T H E G RAN G E F E S T I VA L 2020
LA CEN ER EN TOLA RO S S I N I
M Y FA I R L A DY LER N ER & LOEW E
June | 5, 12, 14, 19, 27 July | 2
July | 3, 4
A M I DSU MM ER N IG H T ’ S D R E A M BR ITTEN
DA N C E@T H E G R A N G E
June | 6, 11, 13, 20, 24
July | 9, 10, 11
M A N O N L E S CAU T PUCCI N I
T H E MONST ER IN THE MAZE D OV E
June | 21, 26, 28 July | 5, 12
Curated by Wayne McGregor
July | 18, 19
Photography: Leela Bennett, Robert Workman and Jon Ashby | Graphic design: wearenoun.com
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W EL C OM E
Inside this booklet our aim is to whet your appetite and invite you into our world of dreams and passions. And when you have made your choices, and committed to your visits next summer, I sincerely wish that your hopes and desires will be richly satisfied. I am thrilled to be staging our first Puccini: Manon Lescaut, his first great success. A heart-wrenching tale of passion and despair, starring two young singers who have already turned heads and ears on The Grange stage, Elin Pritchard (Alice in Falstaff) sings Manon Lescaut, and Samuel Sakker, a winner in our 2017 singing competition, returns as Des Grieux. Conductor Francesco Cilluffo galvanized the BSO so stylishly in Falstaff and undoubtedly will do so again. Stephen Lawless, a colleague of many years, will bring vast international experience to create a new production for us. I was privileged to sing at Benjamin Britten’s last public appearance a few weeks before he died in 1976 and have enjoyed a long association with Aldeburgh and its Festival ever since. It gives special pleasure to be staging probably his most globally performed opera, A Midsummer Night’s Dream, to coincide with
the 60th anniversary of its first performance in Aldeburgh’s Jubilee Hall, exactly where I sang to its composer. Another longstanding operatic colleague, Paul Curran recreates for us his hugely acclaimed production made originally for Valencia opera house. Our chorus master since 2017, Antony Kraus, conducts. Hampshire school children will play the fairies, and the cast showcases new and established vocal talent of the highest quality. There is nothing quite so likely to raise the pulse as a slow building Rossini aria, piling on virtuosic vocal display and madcap Italian idiom and gradually accelerating towards musical exhilaration. We heard such two seasons ago in the Barber, and, by popular demand both of audience and performers, we return, with Cinderella. I am pleased to welcome back many of the same team complemented by international stars, some appearing in UK for the first time. We are proud to present three evenings of Dance@TheGrange curated by Wayne McGregor. One of the UK’s best loved national ballet companies under their new worldfamous Director will appear alongside Studio Wayne McGregor. This is ‘quite something’
to be able to announce. I have no doubt that this will be one of the hottest tickets of the Festival. Classical and modern ballet and some incredible contemporary dance will take the breath away. We will give you the names as soon as we can. And we offer two evenings of a ‘bonne bouche’, if one of the best-loved musicals of all can be squeezed into that epithet. My Fair Lady in full symphonic form – orchestra and chorus on stage, with the principals playing and singing the drama downstage, will be memorable. I personally cannot wait. We are hugely excited about the scale of our first community opera Jonathan Dove’s The Monster in the Maze which acts as the finale of our 2020 Festival. I look forward to telling you more about it. Last year you came in great numbers (around 95% attended every performance) and we were showered with critical plaudits. It seems we are on a bit of a roll. I relish the prospect of seeing you all again next year, with even more of your friends, and relations. Let us all enjoy being the ‘touchstone of English summer opera’.
Michael Chance C B E 3
LA CENERENTOLA
‘A classic fairy story. The handsome prince rescues the wronged orphan daughter’
Just as Rossini did, we follow The Barber of Seville with Cinderella (prompted, it must be admitted, by overwhelming demand from our successful 2018 Barber team). Who could resist such Rossinian luminaries? Josè Maria Lo Monaco returns in the title role, Stephen Barlow directs and David Parry conducts. This is for many their favourite Rossini opera. We are proud to present an entirely international cast in this much loved drama giocosa which fizzes with comic brilliance: Nico Darminan as Don Ramiro, Christian Senn as Dandini, Luciano di Pasquale as Don Magnifico, and the return of our 2019 Figaro, Roberto Lorenzi, as Alidoro.
