THE SEASONAL YEAR THROUGH FILM

The Seasonal Year

Paterson, dir. Jim Jarmusch

Jim Jarmusch’s Paterson is a circling tree crested path; a testament to human nature in its constant growth and self-destruction. Taking place in Paterson, New Jersey, Jarmusch offers a week in the life of bus driver and poet Paterson (Adam Driver), with his romantic partner Laura (Golshifteh Farahani). Paterson lives as a passive observer, finding pleasure in listening to the conversations of others that are filled to the brim with the imperfections and truths of real ones. Laura is at the centre of his life, and in many ways his complementary opposite; an eccentric who lives artfully inciting change. These parts of Paterson’s life bring him creative harmony as a poet. With its playful humour, gentle colour scheme and atmospheric but striking score, there is no need to understand its many double meanings to find Paterson a warm, refreshing watch.

NICHOLAS CARLEAN

(500) Days of Summer, dir. Marc Webb

(500) Days of Summer is one of those films that can never fail to lift your mood. As a love story that has not only an incredible soundtrack but also manages to blur the line between sentimental and quirky ever so well, (500) Days of Summer is a brilliant film for those summer days where everything seems to be going well. With Zooey Deschanel and Joseph GordonLevitt in the lead roles, it’s unsurprising that the film was (and continues to be) such a popular choice for a rom-com. Protagonist Tom (Gordon-Levitt) sets the film out to be a challenge. Summer (Deschanel) doesn’t believe in love, yet Tom strives to change this seemingly stubborn view through the power of love and happiness. The film contains an abundance of musical influences, and that musical scene is just one of the most summery and exciting scenes in cinematic history-making (500) Days of Summer a must for a seasonal film. Never mind the fact that she is literally called Summer, but that would maybe be a bit too obvious!

KATIE EVANS

THROUGH FILM

Boyhood, dir. Richard Linklater

Although the autumn season is well known for Halloween and nights growing longer, it also symbolises change as bright green leaves turn into brown and fall off trees. Boyhood, Richard Linklater’s epic coming-of-age drama is a representation of change as we witness Mason grow as a 6 year old into a young adult at 18 with extraordinary subtlety. Linklater has already dealt with the passage of time before through the romance of Jesse and Céline in his Before Trilogy, but Boyhood does not situate itself with causality and instead relishes in ambling through the simpler side of life - playing video games, your first teen romance, quality time with parents before packing your bags and heading off to college. But it’s only towards the end when Mason drives off to college where the penny drops and you realise what you have just watched in the previous two hours that everyone can relate to: the universal transition from childhood into adulthood.

THEO SMITH

Happiest Season is a romantic comedy following the story of couple Abby (Kristen Stewart) and Harper (Mackenzie Davis) as they spend time at Harper’s parents house despite Harper’s conservative parents being completely unaware of her sexuality. The film follows the storyline of every Christmas film, but the representation of a lesbian couple is what makes this movie a standout in the Christmas genre. The movie captures the difficulties of coming out to parents, but also has many laughable feel-good moments. For example, when Abby’s friend John (Dan Levy) says to Abby “have they ever met a lesbian?” When Abby tells John, Harper’s parents think she is straight. The movie is superb, and Kristen Stewart does the role justice. Finally, there is some representation of same-sex couples in the Christmas movie genre who are not side-characters or side plotlines, they are the main story and will hopefully change the face of Christmas films.

MORGAN MCMILLAN

Happiest Season, dir. Clea DuVall