2024 – 2025 CATALOG
TO A NEW STANDARD OF EXCELLENCE IN AUDIO EDUCATION Your passion for audio has led you to The Blackbird Academy – a school that sets a new standard of excellence in audio education. Throughout this catalog, you will learn about the Blackbird story and how our unique teaching approach is unparalleled in the industry. Once you have gone through the material, we encourage you to call or email us with any questions and to reserve your seat in an upcoming class! 3
CONTENTS 4
INTRODUCTION
FACULTY & STAFF (CONT.)
Welcome to The Blackbird Academy.....................3 Foreword, Mutt Lange............................................5 Message from John McBride, Founder .................9 The Blackbird Academy Difference......................10
Amber Gray, Career Services Manager ...............18 Marian Matthis, Digital Marketing Director .........18
FACILITIES Campus Information....................................... 12-13 Gear & Studios ................................................14-15 Studios ..................................................................14 Microphone Locker...............................................14 Recording Laboratory...........................................14 Outboard Gear .....................................................15 Amplifiers..............................................................15 Drums....................................................................15
FACULTY & STAFF John McBride, Founder/President .......................16 Carma DiCianni, Director of Student Operations and Marketing ...................................16 Mark Rubel, Director of Education.......................16 Jeremy Cottrell, Studio Engineering Director .....16 Ernesto Olvera-LaPier, Studio Instructor..............16 Lucas Glenney-Tegtmeier, Studio Instructor ........18 Scott Brewer, Director of Live Sound ...................18 Rich Flora, Live Sound Instructor..........................18 Blair Gallimore, HR Director / Accounts ..............18
ADMISSIONS Admission Requirements......................................20 Start Dates ............................................................20 Program Cost........................................................20 Payment Options..................................................20 Refund Policy ........................................................20 Placement Assistance ...........................................21 Student Housing...................................................21
PROGRAMS Studio Engineering Program...........................24-28 Live Engineering Program...............................29-33
TESTIMONIALS What the Experts Say ......................................22-25 Keith Urban......................................................22 Vance Powell....................................................22 Patrick Carney..................................................22 Don Was ..........................................................23 Sheryl Crow......................................................23 Tim McGraw ....................................................23 Marc Roberge..................................................23 What the Grads Say..............................................34
CONTACT US
ONLINE
Call: 615-385-2423 Fax: 615-251-8787 Email: info@theblackbirdacademy.com
www.theblackbirdacademy.com Submit an application: www.theblackbirdacademy.com/apply-online
[
FOREWORD
]
MUSIC FIRST THE MUSIC BUSINESS IS EXACTLY THAT. MUSIC FIRST, AND THEN THE BUSINESS OF STAR MAKING, MARKETING, AND MORE. The music side comprises writing, arranging, recording, and mixing of the songs. The Blackbird Academy gives its students a natural fusion of new recording technology and the old and eternal recording techniques used over the last 50+ years. The Blackbird Academy can give any individual a great kickstart in learning about and understanding these disciplines. It can also provide a great foundation from which to springboard one’s natural talent. The Blackbird Academy will be a very exciting and life-changing experience for any aspiring artist, producer, or engineer. If I was starting all over again, this is exactly where you would find me – a great place to learn and to keep one’s creativity intact. Blackbird Studio is the finest recording studio on Planet Earth. What better place could there be to learn?
– Robert John “Mutt” Lange, Producer & Songwriter
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WHAT MAKES THE BLACKBIRD ACADEMY DIFFERENT?
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TOP INSTRUCTORS
BEST GEAR MORE HANDS ON
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[
INTRODUCTION
]
A MESSAGE FROM JOHN MCBRIDE
FOUNDER, THE BLACKBIRD ACADEMY
A number of years ago, I took a few steps back and took a long, hard look at my life. God and family are at the center of my life, as I’m sure they are for many people. After that, I am fortunate because I have been making a living in the music business for a long time, and frankly, any day I can make a living in the music business is a great day! So, here I am with an incredible wife (Martina McBride), an incredible studio (Blackbird Studio), and a long list of friends who work in every area of the business. I have great friends at record labels, management companies, booking agencies, live production companies, studios, and publishing companies. So, how do I do something with my life that involves all of this and benefits the world, too? The older I get, the more important
mentoring has become for me. Teaching is an honorable and great occupation that is important to the future of our world. There is a bit of a teacher in my DNA as my dad taught for years and is now retired. This is where the idea of The Blackbird Academy originated. I have had teachers who made a huge difference in my life. I would love to have the same positive effect on as many students’ lives as possible. Thanks to the mentors who shared their knowledge and experience with me, I have been able to work on many projects in the recording studio in a very short time. Music by a variety of artists from Kesha to Dave Stewart to Martina has my stamp and my name on it – something of which I am very proud. I would like to provide those same mentoring opportunities to any student
who signs up for The Blackbird Academy so they may master these skills in the same way that I learned. We are passionate and driven in our goals to improve the music business and change the world, and we can do that by giving an outstanding education to our students. If you have any questions, do not hesitate to contact us. We are here to make a difference. I believe students can figure out if this career is for them by taking this course. It will not take four years of your life, and you will not have huge debt to deal with upon graduation. If this is your chosen profession, let us get you on your way to making a great living right away! Thanks, and I look forward to hearing from you. – John McBride
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WHAT MAKES THE BLACKBIRD ACADEMY DIFFERENT? The current state of audio education often puts students at a disadvantage upon graduation by leaving them with below average skills, not enough hands-on experience, and an incomplete education. There is often a high level of debt, which can limit a graduate’s ability to build a successful career. The Blackbird Academy offers a new model in education. Our program gives students access to true working professionals and a hands-on experience using a world class collection of gear – all in a facility designed for one purpose: making excellent music. The Blackbird Academy is a mentor-based program where students are taught by a unique cast of professional instructors and awardwinning guest lecturers. Our campus is built on the foundation of Blackbird Studio, the Nashville home to a community of engineers, producers, musicians and 10
technical staff who over the years have taken the art of audio recording to new highs. The principles and beliefs that guide the Academy’s program are simple: Challenge and educate students by presenting them with real life scenarios an engineer would encounter on a regular basis. We believe training should take place in spaces that are not empty, cold classrooms but professionallydesigned studios and labs where engineers can hone their craft. Students graduate with a high degree of both practical and theoretical knowledge of the trade, which gives them the best opportunity to establish and build their careers. Our goal is to provide the greatest education, in the shortest amount of time, for the least amount possible. Realize your potential by taking part in The Blackbird Academy experience!