Sung in Italian June | 5, 12, 14, 19, 27 July | 2
Composer Gioachino Rossini Librettist Jacopo Ferretti Bournemouth Symphony Orchestra
P RO D U C T I O N T E A M Conductor David Parry Director Stephen Barlow Designer Andrew D Edwards Lighting Designer Sinéad McKenna
CAST Angelina Josè Maria Lo Monaco Don Ramiro Nico Darminan Dandini Christian Senn Don Magnifico Luciano di Pasquale Alidoro Roberto Lorenzi Clorinda Carolina Lippo Tisbe Maria Ostroukhova
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A M I D SU M M E R N IG H T ’S DR E A M
‘In a wood near Athens fairies, young lovers and ham actors play havoc in antic hay’ We celebrate the 60th anniversary of one of opera’s most popular adaptations. Full of sensuality, fun, argument, chaos and reconciliation, Benjamin Britten’s voluptuous and translucent music illuminates Shakespeare at his luscious and comic best. Paul Curran’s heralded European production is remade for The Grange. Hampshire children play the fairies, rising stars the lovers, Jonathan Lemalu returns to sing Bottom, and The Grange Festival is proud to welcome South African sensation Vuvu Mpofu as Tytania and Royal Opera House Young Artist Patrick Terry as Oberon. Anthony Kraus conducts the Bournemouth Symphony Orchestra. Wild thyme, oxlips, nodding violets, luscious woodbine, sweet musk roses and eglantine launch your sensory trip into dreamland…
Sung in English June | 6, 11, 13, 20,24
Composer Benjamin Britten Librettist William Shakespeare Bournemouth Symphony Orchestra
P RO D U C T I O N T E A M Conductor Anthony Kraus Director & Set Designer Paul Curran Costume Designer Gabriella Ingram
CAST Oberon Patrick Terry Tytania Noluvuyiso Mpofu Puck Chris Darmanin Theseus Roberto Lorenzi Hippolyta Angharad Lyddon Lysander Peter Kirk Demetrius Dominic Sedgwick Hermia Angela Simkin Helena Eleanor Dennis Bottom Jonathan Lemalu Quince Graeme Danby Flute Ben Johnson Snug Sion Goronwy Snout Adrian Thompson Starveling Johnny Herford 7
M A N ON L E S CAU T
‘The opera which made Puccini’s name and settled his music in the hearts of us all’ Puccini scored his first major success with this tragic depiction of urgent young love. Manon chooses luxury over love and pays the ultimate price. She is pursued across the Atlantic by her soulmate Chevalier des Grieux and dies in his arms. Packed with soaring melodies, and infused with raw emotion and a desperate sense of desolation, tears will flow and passions will boil. We are thrilled to present a new production created by the internationally renowned director Stephen Lawless and conducted by Italian star Francesco Cilluffo, returning after his triumphant Falstaff. Elin Pritchard returns to The Grange as Manon following her success as Alice in Falstaff in 2019; 2017 Grange Festival International Singing Competition finalist Samuel Sakker sings Des Grieux.
Composer Giacomo Puccini Librettist M Praga, D Oliva, G Ricordi, L Illica Bournemouth Symphony Orchestra
P RO D U C T I O N T E A M Conductor Francesco Cilluffo Director Stephen Lawless Designer Adrian Linford
CAST Manon Lescaut Elin Pritchard Lescaut Nicholas Lester Des Grieux Samuel Sakker Geronte Stephen Richardson Edmondo Kamil Bien Musician Angharad Lyddon
Sung in Italian June | 21, 26, 28 July | 5, 12
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M Y FA I R LADY
‘The perfect musical’
Since it stormed Broadway in 1956, Lerner and Loewe’s irresistible musical version of George Bernard Shaw’s social satire Pygmalion has become a monument of musical theatre. For the Festival in 2020, we present it as a staged concert, with the action of the characters sharing the stage with the Bournemouth Symphony Orchestra and The Grange Festival Chorus. Guy Unsworth directs and Alfonso Casado Trigo, who led our Candide so winningly in 2018, conducts. Expect a cast to die for and an evening to savour deep in our hearts and long in our memories.
