Theerapa Mekathikom Interior Architecture and Design Portfolio 2014-2015
Copyright Š 2015 All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, without the written permission of Theerapa Mekathikom Theerapa Mekathikom Phone: (650) 284-8634 E-mail: tmekathikom@gmail.com Web: www.issuu.com/theerapa.m Academy of Art University Address: 79 New Montgomery, San Francisco, CA Department director: Laura Blumenfeld Course: IAD 450 Portfolio Preparation Print: ARCH BRYANT Address: 945 Bryant Street, San Francisco, CA, 94103 Phone: (415) 495-8700 Book Bindery: The Key Printing And Binding Address: 2736 16th St, San Francisco, CA 94103 Phone: (415) 671-2233
THEERAPA MEKATHIKOM
4
Special Thanks I would like to express my deepest gratitude to all of my family, friends, faculty for challenging and supporting me. To my mom, who looks after me from the far far away land, and the inspiration for me to get out and explore the world. To my dad, who has always been by my side and encorage me to do what I believe in. You are the best dad that anyone can ever ask for. To my brother, who always tells me to trust in myself, encorage me, always there and give me the motivations when I needed it. To my sister-in-law, who always listening to what I had to say and make sure that I was always well-fed. To niece and nephews, you are my power! Thank you. To my instructors; Molly Ness, Felix Goebel, David Gill, Ernest Mariotto, Stephanie Smith-Haenel, Serena Zanello, A. Roger Ricketts and Chamindri Wijemanne. Thank you all very much for your guidance, you made me the designer I am today. To my friends, Nathaporn Apiwanopas, Kulsiri Kriangkrai, Lalita Wongbusarakhum, Jinatpak Kietvuttinon, Minji Lee, Jenny Bergren, Ariel Chang, Branigan Chuang, Hao Lu. Thank you all for being supportive since the first day we have met.
5
6
CONTENT USTREAM TV OFFICE
01
KHAO-YAI RESIDENCE
17
OLD NAVY POP-UP STORE
47
DOG EARED BOOK
61
MOSCONE CENTER EXPANSION
81
COMMERCIAL DESIGN> SUMMER 2014
RESIDENTIAL DESIGN> FALL 2014
RETAIL DESIGN> FALL 2014
RETAIL DESIGN> FALL 2014
FURNITURE DESIGN> FALL 2014
COSTONIA BOUTIQUE HOTEL
107
ABOUT ME / RESUME
143
HOSPITALITY DESIGN> SPRING 2014
7
1
“THERE ARE NO DREAMS TOO LARGE, NO INNOVATION UNIMAGINABLE AND NO FRONTIERS BEYOND OUR REACH.” - JOHN S. HERRINGTON
2
Location: 410 Townsend Street, San Francisco, CA Year: Summer 2014 Instructor: Serena Zanello Project Brief: Ustream TV office seeks to renovate their office in the SOMA neighborhood in San Francisco. The office consists of 74 employees . The existing office is an open plan workstation surrounded by 12 meeting rooms which each has their own theme, designed by the previous designers. Their main goal for this renovation is to make the office more welcoming to the company’s visitors and to create more privacy between the employees. Budget: $ 100,000
USTREAM TV OFFICE > COMMERCIAL DESIGN
COMMERCIAL DESIGN
USTREAM is an interactive web streaming company, which began by connecting soldiers with their families. Their future vision is to empower businesses and societies to be more transparent, more productive, and create deeper relationships through the power of video.
The design goal for this renovation is to express forward movement and the feeling of speed. The user will experience dynamic movement from the wall and ceiling as they are walking into the space.
PROJECT
1
2
3
4
5
6
USTREAM TV OFFICE
The concept for this proposal derived from an interpretation of the company’s vision. Ustream is a place where people express knowledge or thoughts and promote new inovation. Their actions impact society and move it into the next step.
When visitors enter the office , they will be greeted by the receptionist. Behind the receptionist is a lenticular wall panel which shows the concept of the design and the company’s logo. The front of the reception desk is made out of a lenticular len to create the dynamic affect for visitors.
5
6
The workstations in this proposal can be divided into 2 types, on the left side is the location for the CEO and other executives as well as finance department which has a translucent screen separates them from the rest of the workstations to create more privacy from the rest of the employees due to the sensitive subjects of their work. On the right hand side is the location for other employees. The original brick wall on the left is painted with light blue to brighten the space. The gradient of the wall on the right creates an dynamic feeling that wraps around the space. In The middle is the location of two meeting rooms.
7
8
COMMERCIAL DESIGN USTREAM TV OFFICE 6 5 4 3 PROJECT
1
2
1 3 5 FT. 0 2 4 6
The two meeting rooms in the middle of the office creates a noise buffer zone between two groups of workstaions as well as a medium size meeting room (114), which acts as a noise insulation from kitchen to work stations.
9
COMMERCIAL DESIGN USTREAM TV OFFICE 6 5 10
1 PROJECT
The collaborative spaces are added along the window for employee’s leisure and when they prefer to work in a group and outside the meeting rooms. The conference room can be open to the collaborative space in case of a townhall meeting which the office holds every month. The space plan A shows the regular furniture layout, and the space plan B shows a furniture layout for the townhall meeting.
2
3
4
1 3 5 FT. 0 2 4 6
The view of the collaborative space when it transforms into town hall meeting space. The bi-folding doors of the conference rooms are open and the furniture rearranged. On the left is a stand workstation, the Buzzihood, which not only can be use for work, but also for employees to take their private phone call.
11
12
13
PROJECT
1
2
3
4
5
6
USTREAM TV OFFICE COMMERCIAL DESIGN
COMMERCIAL DESIGN USTREAM TV OFFICE 4
5
6
FLUORESCENT LIGHT
14
PROJECT
The LED light bars are installed throughout the space to create dynamic lighting movement in the space.
1
2
3
1 3 5 FT. 0 2 4 6
COMMERCIAL DESIGN USTREAM TV OFFICE PROJECT
1
2
3
4
5
6
Meeting rooms are named after countries and decorated accordingly as requested by the client. The names of the rooms are created with lenticular panels which allow employees to experience the visual movement of the panels. The pattern on the panels is a map of the city which each room represents. The map was created by cities.human.co by mapping transportation movement throughout each city including walking, biking and cars.