5:1 STUDENT/STUDIO
RATIO ULTIMATE LEARNING EXPERIENCE
CAMPUS INFORMATION The Blackbird Academy is located in Berry Hill, Tennessee, home to more than 40 recording studios and just minutes from downtown Nashville. Known worldwide as Music City – the capital of country music – Nashville has always been so much more. It’s an entertainment center and a music production hub for Rock, Gospel, Christian, Americana, Pop, Rap, R&B – all styles of music. The Blackbird Academy is part of Blackbird Studio, founded in 2002 and today one of the most outstanding recording destinations in the world. The rooms, consoles, microphones, outboard gear and lounges were chosen around a central concept: to provide the best audio production
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facilities for top musicians, producers and engineers. This passion for great audio quickly made Blackbird the studio of choice for artists ranging from Beck to Kenny Chesney, Sheryl Crow, Tim McGraw, Faith Hill, Kings of Leon, Kid Rock, The White Stripes and Keith Urban, just to name a few. The Blackbird Academy carries on this tradition by repurposing three of the nine studios solely for education. In addition, a purpose-built Recording Laboratory adds the perfect space for critical listening and teaching of key concepts, skills and techniques. The Recording Laboratory is a studio itself, with an API 1608 console, Pro Tools HD, outboard gear, and live video/audio from the other studios.
NINE STUDIOS
1400
MICS 50 AMPS 70 GUITARS
GEAR & STUDIOS The Blackbird Academy’s microphones, consoles, outboard gear, and recording spaces are second to none. Students are trained on the same equipment used by top producers, musicians, and recording artists who have created countless award-winning records at Blackbird Studio. STUDIOS The Blackbird Academy’s Studio A features 11 different recording areas including a variable Tom Hidley-designed chamber with an adjustable ceiling to customize reverb time. The control room features a 72-input Neve 8078, a six card Pro Tools HD system, and ATC 300s as main monitors. In the racks are many processors from Blackbird’s famous outboard gear collection. The Blackbird Academy’s Studio B comes equipped with a 48-channel API Legacy Plus console with Flying Fader automation, a six card Pro Tools HD system and ATC 300s as main monitors. The studio’s small live chamber is also perfect for vocal or instrumental overdubs. In the racks are many coveted processors from Blackbird’s famous outboard gear collection. The Blackbird Academy’s Studio I is a fully digital stuido featuring a revolving range of gear from Blackbird’s impressive collection. Students have access to preamps, processors and reverbs from a 14
large list of manufacturers giving instructors and students the ability to mix and match gear for each session.
collection of microphones in the world is one of the things that makes The Blackbird Academy education so unique.
MICROPHONE LOCKER The Blackbird Academy’s microphone locker has more than 1,400 microphones on hand, including U47s, Telefunken 251s and Elektroakustic RFTs, AKG C12s, Neumann U67s, M50s, M49s, M269s, classic small diaphragm tube mics and many more. Students will experience ears on shootouts, best practices for setup, and tips on miking from instructors, experienced staff and award-winning guest lecturers. Access to the single best
RECORDING LABORATORY The Blackbird Academy’s Recording Laboratory accommodates 30 students and uses three large video screens and high-definition cameras for an unparalleled learning experience. The lab is also a fully-equipped recording studio featuring high-quality audio playback, an API 1608 console, a Pro Tools HD system, and outboard gear from Blackbird’s extensive collection. Each student will be seated at a station equipped with a hybrid interface/console, a computer with video display and headphones for monitoring and critical listening. Each station will have Pro Tools and other software used for recording and mixing. The room is networked, meaning each student will be able to record the same audio being fed to the instructor’s rig from the isolation booths and other locations in the complex.
OUTBOARD GEAR Outboard compressors, EQs, reverbs, effects processors and preamps are the tools that take any mix, overdub or tracking session to the next level. Blackbird’s collection is one of the best in the world, featuring processors from over 90 companies and some historical gear not often found under one roof. The selection includes coveted units both old and new from Telefunken, EMI, Fairchild, Shadow Hill, Helios, Decca, Pye, RCA, Chandler Limited, Tube-Tech, UREI, AMS, Inward Connections and much, much more. Students will have access to this fabulous collection in class and during sessions where instructors will guide them through A/B listening tests, best practices, advanced usage tips and more. This collection of outboard gear is another reason The Blackbird Academy education is like none other. AMPLIFIERS The production and learning environment at The Blackbird Academy goes well beyond studio recording, overdubbing and mixing. All productions begin with musicians, and our instrument, amplifier and drum collections are unequaled. Students will be taught the importance of
choosing and setting up a guitar and amplifier before the Record button is pushed; if the source is not right, no microphone, console or good intention will be able to fix it later. Blackbird’s amplifier collection includes more than 50 vintage and new units from Fender, Marshall, Gibson, Matchless, Vox, Ampeg, Watkins, Mesa Boogie, Dumble and many more.
