disclose the nature of the incident because it is a personnel issue. Haptonstall stressed that the welfare of students is the district’s top concern. ASPEN
MARKS AND GROUP SUE OVER ELECTION PRACTICES Citizen Center, a nonpartisan group of Colorado voters founded by Aspen resident Marilyn Marks, on Monday, Feb. 13, filed a lawsuit in U.S. District Court in Denver that challenges election practices in six Colorado counties. The suit, filed against Colorado Secretary of State Scott Gessler and the county clerks in Boulder, Jefferson, Larimer, Mesa, Eagle and Chaffee counties, seeks court action requiring Gessler and the clerks to halt practices that violate voters’ constitutional rights to anonymous, untraceable ballots.
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he accidentally
O4
Barry Smith’s
O5
Aspen being the
pictures 4th sexiest city in the U.S.
POST US YOUR TOP FIVE THINGS jbeathard@aspentimes.com
STAY IN THE KNOW – CATCH UP ON RECENT NEWS & LOCAL EVENTS According to the nonprofit Citizen Center, many Colorado counties employ procedures that make it possible to identify the individual who cast a specific ballot. The lawsuit comes months after Gessler failed to enforce compliance in response to voter complaints filed with his office, according to Marks. Concerns about ballot anonymity grew out of Marks’ initial quest for ballot transparency. ASPEN
COUNCIL HEARS THOUGHTS ABOUT BUILDINGS Opinions were not in short supply on Monday, Feb. 13, during an Aspen City Council public hearing on the controversial development proposal involving the Little Annie’s and Benton buildings on East Hyman Avenue and the potential construction of a three-story building on a nearby empty lot.
Late in the evening, council members were headed toward a motion to approve the concept behind the application by ownerdeveloper Aspen Core Ventures LLC, with some design details to be worked out later. The talks started in earnest around 7:30 p.m. after the council’s dinner break, but had even seeped into the public comment period just after the meeting’s 5 p.m. start and conversations about other ordinances. The company is seeking concessions from the city on plans for the new mixed-use building in exchange for preserving the Little Annie’s and Benton buildings, which the Aspen Historic Preservation Commission designated as historically significant in December after saying earlier that the Little Annie’s building could be demolished. An initial plan last fall sought the demolition of both structures, sparking a public outcry.
“I USUALLY DON’T MISS DEADLINES, SO THIS IS A FIRST FOR ME. KIND OF EXCITING, A S P E N T I M E S W E E K LY
Ron Paul when wins
JEERS | To the idea of a judge deciding the future of
BUZZ WORTHY
10
O1
BARRY SMITH, IN A NOTE FILED WITH THE COVER STORY
P H OTO B Y RYA N S L A BA U G H
THE WEEKLY CONVERSATION
GUEST OPINION COLUMN
by CHARLES FINN of HIGH COUNTRY NEWS
West to East, and a world away A FEW MONTHS AGO, after 20 years, I moved from the West to the East, reluctantly, carting a truckload of artifacts and memories, literal stones and actual stories, each one a product of the forests, mountains or deserts of Bend, Ore., Missoula, Mont., Argenta, British Columbia, Canada, and beyond. My little 4-cylinder truck labored under the load, beetling along the Hi-Line out of Montana, looking like a cross between the Beverly Hillbillies and the Road Warrior. It was a tough go for that truck, 20 years old itself, but it was nothing compared to the weight that hung in my heart. Having grown up in the East, I’d fallen in love with the West, unknowingly, as it turned out: fallen in love with every last stereotype and square inch of wide-open space and sky. I had honest-to-
goodness horse crap on surely, but I wanted to my honest-to-goodness know why. cowboy boots (I myself What was it about am a fraud) and I didn’t the West that had me so ever want it rubbed or torn-up about leaving? I’d washed off. The West gets said goodbye to friends — into you this way, takes and that was a loss I was hold of you like that — so mourning — but that’s CHARLES FINN deep and dirty and honest not what I was thinking and clean that you can’t about as the Rockies fell picture yourself anywhere else. I away in my rearview mirror, as the know I can’t. Still can’t. And I’m sun set where it’s supposed to and I already here: wasn’t there underneath it looking and gone. up. It was the loss of a landscape I Traveling into North Dakota, on was feeling, an end, pointed even as into Wisconsin and eventually to I was in the direction of perpetual the uphills of Michigan, into trees beginnings. that looked like some high school It wasn’t until I hit Fenton, kid had swallowed a handful of Mich., that I knew. I pulled into the mushrooms and gone after the Holiday Inn Express parking lot, forests with a fistful of highlighters, a desert of tar with not a stitch of I had time to think about all I was worthwhile horizon to be seen. This leaving behind and why it affected after camping for the previous week me so. I’d come to love the place, — no tent, just a sleeping bag under
a pot-lid of sky shot through with so many stars it was more white than black. With a coat-collar swear I huffed my road weariness across the blacktop and knew for a fact that there wasn’t a patch of grass within 1,000 miles that knew my tread. I had no relationship to anything I could see — and that’s when I knew. We are creatures of intimacy. That’s what every relationship is about, even the sexual ones, even the bad ones. We all want to be loved and we all want to love. Intimacy is knowing someone, knowing them well, and knowing a place, a landscape, is no different. It’s analogous to home. We are sheltered by knowledge; knowledge provides safety. And I had come to know a place — imperfectly, poorly in many regards — but with real appreciation and dare I CONTINUED ON FOLLOWING PAGE
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Your BEST FRIEND is waiting for YOU!
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Two Bedrooms
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Large, friendly, 8-year-old Mastiff male. Gets along well with everybody, but occasionally picks fights with other dogs possibly due to fading eyesight.All in all, a very cool dog.
SARGE
7-year-old male Rottweiler. Friendly + sweet. Great with other dogs. Loves people. Perfect except for severe separation anxiety. Would do best in a home with another dog and constant companionship. Ask staff for info.
CURLY
is a gentle, affectionate, 5-yearold, tan-colored, Alaskan Husky who gets along well with people and other dogs. He was bred to be a sled dog and has even competed in a 100-mile race!!!
GHOST
A handsome, athletic, exuberant, white-colored, blue-eyed, 3-year-old Alaskan Husky who gets along well with people and other dogs.
THOMAS
Handsome, longlegged, athletic, 6-year-old fox hound male. He gets along well with other dogs and people. Thomas will make an excellent companion.
STILL overflowing with animals. Help!
SAM
Strong, energetic, black/white 5-yearold female Boston Terrier mix with a splash of Pit bull. Sam is a bit wary of strangers, but she warms up easily once she knows you.
Three Bedroom
Two Bath, Ground Floor unit conveniently located across from amenities. View from private balcony to large grassy knoll and woods. This ď™„ď™ƒď™ˆď™„ sq.ft. unit is offered at ď™“ď™Šď™Œď™Œ,ď™ƒď™ƒď™ƒ.
One Bedroom
One bath unit with a bonus room which could be used as a bedroom or office. This  sq. ft. unit on the third floor has recently been updated and is very private with views of Red Mtn and Smuggler Mtn. Offered for ď™“ď™‡ď™Œď™Œ,ď™ƒď™ƒď™ƒ.
Studio
This highly upgraded Studio has custom cabinetry, hard wood floors and top of the line appliances. The unit has view of Red Mtn. Offered for ď™“ď™†ď™ˆď™ƒ,ď™ƒď™ƒď™ƒ.
Studio
Great starter studio features a large walk in closet, balcony and full bath. Unit is  sq. ft. with Smuggler Mtn views. Offered for ď™“ď™†ď™Šď™ƒ,ď™ƒď™ƒď™ƒ.
ď™„ď™‡ď™ƒď™ƒ Vine Street Aspen, CO  Č ÇżÇ¸ Č ÇşÇ˝ ǚǸǞǸ t hc@huntercreek.net
BELLINA
1.5-year-old happy, friendly, pretty Cattle Dog mix. Gets along well with people + other pets. Slightly deformed front leg from a disease she had as a pup in Mexico, but her limp doesn’t slow her down at all.
FRANKIE
is a strong, goodlooking, athletic, white-colored, blue-eyed, 5-year-old Alaska Husky who gets along well with people and other dogs.
LILA
1-year-old female domestic short-hair tabby mix. Very playful and affectionate. Best as only pet. Please call the shelter for more information.
OPEN 7am-6pm EVERY DAY 970.544.0206
CHRISSY
1.5-year-old Lab mix female. Loves to cuddle, super affectionate. Gets along with other dogs, but is also possessive around people and is a bit food/toy aggressive with other dogs. Best as a single pet.
SOPRIS
Adorable, handsome, athletic, affectionate 1-year-old, Australian Cattle Dog/Corgi mix male. Found on East Sopris Creek Road in early January and never claimed. Gets along well with people + other pets.
GENEVIEVE
3-year-old adorable Beagle. Would do best as a single pet in a knowledgeable home. Also has separation anxiety. Great with adults and kids. Loving and playful.
ALLIE
2.5-year-old Cattle Dog mix female. Fun-loving, highenergy. Loves people. Can be dominant with other dogs. Best as single pet in home without toddlers because of her energy. Knows some commands.
MAYA
ROCCO
Sweet, pretty 2-year-old Staffy mix female. Athletic + affectionate. Needs a responsible, active knowledgeable home.
Older neutered male Boxer/Pitbull/Lab. Roughly 11 years old. Found in Emma on 12/9 and never claimed. Super sweet old man.
Aspen/Pitkin Animal Shelter 101 Animal Shelter Road
â—†
www.dogsaspen.com
PHILIP TAAFFE “NEW PAINTINGS AND DRAWINGS�
GREG COLSON “ELLIPTICAL MODELS�
Open
Live Music ¡ Lunch ¡ Après ¡ Dinner WINGS ON US Every day from 3 - 5 pm Order a pitcher of domestic beer & receive FREE wings (buffalo or honey BBQ)
17 FEBRUARY – 12 MARCH 2012 AN OPENING RECEPTION FOR THE ARTISTS WILL BE HELD FROM 6 TO 8PM ON FRIDAY, 17 FEBRUARY
BALDWIN GALLERY 209 S. Galena Street Aspen, CO 81611 Tel 970/920.9797
Fax 970/920.1821
www.baldwingallery.com
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BASE VILLAGE | SNOWMASS
970.923.8787
THE WEEKLY CONVERSATION
GUEST OPINION COLUMN
by CHARLES FINN of HIGH COUNTRY NEWS
CONTINUED ON PREVIOUS PAGE
say devotion. Place, in many ways, defines us. I couldn’t call myself a Westerner, not with a capital W, not with a straight face, and not to the ranchers I knew. But I knew, too, that you didn’t have to be a fifthgeneration cowpoke or full-blood Native American to love the land and know it and call it your own. I knew Argenta, B.C., because I knew every deer trail that linked every deer trail that linked every home in that off-the-grid hippie refuge of a glorious place. I knew Potomac, Mont., because I knew at every hour of the day the exact shade and slant of light against the two big ponderosa pines that stood outside my cabin, knew the trees at 6 p.m., 6 a.m. and midnight. And I knew Bend, Ore., because sober or drunk I could fall off my bike and recognize the volcanic dust ground into my arm. That’s what landscape is. That’s what knowing a place is. It’s not just loving it. It’s not just liking it. It’s being able to predict when the osprey that nests over the river will be back. And getting it right. Charles Finn is a contributor to Writers on the Range, a service of High Country News (hcn.org). The editor of the High Desert Journal, he now lives on the East Coast.
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PHOTO BY THINKSTOCK
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A S P E N T I M E S . C O M / W E E K LY
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LEGENDS & LEGACIES
CLASSIC ASPEN
by TIM WILLOUGHBY
Bob Gibson’s 1959 album contains everyone’s favorite ski songs.
BOB GIBSON: FATHER OF SKI SONGS those of us who grew up in 1950s-Aspen had a front-row seat to the beginnings of the folk music era. Even today, we remember the lyrics to Ol’ Bill and the fun song To Morow, learned from Aspen’s resident folk artist, Bob Gibson.