A buoy chairs are placed around the office for employees to sit wherever they desired
15
16
17
“ LIFE IS LIKE A WATERFALL, IT IS ALWAYS MOVING AND THERE IS ALWAYS AND UNEVEN FLOW IN IT. ”
- SOOHOO
18
Location: Khao Yai, Saraburi Province, Thailand Year: Fall 2014 Instructor: Ernest Mariotto Project Brief: This proposal is for a family get away home in Saraburi province, Thailand. The owner of the house wants a vacation and retirment home that they can share with their children and grandchildren.
KHAO YAI RESIDENCE > RESIDENTIAL DESIGN
RESIDENTIAL DESIGN
Kao Yai is a mountain area that covers 4 provinces in the North-East part of Thailand. The region is very well known for its natural environement and nice weather. Only one and a half hours from Bangkok, the capital city of Thailand, Kao Yai, is a weekend destination for Thai families.
PROJECT
1
2
3
4
5
6
KHAO YAI RESIDENCE
The concept of this house, waterfall, is inspired by the nature of Kao Yai national park. The house reminds the owner the cool breeze, the flow of the wind and the cool mist of the waterfall.
21
22
23
RESIDENTIAL DESIGN KHAO YAI RESIDENCE
Saraburi Province:
- Saraburi Province located one and a half hours from Bangkok - The province is known for having nice cool weather.
PROJECT
1
2
3
4
5
6
Client Facts:
- 55 year old couple: Morn and Pon - The couple has 3 children and 5 grandchildren. - Looking for a retirement home and a vacation home for their children and grandchildren - Pon is a university professor. He enjoys reading, gardening ,and he is looking forward to making this house into a small corn field. He likes having space where he can work on his small carpentry project. - Morn is a employee of a private financial company. She also enjoys reading and coffee. She likes arts and crafts like scrap booking to knitting. - They both want a place where they can be able to see the view from their bedroom and their workstation.
24
RESIDENTIAL DESIGN
KHAOYAI RESIDENCE
KHAO YAI RESIDENCE
108
109 101
107 104
105
106 101 ENTRANCE 102 GUESTROOM 103 WORKSTATION 104 LIVINGROOM 105 READING AREA 106 DINING AREA 107 STORAGE 108 MAID BEDROOM 109 KITCHEN
5
6
PATIO
0
2 1
4 3
6
FT.
5
PROJECT
1
2
3
PLAN PLAN FIRST FLOOR FLOOR SPACE
103
N
4
102
25
RESIDENTIAL DESIGN
KHAOYAI RESIDENCE 109 101
KHAO YAI RESIDENCE
102
107 104
105
106 101 ENTRANCE 102 GUESTROOM 103 WORKSTATION 104 LIVINGROOM 105 READING AREA 106 DINING AREA 107 STORAGE 108 MAID BEDROOM 109 KITCHEN
PATIO
4
6
FT.
3
4
5
2
3
1
2 1
PROJECT
0
5
N
FIRST SPACEPLAN PLAN FIRST FLOOR FLOOR SPACE
103
6
108
26
RESIDENTIAL DESIGN
KHAOYAI RESIDENCE 202 204
KHAO YAI RESIDENCE
203
206
201
201 BREAKFAST CORNER 202 SECOND BEDROOM 203 SECOND WORK AREA 204 THRID BEDROOM 205 MASTER BEDROOM 206 MASTER BATHROOM
4
0
2 1
4 3
6
FT.
5
PROJECT
1
2
3
SECOND FLOORSPACE PLANPLAN SECOND FLOOR
N
5
6
205
27
RESIDENTIAL DESIGN
KHAOYAI RESIDENCE 202 204
206
KHAO YAI RESIDENCE
203
201
201 BREAKFAST CORNER 202 SECOND BEDROOM 203 SECOND WORK AREA 204 THRID BEDROOM 205 MASTER BEDROOM 206 MASTER BATHROOM
N
6
FT.
4
4 5
3
3
2
2 1
1
0
PROJECT
SECOND FLOOR SPACE PLAN
5
6
205
28
29
30
RESIDENTIAL DESIGN
The wave glass connects the first floor to the second floor. It is inspired by the water fall stream which moves from higher ground to lower ground. The panel for the TV can be rotated to accomodate both reading space and living room space.
PROJECT
1
2
3
4
5
6
KHAO YAI RESIDENCE
DINING ROOM AND READING SPACE
31
1 32
33
RESIDENTIAL DESIGN PROJECT
1
2
3
4
5
6
KHAO YAI RESIDENCE
KITCHEN A stone partition seperates the kitchen from the entrance. Some of the stone, they placed to demonstrate falling stones. The kitchen island is used as a bar or eating area. The material for the countertop is black granite and reclaimed wood is used for the island and shelves.
34
RESIDENTIAL DESIGN
A large sofa is necessary for all the friends and family that frequently visit. The rope partition separates living space and working space.
PROJECT
1
2
3
4
5
6
KHAO YAI RESIDENCE
LIVING ROOM
35
36
37
RESIDENTIAL DESIGN PROJECT
1
2
3
4
5
6
This breakfast corner is located on the mezzanine floor of the house. The couple use it for relaxing in the morning.
KHAO YAI RESIDENCE
BREAKFAST CORNER
38
RESIDENTIAL DESIGN
The second floor studio has large working tables suitable for arts and crafts. The table is looking out to the view for relaxating.
PROJECT
1
2
3
4
5
6
KHAO YAI RESIDENCE
SECOND FLOOR STUDIO
39
40
41
42
43
RESIDENTIAL DESIGN
MASTER BEDROOM
PROJECT
1
2
3
4
5
6
From the master bedroom, the owners can see the beautiful view of Khao Yai hills.
KHAO YAI RESIDENCE
BATHROOM ELEVATION
44
PROJECT
1
2
3
4
5
6
SECOND BEDROOM ELEVATION
45
KHAO YAI RESIDENCE RESIDENTIAL DESIGN
46 PROJECT
1
2
3
4
5
6
KHAO YAI RESIDENCE
RESIDENTIAL DESIGN
47
“LIFE IS A FREE CIRCUS. ALL YOU HAVE TO DO IS PAY ATTENTION.”