DRUMS Blackbird’s drum collection provides a strong pulse with more than 48 vintage kits and 50 vintage snares. Top Nashville drum techs will take students through the techniques they use to make kits ready for a high-quality recording. Manufacturers include Gretsch, Craviotto, Camco, Slingerland, Dunnett, Ludwig, Leedy, Rogers, Sonor, WFL, Yamaha and more.
The studio’s microphone collection is the most extensive private collection in the world. 15
LEARN FROM THE INDUSTRY’S LEADERS The Blackbird Academy features a highly skilled, professional teaching staff – plus a cast of award-winning, industry guest lecturers who regularly visit the campus. JOHN MCBRIDE
FOUNDER/PRESIDENT/INSTITUTIONAL DIRECTOR
John McBride has a 30+ year career in live sound, tour management, and studio recording. He started his career by launching a live sound company, MD Systems, which Clair Global purchased in 1997. John is still part of the Clair Global management team. Next, he and his wife Martina, a multi-platinum-selling music artist, built Blackbird Studio into one of the world’s premier recording studio complexes. His passion for audio and love for teaching resulted in The Blackbird Academy’s launch in 2013.
CARMA DICIANNI
DIRECTOR OF STUDENT OPERATIONS AND MARKETING
Carma DiCianni is responsible for strategically building, executing, and maintaining our student/alum programs and corporate partnerships; oversees the creation/implementation of communication and marketing materials for the school; and is financially 16
responsible for the academy. Carma has been in the education and music industries for over 20 years, working with recording studios, tour management, and as an event/concert photographer. Carma has management experience with multiple artists and bands, including Bon Jovi, Stone Temple Pilots, Ted Nugent, Alice Cooper, Marty Stuart, Travis Tritt, and more. Carma has degrees in Education, Audio Engineering, and Entertainment Business.
MARK RUBEL
DIRECTOR OF EDUCATION
Mark has taught audio, music technology, music business, and the history of rock to thousands of students since 1985. He has taught at various colleges/universities and has served as the Audio and Recording Director at Eastern Illinois University’s $70 million Doudna Arts Center. Since 1980, Mark has recorded extensively with a client list that includes Hum, Alison Krauss, Rascal Flatts, Fall Out Boy, Ludacris, and many more.
JEREMY COTTRELL
DIRECTOR OF STUDIO ENGINEERING
Jeremy Cottrell has worked at Blackbird Studio since its opening in 2002. He also became an instructor at The Blackbird Academy when it started in 2013. His engineering credits include Sheryl Crow, The Red Hot Chili Peppers, Martina McBride, Keith Urban, Faith Hill, Tim McGraw, Alison Krauss, Big & Rich, and Jars Of Clay.
ERNESTO OLVERA-LAPIER
INSTRUCTOR/STUDIO ENGINEER
Ernesto joined Blackbird in 2012 as a “runner” and worked to an assistant engineering position within a few months. But it was a Keith Urban session that changed Ernesto’s life forever. The lead engineer was unavailable one day and suggested Ernesto take his place. The first song Ernesto recorded in that session was released a few days later as the first single from Keith Urban‘s 2013 chart-topping album, Fuse. The song, “A Little Bit of Everything,” reached number one on the country charts. “Raise ‘Em Up,” a duet
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ELITE STUDENTS 24 +WEEKS 700 HOURS
ONE DREAM CAREER
with Eric Church, was the second song Ernesto engineered, and it also reached number one. Ernesto has also engineered for Lady A, Cam, Martina McBride, Mickey Guyton, Kesha, OAR, and Snoop Dogg.
LUCAS GLENNEY-TEGTMEIER
INSTRUCTOR/STUDIO ENGINEER
Lucas Glenney-Tegtmeier is a University of New Haven alum. After graduation, he moved to Nashville and became a member of the engineering staff at Blackbird Studio. Lucas has worked on projects for recording artists such as Willie Nelson, Kane Brown, Thomas Rhett, Keith Urban, Jason Isbell, JoJo, Yelawolf, Elle King, Carrie Underwood, Lady A, Cam, and Sasha Sloan. Lucas has also worked as an audio technician at the Schermerhorn Symphony Center in Nashville – where he assisted the Nashville Symphony and their featured artists, including Kellie Pickler, Chris Daughtry, Branford Marsalis, Michael W Smith, CeCe Winans.
SCOTT BREWER
DIRECTOR OF LIVE SOUND
Scott has been a musician for over twenty years and started his career playing in bands before moving to the other side of the console. Scott studied at Guildford Technical College in North Carolina, where he double-majored in 18
Recording Engineering and Concert Sound & Lighting. At the time, Scott freelanced for production companies and the local IATSE (International Alliance of Theatrical Stage Employees). This work led him to a gig with Imagine Design and Productions, where he was an audio engineer, systems designer, and installer. Scott joined The Blackbird Academy to teach live sound in 2017.
RICH FLORA
LIVE SOUND INSTRUCTOR
Rich Flora came to The Blackbird Academy from Clair Global, where he worked both in IT and as an audio engineer for over 27 years. Before joining Clair, Rich had positions in all aspects of audio and electronics. Besides sound engineering, he has worked as a lighting director, a radio broadcast engineer, and an A/V Tech for a top 50 law firm. Rich has engineered for many bands but spent most of his time on the road with Little Texas and Collin Ray.