Folk music critics acknowledge Gibson as the most popular and influential singer, performer and songwriter during the early years of folk music. Author of a book about Gibson, Carole Bender explains the rise of Gibson’s popularity: “People in their 20s considered themselves too old for Elvis and too young for Sinatra”. After the folk group The Weavers was blacklisted from major media, folk music performers retreated to nightclubs in major cities and played the college circuit. From 1957 to 1961, during that restricted period, Gibson resided in Aspen. Skiing drew him to Aspen. He bought a house and brought his family. Nightclub gigs
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in those days often lasted for weeks at a time, requiring Gibson to leave Rose (his wife) and children at home where she ran a nursery to supplement their income. Gibson performed in clubs around town and was offered a half interest in the Limelite club when Glen Yarbrough bought it with aspirations to form a trio with Gibson and Marilyn Child. Gibson refused the offer and became a competitor rather than a partner. Yarbrough opened the club with Child and later formed one of the more successful folk acts, The Limeliters. Gibson was instrumental in the careers of Judy Collins and Joan Baez, inspired Roger McGuinn and
Febr u ar y 16-22, 2012
Peter Yarrow, acted as a booking agent for Bob Dylan, and wrote songs with Phil Ochs and Fred Neil. He introduced calypso songs like Day-O, and classics like Michael Row the Boat Ashore, and All My Trials Lord. Gibson set the standard for playing the 5-string banjo and the 12-string guitar and wrote original material, such as Abilene and There’s a Meetin’ Here Tonight, songs recorded by other folk acts. In 1959 Gibson paired with two Denver Post writers who frequented Aspen to write a musical focused on skiing. The musical was never produced, but the songs formed the basis of Gibson’s Aspen nightclub performances and lead to his Ski
Songs album. Many of the songs became skier favorites, Super Skier — “his clothes they were fast, but the slopes were faster,” and Bend in His Knees — “the reason he fell you know damn well he didn’t have a bend in his knees.” Unfortunately, Gibson succumbed to substance abuse. Nightclubs dropped him after erratic performances — or not showing — at major folk venues. His propensity to chase women led to embarrassing situations in Aspen, small town rumors got him in trouble with those who hired him, and with the bank foreclosing on his home, he left. After years of struggle, Gibson overcame his addictions and restored his career in the late sixties. He wrote music with Shel Silverstein and resumed performing and recording, compiling a discography of 26 albums. Gibson, with co-writer Shirley Sealy, left us with the most poignant song about the joy of skiing, In This White World — “In this white world that reaches the sky / I found a future for me / just standing there on a high mountain side / I’m ruler of all I can see.” Tim Willoughby’s family story parallels Aspen’s. He began sharing folklore while teaching for Aspen Country Day School and Colorado Mountain College. Now a tourist in his native town, he views it with historical perspective. Reach him at redmtn@schat.net
PHOTO ORIGINAL ALBUM COVER
LEGENDS & LEGACIES
FROM the VAULT
compiled by THE ASPEN HISTORICAL SOCIETY
LAST LAUGH
1912 T H E DI X I E GI R L S
PHOTO COURTESY OF THE ASPEN HISTORICAL SOCIETY
“TONIGHT’S BIG SHOW” headlined the Aspen Democrat-Times on Wednesday, October 16, 1912. The story followed: “The Dixie Girls scored another hit last evening at the Wheeler, their act consisting of one continuous whirl of comedy and melody. This evening they will present the Dixie Girl Minstrels, a bill that is nothing but laughs, in which you will see the girls and the clever comedian at their very best.” The article goes on to mention other acts, including: “the jolly and rotund Bunny in a roaring comedy, ‘Who’s to Win?’… If you miss this big bill tonight you won’t speak to yourself for a month.” Ironically, this may have been one of the last comedy shows to play at the Wheeler. Less than a month later, the theatre “caught fire” twice and laid in waste until its revival along with the town in the late 1940s.
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FROM ASPEN, WITH LOVE
GEAR of the WEEK
edited by RYAN SLABAUGH
NEED TO KNOW
6995
Weight: 8.5 oz Length: 240 cm, 94 in Non-slip grip provides secure purchase, even with wet gloves 5 cm markings
BLACK DIAMOND QUICKDRAW CARBON FIBER PROBE 240 POLE A long stick. That’s the best we could do? Yep. The way we figure it, if you can use very simple equipment to make you safer in the mountains, that is exactly what you should do. While backpacks with airbags and snow science kits are also getting to be mandatory gear, poles need no real introduction. In this case, we picked Black Diamond’s Quickdraw Carbon Fiber Probe 240, which uses a ferrule speed system that provides quick deployment when time is of the essence, and the rapid deployment stuff sack makes for clean storage in your pack. — Ute Mountaineer Staff
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PHOTO COURTESY BLACK DIAMOND
Extraordinary properties Best appreciated in person Allow us to open the door for you
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Roaring Fork Club Simply the best! Nestled between two trout filled ponds this elegant 3-bedroom cabin has beautiful interior appointments and allows for extended bliss with 1/2 ownership. $1,490,000 Doug Leibinger 970.379.9045
Emma Beautiful log home featuring 1,000 ft. of river
Sopris Mountain Ranch This is a private 52-acre
River Valley Ranch Green-built custom home
frontage. Wonderfully landscaped, very private and just minutes to Basalt. $1,800,000 Marguerite Dykann 970.948.4103
property overlooking large open space and bordering BLM land with trails. A well is in place. $1,100,000 Chris Lewis 970.379.2369
with open floor, an ADU that can be rented separately, beautiful valleywide views and more. $1,299,000 Garret Brandt 970.948.3040
ASPEN SNOWMASS BASALT
606 E. Hyman Avenue | 970.925.2811 50 Snowmass Village Mall | 970.923.2006 201 Midland Avenue | 970.927.8080
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A S P E N T I M E S . C O M / W E E K LY
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FROM ASPEN, WITH LOVE
GEAR of the WEEK
edited by RYAN SLABAUGH
NEED TO KNOW
5495
D-Handle Length collapsed: 31.38 inches Length extended: 37.75 inches Weight: 33.4 ounces Material: Heat treated aluminum
BROOKS RANGE SHARKTOOTH COMPACT PRO SHOVEL In the last in our avalanche gear series, we get down to it — literally. The Brooks-Range Compact Pro Sharktooth Shovel is a good choice for backcountry professionals, mostly because of its leading edge of the blade, an aggressive serration that helps make short work of the tough ice or big blocks of snow you will need to dig through. — Ute Mountaineer Staff
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Febr u ar y 16-22, 2012
PHOTO COURTESY BROOKS RANGE
FROM ASPEN, WITH LOVE
GUNNER’S LIBATIONS
by GUNILLA ASHER
NEED TO KNOW 2 ounces white rum 1 ounce grapefruit juice Juice of ½ lime ¼ ounce maraschino liqueur (optional)
COCKTAIL: THE HEMINGWAY Ordering a Hemingway should not bring on a guilt trip, but for some reason it does for me. Mainly, I wonder how cheesy it is for a newspaper editor to be ordering a drink named after a classic American author who blew his head off. I mean, what exactly are we celebrating? That said, the mixture of rum, sugar and fruit juice could not have been what drove Ernest to end his life. No. It tastes far too good to allow such depressing thoughts. I had one of these at the Ajax Tavern and at Justice Snow’s recently, and while both pour them differently, they both share that smooth, sour taste. It’s becoming my favorite cocktail, but have no fear — I will tread lightly. Ryan Slabaugh is filling in for Gunilla Asher this week. She will return next week.
PHOTO BY THINKSTOCK
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WINEINK
WORDS to DRINK BY
by KELLY J. HAYES
A SURPRISING COMPLEMENT FOR A TOWN NEARLY a thousand miles from the nearest ocean, we sure eat a lot of sushi. Three sushi bars, Matsuhisa, Kenichi and Takah, have been Aspen stalwarts for aficionados of fresh fish for years. This past week, I was fortunate enough to find myself downstairs at Matsuhisa’s uberimpressive sushi bar gorging on bites of beautifully prepared fish from, seemingly, all seven seas. As good as the fish was I was equally charmed by the wines Shawn Gallus, who KELLY J. heads up the beverage HAYES program at Matsuhisa, selected to accompany the meal. Conventional wisdom, going back to the edict “white wines with fish and red wines with meat,” dictate that sushi, the fishiest of fish, needs to be enjoyed with either sake or crisp white wines. Of course in this column we eschew edicts and dictates. But still, when I sit down and bow my head to a sushi chef, I generally follow the gesture by ordering a beer, sake or one of Shawn Gallus’ favorite imports to Aspen, sochu, a distilled Japanese liquor. Of course, white wine with sushi makes perfect sense. Particularly those that are crisp and dry with a lot of acidity. Some love Champagne or sparkling wine with their sushi and bubbles do add a dose of celebration to the mix. I’ve heard that green wines, the Vinho Verde of Portugal can make a nice pairing. A bracing Sancerre or Sauvignon Blanc, tried and true partners to lobster, is another way to go. And in recent years the hip trick is to order an Austrian Grüner Veltliner to sip while sampling fresh Spanish Saba (mackerel) sashimi. So as we sat down in front of “Philipsan,” that would be Matsuhisa’s incredibly talented executive sushi chef Phillip Tanaka, I was pleasantly surprised to see Burgundy glasses on the bar. As soon as we were seated, Shawn began to pour a 2009 Belle Glos “Clark & Telephone Vineyard” into the broad bowls. Now my dinner companion this evening was a well-traveled and knowledgeable food and spirits
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professional and, as he glanced at the bottle, he remarked, “This is my favorite Pinot. You must have been reading my tweets.” I don’t know if Shawn is twitter savvy or what, but for a wine guy there is nothing better than hitting the Bulls-Eye on the first try. Belle Glos is a darling of the Pinot Noir cognoscenti. The wine is made
wines themselves. As we took our first taste of the wine, followed by a perfect piece of yellowtail with a thin slice of jalapeno pepper atop, the combination worked. The spice of the pepper, the freshness of the fish and the fruit in the wine all melded together. Three or four dishes in to what was to be an epic meal Shawn
Hills to the Willamette Valley for their Pinot Noir and Chardonnay bottlings. The timing was perfect, as Phillipsan had prepared a “turf ” dish to compliment our sushi and sashimi creations. The ultra-rare Washugyu beef with a seared slice of Foie Gras was a great pairing with the fruitforward 2008 The Evening Land
Shawn Gallus stands next to bottles he uses to complement dishes at Matsuhisa, as well as bottles of his famous homemade tonics.
by Joseph Wagner who is a member of the fifth generation of growers and wine makers in the Wagner family who had already achieved legendary status as proprietors of Caymus Vineyards. The name Belle Glos honors of the matriarch of family, Loma Belle Glos, who is Joseph’s grandmother. The younger Wagner is focusing on producing single-vineyard wines from three of California’s most compelling Pinot appellations, the Sonoma Coast (Taylor Lane Vineyard), Santa Lucia (Las Alturas Vineyard) and the Santa Maria Valley (Clark and Telephone Vineyard). The bottles, featuring graceful, elongated necks dipped in red wax, are nearly as elegant as the
brought out a Nobu TK 40 DaiGinjo Sake. Brewed exclusively for Nobu Matsuhisa by Hokusetsu Sake Brewery on Sado Island, Japan, a place that Shawn has had the opportunity to visit, this Sake has nose that is floral, melon-y and has a touch of smoke to the finish. This is Nobu’s “premium sake” and while I would hardly call it a palate cleanser it was a perfect way to break the Pinot samples in two. Shawn’s next wine was also a Pinotphile’s delight. This one came from Evening Land, a winery that makes wines up and down the Oregon and California wine corridors. They source grapes from 13 separate estate vineyards ranging from the Santa Rita
Vineyards “Occidental”. Matsuhisa’s wine list reflects the tastes of those who frequent the restaurant and that means that there are lots and lots of fine left coast Pinot Noir and a bunch of big time Burgundies to be found. It should not have come as a surprise to me that Shawn would move in that direction for this meal. Still it was a unique approach and one that helped to make a special meal just a little more, well, special. Domo Arigato. Kelly J. Hayes lives in the soonto-be-designated appellation of Old Snowmass with his wife, Linda, and a black Lab named Vino. He can be reached at malibukj@wineink.com.