Composer Frederick Loewe Librettist Alan Jay Lerner Bournemouth Symphony Orchestra
P RO D U C T I O N T E A M Conductor Alfonso Casado Trigo Director Guy Unsworth
Sung in English July | 3, 4
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DA N C E@T H E G R A N G E
‘…beauty, passion, energy, elegance & drama. All of this and more on stage at The Grange’ ‘I am delighted to be returning to The Grange as Director of Dance for the third year in 2020. The Festival programme this past June received such a vibrant reception by the audience, and it was thrilling to launch the New Dance Commissioning project at The Grange with the premieres of two specially commissioned works by the intensely innovative Alice Topp and Mthuthuzeli November. I look forward to sharing with you our next programme of classical and modern ballet, alongside incredible contemporary dance, performed by Company Wayne McGregor and introducing an exciting new collaboration with an established, iconic UK ballet company, new to The Grange, for Dance@TheGrange 2020. And of course we look forward to two new commissions in this the second year of the New Dance Commissioning project at The Grange.’
Wayne McGregor C B E Director of Dance, The Grange Festival Artistic Director, Studio Wayne McGregor Resident Choreographer, The Royal Ballet
July | 9, 10, 11
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T H E MONS T E R IN THE MAZE LE A R N I N G @TH EG R A N G E
‘An eight-month community project connecting generations and exploring the importance of family values’ A contemporary interpretation of the myth of the Minotaur focusing on the bonds of community and family. Theseus has to penetrate the labyrinth in order to kill the half-man halfbull Minotaur, which feeds on human flesh. Helped by his mother and the architect of the maze, Daedalus, he kills the Minotaur and frees the Athenian children, held as a regular supply of food for the monster. This is a searing portrayal of adolescent worry and fear of the future: the dangers of confusion and hopelessness. Heroes and role models are available to help them out of the labyrinth, and guide them away from danger and darkness, into the warmth and clarity of the Mediterranean light. They are shown the importance of resilience and courage to face the modern world.
Information about how to book tickets for these performances will be released in early 2020
Composer Jonathan Dove Librettist Alasdair Middleton Hampshire County Youth Orchestra Wessex Dance Academy
P RO D U C T I O N T E A M Conductor Alice Farnham Director Thomas Guthrie Designer Ruth Paton Choral Director Suzi Zumpe
CAST Mother Yvonne Howard Daedalus Henry Waddington Primary, Youth and Adult Choruses
July | 18 & 19
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EDUCAT ION F U N D
The Grange Festival commitment to education and community outreach is central to its principles. At a time when arts subjects, especially music, are dropping off our national curriculum, opera provides an important blend of music, drama, dance and design, giving young and old the opportunity to explore ideas and develop their imagination through the creative process. Learning@TheGrange has this year turned its focus on an even more ambitious goal: a community opera designed to connect diverse groups of local people, build intergenerational relationships and nurture mental wellbeing. Bringing together over 120 children, teenagers, parents, grandparents and friends – with an age span of over 70 years – this community project will result in the first fully-staged opera house production of Jonathan Dove’s internationally acclaimed The Monster in the Maze. It will be an eightmonth project, culminating in performances on 18 and 19 July as part of The Grange Festival 2020. The aim is for this eight-month project to spark discussion, tap into emotions and enable us to understand how creative
activity can help everyone, particularly the young, to stay mentally healthy. On a Monday morning last August, 70 teenagers from 20 different educational backgrounds came together at The Grange to create a contemporary opera, LikeUnlike, based on their experiences of social media, in five days. Anxious, apprehensive and believing opera to be irrelevant to them, they required real courage and determination to walk through our door and start working together. By the end of the week, they had debated the effects of social media and worked together in groups to develop a storyline, music, choreography and design for an hour-long show on Friday afternoon. In the process, they overcame personal inhibitions, expanded their imaginations, formed friendships and took creative ownership they even re-titled the opera #LitOnline. Earlier in the year, the Mozart in the Making project gave 150 children from five Hampshire primary schools, with little or no specialist arts teaching, the opportunity to reimagine Mozart’s Marriage of Figaro and perform on our magnificent stage at The Grange for an audience of friends