- BILL COPELAND
48
Location: 359 Grant Avenue, San Francisco, CA Year: Fall 2014 Instructor: Mille Kwong Project Brief: A pop-up store for the apparel brand Old Navy. It will showcase the company’s brand and enhance the concept of Old Navy to the public. The pop-up store will be located in San Francisco’s Chinatown area.
OLD NAVY POP-UP STORE > RETAIL DESIGN
RETAIL DESIGN OLD NAVY POP-UP STORE PROJECT
1
2
3
4
5
6
Inspired by the ideal target group of Old Navy (a married woman with at least one child), the concept of this pop-up store is “carnival�. Carnival is a place where family and friends can have quality time together, which will enhance the relationship between friends and family. The main priority for this pop-up store is to conceptually stimulate the energetic and colorful atmosphere from regular carnival, along with creating activities that shoppers can engage, and at the same time showcase the concept of Old Navy and their products. As customers walk into the store, the design and four activities, not including regular shopping, will leave the customers a unique and memorable experience after they leave the store.
51
52 PROJECT
1
2
3
4
5
6
OLD NAVY POP-UP STORE
RETAIL DESIGN
RETAIL DESIGN
Theerapa Mekathikom IAD 620 Retail Design Fall 2014
Old Navy Pop-Up Store 10
7
9
2 3
OLD NAVY POP-UP STORE
5
1
8
6 2
4
FLOOR PLAN Floor Plan
Scale 1/4”=1’-1 0” 3 0
2
4
1
5 FT.
1 = Entrance stage 6 = Interactive screen 2 = Computer station 7 = Fitting room 3 = Performance stage 86 = Break room/storage 1 = Entrance Stage = Interactive screen The customers will experiece four activities in this store. The 4 = Cash wrap 9 = Restroom 2 = Computer station 7 = Fitting room first activity is the performance stage. The second is the 3 = Performance stage 8 = Break room/storage “Find Me” kiosk. The third is the merchandise gears, and 5 = Merchandise area 10 = Electrical 4 = Cash wrap 9 = Restroom 5= Merchandise area
The ambient light in the space is from the fluorescent light that shines through the translucent patterned acrylic. The products and kiosks are accented with spot lights that hang from the ceiling and give an industrial feeling. Pendant lights with colorful chains are placed around the store.
PROJECT
1
2
3
4
5
6
the last is the interactive screen.
53
10 = Electrical
Old Navy Pop-Up Store
Theerapa Mekathikom IAD 620 Retail Design Fall 2014
OLD NAVY POP-UP STORE
Old Navy Pop-Up Store
REFLECTED CEILING Reflected Ceiling PLAN Plan 5 FT. Scale 1/4”=1’-1 0” 3
Recessed light
Recessed light
Symbol Symbol
Track light Type Type
Name Pro Track Black Track Kit Name
Name
Lithonia EJS 2-Lamp 2- lamp fluorescent Pro track black 28W T5 Fluorescent Track light Pro Track Black industrial with Track light track kit Industrial Track Kit Reflector reflector Fixture
Galaxy Galaxy hanging 4.375-in LED 6" Retrofit Hanging Light kit light chaing Chain
2- lamp fluorescent 2- lamp fluorescent inductrial with industrial with reflector reflector
LED kit LED6” 6" Retrofit Retrofit kit
Lithonis LithoniaEJS EJS2-Lamp 2-Lamp 28W 28WT5 T5Fluorescent Fluorescent Industrial Industrial Reflector Reflector FixtureFixture
Picture
Picture Picture
6
Picture Picture
Type
5
Pendant light Pendant light Recessed light
Symbol
4
Scale 1/4”=1’- 0” Galaxy 4.375-in Pendant light Hanging Light Chain Type Name Type Name
Picture
3
Type ReflectedName Ceiling Plan
1
Symbol Symbol
4
PROJECT
Symbol
2
2
0
RETAIL DESIGN
Theerapa Mekathikom IAD 620 Retail Design Fall 2014
54
55
56
RETAIL DESIGN OLD NAVY POP-UP STORE PROJECT
1
2
3
4
5
6
1 ENTRANCE / CASH WARP ELEVATION
2 MERCHANDISE AREA ELEVATION 57
Inner Gears Hangers
3’-0”
2’-6” 1’-0” 1’-6”
White pipe
58
PROJECT
The four colorful acrylic gear fixtures, inspired by a ferris wheel, are placed in the store to create a customer engaging experience with the merchandise.
The wall fixture is made with white PVC pipe and white wood for the base of each shelf.
1
2
Side
“Find Me” kiosks are placed in front of the store for customer’s exploration. When customer sees merchandise that they like, they will select the merchandise on the screen and the LED light strip on the wall fixture will light up to indicate the location of that merchandise.
6
1’-6”
Side
Handle
5
ating shelve
4
3’-0”
Outer Gear OLD NAVY POP-UP STORE
9’-0”
White Wood
3
LED light strip
RETAIL DESIGN
IAD 620 Retail Design Fall 2014
2’-0
Navy Pop-Up Store
59
RETAIL DESIGN PROJECT
1
2
3
4
5
6
This pop-up store carries graphic T-shirts and jeans from Old Navy to attract the target group.
OLD NAVY POP-UP STORE
MERCHANDISE AREA
60
61
“ WE KEEP MOVING FOWARD, OPENING NEW DOORS AND DOING NEW THINGS, BECAUSE WE ARE CURIOUS AND CURIOSITY KEEPS LEADING US DOWN NEW PATHS.”
- WALT DISNEY
62
Location: 900 Valencia Street, San Francisco, CA Year: Fall 2014 Instructor: Mille Kwong
Project Brief: This project is about renovating Dog Eared Book bookstore. They wanted to keep their artistic style which has become their brand for the past 23 years. They asked if we can provide more storage space to accomodate the increasing amount of customers and residents in the area.
Budget: Less than $100,000
DOG EARED BOOK > RETAIL DESIGN
RETAIL DESIGN
Dog Eared Books is located in the Mission District. The district is famous for its street arts, hip restaurants and coffee shops.
PROJECT
1
2
3
4
5
6
DOG EARED BOOK
The existing bookstore has its own charactoristic. Paper, arts and signs are placed randomly in the store, the whole store is a master piece of collage art, which is the concept for this proposal. The customer will visually experience the concept in the store and also physically engage with the shelves creating the collage affect in the store.