BLAIR GALLIMORE
HR DIRECTOR/ACCOUNTS MANAGER
Blair Gallimore is the Human Resources Director for The Blackbird Academy and Accounts Manager for Blackbird Studio. Blair graduated from Belmont University in 2009 with a Music Business degree. While at Belmont, she interned at Blackbird Studio and ultimately was hired
as the Client Services/Administrative Assistant. Blair has been in her current role since 2017.
AMBER GRAY
CAREER SERVICES MANAGER
Amber assists our studio and live sound engineering students in their pursuit of internship/job opportunities. She provides career advising services, including resume/cover letter writing, interview prep, application assistance, networking, and job search strategies. Amber is the liaison with our employer clients, and her outreach efforts create new employment opportunities for our students and alums. Amber holds a Bachelor’s degree from the University of Arkansas and an Associate’s degree in Audio Engineering from SAE Institute.
MARIAN MATTHIS
DIGITAL MARKETING DIRECTOR
Marian manages the social media channels and websites for The Blackbird Academy and Blackbird Studio. Before joining Blackbird, Marian was a contract marketing/graphic design/website pro and an executive at The Tennessean newspaper in Nashville. She has a BS in Marketing from Murray State University in Kentucky and an MBA from Vanderbilt University.
WE CONCENTRATE ON DOING, INSTEAD OF TALKING ABOUT IT.
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GETTING TO THE BLACKBIRD ACADEMY ADMISSION REQUIREMENTS Students applying for admission to The Blackbird Academy must have a minimum of a high school diploma or GED-equivalent. A prospective student must submit an official copy of their high school transcripts or GED upon completion of their admission application. Non-accredited schools or those not approved by the Board of Education may not be acceptable; please check with your admissions representative before paying/attending any of these courses. Two letters of recommendation (from an employer, instructor or audio professional) are required, as well as two essays of 500 words each. An interview will be conducted either in person or by phone upon receipt of the admission application. The Blackbird Academy reserves the right to request corroborating information in addition to the application prior to the final determination of acceptance and/or admission.
IMPORTANT DATES The Blackbird Academy’s programs have four starts in a calendar year, each running six months in length. 20
2024–2025 Start Dates January 8, 2024 April 8, 2024 July 8, 2024 September 30, 2024
January 6, 2025 April 7, 2025 July 7, 2025 September 29, 2025
Holidays Students will have the following holidays for the next two calendar years: Spring Break: Summer Break: Thanksgiving: Winter Break: Spring Break: Summer Break: Thanksgiving: Winter Break:
Mar 30 - Apr 7, 2024 Jun 29 – Jul 7, 2024 Nov 28 – Dec 1, 2024 Dec 21, 2024– Jan 5, 2025 Mar 29 – Apr 6, 2025 Jun 28 – Jul 6, 2025 Nov 27 – 30, 2025 Dec 21, 2025 – Jan 4, 2026
PROGRAM COST The cost of attendance is composed of charges billed directly to you by The Blackbird Academy as well as indirect costs that go along with attending school. The current tuition, including iPad with all educational materials included is: Studio Engineering Program: $23,100 Live Sound Engineering Program: $23,100
PAYMENT OPTIONS Please contact the Admissions Dept.
regarding payment options and payment of tuition. Cash payments and/or a payment plan may be used to fund your education. This option maybe used in combination with other financial assistance. VA Benefits Eligible.
REFUND POLICY Refunds Due to Cancellation: Students who are rejected by the college or cancel the application within three (3) business day’s of receipt of the application fee are entitled to a 100% refund of any fees/tuition paid. Students who have not visited The Blackbird Academy prior to sending in application will have three (3) business days following their visit to cancel and receive a 100% refund. Under any other circumstances, the $75 application fee is retained by The Blackbird Academy. If a student is terminated, withdraws or otherwise fails to complete the program(s) and has received any form of financial assistance while enrolled, the financial institution will determine the refunds (if applicable) that will be given.The date from which the refund is calculated is the last date that a student attended a class. Refunds will be made within thirty (30) days of the date The
Blackbird Academy determines that the student has withdrawn. The original source that the monies were received dictates the entity of how the monies will also be refunded. In the event of a students prolonged illness, accident, death in the family or other circumstances that make completion of the program(s) impossible or impractical, the school will attempt to make a fair and reasonable settlement.
REFUNDS DUE TO WITHDRAWAL WEEK
% OF REFUND (less application fee)
Before Class Begins Weeks 1 - 3 Weeks 4 - 6 Weeks 7 - 12 Weeks 13 - 24
100% 75% 50% 25% 0%
MAKE CONTACT
start on their careers. While students may hold jobs to help support themselves while they’re in the program, the focus once they leave should be on finding a promising job in the audio industry. The Career Services Manager can help students make contact at many studios, live sound companies, manufacturers and more, where students may interview once they leave the program. To qualify, you must have met the course’s graduation prerequisites, and honored all predetermined financial arrangements.
