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Idan Cohen builds bridges between creative worlds
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by Charlie Smith
ancouver choreographer Idan Cohen not only has a love of dance, he also relishes its marriage with memorable music in emotionally charged yet precisely arranged productions. The founder of Ne. Sans Opera & Dance company even made the pianist a character in Hourglass, his exploration of codependency that premiered at the Chutzpah! Festival in 2020, accompanied by four of Philip Glass’s piano études. That pianist, Vancouver Bach Choir music director Leslie Dala, has been one of Cohen’s longtime musical collaborators. Dala is also chorus director of Vancouver Opera. “We are now working on Hourglass as a full-length evening of all 20 études [by
Glass], and that would premiere in the next Chutzpah! Festival in November 2022,” Cohen reveals in a phone interview with the Straight before a rehearsal. They also collaborated on Orfeo ed Euridice, a Vancouver Opera production with Ne. Sans that premiered last month at the Queen Elizabeth Theatre. “Les is really one of the most genuine, kindest people I know, besides…being a great musician and a great collaborator,” Cohen says. “We can share ideas or notions coming from very different worlds and then find a common ground that is very fertile and creative.” On January 27, Cohen and Dala will be back together again as part of the Dance
ZERO February 9 − 12, 2022 Scotiabank Dance Centre – 8pm
Dancer Ted Littlemore will perform a solo choreographed by Vancouver’s ever-collaborative Idan Cohen in the Dance Centre’s upcoming Discover Dance! series. Photo by Flick Harrison.
We can share ideas or notions coming from very different worlds. – choreographer Idan Cohen
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THE GEORGIA STR AIGHT
JANUARY 20 – 27 / 2022
Centre’s Discover Dance! series, along with countertenor Shane Hanson and dancers Ted Littlemore, Will Jessup, and Benjamin Defaria. The event will follow all COVID-19 protocols in accordance with provincial health orders. Cohen says that it’s important to him to work with “kind and genuine people” because the life of an artist involves sharing ideas and exposing things that are sometimes very intimate. “You want to surround yourself with people who get that, with people who appreciate that,” Cohen emphasizes, “and are not just there for different reasons but they are there to go through their own experience and to learn and expand our horizons and our limits—both in an
artistic and personal way.” In the upcoming show, the three dancers will perform four solos from Cohen’s works set to music by George Frideric Handel, Johann Sebastian Bach, and Glass. The Handel piece will be sung by Hanson. Two of these solos will be newer creations from the extended version of Hourglass that is in development. “I’m still working in the studio these days,” Cohen explains. “So it will be almost like a world premiere of the two solo piano études by Philip Glass. I’m very excited for that.” The other two solos will be from Solo for Orpheus, which premiered at the 2021 Chutzpah! Festival. Cohen emphasizes that all four are solos when you think of them strictly as dance performances. However, he describes them as duets or a trio when they’re viewed as marriages with what Dala and Hanson will bring to the presentations. “Les is on-stage and Shane is part of the choreography, in that sense,” Cohen says. “The musicians on-stage always have a certain presence in the work that we stage at Ne. Sans.” g The Dance Centre presents Ne. Sans Opera & Dance/Idan Cohen at the Scotiabank Dance Centre at noon next Thursday (January 27).