65
66 PROJECT
1
2
3
4
5
6
DOG EARED BOOK
RETAIL DESIGN
67
68
RETAIL DESIGN
DOG EARED BOOKS
THEERAPA MEKATHIKOM IAD 620 RETAIL DESIGN FALL 2014
1
DOG EARED BOOK
Ramp
3
4
2
Floor Plan FLOOR PLAN
Scale 1/4”=1’- 10”
2
3
4
5 FT.
1 = Entrance 1 = ENTRANCE DISPLAY Display 2 = GALLERY SPACE 2 = Gallory space 3 = CASH WRAP 3 = Cash Wrap 4 = MANAGER OFFICE 4 = Manager Office
PROJECT
1
2
3
4
5
6
0
Ramp
The ramps are used to provide a storage space under the floor where clear black acrylic is used as a cover, creating shelves on the floor. The cash wrap desk is located at the center of the store, as a result the employee can oversee the whole strore.
69
DOG EARED BOOKS
DOG EARED BOOK
RETAIL DESIGN
THEERAPA MEKATHIKOM IAD 620 RETAIL DESIGN FALL 2014
PROJECT
Square stools are provided in throughout the store for customers to sits and are encourage to move them when the bookstore hosts function events in the future.
1
2
3
4
5
6
Finish Plan MATERIAL AND FINISH PLAN 1 3 5 FT. Scale 1/4”=1’0” 4 0 2
70
THEERAPA MEKATHIKO IAD 620 RETAIL DESIG FALL 20
DOG EARED BOOK
RETAIL DESIGN
DOG EARED BOOKS
Pendant light “LA2 Conneted” with LED light
Reflected Ceiling Plan REFLECTED CEILING PLAN Scale 1/4”=1’- 10”
2
3
4
5 FT.
PROJECT
1
2
3
4
5
6
0
71
Fluorescent light 2’x2’ recessed fluorescent
RETAIL DESIGN
DOG EARED BOOKS L-Support to the wall
L-Support THEERAPA MEKATHIKOM IAD 620 RETAIL DESIGN the shelves
OG EARED BOOKS L-Support to the wall
DOG EARED BOOKS FALL 2014
NORTH ELEVATION L-Support to
Wall Fixture
the wall
Acrylic panels/ Signage Wood
L-Support the shelves
Acrylic Panels/Signage
ARCHITECTURE
Acrylic Letters Wall Fixture
Shelf SCIENCE Column
DOG EARED BOOK
Wood
Wood
L-Support the shelves
Translucent acrylic panels
Acrylic Panels/Signage 6 5
SCIENCE
c Panels/Signage
CHITECTURE
SCIENCE
Acrylic Letters
Translucent acrylic 72 panels
PROJECT
The wall fixture has acrylic panels that slide back and forth to create a collage effect. Some of the panels are used as signage to indicate the type of books in each area. The panels throughout the store are black and white except in the children area where the panels are blue, pink and green.
1
2
3
ARCHITECTURE
4
Fixture
Acrylic Letters
73
RETAIL DESIGN DOG EARED BOOK
CASH WRAP AREA
On the left of the cashwrap is the gallery space which integrates with the bookshleves.
PROJECT
1
2
3
4
5
6
The stools are placed around the store for customer seating.
74
RETAIL DESIGN
In this section of the store, the panels become more colorful to express the playfulness and encourage kids to slide the panels left and right, creating the collage effect.
PROJECT
1
2
3
4
5
6
DOG EARED BOOK
CHILDREN AREA
75
76
RETAIL DESIGN
DOG EARED BOOKS
THEERAPA MEKATHIKOM IAD 620 RETAIL DESIGN FALL 2014
Floor Fixture
Logo and Fixture partition L-bar to nail into the ceilng Metal frame
DOG EARED BOOK
Hook
String
WEST ELEVATION
The new logo of the Dog Eared Books is made out of string and frame creating an overlaying, collage affect.
PROJECT
1
2
3
4
5
6
L-bar to nail into the Floor
77
78 PROJECT
1
2
3
4
5
6
DOG EARED BOOK
RETAIL DESIGN
79
80
81
“IF YOU’RE ALIVE, YOU CAN’T BE BORED IN SAN FRANCISCO. IF YOU’RE NOT ALIVE, SAN FRANCISCO WILL BRING YOU TO LIFE.” - WILLIAM SAROYAN
82
Location: 747 Howard St, San Francisco, CA Year: Fall 2014 Instructor: Leif Petersson Project Brief: To design distinctive furniture for the future expansion of the Moscone Center in downtown San Francisco. the pieces are inspired by the surrounding site of San Francisco city. The furniture will be use in the convention space as well as the VIP lounge for visitors and at the same time tell the story of San Francisco and the Bay area.
MOSCONE CENTER EXPANSION > FURNITURE DESIGN
FURNITURE DESIGN
Each piece of furniture is inspired by the story of San Francisco combined with a predicted contemporary look of the year 2018, which is an abstract form of its inspiration. It is simplified, has clean lines, and has solid and vivid colors. The furniture also provides a sense of relaxation for visitors and at the same time tells the iconic story of the city.
PROJECT
1
2
3
4
5
6
MOSCONE CENTER EXPANSION
The Moscone Center is the largest convention and exhibition complex in San Francisco, California. It consists of three buildings; South, North, and West building. The expansion of the Moscone Center, San Francisco, is planned to be completed by 2018. The new design is said to be more inviting to welcome visitors. The exterior light facade design element creates a connection between inside and outside for pedestrians.
85
86 PROJECT
1
2
3
4
5
6
MOSCONE CENTER EXPANSION
FURNITURE DESIGN
TIP TOP
88
89
PROJECT
1
2
3
4
5
6
MOSCONE CENTER EXPANSION FURNITURE DESIGN
FURNITURE DESIGN PROJECT
1
2
3
4
5
6
The chair is suitable for the waiting area, lobby, hallway or lounge in the Moscone center. The upper portion of the chair creates a semi private space for the user, which is suitable for making private phone calls in the public space. In addition, the size of the chair will fill the large space at the Moscone Center.
MOSCONE CENTER EXPANSION
“TIP TOP� was inspired by the cone shape roof of the Victorian house, which is the one of the icons of San Francisco. This chair literally takes the form and minipulates it, which not only gives comfort to users, but also gives a sense of privacy.