P H OTO B Y RYA N S L A BA U G H
SNOWMASS VILLAGE: 127 FOREST LANE Because: Thoughtful, intelligent design reveres the natural surroundings of this new, distinctive, modern mountain home in Woodrun. Clean, contemporary lines and large picture windows are arranged to capture big, open mountain views. A fabulous outdoor living area, easy ski access, plus all the modern amenities combine to capture the essence of the modern mountain lifestyle. $9,890,000 BEDROOMS GARAGE
5+MEDIA ROOM 2-CAR+MUDROOM
BATHS SKI ACCESS
6½ SKI-IN/OUT
SQ FT EXTRAS
SNOWMASS VILLAGE: LICHENHEARTH #34 Because: If front row, center is your preferred seat, then this top-floor Lichenhearth condominium adjacent to the Village Express lift is just the ticket. With exemplary slopeside access, excellent mountain views, sunny southern exposure, and room to sleep six, the unit hits all the high notes. $450,000 BEDROOMS/BATHS SQ FT
4811 WINE ROOM, HOT TUB
Shelter Aspen Snowmass Basalt t
1416 SKI SLOPES
BDRMS/BATHS EXTRAS
2+DEN/3 RENOVATED
PARKING ASSIGNED CARPORT FIREPLACE WOOD
SKI ACCESS EXTRAS
PERFECT POOL & HOT TUB
BJSADAMS
AND COMPANY Real Estate on Higher Ground
t
SNOWMASS VILLAGE: STONEBRIDGE #633 Because: A condominium generous in style, comfort, and convenience delightfully set above the ski slopes. Refreshingly bright and sunny, this two bedroom + den has custom furnishings and a floorplan that makes ingenious use of space. Every room is airy and large. A huge southeast-facing deck over-looking Fanny Hill expands the living space outdoors, year-round. $1,295,000 www.FannyHillCondo.com SQ FT VIEWS
1/1½ 655
PARKING SKI ACCESS
ASPEN: 1690 SILVER KING DRIVE Because: End-of-the-road privacy and surrounding open space make this the envy of the neighborhood. Expansive windows, light-filled rooms, clean lines and mountain views create a tranquil, uplifting ambiance. Gorgeous landscaping. Step into the spa-like master suite, and you will know you have found your nirvana—yet all the zest of the Aspen lifestyle is just a few minutes away. $4,750,000 www.AspenSilverKing.com
GARAGE FANNY HILL
BDRMS/BATHS 4/4½+ VIEWS HIGHLANDS/BMILK
SIZE FIREPLACE
4845 SQ FT WOOD & GAS
GARAGE EXTRAS
2-CAR GUEST APARTMENT
market update
Aspen Snowmass Basalt WEEK’S HIGHEST SALE
2-bedroom Gant condo
CURRENT INVENTORY
2012
2011
$995,000
Active Listings Pending Listings
873 63
920 44
$375,000
YTD AVG SOLD PRICE PER SQ FT
in Aspen WEEK’S LOWEST SALE
2,862 sq ft log home Ruedi Shores
#
PROPERTIES PUT UNDER CONTRACT LAST MONTH
Single Family Homes Condominiums Land ASPEN: 5TH AVENUE #1A Because: This corner two-bedroom is up to date and easy to reach. During the summer months, you’ll enjoy a ground-level patio outside your front door that is shady with views towards downtown. Less than two blocks from Aspen’s core makes it an easy walk to restaurants, shops and nightlife, but far enough away for tranquility. $599,000 SQ FT AMENITIES
727 POOL/JACUZZI
FIREPLACE BATHS
GAS-LOG 1
BEDROOMS EXTRAS
2 PATIO
20 25 4
2012 YTD CLOSED TRANSACTIONS
Total # of Sales Sales Volume Sale Price to List Price Avg Days on Market
Week Ending February 10, 2012
Aspen Homes Aspen Condos Snowmass Homes Snowmass Condos Basalt Homes Basalt Condos
$1,051 $ 916 1,070 1,262 878 478 496 484 189 372 166 300
2011 YTD CLOSED TRANSACTIONS
35 $79,553,682 91% 315
Total # of Sales Sales Volume Sale Price to List Price Avg Days on Market
23 $46,350,400 90% 331
BJ ADAMS s ANDREW ERNEMANN s MARK LEWIS s KRISTEN MALEY LEAH MORIARTY s DOUG NEHASIL s LUCY NICHOLS s CASEY SLOSSBERG s TARA TURNER
Voted “Aspen’s Favorite Real Estate Company� — The Aspen Times Locals’ Choice 2011 www.AspenSnowmassProperties.com ASPEN #ORNER OF (UNTER AND (OPKINS s email@bjac.net SNOWMASS VILLAGE .EXT TO !LPINE "ANK s A S P E N T I M E S . C O M / W E E K LY
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ARTS&ENTERTAINMENT
MUSIC/ART/FILM/LITERATURE
ON YOUR TOES THE ASPEN SANTA FE HAS GROWN FROM UPSTART TO STALWART
NEED TO KNOW ASPEN SANTA FE BALLET FRIDAY AND SATURDAY, FEB. 17-18, AT 7:30 P.M. ASPEN DISTRICT THEATRE Norbert De La Cruz III has choreographed his first piece, “Square None,” for the Aspen Santa Fe Ballet.
the Aspen Santa Fe Ballet is no longer a kid. “It doesn’t feel
so much like a young company,” artistic director Tom Mossbrucker said. “As JP” — executive director Jean-Philippe Malaty, who co-founded the company with Mossbrucker in 1996 — likes to say, ‘It’s our 15th year, but we’re not teenagers. We’re entering adulthood.’”
But like most people, the ASFB doesn’t mind re-visiting its childhood, or spending time hanging with the younger folks. In presenting the world premiere of Norbert De La Cruz’s “Square None” this week, the organization is doing both: The ASFB is returning to the practices of its early years, when it searched out inexperienced, inexpensive choreographers who were, they hoped, on the rise. And in De La Cruz, the organization is putting faith in, and getting fresh energy from a 23-year-old who is creating his first commissioned piece. In fact, with De La Cruz, the ASFB goes younger than ever. Mossbrucker says he is the least experienced choreographer the company has ever commissioned a dance from. All the young talent that the ASFB brought
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in and watched continue on to big careers — Nicolo Fonte, Dwight Rhoden, Helen Pickett and Edwaard Liang to name a few — had at least some professional choreography experience to their names when they came to Aspen. De La Cruz, who graduated from Juilliard’s dance program in 2010, has just a few small student pieces to his credit. But Mossbrucker and Malaty had attended a choreographers showcase at Juilliard, and were impressed by De La Cruz’s work. De La Cruz later auditioned as a dancer for the ASFB. He didn’t get the position, but a few months later, while dancing in Italy, he got a call from Aspen. The ASFB had received a grant from the Jerome Robbins Foundation to participate in its New Essential Works program that fostered emerging choreographers.
Febr u ar y 16-22, 2012
The organization wanted to work with De La Cruz. In its earliest years, the ASFB worked often with upstart choreographers. The company was tiny — just six dancers at first — and based in an uncommonly small community for a troupe that was aiming for an ambitious, modern twist on ballet. “Everything we did was by necessity,” Mossbrucker said. “We relied on young choreographers because we were young and didn’t have the budget to bring in others with more experience. And we tended to commission works because we were so small.” Many of those choreographers were on the early part of their career arcs. Dwight Rhoden, who made the company’s first commissioned piece, “Ear Candy,” earned a New
York Foundation for the Arts Award shortly after, and has become a prominent artist. Jorma Elo was already resident choreographer for the Boston Ballet when he was contacted by the ASFB, but the dance he made in Aspen in 2006, “Pointeoff,” was his first commission in the U.S. Nicolo Fonte was just making the transition from dancer to choreographer when the ASFB commissioned his “Everyday Incantations”; Fonte has since become in demand in Europe and the States, and has created seven pieces for the Aspen company. While the ASFB may no longer consider itself an upstart — the company has performed from Chicago to France to Israel, made repeat appearances at the Joyce Theater in New York City and the Jacob’s Pillow Festival in Massachusetts, and earned reviews that are routinely excellent — it retains some of its young energy. Using choreographers who are at the beginning of their careers isn’t a financial necessity, but a worthwhile investment in rising talent, and part
P H OTO B Y K AT I E D E H L E R
by STEWART OKSENHORN
of the company’s DNA. “These principles we had because of necessity, now they’re the heart of the company,” Mossbrucker said. “We’ve grown into that.”
from older to younger. “There’s this dryness when you’re old,” he said. “The piece is about getting younger, getting faster, getting more agile. The music gets
BEFITTING A YOUNG ARTIST, DE LA CRUZ IS BURSTING WITH IDEAS. DEATH, NAÏVETÉ, NEW YORK CITY, HUMILITY, IMMORTALITY, MATURATION, ASYMMETRY — ALL COME UP WHEN HE SPEAKS ABOUT “SQUARE NONE,” AND ALL SEEM CENTRAL TO THE DANCE, A 19-MINUTE PIECE FOR THREE WOMEN AND FOUR MEN. DE LA CRUZ, a native Filipino who was raised in Los Angeles’ Koreatown neighborhood, is not just young; he’s got notions of youth, inexperience and beginnings on his creative mind. Sitting outside the ASFB studio, where the company had just completed its final rehearsal of his first professional piece, De La Cruz said that “Square None” tracks a reverse aging process,
faster; the choreography does, too. It’s about going back to a place but with a different mind-set, a different atmosphere, but with the knowledge, a load of experience. Square one is everywhere for me — it’s L.A., it’s the Philippines. But it’s different every time I go back. You’re not picking up where you left off, it’s where you’re starting from.”
Befitting a young artist, De La Cruz is bursting with ideas. Death, naïveté, New York City, humility, immortality, maturation, asymmetry — all come up when he speaks about “Square None,” and all seem central to the dance, a 19-minute piece for three women and four men. Absent from De La Cruz’s professional debut is any overt social message. “Given this big opportunity, I didn’t want to come out with this big voice,” he said. “I wanted to avoid anything too political, avoid shoving at the audience any big ideas about life. I thought it was appropriate to make it more personal. Square one is about being grounded, being real, never letting ego get too big.” De La Cruz’s focus on the personal stems also from his uncertain professional status. He is far from established as a choreographer, and the most likely next step is to continue auditioning for positions as a dancer with a company. But he recognizes that his height — 5foot-4 — can be an obstacle for a performer. And he has enjoyed the process of choreographing so much that he wonders how easily he can
make the transition back to dancing: “How do I get back into company life not holding an ego, being part of the picture and not making the frame?” he said. Establishing himself as a choreographer won’t be easy, even if “Square None” is a hit. “Anyone trying to be an independent choreographer — that’s the epitome of the struggling artist,” De La Cruz said. “You can’t pay the dancers; studio space is 50 an hour.” Still, De La Cruz feels he’s got something to contribute to dance, a way of adding modern sensibilities — including hip-hop, which is often mentioned in descriptions of his work — to classical ballet. Impressing the ASFB, which has an eye for fresh talent, has convinced him that his youth is an asset. “Tom and J.P. told me, ‘You have a voice that attracted us,’” he said. “It’s important to always seek out a new voice. You’re not replacing other choreographers, but you’re reinventing dance, skewing the classical vocabulary and giving a fresh perspective. You’re trying to change the world of contemporary dance.”
