CONFESSIONS

JAZZ FEST Bill Coon isn’t just lazing around during jazz fest

by Steve Newton

Vancouver jazz artist Bill Coon started playing guitar in his early teens, thanks in large part to his brother David. His elder sibling— currently the leader of New Brunswick’s Green Party—had a cheap acoustic sixstring that, despite its high action, young Bill took a real shining to. Permanently.

“Pretty soon after, I stopped taking piano lessons and I picked up my brother’s guitar,” Coon says on the phone from his North Burnaby home. “And as I say—or he will tell people—I never gave it back.”

Not long after absconding with his bro’s instrument, Coon started getting good enough to perform. It wasn’t long before he discovered there was gold in them thar jazz licks. Or a few bucks, anyway.

“When I first started getting into guitar, it didn’t really occur to me that I could make a living doing it,” Coon says. “I remember getting my first gig playing jazz at a Mexican restaurant in downtown Montreal, and I think we made $30 each. I couldn’t really imagine it, because we’d be playing in the basement [for free] anyway. So I thought, ‘Wow, I can make money doing this.’”

That first paying gig was followed by more than three decades of musical achievements, including playing on over 50 recordings, winning awards and commissions from the B.C. Arts Council and the Canada Council for the Arts, and being chosen guitarist of the year at the 2009

Mud Bath

Scan to confess

The Georgia Straight

Confessions, an outlet for submitting revelations about your private lives—or for the voyeurs among us who want to read what other people have disclosed.

As odd a craving it may be, I feel like sleeping in temperature-controlled clay mud. I’d be keeping cool and avoiding mosquito bites (at least on the mud covered parts).

Ghosts

I think I saw an ex. He certainly has a type and his new partner is a more height and age appropriate lookalike of me. I would have gone on being all schadenfreude but was more surprised by my reaction. I wasn’t heartbroken, just more curious. Happy for him that he found a new distraction and thoughtful how we both, in our own way, haven’t quite moved on like we thought.

Delete Button

This site should have one because half the time I cringe at my own comments and want to delete it. Written responses read lot harsher than intended.

Three’s a crowd and two’s company

Before my girlfriend and I broke up, we were going to have a ménage a Trois with her friend. I really liked that idea and things seemed to go according to plan until she put a stop to it. She didn’t even talk about it anymore. I wondered why. Looking back now, I think my ex girlfriend was jealous. She had this theory that I’d probably fi nd her friend more attractive than she was. Well if that’s how she felt then I guess she’s right. My ex girlfriend’s friend was way better looking anyhow. Oh well, nothing ventured, nothing gained.

Visit to post a Confession

Vancouver jazz-guitar great Bill Coon loves his Mini Voyager guitar, built by local luthier Mike Kinal. He’ll no doubt be playing it at some, if not all, of his four jazz-festival performances.

I’ve managed to eke out a living playing and teaching music.

– Bill Coon

National Jazz Awards. So which of those accomplishments is he most proud of?

“I’ve managed to eke out a living playing and teaching music,” the 61-year-old replies, “and that’s not something that is the easiest path. So I’m just kinda proud of that.”

The majority of Coon’s recent musical forays have seen him making use of his favourite guitar, one that was handcrafted by local luthier Mike Kinal, a local highschool woodworking teacher who builds guitars part-time. The instrument Coon favours, which he’s been playing for about a dozen years, is called the Mini Voyager.

“I played a lotta guitars,” he says, “and this one seems to suit my body quite well. It has a nice acoustic sound, so if I’m playing with a band like Triology or if I’m doing a smaller group, I can turn my guitar amp down and you can hear the acoustic part of it too, if it’s a quiet situation. So it has a nice acoustic-electric blend to it. And the neck is great.”

As far as his own personal taste in guitar slingers go, Coon isn’t big on speedy players who blast off 10 notes a second. You won’t see him lining up at a Joe Satriani or Steve Vai gig any time soon.

“I certainly appreciate their musicianship and their guitar mastery,” he says, “but I’ve always been into guys that sort of figured a way to do more with less. For example, someone like Ed Bickert, or to a certain extent Lenny Breau. Jim Hall. Those kind of players I’ve always been really drawn to, more the lyrical side. But I love all sorts of guitar players.”

Coon says he was influenced early on by guitarists like George Benson and Wes Montgomery; one of the records that he listened to “to death” was the 1962 Jim Hall/Bill Evans duo record Undercurrent. Nowadays, when he’s not listening to jazz, he enjoys orchestral or chamber music. His fave classical composer is Maurice Ravel.

“He seems to really have a magical way with an orchestra and colour and combinations of instruments,” Coon says of Ravel. “I love the way he writes.”

As far as local guitar players go, Coon points to Tony Wilson, David Blake, and Dave Sikula as among the city’s top pickers.

“We’ve got a pretty rich guitar thing going on in this city,” he asserts, “and it’s actually really grown in the last 20 years, quite amazingly. The first time I ever heard about a Vancouver jazz scene was hearing Oliver Gannon playing on a CBC program many years ago. I got to play with him, and then we actually made two records. So I consider Oliver Gannon sort of the godfather of the jazz guitar here in Vancouver.”

Local Coon fans hoping to see him perform at jazz fest shouldn’t have much trouble tracking him down—live or online—as he’s booked to play no less than four festival gigs. “I’m not just lazing around during jazz fest,” he says. “I’m keepin’ busy.” g

As part of the TD Vancouver International Jazz Festival, Bill Coon performs with Triology at Pyatt Hall on June 30 at 7 p.m.; with his 4Tet and Campbell Ryga at Pyatt Hall on July 1 at 7 p.m.; with Laura Crema at Frankie’s Jazz Club on July 2 at 7:30 p.m. (sold out, with wait list); and with the Jodi Proznick Trio as part of Jasmine Jazz at Performance Works on July 4 at 2:30 p.m.