and families. A series of fun, immersive workshops preceded the day, and encouraged children to sing and create movement while introducing them to the magic of opera. During our main season, an interactive half-term workshop Fun with Figaro brought together children, parents, grandparents and friends to share a fun experience, and learn about Mozart and Da Ponte’s witty story and timeless music before watching the final rehearsal of our festival production. Secondary students were invited to explore Verdi’s masterpiece Falstaff using Shakespeare’s text from the Merry Wives of Windsor, and they too watched the final rehearsal of Christopher Luscombe’s much acclaimed contemporary production. In addition, over 300 young dancers were given the opportunity to attend a special performance from our Dance@TheGrange programme, featuring Company Wayne McGregor and Ballet Black, followed by a Q&A session to give an insight into the profession. Learning@TheGrange was always going to be an essential part of The Grange Festival, and we look forward to the 2020 season with enthusiasm. 19
F E S T I VA L FOU N DER S
The generous gifts of our Founders have played a huge part in making the Festival happen. The Grange Festival exists to bring world class opera and dance to The Grange in Hampshire. As a Founder you will make a big difference by supporting us as we evolve into a hub of cultural excellence. You will be invited to develop an ongoing relationship with The Grange and its artistic activities. We hope that, if you can, you will consider joining us and take this unique opportunity to be a part of our future and secure your place in the history of this amazing Hampshire landmark. All our Founders enjoy Lifetime Priority Booking and all donations are acknowledged in the Festival programme. We like to keep in touch with our Founders during the year and hope you may wish to join us at some of our out-of-season events that often focus on our forthcoming productions. 20
F E S T I VA L FRIENDS
Our annual Festival Friends underpin each Festival and are essential to us as a charity to sustain the high quality of our operas. Friends have access to priority booking and play a crucial part in making the Festival happen. Ticket income only covers half of the cost of each production, so we depend on our Friends’ generosity to fill the gap. In this fourth year, we hope our Friends will continue to be as generous as they can in supporting us. Please spread the word – we can never have too many Friends. All our Friends enjoy Priority Booking and all donations are acknowledged in the Festival programme. All Friends levels expire at the end of July each year. Our Friends’ levels now include a VATable portion which is the price for the benefits given to Friends joining at that level. The remainder is a suggested voluntary donation which is also eligible for gift aid if you are a UK taxpayer.
THE SW EET SPOT £5000 Price £100 | Suggested charitable donation £4,900
Every stage has that unique spot that projects the voice perfectly and produces a quality of sound to tickle the hairs on the back of your neck. Enjoy priority booking from 22 October 2019.
You will receive invitations for you and your guests to meet the cast after all your visits to The Grange; to attend a closed rehearsal; and to special events during the year.
T H E LI M E LIGH T £2500 Price £80 | Suggested charitable donation £2,420
Before electricity theatres produced intense light by directing a flame at a cylinder of quicklime. Enjoy priority booking from 12 November 2019.
You will receive invitations for you and your guests to meet the cast after all your visits to The Grange; to attend a closed rehearsal; and to special events during the year.
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T H E PROM P T C OR N E R £1000 Price £50 | Suggested charitable donation £950
Every theatre needs one. Without this, it might not be alright on the night. Enjoy priority booking from 12 November 2019.
You will receive invitations for you and your guests to meet the cast after all your visits to The Grange; to attend a closed rehearsal; and to two special events during the year.
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T H E RO S T RU M £500 Price £33 | Suggested charitable donation £467
The birds-eye view and position of power guiding the orchestra with a flick of the wrist. Enjoy priority booking from 10 December 2019.
You will receive invitations for you and your guests to meet the cast after all your visits to The Grange; to attend a closed rehearsal; and to two special events during the year.
T H E W I NG S £250 Price £25 | Suggested charitable donation £225
It’s all happening here in the secret, silent world. Prop tables are ready, quick changes are prepared, the crew are primed, the cast are awaiting their cues. Enjoy priority booking from 21 January 2020.
You will receive an invitation to one special event during the year.
T H E FO O T LIGH T S £40 Price £7.50 | Suggested charitable donation £32.50
The original theatre lighting: once upon a time as candles, now used as a special effect. Enjoy priority booking from 18 February 2020.
T H E H IGH F LY E R S
UNDER 35s ONLY
Price £10
Traditional scenery operators worked on the fly walks high above the stage. Priority booking from 18 February 2020 Any seat, any performance £35* Half-price Festival Programme Free Bus Transfers*.
Maximum 6 seats per performance. Discounted rate applicable to under 35s only. Bus transfer subject to availability space is not guaranteed.