90
FURNITURE DESIGN MOSCONE CENTER EXPANSION
Materials
2'
6"
Fabric
4'-3"
1" 3'-52
Foam 1" 32
2
3
4
5
6
Plastic
PROJECT
1
1'-4"
2'-5"
2'-8"
2'-8"
91
92
PROJECT
1
2
3
4
5
6
MOSCONE CENTER EXPANSION FURNITURE DESIGN
FULL SCALE VOLUMETRIC STUDY MODEL
93
PROJECT
1
2
3
4
5
6
MOSCONE CENTER EXPANSION
FULL SCALE ERGONOMETRIC STUDY MODEL
94 FURNITURE DESIGN
95
TOSS
96
97
PROJECT
1
2
3
4
5
6
MOSCONE CENTER EXPANSION FURNITURE DESIGN
FURNITURE DESIGN PROJECT
1
2
3
4
5
6
TOSS is suitable for the waiting area, lobby, hallway or lounge in the Moscone Center. The back of the chair creates a semi-private space for the user. In addition, the size of the chair will fill the emptiness of the large space at the Moscone Center.
MOSCONE CENTER EXPANSION
Inspired by the Gold Rush, “TOSS” captures the motion of the traditional method and pan that people use to find gold in the river.
98
FURNITURE DESIGN MOSCONE CENTER EXPANSION
Materials
Fabric 5'-8"
Foam 4"
Plastic or Wood
2
3
4
5
6
Plastic
PROJECT
1
1'
2" 2'
99
100
101
BLOW
102
103
PROJECT
1
2
3
4
5
6
MOSCONE CENTER EXPANSION FURNITURE DESIGN
FURNITURE DESIGN PROJECT
1
2
3
4
5
6
BLOW is a bar stool which suitable for the bar area in VIP lounge at the Moscone Center.
MOSCONE CENTER EXPANSION
“BLOW” is inspired from the shape of the sail boat which can be seen in the San Francisco Bay. Blow captures the moment when the wind hits the sail creating a beautiful arch shape that is an iconic image on the Pacific coast.
104
FURNITURE DESIGN MOSCONE CENTER EXPANSION
Materials
1'-6" 1'-2"
Fabric
1'-6"
1'-6" 1'
Metal wire 2'-6" 11"
1
2
3
4
5
6
Plastic
7"
PROJECT
6"
11"
105
106 PROJECT
1
2
3
4
5
6
MOSCONE CENTER EXPANSION
FURNITURE DESIGN
107
“I’M A STORYTELLER; THAT’S WHAT EXPLORATION REALLY IS ALL ABOUT. GOING TO PLACES WHERE OTHERS HAVEN’T BEEN AND RETURNING TO TELL A STORY THEY HAVEN’T HEARD BEFORE.” - JAMES CAMERON
108
Location: 1540 Broadway, Oakland, CA Year: Spring 2014 Instructor: Stephanie Smith-Haenel Project Brief: This extended stay boutique hotel located in downtown Oakland, responds to the needs of business neighborhood and promoting the characteristic of Oakland. The hotel provides international amenities, including coffee bar, business center, health club, and restaurant. The vision of this hotel is to become the new destination for locals, business workers and tourists.
COSTANOAN BOUTIQUE HOTEL > HOSPITALITY DESIGN
HOSPITALITY DESIGN COSTANOAN BOUTIQUE HOTEL PROJECT
1
2
3
4
5
6
Costanoan Boutique Hotel is located in downtown Oakland, California. “Downtown Oakland” refers to the area around City Hall, at Broadway and 14th Street. The surrounding buildings include federal buildings, offices, institutions, and retail shops. The area also has old buildings with Art Deco and Victorian styles. The new redevelopment plan of Oakland plans to add 10,000 units for new residents.
111
HOSPITALITY DESIGN
OVERVIEW OF OAKLAND OAKLAND OVERVIEW
Orinda
Berkeley
- Oakland is located in Alameda County, California. - The area is known as the East Bay because it is on the east side of the San Francisco Bay Area. - Population: 400,740 (2012) - The immigrants during 20th century and Afican-American industry wokers made Oakland the most ethinically diverse major cities in the country. - Oakland’s industries include food processing, transportation, software, telecommunications, pharmaceuticals, and electrical and high technology manufacturing.
Canyon
Oakland Alameda
San Leandro
PROJECT
1
2
3
4
5
6
COSTANOAN BOUTIQUE HOTEL
Emeryvile
113
1
3
7 8 3
1 1
5
HOSPITALITY DESIGN
Attractions 1. Paramount Theatre 2. Fox Theatre 3. Afican American Museum and Library 4. Jack London Square 5. Cathedral building 6. Oakland Museum of California 7. City Hall 8. City Center
3
2
5
Institutes 1. Cal State East Bay Oakland Center 2. Lincoln University 3. Oaksterdam University 4. Oakland School for Arts Hospital Kaiser Permanente
4
City’s Buildings - City Hall - Court - City’s offices
2
COSTANOAN BOUTIQUE HOTEL
2 4
Hotels 1. Oakland Marriott City Center 2. Courtyard Marriott Oakland Downtown 3. The Washinton Inn Hotel 4. Clarion Hotel Downtown Oakland City Center 5. Lake Merritt Hotel 6. The Inn at Jack London Square 7. Jack London Inn 8. Waterfront hotel
Hotels Attractions
8
4
Restaurant
7
Cafe 114
3 2
Government buildings
1
6
PROJECT
Hospital
4
5
Institutes
6
6
PROJECT
1
2
3
4
5
6
COSTANOAN BOUTIQUE HOTEL HOSPITALITY DESIGN
BUILDING ANALYSIS Structural analysis
115
