PuSh FEST
Club PuSh nights promise cabaret-style adventures
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by Steve Newton
rogramming a major arts festival has to be a daunting job at the best of times, but throw a global pandemic into the mix and the challenges really ramp up. Nobody knows that better than Gabrielle Martin, director of programming of the PuSh International Performing Arts Festival. The rise of the Omicron variant has been causing havoc with the annual event, the latest casualty being the cancellation of Tarragon Theatre and Black Theatre Workshop’s Our Fathers, Sons, Lovers, and Little Brothers. Before that, Martin had to scrap the festival’s copresentation with Music on Main of Leah Abramson’s
nine-song cycle, Songs for a Lost Pod, as well as The Café, a collection of plays by ITSAZOO Productions and Aphotic Theatre. “They were two shows that were in their final stages of production,” Martin says on the phone from the PuSh Fest’s downtown office, “but there was just too much of a financial and health risk for these large casts coming together. So that was emotionally hard, because we were just sad to see them go, and we were worried about that being a trend. “That said,” she adds, “the majority of our program is going forward, so 11 shows in eight venues. We’re just really happy that we can move forward with these shows be-
On NoStag w e
DJ Kookum is among the performers at Night Two of Club PuSh, which is cocurated by Full Circle: First Nations Performance and features Indigenous musicians. Photo by Chris Randle.
...you won’t necessarily know exactly what you’re gonna get. – PuSh director Gabrielle Martin
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cause we believe in each of them—that’s why we programmed them.” Martin is particularly pleased that COVID-19 hasn’t put the kibosh on Club PuSh, which takes place over three nights at Performance Works on Granville Island. “We’ve partnered with other arts and theatre companies to curate each of the nights,” she explains. “So February 2 is the frank theatre company, and we’re describing the event as ‘a celebration of the queer art of failure’. It also comes directly after the show How to Fail as a Popstar by Vivek Shraya, so they’re kind of taking that theme on into the night.” According to the PuSh Festival website, that first Club PuSh night features drag artists Rose Butch, PM, Continental Breakfast, Maiden China, Kara Juku, Edzi’u, and DJ Softieshan, but Martin can’t say which of those performers she’s most psyched to see. “I wasn’t involved in curating this,” she says, “but frank theatre has taken the lead on it, and I absolutely trust that they have put together what will be a fun night. To be honest, I know about as much as you from reading the names, but the names themselves have me intrigued. Maiden China and Continental Breakfast—those are really piquing my interest.”
The second Club PuSh, on February 3, is cocurated by Full Circle: First Nations Performance’s Nimkish Younging and Rob Thomson and features a lineup of Indigenous artists performing everything from burlesque to hip-hop music. The third and final Club PuSh, on February 4, is a “dance battle” featuring interdisciplinary arts collective Immigrant Lessons. “This is actually something that [the festival] had done in previous years that was really successful,” Martin says. “There’s a spirit of exchange, and it’s improvised, and my understanding is that the root of it is to try and mix up people’s perceptions of what dance is and bring dancers together across disciplines. So whereas originally audiences could jump up and join in, it’ll be organized in advance where dancers will sign up to show their stuff.” Martin notes that due to COVID-19 restrictions, there will be a cabaret-style seating arrangement at Club PuSh, and patrons will remain seated. “People will not be mingling with their drinks in hand throughout the room,” she points out, “but the cabaret seating also allows for something different. I know with the frank theatre night, they’re really gonna use that to their advantage in that some performances take place in different areas of Performance Works. It’s a little bit hyperlive in that sense. “It’ll be an adventurous night,” Martin promises. “All of the Club PuSh nights will be adventurous in spirit, so you won’t necessarily know exactly what you’re gonna get.” g Club PuSh takes place February 2 to 4 at Performance Works as part of the PuSh International Performing Arts Festival. Tickets are $10 at the door, but admission is free with a ticket to any PuSh show.