FOLLOW e
Call: Fax: Email: Web:
615-385-2423 615-251-8787 info@theblackbirdacademy.com www.theblackbirdacademy.com
Facebook: TheBlackbirdAcademy Twitter:
@BBArocks
Instagram: @TheBlackbirdAcademy
STUDENT HOUSING PLACEMENT ASSISTANCE The Blackbird Academy is a microcosm of the audio recording industry, and networking with other students, teaching staff, and guest lecturers begins immediately upon enrolling in the Academy. During a student’s stay at the Academy, students will be exposed to many expert panels, mentoring sessions both live and online, remote interviews, and other resources to help students get a head
The Blackbird Academy has arranged different lease options with several local apartment complexes for incoming students. Admissions Representatives can also assist students with a roommate list if you would like a roommate to help lower expenses. The resource links below can also help guide you through the many housing choices in the Nashville area. Housing Resources: Apartments.com – https://www.apartments.com/nashville-tn/ Apartment Finder – https://www.apartmentfinder.com/Tennessee/Nashville-Apartments ApartmentGuide – https://www.apartmentguide.com/apartments/Tennessee/ ForRent.com – https://www.forrent.com/find/TN/metro-Nashville/Nashville
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WHAT THE EXPERTS SAY ABOUT THE BLACKBIRD ACADEMY
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KEITH URBAN
VANCE POWELL
PATRICK CARNEY
Recording Artist, Songwriter, Musician
Grammy-Winning Recording Engineer
Drummer, The Black Keys
“
IF YOU ARE THINKING ABOUT GOING ANYWHERE FOR AN AUDIO SCHOOL, THIS IS THE PLACE...IT’S THE EPICENTER OF RECORDING IN NASHVILLE AND PEOPLE FROM OUTSIDE COUNTRY MUSIC ARE ALL COMING HERE TO RECORD AS WELL.
”
“
IF YOU ARE GOING TO GET AN EDUCATION IN THIS BUSINESS, THIS IS THE BEST SET OF ROOMS TO BE DOING IT.
”
“
IF YOU ARE INTERESTED IN LEARNING HOW TO RECORD OR MIX LIVE SOUND ... FROM SOME OF THE BEST PEOPLE IN THE GAME, I WOULD RECOMMEND GOING TO THE BLACKBIRD ACADEMY.
”
DON WAS
SHERYL CROW
TIM MCGRAW
MARC ROBERGE
Grammy-Winning Producer, Musician
Recording Artist, Songwriter, Musician
Recording Artist, Songwriter, Actor
Recording Artist, Musician, O.A.R.
“
TO BE ABLE TO LEARN IN THAT ENVIRONMENT…MAN, YOU ARE GONNA HAVE THE BEST SHOT OF AN EDUCATION IN RECORDING THAT YOU’RE GONNA HAVE ANYWHERE.
”
“
[STUDENTS] ARE GOING TO WALK IN HERE, BE EXCITED ABOUT LEARNING, AND REALLY LEARN WHAT IT TAKES TO MAKE A RECORD…IF I HAD SIX MONTHS TO DEDICATE TO COMING TO THE BLACKBIRD ACADEMY, I WOULD SO BE HERE.
“
IF YOU ARE LOOKING FOR A PLACE TO LEARN ALL YOU CAN ABOUT AUDIO, THEN THE BLACKBIRD ACADEMY IS THE PLACE YOU NEED TO BE.
”
“
COMING TO THE BLACKBIRD ACADEMY WOULD BE THE BEST DECISION YOU EVER MADE, IF YOU WANT TO BE IN THE REAL MUSIC BUSINESS.
”
”
To see the complete interviews, visit www.theblackbirdacademy.com/testimonials
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LOCATED AT: 2806 AZALEA PLACE, NASHVILLE, TN 37204 LENGTH OF PROGRAM: SIX MONTHS (HOURS CAN VARY FROM 9AM – 12AM CURRENT TUITION: $23,100
WEEK 1: INTRO, LISTENING, RECORDING, CAREERS & PROFESSIONALISM
Introduction to staff and instructors, Blackbird Studio tour and technical orientation. Orientation and preparation. Ears-on listening, introduction to Pro Tools. Overview of recording processes, hands on recording, care and handling of gear. Overview of careers. Guest speakers and field trip visits, in person or online. WEEK 2: SIGNAL FLOW, MIXING CONSOLES, CAREERS & PROFESSIONALISM
Careers overview continued. Mixing console and patching systems. In-depth examination of signal flow and troubleshooting. Comprehensive study of the API 1608 mixing console. Ears On and Hot Seat challenges. Guest speakers and visits, in person or online. Test. 24 24
WEEK 3: STUDIO ORIENTATION
WEEK 5: MICROPHONES
Familiarization with rooms, monitors, patch bay, console and outboard gear. Microphone reports: Daily, hands-on work with a wide range of tube, solid state, dynamic, and condenser microphones. Hands on: Session pre-production, signal flow, working with consoles, OB gear, and summing systems.
Microphone types, design, uses and placement for both studio and live recording environments. Compare and contrast microphones both classic and modern, and their placement. Classroom workshops from microphone company representative(s). Demos and workshop, mic shootouts, testing and mic recognition. Guest speakers and visits, in person or online, ears-on listening, Pro Tools exercises. Test.
WEEK 4: STUDIO ORIENTATION - II
Building on Week 3. Concentrating on tube microphone setup and care. Compressor & EQ reports: Daily, hands-on work with a wide range of tube, and solid state processors. Familiarization with rooms, monitors, patch bay, console and outboard gear. Setting up for overdub scenarios. Written and patch bay exam.
WEEK 6: MUSICAL INSTRUMENTS & MICROPHONE TECHNIQUES
Learn from specialists about tuning, setup and aspects of different instruments including drums, acoustic, electric and bass guitars, vocals and more. Hands-on recording sessions: microphone and recording techniques, microphone
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WEEK 10: ACOUSTICS AND SIGNAL PROCESSING
In-depth investigation of multiple aspects of musical acoustics: time and space, frequency, timbre, amplitude, etc. Signal processing of all types: delays, equalization, pitch-based effects, compression, gating, limiting and more. Continued Pro Tools, signal flow, ear training, critical listening, etc. Ethics of music technology. Tests. WEEK 11: TRACKING THE BAND IN STUDIO
Setup, testing gear and tracking a band in the studio I and II. Overdub and editing I and II. Rough mixes, cleanup and archiving. Midterm exam. WEEK 12: PRO TOOLS DRILLS, ACOUSTICS AND SIGNAL PROCESSING WEEK 8: TRACKING THE BAND IN STUDIO
comparisons, creative balanced/unbalanced conversions. Continuing Pro Tools and signal flow education, ear training and music education, testing drills. Guest speakers and visits, in person or online, ears-on listening exercises.