116 PROJECT
1
2
3
4
5
6
COSTANOAN BOUTIQUE HOTEL
HOSPITALITY DESIGN
Summer Solstice 8AM
12PM
BUILDING ANALYSIS Environment factors analysis
5PM
117
HOSPITALITY DESIGN
Winter Solstice 8AM
COSTANOAN BOUTIQUE HOTEL
12PM
5 4 3 2 PROJECT
WinterSolstice - Right side of the building effect the most - The court yard effect since noon - Sun has little affect on the left side of the building
1
Summer Solstice - Left side of the building effect the most - The court yard effect in the afternoon - Roof top partly affect by shadow on the building behind
6
5PM
118
HOSPITALITY DESIGN
PROGRAMING
BUBBLE DIAGRAM
Bubble diagrams
LEGEND Main space Major adjacency Minor adjacency
Multi purpose room
Lobby COSTANOAN BOUTIQUE HOTEL
Accounting
Seating
Assistant manager
Reception Manage office
Restaurant seating
Restaurant
Lobby elevator
Kitchen
Exclusive office
Conference room
back of house
Balloom
Restaurant manager
Preparation room
Healthy club
Banqute
Kitchen
Break room
Laundry Meeting
PROJECT
1
2
3
4
5
6
Fitness center
119
House Keeping
FINAL BLOCK DIAGRAM
Block diagrams
HOSPITALITY DESIGN
PROGRAMING
KITCHEN
LOBBY SEATINGS
COFFEE BAR
RESTAURANT
RESTAURANT
HEALTH CLUB
ROOF TOP BAR
RESTROOM
ROOF TOP SEATING
DISPLAY
FIRST FLOOR PLAN
ROOF PLAN
STORAGE
PROJECT
1
2
3
SECOND FLOOR PLAN
4
BASEMENT2
5
6
PATIO
MEETING ROOMS
BALLROOM/ BANQUTE
RESTROOMS
BUSINESS AREA CAFE
MEETING ROOMS
BACK OF HOUSE
COSTANOAN BOUTIQUE HOTEL
EXECUTIVE OFFICE
LUGGAGE ROOM
ASIS. MNG. OFFICE
MNG. OFFICE
LOBBY RECEPTION
120
HOSPITALITY DESIGN
ADJACENCY METRIX ADJACENCY METRICS
HOTEL
= Close relationship = Proximate relationship
. Fo SQ
=Keep separate
w Vie ess /or y cc nd A ac a c t bli Priv ligh Pu y Da
ds
ee
eN
g ota
CRITERIA MATRIX
ing
mb Plu
900
H
I
L
N
N
2. Restaurant
2087
H
I
L
Y
N
3. Ballroom
1680
M
Y
M
N
Y
4. Health Club
1084
L
I
H
Y
Y
5. Executive Offices
1000
L
Y
H
N
N
6. Back of House
2200
L
N
H
Y
Y
34320
L
Y
H
Y
N
1. Lobby
6. Guestrooms
t en ipm ial ions c e at Sp sider n o C
u l Eq
ia
ec
Sp
Legen: H=High, M=Medium, L=Low, Y=Yes, N=No/None, I-Important but not require.
LOBBY COSTANOAN BOUTIQUE HOTEL
CRITERIA MATRIX
6 5 2 1
H
N
L
N
N
2. Travel Service
56
H
N
L
N
N
Assistant manager’s 3. office
64
L
N
H
N
N
4. Office Storage
50
L
N
M
N
N
185
H
I
L
N
N
6. Bellhop
25
H
N
L
N
N
7. Luggage Room
36
L
N
H
N
N
8. Elevator/Stairs
296
H
N
L
N
N
9. Restroom
160
H
N
L
Y
N
CRITERIA MATRIX CRITERIA MATRIX
Plu
L
N
N
L
Y
N
M
N
Y
H
Y
Y
H
N
nt me l ns uip cia tio Eq e l p idera a S i ec ns Sp Co
g
in mb
4
Y
84
BALLROOM RESTAURANT
3
I
PROJECT
Y
o
. Fo SQ
g
bin
m Plu
nt me l ns uip cia atio e Sp sider n Co
Eq ial
ec
Sp
Legen: H=High, M=Medium, L=Low, Y=Yes, N=No/None, I-Important but not require.
iew rV ess y cc d/o n A ac a ht blic Priv ylig a D
I
iew rV ess y cc d/o n A ac a ht blic Priv Pu ylig a D
s
ed
Ne
Front Desk/Queing 1. Space
5. Seating Area
ETRIX I
e tag
N
Ballroom/Banquet
1. Room/Meeting Room 1. Reception 2. Coatroom 2. Seating Area
1440 25 90 990
s ed Needs e e g N otage . Fo ta SQ. Foo SQ
H H
w Vie ess or View y d/o ccess r n A ac c ta / blic Ac Priivvacy ght and Public ylig r h a P D yli Pu Da Y L N I L N
t en ng s ipm nt l bin g quipmeecial ationns mb E i u l l ar tio P m ia qu Speicdie s idera ecial E p Plu n p S S ec Coons Sp C N N
H H
I I
M L
N N
N N
50 62
L M
N N
H M
N Y
Y N
4. Storage 2.2 Lounge
100 250
L M
N N
H M
N N
N N
3. Kitchen
660
L
N
H
Y
Y
100
ds ee H
L
iew rV Y
3. Control Room 2.1 Bar
Legen: H=High, M=Medium, L=Low, Y=Yes, N=No/None, I-Important but not require.
HEALTH CLUB 4. Restroom
121
N
eN
ess cc
d/o
y
N
ing
A I-Important g ac an CRITERIA MATRIX M=Medium, L=Low, mb Legen: H=High, but ht ota Y=Yes, N=No/None, blic Plu Privnot require. . Fo SQ
Pu
ylig Da
ec
Sp
nt me s l uip cia tion e Sp idera s n Co
Eq ial
N
N
4. Storage
H
N
N
CRITERIA MATRIX 600
H
I
M
N
Y
2. Hot Tub
100
H
I
M
Y
Y
3. Restroom
384
H
N
H
Y
N
Legen: H=High, M=Medium, L=Low, Y=Yes, N=No/None, I-Important but not require.
CRITERIA MATRIX
ota
. Fo SQ
w Vie ss /or ce y d c n A ac ta blic Priv ligh Pu y Da
ds
ee
N ge
ing
mb Plu
80
H
Y
L
N
N
110
L
Y
H
N
N
110
L
Y
H
N
N
200
M
Y
H
N
N
5. Conference room
240
M
Y
M
N
Y
6. Multipurpose Room
240
H
Y
M
N
Y
1. Reception General manager’s 2. Office Restaurant 3. manager’s Office Accounting 4. Department office
t en ns ipm ial tio c e idera p S ns Co
u l Eq
ia
ec
Sp
COSTANOAN BOUTIQUE HOTEL
EXECUTIVE OFFICES
Legen: H=High, M=Medium, L=Low, Y=Yes, N=No/None, I-Important but not require.