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A PORTRAIT OF JUDY COLLINS FOR THE FIRST FEW YEARS of her career, Judy Collins was a folksinger through and through, as pure to the folkie ways as her eyes were blue. She sang old songs and protest songs with an earnest voice and an acoustic guitar in Greenwich Village cafés. Then, in 1967, Collins threw off the cloak of folk purity. She recorded “Wildflowers,” an album of orchestrated music. Collins wrote several of her own songs, covered tunes by Leonard Cohen, sang in French and Italian. In the process, Collins became a bohemian — a term which, to her, describes someone with the freedom to express herself without restraint. “Artistic freedom is what the bohemian life is all about,” the 72-year-old said from the home on Manhattan’s Upper West Side where she has lived for 41 years. Collins’ latest album, released in November, is named “Bohemian,” and the title seems a summation of her career. She has produced a film — “Antonia: A Portrait of the Woman,” a documentary about the conductor Antonia Bricothat was nominated for an Academy Award in 1975 — and acted in several, including “Junior,” the 1994 comedy that starred Arnold Schwarzenegger as a pregnant man. She has written a handful of books, including a rock ‘n’ roll novel, “Shameless,” and several memoirs, the latest of which, last year’s “Sweet Judy Blue Eyes: My Life in Music,” revealed all: alcohol problems, the suicide of her
NEED TO KNOW JUDY COLLINS, WITH AMY SPEACE OPENING FRIDAY, FEB. 17, AT 8 P.M. WHEELER OPERA HOUSE
Singer Judy Collins performs Friday, Feb. 17, at the Wheeler Opera House.
only child, and her affair with Stephen Stills (who memorialized Collins, and gave her a book title, with the classic “Suite: Judy Blue Eyes”). Most of all, Collins has made music — some 40 albums — driven by her instincts and desires, rather than influence from the outside. She has recorded a full-album tributes to the Beatles; made a recording of almost all original songs; done duets with a wide range of singers. The bohemian phase began with “Wildflowers,” which was certainly not the album people were expecting. Working with arranger Joshua Rifkin, Collins made a pop album that parted ways with her previous five records. Collins says the album was ripped by the New York Times music reviewer,
and also got her in hot water with those who had expected her to stay on her original path. “I was in trouble with the folk music police. I had established some big rules that I was breaking in a big way. I wasn’t thinking, say, what Pete Seeger would think about it,” said Collins, who performs on Friday, Feb. 17, at the Wheeler Opera House, her first Aspen appearance in six years. “I was being eclectic, hard to pin down, and didn’t like categories very much. ‘Wildflowers’ was right there in your face, the entire thing orchestrated. Had I known how risky it would be, I might have had some other thoughts about it.” But “Wildflower” helped teach Collins that there were rewards in
not allowing the currents to dictate her direction. The album reached No. 5 on the charts, and featured her hit version of Joni Mitchell’s “Both Sides Now,” which became Collins’ signature song. Since then, Collins has had a fairly easy time in being her bohemian self. “What ‘Wildflowers’ did was make it clear I was not going to be pinpointed as one thing or another,” she said. “That brought me a huge amount of freedom to do whatever I wanted to do. The question of how people react never comes to mind.” One most fruitful relationship might never have happened if Collins had been focused on conventional wisdom. A friend told her that an unknown poet from Canada, Leonard Cohen, wanted Collins to hear his songs. So in the spring of 1966, Cohen showed up at her Greenwich Village apartment and played “Suzanne” and “Dress Rehearsal Rag.” “Nobody had heard these songs — except a few people in Toronto who thought he was nuts,” Collins said. “But I went, Whoa! After that, he was always sending me tapes of his songs and I’d record them.”
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Febr u ar y 16-22, 2012
ON THE HIGHWAY TO BLISS
BARRY SMITH, COLUMNIST, ACTOR, WRITER AND TRAVELER, WRITES ABOUT WHAT HE’S LEARNING TAKING “JESUS IN MONTANA” ON THE ROAD by BARRY SMITH
I
’m what is known as a “working artist,” which is a noble euphemism for “not famous.”
About six years ago, I quit my day job to try my hand at making a living performing my multimedia comedy shows. Since then I’ve been consistently performing in small theatres, theatre festivals and colleges across the US and Canada — all as a “working artist,” meaning my time on the road hasn’t exactly been a blur of 5-star hotels and rock star excess. Case in point: at the moment I’m writing this from a Ramada Inn in South Carolina. From my hotel window I can see a waffle house and a fireworks stand, both of them boasting a glowing “OPEN 24 HOURS” sign. Probably the exact same thing Bono sees when he looks out his hotel room, right? Lucky for me, I happen to be a fan
PHOTO BY BARRY SMITH
of both waffles and fireworks. In a few hours I’ll be on stage at a downtown theatre, but before that I’ll spend the better part of the day in my hotel room, working on various projects. A few hours before I head to the theatre I’ll rehearse my show, pacing back and forth and muttering aloud. This, after all, is my job. Tempted as I am, I’ll abstain from the waffles and fireworks. I flew to this gig, and will fly home the following morning, but sometimes I travel in my van. I decided that if I was going to have a job that required being “on tour,” there was no way I wasn’t going to have a van. I bought a used Dodge, a lumbering behemoth with a carbon footprint that would make Sasquatch jealous. To me, being on the road in a van is pretty luxurious, though nobody else is likely to look at my van and think “luxury.” They’re more likely to think, “Is that seriously a CB radio?” Or “Is it supposed to smell like that?” Yes. And yes.
For the first year of touring my van had this pesky habit of spontaneously not running. I’d be on the highway, going with the flow of traffic, then would notice that I was lagging behind a bit. Tapping on the gas to catch up I’d realize, hey ... the engine
That seemed pretty simplistic, and I kinda though he was joking, but now I get it. I’m not always sure where I’ll be sleeping while on tour — sometimes it’s the van, sometimes a hotel, and sometimes it’s a stranger’s couch. The theatre festivals where I perform
“A FEW HOURS BEFORE I HEAD TO THE THEATRE I’LL REHEARSE MY SHOW, PACING BACK AND FORTH AND MUTTERING ALOUD. THIS, AFTER ALL, IS MY JOB. “ is dead! And I’m still, technically, driving! Over the past few years I’ve replaced enough van engine parts that this doesn’t happen anymore. And yes, the CB actually works, so smokey reports are at my fingertips.
Before I left
on my first tour I called up a friend who tours with a ballet company to ask him for some generic on-the-road advice. He didn’t even have to think about it: “Eat when you can, sleep when you can,” he said.
during the summers will arrange accommodations for the artists, and these are always with members of the community. So I get a spare room, or a couch, or a pile of blankets on the living room floor. And I usually get a new friend out of the deal. It’s pretty bold to open up your house — often for weeks! — to someone you’ve only exchanged a few e-mails with. My fellow “working artists” sometimes like to swap horror stories about the places they’ve been housed, but I’ve only had good luck so far, and nobody
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MORE LAUGHING, OR ‘LAFFING’ The second annual Aspen Laff Festival begins Wednesday, Feb. 22, and runs through Saturday, Feb. 25, at the Wheeler Opera House. This year’s lineup includes Bobcat Goldthwait, Hippyman, Lizz Winstead, David Brenner and more. Find more information at www. wheeleroperahouse.com.
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seems to want to hear about that. A few years ago one of the people I was scheduled to stay with got called away on a family emergency just before I got to town. She e-mailed me saying sorry, she won’t be there when I arrive, but the key’s in the mailbox, make yourself at home, I’ll be back in a week. Now, I’ve lived in small towns for much of my life, so I know this kind of trusting hospitality happens, but it’s nice to be reminded that it’s happening in other parts of the world as well. As for eating while on tour, well, if you’re holding out for organic, free range, grass fed, hormone-free ... anything ... you may want to always have a snack with you. Still, you can only eat Cliff bars for dinner so many times before you get hungry enough that you’ll even eat Poutine, the Canadian staple that consists of a pile of fries, brown gravy and cheese curd. They say you eat with your eyes first. Bad idea when it comes to Poutine, as it looks like something a grass-fed, hormone-free animal just threw up.
Febr u ar y 16-22, 2012
As if there were any doubt, I’ve now totally talked myself out of waffles. Because of my “working artist” status, I don’t get whisked away to an over-stocked green room after my show. (In fact, I still find it surreal when I see my name on a dressing room door.) This means I’m not secluded from the people who come to see me perform. I sometimes do a Q&A after a performance, as well as getting to talk with people one on one. Because my shows are about personal things, like all the crappy jobs I’ve had or my misguided spiritual quests, people often want to share their stories with me. To me, this is the best part of being on the road. It’s one thing to visit another place and see new faces, but in this context people want to come up and connect with me, to share some part of themselves, to tell me a bit of their story. And who are these people? In a world overflowing with entertainment options, they’ve come out to see some guy they’ve never heard of do a comedy show about his life. It’s these
sort of people who make it possible for there to even be such a thing as a “working artist.” I also get to meet and work with an ever-changing cast of theatre owners, student body members, artistic directors, technicians, volunteers, ushers and all the many people it takes to make a “solo” show happen. As much as I love performing, it sometimes feels secondary, as if if the real point is the interactions and opportunities for connection.
I wasn’t trained to be a performer. No theatre school, no high school drama club, no community theatre — unless you count my appearance in Aspen Community Theatre’s production of “The King and I.” I don’t count this, as I played a cloud. So I’m figuring this all out as I go. Besides the eat/sleep advice, nobody told me how to be on tour, or even how to be on stage. It’s been hardcore trial and error, and it’s difficult for me to imagine learning such things any other way.
PHOTO BY BARRY SMITH
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I’m still relatively new to this career, but I’ve heard other far more seasoned performers confirm this: the nature of live performance is that no two shows will ever be alike. Ever. The differences may be subtle, and not always bad, but they will be there. I experienced this way back during my second ever performance, where the audience wasn’t quite as lively as the previous night. I was confused by this. Last night that joke was funny,
show. After reading this I realized that if Mark Twain was having this experience more than 100 years ago, I’d better settle into it, ‘cause this is how it is. And now that I’ve settled in, I appreciate the difference in experiences. Many of my gigs are at theatre festivals, where I have no say in what my venue will be like or what the performance times will be. This means that sometimes I’ll have to do
“IT’S ONE THING TO VISIT ANOTHER PLACE AND SEE NEW FACES, BUT IN THIS CONTEXT PEOPLE WANT TO COME UP AND CONNECT WITH ME, TO SHARE SOME PART OF THEMSELVES, TO TELL ME A BIT OF THEIR STORY. “
While traveling on the road, I am always snapping photos and pictures of personalities, weird signs and odd landmarks.
but tonight ... blank stares. The next night, third show ever, it was funny again. Isn’t funny always funny? Every time? What happened? This mystified me for quite a while, until I read some of Mark Twain’s letters to his wife. Like me, he was also on the road, telling personal, funny stories in venues across the country. But unlike me, he didn’t use Powerpoint. And, also unlike me, he was Mark Twain! In one letter he was complaining about how the people at his show just stared dumbly, and how he was fed up with this business, ready to give up performing altogether. Mark Twain bombed! The next letter told of the howls of laughter and approval and thunderous applause that last night’s show received. I have to assume he was telling the same stories at each
a Tuesday afternoon show in a middle school gymnasium with folding chairs, and other times I’ll do a prime time Friday night show in a stateof-the-art 300-seat air conditioned theatre. Often in the same week. And I’ve had good shows and not so good shows in both settings. And sometimes the shows I thought were not so good were ones that people later commented on having really enjoyed. And vice versa. I’ve been so wrong about this stuff in the past that it’s shocking. It could be that being on the road not only means that some things are out of my control, but also none of my business.
There’s a lot of down time on the road, so I invent weird little
ABOUT JESUS IN MONTANA “Jesus in Montana: Adventures is a Doomsday Cult” is the true story of Barry Smith’s time in a religious cult in the 90s. There was a man in Montana who said he was the return of Jesus, and Barry actually believed him, even living in his basement for a while. Years after leaving the cult he turned his experience into a comedy show that incorporated pictures and video and audio. Shortly after its debut, “Jesus in Montana” won the Outstanding Solo Show Award at the New York International Fringe Festival. In the next few weeks he’ll be performing in Vancouver, California and Wisconsin. Visit barrysmith.com for updated tour information.
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Febr u ar y 16-22, 2012
PHOTOS BY BARRY SMITH AND VICTOR de ROCHES
5 FUNNIEST THINGS BARRY HAS SEEN ON THE ROAD I picked up a dog hitchhiker. Seriously. There was a dog wandering, quite unsafely, on the highway in the middle of nowhere, so I pulled over and called him to me. He hopped right in my van. I drove around looking for campsites or picnickers or any sign of people. Nothing. I gave him a lift to the next town, dropped him off at a motel. He seemed happy.
Sign in a rest area bathroom: “Warning: Very Cold Water.” How cold could it be to necessitate such a sign? I was too scared to find out.
art projects to keep myself occupied and engaged. Most of them involve documenting my time on the road, which means I take lots of photos. Lots. In addition to the obligatory me-standing-in-front-of-stuff shots, I also like to photograph the scenery. Except that I have my own specific definition of “scenery.” I like signs
photo snapping. I’ll whip my camera from my pocket and take 10 pictures of something that most people wouldn’t look twice at. I see their point, but to me it seems unthinkable to walk past a sign on a door that reads, “This door is about to hit you in the face” and NOT take a picture of it.