Recording a live band in studio, overdubs, edits, mixing and mastering projects from other students. End of week listening session for critiquing mixes. Tracking template instruction.
WEEK 7: TRACKING THE BAND IN STUDIO
WEEK 9: LIVE SOUND FACILITY VISIT
Familiarization with new room, monitors, patch bay, console and outboard gear. Hands on: Session Pre-Production, consultation with band, setup, testing, recording, overdub, mixing, Recording, mixing, mastering, and content delivery. Introduction to documentation, charts, and time keeping. Introduction to soldering on days 4 & 5.
The studio engineering students visit our live sound facility for 3 days to learn live audio sound basics, setup, power, FOH and monitor mixing. The live sound students visit the studio to learn studio session setup. Recording a live band in studio, overdubs, edits, mixing and mastering projects from other students. End of week listening session for critiquing mixes.
In class Pro Tools exercises and tests. Continued investigation and experimentation of acoustics and signal processing. Guest speakers and visits, in person or online. Earson critical listening. Test. WEEK 13: GUEST IN STUDIO
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Guest Engineer recording a live band in studio, overdubs, edits, mixing and mastering projects from other students. End of week listening session for critiquing mixes. WEEK 14: MIXING IN ANALOG/TAPE
Mixing to analog tape, tape editing, tape loops. Pitch correction software. Audio converter calibration, bit depth, plug-ins. Stereo mic techniques.
listening, Pro Tools exercises. Test. WEEK 17: SIGNAL PROCESSING IN THE STUDIO & INTRODUCTION TO ATMOS
Signal processing in the studio. Theory and use of EQ, Dynamics, Time based and hybrid processors. Compare and contrast plugins with Blackbird’s collection across various workflows, instruments, and vocals. Analog automation training. Near field monitor setup and mixing techniques. Microphone shootouts on various instruments. Introduction to mixing in Atmos. Automation and Compressor/EQ recognition test. WEEK 18: TRACKING THE BAND IN STUDIO
WEEK 15: ACOUSTICS & SIGNAL PROCESSING. HEARING, AUDIO ILLUSIONS/SUPERSTITIONS, STUDIO & MONITOR DESIGN
Continued education in acoustical science and audio signal processing. Study of hearing and its preservation, auditory illusions and superstitions. Binaural microphone demonstration. Introduction to acoustical design, studio design, soundproofing, etc. Guest speakers and visits in person or online, critical listening exercises. Test. WEEK 16: ACOUSTIC DESIGN AND MONITOR SYSTEMS
Continued exploration of acoustical design, studio design, soundproofing, etc. Monitor system design: amplifiers, loudspeakers, processing, analysis, etc. Guest speakers and visits in person or online, critical 28
Recording a live band in studio, overdubs, edits, mixing and mastering projects from other students. Listening session for critiquing mixes. Mix template instruction. WEEK 19: ADVANCED MIXING AND SIGNAL PROCESSING, MASTERING, AND MANUFACTURING. HISTORY OF RECORDING.
In-depth training and experience in the mixing process: philosophy, theories, tools and techniques. Guest speakers and visits in person or online, critical listening, mixing projects. Comprehensive history of recording technology and the recording industry. Project assignment. WEEK 20: CAREERS, BUSINESS, ENTREPRENEURSHIP AND INTELLECTUAL PROPERTY
Music business overview, business structures, career planning, entrepreneurship, job search, health and safety. In-depth coverage
of aspects of intellectual property law as they apply to the music business. Training in interpersonal skills. Guest speakers and visits in person or online, critical listening, etc. Project assignment. WEEK 21: ELECTRONIC MUSIC INSTRUMENTS AND PRODUCTION, SOUND FOR PICTURE, ETC.
Investigation and practice of various methods of electronic music production: synthesis, etc. History of the electronic musical instrument. Video game, film and TV audio, post-production, etc. Discussions with professionals in the field. Hands-on film scoring project, musique concrete project. Guest speakers and visits in person or online, critical listening, Pro Tools exercises, etc. WEEK 22: TRACKING THE BAND IN STUDIO
Recording a live band in studio, overdubs, edits, mixing and mastering projects from other students. Listening session for critiquing mixes. Mastering training. Final exam. WEEK 23: CAPSTONE
Speak with multiple guest mentors from different areas of the audio and recording world. Wrap up, critical listening exercises, recording projects. WEEK 24: TRACKING AND MIXING IN STUDIO
Recording a live band in studio, overdubs, edits, mixing and mastering projects from other students. End of week listening session for critiquing mixes. Mastering student projects.
LOCATED AT: 3318 AMBROSE AVE., NASHVILLE, TN 37207 LENGTH OF PROGRAM: SIX MONTHS (HOURS CAN VARY FROM 9AM – 12AM CURRENT TUITION: $23,100
WEEK 1: INTRO, COURSE OUTLINE, ELECTRICITY & ENTERTAINMENT POWER
WEEK 2: CABLES, CONNECTORS AND AUDIO ELECTRONICS
Orientation and Overview of Classes, Intro to Instructors, Tour of Live Sound Campus. Electricity and Entertainment Power: Introduction into DC and AC circuits, Overview of concepts associated with electricity: Volts, Amps, Ohms, Watts, Transformers, Reactance & Power Factor, etc., Overview of single phase and 3-phase power, Introduction to power connectors: Camloks, Pin Sleeve, Twistlock Hubble, True One & Powercon. Introduction to multimeters and other test equipment. Labs to include safe practices for hooking up and metering 3-phase power, connecting power distribution units and chain motor controllers.