BACK OF HOUSE
e. CRITERIA MATRIX
ia ec
Sp
t en ipm ial tions ec a Sp sider n Co
u l Eq
. Fo SQ
ing
mb Plu
Secured Receiving 1. Room
180
L
N
H
N
N
2. General Storage
100
L
N
H
N
N
3. Laundry Room
200
L
N
M
Y
Y
Housekeeping 4. space
300
M
N
M
N
N
5. Staff Break Room
300
H
I
L
Y
N
25
H
N
L
Y
N
135
M
N
M
N
N
80
H
N
L
Y
N
6. Small Kitchen Employees Lockers 7. 8. Restroom
ia
ec
Sp
t en ipm ial ions c at e Sp sider n o C
u l Eq
2
g
bin
ota
w Vie ss /or ce y d c n A ac ta blic Priv ligh Pu y Da
ds
ee
N ge
6
t en ipm ial ions u Eq ec at ial Sp sider ec n o Sp C
g
bin
Exercise and 1. weight room
5
e.
Plu
4
N
o
. Fo SQ
t en ipm ial ons u l Eq Spec erati cia d e nsi Sp Co
g
in mb
3
Y
iew rV ess d/o cc cy n A a riva ht blic P g u i l P y Da
s
ed
Ne
Legen: H=High, M=Medium, L=Low, Y=Yes, N=No/None, I-Important but not require. 122
1
N
e tag
HOSPITALITY DESIGN
HEALTH CLUB
Y
PROJECT
Y
e.
N
L
100
Legen: H=High, M=Medium, L=Low, Y=Yes, N=No/None, I-Important but not require.
HOSPITALITY DESIGN COSTANOAN BOUTIQUE HOTEL
Costanoan referres to the Ohlone tribe, who occupied the Oakland area before the Spanish arrived. The concept of this hotel is inspired by their colors and patterns of the tools and clothes that they used in their daily life and passed on to the present. These pattern are integrated with modern elements, making this hotel unique with patterns that are hidden throughout the hotel. As a result, the hotel promotes the charactor and history of Oakland to the residents and tourists.
Architectural Elements The architectural element of this hotel is inspired by the notion of Spanish exploration where they start their voyage and travel with curiosity to the new land, which led to the discovery of the Oakland area.
PROJECT
1
2
3
4
5
6
Pattern and Color The exploration of the Spanish ships exposed the world to the indeginious Ohlone tribe. The tribe is an inspiration for pattern and color .
123
124 PROJECT
1
2
3
4
5
6
COSTANOAN BOUTIQUE HOTEL
HOSPITALITY DESIGN
HOSPITALITY DESIGN COSTANOAN BOUTIQUE HOTEL 6 5 4 PROJECT
1
2
3
COSTANOAN HOTEL
EXTERIOR ELEVATION EXTERIOR ELEVATION
0 1 2 3
125
5
HOSPITALITY DESIGN
2
105
110
5’ 5’
108
103
109
111
0
112 104 113 114
RESTAURANT 109 - COURTYARD 110 - HEALTH CLUB
2
3
4
5
104 - LUGGAGE ROOM 105 - KITCHEN
111 - RESTAURANT MNG. OFFICE 112 - ACCOUNTING OFFICE WOMEN RESTROOM 113 - SMALL MEETING ROOM 114 - STAFF RESTROOM FOOS PREP. ROOM
1
1 3 5 FT. 0 24
101 - LOBBY 106 - WOMEN RESTROOM 102 - MANAGER OFFICE 107 - FOOD PREPROOM - LOBBY 103 - ASIS.101 MANAGER OFFICE 108 - RESTAURANT 106 104 - LUGGAGE ROOM 109 - COURTYARD 107 102 - MANAGER OFFICE 105 - KITCHEN 110 -OFFICE HEALTH CLUB 108 103 - ASSIS.MANAGER
PROJECT
N
FIRST FLOOR PLAN SCALE 3/32” = 1’-0” FIRST FLOOR PLAN
COSTANOAN BOUTIQUE HOTEL
101
102
1
107
6
106
126
HOSPITALITY DESIGN
2 207
201
211
202 208 210 212
5’
COSTANOAN BOUTIQUE HOTEL
203
OPEN TO BELOW
206
209
213
5’
205
204 214 215
SECOND FLOOR PLAN SCALE 3/32” = 1’-0”
N
SECOND FLOOR PLAN
5
6
1 3 5 FT. 0 24
201 - MULTIPURPOSE ROOM 206 - WOMEN RESTROOM 211 - MEETING ROOM 202 - SMALL MEETING ROOM 1 207 - FOOD PREPROOM 212 - MEETING ROOM 203 - SMALL MEETING ROOM 2 208 - BALLROOM/BANQUTE 213 - MEETING ROOM 201 MULTIPURPOSE ROOM 209 BALLROOM/BANQUTE 204 - BUSINESS AREA CAFE 209 - BALLROOM/BANQUTE 214 - STORAGE 202 - SMALL MEETING ROOM 210 - SEATING OUTDOOR 215 SEATING 205 - MEN RESTROOM 2101- OUTDOOR - COAT ROOM
203 - SMALL MEETING ROOM 2 204 - BUSSINESS AREA CAFE 205 - MEN RESTROOM 206 - WOMEN RESTROOM 207 - FOOD PREP. ROOM 208 - BALLROOM/BANQUTE
PROJECT
1
2
3
4
1
127
211 - MEETING ROOM 212 - MEETING ROOM 213 - MEETING ROOM 214 - STORAGE 215 - COATROOM
HOSPITALITY DESIGN
2
1
302
COSTANOAN BOUTIQUE HOTEL
301
ROOFTOP PLAN SCALE 3/32” = 1’-0” ROOFTOP PLAN
301 - ROOFTOP BAR 302 - STORAGE FOR BAR
1
2
3
4
5
6
1 3 5 FT. 0 24
PROJECT
N
128
HOSPITALITY DESIGN
LEVEL 3 25’-3”
COSTANOAN BOUTIQUE HOTEL
SMALL SIZE MEETING ROOM
BALLROOM/ BANQUTE ROOM
MEDIUM SIZE MEETING ROOM
LEVEL 2 15’-5”
COFFEE BAR
RESTROOM
FITNESS / WEIGHT ROOM
RESTROOM
LOBBY SEATINGS
COURTYARD 4’-2 3/4” LEVEL 1 0’-0”
LOGITUTIONAL SECTION
LEVEL 1 25’-3” MULTIPURPOSE ROOM
SMALL SIZE MEETING ROOM
SMALL SIZE MEETING ROOM
BUSINESS AREA CAFE
5
6
LEVEL 2 15’-5”
LOBBY SEATINGS
MANAGER OFFICE
4
LOBBY
LEVEL 1 0’-0”
TRANSVERSE SECTION
PROJECT
1
2
3
COFFEE BAR
LEVEL 1 129
PROJECT
1
2
3
4
5
6
COSTANOAN BOUTIQUE HOTEL
HOSPITALITY DESIGN
PATTERN EXPLORATION
130
LOBBY
HOSPITALITY DESIGN PROJECT
1
2
3
4
5
6
COSTANOAN BOUTIQUE HOTEL
The plan for the lobby of this hotel is created from overlaying patterns creating a partition and reception desk. The pattern is extracted from the tribe’s traditional patterns.