“I LIKE SIGNS ON THE SIDES OF DUMPSTERS, AND SIGNS ON DOORS, AND SIGNS IN PUBLIC BATHROOMS. I TAKE PICTURES OF ALL THE GOOD ONES.” on the sides of dumpsters, and signs on doors, and signs in public bathrooms. I take pictures of all the good ones. And other stuff, as well. Unremarkable stuff. The food I eat, the places I sleep, my van broken down on the roadside, graffiti, posters stuck to phone poles. For me, it’s all about seeing all this minutiae — life’s literal snapshots — as art. It’s this weirdo approach that’s led me to this performing gig to begin with, so there’s no reason to stop now. Just because my life on the road isn’t taking me to far off exotic lands (on offense, South Carolina) doesn’t mean that each experience isn’t unique and precious. Friends I meet along the way are always teasing me about my excessive
PHOTOS BY BARRY SMITH
What kind of life would that be?
Later ... Tonight’s show was in a brand new 100-seat black box theatre. The crowd was responsive and enthusiastic, and I got to chat with people afterwards; then I went to dinner with some of the people who run the theatre. We talked about art and music and movies and comedy and books and tech gear and ... yeah, one of those great evenings on the road. They liked my show and said they’ll have me back soon to do it again. So I’ll get to come back to this theatre, to reunite with my new friends, and, if all goes well ... I’ll get me some fireworks and waffles.
After a “Jesus in Montana” performance a guy approaches me and says that he was “led” to my show. He didn’t say this in a cool, mystical way, either, but in the creepiest way possible. We talked for a minute and he proceeded to get even more ominous, like he was about to ask me to sign his copy of “Catcher in the Rye.” I thanked him for coming to the show and, hey, listen, gotta run, my friends are waiting for me. This was not true. My friends were long gone. I turned to a group of complete strangers gathered outside the theatre and said, “Hey guys, sorry for the wait... so, where are we going to dinner?”
If you’re ever out of stories for your next dinner party, try crossing international borders in a lumbering, creepy van. When the armed guards ask the nature of your business, tell them you’re coming to perform a comedy show about Jesus.
I handed one of my promotional flyers to a woman in line at a theatre festival. As I was delivering my spiel she interrupted, “Is this a solo show?” Well, yeah. ... it’s just me.” “I don’t see solo shows,” she replied, and handed the flyer back to me.
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$2,950,000 LARGE WEST END DUPLEX Spacious 3 Level 3 Bedroom 4.5 Bath Private 2 Car Garage
$2,999,000 RIVERFRONT TOWNHOME 4 Bedroom 3 Bath Aspen Core Area Carport and Garage
$499,000 CHATEAU CHAUMONT #24 1 Bedroom 1.5 Bath Tasteful Remodel Close to Everything
$488,000 WINFIELD ARMS #7 1 Bedroom 1 Bath Remodel Patio & Jacuzzi
SERVING YOU FOR MORE THAN 30 YEARS!
Chris Giuffrida, Bill Small, Shellie Roy, Sam Green, Tim Clark, Dennis Jung, Chuck Frias, Will Buggraf, Sybrina Stevenson.
FriasAspen.com
RealEstate@FriasProperties.com PROPERTY MANAGEMENT
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VACATION RENTALS
970.920.2000
REAL ESTATE
SINCE
1974
888.245.5553
VOYAGES
DESTINATION | NEW YORK CITY
by RANDY WYRICK
ON THE RUNWAY TO FASHION WEEK DENNIS BASSO is remarkably focused this week for a man whose life has more moving parts than a Swiss watch. It’s Fashion Week in New York City and Basso’s fur designs are on full display. He has Dennis Basso Boutique in Aspen and Vail, so you don’t have to fly to New York to see them, although the Fashion Week spectacle might be worth the trip. Basso is up to his silver hair in human upheaval and drama. He’s never sounded happier. “It’s weeks and weeks of very long days of preparation,” Basso said. “There’s the lineup, hair, makeup, selecting the models … the list goes on and on.” More than 100 people actively work on the preparation. Another 100 work during the show. The larger designers, like Basso, use casting directors to select the models. “You discuss what you’re looking for. Each designer has a different vision,” he said. The casting director looks at hundreds of models, and eventually narrows it down to a few dozen. Who they are and what they look like depends on what you want, Basso said, and it’s usually a mix. Basso and other designers may not pick models personally, but he has the last word. “I’m the last person to look at them before they go out on the runway,” Basso said. Sometimes his internal alarm barks “Oh My Gawd, No!” before the model steps out. But somehow it always turns out fine. “It becomes part of the beauty that surrounds it. And you have to understand that while it’s something you may not personally think is beautiful, it may be exactly right for someone else,” Basso said.
PHOTO BY THINKSTOCK AND CONTRIBUTED
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AROUNDASPEN
The SOCIAL SIDE of TOWN
by MARY ESHBAUGH HAYES
THE PRINTED WORD IN SPITE OF THE INTERNET, people still like to read newspapers and books, so this week I will feature staff members of The Aspen Times who bring you your hometown paper, and also local authors who signed their books at a gathering at the Aspen Historical Society. The Hot Pink Party, a fundraiser for the Breast Cancer MARY Research Foundation, ESHBAUGH HAYES will be held again at the Waldorf-Astoria in New York City on Monday, April 30, 2012. This year the event will honor the late Evelyn Lauder, who founded the foundation and her dream of finding a cure. Model Elizabeth Hurley will once again wear her hottest pink gown to host the celebration and Sir Elton John will present his signature concert. For tickets or more information contact Lucretia Gilbert, director of special events at 646-497-2650 or via email at lgilbert@bcrfcure.org. Undercurrent ... On stormy days, it is a treat to curl up by the fireplace fire and read a good book. I have just finished “Lime Creek” by Joe Henry and “Steve Jobs” by Walter Isaacson. They are both excellent reading!
PRINTED WORD
Ladies of the Thrift Shop came to the booksigning with their new cookbook titled “Aspen Cooks.” Left to right: Carolyn Moore, Jane Dinsmoor, Margaret Simmons and Karen Ryman,
PRINTED WORD
Chi Chi Villaloz on the left with Katy Ethridge holding their books, “Do Dogs Dream?” and “Do Dogs Vote?”
PRINTED WORD
Left to right are Lee Mulcahy, author Jane Jenkins and Pat Sharp.
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P H OTO S B Y M A RY E S H BA U G H H AY E S
Extraordinary Aspen properties Best appreciated in person Allow us to open the door for you
Hidden Meadows The river frontage property that has it all! This special Snowmass Creek 5-bedroom, 4.5-bath home includes impeccably-maintained and mature landscaping, guest quarters and plenty of acreage. Enjoy views of Snowmass Creek from virtually every room, abundant wildlife and amazing outdoor entertaining areas. A separate barn structure serves as professional woodshop and has 6 additional garage bays with room for 9 automobiles. 6.52 acres $3,950,000 Garrett Reuss 970.379.3458
Old Snowmass This classic 35.74 acre Old Snowmass horse ranch has sweeping views of the Capitol Creek valley. Features barn, outdoor riding arena and senior water rights. $3,995,000 Terry Rogers 970.379.2443
New Construction Complete February 2012
Existing Building
PRICE REDUCED
Mittendorf Only 2 blocks from the gondola, this 2-bedroom condo is your entrance to life in the mountains. Excellent short-term rental. $925,000 Charley Podolak 970.948.0100
ASPEN SNOWMASS BASALT
Ute Condos Remodeled 2-bedroom condo located in a secluded area just 3 short blocks from the Gondola. BANK APPROVED SHORT SALE. $724,900 Doug Leibinger 970.379.9045
606 E. Hyman Avenue | 970.925.2811 50 Snowmass Village Mall | 970.923.2006 201 Midland Avenue | 970.927.8080
300 Spring Street
Brand new commercial space in the heart of downtown Aspen. High traffic location. Mixed use zoning. $794,650 for 691 sq. ft. + 100' deck Karen Toth 970.379.5252
CLRE.com
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AROUND ASPEN
PRINTED WORD Rhee Alpern and Jeff Hoffman. He is in the ad department.
PRINTED WORD Christine Benedetti and author Aimee White Beazley.
PRINTED WORD
Jim Markalunas and his book about the history of Aspen.
PRINTED WORD
Author Brooke Newman with her book, “Jennemae and James ... A memoir in Black and White.”
PRINTED WORD
Columnist Todd Hartley and author Cindy Hirschfield.
PRINTED WORD Aaron and Louise Walker. She is in the ad department.
PRINTED WORD
Left to right are David Laughren, Karla and Christian Henrichon and Ashton Hewitt. They are all in the ad department except Karla.
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PRINTED WORD
Ad assistant Max Vadnais, Lauren and computer specialist Matthew McDonell.
PRINTED WORD
Catherine Bosin and co-manager Ryan Slabaugh.
PRINTED WORD
Left to right are office manager Dottie Wolcott; and Mark and co-manager Gunilla Asher.
PRINTED WORD
Left to right are photographer Jim Ryan, reporter Janet Urquhart and Cindy Klob.
PRINTED WORD
Editor/reporter Jeanne McGovern and Rob Small.
PRINTED WORD Columnist Meridith Carroll and managing editor Rick Carroll.
P H OTO S B Y M A RY E S H BA U G H H AY E S
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CURRENTEVENTS
FEBRUARY 16-22, 2012
LIVE ENTERTAINMENT
Boo Coo 4 p.m. - 6 p.m., St. Regis-Aspen’s Shadow Mountain Lounge. Live music from local duo Chris Bank and Smokin’ Joe Kelly. Sets from 4-6 and 7-11 p.m. Call 970-927-6758.
THURSDAY, FEBRUARY 16 Magic with Doc Eason 6 p.m. - 10 p.m., Artisan Restaurant, 300 Carriage Way, Snowmass Village. Doc Eason returns for his 35th year of magic and comedy. Call 970923-2427.
Greg Masse 8 p.m. - 11 p.m., Fine Line Bar & Grill, 60 El Jebel Road, El Jebel. Live music with a local musician. Call 970-673-6061.
Base Camp Aprés 3 p.m. - 6 p.m., Base Camp Bar & Grill, Snowmass Village. Free live music daily. Cameron Williams performs on Thursdays. Call 970-618-8975. Boo Coo 4 p.m. - 6 p.m., St. Regis-Aspen’s Shadow Mountain Lounge Live music from local duo Chris Bank and Smokin’ Joe Kelly. Sets from 4-6 and 7-11 p.m. Call 970-927-6758.
Roaring Dub Stars with DJ RasGis 3 p.m. - 7 p.m., Burger Bar & Fish, Snowmass Base Village. Free, live aprés ski music on Saturday afternoons. Call 970-274-2267. SUNDAY, FEBRUARY 19 Music and Dancing 7:30 p.m. - 11 p.m., Hunter Bar, 430 E. Cooper Ave., Aspen. Featuring the hits of the ‘60s, ‘70s and ‘80s. Bar is located beneath Kemo Sabe at corner of Cooper and Galena. Call 310-606-1305.
Damian Smith and Terry Bannon 4 p.m. - 7 p.m., Limelight Lodge 355 S. Monarch St., Aspen. Live music for aprés ski. Call 970-925-3025.
MONDAY, FEBRUARY 20 Open Mic at the Onion 10 p.m., The Red Onion, 420 E. Cooper Ave., Aspen. Come share your talents with a live audience. Call 925-9955.
Karaoke Night 10 p.m., The Red Onion, 420 E. Cooper Ave., Aspen. Take a turn at the mic. Call 925-9955. Mark Nussmeier 9 p.m. - 11 p.m., BB’s Lounge, Aspen. Loop-based, acousti c and electric rock. No cover charge. Call 970-429-8284. FRIDAY, FEBRUARY 17 Aspen Santa Fe Ballet 7:30 p.m. - 9:30 p.m., Aspen District Theatre. Back home in Aspen this February, Aspen Santa Fe Ballet premieres a new ballet by the gifted young choreographer Norbert De La Cruz III. A recent graduate of Juilliard’s dance program, De La Cruz was discovered by ASFB Artistic Director Tom Mossbrucker during last year’s New York auditions. Also on the program is Jorma Elo’s lush and dramatic work, Over Glow and one of ASFB’s signature pieces, Nicolo Fonte’s enduring ballet, Left Unsaid. Call 970-920-5770. Live Acoustic Music 3 p.m. - 6 p.m., Silvertree Hotel, 100 Elbert Lane, Snowmass Village. Twirp Anderson, Cash Cashman and Randall Utterback perform country, bluegrass, John Denver covers and requests. Call 970-927-9116. Brad Manosevitz 3 p.m. - 6 p.m., Elk Horn Bar & Grill, Inn at Aspen, base of Buttermilk. Local musician plays Americana, folk rock, bluegrass and originals. Call 970-379-4676.