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NORWAY
BELGIUM
TORONTO KINGSTON LOS ANGELES
CONNECTICUT NEW YORK
NETHERLANDS AUSTRIA
FRANCE MADRID PORTUGAL
SWEDEN
SWITZERLAND
BARCELONA
ITALY JAPAN CHINA HONG KONG
AUSTRALIA
CHILE
NEW ZEALAND
I N T ER NAT IONA L F R I E N D S
Welcoming groups from all parts of the world to our performances was a notable feature in 2019. We had sixteen teenage school children from Beijing, all dressed up to the nines, soaking up The Marriage of Figaro, as well as Friends’ groups from The Hague, Paris, Stockholm and Hong Kong, to mention just a few. The Grange Festival has established Friends’ organisations in Hong Kong and New York, and plans to do so in Milan, Paris, and Amsterdam.
We are working closely with More than Musical in HK to set up our first international collaboration which will see us sharing our expertise both here in the UK and in HK. Each year 2 or 3 students of the creative arts will be fully funded to come and learn as they work with us during our rehearsal and performance period. We will also run masterclasses in HK each year and share our skills in education and outreach work, using music and drama to
stimulate and nurture young minds with the positive energy of creativity and teamwork. These affiliations imply both substantial international support for the Festival as well as cross collaboration for education and professional training. And most importantly, people come from all these areas around the world to The Grange to see a performance. If you know of friends and colleagues who would like to be part of The Grange abroad, please let us know.
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PR IOR IT Y BO OK I NG I N FOR M AT ION
Priority booking is available for all our Festival Founders and 2020 Festival Friends. For more information about becoming a Festival Founder please contact rachel@thegrangefestival.co.uk For more information about becoming a Festival Friend please refer to page 23. If you are ready to join up today please complete, sign and return the 2020 Festival Friends form. If you are interested in the range of corporate opportunities available please contact rachel@thegrangefestival.co.uk
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Priority booking opens as follows: 22 OCTOBER 2019
21 JANUARY 2020
Festival Founders – all levels
The Wings
22 OCTOBER 2019
18 FEBRUARY 2020
The Sweet Spot
The Footlights & The Highflyers
12 NOVEMBER 2019
10 M ARCH 2020
The Limelight & The Prompt Corner
General Booking opens
10 DECEMBER 2019 The Rostrum
HOW TO BO OK
B O OK I NG FOR M If you are a Festival Founder or a 2020 Festival Friend, please complete the enclosed ticket booking form and return it to us at: The Grange Festival Folly Hill Farm Itchen Stoke Hampshire SO24 9TF Tickets are allocated at the start of each booking window in the order in which the forms were received. If you have specific seating requirements it is better to get your form in early.
ON LI N E B O OK I NG Do keep a careful note of any requested bookings and if you need to make any amends please contact the Box Office on 01962 791020 and Caroline and her team will do their upmost to accommodate you. Where possible please include a valid email address so that we can notify you when your tickets have been allocated.
It is also possible to book all your tickets online via our website: www.thegrangefestival.co.uk. Online booking for each level opens at 10am on the dates listed opposite and if you have signed up at the corresponding level you will be granted access to the seating plans. If you do have any mobility issues, please contact Caroline and the Box Office team for advice on the best seating options.
When requesting tickets please make us aware of any mobility issues for you or your guests as this will affect where in the auditorium, we are able to seat you. Once your tickets have been allocated, we will be in contact regarding payment for tickets, so please don’t send payment in with your booking form. 29
A R R I VA L AT T H E GR A NGE
To immerse yourself fully in the atmosphere and unparalleled surroundings of The Grange, we recommend you arrive early. The grounds are open two hours before curtain-up. Parking attendants will direct you on arrival and the Festival volunteers are on hand to greet, guide and assist you as you enter the site. Enjoy a drink at The Portico Bar, the perfect place to meet your friends. Take in the spectacular lake view while indulging in some canapés. If you fancy something sweeter take a stroll down to The Tea Pavilion where you can enjoy delicious homemade cakes and a refreshing cup of tea of coffee.
I N T E RVA L A 100-minute dining interval offers you a wealth of choices. Treat yourself to Dinner in the House at The Grange Restaurant, order a sumptuous Supper in the Park, book a private pavilion in a range of magnificent settings, book one of our two marquees or bring a rug and pick a spot in our breath-taking grounds.