Introduction to common cables and connectors used in pro audio: Microphone Splitters, Mass Connectors, Analog and Digital Snakes. Introduction to Balanced and Unbalanced audio connections. Introduction to basic audio electronics including resistors, capacitors, transistors, diodes and transformers. Transformers as they relate to direct boxes and audio splits. Introduction into Soldering. Labs to include basic soldering techniques, building & testing various audio cables. WEEK 3: MICROPHONES
Introduction to Microphones: Microphone operating principles: Dynamic, Condenser, Ribbon, Carbon. Microphone Polar Patterns:
Cardioid, Hyper and Super Cardioid, Omni, Bi-Directional and Shotgun. Common Mic Techniques, On-Axis vs. Off- Axis Coloration, Microphone Frequency Response. Labs to include applying microphone techniques to various sound sources and comparing. WEEK 4: ANALOG CONSOLES I
Analog Consoles Signal Flow, Flow Chart Symbols Identification, the Channel Strip, Auxiliary Sends, the Master Section, Signal Routing and Subgrouping. Incorporating Graphic EQ’s on Main LR Outputs, Inserting Dynamics Processing, Incorporating Time Based Effects. Labs to include applying analog console live signal routing and signal flow charts.
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© ALEX ALVAREZ PHOTO
WEEK 5: LIVE STAGE SETUPS
Introduction to common practices in Live Performance: Crew Positions: FOH, Monitors, System Tech, Production, Stage and Tour Managers. Stage Terminology: Stage Directions, Stage Plots and Input List, Line Check vs. Sound Check. Introduction to Analog Consoles, Signal Flow, the Channel Strip, Auxiliary Sends. Labs to include setting up a monitor console and wedges, incorporating Graphic EQ’s to the Aux outs, Basic Monitoring and using a Cue Wedge. WEEK 6: SOUND THEORY & ACOUSTICS
Introduction into sound theory and concepts associated with acoustics: Frequency, Wavelength, the Speed of Sound, Equal Loudness Contours, SPL meters, Dynamic Range, Noise Floor. Venue Acoustics and modeling of acoustic environments: RT60, Room Modal Analysis, Inverse Square Law, Decibels, White noise and Pink Noise. Introduction into Critical Listening. Common practices for sound control in room design. WEEK 7: AUDIO SIGNAL PROCESSORS
Building on previous lessons including Signal Flow of Frequency based, Amplitude based & Time-based processing. Identification of Filters, Shelving/Sweeping/Parametric Equalizers. Inserting, Side Chaining and use of Parallel Dynamics based Processors. Introduction to Multitrack Mixing and Common Mixing Techniques. Labs to include hands on application of Frequency based, Amplitude based & Time-based Processors.
WEEK 8: LIVE RECORDING, DAW’S & PRO TOOLS
Introduction to Digital Audio and Recording of a Live Performance. Introduction into Basic Networking, Dante, Dante Virtual Soundcard & Dante Controller. Introduction to Pro Tools: System Setup, Recording, Editing, Mixing, Applying Effects & Signal Flow. Labs to include hands on setup, operation and mixing of a project in Pro Tools. WEEK 9: STUDIO VISIT
The live sound students visit the studio for 3 days to learn recording, overdubs, edits,
mixing, and mastering of a live band in a studio setting. End of week listening session for critiquing mixes. The studio engineering students visit the live facility to learn live audio sound basics, setup, power, FOH, and monitor mixing. WEEK 10: DIGITAL CONSOLES I AND MIXING TECHNIQUES I
Introduction to Digital Consoles: Patching and I/O, Digital Connectivity, Latency, OnBoard Signal Processing, Saving, Copying & Pasting Presets, Snapshots and Scenes, Offline Editors. Consoles focused on this week are the Midas M32, Soundcraft Si Performer, Soundcraft Vi1 as well as others 31
depending on availability. Labs to include hands on exercises based on signal flow and mix techniques. WEEK 11: LOUDSPEAKERS, CROSSOVERS & AMPLIFIERS
Introduction to Loudspeakers, Crossovers & Amplifiers. Topics to include Moving Coil Drivers, Compression Drivers and Horns, Enclosure Types, Construction & Design, Dispersion Patterns, Active and Passive Crossovers. Amplifier Terminology: Power Rating, Class, Impedance, Modes of Operation (Stereo, Parallel, Bridged Mono). Discussion on common practices regarding connectivity of modern sound systems. WEEK 12: MID TERM WEEK
Comprehensive review of material covered in the previous 11 weeks in preparation for the mid-term exam. Practice for the mid-term practical exam. WEEK 13: SOUND SYSTEM DESIGN, CONNECTIONS & OPTIMIZATION
Review of Loudspeakers, Design & Construction, Horn Types, Multiple Point Sources, Comb Filtering, setting up a 2-Way System, Crossover Points, Filter Topology (Butterworth, Bessel, Linkwitz-Riley), Setting up a 3-Way or 4-Way System, Aux Fed Sub Systems, Sub Arrays, System Processors. Labs to include connecting and setting up P.A. System, configuring System Processors, and Sub Arrays WEEK 14: PERMANENT INSTALLS
Fixed Audio System Designs for use in a 32
Venue (Theaters, Schools, Bars, Churches, etc.), Audio Processing for Venues, Power Sequencing, Common Design Practices (Gear, Rigging, Remote Access), 70V Speaker Systems (Theory, Connectivity, Deployment using Software such as Ease Address), Designing a Sound System with a budget and deadline. WEEK 15: SYSTEM ANALYZERS & TROUBLESHOOTING
Introduction to System Analyzers & Troubleshooting Methods, Time Alignment, System Tuning Methods WEEK 16: LINE ARRAYS & RIGGING
Line Array History and Theory, Popular Configurations, Line Array Principles (Array Length, Driver Separation, Inverse Square Law), Array Configurations (Straight Line, Constant Splay, Progressive Splay), Rigging Gear (Aircraft Cable, Shackles, Spansets, Pear Rings), Rigging Points (Dead Hangs, Bridle Hangs) Labs to include rigging overview, flying and configuring a line array system.