Base Camp Aprés 3 p.m. - 6 p.m., Base Camp Bar & Grill, Snowmass Village. Free live music daily. Tom Ressel performs Mondays. Call 970-618-8975.
SEE Bobcat Goldthwait performs Wednesday, Feb. 22 at the Wheeler Opera House’s Aspen Laff Festival, which runs Feb. 22-25. Damian Smith and Terry Bannon 4 p.m. - 7 p.m., Base Camp Bar & Grill, Snowmass Base Village. Live music for aprés ski. Call 970-923-6000. Dwight F. Ferren 5 p.m. - 8 p.m., Village Tavern, Snowmass Village. Center Solo, acoustic guitar instrumentals. Call 970-927-1076. Judy Collins 8 p.m. - 10 p.m., Wheeler Opera House, 320 E Hyman Ave., Aspen. Collins brings her unique voice back to the Wheeler for the first time in six years. Presented with Wheeler Associates. Call 970-920-5770. SATURDAY, FEBRUARY 18 Life in a Marital Institution 8 p.m. - 9:10 p.m., Wheeler Opera House, Aspen Theatre. Aspen and the Wheeler present Meredith Vieira’s “Life in a Marital Institution (20 years of monogamy in one terrifying hour),” a oneman monologue show starring James Braly. The acclaimed monologuist, known for his contributions to NPR’s “This American Life”
and “Marketplace,” was named a New York Times “Critic’s Pick,” and Braly is a two-time Moth Grand Slam champion for storytelling. Rated PG. Tickets are $30, available at aspenshowtix.com. Call 970-920-5770. Aspen Santa Fe Ballet 7:30 p.m. - 9:30 p.m., Aspen District Theatre. Back home in Aspen this February, Aspen Santa Fe Ballet premieres a new ballet by the gifted young choreographer Norbert De La Cruz III. A recent graduate of Juilliard’s dance program, De La Cruz was discovered by ASFB Artistic Director Tom Mossbrucker during last year’s New York auditions. Also on the program is Jorma Elo’s lush and dramatic work, Over Glow and one of ASFB’s signature pieces, Nicolo Fonte’s enduring ballet, Left Unsaid. Call 970-920-5770. Live Acoustic Music 3 p.m. - 6 p.m., Silvertree Hotel, 100 Elbert Lane, Snowmass Village. Twirp Anderson, Cash Cashman and Randall Utterback perform country, bluegrass, John Denver covers and requests. Call 970-927-9116.
Duane Stephenson and Live Wyya 10 p.m. 11:55 p.m., Belly Up Aspen, 450 S. Galena St., Aspen. The Wailers frequent special guest, Duane Stephenson, has a reggae message that mixes poetic lyrics that address social ills, romance and global issues. Live Wyya is a roots rock reggae group whose music informs, educates and inspires. Call 970544-9800. Monday Docs: Better This World 7:30 p.m. - 9 p.m., Wheeler Opera House, Aspen. How did two good boys from conservative Texas end up arrested on terrorism charges at the 2008 Republican National Convention? This film follows the journey of David McKay and Bradley Crowder from political neophytes to accused terrorists, thanks to a radical activist mentor turned informant. Call 970920-5770. TUESDAY, FEBRUARY 21 Winter Words: Michael Chabon and Andrew Sean Greer 5:30 p.m. - 6:30 p.m., Wheeler Opera House, Aspen. The Aspen Writers’ Foundation presents its seasonal series,
Doug Leibinger – the Aspen Valley
— Roe Buckley Old Snowmass, CO and Tyler, TX
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Doug is a true professional in the Aspen real estate market. He listened carefully to the various concerns of the persons involved in our buying decision and came up with an opportunity that suited our needs perfectly. It was not the type of property in which we had expressed an interest. He is persistent and really helped make the transaction an easy one in spite of some obstacles. I would recommend Doug to anyone interested in property in the Aspen area.
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Visit my website
www.AspenHomeSearcher.com For more testimonials and to search for real estate
CONTRIBUTED PHOTO
edited by RYAN SLABAUGH
bringing authors of all genres to Aspen throughout the winter to share their words, wit and wisdom. Single tickets are $15; $10 for students and educators. Tickets, season subscriptions, and Author Salon packages are available through Aspen Show Tickets, which can be accessed directly at 970-920-5770 and at aspenwriters.org. Call 970-925-3122. Free Live Music 10 p.m., Red Onion, 420 E Cooper Ave., Aspen. Featuring local musicians. Call 925-9955. WEDNESDAY, FEBRUARY 22 The Aspen Laff Festival, Wheeler Opera House, 320 E Hyman Ave, Aspen. We scan the nation for the fastest, brainiest, funniest stand-up comics out there, and bring them to town for four laugh-packed nights at the Wheeler. Expect a baker’s dozen of brilliant stand-ups, including legend David Brenner and New Face winner Hippieman. Call 970920-5770.
THE ARTS THURSDAY, FEBRUARY 16 Ian Kiaer Opening Reception 6 p.m. - 8 p.m., Aspen Art Museum, 590 N. Mill St., Aspen. Ian Kiaer’s work takes the form of carefully composed landscapes of found objects and materials, architectural models and paintings. Call 970-925-8050. Live Model Drawing with Liz Frazier 4 p.m. - 6 p.m., Woody Creek Community Center. A drawing class focusing on a live model geared to the beginner as well as the advanced student. Frazier attended the Corcoran School of Art and studied art in Siena, Italy. Limited Enrollment. $15 member; $20 non-members. Bring your own materials. Call 710-1474 to reserve a place. Call 970-710-1474. Mark Grotjahn Opening Reception 6 p.m. - 8 p.m., Aspen Art Museum, 590 N. Mill St., Aspen. Grotjahn makes conceptually grounded paintings and drawings that collide abstract and figurative elements to unsettle the conventions of each medium. Call 970925-8050. FRIDAY, FEBRUARY 17 Jay Heikes 10 a.m. - 6 p.m., Future Home of the Aspen Art Museum, corner of South Spring Street and East Hyman Avenue. The Aspen Art Museum presents a distinct onsite installation by artist Jay Heikes. Heikes
creates drawings, sculptures, videos, and installations that often include images and tropes from past pop-culture sources that comment on the relationship between word and imagery or “attempt to purge the artist of past cultural obsessions and influences.” Call 970-925-8050. Opening Reception: New Work 5 p.m. - 7 p.m., Wyly Community Art Center, 99 Midland Ave., Basalt. Featuring new work by local artists Colleen Clare-Irvin, Sunni McBride and Nicole Nagel-Gogolak. This work was created in January during a workshop at Anderson Ranch Arts Center. The reception is free and open to everyone. Call 970-927-4123. Peter Sahula & Karla Nicholson: Landscape and Dance Photographs 6 p.m. - 8 p.m., Woody Creek Community Center. Photography exhibit/opening. Former fashion photographer for Vogue, Harpers Bazaar and all major fashion magazines, with shows in Paris, Prague and New York, among others, Sahula and Nicholson will exhibit vintage silver gelatin prints, hand printed by the artist, in the darkroom using archival papers. Call 970-710-1474. Nature Photography for Kids 3:30 a.m. - 5 a.m., CCAH Center for the Arts, Carbondale. The Carbondale Council on Arts & Humanities offers a class taught by Karen Lanier. Cost for each session is $90. For ages 9-11. A second session to be offered April 6May 25. For more information or to register, visit www.carbondalearts.com or call 9631680. Call 970-963-1680. Ballet Technique 12 p.m. - 1 p.m., Coredination, 520 S. Third St., Carbondale. Classical ballet technique for adults and teens — beginning level. Call 970-379-2187. SATURDAY, FEBRUARY 18 Sign up: Weekend Watercolor I, Wyly Community Art Center, 99 Midland Spur, Basalt. Offered March 24-25 for adults of all skill levels. Sarah Peterson returns to teach her technique of using wet on wet watercolor. Cost is $155 or $139.50 for members. Preregistration required. Tuition assistance available. Call 970-927-4123. Sign up: Weekend Watercolor II, Wyly Community Art Center, 99 Midland Spur, Basalt. Offered March 31 and April 1; for adults of all skill levels. Offered March 24-25 for adults of all skill levels. Sarah Peterson
returns to teach her technique of using wet on wet watercolor. Cost is $155 or $139.50 for members. Preregistration required. Tuition assistance available. Call 970-927-4123. Workshop: Introduction to Printmaking 9 a.m. - 4 p.m., Wyly Community Art Center, 99 Midland Ave., Basalt. In this workshop led by Jennifer Ghormley, students learn the ins and outs of traditional and contemporary linocut printing techniques. Call 970-927-4123. MONDAY, FEBRUARY 20 Call to Artists for Biennial, Red Brick Center for the Arts, 110 E. Hallam St., Aspen. Red Brick Biennial 2012 is a juried art exhibition running May 3-30. Submitting artists must reside in the Roaring Fork Valley, Aspen to Glenwood (including Marble and Redstone). Deadline is Monday, April 23. Judges this year include artist Jody Guralnick, art consultant Carolyn Landis and gallery owner Ann Korologos. Call 970-429-2777.
of a writing sample to receive constructive criticism from their peers. This group is free and open to writers of all genres and levels. Drop-ins are welcome. Call 925-3122.
YOGA & EXERCISE THURSDAY, FEBRUARY 16 Pole Dance Workout 10:45 a.m. - 10:45 a.m., Honey’s Pole Fitness Studio, Basalt. Mixed level pole dance. Learn lifts, spins, dance, floor work and safety in this fun challenging workout. Call 970-274-1564. Zumbatonics 4 p.m. - 5 p.m., Aspen Recreation Center. High-energy fitness parties with specially choreographed, kidfriendly routines, for 6- to 12-year-olds. Drop-ins welcome; $10 per class. Call 970920-5140.
Sign up: Boys Art Club Part II, Wyly Community Art Center, 99 Midland Spur, Basalt. Offered Feb. 27-April 2. Course is Jan. 9-Feb. 6. Through basic drawing, painting and sculpture, boys will learn concepts of space, line, proportion, and scale. Cost is $135; $121.50 for members. Call 970-927-4123. Sign up: Boys Art Club Part III at the Wyly, Wyly Community Art Center, 99 Midland Spur, Basalt. Offered April 16-May 14. Through basic drawing, painting and sculpture, boys will learn concepts of space, line, proportion, and scale. Cost is $135; $121.50 for members. Call 970-927-4123. Sign up: Watercolor Intensive, Wyly Community Art Center, 99 Midland Spur, Basalt. Offered Monday-Friday, March 26-30. For adults of all skill levels. Sarah Peterson returns to teach her technique of using wet on wet watercolor. Cost is $375, or $337.50 for members. Preregistration required. Tuition assistance available. Call 970-9274123. TUESDAY, FEBRUARY 21 Weekly Writers Group 7 p.m., Red Brick Center for the Arts, Aspen. The Tuesday writers group is a read-and-critique forum for writers to share and polish work that they have written prior to the meeting. Participants are asked to bring five copies
Real Estate Expert…
SEE Southern rock band Widespread Panic, with singer-guitarist John Bell, plays a threenight stand, Friday through Sunday, Feb. 17-19, at Belly Up.