PARTI PLAN PARTI DIAGRAM
131
132
HOSPITALITY DESIGN COSTANOAN BOUTIQUE HOTEL
WAITING AREA ELEVATION
ELEVATORS ELEVATION
LOBBY- DETAILS DETAIL OF PATTERN PANEL The patter created by over-
PATTERN PANEL DETAIL
RECEPTION DESK DETAIL
DETAIL OF RECEPTION COUNTER
MARBLE 3/4” THICK laying the tribe’s pattern MARBLE 3/4” THICK
WOOD STUD WOOD STUD WOOD PANEL 1/2”
CORIAN (MAROON) MAROON CORIAN
THICK WOOD PANEL 1/2” THICK
FABRIC FABRIC
GYBSUM GYBSUM BOARD BOARD
LED LIGHT LED LIGHT
PROJECT
1
2
3
4
5
6
CORIAN BLACK CORIAN (BLACK)
133
134 PROJECT
1
2
3
4
5
6
COSTANOAN BOUTIQUE HOTEL
HOSPITALITY DESIGN
135
136
137
RESTAURANT - DIAGRAM PLAN
RESTAURANT
HOSPITALITY DESIGN COSTANOAN BOUTIQUE HOTEL
The light fixture and ceiling shape in the restaurant area are created from overlapping pattern similar to the lobby’s pattern. The Restaurant also provides an outdoor space where customers can enjoy the courtyard.
PARTI PLAN (CEILING PATTERN) 138
PROJECT
1
2
3
4
5
6
1
HOSPITALITY DESIGN COSTANOAN BOUTIQUE HOTEL
RESTAURANT- DETAILS RESTAURANT BOOTHSEATING ELEVATION
RESTAURANT LIGHTING FIXTURE DETAIL
RESTAURANT PARTITION DETAIL
DETAIL OF LIGHITNG FIXTURE
DETAIL OF PARTITION SCREEN 4’-0”
0’-3”
LED LIGHT
LED LIGHTS
FROZED GLASS FROZED GLASS
1
2
3
4
5
6
WOOD WOOD
PROJECT
FRONT 139
SIDE
140 PROJECT
1
2
3
4
5
6
COSTANOAN BOUTIQUE HOTEL
HOSPITALITY DESIGN
141
143
“CREATIVITY REQUIRES THE COURAGE TO LET GO OF CERTAINTIES.”
- ERICH FROMM
144
ABOUT ME ! My name is Theerapa Mekathikom. I was born in Bangkok, Thailand. I hold a Bachelor of Science in Architectural design and a Master of Fine Art in Interior Design and Architecture. My design path started when I was in high school, since then my perception of design and architecture has changed. Human interaction in the space is something that I always consider in my design; how users interact visually and physically with the space in the human scale, and how the building affects the community and surrounding site. I love to travel and explore different cultures. I am eager to learn new things and always open-minded to other new possibility. I believe good design will not only serves the users with appropriate functions and beauty, but also leaves an impression embedded in their memories forever.
145
2012-2015 Interior Architecture and Design, Academy of Art University Master of Fine Art Febuary-May 2011 Melbourne School of Design, University of Melbourne One Semester Exchange Student (Master of Architecture) 2007-2011 International Program in Design and Architecture (INDA), Chulalongkorn University Bachelor of Science in Architectural Design
CONTACT INFO
Email: tmekathikom@gmail.com Web: www.issuu.com/theerapa.m Phone: (650)284-8634
RESUME
EDUCATION
WORKSHOP/CONFERENCE
WORK EXPERIENCE
2015 SuanLuang Home and Property office, Bangkok, Thailand Remodeling of the main office of SuanLuang Home and Property company. Work included: Schemetic design and drawings. 2014 Tycoon Restaurant, San Francisco, CA Remodeling of Thai restaurant in downtown San Francisco. Work included: Design, construction documents, material and funiture selection 2012 Aananraya Vacation home, Ayudhaya, Thailand Remodeling of vacation home Work included: Construction document and 3D modeling of ground floor remodeling and main gate design 2012 Waterford Condominium, Bangkok, Thailand Remodeling room 129 at Waterford Condominium. Work included: Material and Furniture selection 146
TECHNICAL SKILLS
Adobe Photoshop
Adobe illustrator
THEERAPA MEKATHIKOM
Microsoft office
Adobe InDesign
Sketchup
Autodesk AutoCAD
Autodesk 3dsMAX
Autodesk Revit
ABOUT ME
2010 Design and Construction Project for Community Community center project for Akkha Village, Chiang-Rai, Thailand works included: Construction documents, design, material selection and construction 2009 The lost Temple in The Sea Workshop 3-week workshop with National Cheng Kung University (NCKU) Participated in the workshop and designed on how to reclaim the disappearing of local temple, Wat Khun Samut Trawat, Samut Prakan Province, Thailand 2009 Design Build for Community Workshop ‘Bueng Pharam 9 Patana’ Community, Bangkok, Thailand Community center project for Bueng Pharam development project workd inclued: Design and presentation 2007 International Workshop: Cities of Words 7-day workshop with China Central Academy of Fine Arts (CAFA) Exhibition an installation on the expressions of Bangkok through words and space.
THANK YOU HAVE A NICE DAY!