T H E GR A NGE Don’t miss out on the chance to enjoy a closer look at the extraordinary interior of the semi-ruined house. As well as being home to our restaurant you can enjoy the carefully curated Art@TheGrange exhibition or visit Lady Ashburton’s shop.
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F E S T I VA L S HOP The Festival shop is situated in the central room of the house next to The Portico Bar, which leads you into the Gallery corridor and the crumbling grandeur of the main house. Here you can buy a range of items from books and stationery to clothes and jewellery. Each piece is specially selected or made exclusively for The Grange Festival.
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W H AT T O W E A R To add to the atmosphere of your visit to The Grange, evening dress and black tie is usual. A suitable stylish alternative is welcomed and creative individuality is encouraged. On cooler days, a warm layer is recommended. When considering footwear, please note our grounds can be damp or uneven.
W E AT H E R Although we do everything in our power to provide beautiful sunshine, standing under the Grecian portico on a rainy day whilst enjoying a glass of champagne can be just as magical as the brightest of summer days. Our Festival will not be dampened by the weather. The award-winning theatre is entirely enclosed, our fine-dining restaurant is located within the magical interior of the house and we have enough marquee space to keep everyone dry.
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CA LE N DA R 2020 Wednesday 24 June 17:30
JUNE
A M I DSU M M ER N IGHT’S DR EA M
Friday 5 June 17:30
Friday 26 June 17:30
LA CEN ER ENTOLA
M A NON LESCAU T
Saturday 6 June 17:30
Saturday 27 June 17:30
A M I DSU M M ER N IGHT’S DR EA M
LA CEN ER ENTOLA
Thursday 11 June 17:30
Sunday 28 June 17:00
A M I DSU M M ER N IGHT’S DR EA M
M A NON LESCAU T
Friday 12 June 17:30
LA CEN ER ENTOLA Saturday 13 Jun 17:30
A M I DSU M M ER N IGHT’S DR EA M Sunday 14 June 17:00
LA CEN ER ENTOLA Friday 19 Jun 17:30
LA CEN ER ENTOLA Saturday 20 June 17:30
A M I DSU M M ER N IGHT’S DR EA M Sunday 21 June 17:00
M A NON LESCAU T
JULY Thursday 2 July 17:30
LA CEN ER ENTOLA Friday 3 July 17:30
MY FA I R LA DY Saturday 4 July 17:30
MY FA I R LA DY Sunday 5 July 17:00
M A NON LESCAU T Thursday 9 July 17:30
DA NCE@T H EGR A NGE Friday 10 July 17:30
DA NCE@T H EGR A NGE Saturday 11 July 17:30
DA NCE@T H EGR A NGE Sunday 12 July 17:00
M A NON LESCAU T Saturday 18 July 19:00
T H E MONST ER I N T H E M A ZE Sunday 19 July 15:00
T H E MONST ER I N T H E M A ZE
C H O O S E YOU R S E AT S
SE AT I NG PL A N FOR OPER A
GRAND TIER
BOX B Price
Opera
Band A1
£195
Band A2
£185
Band B
£160
Band C
£135
Band D
£115
Band E
£60
Band F
£45
BO
BOX10
9
B OX 11
BOX
13 BO
8 OX BOX3
X7
BOX BO
STALLS CIRCLE
BOX
X1
Circle Sides
X1
5
X6
P N
N
X T
BO
R Q
Q
Mimi
4
5 BO
P
Z
X1
BOX4
2
R
Grand Tier Sides
B OX12
M L K J
M L K J
H G F E D C B A
H G F E D C B A S TAG E
Y
S W Violetta Circle Sides
Grand Tier Sides
SE AT I NG PL A N FOR DA NC E/C ONC ERT
GRAND TIER
BOX B
Price
Dance
Concert
Band A
£115
£140
Band B
£95
£110
Band C
£85
£80
Band D
£70
£70
BO
BOX10
9
B OX 11
£40
13 BO
BOX3
X7
BOX BO
STALLS CIRCLE
BOX
X1
X T Mimi Circle Sides
BO
X1
5
X6
R Q
Q
Z
4
5 BO
P N
P
£45
X1
BOX4
2
R
Grand Tier Sides
BOX
8 OX
N Band E
B OX 12
M L K J
M L K J
H G F E D C B A
H G F E D C B A S TAG E
Y
S W Violetta Circle Sides
Grand Tier Sides
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