Featured Property
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UPPER RIVER RD
Woody Creek
Aspen
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MCL AIN
PHOTO BY STEWART OKSENHORN
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Doug Leibinger
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Snowmass Village
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Wildridge – Snowmass Village Sweeping deck vistas of the surrounding peaks envelope this meticulously cared for 4-bedroom Snowmass mountain house. $1,995,000 furnished
K REE LC OW
970.379.9045 cell Doug@AspenAreaProperty.com ASPEN
SNOWMASS
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Locals know best. Results from the latest Aspen Times readers’ poll
Favorite place to walk the dog: The Rio Grande Trail
Favorite bike ride: To the Maroon Bells
Favorite view of Aspen: From the Top of Ute Trail
Favorite real estate brokers: BJ Adams and Company
BJ ADAMS t MICHAEL t ANDREW ERNEMANN t MARK LEWIS t KRISTEN BJ ADAMS t ADAMS ANDREW ERNEMANN t MARK LEWIS t KRISTEN MALEY MALEY LEAHMORIARTY MORIARTY t DOUG NICHOLS t CASEY LEAH t DOUG NEHASIL NEHASIL t LUCY t LUCY NICHOLS t CASEY SLOSSBERG SLOSSBERG t TARA t TARATURNER TURNER
Aspen Snowmass Basalt
ASPEN - Corner of Hunter and Hopkins t 970.922.2111 t SNOWMASS VILLAGE - next to Alpine Bank t 970.923.2111 AspenSnowmassProperties.com email @bjac.net Homemade pie every Friday
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Chicks Rock the Red Brick 6 p.m. - 8 p.m., Red Brick climbing gym, 110 E. Hallam St., Aspen. Aspen Recreation offers ladies climbing classes. Intermediate/advanced training offered Thursdays. Shoes are provided with daily admission fee. Call 970-920-5140. Cuong Nhu Martial Arts Class 6 p.m. - 7:30 p.m., Yellow Brick school gym Adult karate and selfdefense class incorporating hard and soft styles, sparring, kata and weapons training. Call 970-3195898. Nordic Waxing Clinic 5 p.m. - 6 p.m., Aspen Cross Country Center, Aspen golf course. Free event. Nelson Oldham of Toko covers both classic and skate waxing techniques in preparation for the pursuit races at Spring Gulch on Feb 18-19. All levels of skiers are encouraged to attend. Take the mystery out of waxing. The clinic should last about an hour, followed by a question-and-answer session. Call 925-2145. Standing Firm Class 5:30 p.m. - 6:30 p.m., Aspen Recreation Center. Target the lower body with a class that incorporates isometric strength from yoga, core-centered exercises from Pilates and body awareness from dance. Call 970-544-4100. Vinyasa Flow Yoga 10 a.m. - 11:15 a.m., Coredination, 520 S. Third St., Carbondale. Class for all levels. Call 970 379-8108. FRIDAY, FEBRUARY 17 Ski History Tour on Aspen Mountain 11 a.m., Meet at guest services hut on top of mountain Onmountain ski history tour with an emphasis on the mining era and the early days of skiing in Aspen. Presented by the Aspen Historical Society and Aspen Skiing Co. Free. Offered at 11 a.m. and 1 p.m. Call 970-925-3721. SATURDAY, FEBRUARY 18 Yoga Workshop 4 p.m. - 6 p.m., Aspen Health and Harmony, El Jebel. Joann Connington combines 30 years of experience in the Iyengar tradition with the teachings of Angela Farmer, mixing yoga postures, breathing techniques and meditation. Call 704-9642. Yoga: Moving Towards Steadiness 2 p.m. - 3 p.m., Aspen Health and Harmony. Join Faith Lipori in this beginning yoga practice for people with Parkinson’s disease. Also open to their their friends and caregivers. Call 704-9642. MONDAY, FEBRUARY 20 Aikido at CMC 7 p.m. - 8:30 p.m., Colorado Mountain College, Aspen campus. Aikido is an effective self-defense as well as a fun and dynamic work out. Class offered Mondays and Wednesdays. Beginners welcome. Try the first class for free. Call 970-379-4676. Pole Dance Workout 6 p.m. - 6 p.m., Honey’s Pole Fitness Studio, The Pole Works Studio, 580 Main St., Carbondale. Behind mi casita Mixed-level pole dance workout. Learn lifts, spins, dance, floor work and safety. At 7 p.m., it’s Boot Camp: Pole dancebased moves used to to strengthen and lengthen all the muscles in the body. Focus is on strength and flexibly needed for pole dance. Call 970-274-1564. Karate for Tots 9:30 a.m. - 10:15 a.m., Aspen Recreation Center. Helps develop motor skills, hand-eye coordination, focus, respect and selfconfidence in a fun way. Drop-in fee is $15 For ages 4-6. Call 970-920-5140.
WINTER WORD S
Tot Zumbatomics 10:15 a.m. - 11 a.m., Aspen Recreation Center. Designed for kids, the sessions are high-energy fitness parties packed with specially choreographed, kid-friendly routines to music they’ll like. Call 970-544-4100. Shape it Up on Ice 9:30 a.m. - 10 a.m., Aspen Recreation Center. Offered by Aspen Skating School. All abilities welcome — hockey and figure skates. For registration and additional information, contact Teri Hooper at 379-5900 or hoopertk@ comcast.net. Call 970 379-5900. Slackline 7 p.m. - 8:45 p.m., Red Brick Arts and Recreation Center, Aspen. Slacklining is a way to improve balance and strengthen the body core. Lines are set low to the ground for safer, easier walking and learning. No experience needed; multiple lines set up per night, for beginners and experts. Call 970-920-5140. Ski History Tour on Aspen Highlands 11 a.m., Meet at guest services hut near the Merry-Go-Round With an emphasis on Highlands’ “maverick” reputation — the ‘70s ski culture and the birth of freestyle skiing. Presented by the Aspen Historical Society and Aspen Skiing Co. Free. Offered at 11 a.m. and 1 p.m. Call 970-925-3721.
THE COMMUNITY
series of literary performances off the page | season no. 15 Pulitzer Prize winner Bestselling author of People of the Book A master of forms: fiction, nonfiction, and journalism
Pulitzer Prize-winning journalist Bestselling author of Midnight Rising Storytelling that lights history on fire
GERALDINE BROOKS
TONY HORWITZ
THURSDAY, FEBRUARY 16 Free Relationship Check-Up, Aspen Counseling Center, 405 Castle Creek Road, Suite 9, Schultz Health and Human Services Building. Free relationship support and wellness assessment. Identify personal and relationship strengths, needs, and areas for growth and change. Honor relationships with spouses, lovers, parents, kids, friends, colleagues and others. Call 970-920-5555. Naturalist Nights: The Colorado River: Flowing Through Conflict 7:30 p.m. - 9 p.m., Aspen Center for Environmental Studies, 100 Puppy Smith St. Coloradan Pete McBride has spent almost two decades studying the world with his camera. A self-taught, award-winning photographer and filmmaker, he has traveled on assignment to over 60 countries. His most recent project, with Jonathan Waterman, took over two years documenting his local river — the Colorado. One of the most loved and litigated rivers in the world, it ceases to reach to sea. McBride’s journey culminated in a coffee table book: The Colorado River: Flowing Through Conflict, and an awardwinning short film, “Chasing Water.” Call 970-963-3977. Emma Open Space Snowshoe Tour 5 p.m. - 7 p.m., Meet at the Emma School House Join staff from Roaring Fork Conservancy and Pitkin County Open Space and Trails to explore this 74-acre parcel near Basalt by moonlight, on snowshoes (they are required; please note if you need to borrow a pair). Appropriate for ages 10 years and older. Free. Registration is required and opens Jan. 26; go to www.roaringfork.org/events to sign up. Call 970-927-1290. “How To Not Take On Other People’s Energy” 7 p.m. - 9 p.m., Annabelle Inn, 232 W. Main St., Aspen. Do you feel like you take-on other peoples energy? Do you ever feel drained or tired after being in crowds? Have you tried to not be affected by the world around you, and nothing has worked? Would you like to change that and feel energized all the time? Access Consciousness is a set of tools and processes that actually work to change anything that is not working for you in your life. Call 970-309-5898.
in conversation together monday | february 27th 5pm doors/5:30pm event wheeler opera house following the public talk, get up close and behind the ropes at the author salon* at CHRISTOPHER MARTIN GALLERY
TICKETS + PA ES ON SALE NOW! $20 Standard [includes a ticket to public event with book signing] $50 Author Salon* [includes one ticket to pubic event with book signing and one ticket to members-only reception with the author]
How to act around a
Perfect 10
$90 MEMBER PASS/ $110 NON-MEMBER PASS $250 AUTHOR SALON PACKAGE*
Follow these three simple steps…
1. Call her or send her an email. A Perfect 10! Lorrie Winnerman was #10 in sales out of 615 Realtors in the Roaring Fork Valley last year! Perfect, because Lorrie B. Aspen is small enough for personal service, big enough to get the job done right.
2. It’s okay to ask for a date. Ask for help with the local markets, using her 33 years of experience as a broker in Aspen and Snowmass.
3. Hang out with her. Shop around with Lorrie and chances are you will fall in love—with your dream home or building site. (Later, it’s okay to tell your friends all the details.) (970) 920-0020 office (970) 618-7772 cell lorrie@lbaspen.com www.lbaspen.com
GROUP and STUDENT/EDUCATOR discounts available!
buy
find out + join
ASPEN SHOW TICKETS at the Wheeler Opera House www.aspenshowtix.com 970.920.5770
ASPEN WRITERS’ FOUNDATION www.aspenwriters.org 970.925.3122
Sponsored by Th e Asp e n Ti mes Cit y of Aspen A s p e n P u b l i c R a d i o Isa Catto Shaw & Daniel Shaw Le s Da m e s d’Aspen Aspen Peak m a ga z ine Colorado Creative Industries A S P E N T I M E S . C O M / W E E K LY
43
LOCAL
MARKETPLACE
PLACE AN AD >> ASPENTIMES.COM/PLACEAD | (970) 925-9937 | FAX (970) 925-5647 | CLASSIFIEDS@ASPENTIMES.COM | MORE AT ASPENTIMES.COM Audi A4 2.0T 2011
Audi A4 Avant Quatro 2002
Audi A4 Avant Quattro 2006
&9"$5 3&1-*$" 45"(&$0"$) "-- "55"$).&/54 */$-6%&% ."3#-& $0 (PPE DPOEJUJPO $18,375 970-925-2837 joeldsax@aol.com
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$8500 Call Vit 970 390 9140
$16,000 970-404-0273
Audi RS-6 2003
AUDI TT 2000
Chevrolet Astro 2004
CHEVY SS2 CAMARO - 2010
SOLD!!!
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$23,500.00 OBO 970 948 3861
$7500 obo (970)274-4561
-JLF /FX $POEJUJPO 5SBOTGPSNFS 5IF #VNCMF #FF , NJMFT -JUSF 7 TQE NBOVBM USBOT GBDUPSZ DIJQ GBD UPSZ UVOFE FYIBVTU BMM UIF CFMMT BOE XIJTUMFT 4VOSPPG (SPVOE FGGFDUT 8IFFMT )FBUFE .JSSPST BOE 4FBUT $34,750 Call 970-618-4058
Dodge Ram 2500 2001
Ford 350 1999
Ford Expedition XLT Sports 2004
Ford Explorer XLT 2004
FORD F-450 XL 2008
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$8900 OBO Dog sold separately 970-379-9878
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$6,900 970 274-2493
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FORD TAURUS LX
GMC Yukon Denali SLE 2000
GMC Yukon XL 2000
Honda CRF 450x 2008
JEEP GRAND CHEROKEE Ltd 2000
SOLD
(SFBU $POE Y 7 -PBEFE MFBUIFS JOU #PTF $% DIOHS 0O 4UBS 5POT PG SPPN 5PX QLH OFX .JDIFMJO 9 JDF TO UJSFT BOE TVNNFS UJSFT JOD NJ $7900 970-945-5755
EPPS TFBUT (PPE DPOEJUJPO SVOT HSFBU NJMFT UPO IFBUFE MFBUIFS TFBUT MVHHBHF SBDL UPX QBDLBHF Y $6200 OBO 970-409-9915 kaker@comcast.net
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John Deere 250 Skid Steer - 2001
Lexus RX 400h 2008
Ski Centurion Falcon Bowrider 1992
Toyota Camry XLE 1999
Volkswagen Touareg 2004
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Volvo XC - 70 2001
VW JETTA 2001
YamahaNitro 2008
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SOLD IN 1 DAY FROM OUR AUTO PHOTO PROMO WE HAD IN JANUARY!!
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1901 Replica Stagecoach
AUDI ALLROAD 2005
$5400 970-331-2777
44
A S P E N T I M E S W E E K LY
✦
Febr u ar y 16-22, 2012
$5900 970-309-2000
$4,500 970-456-3145
$5000 Cal Vit 970 390 3919
$3995.00 Call Larry at 970-333-1125
SOLD!!!!
Auto Photo Ads Work! 4 Sale
Thousands of others have proven this by selling their vehicle in this section.
925-9937 • www.aspentimes.com/placead
CRYSTAL CLEAR CLEANING
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Private/VIP. Outcall 300+/session. Call Anytime: 1.646.244.6103
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16613 Highway 82 тАв Carbondale, CO 81623
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Try a border for just ямБve bucks!
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100% Loans for GarямБeld County.