WEEK 17: ANALOG CONSOLES II
Large Format Analog Consoles, Advanced Analog Signal Flow Concepts, VCA’s & Matrices, Mute Groups, Outboard Signal Processing (including Frequency, Amplitude & Time-Based Processing), Documenting Outboard Gear, Mixing Tip & Tricks, Recording a Live Mix using Pro Tools. WEEK 18: RF & IEMS
RF Theory, FFC Rules & Regulations, Types of Modulation, RF Frequency Bands, RF Signal Flow, Wireless Transmitters, Nondiversity, Diversity & True Diversity Receivers, Networking Wireless Devices. Wireless Antennas: Antenna Polar Patterns, Cabling and Connections, Antenna Splitters and Combiners, Antenna Deployment. Labs to include connecting wireless devices, controlling and monitoring remotely over network connection. WEEK 19: ADVANCED MONITOR SETUPS
Stage Monitor Mix Approaches, Wiring and Deployment of Stage Monitoring, Monitor Signal Flow, Wedge Configurations (Mono, Stereo), Optimizing Wedges for gain before feedback, IEM Mixing, Side Fills, Side Hangs, Communication Etiquette with Artist, Troubleshooting. Labs to include wiring and deploying several monitor configurations and creating a monitor mix. WEEK 20: DIGITAL AUDIO THEORY & NETWORKING
Digital Audio Theory, Analog to Digital Converters, Digital to Analog Converters, Sample Rate, Bit Depth, Word Clocking,
Digital Audio Protocols, Linear Time Code, Computer Networking (IP addresses, Subnet Mask, Gateways, MAC Addresses, Network Switches), Audio Over Ethernet (Dante, AVB, AES50), MADI, AES/EBU. Labs to include connecting and networking various audio gear. WEEK 21: TOUR PRODUCTION AND MUSIC BUSINESS
Production, Stage and Tour Management, Band & Artist Management, Riders (Tech, Backline, Hospitality) Union Hands, Venue Management, Taxes, being your own boss, Sole Proprietorships, DBA’s & LLC. Resumes, Business Cards, Touring Etiquette, Buss & Tour Safety. WEEK 22: BACKLINE AND STAGE MANAGEMENT
Instrument Setup & Maintenance, Anatomy of a Guitar (Body & Neck, Bridge, Saddle & Nut, Tuners, etc.), Stringing Instruments, Truss Rod Adjustments, Tuning, Intonation & Action, Effects Pedals Signal Flow, Effects Loops, Amplifier Demos & Mic Techniques, setting up a Drum kit, Changing Drumheads, Drum Hardware. WEEK 23: DIGITAL CONSOLES II AND MIXING TECHNIQUES II
Advanced Digital Signal Flow Concepts, Large Format Digital Consoles, Advanced Signal Routing (Matrix Mixers, Auxiliary Sends, Subgrouping, DCA’s, Control Groups, Snapshot Automation), Offline Editors. WEEK 24: RECAP AND FINAL EXAMS 33
WHAT THE GRADS SAY ABOUT THE BLACKBIRD ACADEMY
DAVID LOY
“
THANKS TO THE EDUCATION AND CONNECTIONS I HAD RECEIVED IN THIS PROGRAM, I BEGAN TOURING EVEN PRIOR TO GRADUATING.
”
BRIT YEOMANS
“
THE BLACKBIRD ACADEMY REALLY KICKSTARTED MY AUDIO CAREER IN THE BEST WAY. THE SCHOOL’S HANDS-ON APPROACH QUICKLY GOT ME FROM ‘WHAT DOES PHASE MEAN’ TO AN EMPLOYEE FOR THE WORLD’S GREATEST SOUND COMPANY UPON GRADUATION!
”
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JAVONNII CURRY
“
I SPECIFICALLY CHOSE THE BLACKBIRD ACADEMY BECAUSE I KNEW THAT IT WAS GOING TO PROVIDE THE BEST QUALITY EDUCATION IN TERMS OF AUDIO, AND IT PAID OFF. IT WAS SUCH AN AMAZING EXPERIENCE AND I’VE LEARNED SO MUCH. I DID BOTH PROGRAMS AND GRADUATED MARCH, 2017.
”
MATT WOLACH
RACHEL ROZZI
“Attitude is 99% of the gig.”
“
THIS IS HANDS DOWN, THE BEST AUDIO SCHOOL IN THE WORLD!!! IF YOU ARE LOOKING FOR A CAREER IN THE MUSIC INDUSTRY, THE BLACKBIRD ACADEMY IS A MUST.
”
“
BLACKBIRD WAS VERY INSTRUMENTAL IN HELPING ME START MY CAREER IN LIVE AUDIO.
”
– John McBride Founder/President/Institutional Director
a new standard of excellence in audio education
2806 Azalea Place
Nashville, Tennessee 37204
615.385.2423
© NATHAN SEXTON PHOTO
www.theblackbirdacademy.com