RON"THE GOLD GUY "
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POSITION FILLED! Sales and Marketing Manager Aspen. %F TJHOFS $MPUIJOH #PV UJRVF .VTU IBWF TUSPOH NBSLFUJOH CBDLHSPVOE BOE DPO OFDUJPOT JO UIF DPN NVOJUZ 1SFWJPVT SF UBJM FYQFSJFODF QSFGFSSFE Please forward resume to: Ssanfd@earthlink.net #"#:4*55*/( PS #00, ,&&1*/( .BSJBOOF
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45
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Vacation-home buyers plan to keep their property for a median of 13 years. To reach secondhome buyers in this market through Real Estate Photo Ads,
970-250-2582.
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A S P E N T I M E S . C O M / W E E K LY
49
WORDPLAY
INTELLIGENT EXERCISE
by JENNY SHANK of the HIGH COUNTRY NEWS
BOOK REVIEW
A REVIEW OF LIME CREEK WOODY CREEKBASED Joe Henry studied at the Iowa Writer’s Workshop with John Irving, but then detoured from writing fiction to work as a rancher, becoming a successful lyricist along the way. Henry’s ravishing first work of fiction, Lime Creek, must have been inspired by the Western lifestyle he chose: It’s filled with exquisite snapshots of life on a Wyoming ranch. The cadences of his prose are unusual and arresting as he tells the elemental story of the Davis family, beginning when father Spencer Davis — “whose soul parties with the antelope smelling of sage and horselather and covered by the insubstantial globe of a great tumbleweed” — meets his future wife Elizabeth on his family’s ranch. She’s there for the summer with her
by IAN LIVENGOOD
| edited by WILL SHORTZ
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STATE ANNEXATION
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Superfluous Posed (for) Follow persistently Tiny blob Charms The Beatles’ “All ___ Got to Do” Old White House nickname Badly beaten up 45-Down near Baton Rouge? 124-Across near Dover? ___ contendere Flower girl? New Jersey town bordering Rahway Photo ___ Swindle Hindu title ___ Brava CD-___ 117-Down near Salem? When sung three times, part of a Beatles refrain Bellyache Seine summers First name? Starch-yielding palm Old TV knob How Shakespeare’s Rosalind dresses Sign by a theater ticket booth Smithereens 1-Across near Hartford? Blouse, e.g. Still broken, say Confirms
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“Ancient Mariner” verse Bad-mouthed Bitchin’ Sun spots Inter ___ Dante e Boccaccio Rack for a rifle Toss-up? 114-Down near Boise? Santa ___ (desert winds) Get it wrong Certain implants Role in “Nicholas and Alexandra” TV police drama Comics canine 11 or 12, but not 13 Paint choice “___ teaches you when to be silent”: Disraeli 76-Down near Springfield? Mugful, maybe Actor Quinn Before, in verse Pioneer in quadraphonic music Caustic soda Against Badge earner This and that: Abbr. 61-Across near Phoenix? 9-Across near Boston? Critter whose name comes from Nahuatl Cookout item Roll of bills
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Bring out Assails Staff ___: Abbr. Whirlpool Exorcism target
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Farm mother Women’s suffrage Amendment Pampering, for short Pull (in) Regarding the price Jazzy Nina Boston’s Mass ___ Lean Doesn’t budge “Sure!” E.U. member “What ___!” “Le Déjeuner sur l’herbe” artist Expenditures “The Time Machine” people “___ your toes!” B’nai B’rith grp. Romeo or Juliet French cup Many a museum display It might be blue, green or brown Assn. Like a sty denizen 6-Across near Indianapolis? Some conifers Do over, as a lawn Abbr. before a colon Prefix with -pod 119-Across near Albany?
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Prefix with business Basketball rim Open Housemother, e.g. Passed easily Weak Armstrong and Sedaka Pal Light touch Certain online request Not quite right Arrive at too quickly, in a way “Hakuna ___” In one’s cups Brewskis How a fool acts Spots Bird wing Knot Spring time Large-toothed whale Paraded by “Is she not down so late, ___ so early?”: “Romeo and Juliet” Number 2, e.g. Still to be sampled Shock Sub Site of a Greek tragedy Big name in jeans Respectable Naval force “___ the Sheriff” Tidies up a bit Number two “Tu ___ mi amor” Cozy Drags Give up
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A S P E N T I M E S W E E K LY
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Febr u ar y 16-22, 2012
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— Last week’s puzzle answers —
111 Weave’s partner 112 Maternity ward workers, for short 114 Hip-hop 115 Deut.’s preceder 116 Environmental prefix 117 Perfect rating
L I P T O N
U N I V A C
I R A O A T C H O M K R I H I S A C T N E S G R O K S
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and Lonny appears only briefly. Late in the book, in a section narrated by a grown Luke, we learn “Elizabeth died when they were little.” Nothing more is said about when or how she died, and in rare appearances, Elizabeth remains a vague, if loving, presence with “long yellow hair.” Still, it feels churlish to point out what Lime Creek is missing when what it contains is so close to perfect: a pure, tender and lyrical portrait of a ranching family. Editor’s note: We hope this isn’t overkill, but we recently featured Joe Henry and his book, Lime Creek, but did not include a critical review of the novel. We hope you enjoyed it. If not, we hope you like the crossword, at least.
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Lime Creek Joe Henry 160 pages, hardcover: $20 Random House, 2011
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ACROSS
NOTEWORTHY
wealthy Connecticut parents, and after Spencer heads to Cambridge for college, they elope. The rest of the book is set on the couple’s own ranch near the Never Summer Mountains, where Spencer and Elizabeth raise horses and three boys, Lonny, Luke and Whitney. In the moving “Tomatoes,” the little boys pelt a fresh white sheet with precious, hard-to-grow tomatoes, but Spencer only pretends to whip them, never actually striking them. In another outstanding section titled “Love,” Henry beautifully conveys the significance of football to small-town teenagers, who attend practice after hard work on their family’s ranches: “Almost as if the violence of practice and then of scrimmage released like a nightly catharsis the harsh sum of the highland sun …” Henry writes. Lime Creek follows the logic of beauty and emotion, not plot, leaving some gaps. Elizabeth disappears halfway through with no explanation,
E E K E M T E O R O G T E H P C A Y S T T O E M L I A S S T H U P
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DOG WEEK
Sadie
THE
Sweet Sadie is a very gentle girl who found herself at a high kill shelter after her owner got deployed to a base that did not allow pit bull type dogs. Sadie is a 4 year old pit bull terrier mix. Whenever we see a great breed ambassador for pit bulls we always try and help them and she is a great one! She is house trained, healthy, HW negative, spayed, vetted, up to date on shots and micro chipped. She is great in the house, not destructive at all and good with other dogs. She is very playful but also mellow in the house when you want her to be. She loves to play fetch, and walks pretty good on a leash. No cats. She knows many commands and tricks and always responds to â&#x20AC;&#x153;leave itâ&#x20AC;? right away, She sleeps in a crate at night and seems to like it but would be ďŹ ne without it in a new home. She loves to go for car rides and does not bark much. LUCKY DAY ANIMAL RESCUE OF COLORADO
www.luckydayrescue.org
ASPEN The wine prospector
â&#x20AC;&#x153;A Tutâ&#x20AC;&#x2122;s tomb of wine in Coloradoâ&#x20AC;? Matt Kramer, The New York Sun
TOWNHOME LUXURY JUST BLOCKS TO TOWN! â&#x20AC;˘ 3 Bedrooms, 3 Baths â&#x20AC;˘ Expansion just completed on Master bedroom with large picture window â&#x20AC;˘ Large two-car garage â&#x20AC;˘ Dead-on view of Aspen Mountain â&#x20AC;˘ Beautiful hardwood ďŹ&#x201A;oors throughout except carpeted bedrooms â&#x20AC;˘ Gorgeous outdoor patio â&#x20AC;˘ South facing for maximum natural sunlight
Offered at $2,995,000 1 (970) 704-WINE (9463) 1
601 E. Hopkins, Suite 201 â&#x20AC;˘ Aspen, CO 81611 â&#x20AC;˘ Ph. (970) 920-0020 â&#x20AC;˘ Fax (970) 920-0010 Cell (970) 618-7772 â&#x20AC;˘ Email lorwin@comcast.net â&#x20AC;˘ www.lbaspen.com
! s g n i t e e Gr North of Nell Unit 3K K3 /NE "EDROOM ONE BATH AT THE BASE OF !SPEN -OUNTAIN ADJACENT TO THE 'ONDOLA 5NDERGROUND PARKING AND STORAGE AREA 7ALK TO RESTAURANTS BUSES AND ENTERTAINMENT
Offered at $1,560,000
Golden Horn Building 0RIME !SPEN CORE COMMERCIAL BUILDING ON THE #OOPER !VENUE -ALL ACROSS FROM 7AGNER 0ARK &OUR INCOME PRODUCING UNITS
Offered at $8,950,000
s, CO Snowmas Old Snowmass Ranch Six Acre Horse Property with Historic Log Home +EEP THE HISTORIC LOG HOME AND BUILD AN ADDITIONAL HOME OF UP TO SF PLUS GUEST HOUSE ON THIS MAGNIlCENT HORSE PROPERTY WITH #APITOL #REEK FRONTAGE COMPLETE WATER RIGHTS AND MAJESTIC MOUNTAIN VIEWS
Price reduced to $2,390,000
Call Today for a Preview of Your New Home */% 2!#:!+ s "2/+%2 JRACZAK SOPRIS NET s s s RACZAKREALESTATE COM ,)'(4 (),, 2/!$ s 3./7-!33 #/,/2!$/
Colorado cuisine featuring locally-harvested ingredients at a unique, rustic mid-mountain cabin on Snowmass. Open daily for lunch, 11:30 am-3 pm, reservations recommended. Snowcat dinner rides open to the public every Tuesday & Thursday evening, reservations required. Also available for private events.
Lunch 970-923-0479 Dinner 970-923-8715 Private Events 970-923-0912 A S P E N T I M E S . C O M / W E E K LY
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CRAIG MORRIS 970.379.9795 Cell 970.429.1090 Office Craig.Morris@sothebysrealty.com
Storybook Charm in Starwood • Located on 3 private acres • Meandering garden paths and a meadow filled with wildflowers • European inspired home • 3 bedrooms, 3 baths, 3,548 sq ft • Office/4th bedroom/2nd family room • Vaulted ceilings, custom iron hand railings • Wood-burning fireplace • 2 car garage with storage loft • Authentic cobblestone auto court • Patio, sauna and hot tub • Amenities of a gated subdivision $2,975,000 Co-listed with Maureen Stapleton | 970.948.9331 New Listing
Pioneer Canyon Ranch
Weiswood at Castle Creek
7 bedrooms, 7 full, 2 half baths, 13,167 sq ft Over 40 acres of sprawling mountain views Fabulous outdoor entertaining areas Just minutes from Aspen and Snowmass $17,950,000 Furnished Co-listed with Maureen Stapleton | 970.948.9331
12 acres of manicured grounds 4 bedrooms, 4.5 baths, 5,064 sq ft Huge windows framing glorious views Just four miles from Aspen $8,500,000 Furnished Co-listed with Matt Holstein | 970.948.6868
New Listing
Ski-In/Ski-Out Downtown Condo Ski-in/ski-out access just steps from the door 3 bedrooms, 3.5 baths, 1,762 sq ft Gracious floor plan on two levels Complex pool, hot tub & exercise room $4,750,000 Furnished
Price Reduced
Aspen Highlands Lot Beautiful one acre building site Overlooking Maroon Creek Enjoy amenities at adjacent Ritz Carlton Build up to 9,000 sq ft, plans available $3,995,000 $2,800,000 Co-listed with Michael Perau | 970.948.9122
Aspen | 970.925.6060 Mid-Valley | 970.963.4536
ASPENSKIHOMES.COM
New Listing
Stunning Views from Red Mountain 5 bedrooms, 5.5 baths, 4,844 sq ft Views of all four ski areas and beyond Vaulted ceilings, floor to ceiling windows Spiral staircase, elevator, hot tub $7,499,000 $6,395,000 Furnished
Price Reduced
West End Townhome 4 bedrooms, 4.5 baths, 3,000 sq ft Vaulted ceilings, wet bar, office Beautifully landscaped yard Walk, bike, or take free bus to downtown $4,795,000 $2,495,000 Furnished